UK - The Hay Festival, an annual festival of literature and the arts, held in Hay-on-Wye in Powys, Wales, has expanded to encompass a broad spectrum of cultural activities. This year’s 10-day event welcomed more than a quarter of a million visitors.
The festival site comprises temporary marquee structures of varying size (capacities vary from a few thousand to less than a hundred) connected by covered walkways and is located in a field on the edge of the town. The infrastructure required to meet the needs of the festival audience and the 800 or so events that take place is significant.
From lectures, readings, concerts and screenings, to discussions, sales, children’s activities, catering, media centre and more besides, Hay Festival presents logistical challenges that might bring a frown to even the most seasoned events professional. This year, Cardiff-based events services supplier 11th Hour was in the thick of the action having been appointed as the event’s lead production company.
To meet the needs of the site’s eight principal venues, as well as peripheral areas on what is a very compact site, 11th Hour supplied full production, including stage and site lighting, staging, audio and AV (in partnership with Stage Sound Services) as well as generators and mains distribution. The provision covered a varied range of requirements, from large concerts to intimate talks.
11th Hour’s project manager, Pete Morgan, reports: “The site is quite tight in terms of moving equipment around and keeping it discreet and safe. Whilst very detailed
UK - Event specialists, Light Fantastic Production Services Limited partnered with L'Atelier Five agency on the recent Hublot FIFA World Cup installation and product launch event at Harrods, Knightsbridge.
L’Atelier Five turned to LFPS to handle rigging and technical installation on their installation for Hublot watches in the store’s Hans Crescent entrance atrium. At its centre, the 2018 FIFA World Cup Russia themed project featured three large open frame ‘footballs’ constructed from aluminium with integrated LED lighting and video displays.
Finished in red, white and blue to reflect the Russian national colours, the trio of footballs needed to appear to float effortlessly within the atrium. Limited by extreme load restrictions on the rigging points and severe weight limitations on the sloping floor below which precluded the use of traditional lifting methods, LFPS were called upon to devise the creative rigging method to safely lift the structures to height. LFPS also took charge of the electrical installation providing a discreet supply to each football directly from the Harrods infrastructure.
Having installed the footballs, LFPS were also invited to return to the site to provide lighting, audio, video and scenic elements for the prestigious Hublot launch event staged in front of a VIP audience.
The team utilised their stock of Robe LEDBeam 150s to line the entrance corridor, which also doubled as the backdrop to the live proceedings.
The LFPS audio department supplied a number of d&b T10 and B4 speakers, selected from
Canada - CAST Software has released a new version of its wysiwyg lighting design and previsualisation tool. Release 41 brings a broad range of new features, including scaling objects, section sets, NDITM support, enhanced rigging points and realistic smoke and light effects.
CAST has also announced it’s working on a cloud and student licencing option and support for 64-bit architecture.
Scaling Objects: users are now able to easily scale up, down or stretch any 3D object within wysiwyg. The Scale tool can be applied to a primitive shape, an object from wysiwyg’s library (except truss and fixtures) or objects imported from other applications.
USA - ESTA and USITT have announced that the second New World Rigging Symposium is taking place 19-20 March 2019 in conjunction with the USITT Conference and Stage Expo 2019 in Louisville.
Symposium attendees will receive free show floor passes to the USITT Stage Expo opening on 21 March as well as a discount on the conference registration.
The event will provide an opportunity for riggers and those interested in the live entertainment rigging industry to network, discuss current issues and new technologies, and help shape the future of the industry.
In 10 sessions over two days, participants will be given a range of opportunities to further their technical knowledge, keep up to date with codes and standards, increase their understanding of structural issues, and learn about the challenges of working as a rigger in other segments of the entertainment industry. The symposium will carry ETCP education renewal credits for re-certification.
The event will also include multiple opportunities for attendees to network over morning coffee breaks, lunch, and evening cocktails.
Contact firstname.lastname@example.org to be notified when registration opens or to enquire about sponsorship opportunities.
Europe - Litec is increasing its range of Flyintowers to nine in total with the release of four new towers this year.
The company has introduced the first two of these - the FTH40 and FTH52. The FTH40 allows 1,600kg of your audio equipment to be supported up to 10m, while the FTH52 Flyintower supports a total load of 1,400kg up to 13m.
Both towers are designed for lifting loads with an electric chain hoist or manual winch, but more importantly, feature all straight sections made from standard truss, rather than truss that’s custom made.
