USA - Anaïs Mitchell’s hit musical Hadestown has worldwide attention since making its Broadway debut at the Walter Kerr Theatre last April. Directed by Rachel Chavkin, the show boasts an all-star audio production team, led by sound designers Jessica Paz and Nevin Steinberg. Included among the show’s audio gear are DPA Microphones’ 4066 mnidirectional Headsets, 4061 Omnidirectional Lavaliers and 4099 Instrument Mics.
When Chavkin expressed to the pair that her direction for Hadestown was to have the theatre feel like a concert hall, they immediately knew that microphone selection would be especially important. “For the actors, who are all double mic’ed, we chose a combination of DPA 4066 Omnidirectional Headset Mics with backup 4061 Miniature Omnidirectional Mics attached to the frame,” says Paz. “I greatly appreciate the discreet profile of the 4061s as they are very easy to hide in a wig or someone’s hair.”
Paz also appreciates the small stature of the brand’s 4099 Instrument Mics. “With the band being on stage, we wanted to keep a very neat and tidy look that was free of microphone stands,” she explains. “So, we chose to rely on DPA’s 4099 Instrument Mics for close-mic’ing the strings (guitar, cello, bass and violin). Aside from the benefit of its small size, the 4099 is also simple to attach to instruments, easy to work with and sounds great on anything you put it on. Additionally, we placed a 4061 inside of the housing of the piano to capture its full sound.”
The DPA microphones that were used on Hadesto
USA - It was easy to get caught up in the excitement of the Riverview School’s annual fundraising gala with its spirited live auction, stage shows and convivial company, all set against a 16-acre Cape Cod campus in Derry, NH. The Events United team experienced this first hand last year when they provided the lighting, audio, video and scenic elements for the popular affair at the boarding school, which serves 11 to 22-year old students with learning challenges.
Tim Messina and his team at Events United knew that they would have their work cut out when the school turned to them this year, in the wake of the COVID-19 lockdown, and asked them to host a virtual gala at their Studio Lab facility.
“A big challenge for us was to take an event that was already spectacular in the live setting and create the same effect for guests virtually,” said Chase Clark, production manager and lead audio engineer with Events United. “A lot of the energy in a live auction comes from the people in a room. So, how do you recreate that in an hour-long livestream? This was the question we had to ask ourselves at the start of the project.”
The Events United team, including Messina, Clark, general manager Donald Van Slyke, and production design manager Jon Martell, came up with some good answers, as they created a livestream that helped the renowned school exceed its goal and raise $865,000. Key to their successful effort was an engaging lighting and video design that featured 46 Chauvet Professional lighting fixtures and 60 F2 LED video panels.
“There were a
Germany – The town of Bendorf, on the outskirts of Koblenz, has been staging its Summer In The City festival for many years. And even the COVID-19 pandemic was not going to stop proceedings this year.
Operating as a weekend-only event for its first decade - in the Kirchplatz, a square in the centre of town - this year it managed to get permission to run through until the end of August. This was on the proviso that the event was restricted to 300 seated and socially distanced seated guests, part of a maximum capacity of 350 (including artists, technical crews and staff).
The sound system that will take it right through the summer season is a Martin Audio WPC, acquired by Michael Enchelmaier’s rental company, Event & Veranstaltungstechnik Enchelmaier (EVE). This is the centrepiece of a complete technical infrastructure provided by the company.
A customer of Martin Audio for the past 17 years Enchelmaier is also the president of Working Group Bendorf Rockfestival, who stage the event, and who have been promoting rock events and festivals in the town for the past 35 years.
“We actually stopped promoting this festival in 2018 due to work pressure, but COVID-19 has brought us all back together with the goal of promoting this extra-long festival to show that culture and music is still possible in these times.”
As to how they gained permission, he says: “We received a detailed hygiene concept from the government, and the local regulatory office gave permission to go ahead providing we managed to implement it.”
