Germany - At the recent Prolight & Sound show in Frankfurt, Fantek and Work Lifters announced they will be incorporating an enhanced version of the existing Dynsys overload limiting system in their future products.
Dynsys is a patented safety feature developed to protect operators by preventing top-loading (telescopic) and front-loading lifters lifting under overload conditions, in accordance with the stringent requirements of the EU-wide safety regulation DIN 56950, an important part of the DGUV V17/18 Health & Safety (Industrial Accident Prevention) regulations.
Until now, if lifters incorporating Dynsys are overloaded, user control of torque is blocked. With the improved Dynsys v1.2 system, Fanterk and Work lifters will additionally be prevented from raising anything above Level 0. At the same time, the operator will be given immediate visual feedback to inform them that their tower is excessively loaded, making it impossible for them to miss the potentially dangerous state of their lifter and keeping them safe.
“We all need safety standards, especially in the realm of industrial lifting technology,” comments CSO of Equipson Juan Jose Vila. “The problem is that left alone, companies sometimes have a tendency to create their own proprietary standards. But here are two rival companies agreeing to jointly adopt a new technology in the interests of everybody’s safety. Far from this putting them both at a commercial disadvantage, everyone benefits - not least lifter operators, who will be safer using products incorporating Dynsys v1.2
Germany - New trussing and staging systems manufacturer Sixty82 only came into being on 1 March, and shortly after made its successful first public appearance at Prolight+Sound 2018. “The show was incredible for us and we have been bowled over by the phenomenal response we have received from the start,” says Sixty82’s sales & marketing director, Rainier Smeding.
Sixty82’s stand was built using some of its own products to replicate a pub. Complete with bar serving bespoke Sixty82 beer, meeting areas and a full complement of its products, it was a suitable setting for staff to welcome its many new clients. The arrangement reflected the friendly, approachable nature of the company whose team has a genuine enjoyment of their jobs and puts customer service at the forefront of their operations.
“Having good product is paramount of course, but we believe that giving our customers the best service possible is essential,” says Smeding. “We want them to be confident knowing we can be relied upon to deliver upon our promises, and will support them on their projects in every way possible, from advice in the initial stages through to the final supply.”
The stand was constantly packed with clients for the four days of the show: the company officially launched the new Sixty82 App and celebrated with an after-hours party with a live band. Sixty82 App allows users instant access to both unique and general data about the origin and safe use of the system through the use of unique Product Personalities obtained through each component’s RFID tag.
UK - A new lightweight lighting stand will take centre stage on the Doughty stand at this year's PLASA Focus Leeds. The prototype product, which has been designed with the events and conference market in mind comprises a flat, round plate and slim tube, slotted at each end to allow cables to run unseen inside it. Described as ‘extremely robust’, the stand has a sleeker appearance than the standard Tank Trap and comes with a stacking slot which allows for the stands to be stacked together as well as a carry handle.
Dan Phillips, project sales co-ordinator at Doughty comments: "We really encourage everyone to come and take a look at this piece of kit on stand N-C25 while it's still in its development stage. We take feedback extremely seriously and use it to fine tune the product so that it ticks all the right boxes. We think our customers will really like the Lightweight Lighting Stand - with all the principles of our popular Tank Trap but packaged into a neater, more aesthetically pleasing model."
He adds: "A 28mm receiver in incorporated in the top of the stand which will take an industry standard 28mm spigot. And, when used in conjunction with a spigot adapter, the stand can also be used to hold small speakers."
The Three Position Tank Trap will also feature on this year's stand. Following its debut in 2017, it went on to win the ABTT Engineering Product of the Year. This clever piece of kit enables rigging to be built close to a wall, in the corner of a room or near to an obstruction. It has a detachable receiver suitable for 48mm barrel, whic
USA - Known colloquially as RodeoHouston, The Houston Livestock Show and Rodeo (HLSR) is the world’s largest livestock show and richest regular season rodeo, dedicated to benefiting youth, supporting education, and facilitating better agricultural practices through exhibitions and presentation. It draws more than 1.4m people each year to the 72,000-capacity NRG Stadium and over 2.5m people to NRG Park to enjoy the entire festivities.
