UK - A.C. Entertainment Technologies (AC-ET) will demonstrate its extensive portfolio of leading theatrical technologies - including new lighting, rigging, audio and video products from Chroma-Q, Spotlight, Follow-Me, Sixty82, BroadWeigh, Tourmate, Sennheiser, Shure and Green Hippo - at the ABTT Theatre Show 2018 this week. Highlights include:
Lighting: Chroma-Q's premium performance Color Force II LED cyclorama & effects light, and Inspire XT RGBW LED house light - both multi award-winners - and new Studio Force II high output variable white fixture; ProLights' Eclipse LED Fresnel in a choice of white colour temperatures, plus various effects lighting models; a preview of Spotlight's Hyperion 6-colour LED Profile and Fresnel, alongside many other theatrical LED fixtures; Follow-Me's remote follow spot control system for harnessing multiple moving lights from any brand in any orientation, to replace old-school follow spots; LSC's Mantra Lite console; Luminex's range of high performance lighting networking solutions; and LumenRadio's wireless DMX and RDM lighting control products.
Rigging: The new original, Sixty82 brings a fresh innovative approach to trussing and staging systems through years of experience from the industry innovators who are behind the new brand; BroadWeigh's new BW-BSd wireless USB dongle for laptops and tablets, enabling users to connect to BroadWeigh shackles at a line of sight range of up to 500m; Columbus McKinnon Entertainment's Prostar electric chain hoists designed for smaller venues; and Tourmate's new Multilock Hoist, a n
UK - The PLASA 2018 Members’ Day and AGM took place on Thursday 31 May at the Royal College of Physicians in Regent’s Park, London to reflect upon a year of specialist projects, industry collaboration and growth.
Members and guests enjoyed a productive day with an insightful AGM, followed by a networking afternoon in the venue’s unique ‘physic’ garden. The lively guest speaker, Caroline Russell from The Ideas Centre Group, encouraged audience participation with her creative approach to problem-solving, then attendees were invited to stay for drinks into the evening.
PLASA Treasurer Mark Surtees presented the 2017 accounts and announced that PLASA is in a place of financial stability, highlighting an increase in profits due to commercial growth within Events and Media. Newly elected Chair, Adam Blaxill, added later that all profits funnel back into the Association, enabling PLASA to generate and implement more initiatives to directly benefit its members and the wider industry.
Managing Director Peter Heath described how the last 12 months has been ever-changing and that PLASA has been proactive in connecting and collaborating with its members. Blaxill bolstered this by encouraging members to get involved with the Association’s activities and work within specialist groups if they feel they have something to offer. Both Blaxill and Heath also noted that although Brexit is looming PLASA has continued to reach out to European members to help unify the industry and raise working standards.
There were several presentations f
UK - J&C Joel has announced the appointment of Alan Jackson as UK sales manager.
Jackson has more than 35 years’ experience in the industry including working for Hawthorn for 14 years, most recently as their installations director. He will work closely with the UK sales team to develop inclusive relationships with customers, drive a focussed approach to the UK market and raise awareness about the broad range of products J&C Joel provide.
Jackson comments: “As a Yorkshireman, it’s great to go back to my roots and work with a fantastic Yorkshire based company. I’ve had a long connection with J&C Joel and I’m really looking forward to developing the UK sales team, meeting customers and raising the profile of the team and the company’s products and services.”
J&C Joel CEO James Wheelwright adds: “Alan is a great addition to our senior management team. He brings many years of experience, has extensive knowledge of our products and services and is a well-known industry face. He was the ideal choice to head up our sales operation in the domestic market.”
Portugal - Ampco Flashlight played a major role as supplier of all lighting, rigging, video and motion systems for the 2018 Eurovision Song Contest.
Preparations started as early as October 2017. The dedicated team of commercial, technical and logistics specialists, working closely together with local Portuguese partner Pixel Light, laid a solid base for a flawless production in the Altice Arena. Build-up started early April and ended with a 60-hour speed load out.
