Chile - Urdile Audio & Iluminación, PR Lighting’s Chilean distributors, are just one global partner that has been achieving extraordinary success with the Chinese manufacturer’s XR440 BWS, and its smaller sibling the XR330 BWS (denoting that these hybrid, high output moving heads combine beam, wash and spot effect).
The XR440 BWS houses a powerful Osram Sirius HRI 440W lamp, and features include an advanced colour index with CYM linear colour mixing system, with macro; colour wheel with 12 colours and CTO plus open; bi-directional rainbow effect at variable speeds; step/linear colour changer; fixed gobo wheel with 13 fixed gobos plus open, and much more.
Urdile have been working with PR Lighting for the past four years, both as a distributor, but at the same time demonstrating product durability through its rental division.
This year alone the 15,000-seat Movistar Arena in Santiago has played host to Juan Luis Guerra y Los 4.40, Slayer, Maroon 5 and Farruko, all of whom have used large quantities of the XR440 BWS in the different set designs.
According to the company’s MD, Andres Urdile, “This enables our rental clients to see just how effectively PR fixtures function in our shows, and gives them the confidence that if Urdile says that PR Lighting is good, then they will trust it and buy it. We offer them as perfect alternatives to brands they are used to, and they readily accept.”
Andres is clear as to how the XR440 BWS has earned its popularity - largely through high quality at an attractive price. “It is a durable lum
Canada - Located within an old church building in Little Italy, Revival Bar has become a live performance hangout for the Toronto music community and fans since opening in 2000. While its designation as a Toronto historic building requires preservation of the building’s frontage, there is nothing to prevent modernization inside. That is why general manager Mathew Saturnino recently decided to upgrade the 400-capacity venue’s sound system with the Electro-Voice X1 system from the X-Line Advance line-array loudspeaker family.
"There’s a lot of competition in live entertainment, and quality of the sound system is one thing that sets one venue apart from another," notes Revival Bar general manager Mathew Saturnino. "We wanted a system that would sound great, with really good, tight sound output within the room. We did a lot of research, and the X1 from Electro-Voice seemed like the perfect fit – newer technology that would give us a very good competitive edge."
The installation was performed by Mississauga-based integration firm Pure AV, with the system being designed by Clint Alves of SoundSoft Productions, Toronto.
Using Electro-Voice LAPS software, the design is based around two five-box arrays of Electro-Voice X1-212/90 loudspeakers, augmented by four X12-128 dual 18-inch subwoofers. The entire system is powered by six Electro-Voice TG7 amplifiers, all outfitted with RCM-28 network and DSP modules to enable easy monitoring and control via IRIS-Net software. The team at PureAV ran the wiring in advance so that, once the shipment of loudspeak
Italy - Protected Paradise is a striking, 12m high, mixed media installation created by Belgian artist Koen Vanmechelen, located in the garden of the Palazzio Francetti for the 2017 Biennale di Venezia (Venice Biennale) contemporary visual art exhibition.
Luc Peumans of Painting with Light was contracted to light the work, a thought-provoking piece encouraging viewers to engage and question the impact of humanity on a rapidly transforming planet.
It consists of two bronze trees, a 4m bronze chicken claw (symbolic of the human being), two eggs made out of marble and fibre respectively (the eggs of hope) and an impressive cage constructed from recycled material, made by ECO-OH!
The bottom egg is constructed from Carrara marble and weighs 12 tonnes.
The overall construction of the piece was managed by Koen Verhaert of ECO-OH!, based at Laakdal in Belgium and they asked Luc on-board for the intricate task of lighting the piece, working to a brief from Koen Vanmechelen himself.
Luc is used to challenging lighting and visual projects, but this was on an altogether other level, he explained, “It needed an exceptionally precise and delicate approach. The responsibility of lighting someone’s creative and emotional expression is intense. It’s nerve-wracking BUT also extremely rewarding!”
Luc had just two weeks to craft a lighting scheme for Protected Paradise and, in line with the context of the work, it needed to be as carbon-neutral as possible.
He contacted Antwerp-based architectural LED lighting manufacturer and spe
Germany - Four years after their last live appearance, German tour promoter Karsten Jahnke has brought lmusician, producer and engineer Alan Parsons and his band back to Germany, playing 13 dates throughout the country in May. A Yamaha Rivage PM10 console has taken care of the intricate Front of House mixes for these much-anticipated performances.
