German lighting control manufacturer MA Lighting has announced details of the V2.60 software for its GrandMA, GrandMA Light and GrandMA Replay Unit. The updated software includes a new time code function with up to 100 individual time code settings and individual sequencers, with editing choices in graphic- or list-mode; Command line with entering and editing-functions for all control functions; extended new functions for direct and comfortable handling; command line history offering the possiblity of repeating and editing all commands by scrolling through a log of all commands that have been entered since console power-up; an ‘Agenda’ function with timed schedule for use in theme parks, daily shows or in architectural lighting, fully equipped with astronomical real-time clock; a new ‘move in black’ function for automatic prepositioning of any feature whilst shutter is closed or light is dimmed - selectable per sequence or single cue; editing and storing functions for cues, groups and presets now come in a completely new design and functionality; option to copy features and data of moving lights on one or more fixtures of the same or different type; ‘Playback Tracking’ network of several consoles with different show contents for one show network via ethernet; import of showdata from other control desks in USITT ASCII showfile format; and finally, fast loading of showfiles from hard disk within a few seconds without complete rebooting of the console. All display- and screen-messages are available in five languages.
World-renowned mixing console manufacturer Midas will make PLASA 2001 the venue for the launch of the new Legend Series, a brand new range of live performance mixing consoles. The first Legend console in the range to be introduced will be the Legend 3000 . . .
Midas product manager David Cooper said the Legend: " . . . offers complete flexibility for both rental companies and installers alike at a price point significantly below that of the Heritage range. As well as offering all of the great features you would expect from a Midas console including some that are totally unique, we demanded three things: firstly that it be reliable on the road, secondly that it must be easy to service, and thirdly perhaps most importantly that it should sound like a Midas. We have achieved this in a number of ways. The inclusion of XL4 preamps and XL3 EQ ensures that traditional and unmistakable Midas sound. As far as serviceability and reliability are concerned, there are no shortcuts or compromises, but in order to produce a console of this quality at such an attractive price point, a change of approach was required. Therefore, unlike the more expensive Heritage range, Legend is a semi-modular console constructed in blocks of eight, each of which is split into three sections. However, due to several clever design touches, servicing remains a relatively straightforward issue."
In yet another world first, Legend provides the user with two sets of controls. Every input channel has two lots of EQ one for monitors and one for FOH as well as two faders for complete control over
Italian acoustic specialist FBT has launched the MaxX 6 (passive) and 6a (active) speaker enclosures. The latest addition to FBT's gas-injection moulded polypropylene range, the MaxX 6/6a is a two-way system, fitted with B&C drivers - a single die-cast aluminium framed 15" unit fitted with a neodymium magnet and 3" coil, plus a custom 2.5" compression driver with a 1.4" throat. Frequency response is from 40Hz-20Hz, sensitivity is 98dB (at 1W/M), a maximum SPL is a loud 128dB for the 6a (129.5dB for the 6) and the enclosures have a dispersion of 90 x 60 degrees.
Complementing the 700W MaxX 6 (which will handle up to 1400W short term at IEC 268-5), the bi-amped MaxX 6a makes full use of the acoustic quality of the passive version and in addition to a sophisticated amplifier stage, includes FBT's proprietary ADAP processor. The manufacturer's design team says that ADAP grants the maximum operational reliability of all the system's components through any application, even under long-term Larsen effects. The MaxX 6a delivers 700+200W and comes with XLR/Jack Neutrik inputs, XLR Neutrik link, gain control, three-band EQ and volume control.
HHB has announced publication of its 2001 catalogue. Widely considered as one of the definitive guides to everything that's important in professional audio, this year's edition contains essential information on 1500 products from more than 150 manufacturers, and includes details of a number of important new product introductions. The company has introduced a Quick Search Guide making it easier for the reader to locate the equipment category of their choice where the relative specifications of available products can be conveniently compared. Simultaneously published in a searchable format on HHB's website, the 152-page catalogue has already been mailed to existing HHB customers and is available free on request to qualifying UK audio professionals.
