Rigging and Staging News

bbldixit-creditgregorybatardond1a1062-lowBéjart Ballet Lausanne relies on KineMotion
Wednesday, 13 November 2019

Switzerland - In the summer of 2019, the Béjart Ballet Lausanne gave new performances of Dixit, the ‘cinema-ballet-theatre’ show written and directed by Marc Hollogne, in tribute to its founder, Maurice Béjart. To take the audience on the choreographer's story and work, the company relied on Modulo Kinetic and its real-time tracking module, KineMotion.
To pay tribute to its creator, the Béjart Ballet Lausanne worked with Marc Hollogne to write and direct Dixit, a show that combines dance, acting and video projection to tell the story of Maurice Béjart's life and work.
To bring this show to life, the Béjart Ballet Lausanne used Modulo Kinetic, Modulo Pi's media server solution, as well as KineMotion, its real-time tracking plug-in.
Lucas Borgeaud, technical director of Béjart Ballet Lausanne, reports: “We had already used video in some of our ballets, but never on this scale. For this show, the video is almost at the same level as the dance. That's a first.”
The show is performed on a 13m stage on which two screens are freely moved by the dancers and actors and tracked in real time. In addition, there are three screens suspended on DMX hoist in the theatre fly loft.
A 30,000-lumen PT-RQ32 video-projector from Panasonic deals with the projection. Media is projected onto a 13m wide by 7m high frame, the projection alternating between the entire frame, the three suspended screens, and the two tracked screens on stage in real time.
Borgeaud explains: "The screens serve as bubbles that help to understand

sixty82Sixty82 focus on Germany
Tuesday, 12 November 2019

Europe - Sixty82 has opened a new office in Drachten, The Netherlands, to exclusively service the German market.
“The start of Sixty82 German Division is a reaction to the expanding needs of the live events industry for rapid delivery times of first-rate products and a service that is second to none,” comments Fokko Smeding, CEO of Sixty82. “With the German division, we believe that we can ensure our customers are provided with expert technical support from experienced people. Therefore we hired specialists Michael Kempe and Christian Schoof to provide extra service and attention to the German market.”
Sixty82 has also appointed Germany’s as its official competence centre and premium reseller. This partnership will “ensure high availability of Sixty82 products all over the country, while simultaneously providing strong support and after-sales service”.
“The name Sixty82 stands for innovation and vision like no other manufacturer of trussing,“ says CEO of Cast, Heinz Siller. “For decades, we have known the founders of this company. From the beginning, we have been in an amicable business, and together we have walked a great distance. Our collaboration led to the development of new products, unified in the passion for trussing and constructions. I truly believe that Sixty82 is a perfect fit for us.”
“This is the perfect time for Sixty82, and we are happy and excited to launch our activities in Germany together with Cast,” comments Michael Kempe, sales engineer of Sixty82 German division. “I am looking forward to get

 
 
plasa-industry-research-2019Industry marks steady growth - PLASA research
Tuesday, 12 November 2019

UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.30bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <

 
brillant-tait-1-1024x537TAIT acquires Brilliant Stages
Wednesday, 6 November 2019

UK - TAIT has acquired Wakefield-based Brilliant Stages to create “an even more competitive platform capable of deploying a truly global suite of live event technology and solutions”.
The leadership and staff at both companies is expected to remain the same. It is unclear if Brilliant will continue to exist as a separate brand, but TAIT has stated that “the combined management teams see the value of building a global brand.” All existing projects will continue as scheduled and all points of contact will remain the same.
Ben Brooks, managing director of Brilliant, comments: “We have built the brand brick-by-brick with an equal focus on spectacle, design, employees, and customers. That is what makes being part of TAIT a perfect match, culturally we are 100% aligned.”
Adam Davis, chief creative officer at TAIT, adds: “This really is a perfect cultural match. We are excited to share with Brilliant our technology, assets, and lessons learned over our 40 years in the live event business. We found a true partner in Brilliant and share a deep belief in delivering excellence to our customers and their fans.”
Since 1978, TAIT has been a premier global provider of advanced creative, engineering, and automation services to the live entertainment industry. TAIT’s diverse group of clients and markets include Princess Cruises, Fortnite World Cup, Disney, Dubai Expo 2020 and the Olympics. At the core of its services is TAIT Navigator, a proprietary automation and show control platform that maximizes the client’s creative vision.
Bril

