The new 270-cover Indi Tapas Bar in Birmingham Chinatown’s trendy Arcadian Centre has been opened by Eastern Leisure. With a late licence, the venue - which will specialise in a fusion of Asian/Spanish cuisine - wanted a high-octane sound system in its minimalist surroundings that could be pumped up by its DJs during the later stages of the evening. Seeking the optimum solution they turned to Martin Audio, which resulted in Middlesex Sound & Light - whose experience of specifying Martin Audio systems includes the Spearmint Rhino table dancing chain - winning the contract on the basis of their projected loudspeaker design and ease of control. For the delivery, they selected white-finish versions of the EM architectural range.
Situated on a single floor, Middlesex’s Lance Bromhead designed the Indi Tapas Bar into three separate zones, using a Cloud Z4 zoner to route source material generated from a Denon twin CD player or a pair of Technics decks. This included a raised food area around the periphery, an area for casual dining and a sunken floor area. In the inner field of sound four EM26s are flown, with the sound ramped up by a Wavefront WS2A (2 x 15) sub. Deployed in the second zone is a further pair of EM26s, reinforced by an EM150 subwoofer, while the raised area is serviced by a pair of tiny EM15s.
A Behringer mixer, a QSC amp rack and Seleco projection complete the array of technology. Bromhead commented: "This operates as a thoroughbred club, and the combination of loudspeakers works very well and sounds good. We have used Martin Audio’s de
Adam hall has announced that export sales manager Sue Mistry will be leaving the company in order to move to Austin, Texas, where she will join her husband Manoj and take up a new role which is yet to be announced, although it is understood she will be remaining within the entertainment technology industry. Mistry had been with Adam Hall for 11 years, and has been a familiar face at international trade shows during that time.
JBL has announced that veteran Guy Hawley has assumed the additional role of sales director, Asia. Based in London, Hawley will add the Asian territory to his current responsibilities as sales director - Middle East and Africa. Hawley has a long history with JBL: prior to his working as director of sales, Europe, Hawley held several sales positions for Harman UK, the company-owned European distributor. "I welcome this challenge and opportunity in the Asian markets," stated Hawley. "JBL has many longstanding relationships with our Asian distributors. These markets offer growth and stability and their strength in the contracting and cinema markets makes them even more important for us. I look forward to working with these customers to get them to the next level with JBL."
JBL has also announced the promotion of Rick Kamlet to the position of senior director, installed sound marketing. In this new capacity, Kamlet will handle the combined vertical market responsibilities for both the Engineered Sound and the Commercial Sound of the installed sound contracting market. Kamlet has been with JBL Professional for 10 years, having held positions of senior product manager for a number of vertical markets as well as director of commercial sound for the past three years. Prior to joining JBL, Kamlet worked in senior roles for a number of professional audio manufacturers, most of whom are focused on the contractor marketplace. With the addition of the other segments of the installed sound contracting loudspeaker business, Kamlet will now co-ordinate JBL Professiona
Hayden Laboratories, exclusive UK dealers for US audio manufacturer the Rane Corporation, recently hosted a product conference and seminar that highlighted the many advantages of the Rane’s Audio Conferencing Equipment & CobraNET Network Audio units. The day-long seminar was held in High Wycombe. Speakers included Steve Macatee, Rane’s director of new product development and training, and Dean Standing, director of sales for Rane. The seminar was designed for those involved in selling, specifying and designing audio & video conferencing systems and network audio. It was attended by a selection of interested parties from different areas of the professional audio industry consultants, sound designers themed entertainment, venues and broadcast plus business to business integrators. All keen to know more about this innovative range of products.
The seminar offered a general overview of the products and their capabilities and Q&A sessions for both ECS and CobraNET. This was the first such event organised by Hayden, but the good response is expected to herald more. Hayden’s Ian Downs commented, "It’s great to see so much enthusiasm for both the Rane CobraNET and ECS products."
Recently arrived at industry specialist PR agency JGP, Noelle Lane brings a background in IT - with some media experience tucked away. With a keen interest in music and songwriting, Noelle will work as PR assistant alongside Jerry Gilbert. She says she is relishing the challenges ahead. "I’m really excited about entering an industry where my personal interests overlap those of business. I feel I’m finally embarking on a career worth getting out of bed for."
