Italy - Loudspeaker manufacturer Outline has announced the launch and immediate availability of its new portable, competitively-priced systems, V10 and V15.
Engineered for users and performers who transport and operate their own sound reinforcement systems, V10 and V15 are portable yet professional-grade products that will be sold at an affordable price. The enclosures are fabricated from top-quality birch ply, the same material used in Outline’s premium products compared to the moulded plastic favoured by many competitors.
UK - Choose Love, a charitable movement that provides humanitarian aid to refugees, opened a pop-up store in London to operate in the four-week run up to Christmas.
Pioneer Pro Audio was selected to donate a sound system.
The store works on the principle that visitors ‘shop their hearts out’ but leave with nothing, having bought essentials like solar lamps, blankets, bags and women’s products to enable similar items to be given to refugees. As a way of attracting attention and driving further footfall to the store, it hosts a variety of DJ sets from luminaries such as Jarvis Cocker and even has a Banksy artwork on display.
Pioneer Pro Audio was happy to supply two XPRS 10 tops complemented by two XPRS 115s subs, to provide crisp, punchy audio for the store’s generous customers.
Mark Grotefeld, general marketing manager at Pioneer Pro Audio, comments, “When the request came in from Choose Love, we had no hesitation in supplying the kit - in fact we see it as an honour to be even a small part of such a fantastic effort on behalf of disadvantaged people around the world. The system is perfect for the space and everyone at Pioneer Pro Audio wishes the enterprise every success.”
The Choose Love store was created by Help Refugees in partnership with creative collective, Glimpse. The charitable organisation has so far supported more than 700,000 people across 75 projects in 12 countries and operates a number of strategies to achieve its goals.
UK - Some Voices, a 500 strong London choir hosted three consecutive seasonal Speakeasy nights of choral performances at Troxy last week.
The 1925 dress and theming were accentuated perfectly by Troxy’s art decor architecture, but when it came to production the events were firmly rooted in the present day.
Troxy’s head of sound Ben Ellis was on hand, from Monday’s 7am load-in to Wednesday’s show close to assist the choir’s technical production – in particular the incoming sound and lighting engineers.
“In terms of the PA system we used our in-house front-of-house, the new JBL VTX A12 speaker system installed this Autumn by SSE. Their engineer brought in his own Alan and Heath dLive console that he had built his show on and was familiar with, which we ran FOH and monitors from.
“A show with this many singers generates a fair amount of volume on its own and it's important that the reinforcement from the house PA complements that sound in a natural way, so it's great to have the depth and detail that our new PA gives. You can get it feeling nice and big so you can really get into the show without it being uncomfortably loud or fatiguing the audience.”
The Roxy’s custom tiered stage was built to accommodate the massive choir in steps up to the top stage at the rear just under the proscenium where the live band performed the music for the show.
Ben continues: “We deployed small diaphragm condensers on the choir - mostly Rode NT5s in X pairs and as they were all in front of the band. A drum screen was deploye
UK - The Young Vic recently hosted a different take on Shakespeare’s Twelfth Night. The tale received a shake-up as soulful melodies and R&B beats weaved through an enchanting musical adaptation with sound reinforcement courtesy of KV2 Audio products.
It was the latest in a long line of successful KV2 theatre productions featuring sound design by Richard Brooker – who once again chose to use KV2’s EX products to transfer every detail of the performance and energetic musical arrangements from the stage to the audience.
Twelfth Night follows in the footsteps of Dream Girls, Annie, Sister Act and Funny Girl in successfully deploying KV2’s range of True Point Source loudspeakers and Richard has been instrumental in the rapid rise in profile of KV2 in UK theatres – a trend that has now been emulated on Broadway and in many European touring productions with increasing regularity.
Richard comments, “Twelfth Night was a particularly tricky show. The beautiful set was a combination of a traditional Proscenium look with a long thrust, almost traverse runway stage extension. Absolutely stunning to look at but a real challenge from a sound point of view.
“With the audience effectively on three sides across three levels it required an ‘Outside the box’ approach in order to deliver clarity, energy and excitement to every audience member – and I didn’t hesitate to specify KV2 for the task.