Playing a mixture of indoor and outdoor shows, the nine-piece Alan Parsons Live Project is being mixed by Emmy-nominated FoH engineer and production manager Ross Pallone.
The Rivage PM10 console has been supplied by Lüneburg-based audio production/installation company PM das Systemhaus für Medien- & Veranstaltungstechnik (Profi Musik), with these shows being the first time that regular Yamaha user Ross has got up close and personal with the new flagship console.
“For us, the most important thing is that the sound has to be very high quality - that is what Alan’s fans expect and I want them to have it. I want them to be really impressed,” he says,
Ross has around 48 inputs for drums, bass, two electric guitars, three acoustic guitars, four keyboards, vocoder and nine vocal microphones.
“First and foremost, the PM10 sounds amazing!” he says. “But I also love the way Yamaha consoles are laid out, especially this one and the CL5. I like the fact that the Rivage PM10 has banks of 12, instead of the standard eight on most consoles. It also has 12 Custom Fader possibilities on each bank, plus 12 DCAs. I constantly need to get to a lot of inputs very quickly on this show, so it make
Mexico - Latin American artist Ozuna recently started his world tour in support of the Odisea album. Lighting designer Alex Soto’s first choice for lighting control was two dot2 XL-F to control a set consisting of more than 100 fixtures.
Soto commented: “The dot2 is an amazing console to do any kind of show. It is fast to programme and easy to use. It is really an amazing console for a fast live show. We had a quick access to the different kind of options of the fixtures and could create different types of effects in a short time.
“We had the performance divided by scenes that took the audience to a unique experience”, continued Soto. “By this they could feel and live the music. All of this to show how much the artist has grown in a year and a half of his musical career.” The lighting equipment was delivered by PRG Mexico.
UK - Indie rockers Circa Waves are making waves right now, and the release of their second album Different Creatures brings some more serious, hard-hitting and thought-provoking messages along with solid catchy rhythms.
Lighting designer Ed Warren started working with Circa Waves at the start of this album campaign in October 2016. Having known their management team for some time, all the circumstances and stars aligned to make it the right time for Ed to add his ideas and imagination to the stage presentation on recent UK and European legs of the tour.
Ed specified an almost entirely Robe rig including 12 x Spiiders, 12 x CycFX 8s, 36 x Halos and four DL4Ss, all supplied by CEG Hire & Productions, and operated on the road by Toby Hoggarth.
Ed was left free to create a visual stage environment after receiving the new album artwork and a few pointers from the band and their management. One of the requests was for a false perspective feel to the stage, with some more epic cinematic looks, plus lots of strobing and hi-energy effects for the manic elements of the set, all of which left plenty of scope for creativity.
For this design, he selected a classic white backdrop look – the nature and texture of which could be changed with up-lighting from the CycFX 8s. Some custom gobos featuring the new album artwork were made for the DL7s, which could be flashed up on the backdrop at strategic moments.
Eight Spiiders were on top of four trussing towers each side of stage which were gradiated in height with the shortest at the rear and
Australia - A newly completed memorial to World War II submariners is the centre-piece of the 300m Submariners' Walk Heritage Trail on the Brisbane River boardwalk in Teneriffe, Queensland. The walk features a series of plaques and submarine-shaped seats commemorating the sailors and their service. The memorial itself comprises a landmark sign illuminated by Firefly’s Digital FloppyFlex RGBW LED neon.
The hollow steel sign, by Street + Garden, is painted navy grey with letters perforated in the steel, spelling out ‘Submariners’ Heritage Trail’ in classic naval stencil font. Pixel-controlled Digital FloppyFlex inside the sign illuminates the letters, giving a stunning, colour-changing glow effect that seems to move inside the monument.
The installation was up and running in time for the Teneriffe / New Farm Anzac Day dawn service, the memorial’s unofficial opening day. In the pre-dawn darkness, all the nearby street lights were turned off, with the memorial’s lettering and the sub-seats along the trail glowing a deep red, simulating the interior of a submerged sub. Once the service started, the sign glowed and gently scrolled through the Australian flag colours of blue, red, and white.
“My father was a submariner and involved with the Submarine Association before he passed, and had actually worked on the project at its outset with OAM medal recipient Don Currell,” commented Heath Williamson, Firefly’s managing director.