Running for 20 days in February-March, it attracts the very top names in country music, from Garth Brooks through to Brad Paisley, who perform after the main rodeo event each day.
Such high calibre artists demand top concert production values and this year the Rodeo boosted its technological infrastructure by purchasing a new stage - built by TAIT in Lititz, PA. Working closely with TAIT, and leaning heavily towards GLP fixtures, were Houston based LD Systems. The company has been servicing the rodeo since 1985, and provided all technical design, live sound, concert lighting, HD video screens, custom truss structures, rigging equipment, production crew and logistics throughout the season.
LD Systems is headed by Rob McKinley, who has specified over 300 GLP fixtures, comprising 140 x impression X4; 70 x JDC1; 108 x X4 Bar 20 and 16 x X4 Bar 10.
The process of designing and building the new stage started after the 2015 event, which is when LD made the recommendation to HLSR to engage TAIT to provide a vibrant structure for the 72,000 capacity stadium. In deference to the Lone Star state, this was conceived as a
UK - Global Truss has developed the truss Silencer, a rubber damper that is simply pushed on to the end of a truss pin to reduce noise when assembling truss structures.
The Silencer will decrease the volume when hammering truss pins by around 50% whilst dampening the high pitch frequencies significantly, says the company. A special rubber blend is being used in production which makes the Silencer flexible yet hard enough to transfer the force of the hammer effectively, and whilst preserving the material of the pin and the copper hammer.
The Silencer has been designed to be left on the truss pins, whilst fitted to the truss, providing protection not only to the truss but also the surface it is sitting upon. Another added feature is that it offers camouflage when silver pins are used on black truss.
“Audio measurements were conducted by audio specialists under real live and laboratory conditions and confirm that with the help of our Silencer an 8dB decrease of the acoustic noise can be achieved. Additional measurements have revealed that especially high pitch tones are significantly dampened for protection of the human ear. Tests during events have attested that other service providers on location did not feel as disturbed by noise when assembling truss,” says Oliver Braun, marketing director of Global Truss.
Since the inception of Global Truss, innovation is one of the guiding principles and the whole industry will now benefit from this innovation, as Global Truss will distribute the Silencer for free to all customers, users, exhibition v
UK - Unusual Rigging has appointed four new directors to the board in response to the company's exponential growth over recent years. The new directors, all current employees at Unusual will, in time assume specific leadership roles within the company.
Senior project managers Steve Porter, Simon Stone and Simon Tiernan, together with Tom Harper, Unusual's sustainability coordinator, have accepted positions on the board.
Alan Jacobi, managing director at Unusual, comments: "Unusual has grown at an unprecedented rate in recent years and now has responsibilities in very defined but different sectors where the clients expect to deal with officers at the highest level. This, together with the ever-increasing compliance requirements meant that we had to take measures to ensure the board is not overstretched."
He adds: "We needed to regenerate the thread of continuity as we move forward and continue to grow and the board needs to reflect this intention in the management and governance of the company. We need a solid and secure base to guide us into the future where no doubt the responsibilities will be ever more demanding."
Speaking on behalf of the newly appointed directors, Tom Harper comments: "It is an honour to be invited to sit on the board of Unusual Rigging. We are all long-standing employees of the company and have been a part of the team for nearly 30 years. We all know the company inside out and all share the same aspirations for its future."
Jacobi concludes: "We have been discussing these issues for some time now and decided at t
Germany - Manufacturer of flame retardant fabrics, drapery and stage engineering solutions, J&C Joel is launching several new products at PL+S 2018.
Visitors to the tradeshow will be able to see four new velvets, the widest IFR Canvas on the market, a new addition to the Wool Serge range a new 3D digital print fabric and an exciting new acoustic system.
At the event J&C Joel will launch Empress - a new NDFR Velvet manufactured with an upright pile direction giving it a very black appearance. The Velvet meets BS5867, B1 and M1 flame retardancy standards and is also acoustically tested to Class B Absorber making it perfect for European and touring markets.
