Europe - When LD Sam Tozer provided his dynamic lightshow for the BBK Festival at the O2 Arena in London over the August Bank Holiday weekend, he called on an abundance of GLP’s X4 Bar 20 battens for the marathon event.
LRI production manager David Davies and the Vision Factory lighting designer were invited onto the recent J Hus Common Sense tour, and this time the latter added GLP’s GT-1 hybrid Spot/Wash lights to the mix.
The afrobeat/grime artist had supported BBK, and the tour would take them round various theatres, universities and Academy venues - ending with a massive show at Brixton Academy.
“In addition to using my favourite fixtures, including the X4 Bars, I knew this time around we needed something a bit different,” he states. “I spotted the GT-1 for the first time when I visited the GLP factory, having previously seen them at PLASA.” And

Singapore - Digital Aid recently deployed a large-scale JBL by Harman VTX Series audio system at ZoukOut 2017, one of Asia’s largest dance music festivals.
Now in its 17th year, ZoukOut is an annual electronic music festival that brings top DJs and producers for a weekend filled with dusk-to-dawn EDM performances. Held on 8 December 2017, the latest ZoukOut festival attracted 40,000 dance music fans to Siloso Beach for dusk-to-dawn sets by Flume, Marshmello, R3hab, Axwell / Ingrosso, Amelie Lens and more.
To ensure audio quality for crowds and artists at the Star Stage, festival organizer Zouk hired sound provider Digital Aid to deploy a complete JBL VTX sound system. The VTX system’s transparent sound quality enabled Digital Aid to accommodate the diverse line-up of artists with minimal sound interference from the nearby Moon Stage.
“When we put

USA - The LA bureau of the Fox News Channel has seen its share of rising and falling news personalities but a constant star is ETC.
The stage at the small studio in Culver City underwent a refurbishment and introducing a Plexiglas and stainless steel design with a curtain track backdrop. With its unusually high ceiling and excellent acoustics, the stage is now home to The Next Revolution with Steve Hilton Sunday night broadcast.
The revamped set design came with a much-needed new lighting package provided by 4Wall Lighting’s Los Angeles office. Lighting Director Eric Reinig and his counterparts in New York specified a mostly ETC LED system. “It only made sense to go LED, for the flexibility and the reduction of heat onstage and the running costs,” says Reinig. “The old rig of standard 1K and 2K fixtures and old Strand gear was well past its prime.”

UK - Symphotech has collaborated with Blue Multimedia to provide concerts with two innovative and cost-effective signing solutions to aid the deaf and hearing impaired, in a bid to ensure both inclusivity and compliance with disability access legislation.
Event health and safety company, Symphotech, is offering two forms of assistive technologies to ensure events are compliant with the equalities Act 2010. The first method involves using an Autocue operator and a downstream keyer to overlay live text onto the IMAG screens for the song lyrics. The second method uses a live signing presenter, who is situated off-stage in front of a green screen and their live signing is ‘floated’ over the live show and placed into the corner of the IMAG video screens.
This option provides the presenter with a live feed of the performance and lyrics sheets to enable them to be reactiv

USA - Entering the BangON NYC party at Brooklyn’s East Williamsburg Warehouse on 31 December instantly conjured up feelings of journeying deep into our solar system. Hanging from the ceiling, as if floating through the vastness of space, were very large, colourful planetary orbs.
The generously proportioned building, which stretches for nearly a city block and has a 35’ ceiling, served as an ideal setting for this celestial scene. It also provided Spencer Lavoie and Kyle McHugh with room to create an astronomically powerful lightshow that tied these heavenly bodies and other scenic elements into a transformative visual panorama with help from a collection of Chauvet Professional Rogue fixtures.
“It was a treat to watch light beams crisscross one other over this sizeable amount of space and play off the scenic elements,” said Lavoie, who served as technical dire

UK - The latest Haz Restaurant - on Mincing Lane just off Fenchurch Street in London - is a fine example of a modern venue deserving of a high-quality sound system to enhance and complement the stylish interior. Located on the ground floor of the Plantation Place building, the restaurant’s long glass frontage creates a light and airy space, perfect for enjoying the excellent cuisine.
Bose pro partner, AV Systems, worked closely with the restaurant’s design team, I-AM, to ensure that the chosen speakers not only sounded good, but fitted discreetly into the mix of crystal chandeliers and unique wooden slatted ceilings. A fully concealed Bose FreeSpace 3 system consisting of 24 satellite cube speakers and six sub bass units was installed inside the composite ceiling finish, above the line of sight.
It is driven from a dedicated AV rack containing a Bose PowerMatch 85

