UK - Music for Dementia 2020 and Live Music Now have launched a new Musical Care taskforce with the aim to make music an essential element of dementia care.
The taskforce, which brings together more than 60 leading representatives from across the music, dementia, health and social care sectors, will look at ways to bring music to people living with dementia who are not able to access music otherwise.
A wide body of research has demonstrated significant benefits of music for people living with dementia, including reducing anxiety, depression and agitation, providing an alternative channel of communication and connecting people with those around them through shared musical moments.
Music for Dementia 2020 is a campaign to make music available for everyone living with dementia by the end of 2020. To create this taskforce, Music for Dementia 2020 has partnered with Live Music Now, a UK-wide charity that delivers interactive music programmes in care homes, hospitals and a range of community and healthcare settings.
Grace Meadows, programme director at Music for Dementia 2020 and a senior music therapist at Chelsea and Westminster Hospital, says: “This is an exciting opportunity to grow and enhance the excellent work already happening in many care settings across the UK. Through the taskforce we aim to significantly accelerate and expand the understanding of the benefits of weaving music through the care that is provided to people living with dementia. We believe having a strong network in place will help achieve this and as an outcome see more ca
South Africa - MGG is the first rental technical company in South Africa to invest in Braceworks, an add-on module for Vectorworks Spotlight, which helps ensure safety and compliance and is an easy way to assess a temporary structure under load.
Gone are the days when a truck would arrive on-site and the technician would quickly chat to the client and only then decide where the stage and gear would be positioned. “Now everything is so well planned, right to the point of where the motors need to go,” explains Kevin Rieck, head of drafting at MGG. “Everyone can see what the final product is going to look like before the truck is even loaded, but with events getting bigger, we had to ensure safety first and this is where Braceworks comes in.”
MGG recently took ownership of Braceworks, purchased from DWR Distribution, and have used it on shows such as Miss SA, Classics is Groot a corporate event for Sasol. “We received Braceworks just in time for Miss South Africa 2019, and it helped me to come up with solutions and made the process immensely easy,” says Riek, who is typically given the stage, lighting and gear design that he puts together into one drawing. “Miss South Africa incorporated thin LED walls, which were placed very high up in the rig. The weight was in a central spot and we used four one tones just to pick it up.”
With heavy equipment, such as LED panels, suspended above people, safety has to be a priority. “Because of the way weight can be distributed, there is a lot of tension on the motors. Braceworks shows you when a m
USA - At the turn of the year, Lady Gaga kicked off two multi-year Las Vegas residencies at Park Theatre at Park MGM, both of which are presented in L-ISA Immersive Hyperreal Sound technology from L-Acoustics.
Lady Gaga’s first show, Enigma, which has now completed 18 sold-out performances is a nonstop, eye-popping spectacle taking its 5,200 audience members on a full-throttle, futuristic odyssey through two hours of her club classics.
Her second show, Jazz & Piano, is a glitzy return to classic Las Vegas style with the artist accompanied by a full big band complete with string section. Alternating between stripped down solo piano and vocal arrangements of her pop numbers and swinging orchestral versions of Great American Songbook staples.
Although the two productions could hardly be more different in terms of design and execution, the sound technology remains the same, underscoring the ability of L-ISA to enhance all types of music.
The L-ISA configuration is made up of K Series long throw enclosures. Three central arrays each comprised of 12 K2 are flanked by two 13-enclosure Kara arrays on each side, while outfill arrays of 12 K2 are positioned between each of the two Kara hangs to address the far left and right seating sections. The proscenium rig is rounded out by a dozen KS28 subs centrally flown in two cardioid hangs of six enclosures and bolstered by a linear horizontal arrangement of 10 SB28 located under the stage lip.
