USA - Here Lies Love is an immersive theatrical and musical experience. Produced by the Seattle Repertory Theatre with concept and lyrics by Talking Heads founder David Byrne who also wrote the music with British DJ Fatboy Slim, the show charts the life and times of former first lady of the Philippines, Imelda Marcos, retracing her rise to power and subsequent descent into infamy and disgrace at the end of the People Power Revolution.
The show originally premiered Off-Broadway in 2013. Set within a dance club atmosphere, the disco-musical had no traditional seating and theatregoers mingled with the actors throughout the show. The Seattle production offers seating for those who’d like it in galleries surrounding the main floor area as well as standing-only room on the floor itself which features a central (moving) stage as well as the traditional proscenium stage.
The show directed by Alex Timbers has already seen its original run extended by a further three weeks as Broadway beckons. The audio element of a production like this is of paramount importance. Sound designer Cody Spencer and associate designer Tony Gayle turned to Masque Sound who provided a full EM Acoustics PA system based on HALO-C and EMS-51s.
“We used two hangs of six HALO-C elements for the vocal centre speakers and sixteen EMS-51s for gallery delays, plus four i-12 subs for the Band stage,” explained Gayle. “I was very impressed with the clarity and smoothness of the HALO-C. It’s the first time I’ve used it on a production like this and it performed amazingly wel
Having released Automaton - the band’s first album in seven years - at the end of March, Jamiroquai are soon to embark on a world tour of arenas and festivals. A Yamaha Rivage PM10 console will be mixing the front of house sound at every show, beneath the experienced fingers of engineer Rick Pope.
Rick has worked with the band and its frontman Jay Kay for 23 years, both live and in the studio, and with Yamaha digital consoles for almost as long. So he jumped at the chance to show the world what the company’s new flagship console can do.
“I grew up on the Yamaha PM1D and then the PM5D,” he says. “I have always liked the workflow and the way that Yamaha digital consoles have their own operating system from the ground up. It makes them incredibly stable - I’ve never had a single fault in the 20-odd years I’ve been using Yamaha digital boards, which you can’t always say about other consoles.”
With the album having gone to No.1 in the iTunes chart in 24 countries and Top Ten in several more, ticket demand for the tour is extremely high. And with the inherent challenges of festivals to add into the mix, Rick is happy that the Rivage PM10 will have almost everything he needs.
“The first thing about the PM10 is that it’s very user-friendly. I haven’t had to look at the manual once, which I think is always a really good sign,” he says. “It really is the easiest console I’ve ever used and I’ve used them all over the years.”
Alongside the reliability, user-friendliness and flexibility of the platform, it’s the au
Poland - One of Poland’s leading bands, Golec Orchestra, recently staged six concerts in the biggest halls across the country, travelling with two dLive S Class mixing system from Allen & Heath.
Rented from Konsbud Audio, the systems comprised two DM64 MixRacks with a S3000 at FOH for engineer, Damian Kubacki, and a S5000 for monitors, with engineer, Michal Mika.
”dLive is a great board. The huge capabilities of the system, and the number of available inputs and outputs allows you to manage really big artist events,” explains Michal Mika. “The ability to use a large number of built-in FX and dynamic processors eliminates extra outboard gear for wedge and in-ear monitoring, and the control surface is designed with great thought, and I am convinced that after 2 or 3 concerts, every engineer can use dLive without any problems.
“Finally, the number of expansion cards available allows for seamless transmission of signals in many digital audio formats.”
USA - The 2017 Ultra Miami dance music festival drew a diverse line-up and some of the biggest international DJs and producers to the Bayfront Park site in downtown Miami, transforming it from a cool shorefront public space to a pleasure dome for around 150,000 electronic music fans for the weekend, enjoying the warmth, good vibes and music.
Robe moving lights were specified for four of the main performance areas – the Carl Cox & Friends Arena, Main Stage, Live Stage and Arcadia - the world’s favourite giant spider made from recycled industrial waste, which is newly lit with Robe after a major investment by Arcadia Spectacular.
The production lighting design for the Carl Cox & Friends Arena was created by Steve Lieberman of SJ Lighting, celebrating 18 years in the Ultra Miami ‘hot seat’ - the festival is 20 years old next year.
For Carl Cox & Friends, he worked closely with technical production manager Koen De Puysseleir of AG Production Services, the company headed by Andrew Gumper (the ‘AG’ of AG Production Services) which supplied the distinctive 154ft wide 64ft high arch shaped arena which was 200ft long and tailored to fit that part of the site, plus all the technical production.
