Robe drives Skoda Enyak launch in Prague
- Details
This event generated a buzz of excitement, not just because of this landmark vehicle, but also as one of the first properly ‘live’ events delivered safely and spectacularly in a post COVID-19 world.
Germany-based creative producers Schachzug collaborated with event planners Pure Perfection, technical specialists MacomNIYU and technical supplier Ambion, with the latter delivering the lighting, audio, video, SFX, staging, etc.
The MacomNIYU team had started speaking to lighting designer Chris Moylan from Berlin-based design company Optikalusion about the event back in in January, well before anyone realized how changed the world would be by showtime!
Chris created a highly flexible lighting scheme for the event, with his choice of beam fixtures being 54 x Robe MegaPointes. He also utilised three Robe BMFL Spots operated via three separate RoboSpot remote BaseStations, which joined around 450 lights on the rig all supplied via Ambion.
As the COVID relevant rules were constantly changing almost daily, the show evolution was also fluid right up to the last moments as recommendations about distancing, mask-wearing and audience numbers shifted. As the show dealt with these demands, Chris ensured that he had enough lights to cover all possibilities.
All the crew were tested prior to starting work on site, then rigorous mask-wearing and social distancing was enforced during the build and rehearsal period, with plexi dividers denoting the different FOH workspaces..
As Chris predicted, the look and style of the show that was presented had developed substantially from what was initially envisioned, and this was further fine-tuned during the 9 days on site leading up to the show.
The show presentation space was dominated by a 23m by 5m-wide 3.9mm pitch main screen flanked by two 7.5m-wide screens at the sides.
The aesthetic was clean, slick, contemporary in keeping with the concept of electric transport. Vehicles were driven in and out of the space throughout and the shiny floor was also used as a giant video projection surface, so lighting had to compliment this with precise gobo patterning and blasts of colour filling the voids with atmosphere, vibrancy and animation.
Lighting was also used to build drama by creating accents and punctuation in line with the music track, as well as being functional as key lighting for presenters and vehicles.
Irish indie rock band ‘Inhaler’ popped up into the action on a rolling riser, revealed during a blackout partway through the show as a complete surprise, and all three cars came onstage for a rousing finale, ensuring the visual thrills kept the energy and anticipation pumping throughout.
The BMFL Spots were positioned on the front and side trusses – so they could pick up presenters and cars across the whole floor space, with the three operators stationed backstage in dimmer city – where they could also be on hand to do some other technical tasks if needed.
Chris and his two programmers Matthias Schöffmann and Andreas Schindler worked closely on their grandMA3 control set up, each enjoying the various challenges of lighting the show and finding creative solutions including highlighting the cars without interfering with the projections and producing a large and diverse amount of ‘lighting choreography’ in a very short space of time.
Having a live audience – and VIPs like Czech Prime Minister Andrej Babiš – together with the press and media present added a heightened resonance to the atmosphere in the room as well as demonstrating that live events can be safely and effectively delivered during the pandemic!
Event Safety Consult from Heidelberg coordinated all the health and safety aspects including the COVID related ones.
