UK - Prolyte's LSU modular LED screen support system is now available for hire from Impact Production Services (IPS).
The Prolyte LSU system can be used to create freestanding LED screen support systems in a range of sizes. Designed to be used indoors for almost any LED screen system that has modules in 500mm wide multiple, it can also built to almost any size required. The kits from IPS contain a selection of components, and by combining different numbers of kits all kinds of screen support sizes can be constructed. If the screen needs to start higher, then IPS can supply a LiteDeck platform to boost the structure to the height required.
The system has already been deployed on a range of events, including on a corporate event in Paris for Showstyle where an 18m wide by 3m high LED screen was the centrepiece of a large room design. The LSU system was chosen particularly as it provides a clean finish to the front of the screen, with nothing sticking forward into the stage area. IPS project manager Tom Warden said: "Getting 18m of 2.9mm LED screen to line up seamlessly was one of my big concerns going into this project, and the Prolyte LSU system was brilliant onsite," adding that "the LED techs onsite all were very complimentary of the system, and how easy it was to set up".
The LSU system has adjustable feet on each base to make sure that the bottom horizontal connecting bar is level, and then vertical ladder truss sections attach to support the height of the screen. Arms then clamp onto the ladder sections and attach to the rear of the screen panels
UK - A team of entertainment technology professionals have joined forces to form People Powered UK in a bid to help relieve the pressures of the NHS during the Covid-19 pandemic.
The initiative was started by LDs Katharine Williams and Jono Kenyon and has so far amassed 915 members and counting from across the entertainment and live event industries. Williams previously worked on Crew for Calais, a project that saw event professionals build shelters for refugees, whilst Kenyon has first-hand insight into the pressures of the UK’s health service thanks to his partner, an ITU worker.
A statement from People Powered UK says: “People who usually work at venues such as the London Roundhouse and provide production services to festivals are working together across the entire UK. They’re using skills and ingenuity honed building festival infrastructure to provide structures quickly and effectively, and sourcing equipment from outside the NHS’s usual supply chain to provide solutions to challenges hospitals are currently experiencing. Production people already work with emergency services and local authorities at SAGs, on health and safety, and at planning meetings, so already speak the same language.”
Sam Oldham, commercial and operations director of Camden arts venue the Roundhouse comments: "Our industry is full of highly skilled workers, many of whom are currently out of work or have been furloughed. They have essential skills which can be used to support the NHS and we're so proud to see the Roundhouse technical and producti
Europe - Area Four Industries has announced that Eric Laanstra is the latest expert to join the Rigging Commandos, a group of specialists who present the latest developments happening in the industry.
Laanstra has been product manager at Prolyte for the past 10 years. He states: “I hope I can continue as Prolyte product manager for many years and have lots of fun with my new colleagues at Area Four Industries.”
Rigging Commandos is a group of respected experts who take an in-depth view of topics exciting interest within the industry. They identify closely with riggers and technicians and are constantly looking at ways to increase safety and efficiency at work by offering an extensive range of educative and informative videos that can be watched via A4I.tv on PCs, laptops, and mobile phones anywhere, anytime.
UK - Back to the Future The Musical arrived in 2020 at the Manchester Opera House on 20 February. The 1985 movie and pop culture phenomenon has been transported to the stage by the film's original creative team of Bob Gale and Robert Zemeckis. Sending audiences on a ride through time with a hit music score, and featuring the famous DeLorean, production manager Simon Marlow, brought Unusual Rigging on board to handle the complex rigging requirements of the show.
Unusual Rigging was contracted to supply all the rigging - both for the load in and the run of the show. Marlow explains: “Unusual's Emily Egleton has been at the helm; we have a great relationship, having worked closely on a number of shows together including Bat out of Hell the Musical and And Juliet. She was tasked with designing all the diversions and the hanging plot for Back to the Future and yet again squeezed more than would seem possible into an extremely tight space.”