The lighting and visual design was imagineered to fit the structure. It included 19 x LED pods which followed the contours of the roof, rigged on an automation system so they could be moved into various different positions, completely changing the shape and feel of the space.
One hundred and twenty-four Robe Pointes were on Steve’s
Peru - It’s been four years since Justin Bieber performed in the Peruvian capital, and fans of the Canadian superstar have built up quite a case of Bieber Fever during that time. Some 30,000 of them jammed into Lima’s National Stadium when the singer’s worldwide Purpose tour stopped in Peru this spring.
Setting the visual tone for the concert and reflecting the growing maturity of Bieber as an artist was a Cory FitzGerald-designed multi-faceted Purpose tour lightshow. Providing some intense crowd and stage illumination for the tour’s Lima stop was a collection of 60 Chauvet Professional Maverick MK1 Hybrid moving heads, supplied by DBLUX-SAC, which provided audio, lighting, video and power for the concert.
Andrés Cuadros, who co-owns the company with Guillermo Riera, was confident placing the Maverick fixtures at this concert, which was produced by Move, because he knew they had the power to cut through atmospheric effects, video walls and ambient light in the large venue. “We were convinced to buy the Maverick because of its high output,” Cuadros said of the light, which is powered by an Osram Sirius 440W 7000K colour temperature lamp.
Going beyond output, however, the Maverick’s flexibility also won Cuadros over. “This is a true hybrid, so it really gives us three fixtures in one,” he said. “We used it as a spot, a beam and wash. Things like the overlapping prisms and the gobos give us the ability to create a lot of different looks. Since the Maverick MK1 Hybrid is so versatile and powerful, we will be using it on other projec
The Netherlands - The cultural centre De Oosterpoort in Groningen has purchased a range of Claypaky moving head fixtures as part of a major technical upgrade to the centre's lighting and audio departments.
De Oosterpoort's long-term lighting rental and sales partner Lichtpunt Theatertechnieks recommended and supplied 26 x Claypaky Scenius Spot, 26 x Claypaky A.leda B-EYE K10 and 16 x Claypaky A.leda B-EYE K10 CC for use across De Oosterpoort's large 1150 capacity concert hall and smaller 450-seat chamber hall.
"When the tender for De Oosterpoort came up in March 2016 and the client asked for us to supply them with profiles, washes and effect washes I knew straight away to suggest Claypaky products," says Leon van Warmerdam, sales manager at Lichtpunt. "Since first seeing the Claypaky moving head range at Prolight + Sound 2015 Lichtpunt has always been very enthusiastic about their products."
Lichtpunt has an outstanding reputation for service across the Netherlands. To support the De Oosterpoort tender the company worked closely with Claypaky's Benelux distributor AED to supply the centre with the innovative Claypaky products.
"For the De Oosterpoort project Claypaky was the right choice," says Jelmer Dijkshoorn, managing director at AED The Netherlands. "The fixtures all have great colour mixing, high output and a compact design. This combination of features makes them extremely rider friendly and well-suited to the centre."
De Oosterpoort, which hosts a variety of theatrical and musical performances including classical and rock n' rol
China - Held at the Beijing National Stadium, commonly known as the Birds Nest, the final of Sing China’s inaugural season attracted a live audience of over 60,000. Simultaneously broadcast by Zhejiang Television, the production required professional sound that would ignite the massive audience so their energy would translate into a dynamic show.
Rightway Audio Consultants Ltd designed an audio system that was up to the Herculean task, utilising a total of 218 L-Acoustics loudspeakers.
Sing China was hosted by superstar Li Hua shao, with renowned artists Jay Chou, Na Ying, Wang Feng and Harlem Yu as coaches and sought to find new vocal talent drawn from public auditions, taking the chosen acts through a series of rounds before announcing Jiang Dunhao of Team Wang Feng the winner.
“We supplied all audio requirements for the two Playoff rounds and the final, which were all mixed by Front of House engineer Mr. Jin Shaogang,” explains Vincent Zhou, system designer for L-Acoustics’s Chinese distributor, Rightway Audio. “We have worked with the show’s production team for many years, supplying L-Acoustics for other series and so the show’s audio director, Mr. Jin Shaogang was familiar with L-Acoustics and trusted the system. We were both confident that K1’s power and clarity would provide the right solution for Sing China.”