Over 2500 fixtures, almost four kilometres of truss and a huge amount of, cabling, dimmers, distro’s and a state of the art data network was used in this massive TV production attracting over 350m viewers worldwide.
Marc van der Wel, project director, commented: “It was very exciting being part of the team, and seeing how our specialists put so much effort, experience and knowledge into this project. I am extremely proud of the way we handled this, and I am grateful for the opportunity and the great cooperation with RTP, head of production Ola Melzig, Tobias Aberg and their team.”
USA - CyberHoist by CyberMotion is on tour again, this time with Vegas native band The Killers on their Wonderful, Wonderful tour. The band finished their European leg at the end of 2017 before starting their US leg at the beginning of the year.
The primary driving visual elements on the stage were video-constructed triangles with one anchored on the stage and an inverted triangle hanging above it nicknamed ‘The Flying V’ made up of video tiles that would fly apart, turn, twist and move into different shapes utilizing the CyberHoist automated moving system. 12 active CyberHoist 1000kg and 1 MotionCue control system, all with spares, turned the Flying V into an ever-changing video spectacle. These automated hoists came from CyberMotion North America and controlled by David Diamond, the show operator and motion specialist.
Diamond explains, “Working with LD Steven Douglas, Michael Oberg and the entire team of The Killers was great. Steven had a clear idea of what he wanted. CyberMotion has the opportunity to automate what was known as ‘The Flying V’, an inverted triangle video screen. Working together we were able to push the boundaries of what the screen could do for their previous Europe run. Adding barrel rolls and slants added to the visual effect of the 70’ wide screen.”
Rob Gardner, tour rigger for The Killers commented, “With the weight of the show and the closeness to some roof capacities, the abilities of the motors and the accurate real time data feedback allowed us to produce smooth and safe multi hoist single objec
UK - Wirral-based Lift Turn Move (LTM) has reported two of its apprentices have now joined the company as full-time staff members. Jonathan Street also joined as an apprentice on an engineering apprenticeship.
Charmaine Pude came to LTM in 2016 to gain office experience and work towards her NVQ Level 3 in Business Administration. She has recently passed her NVQ and subsequently been given a full-time job at LTM as a sales and purchasing assistant.
Joshua Field-Baines approached LTM in 2015 wanting to work in engineering. He has since completed his apprenticeship and is working towards his advanced apprenticeship qualification in BTEC HNC in Engineering which includes an NVQ Level 4 and he is also doing his LEEA foundation training.
John Jones, MD of LTM, comments: “We are very lucky to have gained two valuable team members at LTM. We know how important it is to give the younger generation a chance - the lifting industry suffers from an aging workforce, something has to be done about this.
The company also welcomed Jonathan Street as an apprentice on an engineering apprenticeship in Electrical and Mechanical Maintenance. His apprenticeship involves one day of tuition at a local college to learn essential theory and four days a week working in the hoist assembly area. He will spend time in the warehouse receiving product training, dispatching goods and working with the other engineers.
UK - Rope Assemblies is set to debut its new Anchor Strop on stand A22 at this year's ABTT show. The Anchor strop is a 6mm stainless steel wire rope with thimble eyes on both ends, copper ferrules, and has been designed for general PPE requirements.It has an EN362 hook on either end and joins the company's existing range of Anchor Strops and is perfect for use in a wide range of industries – wherever a person works at height, near unprotected edges or in confined spaces.
The Anchor Strop will be joined on the stand by Rope Assemblies' lighting and climbing ladders. Ann McCorkell, technical manager explained: "The Lighting Ladder was created in conjunction with one of our customers who needed a solution for hanging lights vertically without the space consuming aluminium ladders."
Consisting of two lengths of wire rope with spacing of end stops, karabiners at the end and removable rungs for easy transportation and storage, the Lighting Ladder can be manufacturedto whatever length the customer requires and this can be increased by purchasing additional length. What's more, several ladders can be joined together width-ways to create a lighting 'curtain'. Rungs are available in widths of 500mm and 1m and spare rungs are available.
