The Netherlands - Hockeycomplex ‘Oosterplas’, Hertogenbosch, the field hockey club which is also known as HC Den Bosch, recently underwent a complete new sound system installation, turning to RCF for the solution.
RCF’s weatherproof IP55-rated P-series is no stranger to stadia and arenas throughout the world and has frequently been the architectural choice both for indoor installations in tough environments as well as outdoor applications such as stadiums and arenas.
With three sides of the field open, all 20 of the P 3115-T, run 100V line, are distributed evenly along the roof of the single tribune, which also includes a central cluster. The full range, wide-dispersion, coaxial two-way loudspeaker system provides substantial power and efficiency.
The HF section is a constant directivity CMD horn loaded to a 1” RCF Precision compression driver with a 1.5” diaphragm assembly. The LF transducer is a 15” woofer with 2.5” voice coil and the selectable line transformer makes is suitable for 70-100 volt applications.
Commenting on the installation, Henri van Bergen, of RCF Netherlands, stated: “The most important consideration in stadiums like these is the Speech Transmission Index (STI), as well as fact the that the system must also sound great with music.
“The client realised, during the final stages of decision making, that the RCF P-series gave them the best of both worlds.”
Switzerland - In recent months, a number of high profile musicians and engineers have been exploring the live potential of Schertler’s Arthur modular mixer on stages in various parts of the world. The mixer, which can be configured and built by the user, is created from a choice of Class-A input and output modules. These can be combined in any order and quantity to form both compact and large-scale mixer configurations for live and studio use.
Celebrated jazz/fusion pianist, keyboardist and composer Chick Corea is currently on tour with a specially configured Arthur mixer that enables him to directly manage his own on-stage sound. Corea’s configuration includes one of the new Arthur Sub group modules through which all his keyboards run to front of house. Seven further channels accommodate other band instruments, enabling Corea to create his own monitor mixes.
"This mixer makes my keyboards and piano sound rich and warm - the way I like it,” he says. “The channels are modular so I can configure the mixer to any size depending on which band I'm playing with. The controls and the layout are completely aesthetic and easy to control. It's a work of art!"
At the recent Paisley Park Celebration 2017 in Minneapolis, 24 Arthur modules were formed into two separate mixers for rehearsal and stage use by keyboard players Morris Hayes and Tommy Barbarella. After the show, a delighted Hayes, who is now exploring a larger version of his original mixer commented: "Listening to the show in my headphone, the sound was transparent, warm and clean. For me it al
USA - Emmylou Harris and the Nash Ramblers took the stage at the fabled Ryman Auditorium in celebration of the anniversary of their original live recording of the Grammy-winning 1992 LP, At the Ryman, which took place in an effort to restore the crumbling “Mother Church”.
With the Ryman now fully restored, Harris and the Ramblers (Sam Bush, Jon Randall, Al Perkins, Larry Atamanuik and Byron House) returned to the hallowed stage where they performed the album once again in its entirety, this time with a lighting package provided by Bandit Lites.
Lighting designer Bob Peterson supplemented the house lighting from the Ryman with Bandit Lites VL 3000 Spots, GLP X4S wash lights, along with a Grand MA 2 lite console for control.
“I used the VL 3000 workhorses for three primary purposes: band and feature backlight, floor texture and some low angle beam graphic,” explained Peterson. “The wash lights lit scenic, an array of soft draperies and picture frames. It was an elegant and simple statement.”
Peterson paid careful attention to ensuring the lighting reflected the look of the original recorded concert 26 years earlier, moving focuses and beam only in black, and delivering looks that would only be possible with a conventional rig.
Peterson shared that the Bandit crew, including programmer Aaron Swetland, lighting director David “Gig” Butzler and lighting technician Gabe Hodge were instrumental in the success. “Bandit provided an awesome crew, who assisted me in all areas of the project, anything they could do to make t
USA - Every lighting designer knows how important it is to keep tour managers happy. So, when the TM for Animals As Leaders said he wanted to minimize the number of fixtures on the floor package for the band’s 22 city summer tour while still delivering the multi-dimensional looks that the group’s intricate mix of progressive music demands, lighting designer Victor Zeiser took his words to heart.
The owner of Squeek Lights, Zeiser delivered what the manager wanted and then some, with a lean, but abundantly productive rig that includes two strobes, three batten fixtures and four Maverick MK2 Spots from Chauvet Professional. Zeiser fit the whole lighting rig on one pallet that’s transported in a bus-towed trailer for the tour, which supports the band’s Top Ten Album The Madness of Many.