Every night, the sign and the submarine seats along the Heritage Trail will light up red or blue. They will
The Netherlands - Armin van Buuren played two tumultuous gigs at Amsterdam ArenA as The Best of Armin Only celebrated the conclusion of the Armin Only performance concept. Armin’s largest solo show to date in his home country of the Netherlands additionally marked 20 years of his career as a DJ / creative music producer, and it was the first time a DJ has staged a solo show at the venue, also home to Ajax Football Club.
Creating an equally awesome lighting and visual design for the occasion were Andre Beekmans of The Art of Light and Marc Heinz, who united the worlds of live events, opera and drama in a visual extravaganza to match the energy and diversity of the performance.
There were over 900 Robe moving lights to help achieve their imaginative goals which were delivered by lighting contractors Focus Amsterdam B.V. and Rent-All.
The breakdown included 200 x BMFL Spots, 112 x BMFL WashBeams, 186 Pointes, 180 LEDBeam 100s and 231 Spiiders and is one of the largest ever Robe lighting rigs for a single artist show, which was organised and promoted by ALDA Events under the technical direction of Maarten Hoogland.
As with all stadium shows, one of the first steps is to ensure there are enough lights to provide the sheer spectacle and wow factors needed, especially for the high expectations of this show. These 900 plus Robe fixtures were joined by around another 450 luminaires together with 2.5 miles of DiGidot LED strip. The large upstage 8mm video screen measured 60 metres wide by 18 high and comprised four sections which rotated with
UK - The success of UK singer songwriter Ed Sheeran continues with the start of a new world tour - for which a substantial Kinesys automation system was specified to assist with the daily stage set build and to facilitate the movement of lighting pods during the show.
The impressive lighting and scenography design which is helping Sheeran wow the crowds and impress the critics has been created by Mark Cunniffe.
The Kinesys system and control was recommended by Mike Oates, director of UK based Lights Control Rigging (LCR), the tour’s lighting equipment and crew supplier in combination with SES in the US.
The Kinesys equipment includes four Kinesys DigiHoist Plus (63 Amp) and eight DigiHoist (32 Amp) intelligent chain hoist controllers, 42 x Kinesys LibraCELL load monitoring cells and 12 x Liftket variable speed 500kg hoists fitted with Kinesys Elevation 1+ drives. The system was configured and built during the prep in LCR’s warehouse before being dispatched to the tour.
It has been purchased by audio, rigging, motors and automation supplier, Salisbury based Major Tom Ltd., and is being co-ordinated on the road by Steve Bliss and operated by Omar Franchi from the rigging crew.
All the tour’s production elements are being overseen by production manager Chris Marsh.
Steve’s first job of the day is assisting the other lighting crew in building the mother-grid, which weighs a hefty 11 tonnes before being loaded with any kit!
This is lifted using 30 x 2-tonne single-reeved chain motors each fitted with a 4.75T Kinesys Libra
Turks and Caicos Islands - Beaches Resorts in the Turks and Caicos Islands offers endless activities for people of all ages, not to mention convenient access to some of the Caribbean's best beaches. Lighting designer Lisa Weinshrott Kimmel, of Sharp Edge Lighting Design, was recently brought onboard to design lighting for a theatre project at the vacation resort and found an Elation rig at her disposal.
Beaches Resorts pride themselves on offering a wide variety of activities for the whole family and the new theatre shows make up another component in the resort’s entertainment package. “This was a new installation for four shows at the Beaches Resorts’ outdoor theatre on Turks and Caicos,” Lisa explains. “The challenges presented by this outdoor venue and multiple musicals performing simultaneously created an environment where reliable and versatile equipment was an absolute must have requirement. Elation proved to me to be up to that challenge.”
Entertainment production company Creativiva of Toronto produced four 50-minute family friendly musical shows for the resort’s outdoor theatre Dolce Vita, Jungle Book Live, Alice in Wonderland and Treasure Island. The shows, also creatively managed by Creativiva, debuted on 16 April, 2017, and are scheduled to run for the next three years.
Lisa designed lighting for each of the four shows using a rig that includes 22 SixPar 300 IP LED Par colour changers and 9 SixPar Z19 IP LED Par wash lights with zoom. The SixPars are bright and versatile full-colour Par luminair
USA - Beach blankets and yoga mats aren’t normally found inside the long, high-ceilinged central nave of the National Cathedral. Recently, however, the iconic church’s usual seats and pews were removed so people could lie down on these coverings to gaze at an astonishing lightshow that transformed the building’s cavernous interior into a vast and infinitely fascinating panorama of colour with help from a collection of LED fixtures from Chauvet Professional.
