Audio News

raduv-1gbasestationbeltpacksfixedRadio Active’s UV-1G receives EU certification
Tuesday, 20 August 2019

Europe - Radio Active Designs UV-1G wireless analogue intercom system has passed the EU’s Low Voltage, RoHS, Radio Equipment and EMC directives, the company has announced.
The six-channel intercom system that operates primarily in VHF is now available across Europe.
“We are extremely pleased to have crossed this hurdle,” explains James Stoffo, CTO, Radio Active Designs. “We have been actively working with European distributors who are excited to bring our product to their countries. We think the European production community will embrace the UV-1G as the true problem solver it is for a crowded RF market.”
The RAD UV-1G base station utilises Enhanced Narrow Band technology, which enables the unit to occupy a mere 25kHz of bandwidth in the UHF range, thus minimizing its UHF footprint. The body packs operate in VHF, which has more open bandwidth in Europe. In addition, because the UV-1G is analogue, it can be coordinated and licensed, making it suitable for events with multiple independent users. Fortunately, one set of antennas provides support to an unlimited number of belt packs.
“The RAD beltpacks are also vital for life safety,” adds Stoffo. “The beltpacks use a rebroadcast side tone to ensure that everyone on the system hears your voice - an important feature that most other systems do not offer.”
The UV-1G has been field proven regularly on such projects such as rocket launches and maintenance operations, NBC Studio NY, and Disney World, Orlando, as well as many sports and entertainment venues. It is also the wi

sprungraumexportat-2Martin CDD on the bounce in Sprung.Raum
Tuesday, 20 August 2019

Germany - The new Sprung.Raum trampoline and amusement park in the German city of Kiel features Martin Audio’s CDD speaker series as its featured sound system.
The 4,000 sq.m park is the largest trampoline venue in Northern Germany - but in addition to its primary function as a sports venue, it also hosts kids and youth discos and other events. It was therefore essential that the sound system could create a homogeneous background ambience while at the same time having the characteristics of a club PA for special events.
The lighting and sound system was designed and equipped by Hamburg-based PM White, who met this challenge with the installation of 21 CDD10W white loudspeakers and two CSX118 subwoofers. The trampoline area is equipped with 19 of the CCD10W, run in pairs off a single amplifier channel, while the remaining two CDD10W were installed in the instruction area.
"We already had a positive experience of Martin Audio's CDD speakers installed in the foyer of the Equila Showpalace in Munich," explains Ingo Jakobs, PM White’s project manager. "Thanks to the coaxial differential dispersion technology of the speakers, we can create a very round, unobtrusive and homogeneous sound in large rooms. With the two subwoofers added, we also have sufficient energy in the low frequency range to provide a potent disco sound."
(Jim Evans)

milanL-Acoustics K impresses in Piazza Duomo
Tuesday, 20 August 2019

Italy - Each summer since 2013, Milan’s Teatro alla Scala has transformed Piazza Duomo, the Italian city’s central square, into an open-air concert hall where the Orchestra Filarmonica della Scala give a free classical performance for residents and tourists.
An L-Acoustics K Series system was supplied by Italy’s premier rental company, Agorà, which has provided audio and lighting to this event since it first started.
Under the baton of maestro Riccardo Chailly, this year’s set list included Dvořák’s Symphony from the New World No. 9 in E minor and works from Italian composer, pianist and conductor Nino Rota, best known for his Federico Fellini and Luchino Visconti film scores. With 25,000 concert goers packing the 17,000m2 piazza and the evening broadcast live on RAI 5 in HD, Front of House engineer Fabio Venturi was tasked with designing a system that would deliver even coverage across the entire space and provide an audio experience on par with the beauty of the music and the setting.
“I am generally aware of the plan for the concert around a year in advance, as the orchestra has a very long-term planned schedule,” says Venturi. “I work together with Agorà’s system engineer, Daniele Tramontani, who is an authority in Italy in this field and has a huge amount of experience with orchestras projects. We usually start planning the system in March and the Filarmonica gives me full discretionary power on the audio setup.”
While the Filhamonica grants Venturi full freedom, it was vital that the maestro’s vision for the