Television Film Services (TFS), the location audio equipment supply company recently founded by film sound recordist Keith Silver, has chosen Sennheiser wireless microphones and in-ear monitoring systems with which to equip its inventory. Having already purchased a large number of SK 50 transmitter and EM 1046 modular receiver-based 5000 series systems, the company recently supplemented this with a further 16 channels of rackmount 3000 series systems, bringing the total number of channels to 45. The company also purchased six channels of Sennheiser Evolution 300 series wireless IEM. Founded just 10 months ago, TFS has already supplied equipment to both BBC and Channel 4 productions, as well as to a growing number of corporate and feature film clients.
Elektralite, a division of Group One Limited, displayed its range of lighting controllers at the recent Showtech Fair in Berlin, on the stands of RST and Focus Showtechnic. Of special interest to existing and potential users alike was the all-new CP100xt Effects Engine - available as a software upgrade (Operating System v4.0) and included with all new sales of CP100xt. "The power and flexibility of the new Effects Engine enables the CP100xt to be considered as a viable alternative to other ‘established’ consoles - there’s nothing to be gained by paying more for less elsewhere," said Elektralite’s International sales and marketing manager, Keith Dale.
The Elektralite CP100xt Effects Engine currently includes the following: customisable, effects which can be run simultaneously to produce sophisticated movement, color and intensity patterns: Blue Chase, Chase Circle, Circle Fan, Color Chase, Color 2 Chase, Fan, Figure of Eight, Gobo Chase, Gobo 2 Chase, Green Chase, Iris Chase, Pan Chase, Rainbow Chase, Random Motion, Red Chase, RGB Chase, Shutter Chase, Tilt Chase and Zoom Chase.
Blick UK Limited and Applications Solutions Limited (ASL) have announced a joint venture to bring an innovative new product to the public address and fire alarm industry. A market leader in security, communications, time management solutions and digital TV distribution, Blick UK together with Application Solutions (ASL), designers of all aspects of public address, audio and voice alarm systems, have launched the world's first public address/voice alarm that features full remote control and diagnostic capabilities. The system, which is fully compliant with BS 5839 Part 8 1988, BS EN54-2 and BS EN60849 1998, has remote diagnostic capabilities supplied by a modem interface, and can identify system faults before they happen by monitoring and recording system events on a regular dial-up basis. The main benefit of remote diagnostics is that fault-finding and configuration can be carried out at a remote location saving the engineer time and money.
The system amplifiers use class D adaptive amplifier technology available in 100W, 200W and 400W units in various configurations in 2U 19" rack mount units. There is a family of routers to cater for differing system complexities. The simplest router mixer unit allows for six audio inputs to be routed to the 4 dual audio outputs for dual circuit systems. Expanded units provide 12x12 or 20x20 capacity, and can control up to 64 amplifiers using the proprietary Audio-CAN data network. The basic routers also include digital storage for 2 x 32 second emergency messages and 2 x 16 second test messages. The 12x12 unit provides four out of
DHA has launched its latest product, the Gecko Gobo Rotator, specifically designed for creating cost- effective theatrical lighting effects within architectural and retail settings. As a new accessory to the Gecko Image Projector it allows two gobos to rotate simultaneously in the same or opposite directions. Designed to be either an integral part of the display or hidden away, the open design of the Gecko's optical system has the hi-tech look required by modern architects. Compact, cool-running, stylish and economical, with a long lamp life and low maintenance, the DHA Gecko is ideal for either long or short term applications. Either using the Gobo Rotator as an accessory to an existing DHA Gecko or starting out with the complete Gecko Gobo Rotator as a unit, any E size glass, metal or cibachrome gobo can be rotated. The unit can also be added to in itself with, for example, an extra rotator.
Color Kinetics, a pioneer of full spectrum digital lighting, has achieved a breakthrough with an LED-based white light technology that uses a non-RGB method of producing high quality white light which can be intelligently controlled over a range of colour temperatures from warm to cool shades of light. This patent-pending technology couples a unique optical design with Color Kinetics’ patented Chromacore technology, achieving an LED-based high-quality white light solution for the general illumination market. Chromacore uses microprocessor-controlled multi-coloured LEDs to generate millions of colours and a variety of dynamic lighting effects.