“We got very clear instructions from the band’s management about what they wanted the rig to look like,” said Zeiser. “They were emphatic about keeping the fixture count down, yet they wanted a lot of deep visuals. So what do you do? If you have only four lights, you want them to be bright, have a wide zoom range and give you a ton of colour options. Not a problem for me; I was glad I had the MKs.”
Zeiser places two of his Maverick MK2 Spots on flipped up road cases and two on 6 foot booms behind the band. The Mavericks fill a variety of roles from these positions. He uses them often throughout the show to cross light the area behind the band, putting texture on its three members with gobos.
“The quality of the Mavericks’ gobos and ri
Switzerland - A compact Allen & Heath dLive S Class system has been installed in Teatro Sociale in Bellinzona, Switzerland, following an upgrade to its audio equipment. Supplied by Battaglia Light Services, the system consists of a S3000 Surface equipped with a Dante network card, and a DM32 MixRack.
Built in 1846, Teatro Sociale is one of Switzerland’s most historic theatres, which was refurbished 20 years ago following a period of neglect. The venue hosts theatrical productions, and also a variety of concerts, from classical to rock.
“We selected dLive because it has a simple workflow, which is easy to learn for guest engineers, and has a quick setup time, so you can configure the desk in seconds. Another major factor for choosing dLive is that the sound quality is first class, and the system has the best FX, compressors and dynamics, thanks to the DEEP processing models of classic gear,” comments Teatro Sociale’s technical director, Claudio Cheulini.
“The system fulfils the high demands of the theatre very satisfactorily. dLive has tremendous headroom and is versatile, easily able to manage classical concerts to rock and everything in between. Another small but crucial factor is the fact that you can dim all the lights on the desk and avoid disturbing audience members.”
UK - Attracting over 5,500 attendees, Europe’s largest digital marketing conference, the Adobe Summit EMEA 2017 returned once again to ICC ExCeL London. Creative technical event production expert, Hawthorn was once again chosen by Taylor Bennett Partners to deliver the full technical design and production for the two-day event.
Focused on the future of digital marketing, delegates from Europe, the Middle East and Africa gathered to soak up tips and insights from the Adobe Marketing Cloud and its partners. Led by group creative director Pete Harding, Hawthorn was tasked to bring Taylor Bennett’s impressive vision to life, delivering the technical production for the main conference plenary, exhibition space, break-out rooms and the muchly-anticipated Summit Celebration.
In the Community Pavilion, a six-metre long, five-metre wide and three-metre high tunnel constructed from 3.9mm LED panels guided attendees from registration through to the Social Area.
Realising an idea by Russell Bennett, Partner at Taylor Bennett Partners, Hawthorn and 80-Six created an interactive LED ceiling that stretched throughout the Community Pavilion. Made up of 1017 panels of Roe MC7 LED, the team devised a custom rigging solution to allow the panels to be flown face down.
This year’s plenary stage played host to a number of big names, including actor Colin Firth and former Premier League and England footballer Frank Lampard. With major brands including T-Mobile, BMW Group and The Coca-Cola Company sharing how they are firmly at the forefront of digital marketi
UK - Drapes and rigging specialist Blackout played an integral role in the London Symphony Orchestra’s annual open air concert in Trafalgar Square on Sunday 21May.
Thousands of people packed into the square in glorious sunshine to hear the LSO, conducted by Valery Gergiev, play three pieces by Rachmaninov. Once again sponsorship from BMW ensured the event was free to the public.
Blackout worked on the event for the fifth time, providing rigging and drapes, installing four truss structures next to the main stage to support two large screens and two PA towers, with two smaller structures at the back of the square in front of the National Gallery, used for relay screens.
A combination of Thomas 52 Supertruss and Prolyte Truss was used, with extra Blackout truss forming the main entranceway. Prolyte was also used for the on-stage lighting rig, and Blackout supplied protective drapes to keep the sun off the musicians’ instruments.
Blackout director Kevin Monks headed up the crew, who had a small-time window to work in, with the need to minimise the closure of the historic landmark to the public.
The first equipment arrived in Trafalgar Square on Friday 19 May, two days before the concert, and the 15-strong team worked fast to construct the support structures so the production load-in with lighting and video equipment could take place the following day.
