Europe - Phil Collins - was on the road last month (June 2017) for his Not Dead Yet mini tour, named as per his autobiography published in October 2016.
Collins’ long term lighting designer Patrick Woodroffe has created a stylish, animated lightshow, which is directed and operated on the road by Roland Greil, who also acted as the associate designer for the show - the two have collaborated on a number of projects in recent years including Adele last year, and on this one they worked closely with set and scenic designer, Misty Buckley.
On the rig are 48 x Robe BMFL Spot moving lights, a Robe RoboSpot remote control system and two PATT 2013s, all being provided by leading UK lighting rental company, Neg Earth.
Patrick has worked for the artist for nearly 20 years and this tour celebrates his return from ‘retirement’, It plays London’s Royal Albert Ha

Singapore - The clarity and fidelity of DPA microphones helped The TENG Ensemble deliver a stunning live performance at the iconic Fullerton Hotel Singapore. Entitled Where the River Always Flows, this debut outdoor performance transformed the Fullerton Hotel Singapore's East Garden Square into an extravaganza filled with the nostalgic sounds of Singapore's heritage music.
DPA d:vote Instrument Microphones were used to amplify a combination of western and Chinese instruments that were played during the performance. These included a cello, a Sheng and a Guzheng. Audio engineer Steve Zhang also used a DPA d:facto Vocal Microphone for the Ensemble's renowned countertenor Phua Ee Kia.
Commenting on his choice of microphones, Zhang says: "Phua Ee Kia has a uniquely expressive and dynamic voice, therefore the d:facto Vocal Microphone's high SPL handling and wide dynam

Europe - One of the most eagerly anticipated and high profile tours to embark on a worldwide journey in 2017 must be Ed Sheeran. The show’s production company, Major Tom Limited has purchased LoadGuard hoists from LTM- Lift Turn Move to fly the entire lighting, sound and AV system. In total, LTM have supplied 68 1t and 36 2t LoadGuard motors all running at four metres/per min. The motor control system is Kinesys throughout and operated by Steve Bliss from LCR.
The fan shaped mothergrid was designed by Jeremy Lloyd of Wonder Works and is lifted by thirty 2t LoadGuard hoists. Rigged within the mothergrid are 50 1t motors from which fly the lighting trusses and AV screens including four moving lighting pods which drop down on three Liftkets on Kinesys control during the show. Unusually, the 1t motors remain pre-rigged within the mothergrid (1m deep truss from Litec) in transi

The Netherlands - On 5 May 1945 the Netherlands was liberated from the Nazis. Initially the date was marked every five years with a celebration of liberation, but in 1990 5 May was designated an annual national holiday in the Netherlands.
The day is now commemorated by celebrations across the country, including music festivals held in one of the major cities of each of the Netherland’s 12 provinces. In Limburg, the festival is hosted in the city of Roermond and ADJ lighting was used to provide eye candy effects and illumination for one of the principle stages.
A historic city, that was established over 700 years ago, Roermond has a large, and architecturally-impressive, market square which provided the location for the festivities. A number of stages were erected around the square to allow a continuous program of musical performances to run from early afternoon right

USA - No sooner had country superstar Dierks Bentley kicked off his winter What The Hell tour, than he announced he would be extending his road show into the summer in order to reach more fans at outdoor venues. It was a wise move. The Arizona-born and Nashville-based star is currently riding atop the Billboard Hot Tours chart, playing to more than a half million fans this year. Supporting him every step of the way is a Chris Reade-designed lightshow that features 26 Chauvet Professional Nexus 4 x 4 panels supplied by Christie Lites.
Reade is flying 14 of the RGBW panels on diagonally-oriented truss structures that vary from roughly 12’ to 24’ in height. The remaining 12 Nexus units in Reade’s rig are underneath a B stage, located about 200’ from the main stage.
Arranged in a web-like pattern on the overhead truss, the mainstage Nexus panels form a matri

USA - Whether it was someone’s first or tenth trip to the Bonnaroo Music and Arts Festival, one of the mainstays of the epic four-day weekend was the huge mirror ball tower acting as the hub of the festival.
Working with lighting designer Andi Watson and production manager William Irons, Bandit Lites once again provided the lighting for the tower with this year’s gear featuring the award-winning SGM G-Spot fixtures.
The focal point of Bonnaroo, the large rotating mirror ball on top of the tower, is actually a permanent structure that serves as a North Star of sorts to the festival attendees, allowing them to navigate more easily through the 700-acre field known as The Farm, in addition to providing a home for the communication antennae for radio, internet and more.
The tower was perfectly illuminated enduring even in the harshest elemental exposure. “The SG