“With the help of KV2’s EX 6’s, EX 10’s, EX 26’s and EX 15’s with low end supp
UK - disguise has expanded its global reach by opening two new offices, in Shanghai and Los Angeles. This is in addition to their bases in London, New York and Hong Kong.
Fernando Kufer, CEO at disguise, comments: “The decision to expand into China and open a second office in America was a logical step in our business growth strategy. We are seeing rapid growth across the globe and some of the most talented visual designers are in these regions, so it is critical that we can work with them effectively and offer culturally relevant support.”
disguise have also hired multiple new team members across different regions. Bill Collis has joined disguise as chairman of the board, bringing his leadership experience within the film and video industry. The company has also appointed a new executive team including: Tom Rockhill as chief sales officer, Paul Hunt as chief financial officer and Lorna Bains as chief people officer. Other senior appointments include Roberto Scandian as head of operations, Ethan Forde as head of support, Laurence Dalby who is leading the company’s new Mixed Reality features for film and broadcast. There are also new teams in Shanghai and LA to support the new offices and regions.
UK - The comprehensive range of useful features offered by Sony’s DWX Generation 3 Digital Wireless system has inspired Stage Sound Services to invest in a further 24 channels of DWX, bringing its overall channel count to more than 150.
Stage Sound Services was an early adopter of Sony’s DWX 3 technology, seeing its toughness and durability as ideally suited to the rigours of theatre productions, particularly touring productions. Its DWX channels were supplied by Sound Network, which distributes Sony audio equipment in the UK.
Phil Hurley, managing director of Stage Sound Services, says: “In terms of price, reliability and sound quality, Sony’s DWX Generation 3 is an outstanding digital wireless system and, in our opinion, the best on the market. We supply equipment to numerous West End theatre productions and many of the sound designers we deal with are now specifying Sony DWX Generation 3 because they are so impressed with its sound quality. Demand for this technology is growing, which is why we have recently increased our investment by adding a further 24 channels.
“When we first tried Sony’s DWX Generation 3 system we were very impressed with its features and with how well the system worked in a live environment,” Phil Hurley adds. “As a brand, Sony inspires confidence and we’ve had a long association with the company, being one of the first equipment suppliers to adopt Sony’s popular miniature belt pack. Sony’s entry into the digital wireless market has raised the bar in terms of performance and we are very happy to be ass
Europe - Capital Sound recently completed one of their more unusual mini-tours when they provided sound reinforcement, including Martin Audio’s MLA, for three shows by Japanese ‘android diva’ Hatsune Miku. The ‘Vocaloid’ music sensation uses a computer generated voicebank developed by Crypton Future Media.
This virtual persona is actually a 16-year-old blue haired girl, who is seen onstage as a 3D hologram projection. Her repertoire is entirely original and she has over 2.5 million followers on social media.
The Expo 2018 Europe tour came to Capital via Jamal Chalabi of Proper Productions, with whom they work frequently. Since the London date was the densely populated Kensington Olympia, a hugely noise sensitive site, it was obvious that only MLA would offer the level of containment necessary while reaching the considerable levels required by the Japanese production.
In addition to Olympia, Capital supported the tour in mainland Europe at La Seine Musicale, Paris, and Cologne’s 18,500-capacity Lanxess Arena.
With three such diverse venues, according to Capital crew chief Amy Newton-Smith, selecting MLA had been a ‘no brainer’. However, it required the genius of system tech Ben Turnbull to deliver a consistent and first class sound - particularly when confronted with sound that would be running at 102dB.
However, according to the crew chief, the shows were exceptional, in part due to the live backing band, comprising two guitars, bass, keys and drums, all playing to a click track, with Hatsune’s vocals triggered by Pro T
Italy - Powersoft S.p.A is set to commence the public trading of its shares on the AIM Italia (Alternative Investment Market), organised and managed by Borsa Italiana.
The move is expected to bolster the company’s growth plans and intensify its R&D activities. Powersoft shares - ordinary shares and warrants - began trading on 17 December, following a settlement on 14 December.