Andrew Walsh, J&C Joel’s sourcing and product development manager, said: “Empress is a Velvet with a high-density construction more typically seen offered to the high end domestic market. Its compact, upright pile makes it a fantastically luxurious fabric with a deep full colour appearance. It’s one of the nicest Velvets I’ve seen in my 38 years in the industry and I am delighted that Joel’s are able to bring it exclusively to the worldwide market.”
The company is also introducing Euro Wool Serge a new product which meets B1, M1 and BS5967 flame retardancy standards. The new addition to J&C Joel’s world-famous Serge range is a hard-wearing, acoustically tested, blackout fabric which can be toured, sold and used for the rental market across Europe and beyond.
Super Wide Width IFR Canvas, will also be on the stand and available to customers in the next few mon
UK - Richard Black has joined stage track and engineering specialist Triple E in a newly created technical sales and marketing role.
Previously the projects manager at Flint Hire and Supply, Black’s new job will utilise his 10 years’ experience in scenic construction and rigging with a focus on client relationships, training and marketing Triple E’s expanding portfolio.
David Edelstein, managing director, says: “We’re delighted to have Richard on board. He’s familiar with our products and ambitions and fully equipped to communicate the company’s product solutions.”
Richard Black comments: “I’ve admired Triple E since I started working in this business. David wants people in tune with his designs, who recognise their merits. The tech sales and marketing position is a perfect fit for me and I’m looking forward to exciting challenges as Triple E takes its message into new corners of the market.”
USA - VER has entered into an agreement to merge with an entity controlled by Production Resource Group LLC (PRG).
To facilitate the implementation of this pre-negotiated transaction, VER has filed voluntary petitions for reorganisation under Chapter 11 of the U.S. Bankruptcy Code in the U.S. Bankruptcy Court for the District of Delaware. These filings only affect the company's North American operations, says the company. The agreement is part of a transaction supported by VER’s second lien lenders, including funds managed by GSO Capital Partners.
VER expects to continue normal operation during the restructuring and says clients “can be confident that their project will not be interrupted”.
Digby Davies, CEO of VER, comments: "Entering into this agreement and undertaking the court-supervised restructuring process will greatly reduce VER's outstanding debt and position the company for the merger with PRG. VER remains a strong business with more customers than ever before, and a customer satisfaction rating that is highest in the industry. The actions announced today will provide a stronger capital structure and sufficient cash to fund operations."
Davies continues: "During the process we will continue to provide our clients with the largest inventory of equipment and unmatched reliability and expertise. Clients will work with their trusted VER representative and their projects will not be interrupted."
Jere Harris, chairman and CEO of PRG, adds: "We are pleased to enter into this agreement with VER and partner with GSO. VER's terr
UK - PLASA Focus Leeds is bringing the world’s latest entertainment technology to the North of England on 1-2 May at the Royal Armouries Museum, Leeds.
Visitors can expect new releases from top brands, an array of immersive workshops, and leading-edge seminars covering lighting, live sound, rigging, AV and staging.
The show is the perfect place to see brand new products for the first time in the UK, including the highly anticipated grandMA3 lighting console. Visitors will also see Martin Audio’s Wavefront Precision Series, Vari-Lite’s VL2600 range, Sennheiser’s Wireless G4 System and Robe’s MegaPointe.
The seminar programme serves many different tribes, from immersive audio and theatre refurbishment, to festival lighting and set design software. There is something for everyone at the industry leading show.
The reinvention of the Chester Storyhouse will be revealed by lighting advisor Rob Halliday and others who worked tirelessly on the project. The biggest of its kind outside of London, the venue houses an 800-seat auditorium, a 200-seat studio theatre, a 100-seat cinema, and much more. This seminar will explore the technology involved in such a huge and versatile space.
Professionals involved in set design and production won’t want to miss out on an introduction to Vectorworks. This leading industry software for entertainment design offers an incredible amount of functions including 3D rendering, VR and rigging analysis. Attend this seminar to see how Vectorworks can make your job easier.
The Rigger’s Forum retu
China - Star Events’ technology and inspiration was on the menu at a lunch for major promoters, production suppliers and principal venues in Shanghai recently.