The town itse
UK - On Monday 6 July in collaboration with Brighton and Hove Council and many of the city's event venues, The Brighton Event Professionals Independent Committee (EPIC) joined the Light It In Red initiative aimed at bring attention on the crisis within the events industry during the COVID-19 lockdown.
At 9pm on this day, many of the city's venues and outdoor event spaces turned red, including The Old Market Theatre in Hove, lit up by 96 Prolights Smart Bat.
Brighton-based Reveries Events took charge of the installation. Director John Wallis, reports, “The Old Market Theatre is a high quality live theatre and venue. To light up its imposing facade we chose the Smart Bat wireless uplighters as we needed a fixture with a small enough footprint that also had a great output of light. The Smart BatPlus was quick to set up and gave us the flexibility of making changes to their positions without having to worry about cabling and obstructing the public footpath. The fixtures were used to give an overall wash of the building in red.
“These projectors provide an amazing increased brightness in a super-compact and modern housing, and a wide range of beautiful colours, the perfect choice for this kind of installation. We always find that Prlights products are extremely well manufactured, highly flexible and user-friendly, suitable to satisfy any kind of request. We would definitely recommend them working within our industry.
France - Jacky Fregonese of French lighting and visual rental and production company Loctambule, based near Strasbourg, has put smiles on faces with a series of amusing product and business tutorials that have gained a large fan following on social media.
With all events and shows cancelled and the industry closing down with the French COVID-19 lockdown, Jacky, who heads the company with his wife Catherine Saint-Georges, wanted to do something creative to boost morale while so many usually busy companies and talented technicians, designers, production managers, event organisers all push through until events can re-start.
Jacky was originally inspired to start the funny tutorials with products Loctambule has in rental stock, which includes Robe MegaPointes, Esprites, BMFL Blades and PixelPATTs, all of which have featured and generated interest amongst technicians and others.
In addition to lighting, the company provides LED screens and related infrastructure and works across several sectors, from corporate presentations and experientials to music events and festivals.
“I really just wanted to make people laugh during this difficult time,” comments Jacky, “that was the initial motivation for the tutorials, then it all started getting really popular, much to my surprise!”
In addition to all the Robe tutorials, he has covered other moving light products, consoles, and other useful business topics like administrative tips … and even how to properly clean an office or the warehouse in line with additional COVID-19 regulations coming
USA - Following many weeks of COVID-19 lockdown, the people of Athens, Texas had the opportunity to enjoy live music again last month when neighbourhood event space Common Area Market hosted a community music festival called CAM Fest. Production for the event was supplied by fledgling local company Gain Stage Productions, including a lighting rig comprised exclusively of ADJ LED-powered fixtures.
Based on the site of a 100-year-old cotton gin that serves as a local landmark in Athens but had been abandoned for decades, Common Area Market is the brainchild of Marine Corps vets and married couple Chris and Amanda Marholz. The vision for Common Area Market is a venue where the people of Athens can gather to eat, enjoy live music and celebrate big events.
Following a successful Kickstarter campaign last year, the first phase of the site’s redevelopment has been completed. This included renovating the main building as the Ol’ Gin indoor event space, creating an outdoor area called The Backyard featuring a temporary outdoor stage (there are plans to add a larger, permanent stage in the future) and opening an onsite burger bar (Athens has a claim to being the birthplace of the hamburger).
As with many in the hospitality industry, the young business was hit hard when it had to close in March due to the COVID-19 pandemic. However, it is weathering the storm and, having opened at the end of May, organised the CAM Fest event in June to kickstart the summer season. With two acres of outdoor space, the venue was able to welcome hundreds of socially-distanced
UK - The newly lit Mirfield Station underpass in West Yorkshire is the first UK installation for the new Eminere RGBW LED fixtures from architectural lighting brand Anolis – a Robe business – with 16 luminaires installed as part of an improvement works scheme undertaken by train operator Grand Central and partner JMD Rain Ltd. in conjunction with Kirklees Council and Network Rail.