Blackout’s crew then worked quickly and efficiently on Sunday evening to make sure the site was returned to normal in time for the new working week. Kevin Monks and his team then su
Russia - Funktion-One’s distributor for Russia, Edelweiss Audio, has completed the sound installation at Krasnodar Stadium. The project led to the loudspeaker manufacturer breaking new ground with a specially designed Evo enclosure.
Edelweiss Audio was initially invited to take part in a listening test alongside companies representing most of the pro audio manufacturers active in arena and stadium sound. This was the beginning of a detailed specification process. Having impressed the owners, Edelweiss and Funktion-One were shortlisted and invited back for a second round of listening tests.
“A number of factors, not least the geometry of the stands, meant that a horn-loaded solution would work best,” explains Edelweiss Audio’s technical director Andrei Kremenchugskiy. “We were looking at up to 90-degree coverage, which is very hard to achieve effectively using line-array.”
The owners were sold on the Funktion-One sound, which at the time was demonstrated using Resolution 5s, and appointed Edelweiss as the audio contractor for the project.
Krasnodar Stadium’s roof has two layers, which are split by a cavernous space. The architect originally wanted the loudspeakers to be positioned between these layers. Unsurprisingly, Edelweiss and Funktion-One had other ideas.
Kremenchugskiy worked closely with John Newsham and others at Funktion-One in the UK to come up with a solution. This resulted in the development of new customised product – the Evo 6EHQ. These specially designed enclosures house four Evo 6 waveguides, arrayed tw
Azerbaijan - The opening ceremony of the 4th Islamic Solidarity Games, produced by Catherine Ugwu’s Betty Productions, featured spectacular visuals throughout the show.
Responding to an initial brief to deliver projection across the back wall and floor of a stage covering half an athletics stadium, Creative Technology (CT) specified 78 Panasonic DZ21 projectors driven with VYV’s Photon Media Server system. While the original brief and specification regarding the projection area and projector count was a little smaller than the Rio Olympics ceremony that CT were involved in last year, many of the same challenges applied.
Following the first test set up, the projection surface was changed from a gauze material to a solid white fabric, the contrast in the content was increased and further 40 projectors were added to ensure that the quality and brightness of the overall image surpassed anything that had been seen before on a ceremony of this type.
The combined effect resulted in the main projection surface burning through any of the typical issues with light spillage from the stage.
The spectacular result was achieved by teamwork from some of the production industry’s leading specialists brought together and inspired by Betty Productions’ attention to detail and determination to deliver a spectacular ceremony.
Belgium - One time professional actor Stan Van Samang made his musical breakthrough back in 2006 winning the music talent TV show, Steracteur Sterartiest (VRT). While the Belgian artist has recorded a string of successful albums since, it’s arguably his live performances – with intimate audience interaction – which have garnered him notoriety. Tasked with bringing the most out of these live performances on Stan’s recent tour of Belgium, LD Bart Rogge specified 16 Chauvet Professional Maverick MK 2 spot and 24 R2 Rogue wash fixtures to stunning effect.
As Stan Van Samang’s live shows are all about interaction between audience and artist, Rogge decided upon a visual interaction of his own, that between the Maverick MK 2 spot and 24 R2 Rogue wash fixtures.
“The Maverick and Rogue fixtures formed the basis of my lighting concept,” commented Rogge. “Thanks to the incredibly powerful spot and zoom features of the Maverick and the saturated wash effects of the Rogue fixtures, Stan had the perfect backdrop upon which to perform.”
Rogge positioned eight Maverick MK 2 spot fixtures on above stage truss, with a further eight pieces standing on the floor in a pincer-like formation. The 440W spots could scissor across the stage and out into the audience, providing excellent audience ariels whilst simultaneously lighting Stan from behind.
“The rotating slot and lock gobo wheels allowed me to quickly mix up effects and patterns on the stage according to the mood of the particular songs.”
Furthermore, Rogge was impressed wit
USA - Serving the greater Washington DC area since 1971, RCI Systems is a full-service event production house and systems integrator that has built its success on two “greats” - great people and great gear. In the house of worship community, that has often taken the form of partnering with Jonathan Lesane and SYXA Services, most recently on a pair of installs featuring L-Acoustics ARCS WiFo (Wide and Focus) systems at Spirit of Faith Christian Centre and Mount Pleasant Church and Ministries.