Rope Assemblies' Climbing Ladders are also manufactured on-site at the company's Retford factory and are fully compliant with the US Standard ANS1-E1-1 as there is no EN Standard for wire rope ladders. All ladders are manufactured with knurled rungs, karabiner end fittings and EN795 anchor straps. They are made to order by le
UK - Unusual Rigging will showcase its wide range of products available for sale and for hire.
Tom Nightingale, Unusual's technical manager explained: "For Unusual, ABTT is undoubtedly the most important event in the trade show calendar. It gives us the opportunity to meet with the people right at the heart of the very industry that we aim to serve. We are incredibly well known for the projects we work on but people are often surprised when we talk them through the extent of our sales, hires and services offerings."
Several members of the Unusual team will be on hand for the duration of the show and . Tom continued: "In previous brochures we've focussed on the specific products tvisitors to the stand will be able to pick up a copy of the company's new Sales and Services brochurehat we can offer, but really, the range is so huge, no brochure could really do each product category justice. So this year what we've aimed to do is to give an overview of our sales, hires and services – a starting point if you like, that can lead to more in-depth conversations about the specifics."
This year's stand will once again feature a show reel of some of the company's 'best bits' from the last year. "This will be the third year we've produced a show-reel and we're excited to really show off some of the projects we've been involved in. From the RHS Flower Show at Chatsworth to Lumiere London, not to mention the vast number of West End shows and theatre tours we've played a part in. We know that in previous years, the film has proved to be a real talking point among
UK - Doughty's new Lightweight Lighting Stand will make its debut on stand C30 at ABTT, to be held on 6-7 June at at London’s Alexandra Palace.
The stand, which recently appeared at PLASA Focus Leeds and Prolight + Sound in Frankfurt in prototype format, is now in production.
The stand takes the all the principles of a Tank Trap but packages them into a neater model. It comprises a flat, round plate and slim tube, slotted at each end to allow cables to run unseen inside it. A 28mm receiver is incorporated in the top of the stand which will take an industry standard 28mm spigot. When used in conjunction with a speaker adapter, the stand can also be used to hold small speakers.
Dan Phillips, project sales co-ordinator at Doughty explains: “This robust piece of kit has a sleeker appearance than the standard Tank Trap and comes with a stacking slot which allows for the stands to be stacked together as well as a carry handle. We’ve spent the first part of this year taking the prototype to trade shows across Europe so that we can really hone in on the design and use the feedback we’ve gathered at the shows to make a really useful bit of kit."
The Three Position Tank Trap, which won last year’s ABTT Engineering Product of the Year award will also feature on this year's stand. This piece of kit enables rigging to be built close to a wall, in the corner of a room or near to an obstruction. It has a detachable receiver suitable for 48mm barrel, which may be fitted to any of the three mounting points, which are located in the centre as per a
UK - Cardiff-based events services provider 11th Hour has been appointed by Associated British Ports South Wales to supply a temporary passenger terminal in Cardiff Bay for the Marco Polo cruise ship.
The terminal comprises a 57m marquee fitted out with a bespoke interior, with the company also supplying several security elements, including bag-scanning and metal detection equipment.
Project manager Bruno Hunt is in charge of the technical aspects of the terminal, whilst business development manager Jason Venables oversees the customer-facing side of the operation.
The project overlaps with 11th Hour’s involvement in the Volvo Ocean Race, a round-the-world yacht race that arrived in Cardiff on 29 May, with the company supplying a range of facilities for the Race Village.
UK - Star Events’ X Stage highlights the creativity at AEG Presents’ first All Points East festival in Victoria Park, where sets from LCD Soundsystem, The XX and Bjork drew sizeable audiences this Bank Holiday weekend.
Working with Loudsound and LarMac Live, including the main East Stage, a 20m VerTech, the North Stage, with its concentric arches, the West Arena and all the requisite support structures.
An ambitious in the round experience, with a hovering DJ platform, the X Stage “puts the finest electronic talent into the heart of the audience”.
Star Events’ design team joined two 5m wide/38m span arches at the apex to bring the X Stage to life, using kit from the yard together with ‘specials’ built for the project.