Australia - Showtech Australia is one of a growing number of companies investing in and using Kinesys automation products regularly in both their day-to-day and custom work.
The company was founded in 1987 by Tiny Good with headquarters in Braeside, Victoria, and a satellite office in Hong Kong - to serve the growing Asian market.
Showtech Australia specialises in entertainment rigging, staging, automation, flying effects, technical and ‘uncommon’ services, applying expert knowledge and imagination to the intriguing world of motion control.
Tiny was already familiar with Kinesys products before he committed to the purchases, as they had been working regularly with Kinesys elements … “basically I knew the power and scope of the Vector system, so I was confident it was the right choice,” stated Tiny.
They have been purchasing and utilising Kinesys

UK - Formed only in 2015, The Hunna, a four-piece English rock band, kicked off 2018 by performing six back-to-back gigs in UK O2 Academy venues in early January.
Travelling with them was lighting designer, Tom Campbell, who chose MDG’s ICE FOG Compack low fog generator and an ATMe haze generator to provide the band with the right mix of atmospheric effects to guarantee they, and his lighting, would be seen to best advantage.
“Showcasing the lighting was especially important for this tour as the structure of the design forms the majority of the set,” says Campbell. “The backbone of the show design is centred around 108 lasers which are located on side towers. I use these to create various worlds, shapes and looks for the band to perform in, so I needed a hazer I could really rely on that would deliver a fine even haze day after day. MDG’s ATMe is ideal as it

Finland - Finnish singer Suvi Teräsniska relies on Allen & Heath’s dLive for FOH and monitors at over 100 concerts every year.
During her 10-year career Teräsniska has released eight platinum-selling albums, supported by constant touring, and attracts huge audiences in Finland’s biggest venues.
Simo Aalto, Teräsniska’s lead sound engineer, finds dLive’s extensive built-in processing invaluable for the production. “The FX Rack, especially the reverbs are great. Even though I have an option for third-party plugins, I haven’t found any need to use them so far,” he says.
Aalto also finds the Dyn8 dynamics processor an essential tool for getting optimal results with Teräsniska’s distinctive vocals. “I’m a fan of the Dyn8 processing. Suvi is an excellent singer and her deep-toned voice has a rich variety of dynamics during the show. With Dyn

Slovenia - Philips Lighting LED studio lighting fixtures have been chosen to provide professional quality, low-energy lighting solutions for Slovenia's leading commercial television studio, POP TV.
After testing lighting solutions from several manufacturers, lighting director Nebojsa Gazdic specified the Philips Strand 200F LED Fresnel fixture, from the Philips Entertainment Lighting portfolio. His choice was based on its broadcast-grade light quality as well as its low energy consumption, compact size and silent operation.
Gazdic says, "In the larger news studio we wanted to move from tungsten lamps to daylight sources, increasing the colour temperature to 5600K, and the Philips Strand LED fresnels have enabled us to do that. We wanted reliable fixtures, with high-quality light output and consistent colour temperature."
He adds, "During our test period, we found

Europe - Kasabian are rated one of the best live acts in the UK. A cursory glance reveals a tight little four-piece rock band with an insatiable appetite for musical exploration. Sounds simple: far from it.
“Kasabian are one of those bands who, on the face of it, appear to be just a straight forward rock band. But once you start to look more closely, when you start exploring how the arrangements are put together, then you find there is a lot of detail in there.” Ben Findlay, the band’s FOH engineer talking just before their first UK show.
The band have just completed an intense trawl through Europe culminating in a dozen arena shows around the British Isles. Britannia Row Productions provided an L-Acoustics K1 system with Findlay using an SSL Live out front. “Part of the challenge with Kasabian is to make that detail apparent,” he continued. “That’s why

USA - AWS re: Invent is an event, held annually by Amazon Web Services. It is the biggest event of the year for Amazon's cloud division, when customers and developers descend on Las Vegas. More than 30,000 delegates attended the event, held at The Sands Expo and Convention Centre at the end of 2017 to hear Amazon Web Services executives announce new tools and share the stage with representatives from big companies touting their AWS usage.
For 2017, Amazon wanted a 400ft high-resolution LED wall suspended as their primary design and backdrop. Production company ZED Ink knew that with LED dimensions like these, the weight quickly adds up, so they brought Cassidyrig on board to assist with the project and monitor the loads.
The Sands Convention Centre is historically known as a weight restrictive venue, despite being the second largest convention centre in the wor