A raucous farewell to the Hackney Empire, as it closed for a total refit, was provided during a two-week production of The Wiz - based on the ‘70s funk version of The Wizard of Oz. Paul Gavin’s company Purple Sheep Lighting, who service a number of events at Hackney Empire, ensured that the giant ensemble were heard loud and clear - in front of a band positioned high up on enormous risers - by specifying Martin Audio enclosures throughout. These included a front-of-house system comprising four flown Blackline H2s and a pair of H3s, reinforcing the house system - run in conjunction with the proprietary DX1 management system - with F12s and F15s operating in stage monitor mode. The entire system was powered by Martin Audio’s new amplification series, consisting of MA4.2s and MA2.8s. Paul Gavin commented: "We opted for the F12 and F15 floor monitors because they were predominantly lightweight, while for the main auditorium sound reinforcement we needed a powerful directional system, because the cast were singing on head mics. I needed something that could cut - and the Blacklines really cut through. This is a loud show, and because we were delivering such a loud monitor sound we also needed a system that was bright, with lots of energy."
To warm the system up on the vocals, Gavin also utilised a TLA-5050 valve channel. He says the show required 63 channels at front-of-house and provided 16 monitor mixes. Eleven channels were dedicated to Trantec wireless mics. "Because it was such an incredibly physical show," he continued, "we us
World-renowned mixing console manufacturer Midas will make PLASA 2001 the venue for the launch of the new Legend Series, a brand new range of live performance mixing consoles. The first Legend console in the range to be introduced will be the Legend 3000 . . .
Midas product manager David Cooper said the Legend: " . . . offers complete flexibility for both rental companies and installers alike at a price point significantly below that of the Heritage range. As well as offering all of the great features you would expect from a Midas console including some that are totally unique, we demanded three things: firstly that it be reliable on the road, secondly that it must be easy to service, and thirdly perhaps most importantly that it should sound like a Midas. We have achieved this in a number of ways. The inclusion of XL4 preamps and XL3 EQ ensures that traditional and unmistakable Midas sound. As far as serviceability and reliability are concerned, there are no shortcuts or compromises, but in order to produce a console of this quality at such an attractive price point, a change of approach was required. Therefore, unlike the more expensive Heritage range, Legend is a semi-modular console constructed in blocks of eight, each of which is split into three sections. However, due to several clever design touches, servicing remains a relatively straightforward issue."
In yet another world first, Legend provides the user with two sets of controls. Every input channel has two lots of EQ one for monitors and one for FOH as well as two faders for complete control over
Music Live, organised by Mammoth Events, has become the joint sponsor of the JHS Corporate Golf Day. This annual event has been held for over 20 years at Garforth Golf Club, Leeds, in early June, and playing guests from the distribution, manufacturing and retail sectors of the music trade make up the major attendees. Music Live is the largest consumer show of musical instruments and allied equipment, and is open to the public at the NEC Birmingham, 2nd-4th November, 2001.
Any industry trade person with an official golf handicap, wishing to be considered for inclusion on next year's invitation list, is asked to contact Anne Thornton at John Hornby Skewes & Co on + 44 (0)113 286 5381.
DPA Microphones has appointed Craig A. Parrish (pictured, left) as sales and marketing manager and Henrik Bronner (pictured, right) as area manager (Americas). Both Parrish and Bonner join DPA with strong backgrounds in international sales and marketing and come from most recent positions as marketing manager and business development manager, respectively, for a Danish manufacturer of large-format scanners for the reprographics industry. Craig Parrish, who is an American that has resided in Denmark for many years, has an MBA degree in International Business and has 18 years’ experience in export sales and international marketing. Henrik Bronner has been hired to strengthen the company’s sales and marketing efforts in North and South America. Bronner has lived in the United States for more than seven years.
Italian acoustic specialist FBT has launched the MaxX 6 (passive) and 6a (active) speaker enclosures. The latest addition to FBT's gas-injection moulded polypropylene range, the MaxX 6/6a is a two-way system, fitted with B&C drivers - a single die-cast aluminium framed 15" unit fitted with a neodymium magnet and 3" coil, plus a custom 2.5" compression driver with a 1.4" throat. Frequency response is from 40Hz-20Hz, sensitivity is 98dB (at 1W/M), a maximum SPL is a loud 128dB for the 6a (129.5dB for the 6) and the enclosures have a dispersion of 90 x 60 degrees.