Alongside its considerable lighting capacity, each leg of the structure houses an inward facing speaker configuration, which delivers an immersive experience. audiStar Events supplied the festival’s four principal platforms.
Gavin Scott, Star Events’ project manager, comments: “With a lot of work behind the scenes, the X Stage came together brilliantly. There were significant structural challenges, everyone involved with the design played a part in bringing it to fruition, and it’s a great achievement.
“AEG Presents, Loudsound and LarMac Live have been a pleasure to work with. The vibe on site has been really good, a collective of people working to achieve something special, and safety levels have been noticeably high, which is great to see.”
Ian Greenway, director at LarMac Live,
UK - Aurora Lighting Hire supported lighting director Gurdip Mahal on a major installation for Revolution, one of the largest entertainment sets on UK television.
SKY One took over the vast space at Cardington Studios for extreme sports show Revolution. Hosted by Jackass star Steve-O and Maya Jama, Revolution is an extravaganza of high speed action featuring BMX riders, skates and boarders going head to head across a spectacular custom designed course.
Working with award winning lighting director Gurdip Mahal for the eight-episode run, Aurora provided a vast array of lighting, control and rigging equipment to light up the large-scale production.
To achieve the intense colour applied throughout the show, a mix of over 200 Robe 1200, VariLite VL3500 and Martin Quantum Wash fixtures were installed to provide a highly controllable, vibrant, uniform wash across the cavernous interior. Almost 100 Clay Paky Sharpy fixtures, with their ultra-sharp beam abilities, were also included in the mix to accentuate the dynamic on track action.
Adding a neonesque touch to the impressive set, created by scenic designer Dominic Tolfts and art director Ben Telford, Aurora supplied over 500 Encapsulites, used extensively to accentuate the semi industrial look of the production. Finally, to maintain control over the vast installation, Aurora provided the crew with a pair of ETC Cobalt consoles plus two full size Hog’s.
Speaking about the show, Aurora project manager Ben Taylor says: “the space at Cardington is absolutely huge,
UK - The north Bristol warehouse of lighting and rigging supplier Utopium has suffered a fire on the night of 21-22 May, destroying the entire lighting and rigging inventory, the company reports.
An investigation has been opened into the cause of the fire. The whole team are said to be devastated by the fire.
Utopium founder Colin Bodenham comments: “It is heart-breaking to see everything we have created destroyed in one devastating event. The main consolation is that nobody was hurt in the blaze. We are focused on fulfilling our commitments to clients approaching a busy summer season working with trusted partners in the industry. I am allowing myself a little time to grieve the loss of some treasured artefacts amassed over the years.”
More news is expected soon.
Portugal - Stage engineering specialist WIcreations supplied four of their heavy duty TP06 stage elevators to the 2018 Eurovision Song Contest (ESC) production which was headed by technical directors Ola Melzig and Tobias Åburg.
The event, viewed by 200m across the globe, was staged at the Altice Arena in Lisbon.
The four TP06 lifts were installed under the stage which was part of the elaborate set designed by Florian Wieder, and were used for two of the 43 finalists, Austria’s third placed Cesár Sampson and Belarus contestant Alekseev.
The project was designed and co-ordinated for WI by Geert Stockmans and tech’d and looked after on site by Mateo Marastoni working alongside Robert Roos who was the production’s props and special staging co-ordinator.
One TP06 lift was positioned centrally beneath the stage and surrounded by the other three, all of them supporting a trussing structure with a 6m triangular section of decking on top. This top section split in two – donut style – with a central cut out that could elevate independently on the middle lift.
For Austria, the whole wedge section lifted up several metres in a dramatic moment with the artist on top to reveal a set of vertically rigged LED battens below, on the underside. Chasing and twinkling, these gave the appearance that the artist was floating in the air as the platform rose up, all helping to make him a favourite with the crowd.
While the Belarus entry didn’t make it through the first semi-final (also televised) this year, it was not before a rousing perf
UK - Event production company VisionEventsManchester (VE-M) has upgraded its equipment inventory, adding a selection of Doughty equipment to its stock.
