The Netherlands - AV solutions manufacturer Peerless-AV has announced the opening of a new warehouse in Weert.
This is the latest step in the company’s European expansion and Brexit strategy. Located on the Netherlands and Belgium border, Weert is strategically positioned with sea and land transport links.
“The opening of our new warehouse in Weert means we can continue to exceed customer service levels with reduced delivery times and increased flexibility to fulfil the continued growth and demand we are seeing for our products in Europe,” comments Keith Dutch, managing director for EMEA at Peerless-AV. “There will be no change to the operation of our UK warehouse. We’re pleased to say that both the warehouse in UK and Jebel Ali Freezone in Dubai have been stocked heavily this year owing to ongoing growth across EMEA generally.”
(Jim Evans)

UK - Void Acoustics has added two additions to its touring audio catalogue in ArcM 12 and ArcM 15, part of the Arcline series.
ArcM 12 is a lightweight, versatile monitor, with multiple working angles, allowing use as either a near field booth monitor or conventional stage wedge. The aesthetically-pleasing low profile design creates cleaner stage lines and a more visually appealing view for the audience. In addition, pole mounting or wall mounting is possible for front-of-house purposes.
Acoustically, FEA analysis has significantly reduced port noise and air distortion, says Void. The 12” ArcM 12 is unpowered, allowing it to integrate with touring operators’ existing infrastructure. With a frequency response of 60Hz - 18kHz ± 3dB, the maximum continuous output is 130dB, reaching 133dB peak output.
In terms of mobility, measures have been taken to reduce weight, while maintaining an ergonomic design to appease manual handling requirements. Weighing just 19kg (41.9 lbs), this small, reliable monitor is ideal for touring and easily be moved using the comfortable, robust handles, making light work of truck packing after dismantling a stage.
The slightly larger 15” ArcM 15 similarly offers simple integration and all the benefits of the ArcM 12, weighing 22.5kg (49.6 lbs). Frequency response spans from 50 Hz - 18kHz ± 3dB, with a maximum continuous output of 130 dB and a peak output of 134 dB.
(Jim Evans)

UK - When John Legend and his 11-piece band performed at this year’s BluesFest for his only UK show of 2019, it was through a Martin Audio MLA loudspeaker array provided by Capital Sound at the O2 Arena.
Introduced to the event by production manager Neil McDonald in 2017, Capital’s crew won plaudits both from Legend’s own production manager, Chris Stinebrink, and FOH engineer, Paul Klimson (Theory One Productions).
“The MLA system caught my attention from the instant [system tech] Ben Turnbull started the tuning,” he explains. “Both he and [FOH tech] Dave Preston made me feel right at home, and even before Ben dug into the tuning, I noticed that the MLA rig was forward sounding. It didn’t sound like we were in the O2 but at an outdoor festival and I could only surmise that all the energy was coming out of the front of the array with very little spill off the back.
“When Ben was done with the tuning, there was nothing left for me to comment on. I actually peeled off a bunch of processing and EQing I had done on my file from past shows. It felt like a clean slate. The low-end down front was not oppressive but still translated well in the back and upper bowl. There was great transition from mains to side hangs and up to the top seats.”
Consequently, he said, mixing that night had been “a dream”. Of MLA he says: “It was a very forgiving box that I could lean into without any surprises. Our monitor engineer Jon Ostrin said it was a great show from the stage as well. He mentioned the energy coming back was perfect to connect