 
 
jay-mcguiness-as-josh-baskin--kimberley-walsh-as-susan-lawrence-in-big-the-musicalUnusual Rigging backs Big the Musical
Tuesday, 5 November 2019

UK - Big the Musical closed at the Dominion Theatre in London's West End this weekend following a successful nine-week run. The Theatre Royal Plymouth production opened in 2016 and played at the Bord Gais Energy Theatre in Dublin into 2017. Finally after more than two years, it made its West End debut in September with production manager Hugh Borthwick bringing Unusual Rigging on board to handle the rigging elements of this ambitious production.
Hugh explains: "I brought Unusual Rigging on to this project right at the very start as I wanted them to be part of the design process for the production and not just to supply a rigging system. I've worked with Unusual for many years and know that their skill and ability to make the seemingly impossible happen is second to none. I've worked with Alan Jacobi and Simon Stone many times, and on Big the Musical, Mark Davies, Phil Tickle, Martin Mattingley and Emily Egleton formed the main team - all of whom were just outstanding."
Unusual are no strangers to working at the Dominion Theatre, having put in a new flying system and grid back in 2015 and having recently completed a new stage floor just before Big went in. "All of this knowledge certainly worked in our favour," says Hugh. "Knowing the venue system inside out, the Unusual team were fully aware of the rigging requirements for the whole production as well as specific elements such as the downstage Skyline header piece.”
As well as the truss for the scenic elements, Unusual created storage pallets in the wings to take the scenery

 
unusual-rigging-sixty82Sixty82 continues global expansion
Tuesday, 5 November 2019

UAE - Sixty82 has appointed Unusual Rigging & Engineering LLC as its exclusive representative in the United Arab Emirates, Oman, and Saudi Arabia, for its full trussing and staging product range. Unusual Rigging will exercise supervision on a broad scope of possibilities, advising customers on the best Sixty82 solution for their specific needs.
Unusual Rigging is a highly experienced provider of rigging and stage engineering solutions, working around the globe, principally in the entertainment, special event, exhibition and presentation industries. In 2009 Unusual Rigging & Engineering LLC opened for business. Unusual Rigging’s specialist teams boast a wide range of disciplines, and all are passionate about what they do. “At Sixty82, we share this passion for the industry,” comments Fokko Smeding, CEO of Sixty82. “We therefore believe that Unusual Rigging & Engineering is a perfect fit to meet the needs of our ever-expanding customer base.”
Sixty82’s sales and marketing manager, Rainier Smeding, continues: “We are extremely excited to be working with a team that has this kind of knowledge and expertise, supported by an unrivalled track record. With these dynamic and experienced people, we can focus on next-generation structures, based on the highest knowledge and working skills, as well as safety regulations.”
Denis Bramhall, managing partner at Unusual Rigging LLC, comments: “We are delighted to take on the role of distributor for Sixty82 in the United Arab Emirates, Oman, and Saudi Arabia. By adding their products

 
 
restaurantChain creates Dutch dining experience
Monday, 4 November 2019

The Netherlands - One of best-known event venues in The Netherlands has been recently transformed into an intimate restaurant with high-tech decor. Madame Jeanette is the successor of dinner show Pandora, which ended early this year.
It is an intense evening full of visual spectacle, where visitors dine in the middle of a vibrant story that is told in a visual, musical and culinary way. In recent months, Studio 21 has been completely rebuilt especially for this show, with the kitchen in the centre of the room and a high-tech decor in which the stage, the video and audio are in a 360° setting around the guests.
Dutch lighting, audio, and rigging company Chain was responsible for the technical production. Because of the complete round set up, the decision was made to use six circles in the decor. In the middle of the room a 6mtr FD34 circle was used for the centre video. On the outside, a 270° LED screen was hung on a HD44 circle of 40m. Visuals are presented during the show that sets the scene. In between the smallest and biggest circle four additional HD44 circles of 8, 20, 30 and 36m were added for rigging the lighting fixtures.
Paul Chamalaun of Chain comments: “The entire creative concept is based on an ‘in-the-round’ scenario. This is also the reason that for the spacing and shape of the lighting plan circles were used.
“In practice, you will find a lot in a ceiling like Studio 21's, from air conditioners to suspension points and other steel construction parts. Lennart Lindhout, our rigger, has fully mapped the s