UK - St Pancras Renaissance Hotel at London’s St Pancras International station - that Gothic Revival masterpiece of the great Victorian architect Sir George Gilbert Scott - reopened in 2011 as the glamorous St Pancras Renaissance Hotel.
Gilbert Scott has been immortalised in the restaurant that bears his name, as part of renowned British chef, Marcus Wareing’s stable of restaurants.
Also helping to ensure a successful rebirth of this iconic space, formerly the original’s hotel’s Dining & Coffee Room, has been loudspeaker manufacturer JBL, and sound installation specialists, Evolve Install, led by Elliot Patterson.
Evolve were awarded the contract following a successful site meeting with Marcus Wareing Restaurants’ Group operations manager, Lise Mabon.
Elliot Patterson recalls the restrictions of working in a Grade I-listed building. “Other c

UK - Newry Town Hall in Ireland has undergone a dramatic refurbishment to make the venue more usable for the entertainment industry. Newry District and Mourne Council brought consultant John Gallagher from Lumiere Productions on board to specify the technical facilities in the venue, with Doughty Engineering's Irish and Northern Irish distributor Production Services Ireland (PSI) being awarded the specialist theatrical install.
Brian Reilly, director, PSI said: "As part of this prestigious project to transform this historic venue into a space that works well for hosting entertainment events, we were enlisted to supply Newry Town Hall with all its theatrical requirements including lighting, dimming and flying system as well as IWBs and facility panels from Doughty. Working with Peter Tweed, PSI's service and install manager, we took the outline from the consultant and the di

UK - When club owners Matthew Dimmack and Cleto Capetta took over the former Lola-Lo club site in Brighton, they wasted little time in approaching Penguin Media Solutions as they set out to convert it to the Bau Wow Club. As company director Dylan Thompson emphasises, “We already had a good relationship with Matt after working with him on other venues over the years, and so we were invited to tender.”
The integrators went up against a handful of other companies, but their attention to detail won the owners over, as well as their ability to provide a live Martin Audio demonstration of the proposed system via sister company Penguin Media Hire, which holds extensive stock.
“Key to the system was its flexibility,” Thompson recalls, “as the venue needed to be used for live shows as well as club nights - and this had to be taken into account.”
As the 170-ca

UK - Bourbon, Edinburgh is a three-room basement space that includes a bar/lounge, restaurant and nightclub. Having taken over the space from a previous nightclub, the management team invested in renovating and updating the venue aesthetically and technically.
To meet the high standard of the overall re-fit an audio system of equal quality was required to attract big-name DJ’s and audiences to the new venue.
KV2 Audio were invited to demonstrate products to the venue in situ, following which there was no doubt that KV2 products would be the ultimate fit. Each area was subsequently equipped with a range of KV2 products selected for their sonic quality, clarity and output.
The primary Club Room features KV2’s SL 4.12 and SL 2.15 wide-dispersion, slim-line mid/hi and bass enclosures powered by the dedicated SL 3000 amplification and control unit. Low frequency o

UK - Rag’n’Bone Man headlined Edinburgh’s Hogmanay Concert in the Gardens, the best New Year celebration in the UK, if not the world. Edinburgh's Hogmanay was the place to be to send off the 70th anniversary of Edinburgh as the festival city and kicked off 2018 in style.
At the sold-out Concert in the Gardens, Edinburgh’s own Nina Nesbitt kicked off the night sharing stories with the capacity crowd in Princes Street Gardens. Nina was followed by BBC Music Introducing Artist of the Year Declan McKenna who wowed the crowd with his eloquent, upbeat indie set. The audience in the gardens lit up for Rag’n’Bone Man’s powerful set with the crowd going mad for anthems Human and Skin and his finisher Gimme Shelter by the Rolling Stones.
This year’s spectacular Midnight Moment was, for the first time, choreographed to a speciall

USA - On Volvo’s booth at this year’s LA Auto Show, Creative Technology’s Chris Wasilauskas used Elation Professional’s new exhibit-optimised Fuze Wash 575 white-light LED luminaire to light the Swedish auto manufacturer’s newest vehicles and concept cars, the same light he used on the Kia booth to great effect.
“They are an excellent fixture for lighting vehicles,” the lighting designer and technical director (lighting division) at the global production house said of the cool-white LED PAR moving head. “The high colour temperature and high CRI shows off the paint color of the vehicles quite well.”
Held 1-10 December at the LA Convention Centre, the LA Auto Show is one of the most influential auto shows in the world and especially high demands are placed on the lighting. Creative Technology has used Elation Design PAR 575 opti par moving heads on auto