Germany - At the eighth Electro Magnetic open air festival , almost 60 DJs and live-acts performed on different floors in the UNESCO World Heritage Völklinger Ironworks, a large industrial compound, developed at the end of the 19th century. In 2019 and for the first time the Electro Magnetic Festival celebrated two nights at Völklinger Ironworks.
RCF audio-systems were used on all floors. German event company Triacs was responsible for the technical implementation of the main floor and implemented a RCF HDL 50-A system.
Triacs used several RCF modules on the main floor. Two 10 HDL 50-A line array modules (hanging) together with 16 SUB 9007 (Sub Arc Cardioid) were in place as the main PA. Additionally eight HDL 30-A were used as near-fill. Four TT 1-A covered the VIP zone. TT 052-A modules in combination with In-Ear acted as the monitoring for the control rooms (light, laser, video).
Further companies, involved in the festival included Laserfabrik (lasers), FOG (SFX), Provisuell (video) and Gebrüder Rende Gerüstbau (rigging), Lux and Fabula, Senad Deumic & Jan Eiserloh (planning) and Gerdon Design (lighting design).
(Jim Evans)

USA - Chris Hoff, FOH engineer for rock band Styx, relies on JBL 7 Series Master Reference Monitors to help him dial in studio-quality sound during live performances.
Styx released The Mission, their 16th studio album and first original release in over 10 years in 2017. When the band began touring to support the new record, they enlisted the help Chris Hoff. In order to deliver consistent sound in a wide range of venues, including some with less-than-desirable mix positions, Hoff relies on JBL 7 Series Monitors to make sure his live mixes stack up to Styx’s studio recordings.
“We multi-track every show and I needed a way to compare the live mix I’m doing to the albums,” says Hoff. “The only way to really replicate what's going to be coming out of a PA is to have reference monitors in front of you. It makes it easier for me to bounce back and forth between the album and my multi-tracks to try to match up effects, balances and panning.
“The 7 Series monitors give me a great reference to what I'm actually sending to the PA. When I'm in a really bad mix position, I'm basically mixing off of these and trusting that what I’m feeding to the speakers is translating to the audience.”
Before each show, Hoff uses the previous night’s multi-track recording to tune the PA system. JBL 7 Series monitors provide him with the clear, detailed sound he needs to accurately identify and react to the subtle acoustical challenges of each venue - and according to the fans, Styx has never sounded better.
“One of the blessings, and pos

Europe - Alan Parsons is probably one of the most demanding artists. In the late '60s / early' 70s, he worked as a sound engineer on milestones in music history, including the Beatles albums Abbey Road and Let it be, as well as on Pink Floyd's Atom Heart Mother and Dark Side of the Moon. As a musician he experienced in the 80's the highlight of his career with his Alan Parsons Project. At that time, however, he barely performed live, as the technology at that time was unable to reproduce the sound of his songs as he had produced them in the studio.
Meanwhile, professional audio technology has caught up, and so dared Alan Parsons to tour again with his recent album The Secret. PM Blue from Hamburg was responsible for the eight-day tour of the musician through Germany. The lighting concept was realised in cooperation with AVM from Schwanewede.
As to be expected, the requirements for the sound engineering in this case were particularly high, as Timo Hille, junior project manager and audio specialist at PM Blue confirms: "Since Alan Parsons was and still is very successful as a producer and recording engineer, his requirements with regards to the sound quality are particularly high. In addition, musically there’s a lot going on with Alan and his seven-member band; The complex arrangements of the songs, in which many instruments overlap, especially in the low-mid range between 120Hz and 800Hz, demand a good mix on one hand, but also a really high-resolution sound system on the other hand."
Pro-ribbon systems from Alco

Indonesia - Guns N’ Roses, continue on their Not in This Lifetime tour – the third highest grossing tour of all time. The 48,000 fans at their GBK Stadium show in Jakarta were treated to a set of new and classic songs from the band’s extensive library.
The crowd was also treated to the clarity of the Clair Brothers i218 speaker system, which was the first choice for sound reinforcement and also happens to be the largest format system available in Indonesia.
Clair Brothers’ audio consultant in the region, Wayne Grosser reports: “The i218 system has been the first choice for touring artists in the GBK Stadium - it’s been a great success for many of the local promotors and production companies. I would particularly like to thank Indonesian production company and Clair Brothers rental partner, Total Audio, and its sound director, Sadat Effendy, along with his team for supplying all the gear well ahead of this scheduled show.”
Several Clair Brothers products were used exclusively for the entire main FOH system. In tandem with the four main hangs with 16 i218-Ms in each, there were 36 iS218-M ground subs, 12 i212-M front fills, plus four delay towers with eight i212-Ms in each tower. All amplifiers were Clair Brothers CB-PLM20K amps. The touring FOH console used was the Yamaha Ravage PM10.
Grosser continues: “FOH engineer Caram Costanzo produced an amazing mix that sounded great throughout the whole stadium. The system engineer for the tour, Josh De Long of Clair Global, and I worked together to ensure we had even sound cover