 
melbourneWhite Night Melbourne relies on Modulo Pi
Thursday, 31 October 2019

Australia - Specialising in large-scale projections, The Electric Canvas utilised Modulo Pi media servers on three major projection sites at the latest edition of White Night Melbourne. This year, the previously all-night event was “reimagined”, taking place in winter instead of summer and being extended to a three-night festival.
Modulo Kinetic was deployed for Mad Max Fury Road, a huge multimedia extravaganza set against the backdrop of the heritage-listed Royal Exhibition Building. The 15-minute live show featured projection mapping by Australian company The Electric Canvas, who used footage from the award-winning |Fury Road movie as well as original motion graphics in the content production.
In addition to the projections, vehicles from the actual movie, performers, aerialists, lighting, and pyrotechnics were all choreographed to an immersive multi-channel soundtrack. Two Modulo Kinetic media servers delivered seven channels of video, eight channels of audio and timecode for the lighting synchronization, with 100% live back-up servers.
Sensoria was an original projection son et lumière onto the Department of Education building in Treasury Gardens. This engaging audio-visual experience was an exploration of the five basic senses and how our sensing organs send information to the brain to help us understand and perceive the world around us. Again, The Electric Canvas relied on two Modulo Kinetic media servers to deliver the 12 channels of video and two channels of audio.
Modulo Player was used for projecting D

 
 
artboard-prArea Four Industries acquires Prolyte
Wednesday, 30 October 2019

Europe - Trussing, staging and hoists manufacturer Prolyte has been acquired by Area Four Industries.
The news of the acquisition comes shortly after Prolyte filed for bankruptcy. Prolyte will retain its brand identity but will undergo a management, production and strategic reorganisation.
František Zykan, CEO of Area Four Industries, comments: “We will invest in the development of Prolyte as a brand, as well as in new ideas and products. Our current partners remain equally important for us. I trust that in two years, Prolyte will be number one in customer satisfaction.”
Founded in 1991 and headquartered in the Netherlands, Prolyte has an office and warehouse in the USA, an Asian office and factory in Guangzhou, China, and a European warehouse in Germany. Its portfolio includes ProlyteStructures, ProlyteSystems, StageDex, and ProLyft.
Area Four Industries was created in 2012, when the engineering design expertise, experience, knowledge, and manufacturing capabilities of its three brands - Milos Structural Systems, Litec and TOMCAT - were combined and solidified. James Thomas Engineering came on board in 2014.
(Jim Evans)

 
ldiLDI 2019 expects record attendance
Friday, 25 October 2019

USA - With just less than a month to go until LDI 2019, organisers have announced they expect record attendance and participation in this year’s events.
LDI runs from 18-24 November at the Las Vegas Convention Centre, starting with the LDInstitute and LDIntensives sessions and LiveXperience Symposium, culminating in the exhibit hall tradeshow from Friday 22 to Sunday 24 November.
“We’re thrilled that this year’s LDI Show looks set to be the most well-attended yet, bringing the global live production community from over 80 countries to Las Vegas to share ideas, exhibit and do business,” says LDI's managing director, David Johnson. “Our registration process shows us that people are coming from a wide range of international live and broadcast venues - festivals, corporate events, theatre, concerts, clubs, theme parks, architainment, and houses of worship. LDI has more to offer than ever, to more people than ever.”
LDI 2019 will expand its focus with emphasis on the next generation of design and technology, including AR/VR, drones, live for broadcast, and experiential design. The move will make LDI the place to discover what’s hot and what’s next and what it means for the industry.
This will be in addition to LDI’s ongoing commitment to the core live event categories of lighting, staging, video, and sound, and the awards ceremonies that take place during the week.
The LDI Debuting Products and Booth Awards Ceremony is back for 2019 and will be presented on the show floor at the end of the day on Saturday 23 November, i

 
 
xstage-banner-llXstage S10 stage deck options available
Wednesday, 23 October 2019

Europe - Area Four Industries reports that owing to popular demand by customers, the new Xstage S10 stage deck tops are now available in two surface finishes – Hexagrip or black paint. Both surface options are available on all shapes and sizes of the S10 deck.
The indoor/outdoor, non-slip Hexagrip surface was launched together with the new S10 last year and is mounted on its 12mm birch plywood top. Increased traction is provided during demanding performances and even when wet.
The black painted surface is another popular option that comes on the S10’s 12mm poplar plywood top. This finish is also water resistant for safe use both indoors and outdoors. An advantage with this finish is that it can be repainted at the end of each season, or from time to time during the year, to cover up scratches and abrasions.
(Jim Evans)

 
sherbornegirlsschoolTriple E rolls out banners for Sherborne Girls
Tuesday, 22 October 2019

