The Prodigy are on the European leg of their No Tourists tour (photo: Louise Stickland)
Europe - “I wanted a bit of additional craziness going on behind the band,” says Prodigy lighting and set designer Tim Fawkes. He is utilising eight Kinesys Elevation motors to move four special 4m long lighting trusses up and down, just upstage of the band, for the current European leg of their No Tourists tour.
The four pods in their home position made up two apex shapes to blend in with the rest of the structural trussing design. Each one is lined with four Martin Sceptron LED battens, five GLP JDC1 strobes, four Robe MegaPointe moving lights, four Showtec Sunstrips and five old-skool PAR cans with CP60 bulbs for a classic ‘ACL’ look.
All lighting and rigging equipment is being supplied by Blackburn based rental company HSL.
Having these pods automated on the Kinesys motors using a Vector controller enabled Tim to add lots of extra dynamics to the mayhem.
Another recently completed HSL tour utilising Kinesys featured an elegant and slick show design by Andy Hurst.
Andy’s design featured two identical large LED screens - one upstage and one downstage. The downstage one moved up and down on four Kinesys points controlled by Kinesys’ flexible and straightforward Vector software.
Summer and early autumn saw the Chemical Brothers on the road completing a hectic festival schedule followed by a week of high-profile headline shows, complete with another visual experience created by show designers Adam Smith and Marcus Lyall.
The fully integrated Chemical Brothers lighting and video show featured a large LED screen upstage with five moving (trussing) pods behind it, each loaded with a Robe MegaPointe moving light and some LED battens - adding some more optical mystery to this vibrant equation.
These were automated on 10 x Kinesys motors being run on a K2 controller, supplied by rental specialists Lite Alternative together with all the tour’s lighting and rigging equipment.
(Jim Evans)

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