USA - When Arizona Sound Productions was hired to provide video and sound production for a string of boxing matches across the US, they found themselves with new protocols, different challenges, and time to kill.
“Working this year has been interesting to say the least,” said Jared Jasinski, owner and lead engineer for Arizona Sound Productions [AZSP] based in Phoenix. “With COVID restrictions we’ve been forced to be more creative and think outside the box. We’ve had opportunities to create something different for viewers at home, without an audience we can put a boxing ring anywhere [outdoors] and make it look great on camera.”
On 15 August, 2020, AZSP set the stage in Oklahoma, making boxing history with what has been called the “street fight” concept. AZSP clients’ Holden Productions and Matchroom Boxing dropped a boxing match in the middle of downtown Tulsa for a night of fights headlined by Cecilia Brækhus, defending her Women’s Welter Weight title against contender, Jessica McCaskill. The match was staged at the intersection of East 5th Street and South Boston Avenue with no fans present. Medical protocols and strict social distancing guidelines were in place for a full night of action.
“It was an intense process,” described Jasinski. “COVID testing was required for everyone on my crew, before traveling to Oklahoma, then again when we arrived. Once we were all cleared our driver took us to the hotel, where we received quarantine wrist bands. A staffer then escorted us straight to our rooms where we were basically qua
Australia - The National Rugby League Dally M Awards gives kudos to the top players from the premiership season in an annual awards ceremony. Whilst there was no red carpet and certainly no shimmering frocks in sight this year, the awards show amazed its viewers by transforming into a live to air broadcast xR production, brought to life by Big Picture and held at the Fox Sports studios in Sydney.
Brompton Technology’s 4K Tessera SX40 LED processor was a crucial element in the multi camera xR workflow, offering reliable timing and consistency of image at this high-profile event.
“Big Picture has a long-standing relationship with Fox Sports, providing LED and other services to its studio and broadcast projects,” says Josh Moffat, business development at Big Picture. “When their team approached us about the Dally M Awards, we were both thrilled and honoured by the opportunity to get involved. We also quickly realised that this would be a perfect platform to use our knowledge of ground-breaking Extended Reality (xR) technology and bring it to the next level by producing live to air broadcast xR production, which has never been done before.”
The timing of the event could not have been more challenging. This was one of the busiest times of the year for Australian sports, with various sporting fields having their competition finals, so the Fox Sports studio was fully booked with broadcasts throughout the week preceding the awards show. “This meant we had to prepare for this a little differently,” says Nathan Barnier, senior technician & c
UK - For Adam King, Shakespeare’s Macbeth was a welcome opportunity to jump back into lighting design after seven months of being idled by the pandemic. “My work calendar for the entire year was wiped out because of the lockdown,” said King. “I missed doing the thing I love.”
Eager to get involved in theatre, King approached Mountview Drama School and asked if he could be of any use lighting shows for livestreams, pointing out that he had experience in lighting for theatre and as well as the camera. Much to his delight, Mountview responded by offering him the opportunity to light a series of shows starting with Macbeth.
“This show was a new experience,” recalls King. “There were only eight people in the theatre due to social distancing, so our main audience was online. We did three days of normal tech rehearsals and then three days of camera tech rehearsals to make sure it would look right for the livestream audience.
“Inevitably we had to shift some lighting to look better for camera,” he continued. “We worked to make things even darker actually so people could appear from the blackness. The versatility of the theatre’s rig was invaluable in helping us achieve an engaging production.”
Key to providing this adaptability were the Chauvet Professional fixtures in the Mountivew Theatre’s new lighting rig. These include 15 Ovation E-910FC and 16 Ovation F-915 FC Fresnels, as well as eight Ovation B-280FC and two Ovation B-1965 batten style wash lights.
In a dark, brooding play such as Macbeth
Italy - Luxury car manufacturer Maserati launched the MC20, the first super sports car of its Trident brand, in an event format powered by disguise xR.