The show relies on some complex auditorium rigging as well as a challenging onstage rig as Egleton explains: “Front of house, we've created an environment around the audience in the form of giant circuit boards that extend into the auditorium. To do this, the proscenium was extended so that the audience is almost enclosed by the circuits. This in itself was quite a challenge because the capacity of the roof in Manchester is pretty good – but hidden within the circuit boards is a significant amount of equipment – LED lighting, speakers etc. In the venue, the capacity changes across the roof so
South Africa - With the country in lockdown due to coronavirus, DWR Distribution’s staff remain available during office hours, while the company is offering a range of online learning opportunities.
“We have entered into completely uncharted territory as individuals as a country and as citizens of a global community,” says the latest update from DWR.
“The South African government has taken up the call to become a part the most ambitious and courageous global effort to stop the spread of the novel Coronavirus that is causing Covid-19, placing the lives of its citizens before commerce and profit. We at DWR Distribution stand behind our government and our world leaders and pledge our support to stem the threat posed Covid-19 by staying at home.
“However, staying in our homes does not mean that we have closed our doors. We have simply installed a virtual door to our offices in the homes of the DWR team for the next 21 days. Our sales staff are available during regular office hours should you have any questions, ideas or would simply like to chat.
“We have a bumper-packed range of online learning opportunities available through our various suppliers. We hope that you make use of this opportunity to explore new skills or brush up on some old ones. Please visit our Facebook page or email Jannie at Jannie@dwrdistribution.co.za to find out more.
“It is a time of terrible uncertainty and fear for everyone. We are afraid for our lives, for the lives of our loved ones, and for our livelihoods. While this lockdown is a terrifying pro
UK - Glyn Owen, a self-employed rigger at the ACC Liverpool, expressed his bewilderment at why the UK government has not offered comparable financial backing to the self-employed.
Last week, the chancellor Rishi Sunak opened up access to the Universal Credit system to workers including freelancers and zero-hour contractors. However, claiming from the welfare system would only secure £94.25 per week for a self-employed worker, whilst the government promised to cover 80% of the salaries of employees.
On Sunday, the communities secretary Robert Jenrick recognised “this isn’t perfect”, adding: “It isn't easy, it's not as simple as supporting those who are in employment. The purpose of our employment mechanism is to help continue the connection between employees and their business so once this is over - and it will be over - those individuals can return to their usual work and that link isn't broken.
"It is operationally very difficult to create a scheme akin to that for the self-employed but we are reviewing this. If there are further steps we need to do, we will take them."
Speaking on the Jeremy Vine show this afternoon, Owen said: "What I can't understand is, they all say it's not easy to assess a self-employed person. But we all fill our tax returns every year - they know exactly how much we've earned over the years. So I can't understand why we are being penalised for being self-employed when [salaried] employees are being offered 80%."
At a suggestion from Vine that the government could use previous tax returns to c
USA - Céline Dion recently brought the curtain down on her residency at The Colosseum at Caesars Palace in Las Vegas after more than 1,100 sold-out performances and embarked on a 12-month tour in support of her Courage album.
Solotech has provided sound, lighting, video and rigging - everything except the stage - for the Courage World Tour, including multiple Solid State Logic Live L550 digital mixing consoles, one at front-of-house and two at monitors.
Denis Savage, who has been Dion’s tour manager and FOH engineer for several decades, began using SSL’s Live series desk at Caesars Palace in 2013. But this tour has provided the opportunity to implement some changes that have further enhanced the performance of all three consoles on the production, he says. “Just before Christmas we switched everything to 96 kHz and the difference was incredible. Everything got lighter and smoother and brighter.”
The production also switched band monitor engineer Martin Paré and Jean-Sébastien Boucher, Dion’s engineer, to L550 consoles at the end of last year. “Everybody in the band was very happy about it,” reports Savage. Boucher has been using an early version of L550 software that enables him to control an analogue SSL Sigma Delta summing mixer to eliminate latency in Dion’s in-ear monitor signal chain. That control functionality is now standard in the recent SSL Live V4.10 release.