nexoNexo line arrays reinforce Klassik Open-Air
Tuesday, 20 August 2019

Germany - A large PA system comprising elements of four different Nexo line arrays has entertained audiences of 60-75,000 per night at the Klassik Open-Air Music Festival in Nuremberg. In Phase Event, one of the primary rental suppliers of Nexo systems in Germany, designed and supplied the system for the event, which is Europe’s biggest classical music open air event.
This success story started in 2000, on the occasion of the City of Nuremberg’s 950th anniversary. Three free open air concerts performed by the city’s two major orchestras were intended to be a great party in the Luitpoldhain park. The event was modelled on similar concerts in New York’s Central Park and particularly on the Proms in the Park in London’s Hyde Park. The idea was that even people who normally do not listen to classical music could get together in a relaxed atmosphere, free of charge, to get to know “their” orchestras.
Due to the musical quality of the Nuremberg State Philharmonic Orchestra and the Nuremberg Symphony Orchestra, the ambience of Luitpoldhain and the relaxed atmosphere, these concerts have evolved a culture of an evening picnic culture by candlelight, culminating in a firework display.
Now in its third consecutive year with Nexo systems, the 2019 Klassik Open-Air programme also included the Big Band Jazz concerts, which take place every other season in the Luitpoldhain park. This open-air auditorium, often called Europe’s greenest concert hall, is 400m wide, asking the main PA to throw 300m to the back of the audience area.
In Phase Even

maestra-bahrain-is-launchedMaestra Bahrain opens, partners with Ritz-Carlton
Tuesday, 20 August 2019

Bahrain - Event design, technical and scenic production specialist Maestra Group has opened a base in Bahrain and announced a new partnership with the Ritz-Carlton resort and its 43,000sq.ft conference and exhibition facility.
As the resort’s exclusive event partner, Maestra will oversee all technical aspects of the new Arena facility, which offers a full set-up and capacity for large banquet receptions and global conferences.
Maestra’s Tom Clements comments: “We are extremely excited about this new venture and to be involved in such a high profile and incredibly well-designed event space. For Maestra Group, this is a logical expansion of our work in Dubai, and it will also be the first step in some strategic expansion plans for Maestra Group in the Middle East.”
“As Bahrain becomes a global destination for premiere conferences and events in the region, it’s our pleasure to partner with Maestra and unveil a new conference facility complemented with our signature Ritz-Carlton brand service we’re known for globally,” says Bernard de Villèle, general manager of The Ritz-Carlton, Bahrain. “With modern interiors and high-tech capabilities, The Arena stands to be one of the sought-after venues in the region and a perfect addition to the resorts already existing portfolio.”
The new venue is designed to host all types and styles of gatherings and events, including conferences, trade shows, car launches, seminars, music concerts, exhibitions and more.
Maestra Bahrain will include a core project management and technical team

adamson-hermes-aug19-hrAdamson partners with Hermes Music
Tuesday, 20 August 2019

Mexico - Adamson Systems Engineering has appointed Pro Audio Comercializadora, a division of Hermes Music, as its exclusive distributor for the Mexican market.
“Pro Audio Comercializadora has been in the professional market for several decades, and in that time, we’ve watched Adamson become a market leader in terms of innovation, product performance, and brand profile,” comments Raul Carlos Uriegas, director of Pro Audio Comercializadora. “The development of their various patented and proprietary technologies over the years makes it clear Adamson is proud and passionate about the audio industry, and that’s exactly the kind of company we want to partner with.”
Based in Mexico City, Pro Audio Comercializadora will work in close collaboration with Adamson’s Canadian headquarters to develop educational programming, provide client support, and propel further growth in the national market. Uriegas states that customer and user support will be at the core of their efforts from the outset, with plans already in place to deliver Adamson’s globally-standardized Applied Certification training in the near future.
“A very important part for us is to assist those who have trusted Adamson over the years, regardless of the origin of the sale,” he asserts. “Pro Audio and Adamson share a common bond in the way we care for our customers, and we plan to live up to both companies’ reputations with education opportunities and second-to-none service and support as part of the Adamson Network.”
Uriegas says in closing that his team is looki

