Denmark - A Kinesys automation system with Vector control is a key player in the production of Green Day’s American Idiot staged in Copenhagen at Den Grå Hal (The Grey Hall).
Benjamin La Cour’s acclaimed raw, stark scenography features three large scenic ‘slabs’ of concrete which lift, tilt and elevate to change the shape and architecture of the stage throughout the performance. They form a floor, a ceiling and several other shapes and spaces as the punky attitudinal sung-through action unfolds.
In terms of visuality, these three set pieces fundamentally define the look and feel of the piece directed and choreographed by Tim Zimmerman.
The three slabs each measure 8 x 4m and are suspended by four half-tonne Liftket vari-speed hoists fitted with Kinesys Elevation 1+ drives - capable of running up to 24 metres-a-minute. Each piece weighs around 900 Kgs and is picked up from the four points located about a metre from either end.
The undersides of the slabs are graduated, mirroring the shape of the stage below, with which the undersides ‘mate’ when in the down position.
The Kinesys system is being supplied to the production by Riggingworks Sweden (RWS) from Stockholm, run by John ‘Jonnymac’ McDonough, and is being operated on site by Roger Smissen.
The 12 dynamic points are being monitored via a Kinesys LibraCELL / LibraPRO system, together with the six static points that are partly suspending the production mother grid on Lodestar D8 Motors.
The grid was installed into the venue to enable the creative te
UK - Cardiff-based event and project management specialist 11th Hour has recruited three new full-time team members to help meet growing demand for its services.
Project manager Kirstie Evans joins from Cardiff Council's events team where she gained a wide variety of production experience. A graduate of The Royal Welsh College of Music and Drama, Kirstie also has experience in TV and film production management.
She is joined by assistant project manager, Pete Morgan who studied Live Event Technology at The University of Glamorgan before gaining experience working as a senior technician in television technology supply, as well as freelancing in the wider events industry.
In an increasingly busy warehouse, Sarah Everson takes on the role of assistant warehouse manager. With a degree in Music Technology, Sarah was apprenticed at The Wales Millennium Centre where she gained invaluable insights into all aspects of event production and developed strong technical skills.
11th Hour Director, Andy Hopkins, reflects on the appointments: "To keep pace with sharply growing demand for our services, we've recruited three dynamic and highly motivated individuals who bring with them a combination of experience, energy and a real passion for the events industry.
“11th Hour is moving forwards in leaps and bounds and our progress maintains pressure on everyone at the company to work hard and smart. The new team members have all slotted in and hit the ground running - we're delighted to have them on board in the thick of the action."
USA - OneRepublic headlined this summer’s 34-date Honda Civic Tour of North America, with support from Fitz and the Tantrums, and James Arthur.
Core to the strikingly impressive lighting design by Mark Butts, production and lighting designer at LA-based Preset Productions, are 103 Ayrton MagicPanel-602 fixtures, supplied by global rental company VER.
For Butts and co-production designer and show director Raj Kapoor, it was the first time of touring with OneRepublic. “We have worked with the band before, but never on a big tour, and we were keen to start developing a visual style and brand for them which really captures their personality and image,” explains Butts. “We wanted this tour to be the first step in defining the OneRepublic style and to make them known for their live shows in a similar way to iconic bands like Muse, Rammstein, U2 or Nine Inch Nails.”
The Honda Civic Tour is travelling with a big lighting package but Butts did not want to conform to a conventional ‘big’ light show. “We wanted to create something different for the band, something very architectural and very modern that would really focus down on them and provide an interesting environment for them to play in,” he says.
As a starting point, Butts and Kapoor rigged 10 lighting trusses in pairs at a 35° angle to form a series of receding ‘triangles’ which get progressively smaller upstage. These were loaded with 103 MagicPanel-602 fixtures to create a type of architectural ceiling piece with which to frame the band.
Despite the two downstag
Europe - Stageco continued its long-term association with The Rolling Stones on the band’s current tour No Filter.
The staging company created the two steel tower and roof systems that have been leapfrogging around Europe since the start of September when the tour opened at Hamburg’s Stadtpark Festwiese.