Israel - Ninja Warrior is a sports entertainment competition that features hundreds of competitors who attempt to complete a series of obstacle courses of increasing difficulty in a bid to make it to the national finals and become a ‘Ninja Warrior’. The format originated in Japan and has since been sweeping audiences off their feet in hundreds of countries.
After gaining immense popularity worldwide the television format has finally landed in Israel, with the Israeli version hosted by Asi Azar and Rotem Sela.
The exhausting obstacle course was built at the Haifa Port in two weeks with a team of over 80 professionals using 4.5 tonnes of trusses. The rigging and obstacle course were built by the production riggers who arrived from the US and accompany the production worldwide.
Gil Teichman from Lighting Design Systems was in charge of lighting and sound. Mt. Midoriyama and the host's rig were created by Itzuv Bama. Lighting designers Ofer Jacobi and Avi-Yona Bueno (Bambi) were the creative spirit for the impressive lighting design.
Jacobi said, "Designing lights for obstacle courses at the Haifa Port was challenging because of the enormous location, the real challenge was finding a way to combine the lighting for the environment with the lighting for the obstacle course and the television lighting. The solution was using many moving lights and fixtures and making them work together."
After many months of work, including 3D simulation programming using WYSIWYG and the complicated installation of the large lighting set, Ninja Isr
UK - Retford based Rope Assemblies has been praised for its professionalism and expertise by ScottWhitbystudio for its role in helping create The St Paul's Gateway as part of the London Festival of Architecture.
The contemporary gateway structure creates over 400 mirrored images of St Paul's Cathedral as pedestrians arrive out of St Paul's Underground Station. The design features hundreds of highly reflective anodised aluminium poles suspended vertically from a simple lightweight structural canopy. In the middle of the structure, users will find a reflective oculus and dome of poles which have been derived using the same mathematical geometry Christopher Wren used when designing the dome of St Paul's Cathedral.
Osman Marfo-Gyasi, studio project leader at ScottWhitbystudio comments: "We were initially approached by the Cheapside Bid Alliance alongside the London Festival of Architecture who commissioned us to come up with ideas for something to animate the traffic island outside St Paul's Cathedral. Marc Thomas of Millimetre, our initial fabricator on the job recommended that we get in touch with Rope Assemblies. Marc had done a lot of legwork for us, so we knew what kit we needed to procure, but the Rope Assemblies team was extremely helpful in ensuring we were able to get what we needed and also keep within budget."
He continues: "The Rope Assemblies kit was extremely well made - while installing the cables for the structure, they were put under an immense level of tension and none of them showed any signs of failure. The entire experience o
USA - Trussing and staging equipment specialist Prolyte Group has opened North American headquarters in Pearland, Texas.
The company is well established across Europe and Asia and its expansion to the USA follows five years of successful operations in Canada.
Ralph Stockley, Prolyte’s chief commercial officer, comments: “Texas was an attractive selection for Prolyte’s North American headquarters. We already had an existing partnership with a company in Pearland. Other factors, such as tax benefits, the strength of the Texas economy and the proximity to the Port of Houston finalised our decision.”
Prolyte is also planning to introduce its Prolyte Campus initiative in North America, through which the company has been offering hands-on training events across the globe.
Lambert Bouwmeester, Prolyte’s chief executive officer, adds: “The opening of our new North America headquarters in Texas and the Prolyte Campus programme will better serve clients in the region, speed up delivery times and provide the inventory and presence needed for Prolyte’s anticipated growth throughout North America and, eventually, South America.”
USA - ESTA has posted three documents for public review on its website. Two of the documents are reaffirmations of existing standards and one is a proposed new standard. The reviews run through 24 September.
The documents are:
ANSI E1.5, Theatrical Fog Made with Aqueous Solutions of Di- and Trihydric Alcohols
ANSI E1.5 - 2009, last reaffirmed in 2014, is being considered for reaffirmation. This standard describes the composition of theatrical fogs or artificial mists that are not likely to be harmful to healthy performers, technicians, or audience members of normal working age. It is limited to those fogs and mists made from a solution of water and one or more dihydric or trihydric alcohols, and is intended to be applied in theatres, arenas, and other places of entertainment or public assembly.