Francois ‘Frankie’ Desjardins, systems engineer for Savage and Dion for the past 27 years, is also VP of R&D and technological solutions for S
USA - A group of leading live event industry organisations has joined together to create a GoFundMe campaign to raise $250,000 in donations to provide relief to eligible freelance professionals affected by the coronavirus pandemic due to event cancellations.
The campaign is initially being sponsored by Alive Risk, Clair Global, the Event Safety Alliance, Griffin360, Merch Roadie, Show Makers Symposium and Take1 Insurance, with other companies expected to join the cause. The goal of the campaign is to reach out to entertainment industry businesses and live entertainment fans worldwide to raise $250,000 in direct contributions to the Roadie Relief GoFundMe campaign that will then be distributed to eligible freelance professionals through MusiCares. Information about the Roadie Rescue Campaign, who it benefits and how to apply can be found at www.roadierescue.com
“Everyone needs to join together to help the people in their industry most impacted economically by the novel coronavirus, and in the live event industry that group is the tens of thousands of tireless and dedicated independent contractors, the roadies, who bring every live event to life,” says Take1 Insurance executive vice president Scott Carroll said today. “The live event industry can provide this relief quickly and most efficiently by working with MusiCares, which has been providing assistance to music people in need since 1991.”
According to Event Safety Alliance president Jim Digby: “The Road
UK - Rob Foster has joined the technical sales team at Stage Electrics. Foster is responsible for developing new business and maintain existing relationship with customers interested in rigging especially Prolyte, Milos and Admiral.
His new role will focus on promoting the Prolyte brand of trussing and staging and a range of associated rigging accessories from Admiral Staging.
UK - A petition has been launched urging the UK government to offer economic assistance to the events industry during the on-going COVID-19 pandemic. Instigated by Matt Rakowski of DBpixelhouse, the petition’s aim is: “For the UK government to provide economic assistance to businesses and staff employed in the events industry, who are suffering unforeseen financial challenges that could have a profound effect on hundreds of thousands of people employed in the sector.”
To-date, the petition has been signed over 131,000 times – surpassing the 100,000-signature threshold required for the issue to be considered for debate in parliament.
Rakowski comments: “The response has been phenomenal so far, we’re at just over 131,000 – which, considering we launched on Thursday evening, is a remarkable achievement, although not surprising considering how many people work in our industry.”
“I’d like to take this opportunity to request we keep this matter at the top of the news agenda for our industry. The current climate looks as though things are only likely to get worse over the coming weeks and months. It’s vital that we stick together as an industry and do everything we can to mitigate the fallout from the current situation.”
“I have written to the Chancellor of the Exchequer, the Prime Minister, my local MP and various members of the cabinet and the shadow cabinet. The content of my letter was to la
World - Huntly Christie, CEO of Christie Lites, has released the following statement in light of the current COVID-19 pandemic: “Like every other company in our business, Christie Lites is not immune and at the end of last week I enacted some difficult measures to counter the effects of the ‘shock-stop’ the industry has endured as a result of the COVID-19 virus. Sadly, this included laying off approximately 200 staff globally. This has definitely been the most difficult situation I have experienced in the company’s 35yr history. We’ve worked extremely hard to build and assemble a great global team and it was a really painful process to see some of our people lose their jobs.”
He continues: “As such, I feel it is important to speak about this publicly and this past week have taken several interviews with mainstream media outlets in North America. I have given an honest account to the media about the devastation to the industry as a whole and the effects on Christie Lites. I feel it is important to speak to the economic consequences that the Coronavirus has caused. In my opinion, we have some leaders and politicians failing to use pragmatism and science to guide their communication and decision making and I did not want to watch 200 Christie Lites staff lose their jobs quietly and without a voice.”