audacateo6blackwhiteAudac expands ATEO loudspeaker range
Monday, 19 August 2019

Europe - Belgian audio manufacturer Audac has introduced MK2 versions of the popular ATEO4 and ATEO6 wall mount installation loudspeakers. Externally the product retains the same design that has made it so popular with designers, architects and installers including the CleverMount bracket system, however a number of internal improvements have been made. The most significant upgrade is a new crossover which delivers an ultra-flat frequency response for exceptional audio fidelity.
The ATEO range has also been expanded with the addition of 16 Ohm versions of the ATEO4 and ATEO6 without the integral 100V transformer found on the standard 8 Ohm model. These “D” versions of the ATEO loudspeakers offer an even more cost-effective solution for integrators working on small installations where a 100V system is undesirable or not required, allowing up to four speakers to be connected in parallel to a single amplifier channel.
The ultra-compact ATEO2 completes the range with a loudspeaker that is small enough to be unobtrusively hidden in almost any environment. The ATEO2 is available in both standard 8 Ohm version and 16 Ohm “D” versions.
A number of new mounting accessories are also now available for the ATEO range. Audac is exclusively distributed in the UK by CUK Audio.
(Jim Evans)

luke-crewL-Acoustics reinforces Luke Combs US tour
Monday, 19 August 2019

USA - In the two short years since he released his debut album, This One’s for You, Luke Combs has soared in popularity. Recently honoured as the newest member of the Grand Ole Opry, the North Carolina native is now taking a breather between the first and second North American legs of his Beer Never Broke My Heart Tour, which is being reinforced via Special Event Services’ (SES) L-Acoustics K1/K2 loudspeaker rig.
The first stretch of Combs’ arena headlining trek initially ran from March through July and quickly sold out every venue, prompting the musician to add a 29-date fall leg running from late September through early December.
“When putting together my production budgets for the 2019 tour, Michael Brammer from SES and I discussed the PA options in their inventory,” notes production manager Jerry Slone. “When I found out that K1/K2 would fit within our budget, it was a no-brainer. Although I’m currently serving as the production manager on this tour, I’ve also spent many years working with other artists as a front-of-house engineer, so I’m very familiar with L-Acoustics, which made it easy to choose K1/K2 as the rig we'd both need and want to have out with us.”
The loudspeaker complement for the tour is comprised of a dozen K1 flown over as many as six K2 down-fills per side, with 12 additional K2 per side serving as out-fill arrays, plus four ARCS II for side-fill as needed. Robust low-end reinforcement is delivered via a dozen KS28, deployed in a variety of configurations depending on each venue’s geometry. Three

passaictrackDanley delivers for Passaic County campus
Monday, 19 August 2019

USA - Passaic County Technical Institute is a large vocational, public high school that serves over 3,300 students in northern New Jersey. Its sizable campus is well-appointed, and its programmes are well-supported. Two full-time professional sound technicians number among its staff and oversee operations in its performing arts department and at its sporting events. Until recently however, the PCTI Bulldogs football team played for 1,500-plus crowds using only a portable sound reinforcement system that was underpowered and frequently unintelligible.
JD Sound and Video of Voorhees, New Jersey, remedied that for the Bulldogs’ most recent season with the installation of Danley OS80 loudspeakers and OS115 subwoofers. Because they’re designed and built to be fully weatherised, the Danley OS-Series boxes will serve PCTI for a long time.
“The Passaic football stadium had the best of everything for a school its size: new lighting, new turf, a new climate-controlled press box, nice seating, and full concessions,” says Joe DiSabatino, president and lead design engineer at JD Sound and Video. “Everything except a great sound reinforcement system. They were limping along with an underpowered portable system for every game. But they had high expectations. Given everything else audio-related at the school and the two full-time, A1 sound techs on staff, Passaic was a critical audience. This was more than the usual ‘make the athletic director and the students happy’ situation.”
The final design uses three Danley OS80 Synergy Horn loudspeakers to cov

kevin-stannett-dwr-with-enos-ramoroko-joburg-theatreNew lighting and audio for Joburg Theatre
Friday, 16 August 2019