Europe - French Rapper Soprano – known for his hard-hitting but expletive-free lyrics as much as his massive popularity – recently toured with a new show and lighting design created by Victorien Cayzeele from All Access Design (AAD).
He specified Robe Spikies and BMFL Blades, which were supplied from leading French rental company, Dushow.
Victorien wanted a clean but edgy look for the lighting, which was also optimised for high trim heights, which is one reason the BMFL Blades were chosen. He also liked the idea of uniting Robe’s brightest moving lights with one of its smallest in size of the current range.
The stunning set design by Julien Mairesse resembled a large mountain range - riffing on the title of Soprano’s 2016 album L'Everest - which had video mapped onto it from four high-powered projectors throughout the show.
Twelve of the 20 BMFL B

UK - The National Theatre on London’s South Bank has invested heavily for the second time in GLP’s impression X4 Bar 20’s.
Lighting resources manager, Paul Hornsby, has added to the initial tranche of 18, which he purchased as soon as they first became available, with a further 20 in order to meet the increasing demand. Both batches were supplied by GLP dealer, White Light.
Explaining the rationale, he stated, “We have an extremely substantial rig at the National, and so every year, with my onsite team, we evaluate and discuss what needs replacing and upgrading, depending on both lighting designers’ requests and advances in technology.”
He confirmed, “The initial GLP purchase was the result of a combination of lighting designer referrals along with our own need to replace our ageing DLC fixtures.” And as soon as the first 18 fixtures arrived they

Australia - The Brolga Theatre in Queensland’s Maryborough is a typical regional venue – its 900-seat proscenium arch theatre hosts an international ballet troupe one night, Jimmy Barnes the next, and a local dance school the day after. Though the venue is just 17 years old, changes in technology mean replacement lamps are no longer available for their wash lights, leading the staff to assess how to upgrade for the future. The future, as they see it, is Elation’s Platinum Seven RGBWAC-UV LED wash.
“We knew we have to move to LED and intelligent fixtures,” said Robert Haigh, operations technician at the Brolga. “We could afford to replace our wash, but not our profiles, so it was an easy decision to go to a moving fixture that could provide a wash, and in the case of Elation’s Platinum Seven, work as a profile in many senses.”
Twelve Elation Platinum Se

UK - The Field of Avalon at Glastonbury has been accurately described as a “festival within a festival”. With its mix of folk and roots music, wholesome food and chilled out atmosphere, it’s easy to see why. To provide warm and engaging lighting for the field of Avalon’s main stage this year, returning provider GLS Lighting specified a collection of Rogue and STRIKE 4 fixtures from Chauvet Professional, in addition to 10 Chauvet DJ Festoon fixtures.
“As the Avalon Stage serves as a key focal point not just within the Field of Avalon, but also within the Glastonbury festival itself, we wanted to create some big looks to make the stage stand out even more this year,” commented Ian Turner, GLS Project Manager. “With our curated selection of Chauvet Professional fixtures, we were able to provide excellent support to bands such as Sophie Ellis-Bexter and Busted.”<

USA - For the second major tour in a row and the band’s 40th Anniversary, FOH Engineer Robert Scovill has specified an EAW ADAPTive sound reinforcement system to support Tom Petty and the Heartbreakers. Escondido, California-based Sound Image is providing the crew as well as the system, which is comprised of Anya array and Otto subwoofer modules, supplemented with Anna delay towers for stadium shows.
The 270-degree arena rig consists of 56 Anya for the main left/right arrays, hung in a 12-8-8 column configuration per side, a centre cluster of six Anya and 14 Otto subs spaced across the front of the stage. The majority of the tour will utilise this system although for stadium shows, like Wrigley Field in Chicago, Scovill has specified a delay ring made up of four towers of 12 Anna enclosures to supplement the main rig.
“As we modelled a couple of stadiums, it was

Europe - You can take the band out of Southern California but you can’t take So Cal out of the band. Completing the European leg of their world tour in Birmingham last week, Linkin Park’s One More Light is a departure from the group’s earlier work. Smooth, subtle, and sometimes moody, the band’s evolving sound is beautifully complemented by the tour’s lighting designer, Celine Royer. Key to her design are 74 of the new Solaris Flare Q+ fixtures.
“We wanted to tell a story with the lighting, reflecting the emotional journey that happens throughout the night,” says Celine. “A geometric look, with Flares everywhere, is a nod to the band’s metal roots, while subtle hues are programmed to catch nuances in the band’s newer material. We have the Flares on upstage, midstage, and downstage moving trusses, as well as sidefills and uplights.
“I’ve u