Milan-based Feelrouge Worldwide Shows staged a two-day hybrid event held at the Autodromo di Modena race-track, and broadcast live around the world. The setting included a huge open-air, installation stage with 630 square meters of LED video screens on three different axes, which hosted a series of anamorphic visual effects and augmented and mixed reality content, powered by three disguise gx 2c media servers.
The visual narrative was complemented by a live performance, light show, sound system and original soundtrack. A fleet of 50 Maserati cars from across the years were showcased in the grandstand, creating an evocative drive-in theatre setting for over 500 live guests, accommodated in socially distanced seating.
Feelrouge met the challenge of realising the two-day physical event during the coronavirus pandemic, and some severe weather conditions, which reduced rehearsal days. More than a year in development, the narrative connected the on-site and digital experiences with a statement of hope, courage and audacity during the pandemic that embraced the brand's new vision.
Feelrouge chose xR (Extended Reality) for the event’s narrative platform. “Expression of identity has been utterly transformed by moving from traditional AV channels to contemporary technological multi-sensorial communication,” explains Marco Klefisch, creative director at Feelrouge. The agency designed a sh
UK - When event management, lighting and creative design company, Absolute Events was asked by Global Street Art to light up a series of advertisements painted on walls around London, Doughty Engineering was brought on board to help secure the lighting firmly and safely in place.
Global Street Art is known for its hand-painted advertising campaigns with well-known consumer brands. Jonathan explained: "We've been working with Global Street Art to light up their amazing advertising artwork for a number of years now and we rely on Doughty to help us secure the lighting effectively.
“I have known of their products for my entire professional life and was keen to make sure their kit was used on this project so I brought Rigging Services on board who handle the specialised side of fixing the relevant products in place. Initially I approached a couple of companies who said that the plans we had could not be achieved, and then I approached Rigging Services who were willing and able to fulfil the brief – so we've been working together on projects around London for the past five years."
Using a selection of off the shelf Doughty kit including brackets (which are secured by the Rigging Services team and then tested to 100kg) and scaff bars, the lights are then secured in place. "If Global Street Art is using UV paints, we use UV lights. If not, we have flood lights which are just as effective at lighting up the art but essentially the rigging kit remains the same.”
With the lights having to stay in place for anywhere between two and six weeks depend
South Korea - Elevating the ambiance in its main theatre, the Daejeon Arts Centre hired Hansam System to install a Harman Professional lighting solution that features Martin Professional fixtures.
Opened in October of 2003, the Daejeon Arts Centre has brought a new horizon of culture and arts to the city of Daejeon. Housed in a five-story building across a property size of 100,000sq.m, the centre features four premier event and meeting spaces, including the large-scale Art Hall, Ensemble Hall, Conventional Hall as well as outdoor amphitheatre.
Beyond hosting a wide range of productions such as theatre and opera performances, Daejeon Arts Centre also offers a Music Academy and arts cultural programme, which are designed to inspire and educate the future generations on performing arts. To enhance the 1,546-seat Art Hall, Hansam System provided a Martin Professional lighting solution.
“The client wanted to replace their existing lamp lighting with energy-efficient LED lighting units. They wanted LED fixtures that produce a balanced light beam from the center to the edge of the stage with a low failure rate, considering the heat generated during operation,” said Taehan Kim of Hansam System. “We used the Martin ERA 800 Performance LED fixture because of its exceptional performance, flexibility and price.”
“After seeing the ERA 800 Performance during a dance show by Daejeon Metropolitan Dance Company, we were impressed,” said Hun Chung, lighting director at Daejeon Arts Centre. “With this installation, we have become the first art cent
Spain - The 2020 Mercedes-Benz Fashion Week Madrid (MBFWM)’s SS21 season show went ahead in its regular venue – Hall 14.1 at the Feria de Madrid – to a 30% capacity socially distanced live audience together with thousands more joining a livestream.