Having worked at the Birds Nest before, Vincent and the Rightway team were familiar with the venue’s challenging reverb, as well as the obstacle posed by two permanently installed LED screens on t
Estonia - Robe’s DL4S Profiles and DL4F Fresnels – 52 in total – have been specified and installed at the new Nuku (Puppet) Theatre in Tallinn. This world-famous theatre has just opened a completely new space – formally an outside courtyard - at its theatre complex in the heart of the picturesque and vibrant Estonian capital.
The project is one of the latest in a number of high profile theatre installations of Robe DL series LED moving lights around the world. The luminaires have been specifically designed for performance applications, combining all the benefits of LED technology with the refined features and functionality expected from a theatrical fixture.
The new Ferdinand Stage at the Nuku Theatre now becomes the main venue. Its development includes a new entrance and foyer which have been integrated seamlessly and stylishly into the existing building. The space itself offers seating for 420 people and a 14m wide by 9m deep stage area.
Now with the relative luxury of decent headroom, wing space and upgraded production facilities, they can cater for the abundant audiences who flock year-round to enjoy a series of acclaimed performances.
The decision to pick the Robe LED moving lights was made by head of lighting Madis Kirkmann and the fixtures were delivered by Robe’s Estonian distributor E&T.
They had already been using Robe LEDWash 600s and 300s together with 600E Spots in the old theatre and were extremely happy with their reliability and performance, so it was a logical step to stay with Robe. “That, plus the grea
USA - Located in Columbus, Georgia, Cascade Hills Church is a congregation filled with parishioners from all walks of life who wish to come together for a spirit-filled worship experience. Like many other churches worldwide, the technical elements behind that worship experience, including the architectural house lights, are becoming an important component to the overall sanctuary design.
With an aging house lighting system of their own, Cascade Hills Church recently worked with the integration division of their longtime partner Morris, and renovated their house lighting design with Chalice LED Pendant and Recessed LED downlights from Altman Lighting.
“This was actually our third technology installation at Cascade Hills Church where we have previously retrofitted their theatrical lighting, video and audio systems,” began Dustin Burggraff, Morris integration division project manager. “While working with them on the other projects, we noticed the sanctuary was very dark to the point where the congregation would have difficulty in reading from their bibles, so we started having discussions on how updating the house lights would really help the space take on a new life.
“Once we started looking at the fixtures on the market, our local manufacturers rep pointed us to the Chalice family of LED house lights from Altman Lighting which were the right choice for the lighting design renovation.”
Morris installed a total of 86 Altman Lighting Chalice LED house lights into the Cascade Hills Church sanctuary. The complete project included (22) 150
USA - Nashville’s 19th Annual Grammy Block Party returned to Cumberland Park for a party for Recording Academy’s yearly member’s event.
Chris Lisle Lighting Design utilised a lighting package from Bandit Lites where musical performances included Grammy-award winning super group, Lady Antebellum, Anderson East, Moon Taxi, CeCe Winans and Muddy Magnolias.
With the Nashville cityscape as a backdrop to the festivities, it is a far cry from the small stage outside of the Nashville Grammy offices that production manager Chris Lisle illuminated nearly 20 years ago. In addition to providing the lighting for the show, Chris Lisle Lighting Design (with support from Mark Anderson from their home office) also provided the production management for the stage and performances.
“We couldn’t be more proud to be a part of it and to partner with the Recording Academy to bring a smile and some extra joy to the members of the Academy,” said lighting designer Erik Parker. “As always with this particular event, our goal is pure class. It’s a festival-style show dedicated to the Grammy Members of the Nashville Chapter and our goal is to give them an evening of music, food and libations.”
Due to the roof of the pavilion, Parker had to design around its limitations, utilizing Robe Robin Pointes, Robe Robin 600s, Bandit’s exclusive GRNLite Battens, Lycian M2 Spots, Elation CUEPIX Blinder WW2, Martin MAC Atomic 3000 Strobes and GLP X4 fixtures.
“Bandit helped the lighting aspect of this show stay organized, straight forward and easy,” said
USA - Fans of Mastodon weren’t surprised when three of the band’s members appeared in an episode of Game of Thrones. Like the HBO hit, the music of this group reveals itself in lavishly detailed layers of fantasy that fire the imagination and leave easy categorisations smouldering by the wayside.