The Rolling Stones production manager Dale ‘Opie’ Skjerseth engaged in what he referred to as “my A team”, featuring creative director Patrick Woodroffe and set designer Ray Winkler from Stufish Entertainment Architects, with Jeremy Lloyd of Wonder Works co-ordinating the technical design elements and working with Stageco’s project manager Hedwig De Meyer and R&D engineers Tom Frederickx, Patrick Martens and Kai Eppinger, to create two complete steel, tower and roof systems that have been leapfrogging around Europe since the start of September when the tour opened at Hamburg’s Stadtpark Festwiese.
From the outset, the band’s main wish was for a tidy and streamlined production, with sleek contours but absolutely no hint of behind the scenes steelwork. Spreading 60m wide, the resulting set features four monolithic 22m high x 11m wide LED video screens, a 28m long T-shaped catwalk and B-stage, and a bespoke, cantilevered, transparent-skinned ‘roofette’ that hovers above the band.
Stefaan Vandenbosch, the leader of one of the two outdoor Stageco crews (Kevin De Meyer managed the other), commented: “Each system fills 17 trucks. Working with our own team of 14 along with 15 local climbers and 15 stage hands, it tak
UK/Ireland - Unusual Rigging are no novices when it comes to the technical ins and outs of Miss Saigon. The company worked on the original show when it opened in the West End nearly three decades ago and again in 2014 when the show re-opened to rave reviews at the Prince Edward Theatre in London. Cameron Mackintosh's production of Boubil and Schonberg's Miss Saigon began touring this summer – and once again Unusual Rigging have been brought on board to ensure the success of the musical as it tours the UK and Ireland.
The show is currently running at the Bord Gais Energy Theatre in Dublin until the end of November when it moves to the Wales Millennium Centre in Cardiff. Helen Guest, production manager explained: "The tour itself is based on the version of the show which ran at the Prince Edward Theatre but with some additions that were introduced in the Broadway version earlier this year.
“The set is a mixture of new built elements and a refurbishment of a set that we used in Korea. All in all it is actually a bigger show that in London – even though it's a tour! We transport 16 x 45ft trailers and Unusual Rigging are asked with overseeing all the rigging elements of the production."
With the Unusual team headed by Simon Stone being brought onto the project in April 2017, they were supplied with a hefty brief. "We basically supply all the hoists, control and rigging to the flown lighting, sound and set," commented Simon. "We are responsible for the design and calculations for how we lift the elements in the venues on the tour and
UK - Creative technical event production company Hawthorn constructed a 4,830sq.m set for eSports company ESL Gaming at the UK’s biggest games trade fair, EGX, held at NEC Birmingham in September.
Hawthorn delivered the vast custom-made set and supplied lighting, sound, rigging and staging, with five artic lorries needed to transport their kit - three of which were used just for the mammoth set.
The company created two large gaming stages, the ESL Premiership stage and the Twitch stage, both of which designed by ESL. Hawthorn custom built each set to ESL’s specifications, including the creation of custom gaming desks for the high-octane competition over the four days.
“With the ESL Arena covering nearly 5,000sq.m of space, this was a demanding job for us in terms of scenic creation” says Hawthorn senior project manager Ryan Grant who led the project. “Not only did we produce two stages, but we also custom built the exhibition stand for Intel to ESL’s exact specification.
“In total we had about a month of prep work and planning for the project before the on-site build started. We worked closely with the ESL team throughout the process to ensure everything met their specific requirements and achieved the best possible results.”
ESL creative team came up with an ambitious brief for the Intel stand, measuring 21m x 14m. The stand featured three large graphic walls with custom designed lightboxes used to highlight each of Intel’s featured processors. The brief also specified fitting a sub-hung flown truss that acted as a
UK - PRG has appointed Caroline Hill and Mark Davies to its UK TV & Film account management team.
Caroline joins from Panalux Broadcast and Events where, for five years, she oversaw the delivery of a diverse range of events including fashion shows, television series, rigging for feature films, and, most recently, the lighting and rigging elements of the factual show World War One Remembered: Passchendaele for the BBC. She is now based in PRG’s Covent Garden, London office.
Caroline is an addition to the already bolstered TV & Film account management team that welcomed Mark Davies earlier this year. Since joining PRG as a lighting project manager over 10 years ago, Mark went on to head up his department before moving into this current account management role.
TV & Film market leader Kelly Cornfield commented: “Caroline and Mark are great additions to the team and will support our continued growth in this sector.”
