Romania - In need of an audio infrastructure upgrade, Bucharest’s Hard Rock Café turned to integrator Paradigma Teknik for a system with power, clarity and above all reliability, featuring Powersoft’s latest fixed install Quattrocanali and Ottocanali amplifier platforms.
Paradigma sales manager, Laura Angelescu, recommended a system of Martin Audio loudspeakers, and turned to Powersoft’s Romanian distributor AudioVision Store, for the amplification aspect of the installation.
AudioVision’s Marius Craiu, explains: “We have a very strong relationship with Paradigma Technik. We have worked with them for many years and Powersoft aligns very well with Martin Audio for many reasons, but primarily because of the powerful DSP: a kind of Formula 1 for series cars.”
Understanding the end-user’s needs from the installation, AudioVision specified Powersoft’s DSP+D versions of Ottocanali and Quattrocanali amplifier platforms to form the powerful and uncomplicated backbone for the restaurant’s multi-zoned audio system. Powersoft’s green energy product solution, packed with innovative signal processing and backed up for redundancy, ticked every box. The installation is managed by Powersoft’s Armonía Pro Audio suite, which offers complete and user-friendly web-based control of the system.
Every Hard Rock Café centres around its all-important rock stage, and here Angelescu specified eight Martin Audio W8WDQs supported by four WS218X subs, which Marius met respectively with the power of two eight-channel Ottocanali 12K4 DSP+D and a s
Philippines - Audiophile Components recently upgraded Café Havana Greenbelt’s aging sound system with a modern live audio solution by Harman Professional Solutions.
Founded by hospitality pioneer Larry J. Cruz, Café Havana is a traditional Cuban restaurant located in the Makati district of Manila. In its quest to celebrate all things Cuban, Café Havana features a nightly line-up of live salsa music for standing room only crowds.
When the restaurant’s previous sound system began to show signs of wear and tear after extensive use, management hired Audiophile to install a dependable, high-quality audio solution. Audiophile selected a complete Harman live sound reinforcement system comprised of JBL speakers, Crown amplifiers and Soundcraft mixing consoles.
With Café Havana’s nearly around-the-clock hours of operation, Audiophile faced a very limited timeframe to install the new system and rewire the existing audio and power cables. The seamless design of Harman’s audio solutions enabled Audiophile to overcome this challenge in a timely manner, ensuring the new system was installed and ready for the next day’s live music schedule without missing a beat.
For the main house system, Audiophile installed four JBL VRX932LA-1 compact line array speakers with JBL’s lightweight neodymium magnet Differential Drive woofer for high-power capacity. The VRX932LA-1 speakers were paired with two JBL SRX828SP dual 18-inch subwoofers.
The JBL speakers were powered by Crown XTi 6002 amplifiers. For mixing, Audiophile included a Soundcraft Si
USA - Clearwing Productions of Milwaukee used Elation Professional’s Level Q7 IP RGBW Par lights on Miller Holiday Lites in Milwaukee for the entire month of December in cold weather with no issues then rolled them right into ‘big game’ festivities in Minneapolis in January, where they continued to perform in even colder weather.
Clearwing, who stock hundreds of the Level Q7 IP Par lights, provided all of the lighting, decor, video and audio equipment for Miller Holiday Lites in partnership with GMR Marketing, their second year decking the halls on State Street with GMR Marketing and Miller Brewery.
Miller Holiday Lites is a yearly family-friendly tradition in Milwaukee, where guests are invited to take a mini-tour down State Street, decorated with festive holiday lighting courtesy of Miller Brewing Company. Guests had the chance to view a five-minute programmed light show before enjoying other Miller Brewery tour activities, such as experiencing the caves and sampling a wide variety of Miller products.
Used for uplighting and wash lighting in several areas of the production, the Level Q7 IP fixtures, which house seven 15W RGBW LEDs for nearly unlimited colour options, were the “workhorse” of the Holiday Lites display according to Mercer Pinkston, account executive at Clearwing.