Lesane works with a large number of churches in the DC and Baltimore areas, but he’s not a “typical” systems integrator. His approach of providing rental systems, as well as arranging permanent installs and personnel to run both, is a reaction to the issues many churches face with volunteer audio staffs.
“I have had many discussions with worship leaders where I point out that they are willing to pay good money for, say, a keyboard player with a touring pedigree for the worship band, but they expect the overall sound of the service to be capably piloted by a volunteer with limited experience and knowledge,” he says.
With that in mind, Lesane notes that it’s crucial for growing churches - especially those moving from traditional services into more contemporary styles - to wisely invest in sound systems that will be tailor-fit for their worship spaces and sound superb even in the hands of laymen operators.
“Both the Spirit of Faith and Mount Pleasant locations involved extremely reflective environments where maintaining coherent sound was pr
UK - Former England and Manchester United footballer Rio Ferdinand co-owns Rosso Restaurant and Bar in Manchester, UK, and has ensured that Rosso’s patrons are treated to a sophisticated, yet effortless, hip experience.
When a break in the action permitted a sound system swap, Danley Sound Labs’ new UK distributor – aptly named Danley UK – stepped in to assist Manchester-based live sound and installation company Neuron Pro Audio. The Neuron staff designed and installed a Danley system using their patented Synergy Horn loudspeakers and a Tapped Horn subwoofer, which now brings the sonic experience at Rosso in line with its upscale menu, décor, and service.
“We have been the audio contractor for the restaurant since around 2012, when failure issues appeared in the system installed by the prior contractor,” explained Kyle Marriott, managing director at Neuron Pro Audio. “Sadly, they were simply not happy with their initial setup. Coverage was inconsistent: some diners were deafened whilst others couldn't hear anything, and there was zero control over levels or tonality. We had patched up and improved on this where we could, but the speakers themselves always let the restaurant down in terms of sound quality and coverage.”
Rosso management gave the go-ahead for the installation in anticipation of the restaurant’s 10-year anniversary. “The space is beautiful and the clientele expects the highest quality, whilst also appreciating something a little exclusive,” said Marriott. “Our experience with Danley's ability to get hi-fi sound
UK - Now open at the V & A Museum, The Pink Floyd Exhibition: Their Mortal Remains is the first international retrospective of one of the world’s most pioneering and influential bands. The exhibition offers an immersive and multi-sensory journey through the career of Pink Floyd, chronicling their music, design and staging, from the 1960’s through to the present day.
Following the company’s work on last year’s Exhibitionism, the Rolling Stone’s exhibition at the Saatchi Gallery, White Light was called upon to oversee the lighting installation and supply the lighting equipment on this occasion.
Produced by Concert Productions International, Their Mortal Remains was curated by Aubrey ‘Po’ Powell, the creative director of Pink Floyd, who worked closely with band members Roger Waters, David Gilmour and Nick Mason. It is designed by Stufish Entertainment and the lighting designers are Woodroffe Bassett Design.
WL’s special projects director Simon Needle comments: “We were approached by Terry Cook, ssenior dDesigner at Woodroffe Bassett, back in November 2016 about us coming on board. After working with them on the hugely successful Exhibitionism, they asked us if we would be able to fulfil a similar role on this project”.
WL was asked to supply all of the lighting equipment, install the fixtures and provide on-site crew. Simon adds: “This was a huge exhibition taking up three spaces at the V & A Museum. Having the experience of working on similar projects in the past, we knew we had both the
UK - Curry and a beer as a social concept has much to recommend itself. Easy, fast, tasty, and satisfying; what could you possibly add that would make it better? Well, how about a couple of life size shark holograms? Liz Berry of Hologramica is gaining quite a reputation for juxtaposing reality with illusion. For Avolites’ founder director, Steve Warren the opportunity was irresistible.
“We do a couple of these a year in the demo room at our London HQ in Park Royal. The ‘Avolites and Robe Designers’ Curry Club’ is an open house for people working in video and lighting live events.
“Yes, people come to the curry night knowing it will have an element of product presentation, but we also make the effort to promote the evenings as a networking event; it’s more than just a sales pitch. Tim Meadowcroft, one of the LD’s who attended this one said to me before coming “You’re always telling me ‘come on down, you never know you might get work out of it’ so I’m coming”. Sure enough, Tim called me the day after to say he’d picked up some work at Light Initiative on the back of it.”