Front-fill is delivered by a dozen X8 and two X12 short throw enclosures, with a special side
Italy - The Milan Latin Festival is a 10-week celebration of Latin American artists. They converge on the external area of the Assago Forum in Milan for 66 days of celebration from mid-June to mid-August, to deliver a varied programme of concerts to enthusiastic crowds. Artists such as the king of Reggaeton, Daddy Yankee and fellow Puerto Rican, Ozuna, lit up the stage for sold-out shows.
At outdoor events such as this, where the hazards of dispersion are more pronounced, the true qualities of an audio system are laid bare and event technology provider Suono e Luci, chose Coda Audio to ensure that every artist performing during the two-month duration of the festival was heard loud and clear.
Claudio Saoncella, head of audio at Suono e Luci, customers of Coda Audio’s Italian distributor Decima 1948, opted for a ViRAY solution configured in Bi-Amp. The system was installed into the festival’s 1500sq.m outdoor area, which contained seating for more than 6,500. Reliability and precision were key to the task, given the duration of the event and the huge variety of acts to be presented.
For the main PA Suono e Luci installed 15 ViRAY (Bi-Amp) per side with three ViRAY per side for delay. Front-fill was delivered by four HOPS8 and side-fill by six TiRAY, 2 TiLOW and two SCV-F subs. Eight SCP-F subs arrayed across the front of the stage completed the system.
Front of house engineer for the festival William Geroli reports, “the system has a very good response across all the frequencies and the Dual Diaphragm coaxial wave driver and coupler technolo
Germany - Active Blue, a Bremen-based service provider for lighting, sound and event technology, recently acquired several components of the Vio system, dBTechnologies' most powerful PA system.
The Bremen-based company is using equipment from the Italian PA manufacturer dBTechnologies for the first time. The purchase includes 20 VIO L212, 20 S218 SUB and 20 L208 modules.
Active Blue has been in operation for 30 years and since and is active Europe-wide. The company is increasingly active with corporate events and conferences, concerts, parties or cultural events. The aim of purchasing Vio components was to expand the stock of large PA systems and to respond even more flexibly to customer wishes. All equipment has to meet the highest standards. After extensive market research, they decided to take a closer look at the Vio system at the dBTechnologies stand during Prolight + Sound in Frankfurt.
"The discussions with the dBTechnologies team and the information we could gather at the show were compelling," says Andreas Beer, managing director of Active Blue. "dBTechnologies has done a tremendous job here and offers a wide range of features that are not available from competitors. The rigging and handling of the system are very simple, the networking of all modules with each other is smooth, the automatic recognition of the elements present in the system and of course the integrated RDNet are further, very useful features.”
The new components have already been used for several events, including the 850th-anniversary city festival of Melle, the Su
UK - Showcasing the latest and greatest music, Hertfordshire festival Standon Calling was the biggest yet, welcoming a record 15,000 people.
This year’s headliners across the three-day July festival included Nile Rodgers & CHIC, and Rag’n’Bone Man. Other acts included Friendly Fires, Echo & The Bunnymen, Róisín Murphy, IDLES, Lewis Capaldi, Mahalia, Kate Nash, The Big Moon, Steam Down, The Japanese House, Band Of Skulls, The Joy Formidable and Sea Girls.
The festival hosts a range of acts across multiple stages. Adamson’s UK distributor The Warehouse Sound Services designed an Adamson sound reinforcement system for the festival’s main stage.
The system consisted of a full complement of Adamson E15 line array loudspeakers and E119 Subwoofers with additional ground-stacked S10 line array loudspeakers on the sides, all powered by Lab Gruppen PLM 20K44 amplifiers running Lake Processing.
Front-fill was covered with new Adamson Milan ready CS7p point source loudspeakers. Systems engineer Aidan Thomson from The Warehouse created the system design and provided support as systems engineer.
Thomson comments: “The bar is high in terms of what people expect sonically at festivals, the Adamson systems are truly scalability and we received some favourable comments from several visiting engineers who really enjoyed using the system on the main stage.”