Elizabeth A. Coco of Atmosphere Lighting designed this transformative vista for the cathedral’s Seeing Deeper, an event its organizers say was intended to help people “find new paths for creative expression and spiritual freedom”. Live Native American flute music accompanied the two-hour lightshow to create an environment that was true to the organizers’ goals.
“Atmosphere Lighting and I have been working with the National Cathedral for some time lighting various events,” said Coco, a USA 829 union designer. “When the cathedral reopened in October after being closed because of damage caused by the 2011 earthquake, its new event director, Dan Rose came to me and said they were thinking of something on a large scale where they would light the interior in different colours for an event.”
Coco donated her design services for the non-profit event, while Atmosphere Lighting provided the gear at no cost. “For me as a designer, Seeing Deeper was like a dream come true,” she said. “The cathedral has so many wonderful architectural features. Plus, the stained-glass windows give
UK - Production company LarMac Live called in Setsquare Staging to reproduce hero pieces and build infrastructure for The Pink Floyd Exhibition: Their Mortal Remains, the biggest ever at the V&A.
Setsquare produced the scaled-up, walk through model of Pink Floyd’s 1965-era Bedford van which opens the show, a 9m high parallax view Battersea Power Station, representing the Animals album cover, a 7.5m model of The Wall, set opposite, and a series of beds reproduced from original Momentary Lapse of Reason LP artwork.
Created in the company’s own workshops, from 3D design through to finishing touches, Setsquare also oversaw the intricate installation process on site.
Ian Greenway, director at LarMac Live, comments: “There are more than 350 original artefacts at Their Mortal Remains and we needed scale model props to put them in a fitting context.
“Setsquare Staging is fully equipped to design and build infrastructure and it has a hugely talented team of people. That combination helped to bring another level to the exhibition experience.”
Matthew Clemitson, Setsquare Staging’s project director, says: “Pink Floyd is all about creativity and the pieces we produced had to reflect that. LarMac gave us the draughts and construction drawings and we got to work. The exhibition is a technical masterpiece, a fantastic insight to a band that changed the face of rock music. It’s a pleasure to be back at the V&A with a project as special as this one.”
Developed by Aubrey ‘Po’ Powell, working closely wit
UK - Billed as the creative industries party of the year, the 55th D&AD Professional Awards Ceremony took place at Troxy, London on 27 April 2017, with creative technical event production expert Hawthorn providing full technical production.
Since 1962, D&AD have been inspiring a community of creative thinkers by celebrating the finest in design and advertising. With the D&AD Pencil recognised globally as the ultimate creative accolade, the pressure is always on to create an event that challenges convention and leaves a lasting impression on guests and award winners alike.
Working in partnership with brand experience agency SomeBrightSpark, Hawthorn devised a production design that utilized and celebrated the iconic nature of both the venue, and the pencil.
To keep the winning work at the heart of the event, the team created a ‘digital’ set using LED video panels. The 12m wide by 3m high main show screen was built using panels of high resolution Absen 3.9mm LED with a 12m by 2m 10mm GLUX wall staggered behind this. To really frame the stage, two further GLUX LED ‘banners’ were also constructed on each side of the stage. Using Hawthorn’s new to stock d3 4x4 media server, the GLUX panels displayed different sections of content pulled from the main show screen, creating a unique, abstract aesthetic.
To create movement and an element of ‘theatre’, the 3.9mm panels were rigged using Kinesys. This allowed Hawthorn to make full use of the unique space within Troxy, dropping the LED wall to reveal a high rise hidden per
India - Mumbai-based system integrators Zoodio, have carried out a new sound system upgrade at a Roman Catholic church in the Mumbai township of Vashi.
Built in 1993, Sacred Heart Church has taken delivery of the first Martin Audio BlacklineX system in the country.
Zoodio, who have been specifying Martin Audio solutions for around a decade, had been recommended to the project by the priest of nearby St John The Baptist Church, following the installation of a Martin Audio O-Line as part of a major renovation project.
However, this time Zoodio turned to the new BlacklineX range for the first time. BlacklineX is described as “a classic suite of passive loudspeakers for the modern era” which builds on the heritage of the original, and extremely popular Blackline installation and portable series.
Zoodio project manager and co-ordinator, Dylan Hilton, describes the rationale behind the change of Martin Audio system. “Sacred Heart Church is much wider than St John’s, with its wings extended on one side. The ceiling heights are also different and the reverberation time much higher than St John’s.” He therefore reasoned that the church required the loudspeakers to be much lower and closer to the congregation - and in addition to its suitability, BlacklineX also worked within the budget they were given.