UK - The start of the new academic year at Sherborne Girls School in Dorset has seen a welcome addition to the impressive school campus. The Merritt Centre – a new arts centre is now fully operational.
Students will be able to take full advantage of the facilities including the Gransden Hall - a new build recital hall which has been fitted out with 12 custom-designed Triple E VariRoller variable acoustic banners.
Triple E responded to architect Burrell Foley Fischer’s request to provide a full project service for the install which included the design, manufacture, construction, testing with bespoke laminated fabric and installation planning.
“The brief was to produce effective acoustic baffling to ensure the hall was tuned for a variety of performance types as required by Sherborne Girls’ extensive music programme throughout the year,” explains David Edelstein of Triple E. “We also had to ensure that the design and finish of the banner assemblies reflected the aesthetics of Burrell Foley Fischer’s design for the brand new recital hall. Our VariRoller system formed the basis of the design. To meet this requirement we manufactured bespoke veneered boxes to house the VariRollers, which were profiled to fit neatly into the angled roof space.”
Mark Foley, Burrell Foley Fischer adds, “Triple E provided a cost effective and good quality solution for us in the new Merrit Centre at Sherborne Girls School, where the live acoustic of this voluminous recital hall needed to be attenuated to levels that were acceptable for speech and rec

 
 
doughtysixtyunusualUnusual, Doughty and SIXTY82 together at PLSME
Tuesday, 15 October 2019


UAE - Unusual Rigging & Engineering, Doughty Engineering and SIXTY82 will exhibit jointly at this year's PLSME. Visitors will be able to see a range of equipment from Doughty and SIXTY82, as well as kit from Liftket, for whom Unusual Rigging is a distributor, and a selection of PPE gear.
Speaking ahead of the show, Denis Bramhall, managing partner at Unusual Rigging and Engineering said: "We've been exhibiting with Doughty at PLSME for a few years now but this is the first year that we welcome SIXTY82 onto the stand. We look forward to it being a very successful show for us and hope it marks the start of an interesting and exciting working relationship with SIXTY82."
Denis continued: "From experience, PLSME is a well organised show and attracts the right people. We look forward to meeting up with new and familiar faces, making the most of the networking opportunities that the show provides and of course demonstrating a selection of products on the stand."
Doughty's Fifty Clamp and Scaff Boom Arm will make their Middle East debut on the stand this year. Julian Chiverton, sales director for Doughty said: "This is the first time we'll be showing the Fifty Clamp and Scaff Boom Arm in the region so we are looking forward to hearing what visitors to the show have to say about these new items. They've been big hits in the UK and Europe but PLSME puts us in front of a very different audience and it's great to really understand what's important to our customers in this part of the world."
SIXTY82 will show a range of trussing and staging sol

 
main-stage-bank-of-generators-with-power-monitoring-equipmentPower Logistics monitoring ‘cuts costs’
Tuesday, 15 October 2019

UK - Power Logistics’ pledge at the start of the year to deliver power monitoring at every project it undertook in 2019 has proved a success throughout this summer. Implementing its bespoke power monitoring system at numerous festivals and outdoor events, the company says it has delivered sustainable power solutions that have resulted in fuel bills consistently being reduced by 20% or more, along with significant carbon emission savings.
A bespoke power monitoring system was been devised and developed by Power Logistics’ in-house research and development team. This has proved to have a significant impact on an event’s carbon footprint; reducing fuel consumption and often the number and size of generators required onsite which in turn leads to cost efficiencies, says the company.
A key addition to the system is the utilisation of QR codes which are placed on every generator, fuel tank and fuel bowser, as the equipment is sited, its location, running hours, fuel usage etc. are uploaded via a server to a purpose-built database. This element allows Power Logistics to deliver clients a percentage breakdown of their fuel usage across identified areas with real time data so event organisers can see exactly how much fuel is being used and where.
The real time knowledge and data has been utilised by the Power Logistics’ teams onsite at numerous events this summer to make changes to the way that equipment is operating to deliver energy savings. This has resulted in reductions in the amount of fuel used which in turn has had a positive impact on the