Belgium - Manufacturer of flame retardant fabrics, drapery and stage engineering solutions, J&C Joel has appointed of Luxillag as its new bronze dealer in Belgium.
Luxillag was established in 1986 and supplies lighting equipment and tailor-made installation solutions to stage, cinema, television, photography and architainment professionals.
Over the last 20 years, the company’s primary focus has been in theatre and broadcast with an expansion into architainment and entertainment. The business has been involved in major projects including lighting design and full installations for the theatre and photographical and broadcast Industry as well as stage and studio scenery.
Luxillag’s owner and managing director, Gianfranco Galli, said: “We are very pleased with this new partnership. J&C Joel’s extensive range of products and impressive achievements set the bar very high. When you look around Belgium, the market lacks innovation; Luxillag has always embraced innovation and therefore wants to set a new pace together with J&C Joel. We dedicate ourselves to provide the best customer experience and J&C Joel’s extensive knowledge and competencies have improved our quickness and reactivity. By combining efforts, drive and passion we will make it a great success.”
Roland Rizk, J&C Joel’s Europe and Russia regional manager, said: "We are very delighted to partner with Luxillag, they have great solution range and most of all have an outstanding reputation within our industry in the Belgian market, we are looking forward t
Europe - Cate Carter needs little introduction as one of busiest and most successful LDs over the last decade, with a long and illustrious portfolio featuring the likes of Editors and Ellie Goulding currently out on tour. Carter’s company, Bryte Design is a design production house run in conjunction with her business partner, lighting designer Mike Smith and visual producer Pablo Beckett. Even before the company’s inception, Carter had been employing the talents of Specialz to realise her design concepts.
“The ethos at the heart of Specialz is the company’s completely open nature to a designer’s ideas and concepts. Backed up by a breadth of experience, skill and, what could be best described as industry savvy, Dave and his team offer a unique service to us as a client.”
“I think it was back in 2011 when we needed to adapt a piece that we rented for an Elbow tour. It had originally been made by Specialz so, on a recommendation, we went back to them and they did a magnificent job creating a chandelier from the original set piece. Since then we have returned time and again with a wide variety of projects, from backdrops to bespoke lighting fixtures and the huge metallic fan set pieces currently gracing the Editors’ stage; they have never let us down.”
The fans of Editors have enjoyed a significant re-imagining since their initial construction, as Dave Smith explains, “We were originally commissioned to build six large fans. The intention was to use them for lighting effects with lamps positioned behind for rotating gobo-l
Brazil - Held in Barra Olympic Park in Rio de Janeiro, the recent Rock in Rio festival saw Gabisom Audio Equipment from Brazil deploy Martin Audio’s premier MLA rig on the Palco Mundo main stage.
Martin Audio’s MLA was first used on the second stages at Rock in Rio’s US event in Las Vegas in 2015 and at the event’s 30th birthday in Brazil the same year.
Gabisom chief engineer, Peter Racy, confirmed the impact created by MLA, stating, “For me personally it was a pleasure to hear the pristine sound quality of MLA, and in my opinion it was MLA that made the difference. In fact I heard nothing but rave reviews from users of the MLA in Rio.”
At Rock in Rio in Lisbon 2016, that MLA was taken onto the main World Stage, becoming the largest deployment of MLA systems on a single stage, eclipsing both Glastonbury and Hyde Park main stages.
The main PA for the World Stage this year was again the trademark sound and visual design of Rock in Rio comprising of four arrays, each with triple columns, and consisted of a total of 112 MLA enclosures with eight MLD downfills and 30 MLX subwoofers. A further 24 MLA Compacts were utilised across left and right front-fills while another 32 MLX were ground-stacked.
The system is designed to be used with a split mix, where two pairs of stereo mixes are output from the mixing desk. One stereo mix (called ‘Band’) contained most of the band elements (drums, bass guitars, and keys for example). The other stereo mix (called ‘Vocal’) contains vocals and any other elem
New Zealand - Jands, the Harman Professional audio distributors in New Zealand, recently launched JBL’s new medium to large format line array at the ASB Theatre in Auckland.
The JBL VTX A12 is a dual 12" three-way line array element purpose-built for mid to large-size touring applications and high-end fixed installations.