As it turned out the second of Berry’s shark holograms was an on the hoof adaption of what she had originally intended. “It was only a couple of days before, that I discovered the main warehouse had skylights. The illusion wasn’t going to look very good with daylight flooding through the roof so it was a bit of a nightmare until I spotted an office with a window overlooking the party space.
“The flexibility of our new 3D Holonet meant t
UK - Royal Windsor Horse Show organiser HPower Group called upon multiple Arena UK & Europe divisions to deliver 5,000m² of temporary structures complete with full interior fit-out, 3,689 seats throughout three Castle Arena tiered grandstands and event catering equipment.
Spurred on with the success of last year’s expansive additions to the equestrian show’s temporary infrastructure in honour of The Queen’s 90th Birthday celebrations, HPower Group once again entrusted Arena Seating and Arena Structures to deliver and maintain the same level of hospitality and finish this year.
At the south end of the Castle Arena, two Members Enclosure viewing areas were installed by Arena Structures utilising the curved Arcus roofs to offer 250m² of premium sightlines. Situated behind, a multi-deck temporary Members Restaurant, provided 600m² of contemporary dining and hospitality restaurants and lounges.
Throughout the Royal site, an additional 800m² of Arcus structures played host to the Windsor Enclosure Bistro, Reception Structure, and the Royal Entrance Structure. Peaked roofed Aluhall temporary structures were home to the Stirrup Cup Kitchen, the Riders Lounge and the Members Kitchen.
Arena Seating’s project director Bradley Merchant and his 25-strong team installed three temporary covered grandstands offering unrivalled spectator views of equestrian entertainment in the main Castle Arena.
Merchant explains: “It was key this year for HPower Group to keep building on the precedence set at last year’s royal celebrations, so it
Ireland - The Redemptoris Mater Archdiocesan Missionary Seminary in the Archdiocese of Armagh, Ireland, was founded in 2012 by Cardinal Sean Brady, Archbishop Emeritus of Armagh, to train priests who are both diocesan and missionary for what is known as the New Evangelisation.
Archbishop Eamon Martin, Archbishop of Armagh and Primate of All Ireland, recently presided at the official opening of the Seminary’s new premises, the former De la Salle brothers’ residence in De La Salle Terrace, Dundalk. The buildings have been completely refurbished to provide housing, worship and study areas for the sixteen young priests from eight different countries currently in training.
While the Seminary is based in Dundalk, celebrations and meetings take place all over Ireland and involve people and volunteers from all over the world. As a result, the Seminary decided to invest in a portable simultaneous translation system to improve communication in multilingual environments.
After evaluating a number of different systems and brands, the Seminary’s technical advisory team finally decided on MIPRO as the optimum solution for their needs. The equipment was supplied by AV integrations specialists AVworx in Bedford via MIPRO’s UK distributor, CUK Audio.
“We wanted something that was compact, reliable and portable as we have meetings all over Ireland involving people from many different nationalities,” explained Nicola Ondei who is himself Italian and advised the Seminary on their technical needs.
Redemptoris Mater’s system comprises three MTS-
The Netherlands - One of the most historic buildings in Goes, Netherlands, Slot Oostende is a former castle located in the old centre of the city. It opened to the public in April this year as a multipurpose venue, with a Yamaha Commercial Installation Solutions (CIS)-based audio system meaning its spaces can be used for many different purposes.
Some original parts of Slot Oostende survive, while others have recently been rebuilt following excavations in 2009. This mixture of ancient and modern architecture provides a pleasant atmosphere, which was ideal for a restaurant, meeting venue and brewery producing the venue’s own beer.
Slot Oostende officially opened to the public on 19 April this year, with a planned programme of varied entertainment, as well as meetings, presentations and speech events. To ensure every activity enjoyed high quality sound, Peter de Graaf of AV installation specialists Geluid & Beeld NU! sat down with Leo de Klerk of professional audio dealer Bloomline to design a truly multi-purpose audio installation, suitable for every application.
They chose a system built around a Dante network, controlled and managed by a Yamaha MTX5 matrix mixer/signal processor and a pair of XMV8280-D multi-channel power amplifiers. The advantages of a Dante solution were immediately obvious, as it allows one of the amplifiers to be located 80m from the system rack, on the other side of the building, with no issues.