 
 
untold-3Milos performs Steel Truss magic at Untold
Tuesday, 8 October 2019

Romania - Staged in the city of Cluj, which is in the heart of Transylvania, the Untold festival is a mixture of sights, sounds, smells and adventures. It’s a music festival created to amaze the hundreds of thousands of visitors that descend upon the city each year for four days of music and fun.
This year’s festival was held from 1-4 August and attended by more than 400,000 music lovers. The line-up of included Robbie Williams, Afrojack, Armin Van Buuren, Steve Aoki, Nicky Romero, Bastille and Fedde Le Grand.
The centrepiece of this year’s Untold stage featured a giant Wizard’s head that weighed in at 13.2t. To support this massive weight, Untold needed a strong truss span that could not only handle this 13.2t point load, but also be stable enough to withstand wind loads generated on the large surface area of the head. The new Steel Truss line from Milos was chosen for the job.
The delivered solution was the extreme heavy-duty S-RTW steel truss (1450 x 770 mm), which is manufactured from ultra high strength steel alloy that is three times stronger than standard steel alloy. Unlike traditional forks that provide a single direction connection point, it features convenient double fork connectors for multi-directional connection points, together with end braces with 22mm holes for lateral connections and pinned connectors for increased strength.
The truss was used to construct spans that supported the gigantic wizard head and was rated to withstand wind loads with speeds of up to 90km/h.
(Jim Evans)

 
and-juliet-2-johan-perssonUnusual Rigging & Juliet get together
Tuesday, 8 October 2019

UK - Unusual Rigging has been brought on board to ensure that, while the course of true love definitely doesn't run smooth, the rigging on new West End musical & Juliet certainly does.
The show, which will open at the Shaftesbury Theatre in London's West End next month is currently enjoying a successful run at Opera House Manchester, asks - what if Juliet's famous ending was really just her beginning? What if she decided to choose her own fate? And what if she got over Romeo by running off to Paris with Nurse and her best friends on a whirlwind trip of romance, self-discovery and gate-crashing the castle party?
The musical features pop anthems of the last 30 years from songwriter Max Martin, all arranged by the Tony and Grammy Award-winning orchestrator Bill Sherman.
Production manager Simon Marlow explains: "My first port of call was to get in touch with Unusual Rigging as I knew they were the right team for this rather complex production. We've worked together on several other projects – in fact they're my go-to rigging team."
He continues: "They've been tasked with working out the fly plot, diversions and all overhead rigging on stage as well as facilitating all auditorium advanced rigging points. This is a technically challenging show with so many lights and massive PA – and that's before we even look at scenery. We also have programmable hoists on the show which is a challenge, so I need to know the riggers I'm working with can take all of this in their stride."
The show features some extravagant scenic elements - "a

 
 
sixty82Sixty82 appoints distributor for Switzerland
Tuesday, 8 October 2019

Europe - Sixty82 is pleased has announced the recent appointment Cast as its exclusive distributor for Switzerland. With immediate effect, Cast will distribute and provide technical support for the full product range of Sixty82 trussing and staging solutions.
“As we learned about the birth of Sixty82in 2018, it was obvious that one day we would join this marvellous team, led by people we have trusted for more than 25 year! It is wonderful that today is that day!” says Silvio Cibien, CEO of Cast Switzerland.
Fokko Smeding, CEO of Sixty82, comments: “We are delighted to be working with Cast. This partnership will help meet the industry’s requirements for fast delivery times and technical know-how from experienced people.”
Date Jonkman, Sixty82 executive account manager, adds: “We believe that Cast is uniquely positioned to further develop our existing customer base and that, with their market presence and sales support network, together we can make a real impact.”
(Jim Evans)

 
nelt-tousePLASA launches NELT training programme
Tuesday, 8 October 2019

UK - PLASA has launched the National Lifting Event Training (NELT), a training programme for production technicians who use lifting equipment during event production.
Designed in conjunction with the Live Event Production Group with the aim of improving safe working practices of lifting operations, NELT is currently available at UK Rigging in Bolton and Production Services (PSI) in Northern Ireland, with more approved centres expected to offer the programme in 2020.
Nicky Greet, PLASA’s director of membership, skills & technical, comments: “PLASA is pleased to offer this national training for production technicians that has been developed in collaboration with industry professionals on PLASA’s Live Event Production group. The aim of NELT is to standardise good practice and knowledge, making work environments safer and more efficient for all those involved.”
The course will take place across three days under the guidance of expert trainers in specialist facilities. Trainees will complete a series of practical activities and receive guidance on how to establish cohesive and safe working partnerships with NRC riggers. Upon successful completion, candidates will receive a certificate and a listing on the PLASA website.
To enrol, please visit www.plasa.org/nelt. Experience of working in the live events or broadcast industries is recommended but not essential.
NELT is the latest addition to PLASA’s