Hosted by Shanghai Mercedes-Benz Arena, China’s second busiest music venue, the event focused on the launch of the China PROM (Production Rigging Operations Manual) and the arena’s new house reduction solution, designed and installed by Star Events China, which was demonstrated to the lunch guests.
Conceived by Star Events China, with input from engineers, local and international experts, rigging publications and the arena architect, PROM is the first rigging safety manual of its type in China.
Built in 2010 for Shanghai World Expo, the Mercedes-Benz Arena has an extensive gallery level serving its sports commitments, which include NBA and NFL games. A roller blind mechanism, designed to screen the section off and provide for a more intimate event experience downstairs, put 100 tons in the roof and fell far short of the requirements.
Star Events’ semi-automated house reduction system was officially handed over after the demonstration. It can deploy nearly 5,000sq.m of Acre Jean AFR drapes in minutes without any Work at Height in the 34m high venue.
Jo Xie, operations director for Star Events China, comments: “The system is operated by the house technical crew. It’s reliable, demountable and weighs less than 10 tons rather than 100 tons, so leaves much more rigging capacity in the roof.”
Germany - Doughty's Lightweight Lighting Stand will make its Prolight & Sound debut this year. Visitors to Hall 3.0 stand E11 can see the new stand, which is currently in prototype format and takes the principles of a Tank Trap but packages them into a neater, more aesthetically pleasing model.
Dan Phillips, project sales co-ordinator at Doughty, comments: "The new Lightweight Lighting Stand comprises a flat, round plate and slim tube, slotted at each end to allow cables to run unseen inside it. A 28mm receiver is incorporated in the top of the stand which will take an industry standard 28mm spigot. When used in conjunction with a spigot adapter, the stand can also be used to hold small speakers. This robust piece of kit has a sleeker appearance than the standard Tank Trap and comes with a stacking slot which allows for the stands to be stacked together as well as a carry handle. We're delighted to be bringing this prototype to Frankfurt to get feedback from everyone who attends."
The Three Position Tank Trap will also feature on this year's stand. Following its debut in 2017, it went on to win the ABTT Engineering Product of the Year. This piece of kit enables rigging to be built close to a wall, in the corner of a room or near to an obstruction. It has a detachable receiver suitable for 48mm barrel, which may be fitted to any of the three mounting points, which are located in the centre as per a standard tank trap, at the edge and in the corner.
In addition the Tank Trap Trolley will receive its Frankfurt debut. Designed by Doughty as a result
Germany - BroadWeigh is set to unveil “exciting new pieces of kit” at this year's Prolight and Sound in Frankfurt including the TwistLink, updated Wind Speed Sensor and a new advanced handheld.
With five of the company's product partners from across Europe taking stands at the show, Jonathan Purdue says Prolight + Sound is a good place to debut new products before a truly international audience.
"We've been attending the show for some years now and we are always impressed by the turnout and the number of leads that come our way as a result of the networking opportunities it affords us. This year we'll have a presence on the stands of AC-ET (Hall 3.0, Stand F65), Hof Alutec (Hall 3.0, Stand A44), Scanrig (Hall 3.0, StandF33) and SONOSS and Louis Reyners (Hall 3.0, Stand D18) who are exhibiting together, and I will be making appointments with customers and potential new clients as well as demonstrating our new products over the duration of the show."
The TwistLink, which will be available to customers in Quarter 2, is a piece of kit that allows a 4.75 tonne BroadWeigh shackle to be connected to a 3.25 tonne or 4.75 tonne shackle without having to mess around with the pin, nut and Rclip. It has holes at 90 degrees to minimise potential torsion loading in the load pin and to maintain accurate measurement and also conforms to the European Machinery Directive. Jonathan commented: "The TwistLink will be sold as a complete system with a shackle, will be easy to install and is the perfect piece of kit for temporary installations.”
The new Advan
UK - The curtain goes up at Pleasance Theatre’s third London theatre space next month, 80-seat temporary structure Downstairs.
Launched at the Edinburgh Fringe 2017 as ‘Beside’, and due back there in August, Downstairs is the first major UK application for Triple E’s large-scale Meccano-style ModTruss and will be in Islington for 10 months of the year.