“We wanted our guests to understand the philosophy behind the technology of the VTX A12 and then to experience first-hand the innovative new features such as the ease of set up due to the redesigned rigging system,” says Jands tour sound manager Tim Robertson. “We then gave each person the opportunity to conduct their own listening tests on the system.”
The listening tests had some varying responses from guests. “I've never tested anything so uniformly flat both on and off axis in the HF range, and they have heaps of detail there,” says sound engineer Chris Tait from College Hill Productions.
JBL have patented a rigging mechanism and redesigned the suspension system that has streamlined deployment and setup.
“The rigging is incredible – one of the fastest I’ve seen for a line array,” says Ray Ward of NZ Sound. “It looks like it could be a one-man job to bring the PA up and down. The coverage and sound of the A12’s were fantastic, much smoother than I thought they would be.”
“There has been fantastic interest with the VTX A12 locally and our aim is to have it added to technical riders in the New Zealand market,” concludes Tim Robertson. “The VTX A12 has appeared at numerous festiv
UK - Delegates who attended the 2017 PLASA Rigging Conference at London Olympia last month have hailed the new format a success, according to the event's Platinum sponsor Unusual Rigging.
The 8th annual conference commenced with the traditional opening address – this year from industry legend Morris Lyda who talked about working with the likes of Phil Collins and Genesis while addressing the key entertainment basics, their shortcomings, values, obscurities and a contemplation of its uncertainties.
The speech was brought to life by cartoonist Matt Lawrence who worked closely with Morris and Unusual's Robin Elias to create a series of drawings – as well as providing a series of tongue in cheek caricatures of those who attended the event.
This was followed by a programme of subjects for debate – the morning session was chaired by Unusual's Alan Jacobi and debated the issues raised in Morris’s opening, particularly focussing on whether creativity in show production has been affected by such things as budget constraints, risk management, H&S, CDM; while the afternoon session chaired by Mark Surtees of Outback Rigging took a more detailed look at questions raised during the year and topical subjects including the impact of Brexit on working time, standards and touring, working at height on trusses and who has the final word on site.
Alan Jacobi, managing director at Unusual commented: "This year's conference really provided attendees with some food for thought which turned into some focussed, controversial and sometimes heated debate. Bu
UK - Load Cell Rental (LCR) provided a 40-cell wireless BroadWeigh system to monitor the loadings on each lighting and audio point during the load in and load out during Adele’s Adele Live 2017 tour.
Steve Walsh, head rigger on the tour said: "As the entire rig was located in-the-round on a custom ground support, being able to load the structure evenly was essential. We're talking about a total rig of 72 tons in weight and 25m high, with four leg ground supports designed to need little to no side bracing.
“Even loading of the structure was absolutely essential from a structural point of view – we knew that the ground support was immensely strong, but it had to be loaded correctly. It was at this point we turned to Colin Luke at Load Cell Rental (LCR). I've used LCR for all of my tours over the last five years and the service and equipment they supply makes them the best choice."
Colin Luke, LCR, added: "There are two main reasons to use load cells; firstly it is best practice when it comes to ascertaining show weights. Calculations are exactly that – and we have seen numerous occasions where calculations have proved unreliable because inaccurate weights were included.
“Secondly, there is a liability reason; in the event of an incident, the show’s weights are going to be scrutinised. If you have used a calibrated load cell to ascertain the weight, then you can honestly say that nothing more could have been done – whereas calculations leave room for criticism. For the Adele tour, the BroadWeighsystem was absolutely the right
USA - Metallica’s WorldWired tour is pushing technological boundaries by debuting the world’s first autonomous indoor drone swarm in a major touring act and revealing a new, in-the-round stage design, custom-built by TAIT.
The fresh set and stage design by show director David Braun, give concert-goers an immersive concert experience with a 44 ft. by 44 ft. square mainstage equipped with several prop lifts located in the centre of the arena.
This in-the-round experience incorporates 52 LED video cubes which ascend and descend while displaying colourful, vivid and flashy video content. The LED video cubes hang from 52 BT290 winches housed in a 60ft by 60ft mother grid rigging system above stage. Each 4ft LED video cube moves 4ft per second and has 40ft of vertical travel space.