“Some people may take these media interviews and measures taken to mean that Christie Lites is now unstable. In actual fact, I would like to reassure everyone that we are extremely stable and rest assured that Christie Lites will be here for our
Germany - Prolight+Sound will not be held in 2020. A statement from Messe Frankfurt, the show’s organisers reads: “On 12 March, the Hessian Ministry for Social Affairs and Integration issued general decrees prohibiting large-scale events expected to attract more than 1,000 visitors. At the present time, it cannot be assumed that the current situation will have changed by the time the postponed event was to have been held. Therefore, Messe Frankfurt has decided to cancel the event.”
The event was originally scheduled to take place 31 March - 3 April but was postponed to May due to the spread of coronavirus (COVID-19).
Detlef Braun, a member of the executive board of Messe Frankfurt, comments: “We did everything we could to hold Prolight+Sound 2020 as soon as possible after the original dates and would like to extend our thanks to the response and support from numerous companies and organisations that said they wanted to join forces with us to do so. We are very sorry to have to cancel the fair. However, we firmly believe that, under the current circumstances, this is unavoidable.”
The next Prolight+Sound will be held from 13 to 16 April 2021.
Europe - ACME Lighting and Highlite International are the latest companies to announce that they will no longer be exhibiting at the postponed Prolight+Sound in Frankfurt this May, due to the health risks posed by Coronavirus (COVID-19).
“At this moment, the entire entertainment industry is experiencing huge challenges due to the COVID-19 pandemic and the response to the virus,” says Marco Galli, EMEA sales director at ACME Lighting. “We take the health of our staff and customers very seriously. Well-being and containment of COVID-19 is our duty and priority, and therefore, regretfully, we are forced to cancel plans to participate in Prolight+Sound 2020.”
Meanwhile, a statement from Highlite reads: “We have decided not to participate in Prolight+Sound 2020. The new dates after the postponement of the fair do not fit within our plans and vision of the industry. It is not an easy decision because every year we are eager to talk to our customers and contacts and to show our new products. Of course, the health of visitors and our employees comes first, which is why we respect the choice of Prolight+Sound.”
Both companies remain focussed on developing new products. “We would like to reassure our friends and partners that ACME is continuing to innovate and manufacture within the current restrictions and taking into account the safety of all of our team,” Galli continues. “We will keep all of our stakeholders informed and up-to-date in the coming weeks as we respond to COVID-19.”
Highlite says: “Don't worry, with the campaign '
USA - Under the direction of New York state governor Andrew Cuomo, Broadway shows in New York City will suspend all performances immediately in support of the health and well-being of the theatre-going public, as well as those who work in the theatre industry, in response to the coronavirus pandemic. Performances will commence the week of April 13, 2020.
"Our top priority has been and will continue to be the health and well-being of Broadway theatregoers and the thousands of people who work in the theatre industry every day, including actors, musicians, stagehands, ushers, and many other dedicated professionals," said Charlotte St. Martin, president of the Broadway League. "Broadway has the power to inspire, enrich, and entertain, and together we are committed to making that vital spirit a reality. Once our stages are lit again, we will welcome fans back with open arms so that they can continue to experience the joy, heart, and goodwill that our shows so passionately express every night."
Those holding tickets for performances through April 12, 2020 should contact their point of purchase for refunds and exchanges.
The Broadway League will continue to closely monitor the evolving coronavirus situation on behalf of the Broadway community and make decisions as circumstances require, in accordance with guidelines from the CDC and state and local health officials.
In other news, Carnegie Hall and the institutions associated with Lincoln Center (including the Metropolitan Opera, New York City Ballet, and N
Germany - In response to an increased worldwide demand for its staging products and solutions, Eurotruss Group has announced its expansion across Germany by adding the full NEXT Truss product line to the Eurotruss office and warehouse in Hövelhof.