Lighting designer Juanjo Saunier chose 38 Robe MegaPointes, 20 LEDWash 800s, 12 Spiider LED wash beams and three BMFL Follow Spots running on three separate remote control BaseStations to assist him with creating the show.
Juanjo has worked on Spain’s premier biannual fashion show for around 10 years, both lighting the main show-space and various ‘off-site’ venues, and enjoys the buzz, vibes, and challenges of this seminal fashion event.
This year, Juanjo started with three different catwalk lighting configurations in the multipurpose room, all of which offered the 60 different shows designers a good and dynamic choice of settings. His lighting design ensured that all these different routes were beautifully and optimally lit for the cameras.
The first lighting setup comprised of 1.5m-wide linear light corridors created using a barrage of profiles in the roof, underneath which the runway could be built in various sized sections either five or three lanes wide offering even more adaptability for the individual shows.
The second configuration was a regular 30m-long rectangular-shaped runway with the two 30 metre up and down lanes connected by a 4.5m ‘short end’.
The third option was with the use of six follow spots – three at the front and three at the rear - providing dr
USA - The View at Fountains is a 400-capacity conference and event space in Murfreesboro, Tennessee. It occupies the top floor of Fountains at Gateway, a multi-purpose building occupied by office space, restaurants, retail shops, and, in the future, apartment units.
Aptly named, The View at Fountains features floor-to-ceiling windows overlooking greenspace. All of that glass makes the space acoustically challenging, and that challenge is compounded by tile flooring, an exposed concrete ceiling, and dry wall.
Hesitant to upset the visual aesthetic, regional AV integration firm Centerline Audio Visual recommended Danley Sound Labs SH95 loudspeakers, which use Tom Danley’s patented Synergy Horn technology to deliver fidelity while keeping sound from bouncing off the walls and ceiling.
“Scott Graby owns the building and is also the sound tech at Franklin Road Baptist Church, where we had done some work involving Danley loudspeakers,” explained Scott Oliver, owner of Centerline Audio Visual. “The View at Fountains is a beautiful event centre that is perfect for weddings, conferences, and banquets. Unfortunately, all the reflective surfaces in the room caused a lot of intelligibility problems, and Scott [Graby] received complaints.”
“Scott [Oliver] did a room profile of the space, and his graph showed sound bouncing all over the place,” said Graby “He put together a quote for sound absorption panels that was not only costly but, would have marred the aesthetic of the space.
As an aside, he mentioned past success with Danley lou
Australia - More than 75,000 tickets were sold as part of the NSW Government’s recent Great Southern Nights performance series held throughout November which is Australian Music Month.
Great Southern Nights delivered 1,100 COVID-safe performances to live music venues in over 140 towns and suburbs throughout the state. The aim was to reinvigorate NSW’s live music scene, which took a significant hit at the onset of the coronavirus pandemic.
Presented in partnership with ARIA, Great Southern Nights saw more than 2,500 artists perform at over 300 venues, with many high-profile names heading to regional venues to perform.
All music events were programmed in line with current NSW Government health advice regarding physical distancing and venue capacity of public gatherings.
Acts who performed as part of Great Southern Nights included Tash Sultana, Alex The Astronaut, Middle Kids, Thelma Plum, Jessica Mauboy, Jimmy Barnes, Ruel, and many lesser-known, emerging artists.
Towards the end of the month, two large gigs were announced for Qudos Bank Arena, Sydney’s premier entertainment venue and Chameleon Touring Systems supplied lighting and crew for the much-anticipated events.
Headling one of those gigs was Ocean Alley, a popular Australian alternative psychedelic rock band from Sydney and lighting designer Jake ‘Dutchy’ Bylsma who found himself behind a console for the first time since March.