TAIT Navigator, an entertainment automation platform, serves as the primary show control system for the entire show.
For the world’s first autonomous indoor drone performance for a major touring act, TAIT partnered with Verity Studios to introduce the latest drone technology to the band’s production manager, John ’Lug’ Zajonc and show director, Dan Braun.
Metallica perform their new single, Moth into Flame, as 100 drones emerge from the prop lifts built into the TAIT stage. As the music builds, the drones swarm into several formations and above the band.
The micro drones are equipped with on-board LED Lights and have three speed variations.
With safety at the forefront, the combination of a reliable indoor positioning system wi
UK - Technical producers LarMac LIVE once again chose to bring in PRG XL Video as a supplier of video, lighting and rigging technology across multiple stages at this year’s Creamfields 2017.
PRG XL’s team supplied rigging, indoor and outdoor video screens; a broad variety of lighting; LED signage; media servers and content manipulation technicians; and broadcast equipment and support.
For all the video elements, PRG XL senior account manager Paul ‘Macca’ McCauley took care of the specifications, with project manager Ian Jones taking care of the technical delivery. For lighting, account manager, Gordon Torrington, and event services coordinator, Chris Scott, took care of the design and implementation on site.
On the main Arc (CF01) and Horizon (CF02) stages, PRG XL Video supplied festival technology including lighting, rigging and video across both structures. Head of rigging, Q Willis took care of the rigging on both stages, leading a team of expert riggers who created the backbone for the lighting, video, and audio technology.
The Arc stage’s curved wings made up of vertical columns of 12mm ROE Visual LED, built into PRG’s custom touring frames. The spaces in the frames between the columns were used to rig a variety of lighting fixtures including Ayrton Magic Panels, 4 and 8 Lite Molefays, and Atomic Strobes.
Icon Beams lined the front of the stage below the wings, creating beams of light which stretched into the sky as the sun set. A large upstage back wall was formed from ROE 7mm LED on stage, with a DJ riser built from t
UK - UK-based international entertainment industry engineering design and safety specialists and consultants BLUMANO Ltd has launched Stage DB - a unique new multi-lingual software tool for co-ordinating and collating all the necessary machinery / equipment documentation to meet production health and safety requirements.
Stage DB has been developed for BLUMANO by Lluis Diaz-Guerra, also one of three directors of the company which launched in 2014. Since then, BLUMANO has led the way in establishing important health and safety related working practices for the world of concert touring, special events and large spectaculars.
Any tour or event needs to produce a fully organised bundle of documentation, including all the mandatory certificates and reports mandated by the H&S work regulations. This is often required in different languages, all of which also have to be available for inspection by local authorities.
This veritable minefield of administration takes serious time and resources, so Stage DB is designed to make the job infinitely quicker, logical, more cost-effective and easier once the raw data is entered into the system.
BLUMANO’s Cristiano Giavedoni comments: “This is the first system of its kind that has been conceived and developed specifically to work within the short and often highly pressured timeframes of the concert, show and event industry.”
The project manager can create the project with start/end dates; the person overseeing the kit being loaded onto the truck can go online and drag-&-drop the relevant e
UK - The International Theatre Engineering and Architecture Conference (ITEAC) has confirmed TAIT Stage Technologies as the principal sponsor of the 2018 conference, taking place in London on 3-5 June 2018.
TAIT Stage Technologies is the event’s major sponsor for a fourth consecutive conference, having been one of the founder sponsors of the initial event in 2002.
ABTT chief executive, Robin Townley, comments, “The commitment to supporting ITEAC 2018 that TAIT Stage Technologies has so generously made, is hugely important to allowing the next edition to be presented.
Presented by the Association of British Theatre Technicians (ABTT), the fifth edition of the quadrennial event will take place on Sunday 3 June, Monday 4 June and Tuesday 5 June 2018 at Savoy Place, the global engineering hub of the Institution of Engineering and Technology (IET).
A Call for Sessions has already been issued to those involved in the planning, design, construction, specification and operation of places of entertainment, as well as to writers, designers, performers, producers and production teams. Submissions may still be sent to David Staples via email@example.com.
All parties are invited to register their interest in attending, speaking or sponsoring the Conference, via the ITEAC website: www.iteac.co.uk
Italy - Outline GTO PA system was used during the performance of electro-funk superstars Jamiroquai at the Firenze Summer Festival held in Florence's Cascine Park.