South Africa - Joburg Theatre’s longstanding technical crew, headed by Enos Ramoroko, have taken delivery of new equipment to complement their busy theatre situated on Braamfontein Hill.
DWR Distribution delivered 20 Vari-Lite VL2600 Spots and four Robert Juliat Cyrano followspots to be used in the Mandela Theatre, while the audio in the Lesedi Theatre has been upgraded to an L-Acoustics ARCS Wide and Focus (WiFo) system.
“The Vari-Lite VL 2600 Spots met our needs for an LED spot,” says Enos Ramoroko, head of technical at Joburg Theatre. “The full blade shutters will be very useful for theatre applications.”
The crew are planning to use the new fixtures on productions like Sarafina, and this year’s annual pantomime, Jack and the Beanstalk.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos and his team, who have always been amazing to work with,” says Stannett. “I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
Formerly known as The Fringe, the Lesedi Theatre venue caters for 251 patrons and is used for smaller type shows such as comedy and children productions, plus music. “The Lesedi is a small and intimate theatre and the new audio system offers smooth and even coverage from the front to the back of the theatre,” says Chris Pugh from DWR who headed the install

clairbrosfranzavlClair Brothers extends pro network in Italy
Friday, 16 August 2019

Italy - Prase Media Technologies is one of the leading Italian AV distributors for audio, video, digital signal processing and professional control systems. Davide Buonasorte, Prase’s sales manager of the rental, retail and broadcast division, has overseen progress at the company, which has recently been rewarded for its hard work with the recruitment of two fast-growing companies, Franz AVL Rent and Tecnostruttura; both now utilise Clair Brothers products at their high-level events.
For more than 10 years, Franz AVL Rent, based in Senigallia, has been dedicated to servicing the touring industry, concentrating its scope on the central and northern areas of the country. The need to reach ever higher led them directly to a new monitor system from Clair Brothers - the road-tested 1AM stage monitors. Sixteen C12-M enclosures with 90º horizontal dispersion and 12 CS218-M subwoofers, all driven by Lab.gruppen PLM20K44 amplifiers were also added.
Andrea Battivello’s Tecnostruttura utilise a Clair Brothers PA system composed of 12 C8-M boxes, four CS218-M subwoofers and six 1AM stage monitors. This system can be used in combination with other gear for larger events but can also act as a small sound system on its own. This new system is powered by Lab.gruppen PLM amplifiers, specifically models PLM5K44, PLM12K44 and PLM20k44.
Emanuel Lovato, technical manager for Tecnostruttura, comments: "We’ve been collaborating with Clair Brothers distributor Prase for several years now. For this reason, when we felt the need to update our audio gear, we had no hes

kid-rockQSC powers Kid Rock’s Big Ass Honky Tonk
Friday, 16 August 2019

USA - With five floors and four stages, Kid Rock’s Big Ass Honky Tonk and Rock ’n’ Roll Steakhouse is the largest and most advanced entertainment venue on Nashville’s always-crowded Broadway.
Thanks to a comprehensive audio installation from QSC, the sound from multiple live acts on different floors is audiophile-grade. “The entire venue holds about 2,000 guests, with up to 600 in the main room and mezzanine,” says lead sound engineer Josh Hastick. “During busy seasons, all four stages are going at once, and we host as many as 16 bands, each with a four-hour set, in a business day.” That kind of turnover requires equal measures of flexibility and predictability from a P.A. system, which Hastick says that “QSC delivers in spades”.
The stage in their main room is flanked by three KLA12 active line array cabinets per side, complemented by four KW181 active subwoofers. Monitor mixes feed eight K10.2 powered loudspeakers on the stage, with an additional KW181 for the drum riser.
Between the main floor and the surrounding mezzanine, 16 AC-6ST surface-mount satellite speakers are deployed on delays time-aligned with the mains; these are driven by multiple CXD4.3 power amplifiers. Still more K10.2 and K12.2 speakers are strategically placed as fills, along with an extra KW181 to deliver thumping bass to the balcony crowd.
The third and fourth floor levels at Kid Rock’s, as well as the expansive rooftop bar, are all autonomous clubs-within-the-club. Their three performance stages are identically configured with E112 main loudspeak