A versatile space, which provides for rehearsals during the day and performance in the evening, the theatre consists of 6” and 12” ModTruss with sleeve blocks running up the masts to raise the theatre grid and roof in one piece via electric chain hoists.
In London, Downstairs has a new capacity and layout for its focus on longer-run text-based theatre. It will present both transfers and premieres from the most exciting emerging and mid-career companies and playwrights.
Anthony Alderson, director of the Pleasance, comments: “I am delighted to be opening London’s newest theatre and rehearsal room, a fully flexible studio space. Pleasance London is growing from strength to strength and I am thrilled to be working with such a talented group of people. Since opening 22 years ago, the Pleasance in London has been at the centre of developing bright ideas and nurturing new talent. Our newest space will undoubtedly become a valuable a part of London’s theatre network. “
Downstairs opens this month with a season that welcomes four new productions including a transfer of the critically acclaimed Bismillah! by Matthew Greenhough and world premiere of Bingo by award-w
USA - InCord made their second donation to Behind the Scenes on 16 March during the recent USITT Stage Expo reflecting a percentage of profits from sales of their Theatrical Safety Netting Systems.
The Behind the Scenes is a charity that provides entertainment technology professionals who are seriously ill or injured with grants that may be used for basic living and medical expenses.
Joe Menhart, InCord’s theatrical sales manager, presented the cheque. He comments: “All of us at InCord take pleasure in supporting such a worthy charity as Behind the Scenes. Both InCord and Behind the Scenes are dedicated to the well-being and safety of personnel. I can’t imagine a better pairing and this contribution gives much greater meaning to our Theatrical Safety nets.”
Rick Rudolph, the chair of Behind the Scenes, accepted the cheque along with other BTS Board members. He adds: “We are delighted InCord has chosen to continue supporting the charity through our Pledge-a-Product program. The fact that it is a product designed to increase safety in our industry is a particularly wonderful fit with our mission.”
Germany - UK based automation specialist and manufacturer Kinesys will feature an action-packed booth D15 in hall 3.0 at the Prolight+Sound 2018 expo in Frankfurt.
The latest Kinesys Apex chain hoist system will be a big focus, and it will also be running an eye-catching motion controlled ‘art-tech’ centrepiece on the stand. Other popular Kinesys products like Elevation 1+, LibraCELL, DigiHoist and the Dimension Pendant controller will be highlighted.
Apex incorporates the best of Kinesys’ extensive knowledge and practical experience of working with variable speed chain hoist technology to create a range of safe, reliable and rock-solid hoists and controllers which are designed to maximise creativity for show, stage and environment designers and operators in all fields of entertainment.
Central to the Apex system is a versatile hoist controller and two chain hoists, all specified and built to Kinesys’ exact specifications.
Apex was launched in 2017 and many key companies have already made the investment. Recently a system was used to great effect on the Melodifestivalen in Sweden, a six-week tour which selected their 2018 Eurovision entry.
The Apex range includes both 500kg and 1250kg hoists with maximum speeds of 30m/min and 12m/min respectively. All the hoists have integral loadcells, silent dual monitored brakes, absolute and incremental encoders and meet the requirements of prEN17206, EN61508-SIL3 and DIN56950.
The entire range of Apex products will be available to view on the stand and in operation on the booth which
Germany - New trussing and staging company Sixty82 will make its first appearance at Prolight+Sound, presenting its trussing and staging solutions.
The company, which launched in March, was founded by Fokko Smeding and Marc Hendriks from The Netherlands, Adrian Brooks and Lee Brooks from the UK, and Xavier Drouet, Jérôme Bréhard and Alain-René Lantelme from France.
Smeding comments: “With some of the trussing world’s most experienced and trusted individuals behind our product line, we are extremely excited to be launching Sixty82 at this year’s Prolight+Sound. We have focused on the introduction of new technology that will become an industry standard within a short amount of time, and in providing our customers with confidence and security.”
USA - The inaugural New Word Rigging Symposium, held 13-14 March in Fort Lauderdale, brought professionals from around the world together for two days of presentations, Q&As and networking. While most attendees were from the US, there were also visitors from Canada, Australia, Germany, Japan, and China. Joining riggers were engineers, health and safety professionals, venue managers, educators and manufacturers.