Darren Howard, director, VE-M explains: "As VE-M has expanded, we found we were regularly hiring in stands and so it was really a natural choice that we should purchase some Doughty kit."
The company which was born out of Vision Events back in 2011 focuses on bringing together various elements of event design under one roof, making its clients' lives easier when organising often complex events. The addition of Doughty items to the company's stock is part of a major overhaul of VE-M's video, lighting, audio and rigging stock as the company continues to grow. Keen to invest in high quality technologies, Darren turned to A.C. Entertainment Technologies (AC-ET) – one of Doughty's UK distributors to handle the entire upgrade.
Darren purchased some Doughty Zenith truss lifts and solid truss adaptors – all new items to the company's inventory, as well as a selection of smaller items such as half-couplers, truss adaptors etc. Once delivered, AC-ET assisted with product training on the new systems at their Northern sales office in Leeds.
AC-ET's Mike Docksey, who handled the sale commented: "It was an absolute pleasure to work with VE-M. I'm sure their clients will be very pleased by VE-M's major investment in these and other leading technologies from AC-ET, to ensure they continue to offer the highest production values for events."
Darren continued: "The Doughty name is a well-known, high qua
UK - Hire and events company SLX has announced the successful applicants for its 2018 bursary scheme, which sees the company supporting five students enrolled on production courses with £3000 of hire equipment as well as networking and development opportunities.
Spanning the UK, the students attend different institutions and are enrolled on a variety of technical production focussed courses. Third year students and graduating this year are Ashley Holdom (Rose Bruford) and Ryan Searle (Bristol Old Vic) and the 2nd year students receiving the bursary are Alex Silvester (University of Bolton – Backstage Academy), Georgia Wren - LIPA and Ben Linwood (Guildford School of Acting).
As well as receiving the £3000 bursary to support a project of the student’s choosing, the five applicants were also welcomed into SLX Avonmouth, spending two full days in May with the SLX team. This experience allowed the students to attend a number of talks and workshops, organised by SLX and hosted by a number of other professionals. These covered topics such as the world of freelancing, audio and video training, and networking training.
Leading the programme for SLX, customer service manager, Katy Lowe, and business development manager, Ruari Cormack, were responsible for picking the successful applicants.
Ruari Cormack says: “We’re delighted to give these young people, who really are the future of the industry, that extra helping hand as they embark on their careers in the industry. These five were picked as they impressed Katy and I with the clarity of t
UK - Steeldeck, platforms, staging and seating solutions manufacturer, has secured a new London production facility (see LSi May for more).
The new facility is located on the outskirts of London in Erith and will provide over 2300m2 of space, doubling the capacity of the company’s previous base in Bermondsey.
Steeldeck has historically been based in central London, but remaining in the heart of the capital had become irrelevant since the separation of the company’s rental and manufacturing arms.
Philip Parsons, Steeldeck CEO, comments: “The old premises were very conveniently located near our rental business in London’s Bermondsey, and to various suppliers such as the powder coater, but the area has changed. Factories have been demolished wholesale to be replaced by towering blocks of flats, parking is becoming increasing limited, the street access for lorries has been reduced drastically by street narrowing and the rents are rising very sharply.
“Moving from our present railway arch-based accommodation to relatively modern industrial premises will permit proper workflow. The new site has a substantial private yard as well as excellent access to transport links, all of which will allow us to keep pace with demand and to better provide the service our customers expect from us.”
The new production hub is being equipped with a rationalised production process that wi
USA - Building on the momentum that started with the company’s 2017 move to a larger facility, InterAmerica Stage is rolling out a new brand identity.
The new look starts with an updated logo, which embraces the familiar way clients refer to the organisation. “Everybody we work with calls us IA Stage,” says general manager, John Gitzy. “Heck, we even call ourselves IA Stage!” The new logo and branding theme were created by Black’s son, Andrew, who is a professional illustrator and animator.
IA Stage has been busy integrating the new brand identity into all facets of the company’s public presence, and to augment the branding efforts, the company launched a new website designed by Designzillas at the end of April, introducing cross-platform functionality and more streamlined user experience.