President and CEO of Color Kinetics, George Mueller, envisions Color Kinetics' intelligent white light technology leveraging the advanced control capabilities of Chromacore to give users an entirely new level of flexibility with white light. The intelligent white light technology can produce a high colour rendering index (CRI - for example, users would have the ability to select any shade (colour temperature) of white light they desire, whether it is cooler tones that make the most of certain retail displays, or warmer tones for more comfortable home lighting.
Color Kinetics Incorporated (CKI), the manufacturer of full spectrum digital lighting, has achieved a major breakthrough with an LED-based white light technology that uses a non-RGB method of producing high quality white light which can be intelligently controlled over a range of colour temperatures from warm to cool shades of light. This patent-pending technology couples a unique optical design with Color Kinetics' patented Chromacore technology, achieving an LED-based high-quality white light solution for the general illumination market. Chromacore uses microprocessor-controlled multi-coloured LEDs to generate millions of colors and a variety of dynamic lighting effects. In addition to its Chromacore patents, Color Kinetics holds several intellectual property filings covering the use of multiple coloured LEDs to generate fully controllable white light. Color Kinetics' is referring to these technologies as 'intelligent white light'.
Audace Ltd, the audio control specialists have been experiencing great domestic success with their intelligent Wall Plate system since launching it on the Allen & Heath stand at the PLASA Show last year. Installations include the Red Cube Bar and Grill in Leicester Square, Springbok Bars in Wigan and Cardiff and Bar Censsa in Preston. Managing director Bryan Waters told PLASA Media: "We are absolutely delighted with the response to this system. When we took the decision to commit to this project, we knew that there was a gap in the market between VCA pots and touch screens and it is encouraging to see that we are not the only ones with this conviction!" The Audace intelligent wall plate system provides inexpensive digital control of DSP-based audio processors via Cat 5 cable and configuration is carried out using a free Windows GUI available from the Audace website.
Hayden Laboratories, the exclusive UK distributor for Rane products, has supplied Rane NM84 network mic preamps to London-based specialist classical recording company Floating Earth. The preamps - part of the CobraNET range of audio products - were specified by Mark Harrison, technical engineer for Floating Earth’s new OB truck. It’s Floating Earth’s first mobile, so they consulted broadcast and high end equipment suppliers HHB about the project, asking them to supply the equipment and systems utilised and after-sales support. Floating Earth then undertook the physical install themselves. The four Rane NM84s were supplied by Hayden to HHB, for whom the project was managed by Steve Angel. The mic preamps go into the venue and sit at the front end of the location recording - each offers eight line inputs. They are linked to QSC CobraNET digital decoders in the truck by a single fibre optic cable. Mark Harrison has followed the development of CobraNET with interest over the last two years. He chose the NM84s because 'they were the right boxes at exactly the right time. They are studio-quality preamps, they have a remote control facility and mate perfectly with the QSC decoders.' He adds that the preamp’s return outputs facility has also proved very useful for talk-back and playback.
Harrison has long been a fan of Rane equipment and remarks on its proven reliability and quality. He’s so impressed with the Rane NM84s that he’s just ordered another two - to give him a total of 48 channels to the truck, and 16 return outputs. The Floating Ear
Co-lighting designers Fenton Williams and Heath Marrinan specified 12 of High End Systems' newest luminaire, the xSpot, for their ‘Everyday 2001’ shed/stadium tour, which is currently touring North America. Lighting contractor Theatrical Media Services (TMS) of Omaha is supplying an all High End Systems rig which also features 30 Studio Beam, 34 Studio Spot 575, 12 Studio Color 575 and 10 Cyberlight automated luminaires, along with 47 Dataflash AF1000 xenon strobes for the shed tour. The stadium rig is pumped up with an extra 20 Studio Beams and an extra 20 Studio Spot 575s. Two Wholehog II consoles control all the lights along with more than 400 PARs.