Europe - Radio Active Designs UV-1G wireless analogue intercom system has passed the EU’s Low Voltage, RoHS, Radio Equipment and EMC directives, the company has announced.
The six-channel intercom system that operates primarily in VHF is now available across Europe.
“We are extremely pleased to have crossed this hurdle,” explains James Stoffo, CTO, Radio Active Designs. “We have been actively working with European distributors who are excited to bring our product to their countries. We think the European production community will embrace the UV-1G as the true problem solver it is for a crowded RF market.”
The RAD UV-1G base station utilises Enhanced Narrow Band technology, which enables the unit to occupy a mere 25kHz of bandwidth in the UHF range, thus minimizing its UHF footprint. The body packs operate in VHF, which has more open bandwidth in Europe. In addition, because the UV-1G is analogue, it can be coordinated and licensed, making it suitable for events with multiple independent users. Fortunately, one set of antennas provides support to an unlimited number of belt packs.
“The RAD beltpacks are also vital for life safety,” adds Stoffo. “The beltpacks use a rebroadcast side tone to ensure that everyone on the system hears your voice - an important feature that most other systems do not offer.”
The UV-1G has been field proven regularly on such projects such as rocket launches and maintenance operations, NBC Studio NY, and Disney World, Orlando, as well as many sports and entertainment venues. It is also the wi
Germany - The new Sprung.Raum trampoline and amusement park in the German city of Kiel features Martin Audio’s CDD speaker series as its featured sound system.
The 4,000 sq.m park is the largest trampoline venue in Northern Germany - but in addition to its primary function as a sports venue, it also hosts kids and youth discos and other events. It was therefore essential that the sound system could create a homogeneous background ambience while at the same time having the characteristics of a club PA for special events.
The lighting and sound system was designed and equipped by Hamburg-based PM White, who met this challenge with the installation of 21 CDD10W white loudspeakers and two CSX118 subwoofers. The trampoline area is equipped with 19 of the CCD10W, run in pairs off a single amplifier channel, while the remaining two CDD10W were installed in the instruction area.
"We already had a positive experience of Martin Audio's CDD speakers installed in the foyer of the Equila Showpalace in Munich," explains Ingo Jakobs, PM White’s project manager. "Thanks to the coaxial differential dispersion technology of the speakers, we can create a very round, unobtrusive and homogeneous sound in large rooms. With the two subwoofers added, we also have sufficient energy in the low frequency range to provide a potent disco sound."
Italy - Each summer since 2013, Milan’s Teatro alla Scala has transformed Piazza Duomo, the Italian city’s central square, into an open-air concert hall where the Orchestra Filarmonica della Scala give a free classical performance for residents and tourists.
An L-Acoustics K Series system was supplied by Italy’s premier rental company, Agorà, which has provided audio and lighting to this event since it first started.
Under the baton of maestro Riccardo Chailly, this year’s set list included Dvořák’s Symphony from the New World No. 9 in E minor and works from Italian composer, pianist and conductor Nino Rota, best known for his Federico Fellini and Luchino Visconti film scores. With 25,000 concert goers packing the 17,000m2 piazza and the evening broadcast live on RAI 5 in HD, Front of House engineer Fabio Venturi was tasked with designing a system that would deliver even coverage across the entire space and provide an audio experience on par with the beauty of the music and the setting.
“I am generally aware of the plan for the concert around a year in advance, as the orchestra has a very long-term planned schedule,” says Venturi. “I work together with Agorà’s system engineer, Daniele Tramontani, who is an authority in Italy in this field and has a huge amount of experience with orchestras projects. We usually start planning the system in March and the Filarmonica gives me full discretionary power on the audio setup.”
While the Filhamonica grants Venturi full freedom, it was vital that the maestro’s vision for the
Germany - A large PA system comprising elements of four different Nexo line arrays has entertained audiences of 60-75,000 per night at the Klassik Open-Air Music Festival in Nuremberg. In Phase Event, one of the primary rental suppliers of Nexo systems in Germany, designed and supplied the system for the event, which is Europe’s biggest classical music open air event.