Powersoft’s CEO Luca Lastrucci comments: “We have enjoyed great success in the last few years, which has been evidenced by the significant advances we have made over the last two decades, both technologically and territorially. In order to take the next step forward, we have decided to open ourselves up to a wider world. This will, in turn, give us more capital to maintain our strong focus on R&D, which has been a key growth driver for this company since the beginning.”
A pioneer in switched-mode technology, Powersoft has made Class-D a reliable and effective reality. The company has also introduced other major patented technologies that increased the efficiency of its amplifiers, such as Pulse Width Modulation (PWM), Power Factor Correction (PFC), Differential Pressure Control (DPC) and Smart Rails Management (SRM).
All these technologies, aimed at improving efficiency, and consequently reducing power consumption while expanding capabilities, are part of Powersoft's Green Audio Power design philosophy. With this kind of approach Powersoft contributes to environmental sustainability, thanks to smaller, lighter and more efficient amplifiers.
UK - DiGiCo has announced that KLANG:technologies has become the latest addition to Audiotonix. The 3D IEM specialist joins the Group that already includes Allen & Heath, Calrec, DiGiGrid, Solid State Logic and DiGiCo. Under the agreement, which was concluded last week, the KLANG system control will be introduced into DiGiCo’s worksurfaces.
James Gordon CEO of Audiotonix comments: “We have had the pleasure of working with KLANG and their pioneering immersive technology for a couple of years and when the opportunity arose for them to join Audiotonix, we were keen to make it happen. We have always stressed that with our M&A we would look at each brand’s requirement and help support them with their aspirations. On that basis KLANG will become a key part of DiGiCo’s future, as they combine forces to improve the listening world of artists and monitor engineers alike. It is about to sound a lot more natural, with the arrival of I-IEM (immersive in-ear monitoring).”
Austin Freshwater, GM of DiGiCo, adds: “We have been working in the background with KLANG for some months on increasing our level of integration. Over that time, it was clear the ethos of the development teams was similar, with a lot of shared common goals. Combining the control of the KLANG system into the DiGiCo worksurface will allow I-IEM and 3D personal monitoring to be a part of an engineer’s natural work flow, and that’s just the beginning for us and the KLANG team. We are keen to meet all their existing supporters and help more potential users understand the differenc
USA - The Bellamy Brothers play over 150 shows, large and small, annually. Several years ago, pro audio veteran Tim Thomas stepped up as act’s production manager via his production company, ShowPro, LLC. With the help of just two Danley SM80F loudspeakers and a Danley DNA 20k4 Pro amplifier (with integrated DSP), Thomas works his magic to give the brothers consistent sound regardless of the circumstances or venue.
“Apart from some big festivals where the PA is provided, the Bellamys typically play shows for between 500 and 3,000 people,” explained Thomas, who, in addition to all things live-sound, has headed ShowPro, LLC. his full production and installation company, for over two decades. “House systems are always hit or miss depending on the venue. We were traveling with our own system, but as they started to get more outdoor dates, I knew we needed something that had better throw.
“I’ve known Mike Hedden, Danley president for a long time, and I agree with him that line arrays are not the end-all-be-all sound-wise. Nor did I want myself or my small crew to spend all our time pinning boxes together and then struggling to make them all sound the same. Mike told me about the Danley SM80F when it came out recently and assured me it could easily cover 3,000 people.”
Thomas had previously run live sound for Guy Penrod, among the world’s greatest gospel singers, using four Danley SM80 loudspeakers and two Danley TH118 subwoofers, so he knew that Danley’s patented point-source technologies could deliver. After a demo, he committed to jus
USA - The 19th Annual Latin Grammy Awards Show, held on 15 November at the MGM Grand Garden Arena in Las Vegas and broadcast live on Univision, brought together Latin music’s future and past.
What they all had in common was the audio, thanks to the deployment of four DiGiCo consoles for the show. Comprising two SD7 FOH desks, two SD10 consoles for monitors and eight SD-Racks, the equipment was supplied by Firehouse Productions whose VP Mark Dittmar and system technician David Crawford designed the event’s sound system, with Luis Espinal serving as a system tech. FOH music mixer Ron Reaves and production mixer Andrew ‘Fletch’ Fletcher both used SD7 consoles, while monitor mixers Mike Parker and Mike Bove used the SD10 desks.