Marrinan comments. "The x.Spots work really well on our set. The zoom feature allows us to really do a nice job covering the set from top to bottom without losing a lot of intensity. The color mixing is very nice and all the lights match up color-wise very evenly. It also has some very nice lithos. You can make the light do just about anything you want. It's fast, bright, forgiving, and gives the designer a very nice tool to use in any production."
Italian loudspeaker manufacturer Outline has developed the first high power, pollution free sound system with its' innovative Soundtracker system. The Soundtracker is a ceiling mounted tile that works as part of a matrix. The patented design incorporates a 21 foot horn, and a dual concentric 10" and 2" driver configuration. When a matrix of at least 16 units are installed, the off axis sound rejection is 30dB. Larger matrices of Soundtracker will perform equally. The intention for the composite ceiling tile which weighs in at an astonishing 22Kg, is for venues that either have a noise pollution problem, because of their location or indeed because of the Noise at Work Regulations Act which dictates limited working hours in areas of high SPL. Soundtracker can also be used as an extremely cost effective solution for hotels, exhibition or any public venues where sound pollution is a problem.
Theatres in London, Manchester and Brighton have become the latest in a growing number of performing arts venues to use a high-tensile wire grid system to deliver safe and easy access to high level lighting and sound equipment. In each case, the system specified has been Cablenet, a product designed and manufactured by Slingco Ltd, a family-owned company based in Rochdale and one that has virtually captured the market since becoming the first UK company to install a wire grid system just four years ago.
The last three months have seen contracts totalling over £150,000 completed with Cablenet systems being installed at the Brighton Dome Museum, Stratford Performing Arts Centre (SPAC) and the Zion Art Centre, joining a client list that already includes RADA, Bridgewater Hall and the Tron Theatre among its members. The Cablenet system consists of high-tensile steel cable woven and tensioned within a frame - like a tennis racket - to create a platform strong enough to carry the weight of lighting and sound engineers. The key feature is that these platforms are virtually invisible from ground level and cast no shadows from the stage lighting positioned above.
A typical Cablenet system is suspended from the roof using vertical hangers, Architectural features such as columns can be accommodated and the system can also incorporate sleeves to allow the movement of cable-suspended equipment as required. This versatility can be used to satisfy any space, shape or practical issues: the Brighton Dome installation, for instance, is doughnut-shaped with a large hole in the middle to
Outline, the Italian loudspeaker designer and manufacturer, has announced the addition of a 'Joey' to its Kanguro (pronounced kangaroo) range of ultra portable sound systems. 'Joey' was the project name, which will not be used to market this latest product in the Kanguro range. The KW1215A is a self-powered loudspeaker system which allows the High Pack to be placed inside the Sub for transport. Amplifiers for the system have been developed in-house by Outline and are fully Digital. Each module produces 450W into 8 Ohms and there is a module in each of the KW1215A cabinets.
Pioneer GB has introduced the futuristically-designed CDJ-1000, which includes a range of innovative new features such as Vinyl Emulation, Wave Display, Multi-Media Card (MMC) and Loop In and Out Adjust. The CDJ-1000 provides a creative universe limited only by the imagination of the DJ - entirely irrespective of favouritism towards either CD or Vinyl. With its design rooted in CD and sampling technology, the CDJ-1000 is modelled on a traditional vinyl deck. With the world’s largest touch-sensitive Jog Dial, designed to faithfully and accurately emulate the characteristics of a turntable. This allows DJs to treat CDs exactly the same way as they would a vinyl record: cueing, pitch-bending, back-spinning and even scratching.