“I was as rusty as they come and lighting the biggest room I've ever done,” he admitted. “Not to mention this was the first tim
France - The annual ARTE Concert Festival went virtual this year with three days of music live streamed to audiences worldwide. Lighting designer Pierre Claude deployed seven Claypaky A.leda B-EYE K10 fixtures, two dozen Claypaky HY B-EYE K25 LED washes and 16 ADB SVOBODA classic batten fixtures for the live musical performances shot at La Gaite Lyrique in Paris in November.
Artists participating in the festival, which was prohibited from staging in-person concerts due to the coronavirus pandemic, included singer/songwriter Sebastien Tellier, hip-hop sensation Lous and the Yakuza and French electropop band Yelle.
Pierre Claude has designed and operated tours for many musical performers, among them The Strokes, Phoenix, Gesaffelstein, Boys Noize plus Future Islands’ live stream. For the ARTE Concert Festival he created a circular stage with three concentric circular trusses. HY B-EYE K25 and B-EYE K10 were mounted in the truss while ADB SVOBODA were placed on the perimeter of the stage floor.
The SVOBODA lighting batten was designed by the scenographer Josef Svoboda in cooperation with the lighting specialists of ADB and is known for its signature ‘light curtain’ effect. The fixtures were provided by Marius Defaux-Vittone of MPM Audiolight.
Jean-Maxence Chagnon was the lighting operator for the festival with Jean-Lo Latour of R-Cube the technical manager. This festival is produced and filmed by La Blogotheque.
Germany - Bewake Studios in Berlin has become the first recording facility to install a multichannel monitoring system fully outfitted with Spacemap Go, Meyer Sound’s for spatial sound design and mixing.
The installation of Spacemap Go was prompted by German electronic music icons Jan Werner and Andi Toma. They have been in residence at Bewake Studios since late 2018, and have occupied an exclusive sub-rented space and operated under the moniker Paraverse Studio. Their facility has a separate connection to the 50sq.m main recording room - where Spacemap Go is available - which is shared with Bewake’s other clients.
“Andi and Jan first experienced an earlier version of Spacemap Go at Moogfest two years ago, which started an ongoing relationship with Meyer Sound,” notes Adam Kesselhaut, the studio’s co-founder and managing director as well as a producer and songwriter. “That eventually led to the installation of Spacemap Go here. Because of the virus restrictions they have mostly been using it for their own projects, but they have been developing content so we expect they will use that in small events, inviting a few select people. I know they are really itching to get going with Spacemap Go, to make some cool, crazy stuff and get other artists in here to experience it.”
Studio co-founder and producer/engineer Martin ‘Lucky. Waschkowitsch found time to experiment with Spacemap Go and the results exceeded his expectations.
“To be honest, I was surprised that it works so well,” he says. “I was expecting phase issues as you w
Experienced lighting pro has used the compact console on several gigs since the summer, including Arnoldo Castillo 20th Anniversary livestream celebration
Like many in the lighting industry, Costa Rican lighting professional Emilio Aguilar has used the pandemic downtime to learn new competencies and better his skill set. Finding himself back home in Costa Rica last spring following Cirque du Soliel’s bankruptcy, Aguilar got in contact with long-time collaborators Luces y Sistemas, the exclusive distributor of Obsidian Control Systems products in Costa Rica. “I inquired about the NX2™ lighting console, which I thought would be the perfect console for the types of gigs I do,” he states. “They were happy to show me the console and in the end it was just what I wanted.” Luces y Sistemas provides full support for the entire Obsidian line of hardware and software lighting control solutions in Costa Rica.
Aguilar has worked as a college professor of theatre design, as well as freelancing as a lighting designer and programmer/operator for the past 20 years. His adept resume also includes working for RSTV, a leading entertainment technology provider in Central America, as well as a tenure at Cirque du Soliel. Since July, he has used the NX2 on about a dozen different gigs, including a livestream transmission celebration of the 20th Anniversary of singer Arnoldo Castillo's career.