ANSI E1.29, Product Safety Standard for Theatrical Fog Generators that Create Aerosols of Water, Aqueous Solutions of Glycol or Glycerin, or Aerosols of Highly Refined Alkane Mineral Oil
ANSI E1.29 – 2009, previously reaffirmed in 2014, is being considered for reaffirmation. The standard is intended to help guide product safety testing laboratories in evaluating fog-making equipment for design or construction defects that might create unacceptable hazards. It is based on UL 998 - 2006, Humidifiers, with modifications. Products covered are theatrical fog generators intended for use in professional theatrical entertainme
UK - Nominations for PLASA’s Gottelier Award are now open.
The award, named after late lighting designer and industry commentator Tony Gottelier, launched in 2007 to recognise product developers who have made significant and sustained contributions to the advancement of entertainment, presentation or installation technology. Previous recipients include Wayne Howell (Artistic Licence), Anne Valentino (ETC), David Cunningham (Entertec), Pasquale Quadri (Claypaky), Jim Bornhorst (Vari-Lite), John Meyer (Meyer Sound), Terry Clarke (Klark Teknik, MC2 Audio), Fred Foster (ETC), Alex Cooper (Midas & Klark Teknik), John Stadius (DiGiCo / Soundtracs) and Tony Andrews (Funktion-One).
Anyone in the industry can nominate individuals as well as development teams by emailing email@example.com (subject line 'GOTTELIER') by 17 August (Friday).
Following the nomination stage, a shortlist will be circulated to PLASA members and registered PLASA Show visitors, who will exclusively vote to elect a winner. The recipient of the 2018 Gottelier Award will be revealed at the PLASA Show (16-18 September 2018, London Olympia).
Canada - Solotech has announced David Brazeau’s appointment as director, research and development (R&D).
In this role, Brazeau will lead a team of audio, lighting and video technology solution consultants and specialists. This team will support other Solotech professionals, contribute to the delivery of various complex projects and help select equipment from suppliers, in keeping with the company’s overall technology strategy.
During more than 21 years as a Solotech employee, David has developed a diversified expertise, first, as a shop technician, then as a production technician on international stages while touring with André Rieu and Céline Dion. He went on to make a name for himself as an audio project manager for various Solotech clients, including Britney Spears and Michael Bublé. Until recently, he was a technical advisor in the audio department.
UK - Foo Fighters shook the 80,000-capacity London Stadium to its core on two consecutive nights, as they performed on a Stageco stage on their latest tour, Concrete & Gold.
Essentially treated as a one-off for Stageco, the band played under a regular Super Roof, the company’s second largest after its voluminous XXL model, which was constructed within three days by a team headed by David Van Assche, who held the same position last summer on tours by Jeff Lynne’s ELO and Guns N’Roses. “This roof came from another one-off in Hamburg,” says Van Assche. “On a tour, we could take half a day off of the build time, but one-off shows like this don’t carry the same momentum.”
The equipment arrived at the former London Olympics venue in Stratford in 17 trucks. 12 Stageco crew set to work on the build with assistance from 15 local crew climbers and 15 hands. The roof was lifted using the latest generation, computer-controlled winch devices. Van Assche adds: “It was a heavy build for us, however, after Beyoncé & Jay-Z’s shows at this stadium, Antonio Duarte Da Cruz’s team had a two-day break and so they helped us out which meant that at one point we had 20 people working on this.”
Although it may have appeared to be a standard festival roof to the casual onlooker, it was reinforced to be stronger than usual in order to offer a weight capacity of 40 tonnes of production, including PRG’s lights and upstage WinVision screen, which was configured within a flown diamond-shaped frame. Measuring 25m wide between its towers and
UK - Since its inception in 2015, Depot has become a leading alternative events space in Cardiff, originating highly successful experiences and events that have frequently been replicated across the UK.
For the last two years, Depot’s creative team has staged its own music and street food festival - in 2017, at the SWALEC cricket stadium, and at Cardiff Castle in 2018. Cardiff-based events services supplier 11th Hour played a prominent role in this year’s renewal having been invited by Depot to supply a number of key services.
Depot In The Castle featured an extravaganza of music and family entertainment, complemented by several artisan food outlets, that was in stark contrast to many of the summer’s more directly commercial festivals. Stiltwalkers and jugglers set the tone, in a relaxed, family-focused environment where an inspired music line-up, including afternoon DJ sets, was headlined by Sister Sledge and Scottish indie favourites The Fratellis.
11th Hour was responsible for project managing the entire production side of the day, supplying power and distribution for the site as well as staging, safety barriers, lighting, audio (in partnership with Protech) marquees (in partnership with Monnow Marquees) and health and safety (in partnership with JR Event Services).