This success story started in 2000, on the occasion of the City of Nuremberg’s 950th anniversary. Three free open air concerts performed by the city’s two major orchestras were intended to be a great party in the Luitpoldhain park. The event was modelled on similar concerts in New York’s Central Park and particularly on the Proms in the Park in London’s Hyde Park. The idea was that even people who normally do not listen to classical music could get together in a relaxed atmosphere, free of charge, to get to know “their” orchestras.
Due to the musical quality of the Nuremberg State Philharmonic Orchestra and the Nuremberg Symphony Orchestra, the ambience of Luitpoldhain and the relaxed atmosphere, these concerts have evolved a culture of an evening picnic culture by candlelight, culminating in a firework display.
Now in its third consecutive year with Nexo systems, the 2019 Klassik Open-Air programme also included the Big Band Jazz concerts, which take place every other season in the Luitpoldhain park. This open-air auditorium, often called Europe’s greenest concert hall, is 400m wide, asking the main PA to throw 300m to the back of the audience area.
In Phase Even
Bahrain - Event design, technical and scenic production specialist Maestra Group has opened a base in Bahrain and announced a new partnership with the Ritz-Carlton resort and its 43,000sq.ft conference and exhibition facility.
As the resort’s exclusive event partner, Maestra will oversee all technical aspects of the new Arena facility, which offers a full set-up and capacity for large banquet receptions and global conferences.
Maestra’s Tom Clements comments: “We are extremely excited about this new venture and to be involved in such a high profile and incredibly well-designed event space. For Maestra Group, this is a logical expansion of our work in Dubai, and it will also be the first step in some strategic expansion plans for Maestra Group in the Middle East.”
“As Bahrain becomes a global destination for premiere conferences and events in the region, it’s our pleasure to partner with Maestra and unveil a new conference facility complemented with our signature Ritz-Carlton brand service we’re known for globally,” says Bernard de Villèle, general manager of The Ritz-Carlton, Bahrain. “With modern interiors and high-tech capabilities, The Arena stands to be one of the sought-after venues in the region and a perfect addition to the resorts already existing portfolio.”
The new venue is designed to host all types and styles of gatherings and events, including conferences, trade shows, car launches, seminars, music concerts, exhibitions and more.
Maestra Bahrain will include a core project management and technical team
Mexico - Adamson Systems Engineering has appointed Pro Audio Comercializadora, a division of Hermes Music, as its exclusive distributor for the Mexican market.
“Pro Audio Comercializadora has been in the professional market for several decades, and in that time, we’ve watched Adamson become a market leader in terms of innovation, product performance, and brand profile,” comments Raul Carlos Uriegas, director of Pro Audio Comercializadora. “The development of their various patented and proprietary technologies over the years makes it clear Adamson is proud and passionate about the audio industry, and that’s exactly the kind of company we want to partner with.”
Based in Mexico City, Pro Audio Comercializadora will work in close collaboration with Adamson’s Canadian headquarters to develop educational programming, provide client support, and propel further growth in the national market. Uriegas states that customer and user support will be at the core of their efforts from the outset, with plans already in place to deliver Adamson’s globally-standardized Applied Certification training in the near future.
“A very important part for us is to assist those who have trusted Adamson over the years, regardless of the origin of the sale,” he asserts. “Pro Audio and Adamson share a common bond in the way we care for our customers, and we plan to live up to both companies’ reputations with education opportunities and second-to-none service and support as part of the Adamson Network.”
Uriegas says in closing that his team is looki
Europe - Belgian audio manufacturer Audac has introduced MK2 versions of the popular ATEO4 and ATEO6 wall mount installation loudspeakers. Externally the product retains the same design that has made it so popular with designers, architects and installers including the CleverMount bracket system, however a number of internal improvements have been made. The most significant upgrade is a new crossover which delivers an ultra-flat frequency response for exceptional audio fidelity.