“There had been a lot of complaints about the old system as the vocals were not very audible and was quite old and outdated,” said Pereira.
The installation team assessed the challenges of providing coverage for a congregation
Sweden - The lighting crew of the prestigious Malmö Opera venue were so impressed by the improved range of colours, brightness, and the even light of the new Chroma-Q Color Force IITM, that they purchased fixtures for a new production on their Verkstan Stage, home of the Opera house’s experimental division, Operaverkstan.
The lights were used extensively during the recently completed, month long run of The Disobedience of Death, which was originally written in a Second World War concentration camp, by Austrian composer Viktor Ullman, and Czech poet Peter Klein. The writers died after being transferred to Auschwitz in 1944, so the work’s premiere was not presented until 1975, by the Dutch National Opera, at the Theatre Bellevue in Amsterdam.
The Malmö Opera building is the home of the Malmö Opera company and houses one of the largest auditoriums of its type in Scandinavia, as well as the smaller studio stage.
“We needed a relatively small but nonetheless bright fitting, for lighting a BP-screen, in order to create the effects we were looking for. The Color Force II’s brightness, quality and range of light made it an excellent choice,” said Daniel Bexell, the Opera Company’s head of lighting.
The fixtures were supplied by Chroma-Q master distributor, A.C. Entertainment Technologies Ltd. (AC-ET), after they had run a custom demonstration in Malmö. AC-ET have also supplied DMX cables through their in-house Tourflex Cabling division.
Johan Bertilsson, AC-ET’s Swedish sales representative said: “We’re delighted to
UK - Christie Direct View LED has been installed above the Barbican’s Silk Street entrance, welcoming thousands of visitors to the Centre each day and providing a clear and bright identity to the Barbican’s main entrance that can be seen from afar. The ‘Day One’ content is a welcome message set against a skyline of London. The skyline is – appropriately - as seen from the top of Cromwell Tower in the Barbican Estate and the Barbican in-house marketing team will be creating future bespoke content themselves.
Sir Nicholas Kenyon, managing director of the Barbican said: “We’re thrilled with the new addition to our Silk Street entrance. Christie’s screens create a bright, dynamic welcome for our audiences and we look forward to creating imaginative, vibrant content to greet and inform our visitors.”
“The Barbican is an absolutely iconic venue and also a listed building,” said James Belso, senior sales manager, Christie. “However, the team wanted to give the Silk Street entrance much more identity to guide visitors and grab people’s attention. Direct LED technology was pretty much the only practical solution to cope with the high ambient daylight and long runtimes.
“The install provided some challenges – for example as a listed building, no major changes could be made to the building without the necessary planning permission, which the Barbican were granted by the City of London.”
The seamless strip of 28 tiles (in a 14x2 letter-box strip) needed to be seen from the outside, yet be fixed inside behind several glass p
The Netherlands - Hockeycomplex ‘Oosterplas’, Hertogenbosch, the field hockey club which is also known as HC Den Bosch, recently underwent a complete new sound system installation, turning to RCF for the solution.
RCF’s weatherproof IP55-rated P-series is no stranger to stadia and arenas throughout the world and has frequently been the architectural choice both for indoor installations in tough environments as well as outdoor applications such as stadiums and arenas.
With three sides of the field open, all 20 of the P 3115-T, run 100V line, are distributed evenly along the roof of the single tribune, which also includes a central cluster. The full range, wide-dispersion, coaxial two-way loudspeaker system provides substantial power and efficiency.
The HF section is a constant directivity CMD horn loaded to a 1” RCF Precision compression driver with a 1.5” diaphragm assembly. The LF transducer is a 15” woofer with 2.5” voice coil and the selectable line transformer makes is suitable for 70-100 volt applications.
Commenting on the installation, Henri van Bergen, of RCF Netherlands, stated: “The most important consideration in stadiums like these is the Speech Transmission Index (STI), as well as fact the that the system must also sound great with music.
“The client realised, during the final stages of decision making, that the RCF P-series gave them the best of both worlds.”
Switzerland - In recent months, a number of high profile musicians and engineers have been exploring the live potential of Schertler’s Arthur modular mixer on stages in various parts of the world. The mixer, which can be configured and built by the user, is created from a choice of Class-A input and output modules. These can be combined in any order and quantity to form both compact and large-scale mixer configurations for live and studio use.