 
 
adlib-2019-netball-world-cup-at-ms-bank-arena-11Adlib supplies 2019 Netball World Cup
Monday, 7 October 2019

UK - Adlib supplied full technical production to the 2019 Vitality Netball World Cup staged at the 11,000 capacity M&S Bank Arena in Liverpool.
Adlib’s rental departments implemented a fully integrated video, lighting and audio package linking in with broadcast elements for BBC and Sky. The spectacle took place over 10 glorious days of top sporting action which delivered world class netball to an international TV audience and many thousands packing into the court-side seats which were sold out for the duration.
This quadrennial event featured two distinctive criteria. First, a spectacular opening ceremony which wowed the crowds and got everyone in the mood for the sports to follow.
Adlib’s technical team worked closely with curators of the ceremony Culture Liverpool and Iluminos. Adlib provided six Panasonic RZ21K 20,000 lumen laser projectors mounted vertically to project the visuals created by Iluminos onto the courts below. Lighting and video effects combined to produce the spectacle enjoyed by the live audience and TV viewers alike.
On-court drama followed, produced by Sport Presentation specialists Red Sky at Night Events Ltd, this saw 16 nations compete for the coveted Vitality Netball World Cup 2019 trophy.
Adlib’s overall project manager was Dave Eldridge. He worked with a highly talented and experienced crew onsite, and closely with host broadcasters Televideo and several other contractors to ensure seamlessly delivery of a world class sporting event to a hugely enthusiastic audience worldwide.
Working with R

 
kinesys-chris-young-7-19-26-pmKinesys Raised on Country with Chris Young
Monday, 7 October 2019

USA - Chris Young kicked off the North American leg of his Raised on Country world tour 2019 in May, playing to over 300,000 fans through the summer. The fall leg of the tour has just started and runs until 23 November at Lexington, Kentucky’s Rupp Arena.
Integral to the stage design - created by production designer Chris Lisle - is a 30-axis Kinesys automation system being used to move six lighting pods and four video screens which are essential visual elements of the show, together with the general lighting and video. Production manager (and lighting director on the road) is Michael Stanley.
Chris Lisle explains that from the initial meetings with Young and his management, they knew that they wanted some motion in the show to offer a variety of looks. He then started drawing and experimenting with exactly which production elements would move, and how, when and where to make these happen.
Moving the lighting pods produces fresh new angles and distances from which to throw light onto the stage, while the look of the pods in motion also adds additional visual dynamic to the show.
In charge of operating the automation for the tour is Christian Hindley, a freelance operator, programmer and creative designer who was hired by Atlanta Rigging Systems (ARS), the production’s automation and rigging vendor. The company has made substantial investments in Kinesys in recent years, adding to their already extensive Kinesys inventory
The system comprises 18 half-tonne vari-speed Kinesys hoists (running on Elevation 1+ drives) which move

 
 
litecom-and-dstLitecom invests in EXE Technology’s DST
Thursday, 3 October 2019

Europe - German-based rigging company Litecom, which has its roots in Denmark, has invested in the new Dynamic Stack Track System (DST) from Italian chain hoist manufacturer EXE Technology. DST is a traverse system with integrated rails to move, lift and rotate any object.
"Scenic movement will certainly be the future of upcoming tour productions. With the DST (Dynamic Stack Track) system, we invested in a scalable system solution that gives us the opportunity to best meet the growing demands of everyday touring. The comprehensive DST product portfolio offers many possibilities for scenic movement. I have been on the lookout for a finished system solution for some time and have now found one that convinced me immediately," says Litecom CEO Mathias Sonntag.
The black powder-coated DST52 system, which rides on dollies with master, slave and cable trolleys, is stocked in large quantities at the Erfurt warehouse and ready for use on upcoming tours. The system will have its first outing at the TALENT Show in Denmark.
The EXE designed DST system comes in two sizes - DST52 and DST66. Both systems are available with powder coating, a circular segment and dollies. The large range of accessories for motorised and rotating trolleys allow for absolute freedom of movement when combined with chain hoists.
(Jim Evans)

 
stagemakerStagemaker hoists lift spirits on Chris Tomlin tours
Wednesday, 2 October 2019