The complex Mastodon experience is on full display in the quartet’s 30-city North American Emperor of Sand tour, not just in the epochal music, but also in the highly evocative light and video show that Michael Howe created and controls with the new ChamSys MagicQ MQ500 Stadium and Magic HD media server.
The Emperor of Sand album takes listeners on a cosmic odyssey through time as it follows a man sentenced to death in a majestic but cruel desert. Howe’s design evokes rich imagery that reflects this musical narrative with seven 2’ wide by 14’ tall video tower monoliths, a collection of moving fixtures and pixel mapped battens. Adding to the visual impact of the show are custom content created expressly for the tour by the monomial artist Skinner, and animation/effects from the firm Hey Beautiful Jerk.
“My main goal is to have big looks build during the show along with the band’s set list,” said Howe. “I want the audience to have a visual experience that complements the audio experience of a live Mastodon show. The main challenge on this tour is finding the balance between lighting and video and putting it all together so the band can be seen. It’s easy to have interesting video in every song, but then I believe the
USA - The Oregon Shakespeare Festival (OSF) has celebrated William Shakespeare’s legacy since 1935 with another busy summer season of plays underway. OSF also stages plays by other playwrights and is presenting UniSon at the Angus Bowmer Theatre through October, a new musical inspired by the poetry of August Wilson.
Lighting designer Alex Jainchill is using dynamic lighting from Elation Professional on the play, including ZCL 360 Bar wash/effect lights and Platinum Wash 16R Pro moving heads, as well as colour-changing Elation Flex LED Tape.
UniSon is the story of a dying poet who leaves a mysterious box to his apprentice with strict instructions to destroy it. The apprentice opens it however, releasing seven ‘Terrors’ that tormented the poet through his life. The seven different Terrors allowed Jainchill to use six of the ZCL 360 Bar fixtures to treat the Terrors not featured in the scene in a different way using a saturated colour specific to each.
“All of the features in this fixture were important in this play,” Jainchill states of the LED moving batten effects with zoom functionality. “I’ve used them on other shows and love them. On UniSon, we used them as lighting fixtures, but also created a pixel map with each cell of each ZCL Bar as a pixel, which is an application that I think is great and unique to the functionality of this fixture.”
Built into the edging of the multiple platforms on the stage deck was Elation’s versatile Flex LED Tape, thin, flexible and bright LED pixel tape, an easy solution for
UK -Currently running at The Vaults beneath London’s Waterloo Station, Alice’s Adventures Underground is an immersive theatrical retelling of the classic Alice in Wonderland story. Presented by theatre company Les Enfants Terribles, the play originally ran last year at the same venue and was nominated for an Olivier Award. White Light originally supplied the lighting equipment and have done so once again on this occasion.
Alice’s Adventures Underground allows audience members to meet some of Wonderland’s most famous and curious inhabitants, take tea at the biggest unbirthday party with the maddest of hatters and even join the underground movement to rise against the fearsome Queen of Hearts.
The lighting designer is Mike Gunning, who comments: “I have worked on shows similar in the past such as Punchdrunk’s The Drowned Man. My brief on this production was to create the correct aesthetic to tell the story”.
To achieve this, Mike worked closely alongside set designer Sam Wyer. Mike adds: “With this show, it is part theatrical and part installation.The audience experience it from every single angle which is something we needed to consider; along with the story flow. As the show is run on recurring loops with audience members being continuously taken around in groups, the design is actually ten running concurrently as opposed to a single one”.
Mike approached WL to provide him with a range of fixtures to achieve his design. This included Pulsar ChromaFlood 200 UV LEDs, Chroma-Q Colour Force, ETC Colour
UK - Following the successful installation of an Avid S6 desk for Giles Martin, AKA Design technical furniture was chosen for Abbey Road Studios' three new studio spaces – the biggest transformation since the studios opened in 1931 – plus a refurb of Studio 52.
The Gatehouse is a tracking studio, featuring new AKA left and right worktops in walnut for the room’s 16-fader AMS Neve BCM10 console. The worktops feature desktop angled rack bays plus under-desk curved rack bays in a grey lacquer finish.
The Front Room is designed for smaller recordings and music production, and now has stylish left and right worktops in oak with rack bays in grey lacquer either side of its 24-fader SSL Duality console.
Studio 52 is a flexible mix room that was given a refurb as part of the programme, and now contains an ergonomic rise-and-fall oak desk, for sitting or standing mixing, with a leather buffer bar and fabric-covered vanity screen.