Columbia - RCF has appointed the newly-created RCF LATAM as its distributor for Central America, Colombia and the Caribbean.
The company has strong roots in the professional audio industry, boasting more than 20 years’ experience.
Although RCF LATAM’s main office is located in Miami, collaboration with new commercial partners in Colombia will now ensure full availability of inventory.
RCF LATAM director, Jose M. Gonzalez, comments: “Our company is fully committed to the distribution and positioning of RCF as a leading brand within the designated markets. The owners of RCF LATAM have successfully distributed the RCF brand for several years, and their aim is to develop the brand in the weakest markets and support its presence generally in Latin America.”
RCF export sales manager, Luca Agazzi adds: “We wanted a new company focused 100% on RCF, that comprised experienced audio industry professionals.”
He confirmed the enduring relationship with RCF LATAM’s Frank Peruyera (via Tropical Music and All Music) and Jannios Jiminez (via Italian based Art Music Group). Jose Manuel Gonzalez has also been in the business for many years, he said, representing both RCF (during his time at All Music) and other premium audio brands.
“This move makes the business neater and more systematic,” continues Agazzi. “Colombia has always been influenced by trade coming from the US, so gathering the business in one company will ensure improved control and stability in the area.”
The new company marked its debut at InfoComm Colom

UK - Adlib supplied a full production package incorporating lighting, video, sound and rigging for the recent UK leg of comedian Russell Howard’s Respite stand-up tour, performed in-the-round.
The Liverpool UK-based production and rental specialist had previously presented Howard performing in the same format in 2017. Neil McDonald from Clockwork Productions oversaw production and brought Adlib on board, having worked together on many previous projects.
Kumar Kamalagharan was again Howard’s tour manager working closely with on-the-road production manager Andy Grey from Clockwork Productions.
The lighting was designed by Adlib’s Tom Webber, while the kit and logistics were coordinated by Dave Eldridge.
The technical infrastructure included a circular stage that was located centrally in the venue with four trusses just off the stage to fly the LED screens and lighting, plus a hexagonal truss immediately above the stage for all the overhead lighting positions
The four screens around the stage were framed with vertical drop-down trusses each rigged with Martin MAC Auras to light the audience.
Four Robe BMFL FollowSpots were also deployed on these drop-down trusses, operated via a single RoboSpot remote system. Replacing traditional follow spots (located in the usual venue towers and cut outs) brought obvious sightline and labour benefits.
The moving lights were 56 MAC Aura LED washes and 12 MAC Viper Profiles, complemented by 16 Chauvet STRIKE4 LED blinders together with 12 Elation DTW BAR 1000s which were used as footli

UK - Will Young’s new show An Evening with Will Young visited 21 cities around the UK throughout October, with a complete audio infrastructure provided by London-based Capital Sound Hire.
Young released his seventh studio album Lexicon in June of this year, the latest milestone in a career which started with his win in the inaugural series of Pop Idol in 2002. Since then he has won two Brit Awards and achieved global sales in excess of eight million albums, several of which have achieved multi-platinum status in the process. Young is also an author and actor, having appeared in film, in television and on stage.
Shortly after the final date Martin Connolly, senior project manager at Capital remarks: “The Will Young tour has just completed and the Superfly system we supplied was faultless throughout. Will Young proved he is a consummate performer with a show that was uplifting, humorous and exciting with a great punchy band; the entire show looked and sounded wonderful.”
Capital deployed part of their Outline inventory for the tour, consisting of 24 x Outline Superfly 210 line array cabinets, 12 Outline GTO-Subs and six Outline LIPF-082 2-way stage lip-fills. The entire system was powered by Powersoft X8 amps whilst system control was managed by a single Outline Newton FPGA processor.
Their Systems Engineer for the project was Dan Fathers who comments: “The Superfly I found to be a powerful line array for the size of the box, with great clarity and throw in the high end. With a lot of these venues I could also fly th