USA - Stage rigging specialist TLS Productions Inc. (TLS) has supplied Stagemaker hoists and rigging expertise for two consecutive tours for contemporary Christian music artist Chris Tomlin.
The Hibino USA company is a distributor of R&M Materials Handling Inc.’s Stagemaker entertainment range of hoists and won two contracts to provide the rigging equipment and a traveling head rigger for the two-month-long Worship Night In America and Holy Roar tours. The 2018 tour included 24 shows, while this year’s circuit ended with an iconic 28th show, the Good Friday Concert, which took place at Bridgestone Arena in Nashville. Jordan Yeo, production rigger / production manager at TLS, traveled with both tours.
TLS reported to two production managers and a tour manager over two years to deliver all of the lifting equipment, steel, shackles and controls, plus a rigging workbox that stocked tools for day-to-day use on the road. Yeo himself was responsible for marking the floor and leading the local crew in rigging the shows safely.
“It was a different lighting rig for both tours and each venue is different,” opens Yeo. “Not all venues can hold the same amount of weight and have varying beam layouts. I took each venue’s information and put our show into their building. Sometimes we had to move things around to accommodate venue-specific challenges. Each show had its own rigging plot slightly modified to each specific venue. There were times that certain elements of the show did not hang due to the size of venue.”

 
 
linda-rope-largeRope Assemblies marks two years with new management
Tuesday, 1 October 2019

UK - Wire and fibre rope assemblies supplier Rope Assemblies is celebrating two years since Linda Martin became company MD. The Retford-based organisation, which became part of the Unusual group in 2017, has experienced significant change, with the implementation of new company policies, best practice procedures and increased sales.
"In the blink of an eye, two years have passed, which seems like no time at all,” comments Martin. “Then we took a step back and realised how much the company has changed in that time, thanks to all the hard work that every member of the team has put in, and we felt it was worth marking the anniversary."
The biggest cause for celebration is the record sales figures that Rope Assemblies is achieving on a month on month basis. "If we look at January 2017, for example and compare that with January 2018 and January 2019, we are seeing a marked increase in sales. Every month is the same which shows us that we are doing something right. But we can't rest on our laurels. The job isn't done - it's just beginning," adds Martin.
Since taking on the role of MD, she has been keen to invest time and energy into improving and updating the internal systems, fundamental to the successful running and growth of the business. "It's very much been a two-year spring clean if you like," Martin explains. "We've gone through all our Health and Safety practices, ensured all staff policies are fully up to date, which has in turn resulted in a more motivated workforce and we've worked closely with LEEA to ensure all our certification is all do

 
life-is-a-bowl-of-conti1c-italia-conti-academygreg-veitTriple E supports Italia Conti production
Wednesday, 25 September 2019

UK - Italia Conti Academy is one of the world’s most recognisable names when it comes to performing arts education for secondary school and further education students.
When Triple E were approached to supply ModTruss for one of the school’s recent productions it was an opportunity to support the young performers in more ways than one.
Despite the short lead time of a month, Triple E worked with the school’s production team to provide a bespoke platform, stairs and handrails which formed a centrepiece of the stage set for the production of Life’s Just a Bowl of Conti’s for a one week run at Rhoda McGraw Theatre in Woking, Surrey.
Amy Stevenson, production and stage manager at Italia Conti Academy comments, “We pride ourselves on the teaching and the production values here at Italia Conti and we only wanted the best for our students for their show. We already have Triple E tracking installed in our main theatre at the academy. So it made sense to approach Triple E to see if they could help with our staging for the recent production at the theatre in Woking.”
“Italia Conti’s requirement was for a large staging structure with access from on stage and off stage. With this in mind it made sense to use ModTruss for the structure because of its modular capabilities and being able to incorporate 12” ModTruss, 6” ModTruss and ModPanels.” explains Lucy Edelstein.
The overall stage set was well received by both the academy and the audience. “It was great working with Lucy - an old contact of mine from RADA days.

 
 
 
 
 
 
 
 
 
 
 

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