The panels covered topics such as cruise ships, automation, engineering, risk assessment, standards, and ground support rigs. Highlights included Scott Fisher’s keynote address describing his early days in the industry and how the Navigator System was developed and Tony Galuppi’s impassioned plea for “safety first” who described conducting a risk assessment for hanging Criss Angel over a lake in Florida teeming with alligators.
The Hot Button Issues session included some lively debate focused on gear, about how to get employers to say “yes” to safety, and particularly pointed remarks from women about wanting to be treated as fellow professionals.
When attendees were asked during the closing session if there should be another Symposium, there was a near universal raising of hands. Eddie Raymond, Bill Sapsis, ESTA and USITT are already discussing next year’s event, 19-20 March in Louisville, KY.
The event sponsors were: Platinum – Stage Rigging; Gold – ETC and J.R. Clancy; Silver – Kish Rigging; Bronze – H & H Specialties, The Light Source, Motion Labs and Sapsis Rigging, and AV – PSAV.
South Africa - Twenty riggers in South Africa kicked off the year with the 2018 Prolyte Rigging Course in conjunction with DWR Distribution, Prolyte and Rhino Rigs. Rinus Bakker from Rhino Rigs hosted the course from 29 January to 2 February 2018, and on the sixth day, DWR’s Robert Izzett and Keith Pugin presented practical training.
“It was a good one,” says Rinus. “The delegates responded well and had good questions - they were spot on. The course ran according to schedule which was a great indication of their understanding.”
The training covered important aspects of safety, maintenance, lifting materials and force calculations.
Rinus’ next stop will be in Rotterdam where he will assist a circus and their performers to better understand rigging particularly with concepts like dynamic motion. His schedule so far includes training in Dubai, Holland, Belgium and Mexico planned for the second half of the year.
“I love the industry,” said Rinus. “I love rigging and sharing my knowledge. When I’m 85 I hope to still do this!”
Sweden - Rigging Works Sweden (RWS), one of the country’s largest independent rigging and automation specialists, has recently invested in the latest Kinesys Apex technology, having purchased eight new vari-speed Apex hoists to an already extensive Kinesys inventory.
The company is run by John McDonough, universally known as JonnyMac. All eight of the new motors were supplied to the country’s high profile 2018 Melodifestivalen tour, together with four of RWS’s existing Liftket motors running with Kinesys Elevation 1+ drives, a Kinesys Mentor 4 controller - offering SIL3 safety over Ethernet - at the hub of the system and one of RWS’s flexible Kinesys Vector control platforms.
This gruelling six-week event, known for its high production values, visited six cities to select the Swedish song and entrant for the annual Eurovision Song Contest (ESC).
Sweden is one of the most successful competing Eurovision nations with a total of six victories, the most recent in 2015.
Melodifestivalen 2018’s production was managed by Tobias Åberg and Cecilia Zollitsch. A stunning set based around impressive structural and LED elements was designed by Victor Bratström bringing a sculptural feel to the stage. A vibrant lighting scheme was created by Fredrik Jönsson, and the event, broadcast live each week on Swedish national television, was directed by Robin Hofwander and Fredrik Bäcklund.
The eight Kinesys Apex motors – operated by Petter Rimfors – were used to provide a series of flown props for different competitors - an
UK - The Agriculture and Horticulture Development Board (AHDB) commissioned West Midlands-based Central Presentations Ltd (CPL) to design and deliver all the technical elements for their 2018 annual staff conference and awards, inclduing sound, lighting, video, staging and rigging.
The high-profile event for 400 delegates was staged in Warwick Hall at the NAEC, Stanleigh and comprised a seated conference presentation that was transformed into a glamorous setting for the evening’s dinner and awards.
The client wanted to use the width-ways orientation of the venue for sightlines, so CPL’s project manager Lee Gruszeckyj proposed a widescreen video blend as a striking visual starting point to align with the geometry of the space.
The 30ft wide by 10ft high upstage projection screen was flanked by gauze panels designed to take lighting nicely and elongate the space. These were flown on the same truss as the screen, and the look was neatly finished with a black backdrop right at the back. In front of that was the stage which measured 15m wide by 3m deep. There was a TV style studio set at one end with a sofa and soft seating for discussion sessions.