Abbey Road’s new Mix Stage for film sound post production offers Dolby Atmos Premier Studio Certification. AKA Design installed two producers’ desks in walnut with angled racks and panel fabric-covered vanity screens, plus a walnut AKA rise-and-fall coffee table at the back of the room that transforms up to a working table height with pop-up client power units.
“It’s such a great transformation of the studios,” comments Guy Wilson, AKA Design’s managing director. “We have an excellent working relationship with the studio, from both a technical and design point of view, and we look forward to hearin
Germany - The new Claypaky SharBar and other Claypaky products were used by a trio of young artists at the annual artistic lighting awards LiO (Light is Osram) Awards 2017 in their winning installation The 5th Dimension, hosted at Munich's historic event space, the Praterinsel, by German lighting manufacturer Osram.
The winning installation was designed by the artists Eylül Aslan, Sola Thoma and Frederic Hanen to explore the spatial interplay of light and dark. The artists used the SharBar in conjunction with the Claypaky Show-Batten 100 and architectural lighting product the Claypaky Odeon Flood to construct an immersive light show described by judging light artist Ingo Maurer as a "fascinating personal experience".
"The 5th Dimension installation created a series of emerging walls and columns of light that appear to create a 'fifth dimension', making light seem tangible," explains Christina Schmöe, head of internal communications & group sustainability at Osram. "The SharBar was used to construct a curtain of light at the entrance to the artwork. The fixture projected a bi-colour wall of light that, using the fixtures advanced tilt capabilities, extended transversely across the installation."
The new SharBar has an exceptional 240 degrees motorised tilt, while the six light beams can move independently of each other, adding a further flexibility to the product and allowing for versatile creative use. The beams can be locked within 60-degrees (+/-30 degree) cone, enabling the fixture to be utilised as six separate sources.
UK - Robe co-hosted a ground-breaking LED Theatrical event staged by staff and students on the Theatre Production course at Guildford School of Acting (GSA), part of the University of Surrey.
The Czech Republic based manufacturer supplied around 50 LED luminaires to the event and to GSA’s 2017 gala musical production staged at the Yvonne Arnaud Theatre in central Guildford, Surrey, including its DL7 theatrical range - plus the new Spiider LED wash beam, CycFX 8s, Spikies and VIVAs - plus technical support.
The idea of an LED Theatre event was originated by GSA Lighting Tutor Mig Burgess and facilitated by Ashley Lewis from Robe UK. She wanted to devise some innovative and fresh ways to demonstrate lighting technologies in a working environment. Several productions are staged across the university's various venues over an academic year and Mig felt that as theatre producers, there were more imaginative options to show off lighting technologies than just pointing a light at a white wall!
The one-day event ran in unison with GSA's 2017 gala musical which was Guys and Dolls for which lighting was designed by James Smith.
The event day was structured to highlight Robe's DL7 range. The fixture’s 7 LED colour mixing system takes the quality of LED light to new levels of excellence.
The day was scheduled so guests first saw the lights in action in-situ. Running a series of selected excerpts from Guys and Dolls chosen to show how lighting worked with the cast, costumes and set, onstage. This was interspersed with a talk From LD James S
USA - For their Art of the World Gallery in Houston’s River Oaks area, co-owners Liliana Molina and Mauricio Vallejo wanted to augment their guests’ appreciation of the outstanding contemporary artists they display.
Southwest Building Systems of nearby Silsbee was engaged to realize this vision, and an audio visual system was installed to support artist presentations and provide background music. There is also a sound system in the VIP room, where patrons can privately view art they are considering for purchase.
“The idea was to create a warm, comfortable ambience throughout the gallery, while keeping the visual focus on the art itself,” says Brent Thornhill of Southwest Building Systems. “We knew that a combination of Bosch signal processing and the new EVID Compact Sound loudspeakers by Electro-Voice could produce the audio impact they wanted while being, essentially, invisible.”
To meet the gallery’s requirement of consistent, high-fidelity sound throughout their two-story space, Southwest Building Systems used a zoned distribution system, the Bosch PLENA matrix mixer (model PLM-8M8). Easily implemented, the mixer allows independent control of source material and volume, either directly through wall-mounted Bosch control panels and volume controls, or wirelessly through the Bosch PLENA app for iOS devices.