“Honestly, the most impressive feature of the Level Q7’s is the durability,” she said. “All of these fixtures sat outside in freezing temps, snow and heavy wind for well over a month. An interesting thing to note is that these exact fixtures went s
UK - The Vegas Golden Knights hockey team not only continues to impress the sporting world with its outstanding play, they are doing it in typical Las Vegas-style. A striking projection mapping show uses Christie projection and processing technology coupled with the expertise of Image Engineering to engage the crowd and bring the story of the Golden Knights to life on the ice at T-Mobile Arena.
Bringing a professional sports team to Las Vegas – a city known for showmanship and world-class entertainment is no small feat, and the Vegas Golden Knights have embraced the challenge of playing their home games in the Entertainment Capital of the World. One of the top priorities of the team is to create a truly memorable fan experience. The first-year National Hockey League (NHL) club uses 12 Christie WU20K-J projectors, Christie Mystique Install, Christie Pandoras Box and Christie Widget Designer to create the on-ice show.
Leading up to the team’s inaugural home game on 10 October 2017, the Vegas Golden Knights and Image Engineering had been collaborating and planning for months on the pre-game and in-game entertainment. However, when the horrific mass shooting occurred in Las Vegas on 1 October, the team wanted to respond to the tragedy and do its part to help the community grieve, heal and persevere. This necessitated building an entirely new show.
“We wanted to honour the victims, the survivors and the first responders - months of planning turned into a few days of planning. We were listening to the community and seeing what made the most sense,
USA - McNally Enterprises is a 30-year old family-run business that has grown into one of the biggest scenic event companies for corporate events in California. The company recently made a substantial investment in Eastern Acoustic Works (EAW) loudspeakers by adding a 12 enclosure Anna Adaptive System supported by six RADIUS RSX218 dual 18-inch subs as well as 24 RADIUS RSX208L line array cabinets, six RSX12M stage monitors and four RSX12 subwoofers to their inventory.
“My Dad started out years ago with EAW JF80s and KF300s,” explains Patrick McNally, director of events. “When we decided to upgrade to newer technology we checked out Anna and RADIUS. It was perfect, almost like coming full circle. Between both systems, we’re confident that we can provide our customers with the very best for years to come.”
Anna made its McNally Enterprises debut at a pregame event for the NBA All Star game held on the Event Deck in the Staple Centre parking lot. Like many of their jobs, the company provided the audio, staging, lighting, video and custom scenery for the occasion.
“When we fired Anna up it sounded amazing,” says company owner Meg McNally. “Our client was beyond happy and everyone involved with the event just couldn't get over how great it sounded. Anna really hit a home run for us.”
“EAW has already proven to be a company that supports their partners, which is something we value,” concludes Patrick McNally. “The training and help we have received is really impressive. We are very excited to be working with them again an
USA - Experienced production designer Travis Shirley has recently been turning to the GLP fixture portfolio in order to meet some of his more demanding challenges.
Having used the company’s new revolutionary JDC1 hybrid strobe with his long-time charge, Enrique Iglesias, he has now become the first major adopter of GLP’s new Force 120 high speed, variable direction fan unit with internal RGB LED lighting - this time with country rock band, Old Dominion, having been introduced to the five-piece on their previous tour by manager, Will Hitchcock.
In mapping out their touring plan for 2018 the band chose to embark on their own arena size tour before supporting Kenny Chesney on stadium dates later in the year. “There was a determination to have a presence throughout the entire year, whether in a support or headlining capacity,” acknowledges Travis.
With the need to be adaptable between both scenarios, the LD had become aware of the Force 120’s impressive launch at last year’s LDI Show, and subsequent videos of the unit in action at the expo confirmed his belief that this could provide a unique design solution. He duly spoke with his vendor, David Haskell, president of Nashville based Morris, and the two men were soon heading to GLP’s US HQ in Los Angeles to take a first-hand look.