A year after its successful deployment at a similarly memorable Florence concert by Sting, Outline’s GTO systems was once more centre stage, but with a totally different music genre.
Outline product specialist Vincent ‘Vinnie’ Perreux explained: “The PA was designed by Outline and Tuscan rental firm Emporio On Stage, based on the predictions of Outline’s Open Array 3D software.”
Angelo Catoni, owner of Emporio On Stage, added, “I’d worked with Jamiroquai FOH engineer Rick Pope in the past, so knew what he’d want for the band as far as the PA was concerned and in fact our design met with all-round satisfaction right from the paperwork stage. The enclosures respond really well as far as directivity is concerned, ensuring coverage exactly where they are pointed, so we were able to limit the majority of the sound to the audience area.”
The set-up comprised a 12-deep GTO hang per side as the main L&R system, each with two underslung GTO-DF down-fill enclosures plus six LIPF-082 front-fill enclosures covered the first rows of the crowd, plus two 12-element Mantas 28 hangs covering the stand seating to the sides.
Jamiroquai’s style of music relies on powerful, extended low-frequency reproduction and Emporio On Stage deployed 20 Outline DBS 18-2 subs plus eight LAB 21 infra-sub units.
FOH Rick Pope has worked with the band for over 20 years b
China - Star Events introduced a 22m Orbit and two V-towers to the Chinese market in September, providing the main stage and support structures at Concrete & Grass, a two-day music festival in Shanghai.
Star has supplied the event, at Shanghai Rugby Club, for the last three years from its depot in the city and organiser Split Works moved the company to the Main Stage after its 17m Orbit roof, Stage 2, was the only performance space to withstand torrential rain in 2016.
Gavin Scott, Star Events’ special projects manager, used an 80-ton crane and a six strong crew to build the bigger stage, a significant saving in time and resources compared to the local system it replaced.
Jo Xie, operations director at Star Events China, comments: “It is still very rare to see cranes building stages in China. Most are based on scaffold towers and are very labour intensive. The Orbit roof took about six hours, which was a great achievement for its first turn in the country.”
Concrete & Grass coincided with Star Events’ busiest week in China. It supplied an arena project simultaneously while prepping a second job for the 22m Orbit, at Yangtze River International Music Festival in Zhenjiang, the following week.
Launched in 2015 as Echo Park festival and rebranded last year, Concrete & Glass 2017 featured 70 acts from around the world, including Thurston Moore, Princess Nokia, Toy and Gacharic Spin.
USA - Quasar Science, the Los Angeles-based LED technology & logistics company has joined forces with Burbank-based Matthews Studio Equipment to create “the future of LED rigging support”.
Utilising MSE’s new MyWayGrip rigging system, the MyWayPlate Linear LED Mounting System is built for Q-LED linear lamps, making it simple to mount 1, 2 or 4 lamps off of a single stand. Or combine and configure multiple plates with optional MyWay adaptors.
“As people became familiar with the advantages of our linear LED lamps they began using them as singular fixtures but struggled with a simple and affordable mounting solution.” says Quasar CEO Steven Strong.
Up until now, LED tubes were often rigged using random clamps, tape, zip ties or other hardware not designed for the application. The combination of Quasar Science lighting technology and MSE grip support allows the user to rig mounting plates in any configuration they need, quickly and safely using an almost-endless variety of MSE MyWayGrip accessories.
“We wanted something that would be, above all, easy to rig,” explained Jay Yowler, Quasar Science co-founder and lead designer on the MyWayPlate project. “Combining the plates with the MyWayGrip system makes rigging quick and safe. Traditional clamps can damage the lamps and are awkward to use. Large shell housings are too cumbersome when you simply need a couple tubes.” Jay continues, “The MyWay system is extremely versatile and it shows when applied to LED lighting.”
UK - CPL (Central Presentations Ltd) has completed a full technical upgrade - staging, lighting, audio and AV - to the conference theatre at Heythrop Park Resort where the west Midlands-based company is also the house onsite technical support provider.