The screen was fed by two of CPL’s Panasonic 10K laser projectors flown on a front truss utilizing custom frames from sister company Rigtec which specialises in the design and fabrication of innovative rigging solutions.
The screen blending and projector alignment was achieved using Panasonic’s Auto Screen software, and at the hub of the video control was a Barco S3 for switching and screen
USA - Global supplier of truss, staging and rigging equipment Eurotruss has acquired US structural systems manufacturer Total Structures, becoming the sole owner of the Ventura-based company.
The deal is hoped to allow Total Structures “to offer a greater product range and use the knowledge, expertise and scale in continuing to be a leading brand and partner in the US market”. The US company’s new management will be led by former Tomcat employees Scott Johnson as CEO and Bill Berrier as CFO.
Martin Kuyper, founder of Eurotruss, comments: “This acquisition strengthens our product portfolio and supply chain, being the first truss brand providing nationwide coverage from our two factories in Ventura, CA and Knoxville, TN.
“We will honour, respect and continue the products, values and business of Total Structures while integrating the Eurotruss brand and its products under the Total Structures flag in the US market.”
Scott Johnson adds: “We plan on continuing to build on the legacy of Ian Coles and Peter Johns, previous owners of Total Structures. I am excited and honoured to lead Total Structures with our amazing team in both Ventura and Knoxville, to be the number one brand and to be the best solutions partner for our customers. We will grow the business while not compromising the unique values and support which are the pillar of Total Structures.”
Total Structures was founded in 1992 and has approximately 30 employees. Over the last 25 years, the company has developed many new innovative products as the Omni Connector,
Oman - The Muscat-based Oman Convention and Exhibition Centre (OCEC) has taken delivery of ProLyft Aetos hoists.
With over 22,000sq.m of column-free space, the venue offers a wide array of meeting and exhibition spaces with the very latest in communications and audio-visual technology to meet the demands of the most discerning global event organisers.
To meet their customers’ demands, the venue operator, AEG Ogden, was looking for a flexible solution for the venue’s rigging facilities. Adhering to the highest quality standards and service excellence, they were looking for high-end rigging solutions, supported by the best service and knowledge.
Meeting OCEC’s brief, Prolyte Group was selected to present a proposal. Based on the quality of the proposal and the technical support they experienced during this phase, they were happy to give the green light.
All the separate venues within the OCEC are supplied through the venue operators’ office. Based on the incoming rigging plans for the upcoming projects, they assign the required equipment for the shows and exhibitions. This means the equipment needs to be as flexible as possible and suited for all types of applications.
Prolyte supplied a large batch of Aetos hoists with a lifting capacity of 1000kg and a lifting height of 20m. All hoists are equipped with limit switches, incremental encoders, double brakes and load cells. These extended specifications were all specifically required by the OCEC, since they wanted this installation to be not only flexible, but also to offer full safe
USA - Scott Fisher will receive the ESTA Technical Lifetime Achievement Award at the closing of the New World Rigging Symposium on 14 March in Fort Lauderdale’s Hilton Marina Hotel (Grand Salon).
Established in 2017 by the ESTA Board of Directors and Technical Standards Council, the award recognises individuals with ‘significant and sustained’ technical contributions to the entertainment industry over at least 25 years. Last year’s recipient was Robert Goddard of Goddard Design.
Fisher began his career in automation in the late 1980s in Las Vegas with Siegfried and Roy, the first of the mega shows at the first of the Las Vegas mega resorts, The Mirage. From this vantage point at the crest of the wave of huge Las Vegas productions and attractions of the 1990s and 2000s, he got to see what stage automation could be and just how far it had to go to get there.
Fisher has worked in a wide variety of venues and jobs, from rock’n’roll and Broadway touring shows to performer flying to special effects to rigging automation to large scale attraction design and construction, building a knowledge base along the way for what worked and what didn’t. In 1997, he founded Fisher Technical Services (FTSI) with the goal of making a truly integrated automation system specifically for live entertainment shows and attractions of all types.