They spent a day at the facility, thoroughly checking suitability for the design, as well as the deployment requirements. “The moment I saw it I knew it would be perfect for the band,” Travis confirmed. “We wanted to look at the light and durability
UK - Yamaha Commercial Audio UK has a key commitment to training the sound engineers of the future. One of the ways that the company achieves this is through taking training ‘on the road’ to education facilities around the UK. BA (Hons) Live Sound degree students at the Plymouth campus of dBs Music have been the latest to benefit from a session, provided by Yamaha’s Tom Rundle and Chris Irvine.
Founded in 1998, dBs Music provides a range of professional sound courses, aimed at students who want to be a DJ, composer, performer, producer, a live or studio engineer. The Live Sound degree course started in September 2017, with the emphasis very much on practical experience.
dBs has invested in a Yamaha CL5 digital console, plus Rio3224-D and Rio1608-D I/O units, for the course. To give the Live Sound degree students a more comprehensive rundown on Yamaha’s digital mixing systems, Tom and Chris travelled to Plymouth with QL5, TF5 and TF3 consoles, a second CL5, plus DXR10 loudspeakers and headphones.
“An important part of our Live Sound degree is guest lectures and technical presentations to enhance the curriculum, allowing students to see the latest technologies and to network with audio professionals and subject experts,” says course leader Jim Parsons.
“We have a long relationship with Yamaha Commercial Audio and it was an excellent next step to get an expert like Tom to explain the more complex aspects of our CL5, as well as demonstrating other consoles in Yamaha’s digital range.”
Tom led the day with a series of practi
USA - The Cathedral Church of the Advent, a 3,600-member Episcopal church in Birmingham, Alabama, recently completed installation of an Allen & Heath dLive system with C3500 Surface, CDM64 MixRack, IP8 Remote Controller and eight ME-1 Personal Mixers for the musicians.
Kent Michael, the Advent’s mix engineer, says, “We had recently ushered in a service on Sunday evenings that incorporated more modern instrumentation, so we needed a system that would be versatile and powerful enough to mix a full band for the evening service and simple enough to operate by our volunteer staff for the traditional services.”
dB Integrations of Gainesville, Georgia designed the Cathedral’s new audio system, installing the C3500 Surface on a rolling cart to make it easy to access for the church’s modern service. They also provided an IP8 Remote Controller for volunteers to mix the traditional services.
Catering for the different services, Michael uses dLive’s layers to manage the church’s multiple sources and scenes to select and route these sources for each service. “I’ve got a scene for the modern service, another for the traditional morning service, and a scene with Automatic Mic Mixing for events and services that are unmanned,” he said. The traditional scene assigns selected channels to the IP8 and Michael notes, “I’ve got the IP8 paired with the MixRack so we don’t have to roll out and set up the full surface for our traditional services.”
The church’s new system also includes eight Allen & Heath ME-1 Personal Mixers an
USA - The World According to Sound is a San Francisco-based immersive aural romp of a public radio touring show. Co-creators Chris Hoff, a sound engineer, and Sam Harnett, a reporter/journalist, mishmash detailed sounds and present them in dramatic fashion to audiences ranging from 80 to 140 people eager to witness the extraordinary.
Hoff comments: “Our show invites listeners to re-imagine the world through their ears instead of their eyes. We pass out eye masks, turn out the lights, and take sounds from all over the world and move them around the audience using a ring of eight loudspeakers – the Clair Brothers kiTCURVE12+. All these sounds will swirl around you while you sit in total darkness with only your ears to guide you.”
To recreate sounds as diverse as bridges creaking, ants marching and mud pots gurgling to historic street sounds of Berlin, musical performances by a washing machine, and the creepy howls one hears while crossing the Gobi Desert, requires talent, showmanship and the right gear.
