A Quantum7 is the front-of-house mix desk (David Estrin Productions)
USA - The Rady Shell at Jacobs Park in San Diego has installed three DiGiCo consoles. A Quantum7 is the front-of-house mix desk, with a DiGiCo SD10 for monitor mixing and an SD12 on hand for any auxiliary mix and processing needs. The three consoles, three SD-Racks located on stage, and a Mini-Rack in the amp room are all on a dual Optocore network, and the entire system was designed and integrated by Solotech.
“There are several reasons why we chose the DiGiCo consoles, and they are all areas that the brand excels in,” says Aaron Beck, business development manager and senior engineer at Solotech. “First, there’s capacity - the Quantum7 can run 200-plus inputs. Then there’s the Quantum processing power.” Becks cites features like Quantum’s Mustard Processing channel strips, Spice Rack plugin-style native FPGA processing options, and Nodal Processing all as standout features. “Plus, there’s the overall quality of the sound, which is exceptional,” he says.
The Rady Shell at Jacobs Park will see scores of visiting touring groups each year, many of whom will bring their own audio engineers and all of whom will be familiar with DiGiCo console architecture and operation. That familiarity will be important for more than just operational reasons.
Jacobs Park is located within a major metropolitan area that, like many, has stringent noise regulations. San Diego has deployed NTi Audio noise measurement devices nearby that automatically issue reports via cellular data to key elements of the city’s environmental control, as well as directly to the house engineer at Rady Shell. “The venue’s engineer can adjust the overall volume of the entire system from the FOH console when necessary to keep every show within compliance,” he says.
Joel Watts, the Symphony’s audio director, says the way the three DiGiCo consoles are networked on their own Optocore loop, along with a BroaMan Route66 Optocore AutoRouter, makes the entire console infrastructure effectively modular. “A single orchestral show here is 90 inputs, so being able to use all of the consoles, if necessary, as a single system is extremely helpful and efficient,” he says. “And console features like Snapshot really add to that. It lets us manage a large number of inputs easily.”

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