Finland - Kaiku opened in Helsinki in 2013 and quickly rose to the forefront of the city’s lively club scene. Its popularity is perhaps founded on the prominence of its owner, Toni Rantanen, who has been masterminding the scene by founding and concurrently operating several clubs since the early 2000s.
But while his name may have made people take notice, it is the consistently awesome parties that evolve every night at Kaiku that pack it to capacity (400 people) and keep A-list DJs at Rantanen’s beck and call. Recently, Kaiku upgraded its already excellent sound system to a complete Danley Sound Labs system, including loudspeakers, subwoofers, amplifiers, and processing.
Kaiku’s new system consists of four Danley SH-46 loudspeakers for full-range content. The SH-46 uses acoustical wizard Tom Danley’s patented Synergy Horn technology to deliver incredibly accura

China - Almost 400 L-Acoustics cabinets were deployed as part of a mammoth PA system for Jacky Cheung’s 2017 A Classic Tour, which took in 21 venues, both indoor and outdoor, across mainland China at the beginning of the year, and continues through Hong Kong, Sinapore and Taiwan.
The show is performed in the round, with both complex stage machinery and the task of ensuring complete coverage of the audience offering a challenge for rental companies Haona, who supplied the system for the China dates, Unusual in Singapore and Taiwan’s Winly, who worked alongside L-Acoustics Chinese distributor, Rightway Audio Consultants to realise a complex design.
A Hong Kong-born singer, songwriter and actor, Jacky Cheung is one of the city’s ‘Four Heavenly Kings’ – a term created by Oriental Daily News in 1992 to describe the four biggest male entertainment artists

UK - As part of British Style Collective’s three-day fashion extravaganza staged at Liverpool’s Echo Arena, VER London supported the production crew on Rock the Runway, a brace of daily show-stopping performances mixing models and dancers in a fashion-meets-music spectacle.
Built as a full-on rock and roll style production, conceived and staged by Andy Turner with styling by Karl Willet and music by Des Lambert, the installation featured a full height, up stage LED video wall that delivered stunning content created specifically by Colin Rozee of ZeeFX to help intensify the audience experience. A variety of automated heads and effects were also incorporated to allow maximum creative control over the on-stage illumination.
Working closely with LD Nigel Catmur, the VER Lighting department provided a mixture of Martin MAC Viper Performance, Profile and AirFX plu

UK - Long renowned as a home of artists and inspiring galleries, the Cornish resort of St. Ives has now discovered the art of sound, with new bar restaurant Beer & Bird the canvas for a subtly rendered sonic palette, delivered by a Yamaha Commercial Installation Solutions (CIS) installation.
Beer & Bird is an independent, family run business which grew out of John’s Wines and Spirit Specialists - a long-established Cornish retailer of high quality wines, spirits, beers and ciders. Opening a restaurant where patrons could enjoy the company’s drinks with delicious, locally-sourced food was a logical progression, with Beer & Bird opening its doors in April 2017.
Proprietors Tom, Sam and Paul Hanson were determined that the quality of the ambience should match the quality of its fare, so they approached Penzance-based Acoustic Streams, a company renowned fo

UK - ∑(No,12k,Lg,17Mif) New Order + Liam Gillick So It Goes is a bold and original collaboration between gurus of electronic music New Order and conceptual visual artist Liam Gillick, which is orchestrated by Joe Duddell and presented for the 2017 Manchester International Festival on Stage 1 at the Old Granada Studios in the city.
Lighting was designed by the band’s long term LD Andy Liddle, with equipment supplied by Blackburn-based rental specialist HSL, project managed by John Slevin and co-ordinated on site for them by Andy Chatburn.
The show presents selected deconstructions picked from New Order’s vast body of work, played by the band and a 12-person synthesiser ensemble from the Royal Northern College of Music.
Gillick designed the stage set comprising the 22.5m wide by 7m high structure upstage of the band that houses the 12 synth players. T

USA - Chris Lisle has designed the production and lighting for Jason Aldean’s current They Don’t Know tour and is using Elation Professional gear as part of a large lighting package. The country music singer has been on the road since late April and is playing a variety of venues across North America through the summer and into the fall.
Jason Aldean has 19 country-chart number-one songs to his credit and was named Entertainer of the year by the Academy of Country Music in 2016. The They Don’t Know tour and album of the same name have been highly anticipated by his wide fan base, who admire the entertainer for the range of emotions in his shows and blend of musical styles, anything from traditional country to more upbeat rock, R&B and even rap.
“This is my first tour with the Jason Aldean camp,” production designer Chris Lisle stated. “T