Harnett offers some background: “Working in public radio news, our job is to produce stories using words and sounds, basically just presenting information with a hook or a pretty package, which can become stale after a while. So, in 2015 we came up with an idea to create a show that is all about sound instead of language and narrative, a show that gets into long stretches of sounds with extreme depth, without narration, so you can really lose yourself.
The venue size for the show shouldn’t be too gigantic or too minuscule, and th
UK - Following the re-boot of Top Gear, the team behind the series are back in the driving seat for another round of the high-octane motoring magazine show.
Filmed in front of a live studio audience at the show’s studio home at Dunsfold Park, Top Gear features a high-tech, semi-industrial installation by designer Rudi Thackray, lit by award winning lighting director Gurdip Mahal. Encircling the studio floor with crisp, bright lines and bold, vibrant colours, the set uses the audience as an integral part of the design and features a selection of carefully highlighted classic cars with a giant illuminated Top Gear logo framing the main presenting area.
In creating the show’s look, the lighting crew, headed up by gaffer James Tinsley and including long time Top Gear collaborator Paul Tibbles, used a number of low energy and LED illumination solutions from Aurora’s growing range of energy efficient products.
A selection of GLP X4 and X4 XL heads with their efficient LED, highly controllable colour and versatile beam/wash capabilities help deliver the rich vibrancy within the set. Aurora also provided a number of Martin Rush LED Pars to add to the intensity of colour used throughout the design. Chroma-Q Space Force fixtures are used for the provision of uniform ambient lighting above the audience, whilst Showtec sunstrips give an extra blast of in camera illumination.
Aurora project manager Ben Taylor reports, “The Top Gear team have done a fantastic job using bold, intense col
UK - ProLights LED fixtures are helping shows to shine at the Elgiva Theatre in Buckinghamshire, with the venue recently upgrading their house lighting rig from the brand's extensive range to cover the diverse day to day production needs of their lighting rig.
Located in southeast England, The Elgiva presents a wide-ranging programme of professional and amateur productions, top comedy, musicals, ballet/dance, one night shows, professional pantomime, movies, and private events.
Initially the theatre invested in ProLights' StudioCOB FC LED PARs and later decided to further upgrade their house rig with ProLights Eclipse FC LED ellipsoidals and Luma 700 LED moving spots. All fixtures were supplied by ProLights’ UK dealer A.C. Entertainment Technologies (AC-ET).
Elgiva Theatre's technical manager, Tristan Collett, comments: "After searching for years we have finally found the lights we have been looking for! The ProLights LED fixtures are incredible value for money. Not only are they very 'green' in terms of their energy consumption, but they deliver great quality light output and lots of control options that were lacking in other similar style fixtures we considered."
Andy Mahaffey from AC-ET's lighting division, who dealt with the sale, adds: "Having now seen them in situ in the venue and having heard some of the feedback from users, the ProLights Eclipse and Luma 700s in conjunction with the Elgiva's existing ProLights StudioCOB FC fixtures have made a hugely positive impact on the theatre's lighting offering."
UK - Sound and communication specialist integrators T.G. Baker have transformed the entertainment experience for Wolverhampton Wanderers FC fans, updating the PA/VA system at Molineux Stadium in Wolverhampton with a Nexo solution.
Molineux, the club’s home ground since 1889, was the first stadium ever built for the Football League. It was one of the first grounds in the UK to install floodlights, and one of the founding hosts for European club games in the 1950s. Now owned by Fosun International, a Chinese conglomerate and international investment company, this 31,000-capacity stadium continues to innovate.
Called in by Steve Sutton, Wolves head of operations, the T.G.Baker team was asked to design and install a new audio system for entertainment and public address/voice alarm. “Our old system was 24 years old, and well past its recommended working life,” says Sutton. “Our new owners and Laurie Dalrymple, our managing director, were very keen to deliver a top-class programme of entertainment on match days.”
Match days at Wolves feature a dynamic programme pre-game and at half-time, with live pitchside interviews with footballers and pundits, and more recently a full pyrotechnic display, synced to audio. “All of this was limited by the capability of the loudspeakers,” explains Sutton. “We were getting many complaints, not least from our frustrated DJs.”