Heythrop Park Resort is a luxury venue set in 440 acres of stunning Oxfordshire Countryside and dating back to 1710. It currently has two hotels, an 18-hole golf course, a health club & spa and state-of-the-art conference facilities including a ballroom with capacity for 300 – 400 guests (in banqueting or theatre style respectively), the Conference Theatre which can hold 400 delegates and the charismatics Enstone Room for up to 200.
The latest plans have seen the addition of a marquee which can be configured as a 650-seater banqueting hall or an 800 capacity theatre space which will further expand the available resources to host a diverse selection of conferences and events.
A new audio system is at the heart of the refurbishment project, which has been designed and optimised for the theatre space to provide the clean, high clarity well focused audio demanded by clients.
These specifications and packages have all been fine-tuned and co-ordinated by Simon Haydon and Richard Burrow from CPL in close collaboration with Heythrop resort director Paul Russell.
A d&b Y8 line array with subs was chosen, powered by the new d&b D20 amps, with an Allen & Heath 24 channel digital console. Also integral to the audio package is a Shure UR4 mic system.
The stage itself has been co
UK - In their fourth year of attending PLASA Show, Current RMS have ensured their focus remains on evolving their software alongside the fast-paced AV and lighting industry it was built for.
PLASA Show 2017 was “a huge success” for the Current team, meeting lots of new and existing customers while demoing their cloud-based software on-stand. It was also the perfect opportunity to show PLASA visitors exactly what’s changed in the last 12 months, with over 20 voted-for new features being released since last year’s show.
Launching a new feature, Global Check-in, on the show’s second day, Current RMS has made it even easier to keep track of inbound and outbound stock in one centralised system. The much-anticipated Global Check-in lets users scan in returned stock from multiple jobs all from one screen, perfect for those busy mornings in the warehouse when different vans full of kit arrive at once.
Recently celebrating their three-year anniversary with 1,300 companies on board, Current RMS handles all aspects of your rental business from any device, anywhere. Create flexible quotes and orders to send online to your customers, check real-time product status and manage all crew, transport and venues all from within Current.
USA - In August, one of America’s largest Christian groups, the Assemblies of God, summoned youth from across the United States to its National Youth Convention and Fine Arts Festival in Anaheim, California. Held 7-11 August at the Anaheim Convention Centre, an important centrepiece of the event was a large stage set up used for presentations, services and evening concert celebrations, much of which was live streamed.
Elation dealer Illuminate Production Services provided a large Elation lighting and video rig for the five-day gathering with IPS’s Caleb Franke handling lighting design duties. IPS, headed by Caleb’s father Rick Franke, worked on the project with Jerry Dahlberg of DC Productions and used a wide variety of Elation gear on the event.
With Assembly of God church students from all across the nation in attendance, and the 10,000-seat capacity venue hosting a concert each night, the opportunity to make an impression was great. The goal for IPS was to create a house of worship feel on a large scale and give attendees a memorable experience.
LD and programmer, 18-year-old Caleb Franke, created impact from the start with a big opener that had lots of energy and volume. “I like to keep the shows interesting programming wise,” he said while mentioning that he did his first show when he was 7 years old and really got involved in lighting around sixth grade. “I’ll go from beam looks to very wide gobo looks with prism effects. I also like to use a lot of saturation with color in my designs, which fills in the stage well.”
UAE - After 18 years of producing some of the region’s most memorable shows, Protec – a Dubai-headquartered event technical and staging solutions company, continues to deliver extraordinary experiences through its creative technical skills.
Company founder and CEO Stephen Lakin said: “We have seen the events industry evolve considerably over the last 18 years since I started the company. Technology has grown, creativity has become bolder and audience engagement now plays a crucial role in every event. Our clients are spending more time on developing bespoke events, creatively using content with technology to immerse and involve their audiences into their story’s environment.
“Technology continues to play an important role and new technologies are guiding content developers to dig deeper into their creative talents to make full use of the technical resources to deliver with impact and to stay current. There is greater demand for a break from the typical sit and listen conference format to a more imaginative, dynamic, immersive and involving experience.
“This spurs us to continually think creatively and develop new ways of delivering our productions. So, although we are one of the largest events technical and staging solutions company in the world, in my mind, our creative approach to all our projects and the ability to consistently create extraordinary experiences through clever use of technology is what sets us apart.”
The company that started operations in 1999 with 12 employees increased its staff to 21 when it purchased