China - Solid German engineering and innovative IP technology are behind the Suzhou Municipal Government’s selection of a Lawo mc²36 mixing desk and three Compact I/O stageboxes for the Suzhou Folk Orchestra’s new concert hall.
The Lawo systems were installed by Chinese partner SWS, who acted as the main contractor for the new facility in Suzhou, close to Shanghai, handling the system integration and infrastructure design.
The choice of the Lawo systems alongside d&b audiotechnik loudspeakers and amplifiers gives the installation a strong German sound, as well as an assurance of quality. It is also the first installation of a Lawo mc²36 audio mixing console in a concert hall in China. The 40-fader, 192-crosspoint and 192-DSP-channel console with three Lawo Compact I/O stageboxes is accompanied by Waves SoundGrid integration.
Lawo has established a very strong reputation among Chinese theatres, beginning in 2006 with systems installed in the National Grand Theatre (China National Centre for Performing Arts), followed later by the Dongguan Theatre, Wuhan Qintai Theatre and several others.
“It is an honour for us to join the Lawo customer theatre community,” commented one of the Suzhou Orchestra concert hall sound engineers.
(Jim Evans)

Italy - RCF has been announced as the main sponsor of a 100,000-seat outdoor venue - the RCF Arena.
The arena, stated to open on 12 September 2020, will be the largest in Italy once completed. It is being built in an area called Campovolo, just outside the manufacturer’s hometown of Reggio Emilia, and will feature a permanent installation of RCF’s TT + audio system plus 10 delay towers.
Arturo Vicari, CEO of RCF Group, comments: “RCF was born in 1949 in Reggio Emilia. From here we brought the excellence of Italian sound throughout the globe and today we are among the major players in the market.
“Giving our name to RCF Arena is a source of pride for us, but also a mission and a commitment. We have a strong bond with this region, and we intend to treat it in the best possible way. With this wonderful project, we will bring our innovation and technology to our back yard, in Reggio Emilia.”
"RCF audio systems have amplified the music of national and international artists in every corner of the globe, and in some wonderful arenas," continues Vicari. "The RCF sound is based on the expertise and reliability of a company made up of people and passion. We have just turned 70 and we still want to play.”
RCF Arena, designed by a project team featuring Iotti + Pavarani Architetti, Arch.Guido Tassoni and Lauro Sachetti Associati, will allow for a capacity of 10,000 to 100,000 people. A raked audience floor will be created to ensure optimal visibility and acoustics, whilst the stage will be placed in the lower part of the arena in a cen

UK - Funktion-One founder Tony Andrews has been recognised by Wrexham Glyndŵr University for his work in professional audio.
Andrews was presented with an Honorary Fellowship in a ceremony that also saw graduates being awarded their degrees in Art and Design, Media and Communications Technology, Humanities and Computing.
The university confers Honorary Fellowships upon people in recognition of their significant commitment to the university and the wider community and is the highest honour that the university can bestow.
In his acceptance speech, Andrews said: “I consider myself fortunate that I have been able to make a living pursuing what intrigues and stimulates me. This is a driving force that, much to my amazement, has persisted for over 50 years now.
“Amongst the qualities essential for progress and achievement are application and perseverance, which today’s graduating students have amply demonstrated by successfully completing their studies.
“Keep in mind that there is great soul expression in going after the things you are passionate about. Most of the interesting stuff in life happens at frontiers and boundaries, and the status quo is merely a temporary condition on the way to truth - thank you very much.”
Colin Heron, Faculty of Arts, Science and Technology associate dean for student engagement, said: “Our Honorary Fellowships are for people who have made a significant difference in a particular field, and Tony’s work in sound system design and development very much matches that description. Fellows are a