The ATEO range has also been expanded with the addition of 16 Ohm versions of the ATEO4 and ATEO6 without the integral 100V transformer found on the standard 8 Ohm model. These “D” versions of the ATEO loudspeakers offer an even more cost-effective solution for integrators working on small installations where a 100V system is undesirable or not required, allowing up to four speakers to be connected in parallel to a single amplifier channel.
The ultra-compact ATEO2 completes the range with a loudspeaker that is small enough to be unobtrusively hidden in almost any environment. The ATEO2 is available in both standard 8 Ohm version and 16 Ohm “D” versions.
A number of new mounting accessories are also now available for the ATEO range. Audac is exclusively distributed in the UK by CUK Audio.
USA - In the two short years since he released his debut album, This One’s for You, Luke Combs has soared in popularity. Recently honoured as the newest member of the Grand Ole Opry, the North Carolina native is now taking a breather between the first and second North American legs of his Beer Never Broke My Heart Tour, which is being reinforced via Special Event Services’ (SES) L-Acoustics K1/K2 loudspeaker rig.
The first stretch of Combs’ arena headlining trek initially ran from March through July and quickly sold out every venue, prompting the musician to add a 29-date fall leg running from late September through early December.
“When putting together my production budgets for the 2019 tour, Michael Brammer from SES and I discussed the PA options in their inventory,” notes production manager Jerry Slone. “When I found out that K1/K2 would fit within our budget, it was a no-brainer. Although I’m currently serving as the production manager on this tour, I’ve also spent many years working with other artists as a front-of-house engineer, so I’m very familiar with L-Acoustics, which made it easy to choose K1/K2 as the rig we'd both need and want to have out with us.”
The loudspeaker complement for the tour is comprised of a dozen K1 flown over as many as six K2 down-fills per side, with 12 additional K2 per side serving as out-fill arrays, plus four ARCS II for side-fill as needed. Robust low-end reinforcement is delivered via a dozen KS28, deployed in a variety of configurations depending on each venue’s geometry. Three
USA - Passaic County Technical Institute is a large vocational, public high school that serves over 3,300 students in northern New Jersey. Its sizable campus is well-appointed, and its programmes are well-supported. Two full-time professional sound technicians number among its staff and oversee operations in its performing arts department and at its sporting events. Until recently however, the PCTI Bulldogs football team played for 1,500-plus crowds using only a portable sound reinforcement system that was underpowered and frequently unintelligible.
JD Sound and Video of Voorhees, New Jersey, remedied that for the Bulldogs’ most recent season with the installation of Danley OS80 loudspeakers and OS115 subwoofers. Because they’re designed and built to be fully weatherised, the Danley OS-Series boxes will serve PCTI for a long time.
“The Passaic football stadium had the best of everything for a school its size: new lighting, new turf, a new climate-controlled press box, nice seating, and full concessions,” says Joe DiSabatino, president and lead design engineer at JD Sound and Video. “Everything except a great sound reinforcement system. They were limping along with an underpowered portable system for every game. But they had high expectations. Given everything else audio-related at the school and the two full-time, A1 sound techs on staff, Passaic was a critical audience. This was more than the usual ‘make the athletic director and the students happy’ situation.”
The final design uses three Danley OS80 Synergy Horn loudspeakers to cov
South Africa - Joburg Theatre’s longstanding technical crew, headed by Enos Ramoroko, have taken delivery of new equipment to complement their busy theatre situated on Braamfontein Hill.
DWR Distribution delivered 20 Vari-Lite VL2600 Spots and four Robert Juliat Cyrano followspots to be used in the Mandela Theatre, while the audio in the Lesedi Theatre has been upgraded to an L-Acoustics ARCS Wide and Focus (WiFo) system.