Because the gallery hosts presentations by the artists it exhibits, a separate sound system was needed for the front foyer and reception area. For this open space, Thornhill installed an Electro-Voice R300 wireless microph
USA - When Brandon Baruch first heard from a friend about Nick Wylie’s plans to produce the Bataré tour, he realized that this innovative show was something he would like to light. “I tend to gravitate towards projects that require an unconventional design approach,” he said. “So, when Nick told me the concept of the piece, I was immediately drawn in by the fusion of styles and genres. I was also intrigued to learn there was a narrative arc for the performers, because it speaks to my theatre background as well.”
After a meeting with Wylie of Testu Productions, Baruch got his wish. Designing for the current Bataré tour, he has conveyed the emotional flow of this multi-faceted acrobatic Taiko rock show with a colourful and flexible lighting design, using a collection of Chauvet Professional fixtures supplied by Kinetic Lighting.
“It’s a really fun production. There are many elements that feel typical to a modern rock show, but I get just as excited by the solo Taiko interstitial sequences, because they carry historical and traditional significance,” said Baruch. “The first time I stepped into a rehearsal room with all the drums, I quickly realized that each drum has a very distinct personality. I try to respect that in my design. From a lighting perspective, my design ricochets between high-octane rock-and-roll and subtler theatrical gestures that support the storytelling of the drums. So, my rig was put together with flexibility in mind.”
Baruch uses nine COLORado 1-Quad Tour fixtures, as well as four Rogue R1 Washes and three R
UK - Solan Fitness has opened its latest fitness centre following a £1.2m development in East Grinstead, Sussex.
The 15,500sq.ft. strength training facility, situated in the town’s Atrium Building, has developed out of the martial arts concept at the company’s pilot venue in Orpington. All zones - including Cardio, Weights, Spin and Dance/Fitness - are serviced by Martin Audio CDD loudspeaker systems, specified and provided by Old Barn Audio.
Entrepreneur Josh Ahmet had originally contacted the Martin Audio partners, for whom fitness clubs is one of their specialities, following an internet search. Director, Neil Kavanagh, was soon undertaking a site survey, noting that the facility also included a touchscreen accessible FitboxVirtual, a powerful technology platform to run virtual classes in the fitness centre out of hours.
Mindful of the high degree of reverberation - created not only by the open spaces but the ubiquity of glass and mirrors - he opted to focus the CDD speakers vertically downwards from the overhead lighting trusses to create directionality and avoid spillage.
While the same music source is delivered to the Cardio, Weights and Changing Rooms, specially profiled feeds are delivered independently to the Spinning Classes and Dance/Fitness Studio, which require more specific workout music. Other sources include the FitboxVirtual soundtrack, while the installers have provided an iPod input for yet another alternative music source.
In the Cardio zone OBA has installed eight CDD5 from the overhead truss, and in the Weight
USA - S. Jeremy Peters loves piloting small FPV drones. There is, he says, “no rush quite like it.” He and his wife Alison Peters wanted to share their passion for drone flying with a wider audience. As owners of SJP Productions, a lighting and projection company experienced working festivals, they were in an excellent position to do so. Hooking up with a local brewery, they created one of the first spectator-oriented drone racing events, complete with festival-like lighting, atmospherics and live video feeds all controlled with a three-universe set up built around ChamSys Software.
“Typically drone races are geared toward the racers themselves without a lot of spectators,” said Peters. “Generally, they don’t have much production. Alison and I wanted to draw on our production experience at festivals like Lockn, Peach, Bisco, Mountain Jam, Taste of Country and Gathering of the Vibes to create an event that engaged spectators, so we could draw newcomers to drone racing. When we approached Brewmasters Brewing Services, they were all over the idea. So four weeks later, we held our drone race/festival at a working brewery. It was a blast!”
Brewmasters Drone Night kicked off at 6:00pm on 25 March. It was soon apparent that this would be no ordinary drone race. Peters got things going in high gear with 150 lights and cryo jets at the start gate. Live video feeds from the racers’ goggles and eight camera live switchers trackside put spectators in the middle of the action. ChamSys MagicQ PC software controlled lighting and video using a PC Wing and
Europe - Boston-based lighting designer Jeff Maker once again chose Robe as his main moving lights for the most recent UK and European tour for US rockers All Time Low which was a teaser for their upcoming Last Young Renegade album release, scheduled for release in June.