Throughout the building there are six locations, each with Omniwave loudspeakers and a Yamaha DCP1V4S surface-mounted cont
UK - Blitz|GES has secured a multi-year deal with event venue, the Design Museum. Blitz|GES was awarded a preferred supplier contract, placing it on the museum’s accredited production list.
The museum hosts a range of events each year, from conferences and awards nights, to major brand activations and product launches. Blitz|GES has worked with the venue since its move from Shad Thames to Kensington in late 2016, and will continue to deliver full AV and technical event production services to its clients.
Livia Puggini, head of events at the Design Museum commented: “I am delighted to continue our relationship with the team at Blitz|GES over the next three years. I’m looking forward to working alongside them to provide exceptional service to our clients.”
Graham Pope, group commercial director at Blitz|GES added: “We are proud to have been appointed a preferred supplier for such a prestigious venue and are excited to be working with the Design Museum to continue to deliver innovative technical production solutions.”
UK - April saw the 61st National Student Drama Festival (NSDF) take place at the University of Hull, forming part of the city’s UK City Of Culture celebrations. Rental company SLX provided a range of Yamaha digital mixing consoles and - as a little light relief for participants - Yamaha Commercial Audio UK co-sponsored Yamaha/SLX/NSDF-branded jackets, awarded to the most inventive photos posted by aspiring sound engineers on social media.
Technical production specialist Stage Electrics has been involved with the NSDF since 1999. This was the first year that SLX - the company’s rebranded rental division - worked on the event under its new name.
“We are what you might call a ‘Yamaha console house’, with a wide range of CL and QL consoles in our rental inventory. In many ways, the NSDF sums up the practical reasons for that,” says SLX business development manager Ryan Stromski.
“Yamaha consoles literally make life for sound engineers easier. For example, at this year’s event most of the student engineers felt much more at home on the CL5 in the main venue than the alternative console we supplied last year.”
As well as the CL5 in the main venue, SLX also provided a pair of QL1s and a QL5. All were also used in a series of training seminars that are a key technical feature of the NSDF.
“Students fill the roles of both mixing engineers and system techs, with the seminars giving them the chance to learn the consoles before working on productions with a range of input sources, including instruments, lapel mics and playback,
Ukraine - Elation Professional played a major role in this year’s Eurovision Song Contest in Kyiv with over 800 lighting products used as audience and stage lighting by lighting designer Jerry Appelt and Eurovision Song Contest head of production Ola Melzig.
Elation Professional served as an official technical event supplier to the 2017 show with a large portion of the intelligent lighting package made up of Elation lights. In the rig were 351 Elation Paladin hybrid strobe/blinder/wash lights, 132 Platinum FLX hybrid moving heads, 140 Platinum 1200 Wash and 70 Platinum Seven moving head LED wash lights, along with 110 SixBar 1000 LED battens. Providing the lighting, video and rigging technology for the show was PRG in cooperation with LITECOM.
The Eurovision stage, designed by Florian Wieder, featured a large circular LED stage floor with a dramatic, modern arch proscenium curving over the stage that ran visual content. The slogan for the 2017 Eurovision Song Contest was Celebrate Diversity and Jerry Appelt’s lighting design appropriately reflected the diversification and variety presented on stage.
When Appelt was on the hunt for a strobe effect that he could place behind the huge, curved, semi-transparent LED video wall that served as the all-important visual backdrop, Melzig set up a shoot-out of fixtures in Cologne and Appelt liked what he saw in the Paladin. “I wanted to create an additional layer behind the LED wall, something that had impact but that could also work together with the LED video and other lighting. We chose the Paladin a
Germany - Markus Heinzel of Liquidstudio is the proud owner of the first Audient ASP8024 Heritage desk to be installed in Germany. Based in Freiburg, he has recently upgraded his professional recording and music production studio, wanting to “rely on my technology, so I can get on with making music”.
It was last year that his finances finally allowed for the improvements to his space, for which the biggest investment was the Audient. It took him the best part of a year to find the right desk which also suited his budget. “The combination of a well processed and proven, big analogue desk with DAW integration is perfect for me,” says Markus. “I use the DLC module mostly to make automations, it's great to play with that.
“After working with a digital console for 10 years, I wanted to come back to analogue. I wanted to record using the excellent analogue EQs and shape the incoming signals directly,” he continues. “When I mix, I create stems and sum through the desk which gives me the option to fine tune things with the Audient channel EQs. I then love to use the Retro Iron and the Low Bump/High Lift EQs on the mix bus when printing a mix as they lift everything up a bit, and add power and clarity to the mix. Another great feature is the mix bus compressor which adds a nice glue to the final mix.”