The new lighting transforms the previously dull, moody, and uninviting dark space on Station Road beneath the railway tracks – through which passengers must pass before accessing the station – into a vibrant, welcoming, contemporary, and comfortable space.
The Emineres were specified by lighting designer Kevin Dugdale from Winchester-based Designs for Lighting, who is a specialist in street and public space lighting.
Kevin has been working as a consultant to Kirklees Council, the organisation overseeing the improvement works in and around the station, and the lighting scheme was developed closely with the late David Wilson and representatives of Network Rail.
Kevin drew up the lighting design, which also involves two rows of neutral white LED ‘general’ lighting and considered several options to get a desired colourful effect running down one side of the underpass’ brickwork.
The coloured lighting effect needed to provide rich and bold hues and texturing to compliment a detailed, bright, lively, multi-coloured mural running along the opposite side of the underpass depicting the history and people of the area. The mural was delivered by a community
UK - The M4 motorway might cut a swathe through the centre of Boston Manor Park in Brentford, London, but where the Junction 2 Festival is concerned it is anything but a dividing presence. In fact since 2016, discerning fans of electronic music have gathered together between its pillars and beneath its road-deck to witness sets by some of the very best DJs in the world.
Junction 2’s mission was always to concentrate on delivering the best production values. The focus lies away from VIPs and plastic tents, preferring to concentrate resources on delivering quality sound and high production values against this fittingly industrial backdrop. Junction 2 has grown organically over its four editions to become one of the capital’s most popular electronic festivals and this year’s event, due to be staged in June, was sold out.
Events this year have of course been decimated by the Coronavirus pandemic, and Junction 2 was no exception. Its fifth outdoor edition will now take place next year, but all was not lost for 2020. Organisers and promoters LWE took stock and agreed that not staging Junction 2 was not an option. If Junction 2 2020 couldn’t take place in the park, a virtual version would be created.
On Saturday 11 July, J2v was streamed to its dedicated followers for six hours. Artists were broadcast from the event’s four virtual stages and the experience went way beyond what could be considered the norm in DJ streaming.
J2v created an immersive visual representation of the festival setting to enhance the experience of more than three mil
The Netherlands - Doka nightclub inhabits the basement of the colourful Volkshotel in southeast Amsterdam. With a maximum capacity of 200, Doka bills itself as the place where “listeners become dancers and vice versa”.
To meet that mission with something more nuanced than the conventional high-volume, high-distortion club PA, Doka hired pro audio distribution and integration company Firm4 to install the unconventional loudspeaker and subwoofer designs of acoustician Tom Danley. Four Danley SH50 full-range loudspeakers and two Danley TH118 subwoofers give Doka’s patrons an audio experience.
“The old system wasn’t meeting the high standards that Kerwin Groot, Doka’s chief sound engineer and Julian Chaptal, the club’s producer and programmer expected,” explained Robert Pigeaud, representative of Firm4. “Kerwin reached out to us because he had heard Danley systems at Oosterbar and Marktkantine and at regional festivals. He was impressed by the Danley fidelity and overall performance.
“As part of our due diligence, we gave them several other options and performed a demo at Doka. The demo consisted of a pair of Danley SM60F full-range loudspeakers and a Danley TH118 subwoofer up against other ‘A-list’ brands. Within five minutes, everybody involved was convinced that Danley was the way to go.”
The new system at Doka centres on four of Danley’s flagship SH50s. They are arranged two per side, close-packed. Two Danley TH118 subwoofers round out the low end.
One four-channel MC2 Audio Delta DSP 80 powers the Danley SH50
UK - Techs on the Decks saw 24 artists and technicians unite to present a 24-hour electronic music live stream broadcast on Facebook Live, YouTube and Twitch.