Castillo, a successful businessman and Costa Rican pop singer, is an artist Aguilar knows well, having designed the lighting for his band Los Tenores. Produced by Universal Ent
USA - When Caesars Entertainment, who operate the world-renowned Caesars Palace in Las Vegas, planned their next expansion phase - Caesars Forum, a new state-of-the-art conference centre - they needed a first-class technical infrastructure for site wide multi-signal transmission over this large facility, and opted for BroaMan, the video and data based sister company to Optocore.
Locally based design and engineering specialists, National Technology Associates (NTA) have a long track record working with the Caesars Entertainment family, including LINQ promenade, the High Roller, and many restaurants and venues. Thus they were again contracted, and as their project manager Shane Snell recognized the building was way too big to run traditional SDI cabling, he instead turned to a BroaMan fibre solution.
BroaMan offers customised fibre solutions as well as standard devices for every application that requires IP/SDI/HD/3G video transport or routing, no matter what the scale or complexity. In the BroaMan environment, all open standards can be integrated - digital video, audio and data - on the same low latency fibre infrastructure.
The conference centre itself measures a massive 550,000sq.ft including more than 300,000sq.ft of flexible meeting space with the two largest pillarless ballrooms in the world at 110,000 square feet each. The facility has direct access to 3 first class hotels with 8,500 Caesars Entertainment hotel rooms and 20,000 more within walking distance.
Snell explained that the original design had “tons of SDI cabling” run
USA - When the leaders at Shades Mountain Baptist Church in Birmingham, Alabama green lighted a full renovation of the mega church’s 2,700-seat main worship centre, the job of designing and building a modern, upgraded audio system was awarded to Blackhawk Audio.
In addition to quality sound and coverage, Shades Mountain also wanted to ensure that the new system was discrete in that it was contained within a very compact grill cloth area. Blackhawk found the solution with EAW and its ADAPTive line, including its Anya and Anna loudspeakers and Otto subwoofers, as well as its VFR89i Stage Monitors.
“One of the biggest selling points of the EAW ADAPTive speaker system was that in addition to its audio quality and excellent coverage, it also was low profile and would not visually overwhelm the sanctuary,” says Blackhawk Audio president Rick Shimer. “The previous look of the sanctuary had a very large ‘speaker cluster’ with grill cloth. Ensuring that the PA system was less obtrusive while also offering pristine sound was a main factor for this project; they wanted a particular look and we are able to achieve this using EAW’s Anya, Anna and Otto.”
The upgrade, which consisted of over 30 EAW speakers, included two Anya’s each for far house left and far house right, six Anna’s each for house left and right, two Anna’s for down-fills, six Otto subwoofers for centre and eight VFR89i passive two-way stage monitors for the choir.
“The EAW ADAPTive platform has proved to be the best choice for sonic clarity and acoustical control acr
USA - Southcrest Baptist Church has remodelled a former worship centre on its campus in Lubbock, Texas, reopening it as The Venue, a multipurpose space outfitted with a new Solid State Logic Live L200 digital mixing console. The new L200 desk is being used to mix front-of-house, monitors and a live stream of The Venue’s Sunday morning service, which features a five-piece contemporary band.
The new L200, which was put into service in early November, is the third SSL Live desk to be installed at Southcrest Baptist Church. In 2017, the church opened a newly constructed 46,000sq.ft, 1,600-seat Worship Centre on its campus that is equipped with a pair of SSL Live L300 consoles. One manages front-of-house and monitors and the other handles audio-for-video duties, including live streaming and recording.
“We put in a new audio system in The Venue and wanted an SSL board to keep the continuity between the two main spaces,” says Rusty Trowbridge, the church’s technical director and FOH/monitor mixer in the Worship Centre. “We have three Live boards now, and it’s awesome.”
Trowbridge and his AV media team integrated the new L200 themselves in the revamped space, which can hold up to 800 people. The new SSL system, which is operated by FOH mixer Tyler Gutierrez, includes an ML 32.32 Stage box with SuperAnalogue mic/line inputs at the stage with an ML 32 at the FOH position, networked via an SSL Blacklight II.D MADI Concentrator.