“We want people to visit our website and find something useful,” says Marta Peliwo, marketing & trade show coordinator. “Our old site was starting to look like a bulletin board and our identity was getting lost in the clutter. Visitors can explore the site without getting lost, or they can cut to the chase and go directly to what they’re interested in. Nothing is more than two to three clicks away.”
UK - PLASA Focus Leeds provided the perfect showcase for new brand, Sixty82 to unveil its trussing and staging systems to the UK rigging industry - receiving an overwhelmingly positive reception and much interest from visitors.
Matthew Millward, rigging sales manager for Sixty82's UK distributor, A.C. Entertainment Technologies Ltd (AC-ET), which featured the brand on its stand commented: "It's fantastic to be working with Sixty82, whose team needs no introduction to the industry. There was a huge amount of goodwill and interest from the rental companies, technicians and venues we spoke to. We expect to receive lots of enquiries in the coming months - it's exciting times."
AC-ET's specialist rigging product division, which is based in the company's Leeds Northern sales office and warehouse, will handle Sixty82 enquiries and hold stock there.
Sixty82 Co-founder, Lee Brooks added: "We had a very enjoyable PLASA show, and having worked in secret over the past months on the creation of Sixty82, it is gratifying to see such an overwhelmingly positive response from many past and prospective customers.
"In partnering with AC-ET, we have what in our opinion is the UK’s leading entertainment technologies distributor fully focused on the availability of our industry standard product lines. We look forward to fully supporting the UK market together with them."
The Sixty82 alliance, which features innovators from three countries with over 100 years of entertainment industry leadership between them, came together to bring a fresh view into the m
UK - A.C. Entertainment Technologies Ltd (AC-ET) has agreed to provide technical equipment and run training courses for live events industry education provider Backstage Academy.
The partnership is part of a long-term strategy to offer Academy students the most up-to-date practical experience through AC-ET’s latest technologies from brands including ProLights, Chroma-Q, Green Hippo and BroadWeigh.
Jonathan Walters, AC-ET's UK sales director, comments: "We are delighted to be able to support up and coming generations of backstage technicians and creative people. The future of the industry is all about fostering the talent of tomorrow and letting them use the technologies behind today's live events productions.
“The partnership will give the Backstage Academy's students access to the latest LED lighting from popular brands such as Chroma-Q and ProLights, industry-leading video control from Green Hippo, specialist networking solutions from Luminex, plus industry-standard rigging chain hoists from CM Lodestar and innovative load monitoring from BroadWeigh."
Sara Gleadhall, Backstage Academy business development director, comments: "Today’s live events productions are becoming ever more technically ambitious as the constant advances in technology create fresh possibilities within lighting and video. It's great for Backstage Academy to receive this kind of support. We'll benefit because AC-ET, as a major provider of technologies to all areas of Live Events production, can ensure that we provide students with the most up-to-date practical train
Europe - Second Warehouse is again simplifying pro AV cross rental as the service debuts on mobile and tablet. Based on a Progressive Web Application, Second Warehouse for mobile can be installed on your Apple or Android device with a single tap - no App store visit required. Now, even when you’re out on a job, Second Warehouse allows you to find and hire vital equipment within minutes while keeping your own inventory busy earning you money.
Dedicated to simplifying and speeding up the essential but previously time-consuming and costly activity of equipment cross-rental between pro AV rental companies, Second Warehouse allows rental companies of all sizes to trade with one another in a safe, fast, monitored and extremely cost-effective environment. A rental company searching Second Warehouse for AV equipment will find what they need in a matter of seconds, while every item returned in their search will be from a fellow rental company whose gear would otherwise remain unused.
Further, Second Warehouse only costs you money when it makes you money. For the supplier, the only cost is a small percentage commission, while for the hirer, the process is free. Companies are also able to select up to two ‘Preferred Users’, with whom they can trade on Second Warehouse as much as they like without any commission to pay. There are no sign-up or subscription fees. Since its launch in late February, the number of companies registering for the web-based service has surged beyond expectations.