brighton-prideWPC reinforces Pride Pleasure Gardens
Thursday, 15 August 2019

UK - For the fourth year running, The Pride Pleasure Gardens on Brighton’s Old Steine recreated its own experience during Brighton & Hove Pride Festival Weekend. The Old Steine Gardens were transformed around two 1,000-capacity big tops for three days, with entertainment ranging from camp bingo and cheesy pop to cabaret, vibrant live performances, DJs and hot clubbing.
Working for Ian Baird’s production company, Whiskey Bravo Productions, were Brighton based sound and light company Penguin Media Hire, enjoying their first year at the festival. Headed by technical project manager Dylan Thompson, the company was tasked with creating a technical infrastructure, including sound (in the shape of Martin Audio PAs), lighting and temporary power for the site; and although this provided a real challenge, it was one they came through with flying colours.
“We narrowly missed out on this event last year, but when we visited we saw elements that we knew we could improve on,” states Thompson. “So having worked previously with Whiskey Bravo, we successfully quoted on the Pride Pleasure Gardens this year. It was a great location as we were in our own little bubble.”
Assisting them on main stage were three ground-stacked Martin Audio Wavefront Precision Compact (WPC) enclosures, boosted by a pair of SX218 subwoofers on each side and a further pair of Blackline X8 as front-fills. “The BlacklineX boxes did really well,” says Thompson, “they are a brilliant little speaker.”
Penguin ran the WPC in three-box resolution, but aware of the prox

gma-awards-2019DPA gives clarity to Golden Melody Awards
Thursday, 15 August 2019

Taiwan - When you are giving an acceptance speech at a major awards ceremony, there are two things you want to be sure of - that everyone can see you and that everyone can hear what you have to say.
Achieving both these aims was key to the sound team at the recent Golden Melody Awards in Taipei, and the reason why they chose DPA’s d:sign 4098 Supercardoid Gooseneck microphones as their speech microphones.
Andy Chen, president of Winly Production Services International Corp and production manager for this event, says: “DPA’s 4098 Supercardioid microphones offer much clearer and more transparent sound than the microphones we were previously using, plus the miniature capsule is so slim and so amazingly small that is doesn’t block the faces of the speakers. This is really important, especially for the female artists.”
The Golden Melody Awards (GMA) take place annually and are regarded as the equivalent to the Grammys in the Chinese-speaking world. Inaugurated in 1990, the Awards recognise outstanding achievement in the field of popular music production and performance. They are organised by the Ministry of Culture of Taiwan, China, and the ceremony, which takes places in June at the Taipei Arena, is broadcast on Hami Video, TOUCH TTV, YouTube, MOD, UFO Radio, StarHub (Singapore), Astro (Malaysia) and Tencent Video (Mainland China).
Winly has been involved with the GMAs since their inception and has been using DPA floor standing microphones since 2017.
“Another key advantage of the 4098 is its reliability,” adds Andy Chen.

aberdeen-standard-investment-openingevent2019photo-by-ryan-buchanan003The Warehouse supports Edinburgh spectacular
Thursday, 15 August 2019

UK - The Warehouse Sound Services provided an advanced audio solution for Edinburgh International Festival’s spectacular opening event. Aberdeen Standard Investments Opening Event: LA Phil at Tynecastle celebrated the start of the 2019 International Festival and was attended by a capacity crowd of 15,000 people.
The 2019 International Festival opened in style with a spectacular concert from the Los Angeles Philharmonic and conductor Gustavo Dudamel, celebrating Hollywood film music.
A stage replicating the Hollywood Bowl, where the LA Phil famously perform every summer, was recreated in Tynecastle Park, the home of Hearts football club.
The LA Phil brought authentic gleam and glamour to the grandeur of Hollywood film scores in this year’s Opening Event, featuring classic movie music from the Golden Age of Hollywood by Korngold, Herrmann, Waxman and a selection from John Williams.
As a key supplier to the International Festival, The Warehouse provided the sound for the event, commissioned by the Festival’s head of technical John Robb and technical coordinator Callum Howie.
Front of House sound was mixed by hire manager and sound engineer Douglas Martin, who had flown to Los Angeles the previous week to attend a performance and meet the orchestra at The Hollywood Bowl. Douglas has extensive experience of mixing orchestras and works for many leading producers worldwide. He was joined at Tynecastle with crew from The Warehouse consisted of Aidan Thomson, Graeme Brown, Simon Meadows, Marc Freeman and Kieran Blair.
The Wa

