Products

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14 March 2016

AVB enables precisely synchronized, real-time, low-latency, streaming of audio across an Ethernet network with no-hassle, self-configuring, true plug-and-play convenience. All StudioLive RM-series mixers already have the SL-AVB-MIX option card installed and just need a firmware update to enable the new AVB networking functionality. The card is offered as an upgrade option for StudioLive AI console mixers.

With this first phase of AVB support, you can use the StudioLive RM32AI or RM16AI as a stage box and monitor mixer for any StudioLive AI-series front-of-hou

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14 March 2016

With an output, approaching 30,000 lumens from a 600w LED source, the SolaWash Pro 1500 comes packed with CMY, Variable CTO, two fixed colour wheels, framing and a nine to 55 degree zoom range.

Alongside this full feature set, the SolaWash Pro 1500 includes High End Systems' patented thermal control software ensuring that the fixture's cooling system is as efficient as possible while being whisper quiet. Further to this, there are various cooling modes in order to meet differing customer requirements such as opera and broadcast.

"Following on from the incredible success of the SolaSpot Pro 1500, launched at LDI 2014 it is exciting that we have, in such a short space of time, been able to set the bar e

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14 March 2016

The CDC six, for which the company claims the fastest, most intuitive operation and highest possible audio performance of any mixing console, is based around the further development of its advanced gesture-operation user interface.

Speaking immediately after the launch, Cadac brand development manager Richard 'Fez' Ferriday, said, "We have been overwhelmed by the response of the visitors we have had on the opening day of the show. CDC six has been very well received by the pro audio community and, on day one of the show, we have already sold the first production run of this innovative live sound console."

(Jim Evans)

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14 March 2016

Whether it's a bar, an AV installation, a church or a prestige nightclub, the CDD Series has it covered, says the company. CDD has been conceived as a one stop solution; six two-way full-range coaxial systems - from the micro CDD5 to the powerful CDD15, complemented by high-performance subwoofers - cover the majority of install applications; all models come in black or white as standard and all RAL colour variants are available to special order.

The CDD Series has the audience

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14 March 2016

The TF series offers "advanced features and renowned Yamaha reliability at an exceptional price point". With key features aimed at new users and experienced professionals alike, the TF series offers the kind of facilities and performance enjoyed by large-scale productions for even the most modest sound reinforcement applications, says the company.

The TF series comprises three compact Yamaha digital mixing consoles. The TF5, TF3 and TF1 respectively feature 33, 25 or 17 motor faders along with 32, 24 or 16 rear-panel analogue inputs, which feature recallable Yamaha D-PRE preamplifiers for the first time in a digital console. This facility provides greatly improved support for live music and events where full setup changes need to be m

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14 March 2016

A sharply defined, flat and uniform beam that operates rapidly in every movement provides intense mid-air beam effects through a high power white LED light source and a colour wheel as well as a gobo wheel. The results are high contrast levels and an extreme brightness. Adding to its uniqueness, this moving head is not only IP65-rated and maintenance-free, but also offers the choice of being either battery-driven with an impressive 10-12 hours operation in typical use or being connected wired mains power.

It provides an output of 61,910 lux at a 3m distance and a colour temperature of 6,500K on pure white light. The G-1 is equipped with a 2.8? fixed beam angle; however, it can deliver an aperture zoom adjustable down to 0.3?.

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14 March 2016

The Evo 6E and Evo 7E are both fully horn-loaded with 15in mid-bass, 10in Funktion-One signature midrange and a 1.4in compression driver solely for high frequencies above 4kHz. The Evo 7E has a 30-degree horizontal dispersion angle and very high efficiency, so just three wide gives 90-degree horizontal coverage for crowd sizes up to around 2,500 people. The Evo 6E has the same cabinet height and width as the Evo 7E but with a wider, 45-degree horizontal dispersion, making it ideal for mid-scale

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14 March 2016

The combination of fader and switch and touchscreen operation, enables capabilities and features that would normally require a far greater physical control surface. In addition, tablet operation facilitates both extended fixed position and remote functionality. In FOH position a tablet provides an additional graphical interface for enhanced metering and other channel and buss functions, as well as enabling remote mixing and soundchecking from almost any position in a venue.

digiLiVE features proprietary mix algorithms, for EQ, dynamics and FX, powered by fourth generation SHAR

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14 March 2016

The dot2 range consists of three lighting consoles; dot2 core, dot2 XL-F, dot2 XL-B; two playback expansion wing solutions; dot2 F-wing and dot2 B-wing and the dot2 Node4 (1K) network output node as well as the dot2 onPC console software and the dot2 3D visualisation software solutions.