“The Vari-Lite VL 2600 Spots met our needs for an LED spot,” says Enos Ramoroko, head of technical at Joburg Theatre. “The full blade shutters will be very useful for theatre applications.”
The crew are planning to use the new fixtures on productions like Sarafina, and this year’s annual pantomime, Jack and the Beanstalk.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos and his team, who have always been amazing to work with,” says Stannett. “I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
Formerly known as The Fringe, the Lesedi Theatre venue caters for 251 patrons and is used for smaller type shows such as comedy and children productions, plus music. “The Lesedi is a small and intimate theatre and the new audio system offers smooth and even coverage from the front to the back of the theatre,” says Chris Pugh from DWR who headed the install
Italy - Prase Media Technologies is one of the leading Italian AV distributors for audio, video, digital signal processing and professional control systems. Davide Buonasorte, Prase’s sales manager of the rental, retail and broadcast division, has overseen progress at the company, which has recently been rewarded for its hard work with the recruitment of two fast-growing companies, Franz AVL Rent and Tecnostruttura; both now utilise Clair Brothers products at their high-level events.
For more than 10 years, Franz AVL Rent, based in Senigallia, has been dedicated to servicing the touring industry, concentrating its scope on the central and northern areas of the country. The need to reach ever higher led them directly to a new monitor system from Clair Brothers - the road-tested 1AM stage monitors. Sixteen C12-M enclosures with 90º horizontal dispersion and 12 CS218-M subwoofers, all driven by Lab.gruppen PLM20K44 amplifiers were also added.
Andrea Battivello’s Tecnostruttura utilise a Clair Brothers PA system composed of 12 C8-M boxes, four CS218-M subwoofers and six 1AM stage monitors. This system can be used in combination with other gear for larger events but can also act as a small sound system on its own. This new system is powered by Lab.gruppen PLM amplifiers, specifically models PLM5K44, PLM12K44 and PLM20k44.
Emanuel Lovato, technical manager for Tecnostruttura, comments: "We’ve been collaborating with Clair Brothers distributor Prase for several years now. For this reason, when we felt the need to update our audio gear, we had no hes
USA - With five floors and four stages, Kid Rock’s Big Ass Honky Tonk and Rock ’n’ Roll Steakhouse is the largest and most advanced entertainment venue on Nashville’s always-crowded Broadway.
Thanks to a comprehensive audio installation from QSC, the sound from multiple live acts on different floors is audiophile-grade. “The entire venue holds about 2,000 guests, with up to 600 in the main room and mezzanine,” says lead sound engineer Josh Hastick. “During busy seasons, all four stages are going at once, and we host as many as 16 bands, each with a four-hour set, in a business day.” That kind of turnover requires equal measures of flexibility and predictability from a P.A. system, which Hastick says that “QSC delivers in spades”.
The stage in their main room is flanked by three KLA12 active line array cabinets per side, complemented by four KW181 active subwoofers. Monitor mixes feed eight K10.2 powered loudspeakers on the stage, with an additional KW181 for the drum riser.
Between the main floor and the surrounding mezzanine, 16 AC-6ST surface-mount satellite speakers are deployed on delays time-aligned with the mains; these are driven by multiple CXD4.3 power amplifiers. Still more K10.2 and K12.2 speakers are strategically placed as fills, along with an extra KW181 to deliver thumping bass to the balcony crowd.
The third and fourth floor levels at Kid Rock’s, as well as the expansive rooftop bar, are all autonomous clubs-within-the-club. Their three performance stages are identically configured with E112 main loudspeak
UK - For the fourth year running, The Pride Pleasure Gardens on Brighton’s Old Steine recreated its own experience during Brighton & Hove Pride Festival Weekend. The Old Steine Gardens were transformed around two 1,000-capacity big tops for three days, with entertainment ranging from camp bingo and cheesy pop to cabaret, vibrant live performances, DJs and hot clubbing.