“The DiGiCo consoles are a very powerful platform to work from on shows like this, where the engineers are potentially confronted with complex workflows,” explains Dittmar, who also assigns DiGiCo desks for Firehouse Productions’ support of the Grammy Awards and the Video Music Awards shows, among other broadcast events.
“The SD consoles have so many features that make workflows simpler and let the engineers focus on the sound.”
Production mixer Andrew Fletcher used an SD7 to bring 56 inputs of introductions, acceptance speeches, stage patter, and music bumpers into the house. These came everywhere from the four podiums on stage (two wireless and two pop-ups, the last a backup podium) for the event hosts Carlos Rivera and Ana de la Reguera, four handheld microphones, and a full music backup of Reaves’ c
USA - Microphones and wireless systems from Audio-Technica were employed at the Country Music Association’s CMA Country Christmas broadcast event, shown on ABC on 10 December.
Audio-Technica’s third-generation 5000 Series frequency-agile true-diversity UHF wireless system powered the vocals for the event: Dustin Lynch sang through an A-T ATW-C6100 capsule, and Michael W. Smith and The Isaacs both used the A-T ATW-C5400 capsule.
The show, which was taped on 27 September, also used an assortment of wired A-T microphones, including eight A-T AT4050 large-diaphragm condenser microphones used on the choir, an AT4050ST large-diaphragm stereo condenser microphone used for the backline grand piano, and an AT5045P cardioid condenser microphones (stereo pair) on Diana Krall’s piano.
Clean Wireless Audio Owner Jason Glass, the wireless RF coordinator for the CMA on this and other events, managed the wireless systems.
“This was the third time I’ve done the wireless on the CMA Country Christmas show, but the first time I’ve used the third generation version of A-T’s 5000 Series system, and all I can do is rave about how good it was to work with,” observes Glass, who has also run wireless RF microphone systems for the annual CMA Awards as well as festival shows at Nashville’s Nissan Stadium, including the annual CMA Fest.
The RF system employed Glass’s own RF helical antennas located on trusses approximately 40ft in the air with 125ft coaxial looms connecting to the RF system, “and the RF service room was located across the cor
USA - Evanescence’s latest album Synthesis is a dramatic, orchestral-backed reworking of many of the band’s most beloved songs, plus a few new ones thrown in for good measure.
To properly preserve the atmosphere of the recordings on a live tour supporting the release, the band performed its shows accompanied by orchestra members that were hand-picked in each city and brought together by the tour’s conductor, Susie Seiter. Furthermore, fans of the group got a special treat on the most recent second North American leg when violinist Lindsey Stirling joined as a co-headliner, featuring songs from her album, Brave Enough, and acted as an electrifying extra member of Evanescence for specific songs like Hi-Lo.
LMG Touring of Orlando has worked with Stirling extensively in the past and served as the full-service audio, video, and lighting provider for the double-bill Synthesis Live trek. To sonically capture both the muscle and punch of the bands as well as the subtle nuances and complexities of the orchestral elements, LMG Touring specified a full L-Acoustics K1/K2 loudspeaker system for the shows. In addition to audio, LMG Touring also provided FLED 11MM LED screens, Catalyst Media Servers, and a full lighting package.
“For Evanescence’s set, there were 28 orchestral musicians on stage, plus the band, which consists of six musicians,” says Chris Bloch, who mixed FOH for the orchestra each night, while Eddie Mapp and Rob McWhorter mixed Evanescence and Lindsey Stirling’s group, respectively. “The same orchestra
South Africa - Comic-Con Africa, a three-day event showcasing comic books, science fiction/fantasy related film and TV, as well as similar popular arts, was hosted for the very first time in South Africa at the Kyalami International Convention Centre in Midrand, Johannesburg. MGG was appointed as the main technical supplier for the sold-out event, enjoyed by over 45 000 superheroes, villains and sidekicks.
Geeks, gamers and superheroes were spoilt for choice with an enormous exhibition area and were enthralled by gaming panel discussions, cosplay contests and a chance to rub shoulders with celebrities like Travis Fimmel of Vikings fame.