UK - This year, Projected Image is lending its skills for an exclusive sponsor event in the lead up to Lumiere Durham - the largest light festival in the UK. Held every two years, the festival attracts 200,000 people to the historic city of Durham and features a variety of light installations around the city.
This will be the first year Projected Image has been actively involved in the event where designers from around the globe pitch for space for their temporary lighting installations.
The piece de resistance in 2015 was a joint video piece led by Ross Ashton called The World Machine. The 10-minute video featured the work of the Cosmology Department of Durham University and the Ordered Universe Project. It combined theories on the modern view of the origins of the universe, with medieval stylings and music.
Projected Image is teaming up with lighting de

Europe - Bryan Ferry is on tour across the USA and Europe, including various dates on the festival circuit, carrying a dLive S Class mixing system from Allen & Heath to manage monitors.
Supplied by Britannia Row Productions in Europe and Clair Bros in the USA, dLive was selected by monitor engineer, Tom Howat. The system comprises a S5000 Surface with DM64 MixRack, DX32 Expander Rack, and two IP8 controllers for remote access. Howat has used dLive on previous tours, including Paolo Nutini and Morrissey.
“Once again, the dLive delivers clarity and precision. Mixing in-ear monitors for a 10-piece band comprising some very well-known and experienced musicians requires a monitor desk that will deliver a detailed, full sound. dLive’s built-in compression and FX make a huge contribution towards achieving this, along with plenty of scenes - 50+ and counting.” expla

Europe - Philips Lighting has announced that its new Philips Vari-Lite VL6000 Beam luminaires are playing a central role in the lighting design for Depeche Mode's Global Spirit tour.
Lighting design for the tour is by Sooner Routhier and Robert Long of US-based SRae Productions. Associate lighting designer Brian Jenkins programmed the show for SRae, while lighting director Manny Conde is responsible for the lighting on the tour. The lighting equipment is being supplied by UK-based production rental specialist HSL Group.
The lighting designers worked closely with Depeche Mode's long-time artistic collaborator and production designer, Anton Corbijn, whose design for the band's latest album Spirit underpins the show's creative concept. The album design features heavily brush-stroked painted figures holding flags, and this motif is emphasized in the production desig

Belgium - Lighting and visual innovators Painting with Light were approached to design a special feature for the current Black To The Future art exhibition, which is being organised by art collective Het Labo and staged at the C-MINE cultural centre in Genk, Belgium.
The environment is a redeveloped coal mine once the pulse of local industry, now tastefully restored and again serving the community meaningfully as a cultural centre and creative hub for media and tech-related companies and the LUCA School of Arts.
The Het Labo logo is a lighthouse - so, it was a no-brainer for Luc Peumans and his Painting with Light team, who decided to imagine a ‘real’ lighthouse utilizing a high-powered beam luminaire and one of the two former mine head elevator shafts that still dominate the C-MINE site.
A Vari*Lite VL6000 Beam was chosen to deliver the power and pr

Mexico - The sprawling grounds of a former Mexican steel foundry have become one of the hottest spots on the music festival scene. Started only five years ago, the Pa’l Norte Festival is already the number one tourist event in the state of Nuevo León in terms of its economic impact.
This year’s edition of the two-day event drew 160,000 fans from throughout the world and featured a heady mix of stars that included The Killers, Placebo, MIA, The Offspring, Kaskade, Maná, Jason Derulo and Enanitos Verdes among others. Providing a suitably powerful background to their performances was a main stage festival rig anchored by 72 Maverick MK2 Washes from Chauvet Professional.
Serpro Producciones, which supplied the RGBW LED moving wash fixtures, flew them on truss that descended in height from downstage to upstage. At the centre of this configuration were two diamond shap

The Netherlands - The saying that ‘success breeds success’ is proved at B-Amsterdam, where the inventive re-use of a former five-storey office block has proved so popular that the project now covers three separate buildings. The addition of restaurant Bureau has seen a new Yamaha Commercial Installation Solutions (CIS) solution added to the previously-installed CIS system.
Opened in 2015, B-Amsterdam turned the city’s old 40,000m2 IBM-building into an imaginative multi-purpose office, work and events space for small enterprises and sole traders. New top floor restaurant Bureau is a creative addition used for lunch, dinner, private parties, fundraising and presentations, with many of its ingredients grown in an adjacent roof garden that also functions as an outdoor dining and socialising area.
The building’s original conversion included the installation of a Dan

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