“We’re doing a live stream out of The Venue, which was one of the things that helped us choose the SSL Live,
USA - The arid arena of the Arizona desert and the Arcosanti community united for the staging of Existential Reckoning, a site-specific streamed concert of the new album by ‘supergroup’ Puscifer initiated by Maynard James Keenan.
Lighting designer Sarah Landau was asked to light the concert livestream, having been fascinated with the idea of Arcosanti for some time but not yet visited. She added Robe MegaPointes and PixelPATTs to her lighting design for this intricately constructed performance movie.
Keenan lives about an hour’s drive away from Arcosanti, the ‘arcological’ postulation of Italian American architect Paolo Soleri, designed to connect architecture and ecology as a philosophical base for democratic society.
The album backstory involves an alien landing on earth and trying to assimilate.
The Existential Reckoning video shoot was directed by Adam Rothlein of Ghost Atomic Pictures together with the band’s manager Dino Paredes, and took place in three different locations around Arcosanti – the central amphitheatre; the vaults (two large barrel-shaped structures above ground) and in the middle of a patch of desert just outside the main development.
The set was designed by Mat Mitchell, guitarist, and producer of the album, who also mixed audio for the stream. He presented the overall concept to Sarah when they first discussed the project in early August.
Lighting was left entirely up to Sarah’s vision and interpretation, and the six cameras then had their shots adapted and positioned according t
Sweden - Malmö Opera presented well-received production of musical classic Funny Girl as part of the autumn / winter repertory programme which continued to run despite the pandemic. Audience figures were dramatically reduced to 50+ a livestream which could be enjoyed by all who had bought a ticket for each performance.
Planned two years earlier and fully sold out many months in advance, Malmö Opera decided to go ahead in delivering all their seasonal main house productions as the budgets were already allocated and spent.
Leading Swedish lighting designer Fredrik Jonsson was delighted to be back working on a live show and helping to create the aesthetic for this vibrant, funny, and poignant piece known for its intricate production numbers.
Malmö Opera has a quantity of Astera fixtures in its lighting inventory which are used for multiple situations and solutions across their range of productions, and Fredrik made the most of the tiny Astera AX3 LightDrops to highlight important details on the elaborate Funny Girl sets designed by Martin Chocholousek.
Ten AX3s were hidden behind custom golden shell casings that emulated classic 1930’s Ziegfeld Follies era footlights in line with period setting of the piece.
The AX3s were attached magnetically to metallic plates behind the plastic shell shapes, slightly angled up to authentically simulate footlights coming from the orchestra pit area.
Fredrik added some AX3s inside the two large ventilation funnels of the battleship set to highlight the interior of the funnel ends
UK - In a bid to lift the spirits of the local community and celebrate the efforts of the NHS, a team of entertainment industry lighting and laser engineers based around the north of England have set out to create laser lighting art.
Sheffield-based lighting designer Jonathan Dawson-Butterworth wanted to set up a morale-boosting event that could also help the Sheffield Hospitals Charity appeal.
“I thought it would be nice to organise something that people could look at and enjoy, and also do something to help charity. With the terrible situation brought upon us all by the pandemic, I thought it would be great to involve the hospitals charity and say ‘thank you’ to the NHS,” he explains.
Taking place on Monday, 14 December, with powerful laser beams firing from three different areas of the city, with the organisers hoping to deliver an entertaining display, including a laser beam pyramid.
“We were hoping to use NHS sites for the locations for the lasers, but because of COVID precautions and protocols, they weren't able to let us to use them. So we had to look the three new locations at the last minute, but these are now being very helpfully provided by three local organisations,” adds Dawson-Butterworth.