Europe - Bose Professional’s DesignMax family of loudspeakers has started shipping in Europe and will be available in the US later in November. DesignMax delivers the critical performance needed while providing the flexibility and style to blend into any commercial space, says the company.
Consisting of 10 loudspeakers and two subwoofers - including ceiling- and surface-mounted options available in either black or white - system designers can tailor DesignMax to fit applications of any size.
DesignMax loudspeakers are available in a wide range of sizes, from 2” low-profile models to 8” woofer models with a coaxially-mounted compression driver. Select models leverage the Bose Dispersion Alignment system to provide wide and consistent off-axis response - so everyone experiences premium sound throughout the space.
When DesignMax is paired with select Bose DSPs and smart amplifiers, even greater performance levels can be reached. Bose EQ voicings enable increased sound quality and clarity while SmartBass processing delivers enhanced sound at any listening level.
All models include Euroblock connectors, with ceiling-mounted models including plenum-rated backcans, tile-bridges, and front-access audio wiring making installation and troubleshooting easier.
(Jim Evans)

USA - Marking the popular event’s 15th anniversary, this year’s Riot Fest was successfully reinforced by Technotrix with Martin Audio MLA, WPL and WPC line arrays on four stages in Chicago’s Douglas Park.
With a variety of high-powered artists ranging from Slayer, Anthrax, The Flaming Lips, Violent Femmes and Bikini Kill to The Raconteurs, Patti Smith, Wu Tang Clan and the Village People, Riot Fest offered some particular challenges in terms of controlled coverage on site and noise mitigation off site.
As Technotrix Audio lead, Brent Bernhardt, points out, “As always, there’s a commitment to keeping off site noise to an absolute minimum. We’re still avoiding the same two hospitals behind and alongside Stages 1 and 2, along with neighbourhoods around the festival.”
Asked about using Martin Audio’s Wavefront Precision Longbow (WPL) system for the first time, Brent responds, “It was very impressive to have virtually the same amount of control we get from an MLA rig with only slightly less resolution. WPL was very good and the tonality wasn’t lacking either, while the onsite coverage was uniform and consistent as well.
“On site coverage for Stages 1 and 2 is always a challenge as they fire into the rear of 4 and 5,” Brent continues, “especially this year because of gusty wind conditions on the first day of the festival. We’ve never used delays with MLA because it throws further than any other PA, even under adverse weather conditions.
“WPL was able to provide exceptional sound quality and tonal characteristics

UK - Live event production educational facility Backstage Academy has signed a new partnership agreement with professional loudspeaker manufacturer KV2 Audio.
KV2 Audio, whose R&D and manufacturing base is in the Czech Republic, has worked informally with the academic institution, based at Production Park in Wakefield, for the past two years, providing equipment for student-led events on an ad hoc basis and presenting seminars.
“These seminars are always well received,” says Tom Weldon, who is in charge of UK sales. “We have an exclusively point source approach to loudspeaker design and are proud to be able to present this approach to the technicians of the future. We strongly believe this is the best way to reproduce the original source, and in a market that is dominated by alternative designs it’s important that students are exposed to all options. We try not to blind people with the technology side, but instead encourage them to really use their ears and from that starting point, it’s surprising how quickly they begin to understand our philosophy and approach.”
In their engagement with the Academy, KV2 has provided a ‘tool kit’ of products, enabling students to create a six-way monitor mix via the passive ESM26 and ESM12 alongside a portable plug and play FOH system with the active EX series, offering complete reconfigurability that can be set-up by individual students quickly and easily.
In sharing close geographical proximity to Wakefield - KV2’s UK headquarters are in Harrogate - the other benefit of partnering wit