Working for Ian Baird’s production company, Whiskey Bravo Productions, were Brighton based sound and light company Penguin Media Hire, enjoying their first year at the festival. Headed by technical project manager Dylan Thompson, the company was tasked with creating a technical infrastructure, including sound (in the shape of Martin Audio PAs), lighting and temporary power for the site; and although this provided a real challenge, it was one they came through with flying colours.
“We narrowly missed out on this event last year, but when we visited we saw elements that we knew we could improve on,” states Thompson. “So having worked previously with Whiskey Bravo, we successfully quoted on the Pride Pleasure Gardens this year. It was a great location as we were in our own little bubble.”
Assisting them on main stage were three ground-stacked Martin Audio Wavefront Precision Compact (WPC) enclosures, boosted by a pair of SX218 subwoofers on each side and a further pair of Blackline X8 as front-fills. “The BlacklineX boxes did really well,” says Thompson, “they are a brilliant little speaker.”
Penguin ran the WPC in three-box resolution, but aware of the prox
Taiwan - When you are giving an acceptance speech at a major awards ceremony, there are two things you want to be sure of - that everyone can see you and that everyone can hear what you have to say.
Achieving both these aims was key to the sound team at the recent Golden Melody Awards in Taipei, and the reason why they chose DPA’s d:sign 4098 Supercardoid Gooseneck microphones as their speech microphones.
Andy Chen, president of Winly Production Services International Corp and production manager for this event, says: “DPA’s 4098 Supercardioid microphones offer much clearer and more transparent sound than the microphones we were previously using, plus the miniature capsule is so slim and so amazingly small that is doesn’t block the faces of the speakers. This is really important, especially for the female artists.”
The Golden Melody Awards (GMA) take place annually and are regarded as the equivalent to the Grammys in the Chinese-speaking world. Inaugurated in 1990, the Awards recognise outstanding achievement in the field of popular music production and performance. They are organised by the Ministry of Culture of Taiwan, China, and the ceremony, which takes places in June at the Taipei Arena, is broadcast on Hami Video, TOUCH TTV, YouTube, MOD, UFO Radio, StarHub (Singapore), Astro (Malaysia) and Tencent Video (Mainland China).
Winly has been involved with the GMAs since their inception and has been using DPA floor standing microphones since 2017.
“Another key advantage of the 4098 is its reliability,” adds Andy Chen.
UK - The Warehouse Sound Services provided an advanced audio solution for Edinburgh International Festival’s spectacular opening event. Aberdeen Standard Investments Opening Event: LA Phil at Tynecastle celebrated the start of the 2019 International Festival and was attended by a capacity crowd of 15,000 people.
The 2019 International Festival opened in style with a spectacular concert from the Los Angeles Philharmonic and conductor Gustavo Dudamel, celebrating Hollywood film music.
A stage replicating the Hollywood Bowl, where the LA Phil famously perform every summer, was recreated in Tynecastle Park, the home of Hearts football club.
The LA Phil brought authentic gleam and glamour to the grandeur of Hollywood film scores in this year’s Opening Event, featuring classic movie music from the Golden Age of Hollywood by Korngold, Herrmann, Waxman and a selection from John Williams.
As a key supplier to the International Festival, The Warehouse provided the sound for the event, commissioned by the Festival’s head of technical John Robb and technical coordinator Callum Howie.
Front of House sound was mixed by hire manager and sound engineer Douglas Martin, who had flown to Los Angeles the previous week to attend a performance and meet the orchestra at The Hollywood Bowl. Douglas has extensive experience of mixing orchestras and works for many leading producers worldwide. He was joined at Tynecastle with crew from The Warehouse consisted of Aidan Thomson, Graeme Brown, Simon Meadows, Marc Freeman and Kieran Blair.
UK - Shure has announced the launch of the VPH - a long microphone handle for on camera interviews and reporting that features the flexible Shure RPW interchangeable cartridge interface and convenient XLR connectivity, for easy connection to broadcast mixers and recorders.