Through this initiative, Eurotruss GmbH will have access to the full range of products in the Eurotruss Group portfolio including Eurotruss, Total Structures and the newest addition NEXT Truss.
Matthias Bohnenpoll, MD, Eurotruss GmbH states: “NEXT Truss is a great addition to our product range and we are now able to serve also clients who carry other truss types than Eurotruss. Our new offices and warehouse facility in Hövelhof, Germany, is strategically located to satisfy demand and allow for quicker delivery times and technical support to satisfy their demands.”
Martin Kuyper, CEO, Eurotruss Group comments: “NEXT Truss stands for well-produced goods, competitive pricing, experienced and trusted staff, swift delivery times and good industry relationships. I am confident our German team has the experience and in-depth knowledge of the entertainment market and their needs to help us deliver the most relevant product solutions to our customers; It is an exciting time to add NEXT Truss to the Eurotruss Group.”
“The opening of our new warehouse and sales office in Hövelhof will serve clients in the region, fast delivery times and provide the inventory and presence needed for NEXT Truss’s anticipated growth throughout Germany,” adds Ralph Stockley, CEO, NEXT Truss.
Europe - Area Four Industries Direct UK has issued a clarification statement in respect to the continuation of supply of Lightspace deck & truss products supplied via Impact Products (Europe) Ltd who were placed into voluntary liquidation procedures at the end of last year.
Says the statement, “Contrary to recent reports, these products have not been discontinued. Milos, which is part of Area Four Industries has exclusively manufactured Impact OEM brands Spacedeck and Lightspace for the past five years from their production facilities in the Czech Republic.
“Area Four Industries UK owns the rights to Spacedeck and Lightspace products and will continue to provide full sales and technical support from their design and distribution centre in Wisbech, Cambridgeshire. All truss & staging stocks have now been transferred from Northampton to Wisbech. Main production and UK stock are actively increasing in preparation for the busiest events season ever.
“Over the past 5 years, Lightspace decks have become the leading choice for temporary platform and staging solutions. Area Four Industries Direct UK remain totally committed to these products and mutual clients. They wish to express their thanks for confidence in their brands and continued support for the future.”
Canada/USA - A Kinesys automation system and Vector control system have been on the road with a new and updated North America touring version of the musical We Will Rock You, directed by JP Thibodeau and featuring the music of Queen, produced by Annerin Theatricals of Alberta, Canada.
This is the first time Annerin has used Kinesys products – two half-ton Elevation vari-speed hoists and the Vector – which is being supplied to the production by Christie Lights – and operated by Pippa Bagley who is also the video systems tech together with the tour’s production manager. The LX systems tech is Adam Volk.
The tour’s director of production is Bruce Hennel and Scott Christensen from Annerin Theatricals is the general manager.
Variable speed motors were needed to facilitate the lifting of a large centre stage video screen measuring 2.5M x 4.5M (8.2’ x 14.8’), a movement that’s vital to the artistic and technical interpretation of the show.
This central video wall provides the main thoroughfare for the majority of the set pieces and an entry / exit point for principals and cast members.
Several fast and slow screen moves were needed to ensure the pace of the show stayed fluid and consistent for over 150 performances on this most recent leg of the tour, and that’s why they chose Kinesys.
Scott explains that he was aware of Kinesys as a brand and that Christie Lites had recently invested to carry it in their rental inventory. Annerin Theatricals has worked with Christie Lites for many years as a lighting vendor su
UK - Triple E has a long-established reputation for manufacturing efficient, mechanical products and gadgets to aid the movement of curtains and the assembly and construction of stage scenery. As the demands of the industry change, it is often the case that pre-existing pieces of equipment need a review and a refresh to ensure their design adapts to the demands of the applications they are used for.
The team at Triple E has developed its Rearfold accessory for their industry standard UniTrack and UniBeam carriers.