UAE - PSAV has announced the acquisition of eclipse, the AV and live event production and venue company operating in Dubai, Abu Dhabi and Riyadh. The terms of the transaction have not been disclosed.
Eclipse, founded in 2003 by Mark Brown, is now a wholly-owned subsidiary of PSAV and will continue to operate under the eclipse brand name. eclipse CEO Simon Ransom and his senior team will remain in place and continue to execute on their growth plans, now in partnership with PSAV. Ransom will assume leadership of PSAV UAE operations, and work with Nik Rudge, PSAV’s managing director, international, and his team.
“Eclipse is an exciting addition to the PSAV group of companies due to its extensive in-house venues and event production expertise, and strong alignment to our purpose and mission,” comments Rudge. “I am delighted about what this means for PSAV, and more importantly our customers, as we continue to focus on more ways to create amazing event experiences in locations throughout the GCC.”
“The entire eclipse family is eager to be joining forces with PSAV and establishing more impactful ways of serving our collective customer base,” said Ransom.
(Jim Evans)

UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.30bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <

Italy - Shure Incorporated has strengthened its marketing and sales operations in Europe with the appointment of Emanuele Luongo, a new integrated systems market development manager for Italy.
Luongo will assume the position on 1 December. He will be based in Milan and will concentrate on the Italian integrated systems market, working closely with Shure distributor Prase Media Technologies.
Luongo’s background is in sound engineering, acoustics and wireless audio. He has held sales and product management positions at Shure’s Italian distribution partners as well as live sound engineering positions for notable artists.
“We are pleased to appoint Emanuele to this key position, supporting our market development activities in Italy,” comments Rob Smith, senior director, integrated systems sales Western Europe at Shure. “As Shure continues to expand globally, adding Emanuele will be essential in building customer relationships and providing solutions to meet the needs of this important market.”
"Our collaboration with Emanuele will maintain focus on the Shure brand and on the Integrated Systems market, where Shure has a strong presence and is continually growing," comments Ennio Prase, managing director of Prase. “We wish Emanuele all the best in his important position at Shure.”
(Jim Evans)

Denmark - Pascal has announced two executive appointments to its management team, positioning the company for a new phase of strategic expansion.
Gorm Eichenberger has been appointed as CFO, following the retirement of Henrik Gunst Smith, the company’s director of finance since 2013. Also joining the company is Gustaf Høskuldsson, taking up the newly created position of COO. Both come to Pascal with extensive experience with audiology market leader Widex, where Eichenberger held the position of head of operation finance and Høskuldsson vice-president, global supply chain.
The appointments follow a year of sustained investment by the company, during which personnel, and R&D and operations facilities at its Copenhagen HQ have expanded by more than 30%.
“In continuing to manage the growth process and maintain an exceptional rate of expansion, we are seeking to become ever more outside-in customer centric,” says CEO Lars Rosenkvist Fenger. “Customer centricity has always been a core value for Pascal; offering our clients what they actually want, rather than what they have come to expect. This new phase of our growth strategy is centred on the expansion of our existing customer specific offerings and on developing new customer interfacing capabilities for the pro audio industry."
(Jim Evans)

Ukraine - Loudspeaker manufacturer MAG Audio introduced its new line array technology, MAG Must. The company unveiled the product during an event at Kiev’s 70,000-seat NSC Olimpiyskiy Stadium on 6 September.
Standing for Multiple Uniform Sound Technology, MAG Must allows installers to use a single line array format, therefore eliminating the need for bothersome stock and complex logistics, says the company. The technology is based on the scalable 8” MAG Wasp line array, which allows creation of uniform sound coverage across a venue of any size.
“We intended to create the technology that can change approach to using small format line arrays,” explains Igor Sydorenko, systems engineer at MAG Audio. “Today, manufacturers offer lines of products depending on the target event size - starting from compact arrays and up to the large-format ones. But we consider this approach outdated. So we decided to design the technology that can serve the needs of any client, regardless of the event’s demands.”
The technicians built an impressive stage, 65m in length, which incorporated two LED screens on each side. Such a large venue called for a nuanced approach to the project design, so MAG Audio engineers conducted extensive researches, studies, and tests to get the best out of MAG Must.
The set-up consisted of two line arrays (24 MAG Wasp tops and 12 Wasp S-12 subs per each side of the stage) as PA; two line arrays made up of 16 MAG Wasp tops each as out-fills; 48 x H28 subs lined in the end-fire configuration; and eight MAG Wasp tops deployed