Celebrated jazz/fusion pianist, keyboardist and composer Chick Corea is currently on tour with a specially configured Arthur mixer that enables him to directly manage his own on-stage sound. Corea’s configuration includes one of the new Arthur Sub group modules through which all his keyboards run to front of house. Seven further channels accommodate other band instruments, enabling Corea to create his own monitor mixes.
"This mixer makes my keyboards and piano sound rich and warm - the way I like it,” he says. “The channels are modular so I can configure the mixer to any size depending on which band I'm playing with. The controls and the layout are completely aesthetic and easy to control. It's a work of art!"
At the recent Paisley Park Celebration 2017 in Minneapolis, 24 Arthur modules were formed into two separate mixers for rehearsal and stage use by keyboard players Morris Hayes and Tommy Barbarella. After the show, a delighted Hayes, who is now exploring a larger version of his original mixer commented: "Listening to the show in my headphone, the sound was transparent, warm and clean. For me it al
USA - Emmylou Harris and the Nash Ramblers took the stage at the fabled Ryman Auditorium in celebration of the anniversary of their original live recording of the Grammy-winning 1992 LP, At the Ryman, which took place in an effort to restore the crumbling “Mother Church”.
With the Ryman now fully restored, Harris and the Ramblers (Sam Bush, Jon Randall, Al Perkins, Larry Atamanuik and Byron House) returned to the hallowed stage where they performed the album once again in its entirety, this time with a lighting package provided by Bandit Lites.
Lighting designer Bob Peterson supplemented the house lighting from the Ryman with Bandit Lites VL 3000 Spots, GLP X4S wash lights, along with a Grand MA 2 lite console for control.
“I used the VL 3000 workhorses for three primary purposes: band and feature backlight, floor texture and some low angle beam graphic,” explained Peterson. “The wash lights lit scenic, an array of soft draperies and picture frames. It was an elegant and simple statement.”
Peterson paid careful attention to ensuring the lighting reflected the look of the original recorded concert 26 years earlier, moving focuses and beam only in black, and delivering looks that would only be possible with a conventional rig.
Peterson shared that the Bandit crew, including programmer Aaron Swetland, lighting director David “Gig” Butzler and lighting technician Gabe Hodge were instrumental in the success. “Bandit provided an awesome crew, who assisted me in all areas of the project, anything they could do to make t
USA - Every lighting designer knows how important it is to keep tour managers happy. So, when the TM for Animals As Leaders said he wanted to minimize the number of fixtures on the floor package for the band’s 22 city summer tour while still delivering the multi-dimensional looks that the group’s intricate mix of progressive music demands, lighting designer Victor Zeiser took his words to heart.
The owner of Squeek Lights, Zeiser delivered what the manager wanted and then some, with a lean, but abundantly productive rig that includes two strobes, three batten fixtures and four Maverick MK2 Spots from Chauvet Professional. Zeiser fit the whole lighting rig on one pallet that’s transported in a bus-towed trailer for the tour, which supports the band’s Top Ten Album The Madness of Many.
“We got very clear instructions from the band’s management about what they wanted the rig to look like,” said Zeiser. “They were emphatic about keeping the fixture count down, yet they wanted a lot of deep visuals. So what do you do? If you have only four lights, you want them to be bright, have a wide zoom range and give you a ton of colour options. Not a problem for me; I was glad I had the MKs.”
Zeiser places two of his Maverick MK2 Spots on flipped up road cases and two on 6 foot booms behind the band. The Mavericks fill a variety of roles from these positions. He uses them often throughout the show to cross light the area behind the band, putting texture on its three members with gobos.
“The quality of the Mavericks’ gobos and ri
Switzerland - A compact Allen & Heath dLive S Class system has been installed in Teatro Sociale in Bellinzona, Switzerland, following an upgrade to its audio equipment. Supplied by Battaglia Light Services, the system consists of a S3000 Surface equipped with a Dante network card, and a DM32 MixRack.
Built in 1846, Teatro Sociale is one of Switzerland’s most historic theatres, which was refurbished 20 years ago following a period of neglect. The venue hosts theatrical productions, and also a variety of concerts, from classical to rock.