“The UniTrack system was first launched in 1988, and the Rearfold accessory has been an integral part of the system since that time. Therefore, a long overdue review of the Rearfold accessory design was implemented,” says David Edelstein, founder and managing director of Triple E. “The Rearfold carriers enable a curtain as it travels to stack offstage instead of the standard system of stacking from the centre” he continues. “The demand for these accessories has increased and so the design has been changed to ensure not only dimensional accuracy but also to allow us to run a more efficient production process and manufacture greater quantities to match this demand.”
The curtain carrier body of the UniTrack and UniBeam has in recent years changed from steel to an MRP (metal replacement polymer) moulding which is stronger than the metal it has replaced but is lighter and therefore easier to work with. To complement the re-designed runner, the new Rearfold accessory has now been updated with a moulded re-developed rope bridge with
Europe - Area Four Industries has created The Rigging Commandos, a rigging & trussing team with a mission to “elevate event engineering & safety practices in the entertainment industry through continuous education programmes”.
Made up of six team members, the Rigging Commandos will use their knowledge and practical experience in a series of rigging & trussing videos, which will be produced throughout the year and released to on Area Four's video channel A4i.tv.
Members of the Rigging Commandos team were chosen not only for their knowledge and experience in entertainment production, but also for their ability to communicate directly with riggers and technicians, says the company.
Eric Porter, British rigging consultant and head Rigging Commando, leads the group. Norbert Tripp, German structural engineer and Area Four Industries’ technical director, takes you to the front line of static calculations, physical truss characteristics and support structure physics that keep you working smarter and safer.
Also in the team are Adam Beaumont, Exe Technology brand manager and seasoned entertainment professional; Will Todd, Tomcat COO; Adrian Forbes, Tomcat/JTE/Area Four Industries America sales & marketing director, and communications specialist David Gore.
UK - Hundreds of television buyers from across the globe headed to ACC Liverpool on 9-11 February for BBC Studios Showcase 2020 international television market. For the 14th year running, creative technical event production company Hawthorn supported the distributor to showcase its premium programmes, delivering two evening events.
The events previewed some of the BBC’s top programmes including Doctor Who, A Perfect Planet and The Watch. Led by the BBC Studios team, Hawthorn’s head of creative technical Peter Harding helped to produce and deliver a production design for the two evenings.
This year’s format saw a considerable shake-up with the construction of a curve-fronted 1000sqm 5m-high platform over a section of the arena’s tiered seating and floor. Hawthorn worked with specialists Acorn Event Structures and Steeldeck to create the structure which took 36 hours to complete. Created in two pieces, Acorn Event Structures built the semi-circular platform on the arena floor whilst Steeldeck created the structure that connected this to the higher concourse level. Providing a completely level walk through for guests, the infill section met seamlessly with the platform and as no seats had to be removed, it caused minimal disruption to the venue or overall build.
Night One kicked off with a drinks reception celebrating Doctor Who. Guests entered the event via the platform, located at concourse level, and were transported to the interior of the latest reincarnation of the TARDIS, with Oods, Judoons and Cyberman keepin
Belgium - WIcreations used its new WImotion system - motors, tracking and control - to automate five ski lift cable cars as part of a visual extravaganza for the two-day Moose Bar XXL event at Antwerp’s Sportpaleis venue, Belgium’s only après ski party.
The brainchild of organiser and lBelgium night scene inspirator Yves Smolders, Moose Bar XXL ran for two nights this year after 2019’s inaugural event, and featured an epic scenic production design and a slew of music and live entertainment that transported 20,000 party-people to the mountains over the two nights.
A total of five cable cars were involved - sourced from an original ski lift in Tignes in the French Alps, reconditioned and re-branded as highly visible Moose Bar props.
Four cable car gondolas were positioned in each corner of the Sportpaleis and these were flown up and down 6.5m into the venue ceiling throughout the evening, filled with guests, offering the opportunity for exclusive panoramic views of the event over the crowds.