UK - As fine a reputation in edgy relevance as you could wish for, Kasabian continue to confront their fans with an ever-evolving musical output. “It’s a totally different dynamic,” said their long-time director of video, Paul Eggy Eggerton. And well he might; while other bands join the expanding club of content-driven video backdrops, Kasabian take the braver route, relying on their live stage energy to carry the crowd.
“So often a lot of content tends to be stock graphics or just splodge,” continued Eggerton. “For these guys we have big side screens in portrait orientation.” The two six-metre tall 7mm LED screens and a four camera PPU are supplied by Video Design.
“With that screen format, there is no standard mid-shot - it just doesn’t work, you’d end up with lots of either limbs or instruments missing. So you are constantly having to keep it wid

USA - New York-based lighting designer Cory Pattak never ceases to be awed by the sunsets over Manhattan. “You find yourself swearing ‘this can’t be real,’” said he says. “All those pinks, oranges and purples that can only exist in an Instagram filter, right? But your eyes don’t lie. This is how days often end in Manhattan. I used to be afraid that if I put those colours on stage, it would look too unreal.”
Pattak set aside this concern recently when he lit a fall production of Lin-Manuel Miranda’s Tony Award winning musical In The Heights at the historic Olney Theatre. Using a collection of Ovation, Rogue and Maverick fixtures from Chauvet Professional, he supported the production with vivid displays of colour, including one during the song Champagne that captures the surreal beauty of a Manhattan sunset.
Elaborating on the role of his

Sweden - LD Fredrik Stormby has been making prolific use of GLP’s new JDC1 hybrid strobe on tour with Gothenburg-based heavy metal band, In Flames, on their European arena tour with co-headliners, 5-Finger Death Punch (FFDP).
Having been operating lightshows for the Gothenburg-based In Flames since 2011 (and been designing their sets since 2014) Stormby wanted to focus on the artwork that the band had been developing for the current European tour.
“I wanted to use a lot of video and set elements,” he said. “There is a lot of artwork and figures/elements to look at and my idea was to create an atmosphere and style that really represents the band; you should be able to see a picture and immediately tell that this is an In Flames show.”
No fewer than 65 JDC1 hybrid strobes have been helping him in his quest, with Soundforce supplying all the In Flames gea

UK - CPL, working for event producers Bright, supplied lighting, sound and video equipment for Bristol Vision 2017, a networking event held at the University of Bristol Students’ Union building and organised by Bristol Media for individuals and companies engaged in media and communications sectors.
Mike Radford project-managed for CPL, working with a crew of four and closely with Bright’s production manager Fleur Saynor. The team covered several different areas including a main plenary space, associated break-out rooms in the Pegg Theatre and AR Bar, reception / check-in and a café / open / meeting space complete with a number of exhibition display booths.
It was a busy day for the 200 delegates who could catch 18 keynote speakers and engage in a range of digital and media-related commercial and business activities.
In the main plenary room, CPL rigg

UK - Lighting designer Tom Campbell utilised 37 x Robe MegaPointe moving lights for the recent UK tour by indie rockers The Hunna.
Lighting and lasers for the tour were supplied by Colour Sound Experiment. They were among the first UK companies to invest in MegaPointes immediately after the product’s launch in September 2017.
Tom, who joined at the end of last year, evolved the look and feel of this first production tour in close collaboration with guitarists Dan Dorney and Ryan Potter.
He originally saw MegaPointe in action at the PLASA Show in London just after its launch and was impressed. As a result, 19 MegaPointes were rigged on 12ft drop bars allowing them - trim permitting - to fly the mid truss out of view so the lights appeared to be floating in space.
The rest were all on the floor where they provided a dynamic balance in the beams. Eight were

Malaysia - This summer saw the completion of the first phase of the transformation of Malaysia’s Bukit Jalil National Sports Complex into one of Asia’s top sporting venues, KL Sports City.
This ambitious project included the installation of an L‑Acoustics loudspeaker system into the 85,000-seater National Stadium, now considered the biggest stadium in Malaysia and Southeast Asia, which needed to be ready in time for August’s SEA Games and 9th ASEAN Para Games.
Sennheiser Electronics Asia, L‑Acoustics certified distributor for Malaysia and provider of the system, was first introduced to the KL Sports City concept in 2015. Shortly after, the company was invited to tender for the project, which had to satisfy exacting requirements for coverage and sound quality, while also adhering to strict limitations on structural weight loadings.
“Sennheiser supporte

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