A 12-strong 11th Hour crew took care of what was a trouble-free installation, obstructed only by the small entrances inside the castle. Heritage sites invariably possess their own unique challenges and in this instance all the kit had to be cross-loaded from an articulate
France - In its third successful year in France, the Download festival served as solid evidence that rock’n’roll is as alive and relevant as it was in 1980, when its direct predecessor – Monsters Of Rock – forced itself on the unsuspecting English market town of Castle Donington.
Launched in 2003 to showcase the best in rock, metal and hardcore, Download expanded in 2016 with Live Nation’s introduction of Download Paris, and Stageco France – as the provider of all five stages – has played a major role in the festival’s production since it began.
In fact, as long as Igor Dawidowicz steers the ship as production manager, Stageco appears to have a job for life. He comments: “Involving Stageco was a very easy decision. Who else could do it? We know a lot of staging companies, but I can’t imagine giving this responsibility to anyone but Stageco – they are the most professional and reliable provider, and their engineering processes are very rigorous.
“When you hire Stageco, you feel safe and can trust that everything will happen precisely how you want it, and you leave them to the job so that you can worry about other aspects of the production. It’s safe to say that even if this festival had as many as 10 stages, I would want Stageco to build them all.”
Previously hosted at the Hippodrome de Longchamp racecourse, the festival moved last year to a former French Air Force Base at Brétigny-sur-Orge, 17 miles south of the capital, where the 2018 line-up of more than 70 acts included Ozzy Osbourne, Marilyn Manson, Foo Fighte
Italy - Concerts by Italian megastar Vasco Rossi are usually an emotional experience, but the artist’s recent Non Stop Live summer stadium tour was ‘moving’ for a different reason - a large Kinesys automation system was used to dramatically change the architecture and shape of the stage through the show.
Lighting designer Giovanni Pinna, set designer Claudio Santucci of Gioforma, d3 operator Marco Piva and other key members of Vasco’s creative team including live camera director Peppe Romano were instrumental in the implementation of the Kinesys system to maximise the dynamic movement they wanted as part of the show aesthetic.
The hardware and control was supplied by PRG Belgium and operated on the road by Jimmy Johnson a UK based rigger / automation specialist.
The system comprised 16 x half tonne Kinesys ApexHOISTS complete with ApexDRIVES which were used to fly move four ‘satellite’ video screens / lighting pods immediately above the stage. These tracked upstage / downstage as well as flying up and down!
“Apex was selected for this task so we have the latest Kinesys technology with all the required safety features to fly above the performers,” confirms Jimmy. He mentioned that the 30-metres-per-minute run speed and zero speed ‘hover’ capabilities of the Apex hoists are also excellent, but above all they wanted the “confidence of knowing the system was absolutely safe that you get with a trusted brand like Kinesys”.
The four pods weighed 850Kg each and were tracked using eight Yale beam trolleys running w
UK - A group of industry representatives will cycle from Chippenham to London Olympia on Saturday 15 September to increase awareness of mental health within the entertainment and events industries. All donations will go to Backup, the technical entertainment charity which helps industry members and their families get back on their feet during times of hardship.
Starting at 7am, the cyclists will traverse 100 miles across the North Wessex Downs towards London in time for the PLASA Show. So far, eight cyclists have signed up to the challenge, including Peter Heath and Shane McGreevy of PLASA, John McEvoy and Bryan Raven of Whitelight, and Ben Tredwell of Autograph.
This bike ride is part on an on-going collaboration between PLASA and PSA to support the mental health of all those working within lighting, AV, live sound, rigging and staging. This collaboration continues during PLASA Show 2018 where a panel will discuss ways to recognise and improve mental well-being.
According to Mind, one in four people in the UK will experience mental health issues, and the live entertainment industry is no exception, where high pressured environments, anti-social hours and long periods of time away from home are often part of the job.
Last year, a team of industry representatives raised over £3,500 by cycling between Bath and PLASA Show 2017 at London Olympia. This year, they hope to raise even more.
Peter Heath, managing director of PLASA, comments: “We are looking forward to this challenging bike ride, and our hopes are high to raise a significant
Malta - Luxury cruise line Seabourn introduced its newest vessel, the Seabourn Ovation, with a naming ceremony in the harbour of Valletta in Malta in May. The ship is the fifth ultra-luxury vessel to join the Seabourn fleet over the past decade and the second of two ships designed by Adam D. Tihany.