The event - which has currently fundraised £4,000 for technical entertainment charity Backup - was the brainchild of Gordon Torrington from Hampshire-based rental company Liteup. The idea was spawned from a conversation he had with Liteup’s MD Marc Callaghan and freelance LD Warren Hutchison about the work of the charity in supporting many industry peers including a friend and colleague of all at Liteup, lighting director and programmer Jonathan Rouse who passed away recently and is much missed.
Techs on the Decks was viewed by 37,000 people creating a buzz around the industry and giving those directly involved a chance to do what they are so passionate about, as the industry remains closed since mid-march, still without a real practical roadmap on the table for when things might re-open.
Techs on The Decks was a COVID-conscious, socially distanced event staged from Liteup’s two streaming studios which have been built at their warehouse in Hampshire since the crisis began. All the lighting, LED screen and robo-cam kit was supplied by Liteup including Robe moving lights which were installed in both studios, pulled from their extensive rental stock, among other fixtures.
The cameras / PPU package for Studio 1 was from Solotech. Stage Truck parked up one of their brand-new sleeper trailers in the car park allowing the crew working over the full duration a chance to grab a
UK - Cornwall’s Eden Project was born of optimism in 1996, when the visionary Sir Tim Smit announced, what many thought to be an impossible plan: to convert a defunct 160-year old clay pit into a site that would become a world-renowned attraction and education centre.
This July, the Eden Project served as a new symbol of hope, when GLX Productions used a collection of Chauvet Professional COLORado Q40 LED panels to create a brilliant glow throughout its massive Biomes as part of Light It In Red, the initiative aimed at drawing attention to the severe challenges faced by the entertainment and event industry in the UK and the entire world.
The vivid red hues that shimmered through the hexagonal cladding panels of the Biomes, (like the light that shined on other iconic structures throughout the UK), not only raised awareness of the situation faced by the 25,000 businesses and 500,000 people of the nation’s entertainment and event industry, it also let them know that they are not alone.
“Our industry faces a dire state of affairs,” said Glenn Gridley of GLX Productions. “We know events and venues cannot safely take place for now and we as an industry are in need of support in the interim. Whilst the governments arts sector support is wholeheartedly welcome, there will be people and businesses forgotten. This cannot be allowed to happen.”
“We got involved with Light it in Red after having a few conversations with Steven from Clearsound Productions before it went live,” added Zak Nicholson of GLX. “We spoke about potential dates an
Puerto Rico - Drone show specialist Verge Aero delivered a stunning aerial performance on 4 July at Puerto Rico’s first drive-in music festival in San Juan, headlined by local artist Pedro Capó.
Promoted by Move Concerts (Puerto Rico) and No Limit Entertainment, the AT&T Drive-In Summer Fest was the island’s first step towards the return of live events since the beginning of the COVID-19 crisis.
Verge Aero was called in by Roly Garbalosa of Garba Music Corp to add its specialist technology to the event. A renowned production manager on the Latin American music scene, Garbalosa was looking for a spectacular way for the concert’s main sponsor, communications company AT&T, to announce its launch of 5G network services in Puerto Rico.
With corporate sponsorship playing an increasingly major role in live events, Verge Aero’s drone technology presents a high-flying, high-tech solution for spectacular branding in all kinds of outdoor environments. Its innovative proprietary software enables the rapid creation of company logos, hashtags, marketing messages and more, filling the sky with colour, movement, speed and precision while ensuring eye-catching brand delivery and a unique audience experience.
The fleet of 135 drones launched from a dedicated safe zone adjacent to the stage to perform the carefully choreographed show. Capping a memorable day for the audience, the drones created colorful, sky-high imagery including the Puerto Rican flag (which, with a magical three-dimensional touch, appeared to ripple in the breeze), plus a map
UK - AV integrator CCOMM has installed a new multi-functional audio-visual system at the Cambridge communications hub of one of the world’s leading providers of technology to the oil and gas industry. Completed in late 2019, the new build project combines speaker systems from Italian manufacturer K-array with Germany’s Innosonix multi-channel amplifiers.