On-camera reporting changes drastically from situation to situation and the broadcast industry expressed a need for a cardioid microphone with a longer handle for live interviews in noisy environments, says the company.
Loud, side-line sports interviews call for one type of microphone while capturing superstar sound bites amidst a dozen other reporters at a chaotic awards show, might call for another. With VPH, you get to choose from a wide variety of Shure wireless interchangeable capsules that offer different polar patterns and sonic characteristics to match your situational needs. Polar patterns include cardioid, supercardioid, hypercardioid, and omnidirectional by way of PG58, SM58, SM56, SM87, Beta58, Beta57, VP68, KSM8, and KSM9 cartridge options. External phantom power is necessary to power the VPH.
Stuart Moots, associate director (pro), comments: “At Shure, we are continually responding to the needs of the market, and the new VPH long-handled microphone is a perfect example of this process in action. Our customers asked us to bring the flexibility of interchangeable wireless capsules into a wired microphone product, making it simple to switch between different polar patterns or from dynamic to condenser.
“The broadcast market is of the utmost importance to Sh
USA - Bose Professional is now shipping new ControlSpace EX processors - two designed specifically for conference rooms (EX-440C and EX-12AEC) and one dedicated for general purpose applications (EX-1280).
With an open-architecture, all-in-one design, the ControlSpace EX-440C conferencing processor facilitates high-quality microphone integration and audio processing for small-to-medium size conference rooms. Various inputs and outputs allow for flexible configuration: four mic/line analog inputs, four analog outputs, onboard VoIP, PSTN, USB, Bose AmpLink output, eight-channel acoustic echo cancelling (AEC) and 16 x 16 Dante connectivity.
With an open-architecture design, twelve acoustic echo cancellers (AEC) and 16 x 16 Dante connectivity, the ControlSpace EX-12AEC conferencing processor provides a cost-effective, robust expansion for conference rooms using ControlSpace EX- conferencing processors.
The ControlSpace EX-1280 is a more powerful ‘big brother’ to the existing family of Bose ESP open-architecture digital signal processors. It is a robust processor designed for a wide variety of applications - from small, self-contained projects to large, networked systems. Leveraging advanced signal processing and a floating-point open-architecture DSP, the EX-1280 processor has the precision and power to create dynamic, yet predictable audio installations, says the company.
The ControlSpace EX-1280 processor offers 12 mic/line analog inputs, eight analog outputs, Bose AmpLink output, and 64 x 64 Dante connectivity - featuring high-quality audio
Canada - Christian Life Assembly (CLA) in Langley City, 25 miles from downtown Vancouver, has grown in leaps and bounds since its humble beginning in 1937 as a sidewalk Sunday School, first moving into a tiny hall, then a succession of larger buildings as the church has attracted more congregants.
The worship centre at the Langley Campus, built in 1978, was expanded to hold 2,000 churchgoers in 2008 during renovations that also readied CLA for multimedia technology. Most recently, the church has taken its audio technology to the next level with a new DiGiCo SD12 digital mixing console at front-of-house and a KLANG immersive IEM mixing system, all specified and integrated by Ellis Pro Media of Tacoma, Washington.
“The SD12 has been super-flexible for anything we have wanted to do,” says CLA assistant technical director Will Lee. “I haven’t had a situation where I’ve thought, ‘I wish the SD12 did such-and-such’. Any situation we think up, the board can handle it, and I’m very happy with that.”
The new system further includes four KLANG:vier units, which support individual In-Ear mixes for up to five musicians each, and a KLANG:quelle, which offers four channels of Dante-enabled digital-to-analogue conversion and high-quality headphone amplifiers. The system at CLA interfaces with the SD12 via a Ferrofish A32 Dante 32x32 AD/DA converter but could alternatively be linked using an optional DiGiCo Dante interface card.
Lee, who is also a FOH engineer, generates the 24 channels feeding the KLANG system for the church’s contemporar