MGG meticulously executed the technical setup for Comic-Con Africa, that included a main stage, four pre-screening rooms, two VS gaming areas, kids’ entertainment area, an MTN outdoor stage which included a VIP and screening area, and lastly, audio for both multiple exhibition floors and the food zone. Professional gear was utilised all round, which included Robe and Claypaky lighting fixtures, Prolyte trussing, Absen LED screens, L-Acoustics PA and DiGiCo audio consoles that both amplified and magnified an exhilarating event.
“Getting these shows and putting them together really excites me,” said Timothy Templeton, MGG’s technical production manager for Comic-Con Africa. “For me, 80% of an event depends on pre-production planning. This is also where you rely on the crew, and we would not have been able to accomplish, what I feel was a professional and seamlessly executed event, without them. The crew are
Indonesia - The Indonesian Choice Awards 5.0 NET, presented by the NET TV Network, aimed at families and youth audiences, is one of the leading entertainment events in the country.
“For an entertainment and music event of this magnitude and size,” explains Sadat Effendy, technical director at Total Audio, the company that produced the show, “there is only one sound system we had to consider. That’s Clair Brothers. The Indonesian market loves Clair Brothers speakers because they always deliver.”
This event always coincides with, and marks the anniversary of, the NET TV Network. This year is its fifth anniversary and the Indonesian Choice Awards show did not disappoint. Performing for an audience of 9,000, local and international musical acts filled out the evening of awards and tributes for the best in movies and music.
Effendy says: “An event of this proportion is always challenging, especially with regard to the PA, when trying to create a coherent sound acoustically.”
Wayne Grosser, managing director, Clair Brothers Australia and sound design consultant for the award show, elaborates: “I advised the production team that if too much delay was put on the main PA, the sound will not be coherent with the stage noise. The result can be unwanted slap delay, and that’s no good. So, in order to prevent that, I suggested a change to the layout of the side PA to assure timing with the main PA. The solution was the alignment of four Clair Brothers i212 8-cabinet line arrays.”
The event’s main speaker system was a combination
USA - Located in Melborne, Florida, Church at Viera holds four modern worship services in two different venues each week using Allen & Heath dLive, GLD and SQ Series mixers for FOH and streaming broadcast and a ME-1 Personal Mixing System for monitoring.
Production director Eli Higginbotham, alongside technical director Brock West, leads Church at Viera’s production team. “We had an older digital mixer with reliability issues,” says Brock. “So, when I came on board, I looked for a replacement. We considered several brands but there wasn’t another console in the same class and price range as the dLive.”
The church has standardised on Allen & Heath digital mixers for FOH, broadcast and their Youth Centre. “The architecture is very similar so it’s easy to train a volunteer to mix in one space and then move them to another,” says Eli.
Church at Viera’s dLive includes an S7000 Surface and DM64 MixRack both located at FOH. Two DX168 Expanders accept sources on stage. Wireless mic receivers, audio from video and Ableton Live tracks connect to the DM64 at FOH. An SQ-6 Digital Mixer serves the church’s Youth Centre supplemented by an AR2412 AudioRack. A GLD-112 Digital Mixer mixes streaming broadcast for the church’s website. Dante cards in each mixer implement audio networking throughout the church’s systems.
Twelve ME-1 Personal Mixers with a ME-U Hub are what Brock and Eli describe as “a killer rig” monitoring system. Six ME-1s, located backstage, feed wireless IEM’s for vocalists who can adjust their mix du
USA - On Sunday 30 September at Pine Trails Park, the Actions for Change Food and Music Festival Fundraiser took place. Born out of the tragedy of the 14 February Stoneman Douglas shooting in Parkland, FL, its goals were to provide healing by bringing love, light, and hope through the arts, register people to vote, raise national awareness about gun violence, and raise funds for organizations committed to helping all our nation’s youth.
There was a good mix of speeches in addition to both live and recorded music to keep the action going and, to ensure the best audio performance, a loudspeaker system drawn from the Aero Series 2, Action, Road, and UX catalogues of DAS Audio was utilised.
Dynamic Productions USA of Orangeburg, NY, a full-service events production company, was contracted to handle the sound reinforcement requirements for the festival. Brian Rosenblum, the company’s president and CEO comments: “As an outdoor event with an audience of approximately 3,500 people, it was crucial that we provide a setup that not only had the ability to deliver both a high level of speech intelligibility and solid music reproduction, we had to ensure even coverage throughout the area.