Both pro audio brands are distributed in the UK by Shefford-based 2B Heard, and it was to the company’s technical director Dave Wooster that CCOMM turned for assistance in specifying the audio system.
“We’d used K-array on previous projects and were entirely satisfied with the results,” said CCOMM project manager Andrew Giles. “As this project required a full design and build approach because the client was effectively converting the space from one usage to another, we asked Dave to submit proposals for a high performance audio system, working from our detailed dimensional drawings.
“Our client wanted to create a large multi-purpose open space with a combination of meeting rooms, a space for town hall meetings, and collaborations. Primarily it’s a data sharing room, in which participants are able to present a variety of content – that might be charts, graphs, or scientific data – and share that onto a big UniSee video wall.”
CCOMM embarked on a major transformation of the original scientific laboratory into an inviting open-plan area that could be used for meetings, presentations and for marketing purposes, and equipped with a sound system that would do justice to all t
Switzerland - Billed as Switzerland’s first open-air streaming festival, SummAIR featured a tight programme of live bands mixed on an advanced Allen & Heath dLive setup.
SummAIR was held on 18 June in the town of Hochdorf, where a small, socially distanced audience was joined by an online crowd to enjoy performances by prominent home-grown artists, including Veronica Fusaro, ZiBBZ and Marc Amacher.
With five bands performing on a single stage and just a few minutes for each changeover, the key challenge for Simon Münger from MSL Eventtechnik was to provide a quality, unbroken livestream mix throughout the evening. Reinforcing his own Allen & Heath inventory with a pair of dLive systems hired in through the dLive Rental Network, Simon devised an integrated mixing system spanning FOH, monitors, livestream and mastering matrix duties.
Simon mixed monitors from an S5000 Surface and DM48 MixRack, setting the gain structure for the whole system. Another S5000 and DM48 pairing at FOH was supplemented by an eight fader IP8 remote controller, allowing FOH engineer, Tim Werner to access presenter channels and master levels when guest engineers were mixing on the main Surface.
Oliver Deiss managed the livestream mix, adding final compression and level adjustments from a third S5000, together with a CDM32 MixRack.
Oliver Herzog took care of the mastering matrix using a 19” C1500 Surface and CDM32, adding ambient mics and handling transitions between presenters, video playback and the live mix. The FOH and monitor mixers were connected o
Canada - Lighting designer Pierre Roy has toured extensively over a 30-year career as well as handled lighting duties for a number of artists in his own hometown of Quebec. For this year’s Saint-Jean-Baptiste Day, he lit a special Facebook Live concert by one of the top rock artists in Quebec, Martin Deschamps, using an Elation rig directed by an Obsidian Control Systems NX4 console, a lighting control platform Roy has worked with for much of his career.
Saint-Jean-Baptiste Day is one of the most important holidays in Quebec and across French Canada, a day to display the region’s fleur-de-lys flag and celebrate its Francophone identity with parades and outdoor concerts. With a storm in the forecast however, the Martin Deschamps show was moved indoors, on very short notice, to the Rolland-Brunelle Cultural Centre in Joliette, Quebec. Although the 24-hour notification meant a bit of unexpected work for Roy, he was undeterred as he knows Deschamps well, having done three albums with him and is scheduled to light his upcoming tour.
Roy comments, “I had a previous Saint-Jean Baptiste show already programmed and although I didn’t have the same lighting gear in the new venue it was easy for me to update the show and all my cues. There is a feature in the NX4 called cloning and swapping that allowed me to choose the fixtures on my regular show and replace them with the new fixtures. It’s really quick and all my cues are still there as before. Instead of building a show with 400 cues over several hours, it took me a few minutes to change everything over
Belgium - RTBF, Belgium’s public broadcaster for the country’s French-speaking community has taken delivery of two identical full-IP OB trucks, with equipment from DirectOut playing a mayor role.