In the evenings, Liquidstudio doubles up as a non-commercial live club: The Slow Club. Markus has designed the whole space cleverly to flip between its two distinct roles, whilst managing to utilise every inch of space. When he’s not running
UK- Underneath the Victorian railway arches in London’s Shoreditch district lies Cargo, one of the capital’s edgiest late-night bar and club venues. While the venue’s genuine Banksy graffiti art-filled courtyard is a magnet for art aficionados and tourists alike, the club itself has been busy building up a formidable reputation of its own thanks to an eclectic music programme.
To install an appropriately multifaceted lighting rig, Cargo recently approached London-based installation specialists, Halo lighting, which specified a number of Chauvet Professional and Chauvet DJ fixtures.
“Cargo approached us wanting a lighting rig capable of supporting a wide variety of dub, house, techno and electro events,” commented Yann Guenancia, director of Halo Lighting. “The combination of Chauvet Professional Rogue R1 Wash and Legend 230SR beams, in addition to Chauvet DJ COLORband Pix and Par Quad 12s provided excellent versatility at an excellent price point.”
Six Rogue R1 Wash and four Legend 230SR Beams were flown from overhead truss to provide the central core of the install. While the R1 Wash’s saturated colours, powerful light output and gobos were specified for their atmosphere inducing qualities; the Legend 230SR fixtures provided the ultimate counterpoint with punchy beams to cut through the dance floor.
“The combination of the Rogue R1 Wash fixtures and Legend Beams are essential for creating the look and feel of an exciting and progressive venue,” commented Guenancia. “Both fixtures provide the energy and drive necessary fo
Finland - Finish singing sensation Saara Aalto – aka the Snow Fairy – played a sold-out homecoming gig at Helsinki’s Hartwall arena and Green Hippo technology ensured a great view for all. Saara, who shot to fame in the UK through her runner’s up spot in 2016’s X Factor, is a firm favourite in Finland, having appeared in Finland’s Got Talent 2007 and The Voice of Finland in 2012.
Bright Finland, the Finland and Scandinavia-based experience provider, was at the helm for Saara’s 360° screen show employing a Green Hippo Hippotizer Boreal to control six iMAG screens. The Hippotizer Boreal was running Notch – the all-in-one, real-time graphics workhorse – enabling the Bright Finland team to create, simulate, composite, edit, and play, there and then, in the moment. The set-up also used Green Hippo’s compact and powerful 1U Media Server, the Amba.
Hippotizer’s seamless operation with Notch was key here. Four cameras with operators, plus two robocams grabbed the raw material, and the Bright Finland team edited on-going blocks via the network in the studio, resulting in a smooth workflow. Not to mention stunning visuals, for all to see.
The Helsinki crowd was clearly impressed, as was the Bright Finland team. Mikko Linnavouri of Bright Finland said: “Notch is a great extension for Hippotizer: we can create custom effects, which give us new possibilities for making graphics for our shows. The implementation is great.”
USA - Bon Jovi rocked the house with the band’s This House Is Not For Sale Tour. The tour’s complex staging featured a grandMA2 full-size console provided by PRG and was in support of Bon Jovi’s eponymous thirteenth studio album released last fall.
It was the first to feature Hugh McDonald and Phil X as full-time band members. The tour picked up the album’s theme with a set featuring a stylized house under construction.
“The tour represented the next chapter of Bon Jovi,” says Spike Brant, the show’s creative producer and designer and CEO of Nimblist. “It was a dynamic show – a nod to old fashioned rock ’n roll with a fine art, metaphorical abstractness. Nothing about the design was fake, and with no fascia, the machines became the tools to tell the story.”
“Not many shows use this much motion to create a sense of structure,” notes Joe Bay, lighting director and programmer. “The show kicks off by building a house from truss and towers – very powerful and expressive – and throughout the show, we construct various abstract versions of the house. With this amount of automation driven from a console, we needed to use grandMA2. And with the incredible power of Stage Markers, it expanded our creative possibilities.”
“Bon Jovi has been using MA for almost 10 years now,” says Brant. “The last tour really tested grandMA2’s ability to talk to the TAIT Navigator system for motion control. On this tour grandMA2 acted as the show controller, working with Navigator and video playback, not just as the lighting desk.