Designed for small and mid-sized projects and venues, dot2 offers advanced functionality with ease-of-use. Full tracking backup is available via plug and play networking.

Intuitive operation is the core of the dot2 philosophy and with all connectivity onboard, the dot2 range is suitable for most theatre, touring, corporate, television and education lighting environments.

The easy to operate dot2 software is available in multiple languages and provides onboard Help and Direct Hints to guide a n

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14 March 2016

Over 10 years in development, the RNT combines a high-voltage tube circuit within the microphone itself, a floor box with a discrete, class-A amplifier circuit using the same custom op-amps as Rupert Neve Designs' flagship 5088 analogue mixing console, two of Rupert's custom transformers, and a custom mic capsule designed by sE to provide extreme headroom (153dB) and high-bandwidth frequency response.

Given its substantial headroom, the mic has no need for a pad, but the amplifier circuit in the floor box has three gain settings of -12dB, 0dB (flat),

Details

14 March 2016

The initial implementation was revealed on the new Soundcraft Vi5000 and Vi7000 Digital Mixing Consoles which were introduced at the show, and will support Shure's ULX-D and QLX-D Digital Wireless Systems.

This new integration with the mixing console enables automatic Shure device discovery, identification, and mapping of each wireless system to the appropriate mixer channel. When that channel is selected on the console, all essential wireless parameters are displayed. This enables live monitoring of the channel's RF and audio metering, with the ability to adjust receiver gain from the console, much like trim adjustment for a wired mic. In addition, battery

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14 March 2016

"When I visited ISE at the beginning of the year, DiGiCo's managing director James Gordon hinted that there was going to be something that would fulfil the request I'd made when we first met. Even without knowing what it was, I knew I wanted it. I trust James absolutely, so if he says it's right for my business model, I know it is! So I signed up to buy the first one there and then.

"I think having this type of product is a strategically important move for DiGiCo and for GSF. It really opens up the opportunity for smalle

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14 March 2016

An alternative to conventional compact line arrays in terms of both price and audio performance, the L5 LTS A is an efficient, easy-to-handle sound reinforcement tool for professional hire companies, and is sure to impress when installed in clubs, says the company.

The L5 LTS A pairs the concept of an integrated line array with the physical format of a classic compact point source, and the enclosure can be flown or deployed in ground stacks. Although a single satellite achieves the long-throw performance of a conventional compact array, the L5 LTS A's special audio characteristics also let you set up acoustically correct head stacks and horizontal clusters, and the two configurations may even be combined i

Details

14 March 2016

There is a USB and SD-card slot on the front and another USB-input on the back of the unit (to avoid people from taking the memory stick out). The unit has an operation mode switch at the back to choose between Auto Play and Cue. When the PCR3000RMKIII is in Auto Play mode, the unit will always start playing automatically when it's powered on. In Cue mode the unit will always wait for a

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14 March 2016

Representatives from Roland Japan and Roland Europe picked up their accolade at the mipa/pipa awards ceremony attended by more than 300 press, manufacturers and distributors from around the world.

Commenting on the success of the M-5000, Peter Heath, head of Roland ProAV in Europe said: "We are incredibly proud to win this award against tough and established competitors such as Midas and Soundcraft. Recognition at this level and in this category is a tremendous achievement."

This year was the second time that the pipa/Prolight & Sound International Press Awards have been presented during the awards ceremony of the mipa/Musikmesse International Press Awards which are now in

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14 March 2016

Journalists from more than 100 dedicated special interest magazines from all over the world were called upon to nominate and vote for the best equipment in the marketplace, and they selected the Q-7.

"To be recognised for this ground-breaking LED fixture is amazing. It has quickly become an industry standard and I am proud to see it implemented in so many great designs," said SGM CEO Peter Johansen.

The Q-7 is a low-profile and compact RBGW flood, blind and strobe containing 2,000 powerful LEDs providing 28,000 lumens. It is also available in as a Q-7 W with a pure white light output offering 60,000 lumens.

(Jim Evans)

Details

14 March 2016

"With the S21, we wanted to re-write the rulebook. To test the conclusions we previewed at Prolight+Sound without publishing or unlocking the full software potential, or even the intended release specifications," says DiGiCo's managing director, James Gordon.