Complementing the 700W MaxX 6 (which will handle up to 1400W short term at IEC 268-5), the bi-amped MaxX 6a makes full use of the acoustic quality of the passive version and in addition to a sophisticated amplifier stage, includes FBT's proprietary ADAP processor. The manufacturer's design team says that ADAP grants the maximum operational reliability of all the system's components through any application, even under long-term Larsen effects. The MaxX 6a delivers 700+200W and comes with XLR/Jack Neutrik inputs, XLR Neutrik link, gain control, three-band EQ and volume control.
HHB has announced publication of its 2001 catalogue. Widely considered as one of the definitive guides to everything that's important in professional audio, this year's edition contains essential information on 1500 products from more than 150 manufacturers, and includes details of a number of important new product introductions. The company has introduced a Quick Search Guide making it easier for the reader to locate the equipment category of their choice where the relative specifications of available products can be conveniently compared. Simultaneously published in a searchable format on HHB's website, the 152-page catalogue has already been mailed to existing HHB customers and is available free on request to qualifying UK audio professionals.
Television Film Services (TFS), the location audio equipment supply company recently founded by film sound recordist Keith Silver, has chosen Sennheiser wireless microphones and in-ear monitoring systems with which to equip its inventory. Having already purchased a large number of SK 50 transmitter and EM 1046 modular receiver-based 5000 series systems, the company recently supplemented this with a further 16 channels of rackmount 3000 series systems, bringing the total number of channels to 45. The company also purchased six channels of Sennheiser Evolution 300 series wireless IEM. Founded just 10 months ago, TFS has already supplied equipment to both BBC and Channel 4 productions, as well as to a growing number of corporate and feature film clients.
Performance Exhibitions Ltd has announced the launch of Performance 2001 - an exhibition including conferences, seminars and workshops aimed at the live performance industry. To be staged at the Newcastle Telewest Arena on 17-18 November 2001, the exhibition will bring together manufacturers, venues, producers and promoters, plus a complete range of associated services. Colin Rowell, director of ShowBlokes, whose vast portfolio includes production stage manager of The Tube, stage director for the MTV Awards and stage manager for the Brit Awards, recently returned to the North East, and is involved in live events in the area. He says: "I feel that this exhibition will offer companies a platform for exhibiting to a large audience. It will put the North East on the exhibition circuit where it belongs for this important segment of the industry." Over 1500sq.m of exhibition space will house exhibitors displaying the latest in lighting and sound equipment, staging, studio technology, special effects, transport, catering and support services.
This month, pyrotechnics specialist, Walk The Plank, are going from one extreme to the other. On 10th June they will bring the 600-year old Newark Castle to life as part of the Newark on Water Festival, and then hot-foot it to Singapore for their first international commission - three performances of the spectacular Tower of Light show as part of the Singapore Arts Festival, 22-24 June. The two shows are typical examples of the breadth of Walk The Plank's work. After their successful participation at the Newark on Water Festival last year, they have been asked to animate Newark Castle's impressive facade. This year, they will be using powerful Xenon projection equipment (the biggest in the country) and huge 25m fabric drops, as well as fireworks, lighting and music.
Singapore’s Tower of Light is a set-piece using performers, lighting, music, fireworks and special effects, based around a 15m steel ‘lighthouse’. The show has been seen at Arts Festivals across the country, but this is the first time Walk The Plank's talents have been taken aboard. A team of 10 will be leaving Manchester on 16th June. Most of the materials, including 14 tons of steel and all hazardous substances, have been shipped over. As well as three public shows, Walk The Plank will run a full dress rehearsal in front of the Singapore Army and Police Force.
Canary Wharf underground station was transformed for large-scale reception for transport industry professionals on the 23rd of May, with Dobson Sound Productions brought in by Fisher Productions to provide the live sound requirements for the event. Following the International Public Transport Conference (UITP) at Earls Court, some 2000 delegates from around the world were invited to Canary Wharf station to observe a showcase example of an underground station. The station, designed by Fosters & Partners, remained open to the public during the entire day, which meant stringent observation of health & safety requirements during the build of the event so as not to endanger the public at any time.