T.G.Baker, the Glasgow and Blackburn-based audio specialists, has a substantial track record in specifying stadium sound reinforcement systems, with more than 20 venues on the
UK - Paul Heaton’s lighting designer on his current UK tour, Patrick Sollitt has over 70 tunes on his current song page, with new ones being added all the time. “With such a large back catalogue going back 20-plus years ago to Paul’s days with the Housemartins, onto The Beautiful South and his current hits, we draw on a wide range of music,” says Sollitt. “It’s a nice challenge to have to create unique looks for so many songs.”
Sollitt is meeting this challenge with a robust, fast-moving and very flexible six universe lightshow that features 34 wash, 24 spot and six beam fixtures run on a ChamSys MagicQ MQ500 Stadium.
“I would describe the lightshow as ‘big,’” explains Sollitt. “We put a lot of brightness out there and change things up quite a bit as the music goes from full on pop to delicate ballads. Paul conveys a range of emotions and mixes styles from various points in his career. We vary our lighting to reflect these moods.”
A ChamSys user since 2007 when he was lighting the Pigeon Detectives tour, Sollitt began working with the MagicQ MQ500 Stadium in 2017 whilst touring the UK with another legend, Russell Watson. He’s since used the console on a variety of tours and festivals.
“There is a lot to like about the MQ500,” he says. “Having two screens is really convenient, as are the greater number of faders. The build quality is impressive, and the desk is very well equipped for busking with generous screen space for executor pages and many additional executor buttons above the playbacks.”
USA - Psychedelic rockers, Portugal. The Man, have been on a charge. Fresh from collecting a Grammy for Best Pop Duo/Group Performance with the song Feel it Still, they're currently on a world tour promoting the band's eighth studio album, Woodstock. Front of House Engineer Charlie Izzo has chosen the SSL L300 live console as the right tool for this dynamic, multifaceted show.
On this tour Izzo deals with anything from 40 to 60 inputs per show, depending on factors that include a steady stream of guests, choirs, and/or orchestras - variable according to the city they happen to be playing in. This, the wide range of material and styles that the band visits, and the fact the band refuses to use any tracks, makes for a challenging, and very 'live' show.
"The set opens with a Metallica cover," says Izzo. "And they might do anything from an Oasis tune, some Beatles, some psychedelic rock, and some really heavy stuff. Dynamic control is a big factor. And it's a very loud show on stage as well; half the band is on ears, the other half is on large side-fills - and of course the Fender twins are pretty well opened up."
Izzo has found that a stem-based workflow works well for him, as he was already using a basic group-based mixing approach with his previous console. The Stem is a more flexible type of path that can have full processing, including inserts, and can be picked off from six different points in the source path. "Everything goes through at least one stem before it hits the master bus, and often more... I have some stems, like my delay
USA - Some of the biggest names in Latin music landed in Las Vegas in January for a night to remember at the Calibash mega-concert. Held at the 20,000-capacity T-Mobile Arena, the spectacular staging featured an array of 18 LED screens with content fed from by Avolites Ai Infinity RX8 Media Servers.
YC3 Lighting Design supplied the Ai servers to VJ director Richard Vicens, who oversaw the visuals for Latin/Urban music stars including Ricky Martin, Jennifer Lopez, Ozuna, Maluma and Bad Bunny.
"All of the artists wanted to give their audiences an awesome show," says Vicens. "As VJ director, it was vital for me to be able to design and create pixel maps and LED processing that worked for everybody and be ready to backup all of them with Ai media Servers.
"The show's size meant it was certainly a challenge - I have to go through every detail to make sure the audience is going to have an incredible visual experience."
Racked in Vicens' video power arsenal were two Ai Infinity RX8 servers, which each boast a 7-inch colour touch screen displaying the Ai 3D visualiser. He used the RX8's two Gigabit Network ports to connect to Art-Net, to ensure reliable and robust networked control of the whole show.