During the planning stages, he contacted Northamptonshire-based Kvant Lasers UK, who are supplying one Atom 15 and two LD Spectrum 30 lasers for the occasion. Meanwhile, three lighting professionals - freelancers Andy Brown and Tim Fawkes, and Nick Thompson of Limelight Presentation Systems - will supervise the locations on th
UK - The unprecedented challenges that 2020 presented the live music industry has in turn led to the creative use of technology - by venues and other arts organisations - to continue to deliver performances on-line. Among those adopting a forward-thinking approach to the current situation is Wiltshire Music Centre, located in Bradford-on-Avon, which has been running a series of live streamed concerts from its newly-installed broadcast suite - including a recent performance by artist-in-residence Tom Poster and the Kaleidoscope Chamber Collective.
In adapting the venue’s concert hall for streaming, an Allen & Heath Avantis digital mixing system was recently supplied by Plymouth-based Nubsound, to integrate with an existing Dante network and a new camera package for broadcast.
“The venue had been running an Allen & Heath GLD for the past six or seven years in the main auditorium,” explained Joshua Small from the company’s systems and special projects division, “and when it came to designing the new broadcast facility they were keen to retain it to take care of the mix for livestreaming. This left a space to be filled in the auditorium and the Avantis was their first choice.
“We supplied the Avantis console fitted out with two Dante networking cards and it’s harnessed to GX4816 and DT168 stageboxes, which allow for a huge input count from the stage and flexibility gathering sounds from around the entire building, as the DT168 works perfectly over the pre-existing Cat 6 tie lines already had in place.”
“I knew that Dante
USA - In the shadow of majestic Mount Rainier, Experience Church is part of a new generation of houses of worship, a non-denominational Christian church bringing their message to parishioners via modern music and technology. The 500-seat sanctuary welcomes parishioners with upbeat, amplified music and innovative videos.
Installed more than 15 years ago, the church’s sound system was showing its age and in need of an update. Uncertain of the cost and in need of ideas, the church contacted Sumner, WA-based McCauley Systems for advice and consultation.
“I’ve had a long-standing relationship with this church, having designed and consulted on the original sound system about 15 years ago,” reports McCauley Systems principal Ryan McCauley. “Fundamentally the system is still in good shape, with excellent coverage and impact, but many of the loudspeaker components in particular were approaching the end of their useful lives, and some of the amplification and other electronics were beginning to fail.
”With the ongoing uncertainty surrounding the pandemic, budgets were also a concern. “Since I’d designed the original system, I suggested refurbishing that system rather than replacing it,” McCauley continues. “With the advancements in loudspeaker technology, we were able to not only replace the failing components, but update them with more modern versions, far superior in performance and sound quality.
”Perhaps even more significant have been the advancements in DSP and amplifier technology. “What was state-of-the-art 15 years ago
Korea - To create an immersive platform to showcase local culture and arts, Geumjeong Arko Performing Practice Centre partnered with TechDataPS Co to deploy a high-quality sound system from Harman Professional Solutions.
With the foundation of a self-sustaining creative ecosystem, Geumjeong Arko Performing Practice Centre is an optimised practice space for performing artists. The venue consists of a grand practice room, two substantial practice rooms, and two small practice rooms. It also provides a showcase space for performing artists and groups.
TechDataPS Co reports that the client wanted a high-quality audio system to record and edit audio. They also wanted to maximise the design setup and use the space for both practice and small performances. Such a setup needed the infrastructure and speaker systems to be flexibly configured, providing them with the opportunity to change the layout from horizontal to vertical when needed. Harman Professional audio systems were chosen for the task.
The speaker and subwoofer system installed consists of the JBL AM7212 full-range loudspeaker system with a dual voice coil and dual magnetic gap. PRX818XLF self-powered extended low-frequency subwoofer system with remote Wi-Fi control and PRX812W full-range speakers were fitted to the main system and floor monitor applications, offering powerful JBL signature sound and complete wireless control.