“To accomplish this, we deployed a sound system consisting of DAS Audio Aero 40 active, 3-way line array enclosures, Aero 20A active compact line array enclosures, Action 12A point source loudspeakers, along with UX-218 and UX-221 subwoofers.”
The primary setup involved ten Aero 40 enclosures per the left and right sides - flown on motors from truss. For front-f
USA - E-sports - the world of competitive video gaming - has become an international phenomenon, with millions of fans watching both in person and on Internet livestreams, rooting for players that might take home millions of dollars in winnings. Where better to build a premium Esports venue than in the gaming capital of the world - Las Vegas?
That’s what Allied Esports International set out to do, with a new venue in the Luxor Hotel on the Las Vegas Strip. “Our mission was to build a turnkey infrastructure to do many different live events, as well as produce content in a style and quality that meets or exceeds current broadcast standards,” says Drew Ohlmeyer, head of content, Allied Esports International and Esports Arena Las Vegas. To repurpose a former nightclub space, Allied hired CBT Systems to design and build an A/V system tailored for high-availability streaming video broadcasts.
Darrel Wenhardt, president & CEO of CBT Systems, knew from the start that the space’s previous audio system was insufficient for the demands of Esports. CBT chose a Lawo mc²36 console for front-of-house duties, and a second mc²36 to power the streaming broadcast production control room.
“We’ve worked extensively with Lawo, who have developed consoles specifically for these types of challenges,” explains Wenhardt. “[They] are used around the world to manage major global events including sports, live performance and networked production infrastructures. Lawo was an easy and obvious choice and provided exactly what was needed, while also being able
Kuwait - In a move that has significantly enhanced the meeting and conferencing experience of its corporate customers, the Sheraton Kuwait has upgraded to the latest wireless conferencing system from Sennheiser.
Implemented across the property’s two large ballroom-style conference facilities as well as its many meeting rooms of varied sizes, the audio specialist’s ADN-W system delivers crystal clear audio conferencing with the convenience of flexible and secure wireless connectivity.
Intuitiveness and customer satisfaction were priorities as Eng. Mohamed Monieb, maintenance manager at Sheraton Kuwait explains: “Our hotel’s world-class facilities meet the needs of very large to extremely intimate gatherings and the wireless conferencing system allows the equipment to also be ‘right-sized’ exactly as per customer requirements.”
Beneficial for Eng. Monieb and his team has been the system’s ability to eliminate the RF interference issues that plagued the microphone system they had previously utilised.
“Prior to selecting Sennheiser, we conducted a test between ADN-W, our existing system and another manufacturer’s solution and this not only demonstrated vastly superior sound quality, but also convincingly addressed our concerns around interference,” he explained. It is the ADN-W’s ability to hop between frequencies in the 2.4GHz and 5GHz ranges that makes this performance possible.
Robust and reliable wireless connectivity was also assured through the direct involvement of Sennheiser’s team in the design and deploy
USA - K-array has launched K-array USA.
With a new facility located in the greater Boston area, the Italian manufacturer will directly oversee operations of the sales, marketing and service of K-array's audio solutions in the States.
The new operation is headed by K-array global business development director, Rusty Waite and will work alongside manufacturer representatives SG Western (California, Nevada, Arizona), Media Concepts (Texas, Oklahoma, Arkansas, Louisiana, Mississippi) and On The Road Marketing (New York City, New Jersey) who will cover their respective territories to grow the brand in the market.
"It is the right time for us in regards to the company's growth to invest more of our resources into the expansion of K-array in the United States," explains Waite of the structural update and distribution change. "It increases our accessibility and provides us with the opportunity to build stronger relationships with US customers, which is crucial for long-term success in the US."
Although the new-formed entity is currently building its team, an opportunity to meet the new members of the K-family, as well as those from Italy including K-array president Alex Tatini, will be at The NAMM Show in Anaheim, CA on 24-27 January where they will be in Demo Room #202B providing expertise and hands-on demonstrations of several products from K-array portfolio throughout the event.