The system, designed by Dobson director David Lewis, consisted of some 40 speakers arranged across the East Ticket Hall level of the station, and the Mezzanine above. The original concept was for a system of 20 delayed d&b C6 speakers to the Ticket Hall, with d&b 12 E3s used as in-fills, and an additional 8 delayed d&b E9 speakers placed on the Mezzanine Level. The system was operated by Dave Guerin, with Richard ‘Basil’ Ferneley acting as system engineer, although as it turned out, it was not at all the system on the original plans - David Lewis explains further: "Whilst we had a fully designed system that we intended to use for the event, further health and safety implications required a total re-design of the system once we were on site. But I suppose it was all part of the challenge of working in an environment that remained a fully-functional station for the pub
Blick UK Limited and Applications Solutions Limited (ASL) have announced a joint venture to bring an innovative new product to the public address and fire alarm industry. A market leader in security, communications, time management solutions and digital TV distribution, Blick UK together with Application Solutions (ASL), designers of all aspects of public address, audio and voice alarm systems, have launched the world's first public address/voice alarm that features full remote control and diagnostic capabilities. The system, which is fully compliant with BS 5839 Part 8 1988, BS EN54-2 and BS EN60849 1998, has remote diagnostic capabilities supplied by a modem interface, and can identify system faults before they happen by monitoring and recording system events on a regular dial-up basis. The main benefit of remote diagnostics is that fault-finding and configuration can be carried out at a remote location saving the engineer time and money.
The system amplifiers use class D adaptive amplifier technology available in 100W, 200W and 400W units in various configurations in 2U 19" rack mount units. There is a family of routers to cater for differing system complexities. The simplest router mixer unit allows for six audio inputs to be routed to the 4 dual audio outputs for dual circuit systems. Expanded units provide 12x12 or 20x20 capacity, and can control up to 64 amplifiers using the proprietary Audio-CAN data network. The basic routers also include digital storage for 2 x 32 second emergency messages and 2 x 16 second test messages. The 12x12 unit provides four out of
At this year’s PALA Show in Singapore, Wharfedale Professional products will be exhibited on the stand of their distributor in Singapore, City Music. City Music will be showing a combination of already established loudspeakers and electronics, as well as several new products that have been developed since the Pro Light and Sound in Frankfurt earlier this year. Wharfedale Professional has been working for some time on a range of plastic enclosures to complement the already successful wooden enclosure ranges available. The results of this project can be seen at PALA in the form of the new LA Series. The LA Series offers four models at present; a 15" two-way full-range cabinet and a 15" sub as well as a powered version of both. The cabinet itself has flying points as well as an integral pole mount. As well as moving in different directions with the loudspeakers, Wharfedale Professional has also been concentrating on extending the range of electronics offered. New to the product portfolio is a range of effects in the shape of the Procomp, Ezverb and Proverb as well as a new range of amplifiers - the MAX Series. City Music can be found on stand number G23.
Fuzion has recently supplied Terry Tew Sound and Light with 18 Nexo PS-8 loudspeakers and a further eight PS-15s, complete with the requisite controllers to add to their hire stock in order to keep pace with the increasing amount of TV work on their books. The PS-15 purchase now brings Terry Tew's total stock count of PS-15s up to around 50 cabinets. The latest show for which the PS-8s were purchased specifically is Slap Bang, the new Saturday night prime time entertainment show on LWT with Ant and Dec featuring celebrity guests, music, competitions and comic sketches. As well as Slap Bang, Terry Tew Sound and Light continues to supply SM:TV and CD-UK with Nexo sound systems for all of their audio requirements.
On Slap Bang, eight PS-8s have been flown in custom cradles in four separate two-way clusters for audience infill while a further six are located on the floor for speech reinforcement and cueing purposes. The remaining four PS-8s have gone onto SM:TV and CD-UK for additional speech coverage for the audience. Slap Bang also uses a number of PS-15 monitors for the music items, with Toploader being the latest stars to put them through their paces.
The Production Services Association has made two announcements: the first is that John Jones of PCM has filled the remaining seat on the 2001 PSA Council. John is a long-time supporter of the PSA and through his company PCM has donated £10,000 to the PSA Welfare & Benevolent Fund since the Fund’s inception. PCM has also gained a reputation for being among the industry’s leaders in promoting training, with the PCM Motor Schools now well established. In a separate announcement, Keith Owen will now oversee the PSA’s new series of BTEC courses. The courses, which commence in June in Birmingham with the Production Technician Intermediate BTEC, will be expanded during the year to cover other disciplines. Owen spent 20 years at Light & Sound Design before spending 18 months at Loughborough College as the PSA’s representative for training. He is working for two days a week at BMS in Birmingham in order to kick-off the new range of PSA Entertainment and Events Industry BTEC qualifications.