The loudspeaker and subwoofer system is supported with Crown XTI6002 and XTI4002 amplifiers and Soundcraft VI1 mixing console. As the client wanted a flexible, eas
Germany - Situated near Wermelskirchen in the Bergisches Land, Schloss Burg is one of the largest completely preserved castle complexes in Germany. Built in the 12th century as the ancestral seat of the Counts and Dukes of Berg, and extensively restored between 1890 and 1914, the castle is one of the landmarks of the Bergisches Land and has been used for years as a museum and for various cultural events.
After a planning period of almost a year, Burg Castle became the scene of the Castle Illumination for the first time this October - and despite, or perhaps because of, the current coronavirus situation, the event was a complete success.
"In the course of the year we had to reschedule several times and, at some point, threw the entire concept overboard," stated Uli Hoppert from Siren, the technical service provider for the event. “We said goodbye to the original idea of not only livening up the castle with a light installation but also with real actors at the beginning of the coronavirus crisis,” he recalls. “The upcoming renovation work also repeatedly thwarted our plans. Medieval castles were simply not planned for a modern event such as this. Narrow corridors, steep slopes, and the extensive protection of historical monuments demanded a lot of inventiveness from my team.”
A colourful and quite unusual mixture of spotlights and lamps were used. “With the exception of the battlements and some interior rooms, only IP65-rated fixtures were deployed,” continued Hoppert, “as the devices had to withstand the Bergisch weather for around six
Argentina - In April 2018, the Government of Santiago del Estero, together with the Argentine Football Association (AFA), began drawing up plans for a new provincial stadium that was to commence construction in June. Although its destiny of serving as a host venue for the 2020 Copa América was derailed due to the pandemic, the stadium was still completed nevertheless, its final design complying with all FIFA, CONMEBOL, and AFA standards.
The finished Estadio Único Madre de Ciudades consists of a cylindrical covered stadium with a capacity of 28,000 seated spectators, and includes VIP sections, press booths, spaces for catering, and covered parking for 400 cars, as well as a main access plaza and sports museum.
The Estadio Único Madre de Ciudades is also the first stadium in the country to be designed with the sound system in mind from the early stages of construction stage, making it one of the most future-proof venues in Argentina.
The audio portion of this ambitious project was entrusted to Equaphon Sistemas de Sonido SRL, an Argentine company with more than 45 years of experience in the professional audio market.
“In this type of venue, the safety of the equipment is a determining factor,” said Rubén Branca, Equaphon’s managing director. “Thanks to the different limiters offered by the Powersoft amplification platforms, a very high degree of system security is achieved.”
As of June this year, all Powersoft amplifier platforms have achieved EN 54-16 certification, which provides an extra layer of certainty to the cus
Canada - Adamson Systems Engineering’s CS-Series powered loudspeakers provided the audio for Big Wreck’s recent drive-in show at Canada’s Ancaster Fairgrounds
While drive-in concerts have become commonplace during the pandemic, increasingly they require traditional live sound reinforcement and the ability to transmit over FM, explains Colin Moore of Soundbox: “It’s all about the experience, so it’s becoming a mandatory part of the production specifications, and bands and audiences prefer it that way.” You can still socially distance and have great sound, he continues, adding: “Maybe one out of every 10 cars had their doors closed and the radio on, but most people were listening to the PA.”
Big Wreck FOH engineer, Dan Preston adds: “With some rigs, the guitars are producing frequencies through the cabinets that they’re not producing through the actual amp and, as far as the guitars, in particular, Ian Thornley has an expansive sound - a big, wide tone that needs to be reproduced accurately. I was able to do that here without having to fight the PA. I actually had to dial back my effects from a prior mix considerably. I use a lot of rolling and trap delays with Big Wreck and, with this PA, I didn’t have to fight for them to be heard or separate at all.”
Soon after Adamson officially launched the CS-Series, Soundbox purchased CS Upgrade kits for their entire Adamson S-Series inventory; 28 CS10, eight CS7, and six CS119 kits in all. “And based on their performance we’re really happy we did,” Moore adds. In all, for Y108 P