The two trucks were built at the German headquarters of system integrator Broadcast Solutions. The OBs are a joint development by the customer, Broadcast Solutions and NEP Belgium, who will lease the vehicles to RTBF. Both units make extensive use of DirectOut equipment for audio signal conversion, transmission and signal monitoring.
The two identical RTBF trucks come as full sized trailers and can work with up to 12 cameras (HD, but UHD-ready). They are designed as full-IP OBs, based on SMPTE ST 2110 but are capable of interfacing with baseband infrastructures. Therefore it was important that the audio infrastructure offers all common IP-based, digital and analogue formats in one vehicle.
To be as flexible as possible and to have all necessary tools at hand, each OB is equipped with a hand-picked DirectOut toolset.
Both OB trucks have to support all audio formats (analogue, AES3, MADI with SRC and Ravenna/AES67/ST2110) and this is where DirectOut comes into play. PRODIGY.MC takes care of all the intercom signals and interfaces to Riedel’s Artist 1024 Intercom Matrix. Using the RAV.IO module PRODIGY.MC converts analogue 4-wire audio to AES67 and vice versa.
Geert Thoelen, technical director at NEP Belgium, comments, “DirectOut equipment fits perfectly for the day to day use in broadcast environments. With the deployment of DirectOut eq
France - More commonly known by her stage name, Izïa, Izïa Higelin is the rock star daughter of 70s pop legend Jacques Higelin. The Senegal-born actress and musician recently completed a 24-date French tour on the back of her new album, Citadelle.
It took an inspired deployment of GLP’s X4 atom, with its tiny form factor, by the artist’s LD, Jordan Magnée, to provide an imaginative backdrop. The result was a tiltable matrix of 96 atoms (from a total complement of 124 pieces), each with a 30W full-colour LED source, to bring the scenography to life.
These were mounted on a structure fabricated by S Group, which also supplied the fixtures, having purchased them specifically for the tour. The versatility of the atom was demonstrated in the 9:1 zoom ratio - from a wide 34° wash down to a tight 3.5° beam - that enabled a constant variation of narrowing or expanding mid-air beams.
The tour was unusual in that it took place with the spectre of Covid-19 hovering above it - and ‘gatherings’ capped at a maximum of 1,000 people in France. While this caused the 2,000-capacity Paris Olympia concert to be cancelled, Izïa took the decision to play two back-to-back concerts on the same evening at the 1200-capacity La Vapeur in Dijon, allowing 500 in for the first concert and after a quick change around admitting a further 700-plus for a repeat show that started at 9pm.
An experienced stage LD - who draws on a strong background in architectural studies to give him an original approach to creating different shapes - Magnée was working with
UK - Earlier this month, Creative Technology (CT) worked closely alongside long-standing client, George P. Johnson (GPJ), to professionally pre-record and edit a series of videos for their client, to later be streamed as part of two online events.
The initial brief evolved over the weeks leading up to the event and as the vision was developed and realised, the final brief was to provide polished, edited, and high-quality pre-recorded presentations and panel sessions. These were then uploaded and streamed to the event platforms being used for the two events they were involved in.
The project was run and managed from Scotland by CT’s senior project manager, Chris Greetham-Ellis, using remote producer and project manager tools which enabled him to clearly see, hear, and direct the event without the need to be physically on-site. In addition to this, CT also provided a project engineer, audio lead, and comms lead who were based on-site to bring all the technical elements of the event together.
To support this event, CT utilised a number of existing and new technologies and facilities, including newly built remote production suite, The Bridge, based at CT’s headquarters in Gatwick.
All presenters were dialled in for this show from their homes or offices using the CT Home Studio system. There are two tiers to this set up which consists of either Quicklink’s Studio-in-a-box that can be shipped to presenter locations, or a software link that can be used in a browser on a presenter’s laptop to utilise their webcam and headset. The Studio-in-a-
UK - From the outside, the complex of buildings at 21-25 Bonville Road, Brislington, Bristol, doesn’t look markedly different than it did in 2019. Inside, however, a quiet revolution is underway. The building’s owner, Pytch, which until recently was known as SXS Events, has been busily reinventing itself since the COVID-19 lockdown brought its thriving live event business to a sudden and complete halt.