The Wave display reads every track on the CD and displays the corresponding sound level in a graphical format. This enables the DJ to cue up a track just as they would with vinyl by reading track break-points in advance for use as a mix point. There is also a Zoom facility which lets the DJ scroll along the Wave display to obtain even greater information. The MMC memory card feature allows the DJ to store favourite cue and loop points, as well as all the track Wave data from the CD onto the card for future use (16mb MMC = 100 cue and loops points and WAVE data up to a maximum of 10,000 CDs). There is also a back-up function that duplicates cards in case of loss. Other features include an instant reverse activated by a switch with no loss of tempo or pitch; three Hot Cue buttons that can be used to memorise cue points on different CD tracks and th
Theatre Electronics, based in India, have now released the first version of their new software product ‘Theatre Visual’. The software is a PC-based virtual lighting console that outputs DMX512 via the Artistic Licence DMX-Dongle II. The system was recently used to provide lighting effects for a sound and light show presented by the Tata Group: the system comprised over 250 channels for intelligent luminaires, 240 for dimmers and 12 relay channels. Show synchronisation between light, sound and video was controlled by the Theatre Visual software package. Designer Naresh Bajaj commented: "I would like to thank Artistic Licence for their support in helping us to complete this project successfully and on time." Theatre Electronics can be contacted on the e-mail address below:
The long awaited release of the NJD Mirage Colour Mixing System has arrived. Shown in its prototype 12V format at the PLASA Show 2000 the Mirage has received eight more months’ development and now boasts many additional features including a 30V version that now allows up to 64 heads to be connected to one power pack. The Mirage works on the RGB colour-mixing principle. By using microprocessors to mix minute amounts of colour from the three 50W dichroic filtered lamps, a choice of 65,000 colours can be projected onto any convenient surface. Accessories include, a downlighter kit for flush fitting (with a choice of black, white, silver and gold cover plates); a swivel bracket fitting for surface-mounting or 'G' clamping, that can be pointed in any direction and at any angle; an uplighter bracket to enable subtle wall illumination (particularly useful for low ceilings); and an uplighter shroud to hide the fitting if desired, enabling the Mirage to blend in with existing decor. By using the 12V version (this refers to the lamp voltage, the power packs run on 230V), a very narrow beam lamp can be used enabling the Mirage to be inserted inside standard triangle trussing using the trussing mounting kit.
Audace Ltd, the audio control specialist, has released V1.04 of their Intelligent Wall Plate software. The wall plates interface to digital mix processors such as the Allen & Heath DR Series to provide inexpensive, easy-to-use but configurable control of the audio environment by unskilled operators. New features include free Windows GUI available from the Audace website for configuration of systems; wall panels can now control up to four audio channels simultaneously; the 'range' of volume control can be limited at configuration stage; switches can be programmed as mutes, presets, source selects or no function; switches can be configured as additive or mutually-exclusive in function, interfaces with Allen & Heath V2.10 system software which eliminates the need for an optional remote control port, thus reducing overall system cost significantly.
Audace managing director Bryan Waters commented: "In combination with Allen & Heath DR128 in particular, I feel that this solution represents one of the best value sophisticated audio control systems on the market. Not everyone has the budget or requirement for touch screens and of course the compromises of VCA control pots are well documented in terms of no on-panel display, wiring costs, no facility for limiting control, lack of scalability and difficulties achieving multi-channel control. With our system you can even install multiple panels (up to 32) in a large ballroom, for example, and all the relevant wall plates will update when any one of them is manipulated. The displays will also, of course, respond to changes from
ARX's range of SPL Series Powered Integrated Loudspeakers has been expanded with the release of the new SPL 20 Powered Arrayable Trapezoidal Sub Woofer. Featuring a single 18" (460mm) long-throw driver, the SPL 20 provides extended low frequency output from 35-100Hz in an Arrayable trapezoidal reflex-loaded package, for use in flown or ground stacked multi-cabinet loudspeaker systems. The SPL 20's fully integrated amplifier/speaker combination offers ARX's propriety ISC system protection and CoolPort technology, ensuring maximized high power output whilst retaining low distortion and providing sonic accuracy. Designed as a complementary sub-bass cabinet for SPL 12 and SPL 10 arrays, the SPL 20 can easily be used with other speaker systems. Since its control electronics and amplifier are built-in, the SPL 20 is the perfect add-on when more extended low frequency output is required. The all-new amplifier design inside the SPL 20 uses existing proven ARX analogue amplifier technology for predictable operation in all professional applications. Its transformer based power supply and Mosfet drive circuitry both enable a reduced parts count for long term reliability. Plus, with their inbuilt self-regulation, Mosfets are accepted as being the most thermally reliable and predictable amplifier output stage currently available. ARX’s SPL range of powered loudspeakers are now widely used in concert halls, auditoriums, hotels, convention centres and other venues requiring high quality predictable sound reproduction worldwide.