India - Martin Audio’s APAC representative Generation AV has appointed Sanak Pandit as applications engineer.
Based in Bangalore, Pandit has been working in audio since the age of 14, having completed his studies in the Bangalore School of Audio under the training of Vishnu Pandit, one of the most respected technical experts in the touring & rental market in India. In addition to working with his family companies of V&P Sound and SD Audio, the new recruit also served as a freelance sound engineer for a number of Indian artists.
Generation AV founder David McKinney, comments: “I am very excited to have Sanak in the team; he has the technical abilities to support all the brands in Generation AV and I believe will be a great asset to our business in Asia. With his strong background in the touring market he is able to hit the ground running.”
Martin Audio MD, Dom Harter, adds: “Following the appointment of Generation AV, it is reassuring to know that Martin Audio sales support in the APAC territories is in such safe hands with the appointment of Sanak. This is a developing region for us and it is vital that our customers know they have such an advanced level of on-the-ground backup.”
(Jim Evans)

Germany - International Christian Fellowship Munich (ICF) has recently upgraded its audio system with an Allen & Heath dLive solution for its weekly services and events.
ICF Munich is a non-denominational free church, which in addition to its regular Sunday services, also hosts other live events with up to 800 participants.
Due to size of the services and events, a large number of microphones and extensive I/O is needed for the speakers and live performers. As such, one of the main requirements for ICF was an audio system that could meet the demands of a professional concert.
To serve its growing needs, ICF’s new audio system comprises a dLive S5000 paired with a DM48 MixRack and two DX168 expanders for additional I/O. A Dante card is utilised for multitrack recording, connection to wireless microphone receivers and the PA.
Head of audio technology, Marc Deisen, has been working at the ICF for five years and oversees the dLive system. “When we decided on a dLive a year ago, it was very important to us to have a straightforward, well-structured system,” explains Deisen. “Many of our technicians are volunteers and have very little trouble working with dLive, especially as we already had an iLive console in use. Above all, we quickly learned to appreciate the I/O patching matrix, which is very clear and easy to use for everyone.”
Aside from dLive’s easy and intuitive workflow, a large part of Deisen’s decision to use dLive came down to its processing features. “Now we have enough processing power for more than 50 channel

UK - The Institute of Physics for the UK and Ireland (IOP) has an impressive new London HQ, built from the ground-up with a modern architectural statement that has AV designed-in from the start.
The site is an old plumbing supplies shop in the developing creative industries area near Kings Cross, London. Leaving just the original brick façade, it has been transformed into something completely new. The polished concrete structure of this £13.5m project brings focus to the large screens and interactive experiences that will greet more than 200,000 IOP visitors every year. It is a space that radiates cutting-edge science, and one that required visual and audio technologies to be as much a part of its essence as the concrete itself.
Recursive AV, the AV consultant on the project, had the opportunity to liaise with and influence the architects more than two years before completion, allowing them to achieve the best visitor experience possible.
David Yates, the managing director at Recursive, went about choosing premium technologies to complement the institute’s ambitious aims, including specifying L-Acoustics Syva and Kiva as the audio solutions. "We really felt that the IOP deserved a high-end audio approach," he explains. "They have people coming from all over the world: academics, policymakers, broadcasters, and so on. We wanted to be sure that the sonic quality and the visual impact would be absolutely correct, and that the system could cope with a challenging space. We needed to deliver fantastic intelligibility and a consistent sonic signature