Now, the same functionality is available in the palm of your hand.<
UK - The world premiere of the new musical Tina - The Tina Turner Musical had its official opening night in the West End on 17 April at the Aldwych Theatre.
Directed by Phyllida Lloyd, the production charts Turner's journey from humble beginnings in Nutbush, Tennessee, to her transformation into the global queen of rock'n'roll. Production manager Sacha Milroy knew that rigging the show successfully required a sound knowledge of the theatre and so turned to Unusual Rigging to handle the project.
"This is actually the first time I've worked with Unusual," said Sacha. "Of course, I've known of them for many years and Simon Stone, who is senior project manager at Unusual, has a great reputation which precedes him. I was also aware of all the amazing work they'd done to transform the grid of the Aldwych Theatre for Beautiful - The Carole King Musical.
“The challenge we had with Tina was that this show had a huge amount of flying. We needed to estimate the weights of all the flying elements, work out how to fit it all in the grid and decide which pieces to manually fly with the in-house counterweight system and which to automate. It entailed putting in five large intermediate trusses that fixed directly into the walls of the theatre to rig the 4 automated LX trusses and a 10m x 6m LED wall from and derigging and diverting every single one of the 40 in-house cradles.
"We drew up a groundplan of all the flown pieces and explained to Simon and his colleague Jeremy Featherstone (an engineering genius!) what we wanted to achieve. They fo
UK - Lift Turn Move (LTM) has extended its Entertainment LP electric chain hoist series with the addition of the LP1000 Hoist. The LP1000 has up to 60% greater lifting capacity with a weather resistant IP65 rating as standard - a key feature for the theatre and live events marketplace.
With the D8 standard motor, the lifting capacity of the LP1000 is 1600kg in one fall operation, with an equivalent smaller weight chain for the same capacity in previous versions of the hoists.
The specific requirements of the entertainment industry, such as increased capacity in one fall operation, low dead weight, low noise emission and suitability for outdoor use, have been given priority throughout the design and manufacture of the LP1000 concept.
LP1000 has a robust construction, is simple in its assembly and does not contain any sensitive electronics. All shaft-hub connections are built in a self-centring polygonal design, meaning disassembly and assembly is faster with no special tools required. Wearing parts, such as the chain or chain wheel, can be replaced within a few steps and without disassembly of the entire chain hoist. Perfect for a happy life on the road!
Available with D8, D8+ or C1 specifications, three- and single-phase designs (except C1) are available. As per C1 design criteria, LP1000 has interfaces for path and load measurement.
The entire chain fall is designed with a static safety factor of at least 8:1 (ISO M5, FEM 2m), meaning wear of the components is decreased and the life cycle is extended four times, to 16,000 hours (ISO M5,
UK - The hit musical, Hamilton opened at the end of December to sell out audiences at the Victoria Palace Theatre in London. Prior to its opening, the venue underwent a complete facelift to prepare for the show, with everything from the decor, the seats and the uniforms of the staff tying in with Hamilton. As part of the refurbishment, Unusual Rigging was brought on board to rejuvenate the theatre's 'tired' flying system as well as to provide rigging services for the show itself.
Jeremy Featherstone of Unusual explained: "The flying system at the Victoria Palace Theatre had become life expired due to many years of use. For Hamilton, Unusual was asked to refurbish fifteen counterweight sets that were needed for the show. Essentially, all the moving parts and ropes were replaced during the pre-rig period and the opportunity was taken to lengthen some of the cradles to increase their capacity to balance some of the heavier lighting bars."
With the venue shut, rehearsals for the show had to take place off site. Chris Boone, production manager for the show said: "We did an out of theatre set up with pre-rig at Set Up Scenery in Cambridge. With Unusual providing over 30 motors, we test built the whole site there."
A major part of the installation within the theatre focussed around the lighting rig, with eight counterweight flown LX bars and an integrated LX truss and catwalk system which hangs over the stage. This catwalk system weighed in at around 9000kg when fully loaded and this weight was spread over 18 points.