The event was managed by Belinda King Creative Productions and saw the ship's Godmother, Elaine Paige perform to an exclusive audience on the cruise ship’s pool deck and a debut of the Seabourn anthem entitled We Sail to See the Lives of Others by Tim Rice was performed. The evening was capped with a fireworks’ display that lit up Valletta Harbour.
Belinda King Creative Productions brought Push the Button on board to handle the technical aspects of the project and they, in turn, asked Unusual to deal with the rigging elements.
Jim Dugan, production manager at Unusual, comments: "Ian Tregaskis, production manager for Push the Button, approached us to provide a truss structure for the main screen which was to be used on board the ship as well, as to assist with the crane operations. While a local crane company was employed in Valletta, the Unusual team was tasked with making sure that everything was lifted onto the ship and removed in a timely manner."
Jim and his colleague Tom Berry flew to Malta to work on the event. "It was an extremely tight schedule to get everything on board. We had a day of quay side pre production before The Ovation arrived at 7am on event day, we had only eight hours to install, then the naming ceremony took plac
USA - The ANSI Board of Standards Review has approved a revised version of ANSI E1.46, Standard for the Prevention of Falls from Theatrical Stages and Raised Performance Platforms. The standard has been revised to address changes to the OSHA regulations for fall protection, while keeping the document's useful guidance for preventing falls from stages into the orchestra pit or the house.
ANSi E1.46 – 2018 can be downloaded at no cost from the ESTA TSP website at tsp.esta.org/freestandards. The no-cost download is made possible by the sponsorship of ProSight Specialty Insurance. Alternatively, the standard may be purchased for $40 from ANSI and IHS at webstore.ansi.org/ and global.ihs.com/ respectively.
Portugal - Airstar, the French lighting balloon technology specialist, delivered a remarkable performance for the opening ceremony of the Eurovision Song Contest at the Museum of Art, Architecture and Technology (MAAT) of Lisbon, on the banks of the Tagus.
Before battling it out in Lisbon’s Altice Arena, one of the country’s largest concert halls, delegations from 43 countries gathered at the MAAT to walk on the ESC’s ‘Blue Carpet’, under the light of Airstar’s lighting balloons.
Airstar specified and installed 30 Crystal and Solarc lighting balloons.
Raphael Vaz, head of Airstar’s Portuguese subsidiary, explains: "We had lengthy discussions with the client, and we were able to come back with a solution that was a perfect fit for such a high-profile event, but also perfectly adapted to the constraints of the venue. We wanted to bring out the magnificent façade of the MAAT as much as possible while respect the imparted time and the limited space that was available, so we quickly opted for the Crystal range, since it brings a powerful and efficient light, and can be deployed very quickly and easily.”
The size of the balloons and their arrangement was also particularly important. In order to obtain the required striking visual aspect, the Airstar team worked closely with the ESC’s director of photography. Measuring 160cm in diameter, each Crystal was mounted on telescopic poles around the blue carpet, thus optimizing lighting as well as ground space occupation, while the Solarc lighting balloons – which boast an impressive
UK - Star Events redesigned the entire Great Oak Stage sub-structure and super-structure to accommodate Roger Waters’ Us + Them production, which opened the BST Hyde Park series last Friday.
With gags including smoking Battersea Power Station chimneys rising above the stage, graffiti strewn flying pigs and the surround sound effects synonymous with Roger Waters, Us + Them managed to set a new precedent, even for a Hyde Park performance.
The Pink Floyd-heavy two-and-a-half-hour show contemporised the politics from the band’s mid-70s/early-80s canon through a series of stunning visual sequences fitted to the songs.
The back of the traditional performance box was pushed up and film, cartoons and stills on the resulting 1,100sq m video wall focused on state-sponsored torture, refugees, human rights, Donald Trump and the singer’s support for Palestine.
Involved with the AEG Presents/Waters negotiation since last summer, Star Events had to demonstrate its capacity to stage the show, without compromise, before switching back to a more traditional format for The Cure the following night.
That changeover involved three cranes, six trucks for the kit coming out, including 10 Star structures from front of house used for Waters’ surround sound and projectors.
On stage, the Star Events’ team rebuilt the main floor deck and provided rigging support for the big screen move and lighting install, leaving everything ready for doors on Saturday.
Roger Barrett, special projects director at Star Events, comments: “T
UK - Unusual was the technical production company of choice for Artichoke when it staged the Processions march in London last month. The mass artwork took place on 10 June in Belfast, Cardiff, Edinburgh and London and saw thousands of women and girls come together and march, wearing either green white or violet – the colours of the suffragette movement - creating the appearance of a flowing river of colour through the city streets.