This different approach makes sense when you take on-board that the core of S21 is DiGiCo's Stealth Digital Processing. This FPGA based technology is the key that unlocks the flexibility that the R&D designers need to specify and deliver the ultimate console. This has been demonstrated to existing clients, as every console in the SD range has benefited from complimentary advancements in core processing and softwa

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14 March 2016

On one of their stands, visitors were able to get an exclusive preview of the Eos console family software version 2.3, which is due for release in summer and adds a number of new options for controlling colour. Anne Valentino, ETC's Eos product manager, says, "Among the changes are multiple colour space options, which can be used for any type of mixing system and improved gel matching and new display options. Tinting tools - such as warmer and cooler - can also be used to adjust colour.

"Spectrum tools expose emitter settings for LED fixtures, and with ETC LED fixtures provide an adjustment at an emitter level that will maintain the white point. A number of colour fade path options are allowed, with a graphic to display the c

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14 March 2016

"We recognise the significance of this regional event and it has now become an important date in the diary for us to network with industry colleagues and clients," observes Shaun Pearce, MD Pearce Hire. It will be the third year running that the Cambridgeshire based company has taken a stand at the sell-out show.

Pearce Hire operates nationally and internationally and their expertise covers all aspects of production management, production solutions and bespoke installations, in addition to an extensive inventory of rental equipment for dry-hire.

"This is

Details

14 March 2016

The D20 amplifier has four independent 1600 Watt channels, each with two 16-band equalizers which feature parametric, notch, shelving and asymmetric filters and up to 10 seconds of delay. The digital signal processing (DSP) power of the D20 means that external system processors are not required, reducing the equipment in the signal chain.

The amplifier's intuitive user interface has a colour touchscreen along with a rotary encoder. It is enabled with an integrated web interface for use with a browser and can be controlled using the d&b R1 Remote control soft

Details

14 March 2016

With two PSUs for redundancy and two slots to accommodate any of the ten current interfaces available (DANTE, HYDRA2, BNC, CAT5, Optocore, Aviom, ADC, AES, DAC and SoundGrid), the 'anything in, anything out' Orange Box allows conversion of almost any audio format to another.

"The Orange Box is our first technology release borne of the pro audio group we have formed with Calrec and Allen&Heath," says DiGiCo managing director, James Gordon. "But we have opened it up to other selected third party manufacturers as well, making it an incredibly useful device."

If, for example, you wish to connect a product with MADI to one with a Hydra2 con

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14 March 2016

Developed by HK Audio's application specialists, the Key Rack packages feature the latest generation of advanced controller amps made by market leaders Lab.gruppen - the IPD 2400 and IPD 1200. The amp racks can be easily configured to drive a variety of HK Audio speaker setups simply by selecting the appropriate filter set.

Two HK Audio Key Rack packages are currently available: the compact 2-RU Key Rack 1.12, which features an IPD 1200 (2 x 600W @ 4 ?) and can drive systems such as Premium PR:O, and the larger 3-RU Key Rack 2.24, which consists of two IPD 2400s (2 x 1200W @ 4 ?) and can drive Linear 5, ConTour, ConTour Array and other systems.

The Key Racks provide a unified amp rack for

Details

14 March 2016

The Chinese manufacturer also brought a team of 12 sales and marketing support staff from China, and with a dedicated lightshow booth running adjacent to that of their German distributor, Focon Showtechnic, they were able to demonstrate their 'magnificent seven' - the XLED 1061, XLED 3007, XLED 3019, XR130 (in Spot and Beam versions), XR330 Spot, XR1000 Framing and XRLED 700 Spot - as well as other popular catalogue items.

Visitors were able to engage directly with these, and control beam aperture, colour and gobo patterns, via the ChamSys touch panel interface on the fixtures - which proved extremely popular. A purpose-designed large white plinth was built under the overhead lighting truss so that the library of

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14 March 2016

Having firmly established their impression platform as a market leader in LED moving lights they have this year branched out into a versatile batten in the form of the X4 Bar 10 and double length X4 Bar 20 - which perform a myriad of functions from a conventional cyclorama to a wall washer and mid-air beam sweeper.

Aside from introducing the local market to these bar lights - which are already being highly specified on top tour riders - GLP also reports that the new impression X4 L was extremely well received by LDs who could immediately see the creative possibilities offered by the pixel-mapping function.