shuretileShure launches long wired microphone handle
Wednesday, 14 August 2019

UK - Shure has announced the launch of the VPH - a long microphone handle for on camera interviews and reporting that features the flexible Shure RPW interchangeable cartridge interface and convenient XLR connectivity, for easy connection to broadcast mixers and recorders.
On-camera reporting changes drastically from situation to situation and the broadcast industry expressed a need for a cardioid microphone with a longer handle for live interviews in noisy environments, says the company.
Loud, side-line sports interviews call for one type of microphone while capturing superstar sound bites amidst a dozen other reporters at a chaotic awards show, might call for another. With VPH, you get to choose from a wide variety of Shure wireless interchangeable capsules that offer different polar patterns and sonic characteristics to match your situational needs. Polar patterns include cardioid, supercardioid, hypercardioid, and omnidirectional by way of PG58, SM58, SM56, SM87, Beta58, Beta57, VP68, KSM8, and KSM9 cartridge options. External phantom power is necessary to power the VPH.
Stuart Moots, associate director (pro), comments: “At Shure, we are continually responding to the needs of the market, and the new VPH long-handled microphone is a perfect example of this process in action. Our customers asked us to bring the flexibility of interchangeable wireless capsules into a wired microphone product, making it simple to switch between different polar patterns or from dynamic to condenser.
“The broadcast market is of the utmost importance to Sh

bosecontrolspaceexthreemodelsBose now shipping ControlSpace processors
Wednesday, 14 August 2019

USA - Bose Professional is now shipping new ControlSpace EX processors - two designed specifically for conference rooms (EX-440C and EX-12AEC) and one dedicated for general purpose applications (EX-1280).
With an open-architecture, all-in-one design, the ControlSpace EX-440C conferencing processor facilitates high-quality microphone integration and audio processing for small-to-medium size conference rooms. Various inputs and outputs allow for flexible configuration: four mic/line analog inputs, four analog outputs, onboard VoIP, PSTN, USB, Bose AmpLink output, eight-channel acoustic echo cancelling (AEC) and 16 x 16 Dante connectivity.
With an open-architecture design, twelve acoustic echo cancellers (AEC) and 16 x 16 Dante connectivity, the ControlSpace EX-12AEC conferencing processor provides a cost-effective, robust expansion for conference rooms using ControlSpace EX- conferencing processors.
The ControlSpace EX-1280 is a more powerful ‘big brother’ to the existing family of Bose ESP open-architecture digital signal processors. It is a robust processor designed for a wide variety of applications - from small, self-contained projects to large, networked systems. Leveraging advanced signal processing and a floating-point open-architecture DSP, the EX-1280 processor has the precision and power to create dynamic, yet predictable audio installations, says the company.
The ControlSpace EX-1280 processor offers 12 mic/line analog inputs, eight analog outputs, Bose AmpLink output, and 64 x 64 Dante connectivity - featuring high-quality audio

klangcla1KLANG:vier performs at Christian Life Assembly
Wednesday, 14 August 2019

Canada - Christian Life Assembly (CLA) in Langley City, 25 miles from downtown Vancouver, has grown in leaps and bounds since its humble beginning in 1937 as a sidewalk Sunday School, first moving into a tiny hall, then a succession of larger buildings as the church has attracted more congregants.
The worship centre at the Langley Campus, built in 1978, was expanded to hold 2,000 churchgoers in 2008 during renovations that also readied CLA for multimedia technology. Most recently, the church has taken its audio technology to the next level with a new DiGiCo SD12 digital mixing console at front-of-house and a KLANG immersive IEM mixing system, all specified and integrated by Ellis Pro Media of Tacoma, Washington.
“The SD12 has been super-flexible for anything we have wanted to do,” says CLA assistant technical director Will Lee. “I haven’t had a situation where I’ve thought, ‘I wish the SD12 did such-and-such’. Any situation we think up, the board can handle it, and I’m very happy with that.”
The new system further includes four KLANG:vier units, which support individual In-Ear mixes for up to five musicians each, and a KLANG:quelle, which offers four channels of Dante-enabled digital-to-analogue conversion and high-quality headphone amplifiers. The system at CLA interfaces with the SD12 via a Ferrofish A32 Dante 32x32 AD/DA converter but could alternatively be linked using an optional DiGiCo Dante interface card.
Lee, who is also a FOH engineer, generates the 24 channels feeding the KLANG system for the church’s contemporar