"The main challenge as VJ director was to generate the logistics for this type of show as once the show starts, it doesn't stop!" says Vicens. "As soon as we're live, it's back-to-back performances on a turntable stage, which allows us to have one performance running and the next performance standing by. That means that we need to be able to transfe
Iceland - The new Lava Centre in Hvolsvöllur is an interactive, high-tech educational exhibition depicting volcanic activity and earthquakes that traces the island’s creation over millions of years.
The idea that gave birth to the Centre originated when one of the founders/owners of the exhibition was stuck in Florida in 2010 as a result of all flights being cancelled over the Atlantic Ocean (and in most parts of Europe) when Icelandic volcano Eyjafjallajökull erupted in April 2010.
The location was chosen because it sits at the heart of some of the major Icelandic volcanos and allows five of the country’s most iconic volcanoes to be seen.
The 2,500sq.m Lava Centre was therefore designed and built as a fully immersive show. The design, preparation, integration and finalisation of all AV equipment for the nine main show items took almost a year. Feris ehf was responsible for all audio, video, network, CCTV, UPS, system, as well as an impressive RGB Neopixel LED design and integration. The company was also responsible for the entire show control, as well as AV lighting and LED equipment.
The AV equipment itself includes 14 Powersoft amplifiers with DSP onboard providing an economic power station to drive the 72ch of zonal ceiling and surface mount loudspeakers, all in one of the four racks in the centralised technical room.
These models comprise Powersoft Ottocanali 1204 DSP+ETH, Quattrocanali 4804 DSP+D (for Dante) and Quattrocanali 2404 DSP+D, while to create the sonic realism of an earthquake required the deployment of the Ita
USA/Europe - Marilyn Manson and his band embarked on a series of pan-European arena and theatre shows at the end of last year followed by a US tour with French LD Nicolas Riot of Chirac Design.
Riot, also known for his work with French metal band Gojira, has been using LED fixtures from GLP, including 15 x JDC1 hybrid strobes and 35 of the award-winning X4 Bar 20 battens in the set design.
All inventory was supplied by the band’s regular vendor, experienced UK rental company Entec Sound & Light, while North American supplier Delicate Productions provided the gear for the US leg of the tour. Entec’s MD (and head of lighting) Noreen O’Riordan confirmed that while this was the first time Entec has worked with the lighting designer, they have a long-standing relationship with Manson’s production manager Matt Doherty. They purchased the X4 Bars in response to the LD’s rider. “We know the product is a good one, having successfully rented them for use on other shows,” she explained. “The current Marilyn Manson tour presented us with the perfect opportunity to commit to a purchase.”
It was Marilyn Manson himself who demanded the JDC1 strobe. “I wasn’t really aware of the product to be honest until Matt Doherty emailed me saying ‘Manson wants that strobe’,” says Riot. “I have no idea how he found that product but I checked right away on the GLP website and instantly knew that something cool would come out of this product when looking at the specs.”
He has been using 15 units - divided between upstage and downstage -
USA - The United Methodist Church of the Resurrection, one of the largest United Methodist congregation in the country, specified two KLANG:fabrik 3D IEM mixing systems from KLANG:technologies for both the church’s new main sanctuary and a second space.
The KLANG systems were purchased through Raytown, Missouri-based Progressive Electronics, Inc. (PEI), which did much of the systems integration for the 3,500-seat main sanctuary at the church’s flagship broadcast location in Leawood, Kansas as well as the renovation of its former sanctuary, which is still under construction but will soon be used as a second worship and event space.
The installation of the first KLANG:fabrik system was installed by the Leawood audio staff - lead audio engineer Tim Higinbotham and audio engineers Jordan Tracy and Steven Moduno - in the church’s main sanctuary and was, as Higinbotham describes, “so simple that it took us less than 10 minutes. It was clear that this was the direction we wanted to go moving forward, and we will be installing the KLANG system in our newly renovated space as well.”