Canada - Solotech has named Daniel Méjean as vice-president (strategic sourcing) effective 14 January 2019.
In this new position under the direction of Nicolas Lavoie, chief financial officer, Méjean will actively contribute to the performance of the rapidly growing sourcing department as a key player in strategic planning, as well as long and short-term alliance building with suppliers and partner.
Méjean has over 20 years of experience in strategic sourcing management and direction in large-scale companies.
UK - River Audio has installed a new Martin Audio WPM line array in the main hall at Plymouth University.
The university wanted to replace its small vocal PA in this location with an upgraded system that would be suitable not only for speech but also music and drama performance. When a delegation of the University’s AV technicians attended a live sound training course with the local Base Sound, to improve their mixing capabilities, they were introduced to Martin Audio’s signature sound, and were immediately impressed.
After reviewing various systems they opted for the WPM line array and chose Base Sound sister company, River Audio, to supply and install six of the WPM tops, flown each side of the proscenium, with and a pair of WX218 subs on the ground, all running from a pair of Martin Audio iKon 8-channel amps.
As the two clusters are trimmed around 6m from the ground, they have also installed five Martin Audio CDD6’s, running in mono, on the front of the stage, to deliver infill clarity for those sat underneath the main clusters.
According to River Audio’s owner, Howard Williams, it had been an easy decision to recommend Martin Audio. “I have used their equipment since 1995 both for live events and on installs and have always liked their broad range of live and installation products. I also use Martin Audio to teach live sound engineering on, and it has now become my speaker of choice for installations. “
The university is delighted with the sound quality and coverage of the system and is enjoying using if for both pres
UK - Adlib was back on the road with pop rockers 5 Seconds of Summer - fresh from winning the 2018 ARIA Award for ‘Best Australian Live Act’ - supplying a Coda sound system, monitors and an Adlib crew to work alongside the band’s engineers Phil Gornell (FOH) and Pavan Grewall (monitors).
Richy Nicholson project managed for Adlib, Sam Proctor was the systems engineer on the road and he worked alongside Marc Peers - another talented Adlib engineer - who co-ordinated all things in monitor world.
Phil and Adlib have worked together before on several previous tours including All Time Low and Bring Me The Horizon; the Liverpool based company has been his preferred equipment supplier for the UK and Europe since around 2010.
The decision to spec Coda was a joint one made by Phil, Richy and the Adlib team. Adlib has used it very successfully on numerous tours, events and installations covering various genres of performance - from comedy to rock - and it has proved especially appropriate in theatre style environments.
Phil was very happy to go with that, as he needed something “flexible and easily scalable whatever the situation” to deal with the differences in venue size and shape.
The Coda speakers are extremely light and easy to rig, so they were a practical solution, and their sonic excellence has been proven many times over.
The main hangs were Coda AiRAY. A total of 28 were carried on the tour giving 14-a-side for the largest configurations, plus up to four Coda ViRAY downs per side.
For in, out and front-fills, there
USA - d&b audiotechnik will unveil a new addition to its SL-Series line array family – the KSL – at the NAMM show in California from 24 January 2019.
The KSL System is a smaller sibling of its big sister, GSL, and brings the benefits of d&b’s SL lineage, including full range broadband directivity, extended LF response and advanced rigging options in an accessible size and performance package.
KSL is designed for sound reinforcement needs of any genre, mobile or installed, from large scale arenas, stadiums and festivals to medium scale applications such as clubs, theatres, houses of worship and performing arts venues.
KSL and GSL work independently or as perfect playmates; an ideal match in terms of tonality, headroom, coverage, planning and deployment infrastructure.
Werner ‘Vier’ Bayer from d&b Product Management comments: “The SL-Series is the latest step in d&b‘s continuing obsession with directivity control, acoustical performance and optimal workflow. The industry and the environment in which we operate is constantly evolving and this means our systems are meaningful only when they deliver value to our customers and their clients. Premium acoustical performance for the highest quality listening experience is but one dimension.”
“As with all new developments it’s essential we understand what technicians have in mind when they’re working,” adds Matthias Christner, head of R&D acoustics at d&b. “These challenges become the vision, something that we can shape with our own instincts an