restaurantQSC solution improves audio at City Social
Wednesday, 14 August 2019

UK - Tower 42 in the City of London is home to Jason Atherton’s Michelin star restaurant, City Social. Situated on the 24th floor, the venue commands spectacular views across the metropolis. As well as serving an extensive range of drinks, Social 24, the venue’s bar, also hosts popular and busy DJ nights.
The City Social management team faced a number of issues relating to its audio provision and consulted with integrators Excite AV and the application team at Audiologic to help determine a practical way to overcome some tricky problems. The basic brief was to deliver a new background music system that could be used as a main system for DJ events.
The existing ceiling speaker system suffered from uneven sound and coverage, with 100V line speakers dotted only near the windows and above the bar. On busy nights as customers gathered on the dance floor, any lift in volume overpowered conversations in the peripheral areas, yet lacked sufficient dynamic range in the central dance floor area. To overcome this problem, the venue had used larger suspended speakers on DJ nights but the unique design of the building transmitted vibration to the floor below and had led to the installation of an inconvenient noise-limiter to avoid complaints from other users of the building.
Having taken account of the setting and its challenges, Audiologic and Excite AV recommended a QSC solution and arranged a demonstration of QSC speakers at the manufacturer’s London demo room. City Social went ahead with the design.
Excite AV installed six QSC AD-S6T 6.5inch su

keelandonovanKeelan Donovan on the road with Bose array
Wednesday, 14 August 2019

USA - Singer-songwriter Keelan Donovan, originally from Maine and now based in Nashville and Austin, knows the road. “After I graduated Belmont University, I knew I wanted to tour. So, from 2015-16 I was playing around 200 shows a year out on the road. Anywhere, for anyone, any time - I would book the shows myself and just play, play, play. I was trying to get my name out there, but I was also learning more about my music and performing every day.”
The things he learned during those intensely busy years helped him focus in on his performance style and learn to recognise the tools that make performers sound their best – and now a key piece of his successful performing regimen is the L1 Model II portable line array system from Bose that he travels with and uses at many of his gigs, including house concerts and smaller venues.
“At this point, I almost think of the L1 as a traveling companion and a partner,” he notes. “As I was playing that intensive schedule of 200 or more dates a few years ago, lots of the venues and house concerts had these Bose L1 systems, and they were just remarkable, and I knew that the time would come when I needed my own L1. When we were planning my current house concert tour, I didn’t even have any other P.A. in mind.”
As Donovan hit Dallas in May, he was able to experience a much larger Bose Professional system. “I played the House of Blues in Dallas as an opener, and they have a Bose ShowMatch system installed there, which is a bigger system for larger venues. That was one of my favourite shows in a long

joao-bessa-2webSSL in the mix with Pedro Abrunhosa
Wednesday, 14 August 2019

Portugal - Singer, musician, and songwriter, Pedro Abrunhosa is currently on tour across the country. Known for his large, live band and penchant for straddling different genres of music, the singer’s FOH engineer, Joao Bessa, relies on an SSL L200 to make his hands-on approach to live jamming a breeze.
Starting out in the studio and honing his craft for 14 years on an SSL 4000E console, Bessa eventually made what he calls the 'natural transition' to live engineering.
“The transition between the studio and the road was so natural to me: in my head, it's just mixing sounds and textures, and that is the thing I like to do,” he explains. “It's a completely creative art, and it's that which really interests me. I have tech knowledge, but I am not scientific - I just need to know the tools, and to know what I am doing, then switch that off and take care of the creative stuff.”
Bessa has been a freelance FOH engineer on the live circuit for 12 years, and currently spends the majority of his time split between touring with Abrunhosa and internationally recognised Portuguese fado singer, Ana Moura, who herself has gigged with Prince and The Rolling Stones.
“Abrunhosa has been a very big star in Portugal for the last 25 years, and I have known him for 12 years on the road,” says Bessa. “He has a big band - his music goes for a very broad style. He does great funk, and rock and roll and ballads: a real, complete artist, and a great composer for other artists, too. A stage animal - every concert is a huge party.”
Helping Bessa