“We selected dLive because it has a simple workflow, which is easy to learn for guest engineers, and has a quick setup time, so you can configure the desk in seconds. Another major factor for choosing dLive is that the sound quality is first class, and the system has the best FX, compressors and dynamics, thanks to the DEEP processing models of classic gear,” comments Teatro Sociale’s technical director, Claudio Cheulini.
“The system fulfils the high demands of the theatre very satisfactorily. dLive has tremendous headroom and is versatile, easily able to manage classical concerts to rock and everything in between. Another small but crucial factor is the fact that you can dim all the lights on the desk and avoid disturbing audience members.”
UK - Attracting over 5,500 attendees, Europe’s largest digital marketing conference, the Adobe Summit EMEA 2017 returned once again to ICC ExCeL London. Creative technical event production expert, Hawthorn was once again chosen by Taylor Bennett Partners to deliver the full technical design and production for the two-day event.
Focused on the future of digital marketing, delegates from Europe, the Middle East and Africa gathered to soak up tips and insights from the Adobe Marketing Cloud and its partners. Led by group creative director Pete Harding, Hawthorn was tasked to bring Taylor Bennett’s impressive vision to life, delivering the technical production for the main conference plenary, exhibition space, break-out rooms and the muchly-anticipated Summit Celebration.
In the Community Pavilion, a six-metre long, five-metre wide and three-metre high tunnel constructed from 3.9mm LED panels guided attendees from registration through to the Social Area.
Realising an idea by Russell Bennett, Partner at Taylor Bennett Partners, Hawthorn and 80-Six created an interactive LED ceiling that stretched throughout the Community Pavilion. Made up of 1017 panels of Roe MC7 LED, the team devised a custom rigging solution to allow the panels to be flown face down.
This year’s plenary stage played host to a number of big names, including actor Colin Firth and former Premier League and England footballer Frank Lampard. With major brands including T-Mobile, BMW Group and The Coca-Cola Company sharing how they are firmly at the forefront of digital marketi
UK - Drapes and rigging specialist Blackout played an integral role in the London Symphony Orchestra’s annual open air concert in Trafalgar Square on Sunday 21May.
Thousands of people packed into the square in glorious sunshine to hear the LSO, conducted by Valery Gergiev, play three pieces by Rachmaninov. Once again sponsorship from BMW ensured the event was free to the public.
Blackout worked on the event for the fifth time, providing rigging and drapes, installing four truss structures next to the main stage to support two large screens and two PA towers, with two smaller structures at the back of the square in front of the National Gallery, used for relay screens.
A combination of Thomas 52 Supertruss and Prolyte Truss was used, with extra Blackout truss forming the main entranceway. Prolyte was also used for the on-stage lighting rig, and Blackout supplied protective drapes to keep the sun off the musicians’ instruments.
Blackout director Kevin Monks headed up the crew, who had a small-time window to work in, with the need to minimise the closure of the historic landmark to the public.
The first equipment arrived in Trafalgar Square on Friday 19 May, two days before the concert, and the 15-strong team worked fast to construct the support structures so the production load-in with lighting and video equipment could take place the following day.
Blackout’s crew then worked quickly and efficiently on Sunday evening to make sure the site was returned to normal in time for the new working week. Kevin Monks and his team then su
Russia - Funktion-One’s distributor for Russia, Edelweiss Audio, has completed the sound installation at Krasnodar Stadium. The project led to the loudspeaker manufacturer breaking new ground with a specially designed Evo enclosure.
Edelweiss Audio was initially invited to take part in a listening test alongside companies representing most of the pro audio manufacturers active in arena and stadium sound. This was the beginning of a detailed specification process. Having impressed the owners, Edelweiss and Funktion-One were shortlisted and invited back for a second round of listening tests.
“A number of factors, not least the geometry of the stands, meant that a horn-loaded solution would work best,” explains Edelweiss Audio’s technical director Andrei Kremenchugskiy. “We were looking at up to 90-degree coverage, which is very hard to achieve effectively using line-array.”
The owners were sold on the Funktion-One sound, which at the time was demonstrated using Resolution 5s, and appointed Edelweiss as the audio contractor for the project.
Krasnodar Stadium’s roof has two layers, which are split by a cavernous space. The architect originally wanted the loudspeakers to be positioned between these layers. Unsurprisingly, Edelweiss and Funktion-One had other ideas.
Kremenchugskiy worked closely with John Newsham and others at Funktion-One in the UK to come up with a solution. This resulted in the development of new customised product – the Evo 6EHQ. These specially designed enclosures house four Evo 6 waveguides, arrayed tw