The fifth cable car was in the centre of the room and - in addition to moving up and down - it tracked up to 51m along the roof of the space, transporting performers between the multiple stages over 48m.
The trussing for the tracking gondola was supplied by the production. The WI team, project managed by Jasper Mattijs, rigged their tracks and trolleys (one active, one passive) plus two 500kg hosts and then picked up and attached the gondola.
The other four gondolas were all rigged and flown in the same way - each suspended on two 500kg
Czech Republic - The 2020 edition of Rigger’s Voice turned its ear to voices from the north of Europe, as experienced riggers and production professionals from Scandinavia travelled to Area Four Industries headquarters in Roudnice nad Labem for this annual conference.
Arriving from Norway, Sweden, Finland and Denmark, attendees took part in high-level rigging and support structure discussions that were led by Area Four Industries technical director Norbert Tripp from 11-12 February. Many questions were asked, various rigging, truss and support structure discussions held, and even truss stress tests conducted during the two jam packed days. Participants were also treated to a grand tour of the Milos factory.
Ideas and recommendations from these experienced professionals, for helping steer future product development by Area Four Industries brands, were also provided during the conference. This information is highly valued by each brand and is an important part of every Rigger’s Voice.
The two full days of the Rigger’s Voice conference were separated by a fun and exciting evening in the capital city of Prague. Attendees enjoyed a scenic boat ride on the Vltava River, with dinner and drinks at a traditional Czech restaurant.
UK - Doughty Engineering celebrates its milestone 50th anniversary this year.
The company first registered as Doughty Trailer Sales Ltd in February 1970 and spent the first 10 years of trading manufacturing trailers, before metamorphosing into the Doughty Engineering that is well-known in the entertainment industry today.
Julian Chiverton, sales director, comments: “We are extremely proud to be celebrating half a century in business. When Russell Doughty, Mervyn Lister and my father George Chiverton started out in 1970, little did they know that the Doughty brand would become synonymous with clamps and other kit relied upon by riggers and lighting designers across the world. Their business was trailers, then designing and manufacturing attachments for rough terrain and forklift trucks in the farming and construction sectors. But by the mid-eighties it was clear that to survive the impending recession, they’d need to diversify even further.”
The Doughty of today could be regarded as a happy coincidence. “A local theatrical supply company, AJS Theatrical Supplies, asked us to manufacture some bracketry. We were asked to quote on the manufacture of 500 hook clamps. The company’s owner, Adrian Sant was so pleased with the quote and the quality, this quickly led on to orders for boom arms, safety chains etc and the rest, as they say, is history,” explains Chiverton.
Over the decades Doughty has gone on to produce more than 1,000 different items for clients across the world with many of their now standard stock items starting life as
Germany - Milos provided the design, static calculation and delivery of Milos truss products for a high wire bike climbing course for client, On The Ropes.
On The Ropes is based in Radevormwald and has been led by owner Hajo Muller since 1995. Their main focus is on the planning and building of rope courses at height that are in-tune with the natural surroundings. They also plan and build climbing walls, adventure stations and customized structures. One of their past standout projects includes the Big TeePee complex, which is the world’s biggest teepee, that was designed and constructed for Expo 2000 in Hannover.
The High Wire Bike project started with a rough concept provided to the A4I Germany office by On The Ropes. With this rough idea in hand, Area Four Industries technical director Norbert Tripp designed a feasible structural solution and carry out all structural calculations in order to bring this concept to life.
The resulting artificial climbing structure, which is for rent and can be temporarily installed for any event, is made with a series of Milos truss A-frames that are 11m high and stabilised with guy wires. The 80m climbing course and bike path are then achieved using two parallel wires that are stretched across the A-frames at more than 8m above the ground. The bottom wire is for climbers to either walk or make the terror-filled bike ride, and the top wire is a safety wire used for securing their climbing harness.
The course starts with climbers going up and across the Burma Bridge to reach the first platform. From this poi