Chauvet DJ lights Puddle of Mudd and Saving Abel
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“These were big name artists for this town and this venue,” said Hinton. “We wanted to create a lightshow that had a full production look, but we had a small stage and limited power. The Intimidators allowed us to create some impressive visuals despite this limitation, not just because of their output, but also due to features like their gobo capabilities, three-facet prisms and sheer speed. Plus, since they’re both LED, we didn’t suck up a lot of power.”
To create concert-like aerial effects, Hinton positioned two of the 10 Intimidator beams in his rig on large speaker cabinets located on each side of the small roofed stage. The remaining six beams were located on upstage goalpost truss. When not used for backlighting and audience abuse these fixtures also contributed aerial effects.
“We wanted a lot of action in the air, because it kind of underscored the big event nature of the show,” said Hinton. “One of the nice things about the Intimidators is that they project this super tight beam. This really allowed us to get a lot of aerial looks up there from a relatively small space.”
The six Intimidator Spot 255 IRCs in Hinton’s rig were also flown on the goalpost truss, but on a higher level than the beams. This dual level arrangement added texture to the stage. Hinton also relied on the spots for specials on band members and crowd lighting.
“Lighting the crowd created a connection between them and the artists,” he said. “I think the band members liked our crowd lighting, because the lighting accented the closeness they had to the audience in this smaller venue.”
(Jim Evans)