But the simplicity of installation belies the significant benefits the systems have brought to the church. Tracy says they had been discussing options for the new sanctuary in-ear monitoring, but when it came time to make final decisions, they initially went with the older IEM system they’d been using in the old location for years.
“It was a great system - for 2005,” comments Tracy, citing issues such as high latency and low channel counts. In the course of
USA - When Justin Preston was called upon to provide lighting for Budweiser Live during NBA All-Star Weekend, it really represented two projects in one. The brewing giant’s pop-up entertainment centre for the big game was the first event ever hosted at City Market Social House, a restored 16,000sq.ft industrial space opened in the Fashion District of downtown Los Angeles.
Preston not only put together the ground package for the weekend extravaganza, he also created the permanent lighting system for the new event facility, loading in both rigs simultaneously in advance of the NBA’s big weekend.
Meshing his own permanent design for the venue with a carefully chosen ground package for the event, Preston created a dazzling display for the NBA All-Star Weekend festivities, using over 400 Chauvet Professional fixtures. “I was super excited when VOX Productions, the AV provider for Budweiser Live, asked us to do the lighting for the event,” he says. “We’ve worked with VOX in the past, and it’s always been a great experience. Being able to light this event and build on our own house rig at City Market Social House made this project even more special.”
Even fans who weren’t focused on slam dunks and three-point plays found plenty to cheer about at Budweiser Live, a gleeful amalgamation of world food, music from stars like T-Pain and A Boogie, celebrity appearances, beer tastings and a host of interactive games. There was even a tailor shop on site, courtesy of Levi Strauss, offering custom-curated apparel. Preston’s mission was to tie al
USA - Rock band Halestorm is gearing up for a huge year, kicking off 2018 with a tour across North America with a lighting package supplied by Bandit Lites.
The Grammy Award-winning band comprised of guitarist and vocalist Lzzy Hale, drummer and percussionist Arejay Hale, guitarist Joe Hottinger and bassist Josh Smith are also wrapping up recording their next studio album and have already announced another tour for this spring.
The expansive design by lighting designer Craig Richter features towers equipped with ClayPaky Sharpys and GLP X4S fixtures, offering versatile looks and striking beams. Bandit Lites also supplied Martin Atomic 3000 LED Strobes, Ayrton MagicBlade-R fixtures, Elation CuePix WW2 Blinders, Chauvet Rogue RH1 Hybrids, ClayPaky B-EYE K20 fixtures and a grandMA 2 lite console for control.
“The system performed really well and under extreme conditions as most of the tour was conducted in Northwestern/Central Canada in subzero temperatures,” says Halestorm tour manager Michael Mahar. “The mercury didn’t rise above 0 the entire tour and we had no issues with the rig doing its job reliably night after night.”
With a band that tours as extensively as Halestorm, Bandit Lites business development officer Brent Barrett shared he treasures collaborations that are built on professionalism, directness and attention to details; all traits he notes Mahar exemplifies, adding “I appreciate any occasion to partner with with Michael.”
“Working with Bandit is always enjoyable and even though we’ve been running the same r
UK - The Agriculture and Horticulture Development Board (AHDB) commissioned West Midlands-based Central Presentations Ltd (CPL) to design and deliver all the technical elements for their 2018 annual staff conference and awards, inclduing sound, lighting, video, staging and rigging.
The high-profile event for 400 delegates was staged in Warwick Hall at the NAEC, Stanleigh and comprised a seated conference presentation that was transformed into a glamorous setting for the evening’s dinner and awards.
The client wanted to use the width-ways orientation of the venue for sightlines, so CPL’s project manager Lee Gruszeckyj proposed a widescreen video blend as a striking visual starting point to align with the geometry of the space.