Almost immediately after the pandemic hit, the company began looking for ways to repurpose its extensive inventory of equipment, as well as the vast pool of skills, experience and knowledge possessed by its team members.
First came Intelligo, an all-in-one digital platform that makes it easier for schools to implement online learning programmes. More recently, Pytch launched The Virtual Venue, a powerfully-equipped production space that, in only its first month, has produced a an array of livestreams, ranging from a planetarium show and feature films, to corporate training sessions and music performances.
“Our clients still needed to deliver their messages to their audiences, pandemic or not,” said company founder and managing director, Johnny Palmer. “We’ve never been ones to sit around and wait to be told what to do, so we built The Virtual Venue in record time.”
The response from the market also seems to be setting speed records. “We got income online super-fast,” said Palmer. “We now have a string of bookings that will keep us very busy through the end of the year.”
Described by Palmer as a “collision between l
The Netherlands - Singer/songwriter Danny Vera has been bringing his distinctive blend of Americana to enthusiastic Dutch audiences since the early 2000s. Following the success of hit single Roller Coaster, Vera and his band played a sold-out tour in late 2019 with a Yamaha Rivage PM7 digital mixing system.
The Rivage PM7 system was purchased in July 2019 by Chris Mertens, owner of Mertens-AVR, based in Eelde, near Groningen. Having started out as a young freelance engineer and worked his way up to management level, Chris set up and grew his business from renting warehouse space to owning its own large premises. Today he has built a company in which reliability and quality are central, based on three core values.
“For me, it has always been about investing in the best equipment, a proactive, committed way of working and delivering a perfect result,” says Chris. “We make sure the company is at the forefront of innovation and we are always looking for unique added value, instead of at general trends in the industry.”
Mertens AVR has a long history with Yamaha digital mixers. The company started out with the 02R, progressively upgrading through the years to the DM1000, M7CL and CL3/CL5.
“For our sound engineers, Yamaha consoles offer a lot more than just high quality output, easy workflow and interesting technical specs. They are the backbone of a production,” says Chris. “Every high end mixer brand has its own highlights and specifics, but with Yamaha you get the whole package: a multitool ready to take on every challenge a
USA - Christopher Robin, a production manager at Star Design Event Services of Morgantown, put together the stage for an Independence Day concert by Top 40 recording artists The Davisson Brothers.
Unlike the usual summer concerts, he’s worked on, which take place before large crowds at a park or music venue, this one happened in front of only a few fans in the parking lot of a motorcycle dealership. Most of the fans who saw this show viewed it on a large drive-in screen at a nearby park. Others who saw it through the social media platforms of the 18 country music stations that carried it in West Virginia.
“This was probably the first time we did a multi-site hybrid show that was ‘live’ before a small group of people and livestreamed over different formats,” said Robin. “Like everyone in an industry that is changing all around us, we are adapting to a new normal.”
Among the adaptations made by the Star Design team, was the positioning of the stage’s video wall, which was made of Chauvet Professional F2 Panels. Given the space available in the motorcycle dealership’s lot and the limitations created by the need to video the show for streaming, the team had to have a wall measuring three panels high by 10 wide, instead of the taller configurations it’s accustomed to.
The design team accommodated this restriction by positioning the wall to the right of the band. This not only fit the stage, it also provided an unobstructed view for fans and the cameras.
“Pikewood Creative provided us with all video content from their tra
USA - As the live entertainment industry looks for new ways to engage people in a post COVID-19 world, Bandit Lites, Moo TV and Clair Global joined forces to offer a safe and controlled venue to artists at the Steel Mill, Nashville, complete with a full production turnkey studio.