On April 3rd, Electro-Voice hosted a highly successful dealer seminar in the World Trade Center in Mexico City. Over 600 consumers, dealers and distributors took part in the event which was held to demonstrate both the breadth and power of the existing EV range as well as to introduce new products. Delegates were given the opportunity increase their technical expertise as David Webster, Franck Fabry, Jay Easley, Joel P. Johnson, Ramiro Colasurdo and Enrique Lask were all on hand to give detailed demonstrations of some of the most important new products. Once the seminar was over, the party began, with a live band powered by an EV X-Array rig. Afterwards, in the VIP area, the festivities continued long into the night. The verdict from the Mexican EV crew was that the event was a huge success, and further dealer seminars and a training programme are planned for the near future.
Communication Technology Ltd has announced the death of its founder, Ron Glaisher, aged 80. His funeral took place on Thursday 25th May at Croydon, Surrey. Ron had been a well-known amateur radio enthusiast since the 1950s and even before starting his own specialist business played an important part in the development of microphones and handsets for transportation and radio communication applications. Ron sold his Company in 1999 to Scarecrow Bio-Acoustic Systems, a company owned by Tony Walker. Walker commented: "I had known Ron for more years than we would both have cared to admit; until very recently he was involved in our new product development and will be sadly missed as a good friend. I am sure everyone who knows his wife Prue will wish to offer their condolences to her."
Shed 7 are the first of Yorkshire Audio’s clients to benefit from the Midas Heritage 1000. Bought from the Leeds branch of LMC Audio Systems, Yorkshire Audio seized the opportunity to front their EAW KF850 system with the flagship console. Yorkshire Audio proprietor Bob Collinson explains his decision: "Midas was the brand on virtually every gig-review; the compact H1000 is practical for the medium-sized touring venues but has the desired Heritage sound to front the largest gigs." The UK tour has been a sell-out return for Shed 7 before releasing their long-awaited album this autumn. Originating from York, Shed 7’s last gig of the tour was appropriately in Yorkshire at The Foundry, Sheffield Hallam University.
Hayden Laboratories, exclusive UK distributors for Rane Corporation products, has supplied a Rane ECS-Engineered Conferencing System, with automatic mic mixers, to the Co-operative Wholesale Society (CWS) HQ boardroom in Manchester. The installation was undertaken by locally-based Akwil Projects. The site is on the 13th floor of a 1960s tower block in Corporation Street, downtown Manchester, overlooking the MEN Arena, Granada TV Studios and Boddingtons Brewery. The boardroom is an interesting space consisting of a square boardroom with listed internal décor and ceiling. The room’s major acoustic challenge was presented by the listed ceiling which has multiple early reflections. Eddie Akka of Akwil Projects, who also installed the original SR system in the same boardroom 20 years ago, was called in to specify a 21st century system. Eddie consulted various suppliers and asked them to assist in producing the definitive design for a new SR System, which had to be simple and automatic in use. Ian Downs of Hayden Laboratories produced a practical system design and specification that not only fulfilled all CWS’s requirements but also left plenty of headroom for the development of future technologies, as CWS were keen to harness the potential of Video Conferencing – as well as high quality audio - via the new SR system.
To improve the system’s intelligibility and gain, ceiling-mounted speaker coverage was divided into six zones using a Rane SRM66 matrix mixer, Rane GE215 Graphic equalisers and a Rane MA6s six-channel amplifier. The heart of the system is
Worcester-based PA Company Intasound blasted open the new multi-million-pound Oxtalls Indoor Tennis Centre in Gloucester, with a new Crown powered Martin W8 system, purchased from the Birmingham branch of LMC Audio Systems. Sponsored by Audi and part of the ‘Sport For All’ initiative, this new 20-court complex is designed to bring tennis training and coaching within the reach of everybody. As well as the indoor system for the ribbon-cutting ceremony, Intasound provided a fully integrated son et lumiere system for the inaugural firework display. A specially commissioned synchronised soundtrack, featuring sampled match-commentary and struck balls, was played back through the Martin W8C/WSX combination. Pictured left to right are Francis Dale (Intasound), Paul Collis (Intasound) and Sean Hames (LMC).