Following the growing success of the beyerdynamic conference products, beyerdynamic (GB) Ltd have signed an exclusive distribution agreement with Biamp Inc to represent their full product range in the UK. The Biamp product line has found increasing applications in conference applications and is a perfect partner for both the beyerdynamic MCS and MCW product ranges. Commenting on the appointment, John Midgley, managing director of the beyerdynamic UK operation stated: "This is an important product line for us and comes at a great time with the success we have had in the conference and distance learning markets. Now with the Audia product we can integrate systems even further and offer a complete, integrated solution to this growing market sector." Biamp have recently launched the Audia Digital Audio Platform as an open architecture configurable audio matrix system, allowing installers the ability to exactly define the audio system for a given installation with the ability of simple and quick reconfiguration of the input and outputs. The system can be controlled via Panja (formerly AMX) or Crestron protocols via Ethernet or serial communication networks.
Prior to its public launch, Midas distributors enjoyed a spectacular pre-launch party on the canals of Amsterdam during the recent AES exhibition to announce the advent of the Legend Series, a brand new range of live performance mixing consoles. As well as the Klark Teknik Group's legendary hospitality, Midas distributors along with a select group of guests were treated to a fast-moving presentation to introduce the latest member of the Midas family. Although the product will not be shipping until September, the pre-launch event gave distributors the opportunity to place their first orders for the Legend 3000, the first Legend console in the range to be introduced.
Midas product manager David Cooper said the Legend: " . . . offers complete flexibility for both rental companies and installers alike at a price point significantly below that of the Heritage range. As well as offering all of the great features you would expect from a Midas console including some that are totally unique, we demanded three things: firstly that it be reliable on the road, secondly that it must be easy to service, and thirdly perhaps most importantly that it should sound like a Midas. We have achieved this in a number of ways. The inclusion of XL4 preamps and XL3 EQ ensures that traditional and unmistakable Midas sound. As far as serviceability and reliability are concerned, there are no shortcuts or compromises, but in order to produce a console of this quality at such an attractive price point, a change of approach was required. Therefore, unlike the more expensive Heritage range, Le
The entire future of automated lighting and, the application of high powered video projection, moved a big step forward at Showtech in Berlin this week, with the European soft-launch of High End System’s new product, Catalyst. Developed for HES by English design company, Wynne Wilson Gottelier (WWG), the alpha version of Catalyst created a considerable stir at the show. Mounted on the front of a Barco ELM R12, a 12,000 ANSI lumens output, triple-DMD video projector, Catalyst allows an image to be moved smoothly and positioned accurately, time after time, within a global envelope. As it is video-based, Catalyst allows truly unlimited colour mixing, with a selection of masks that act as framing shutters or overlays on video clips.
The system is delivered with hundreds of gobo patterns, that can again be overlaid, including the entire DHA and High End libraries. All of these facilities are accessible from any DMX desk, and were demonstrated at Showtech from a Wholehog 2. The package, which consists of the dynamic hardware, a control rack, DMX system control software, and video processing software, is to be marketed by High End Systems to rental companies which already own suitable DLP projectors, as an add-on. Aside from Barco, these could include models from Christie Digital Systems, Digital Projection, NEC, Panasonic and others.
Catalyst can next be seen at Showlight 2001 in Edinburgh where Tony Gottelier and Peter Wynne Willson will include it in their presentation ‘Lumières sans Frontières’, following which High End will again be showing the alpha s