The 30ft wide by 10ft high upstage projection screen was flanked by gauze panels designed to take lighting nicely and elongate the space. These were flown on the same truss as the screen, and the look was neatly finished with a black backdrop right at the back. In front of that was the stage which measured 15m wide by 3m deep. There was a TV style studio set at one end with a sofa and soft seating for discussion sessions.
The screen was fed by two of CPL’s Panasonic 10K laser projectors flown on a front truss utilizing custom frames from sister company Rigtec which specialises in the design and fabrication of innovative rigging solutions.
The screen blending and projector alignment was achieved using Panasonic’s Auto Screen software, and at the hub of the video control was a Barco S3 for switching and screen
UK - Working with lighting designer Stuart Pring, illumination rental and installation specialists LED Creative provided their Sigma Pulse Wand fixtures to add some neon colour to the BRITs Official After Party held at the O2 InterContinental in London.
Pring artfully suspended a number of Pulse Wands to create a layered look to the ceiling at the venue.
Talking about the installation, he comments: “For The Brits Official After Party we used around 170 Pulse Wands built into frames and hung over the stage and dance floor area. This created a ‘big’ look which was particularly effective during the ‘club’ part of the night, helping bring a wonderful dynamic to the room.”
Pring continues: “The Wands offer lots of chase possibilities via their in-built effects. The range of colour possibilities are great too; especially the cold daylight and tungsten colours you can get from them.
Commenting on LED Creative, the LD adds: “Their products are very good and the crews always brilliant. I used the Pulse Wands on The Brits Party as well as the recent MTV EMAs Red Carpet show. I also made use of their standard Wands on The Teen Awards and the UK Comedy Roast series - Simple to use and very capable of delivering some great effects.”
UK - Technical production supplier Blitz has installed a DiGiCo SD7 sound desk at Her Majesty’s Theatre, London, for Cameron Mackintosh/Really Useful Group’s production of The Phantom of the Opera.
The DiGiCo SD7T replaces a Yamaha PM1D, which was retired after 10 years of service. The new system was installed over the course of a weekend, allowing the show performances to carry on uninterrupted.
Mick Potter, sound designer for The Phantom of the Opera, said, “It’s been a great opportunity to upgrade to the latest DiGiCo SD7 sound desk, which has become an important part of my sound designs for many other Andrew Lloyd Webber and Cameron Mackintosh productions around the world. It has helped make a significant improvement to the quality of the sound at Her Majesty’s, and the fact we were able to achieve such a major changeover without losing any show performances is down to the excellent work of Blitz and the Phantom production team.”
Blitz sound project manager, Adam Rudd, added, “Now in its 32nd year, Blitz is proud to still be supplying, and continually investing in, the audio for The Phantom of the Opera.”
Blitz has supplied the audio for The Phantom of the Opera since it opened in 1989.
South Africa - The new 8,500 capacity Sun Arena in Pretoria features a house moving light rig of 90 dynamic Robe fixtures.
The multi-purpose venue is part of Sun International’s Time Square development and entertainment complex (read the report in LSi March 2018).
The Robe units are integral to a complete turnkey technical package specified and supplied to the venue by Robe’s South African distributor DWR to operators Sun International. This encompasses a rider-friendly lighting system, trussing, rigging, follow spots and power distribution.
The backbone of the lighting rig is 12 x BMFL Spots, six BMFL Blades, 24 x Spiider LED wash beams, 24 x Pointes and 24 x LEDBeam 100s. This was proposed by DWR’s Duncan Riley and Johnny Scholtz and supplied as a fully flight-cased touring-ready system, so it can be de-rigged and stored after each show.
The lighting is being looked after day-to-day and gig-to-gig by Johannesburg-based MGG, one of South Africa’s leading full production and rental specialists, who won a tender to supply full venue technical facilities management. They have a team based on site which co-ordinates the requirements for each incoming show and event.
When Gavin Taylor, group technical and entertainment manager for Sun International initially approached DWR he stipulated that he wanted a lighting system to meet every