seminar-programme2PLASA Show reveals seminar programme
Tuesday, 13 August 2019

UK - PLASA has announced its line-up of seminar sessions in the run up to the PLASA Show 2019 (15-17 September, London Olympia).
In collaboration with top industry figures and brands, the programme will feature an array of creative achievements as well as advice on salient industry issues.
Pro audio journalist and consultant Phil Ward will lead a panel of industry figureheads - Chris Hill from Wigwam, Jim Griffiths from Vanguardia and Steve Jones from d&b audiotechnik - in ‘Equal rights for audio!’ They will assess how live performances, including the recent Spice Girls reunion tour, can neglect audio in the rush for spectacular video, lighting and set design.
Moving from concerts to theatre, Shure will present the future of audio for theatre productions, in association with Curtain Call. This panel will explore how the advancement of microphone technology, such as wireless and lavalier mics, continues to influence performance and push the industry forward.
Meanwhile, Women in Music will host a session on how to survive and thrive in the live music industry, sharing tips on how to create an impressive CV, keep busy during the slow season, gain recognition, and prevent burnout whilst on the road.
Continuing on this theme, Rose Bruford graduate Tom Harrison will speak on the lifestyle of technicians. Working on the road is notoriously hazardous for diet, sleep and exercise, but Harrison is equipped with the latest research and insights to help those interested in leading healthier and more sustainable lives.
James Simpson, L

timax-plasa-2019-aida-szeged-hungaryPLASA 2019: TiMax unleashes new advances
Tuesday, 13 August 2019

UK - The PLASA Show 2019 will see major upgrades to Out Board’s TiMax immersive audio and show control systems, released in 2019 and currently in use on many major productions worldwide.
The new HARDCore FPGA DSP engine for the TiMax Soundhub 3D spatial audio platform adds extended delay-matrix memory and ultra-smooth dynamic delay-morphing algorithms to create totally transparent real-time localisation. HARDCore expands sound designers’ capability to achieve superior panoramic spatial mix reinforcement and immersive 3D soundscapes. HARDCore has also paved the way for a next-generation interactive spatial reverb resource within TiMax.
All-new TiMax TrackerD4 Precision Stagetracking is billed as affordable, dependable and portable, addressing a current price/performance gap in the market with enhanced levels of speed and precision at a range of cost levels offering serious ROI potential across a wide range of applications. With the TiMax vocal-localisation processes now controlled and monitored entirely within the TiMax SoundHub’s PanSpace GUI via OSC, the responsiveness of the new D4 also opens up the reality of cost-effective lighting and multimedia stage tracking control. As well as OSC, a PosiStageNet interface is being trialled, and TiMax TrackerD4 can now also control other spatial audio processors via OSC.
The versatile new TiMax SoundHub OSC interface allows generic tablet controllers such as TouchOSC and Lemur to be quickly mapped to TiMax spatialisation, system management and show control functions to provide fully customised touchsc

open-daysMartin Audio schedules more open days
Tuesday, 13 August 2019

UK - Martin Audio has announced the latest in its series of product open days, which have been running twice a year since 2017 at the company’s High Wycombe HQ.
The latest programme will run over five sessions spread across three days, on 17 September (at 10.00am and 2.00pm), 18 September (at 10.00am and 2.00pm) and 19 September (at 11am).
The event is aimed at existing distributors, dealers, integrators, rental partners and sound engineers as well as potential new customers wishing to gain in-depth understanding of Martin Audio’s platforms and at the same time take advantage of plenty of listening time in relaxed surroundings.
Many new products will be showcased for the very first time and tours of the factory and refreshments will also be provided. The demonstrations will include: the full line up of Wavefront Precision line arrays including the new WPS; subwoofers including the new cardioid SXC118; 3D immersive sound and wide stereo imaging with Sound Adventures; ADORN and CDD installation ranges; portable point source ranges including the new BlacklineX Powered Series.
Martin Audio MD Dom Harter comments: “The decision to refocus our marketing and prioritise a series of Open Days as an alternative to exhibition participation has proven an unqualified success. Each series of sessions has built on its predecessor with the result that now there is barely a spare seat in our dedicated theatre.
“Aside from providing existing members of the Martin Audio family with an opportunity to get up and close and personal with the products


Latest Issue. . .

Tweets from our Friends