The full production studio includes a 60’ x 40’ stage area with a lighting rig comprised of over one hundred moving fixtures including the new Chauvet R2X LED washes, a grandMA2 Full console and hazer.
Bandit’s GoGo truss, under hung with GLP X4S, flank an LED video wall while each of the six eye-catching octagons are outfitted with eight Elation ACL360, eight Ayrton MagicDots and one Robe 600 wash. GLP X4 fixtures along the front truss offer key light while Claypaky Sharpys spread throughout the rig act as beam units.
The Steel Mill offers not only a stunning (and air conditioned) production space, but also a production office, green room with dressing areas, kitchen and private restrooms as well as overhead doors capable to drive into the room.
The turnkey package includes room rental with HVAC and power, access to above amenities, the Bandit Lites lighting rig, Moo TV video wall and camera system as well as a lighting tech lead, two additional lighting techs, one video director, one video engineer, four camera operators and one robotic camera operator. Clients will also save on load in and load out, as all the gear is already installed. Optional services are also available, including Clair Audio systems, livestream services, additional lighting and spots,
UK - Built for the Festival of Britain in 1951 and located on the south bank of London’s River Thames, Southbank Centre is the UK’s largest arts centre. It comprises the Royal Festival Hall, the Queen Elizabeth Hall, the Purcell Room and the Hayward Gallery and has recently seen the installation of two MDG ATMe haze generators in its larger venues, the 2,700-seat Royal Festival Hall and the 916-seat Queen Elizabeth Hall.
“For some time we’d been looking to replace our aging haze machines which were noisy, rather temperamental, and notoriously bad at leaving an oil residue on surfaces,” says Roger Hennigan, Southbank Centre’s technical manager. “We’d looked at several alternatives in the past but none were able to better the old models - until MDG’s ATMe came along.
“ATMe has a much finer particulate so they leave no residue or slippery oil deposits, which is especially important when hosting bands and singers and the many dance productions we have here. ATMe produces a fine haze in rapid and substantial quantity, so one generator is enough to fill the Royal Festival Hall or the Queen Elizabeth Hall, each of which previously required two of our old units.”
Senior technician, Cressy Klaces, agrees and is especially impressed with the aesthetic of the MDG haze: “ATMe gives a beautiful quality of haze, much nicer than before. It is so light in the air that it is barely perceptible until you shine a light through it. It feels like it has been created to enhance the light and atmosphere rather than be overtly noticeable to people.
India - The Mayfair Lake Resort in Raipur enhanced its facilities by hiring Qubix Technologies to design and install a complete, Harman Professional AVLC (audio, video, lighting and control) solution.
Opened in 2019 and located amid lush greenery that overlooks the Jhangh Lake, the luxurious Mayfair Lake Resort offers lavish accommodations, banqueting and event space.
"Mayfair needed a multi-aspect, cross-category solution for their new property in Raipur. From audio and video over IP signal distribution, to lighting, microphones, mixers and speakers, we sourced products from Harman because of their complete solutions,” said Rhythm Arora of Qubix Technologies.
Qubix deployed an arsenal of Martin lighting fixtures, including 40 Martin Exterior Wash 200, 32 Exterior Wash 100 and six Exterior Wash 210 units. While the Exterior Wash lights provide reliable performance and durabality to withstand weather demands, Qubix Technologies lit up the indoor spaces with two RUSH MH5 Profile compact moving heads and 96 RUSH CS1200 Graze linear wash fixtures, which offer the resort flexibility to choose the exact look they need for certain areas. The lighting system also includes eight Martin DMX 5.3 Splitters to ensure peak operation and maintain proper DMX signal throughout the hotel.
Beyond the lighting displays, Qubix also equipped Mayfair with 12 JBL VRX932LAP two-way powered line array loudspeakers, while four VRX918SP powered flying subwoofers offer accurate low-frequency response.
Throughout the rest of the resort’s indoor spaces, Qubix inst