Jim Dugan, production manager at Unusual explained: “We’ve been working with Artichoke on its major events and art installations for some years now – Lumiere London and Durham, the Sultan’s Elephant, Great Fire 350 etc, so we were excited to get involved with an event that celebrated something so fundamentally important in our country’s history.
“Our role on this project was to facilitate all the technical elements – from the barriers, the marquees and the road closures to stage management, security, production management, sound, signage and also the toilet facilities. In addition, the truss gantry at the end of the march route was overseen by our senior rigger Leon Ingram.”
The processions in the other three capital cities were managed by other locally-based UK production managers and a small team of freelancers – but Jim explains it was vital they were all working in sync. “The event was filmed live by the BBC so we had to ensure we were all communicating clearly and effectively with each other as it was extremely important that imagery and timings were tied up together. While the job itself wasn
Germany - Penn Elcom GmbH in Germany has moved to a new 8,000sq.m premises in Elten, north Westfalen just 10 kilometres from the previous warehouse – and over double the size.
From this hub, the company distributes over 1,700 product lines and hardware including 19-inch racking, flightcase components and loudspeaker elements directly to B2B and B2C customers all over Europe.
The new facility will assist the busy operation in continuing – and streamlining - the efficient and fast delivery of products worldwide which are manufactured by Penn in the UK.
It was imperative to stay in the same regional location explains Dennis Marco Meertens, co-MD of Penn Elcom GmbH with Thomas Mostar. “Elten is perfectly positioned for expedient onward transportation and delivery to our local and regional sales teams – a very successful model devised to best understand specific cultural needs, demands and variations - which represent a variety of different market sectors,” he commented. This made finding suitable premises that bit more challenging, however this excellent opportunity then presented itself.
The new building, close to the Dutch border, was previously used for distribution, so already had substantial infrastructure in place that was of direct benefit to Penn.
The move to the new warehouse in Germany was completed in four phases over the course of eight working days and involved “a lot of improvisation and lateral thinking by all involved” says Dennis, as the full sales operation had to continue at full-pace throughout the period.
Europe - The PLASA Awards for Innovation are now open for entries. Product manufacturers and developers are invited to enter the annual awards by 17 August (Friday). Successfully nominated products will feature on the Innovation Gallery throughout the PLASA Show (16-18 September, London Olympia), with winners announced at a special ceremony on 17 September (Monday).
Entries will be judged by an independent panel of industry experts, with up to eight awards, including the possibility of Gold Award, set to be given to products and solutions that demonstrate a new style of thinking, improve technical practice and safety, introduce new technology, materials or techniques, or offer new commercial advantages. The PLASA Award for Sustainability may be presented to a solution that achieves significant power reduction, has a positive impact on the environment or makes an effective use of renewable energy.
The PLASA Awards are crowned by the prestigious Gottelier Award which celebrates the lifetime achievement of a pioneering professional working within live entertainment technology. PLASA members and pre-registered PLASA Show visitors are eligible to vote for this accolade which, in 2017, was presented to Wayne Howell, the founder of Artistic Licence.
For more information on how to enter a product or nominate a product developer, please visit: www.plasashow.com/awards
UK - Christie Lites UK has made a major investment in Kinesys automation equipment. The stage lighting company’s British operation has purchased 24 half-tonne Liftket motors with Kinesys Elevation 1+ vari-speed controllers, complete with LibraCELL load monitoring shackle pins and the brand’s powerful and flexible Vector control software package.
Christie Lites UK account handler Andy Strachan comments: “Kinesys is constantly appearing on riders and technical specifications - a strong sign of their success and that is across all sectors of our work - corporate and industrial, concert touring, television and theatre”.
Christie Lites CEO and founder Huntly Christie made the decision to go with Kinesys, together with Andy Strachan, Roy Hunt and Mathew Ilott who are all part of the Christie Lites UK’s account management team.
The Kinesys investment is an initial investment by the company with more expected in the future. “Kinesys is known for its quality, flexibility and robust engineering,” adds Strachan. “The Elevation 1+ and Vector products are well established and proven and have helped provide inventive and creative solutions to a multitude of productions and events.”
The Christie Lites UK system went straight out on a Queens of the Stone Age European tour where it was utilised to move 10 pods around the stage creating a series of different abstract looks at any given time. CL also used Kinesys on the 2018 Mercury Music Prize event at Hammersmith Apollo, on the recent James Arthur tour and many other cool and creative shows.