The band combine their hi-energy, in-the-face mix of gritty pop punk rock with a relentlessly busy touring schedule and are renowned for their live performances. Europe is an ever-popular destination and on this tour they played a whole range of venues encompassing academies, town halls and arenas.
Lighting was supplied by Zig Zag Lighting from Leeds, UK. Prominent on the rig were 15 Robe Spiider wash beams, part of a batch newly purchased by the rental company for this tour, together with other Robe luminaires like BMFL Spots, Pointes and CycFX 8s.
USA - American heavy rock band Tesla has cultivated a loyal fan base over the last 30 years, playing an unpretentious, blue-collar style of music that hard rock audiences love. For an ongoing tour that started in January, band lighting designer and creative director Ignacio “Iggy” Rosenberg is using an Elation rig to complement the band’s big rock sound and surprising (to some) long list of hits.
“The main thing was they were venturing into having more of a production for the first time in years, so we were trying to be cautious about spending too much, but also giving them as much of a show as we could,” commented Iggy, who has been working with the band for the past three years. “This was a great tour to understand the concept of providing something that was inexpensive, but not cheap.”
Working from a short production timeline, Iggy chose Platinum FLX hybrid moving heads, ACL 360 Matrix LED moving head panels and Protron 3K Color strobes to light the show, along with other gear. “They’re a straight up rock band, so much of the lighting tends to follow the drive of their songs,” he says. “That being said, the more they saw and liked, the more freedom they gave me to keep pushing things. They’re a fantastic group of guys and definitely know what they don’t like or don’t want to see.”
What the band does like are the high impact looks from Platinum FLX hybrid movers that Iggy has located about seven feet off the ground on amp carts. “They really have been a surprise since I had never seen them before,” the LD says of
USA - LD Matt Guminski was called in to design American pop singer-songwriter JoJo’s 2017 Mad Love Tour just a week before the tour launched in February and turned to Elation Professional moving heads and effect lights to light the re-emerging popstar’s show. Touring in support of her Mad Love album which came out last October – her first album release since the mid 2000s – JoJo is selling out 900-1800 capacity venues at nearly every stop and is clearly on her way back to top star status after charting in 2004 as a 13-year old.
His first time working with JoJo, Matt felt an immediate bond with the artist, who grew up in Boston near where he calls home, and took the short lead time in stride. Matt acts as lighting designer and operator on tour (he programmed the show on the road) and often handles lighting crew duties as well. To light the artist’s R&B-inspired rhythms he uses a rig of 12 Elation ACL 360i compact LED beam effects, 6 Elation ZW19 LED moving heads, and 8 Elation Cuepix WW2 white light LED blinders along with hybrid moving heads.
Having used the Elation ACL 360 Bar LED batten on a tour last fall, Matt says he loved it enough to delve further into the Elation ACL series. For the Mad Love tour he chose to use the ACL 360i, a powerful RGBW beam fixture with continuous 360-degree movement. “They are fast, have good color mixing and fill the space beautifully,” he says, explaining that he uses them for accent lighting and eye-candy looks. “I texture the air around the band and the artist and use them for cool, unique ACL looks.
Poland - Nearly 100 Claypaky fixtures illuminated the interior of UNESCO world heritage site, the Centennial Hall in Wroclaw, Poland, for its live production of large-scale theatrical performance Niebo as part of the closing celebrations of the city's year-long status as European Capital of Culture 2016.
Creative producer and multimedia lighting designer for Niebo was Pawal 'Spider' Pająk, founder of Polish production design company Fish Eye. Spider specified a number of Claypkay Mythos, Sharpy and A.leda B-EYE K20 fixtures from Polish rental outfit Transcolor to craft the production's vast spot, beam and wash effects.
"The Centennial Hall is an extremely high venue," says Spider. "For the Niebo production I needed to rig all my fixtures at around 23/24 metres above stage level. This meant I had to look for fixtures with brightness and quality that would not be compromised over long distances."
To provide the scenic lighting for Niebo, Spider arranged for 20 Mythos, the Italian manufacturer's hybrid spot and beam fixture, to be flown in four groups of five above the stage. The fixture's advanced effects engine and two interchangeable and variable rotating gobo wheels crafted the projection that contextualized each of Niebo's scenes.
"I found the Mythos to be excellent at projecting parts of the stage with sharp, mixed patterns to give me the dramatic looks I wanted," says Spider.
In addition to using the Mythos as an effects light Spider also utilised the fixture in Spot mode to focus on key set pieces