Sound

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14 March 2016

Bringing the linear reproduction of the Leo system to a more flexible and compact package, Lyon is designed for applications where Leo's extreme long throw is not required. They include arena and large auditorium installations, as well as tours and festivals.

Lyon linear line array loudspeakers are available in two versions: the Lyon-M main line array loudspeaker and the Lyon-W wide-coverage line array loudspeaker. Complemented by the 1100-LFC low-frequency control element and the Galileo Callisto loudspeaker management system, Lyon-M can anchor a powerful system for installations in arenas and large auditoriums, as well as tours and festivals. Lyon-W can serve as down-fill to augment a Lyon-based system.

Also making its Prolig

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14 March 2016

The AT4060a tube microphone rejoins the Audio-Technica line-up for 2014 - the cardioid large diaphragm condenser boasts a dynamic range that "far exceeds other tube mics", and is capable of handling high SPLs, making it suitable for bringing vintage warmth to everything from vocals to guitar cabinets.

In addition, ProLight + Sound will see Audio-Technica showcasing the newly-arrived M Series monitoring headphones, System 10 Stompbox guitar wireless system and BP894 subminiature headworn microphone.

(Jim Evans)

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14 March 2016

Watched by over four million television viewers, the ceremony, held at London's O2 Arena, was once again hosted by James Cordon and featured performances from Beyonce, Katy Perry, Arctic Monkeys, Rudimental, Lourdes, Bastille and Bruno Mars, plus a medley from Pharrell Williams and Nile Rogers.

"For the first time on the BRITS I specified DiGiCo SD7 consoles for use on Front of house and Monitors," says Derrick Zieba, audio designer and live sound supervisor for the show. "I had used this console for the first time on the Classic BRITS last year and was amazed by the audio quality, transparency, flexibility and reliability of this board.

"For the BRITS, both the Arctic Monkeys and Bruno Mars requested th

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14 March 2016

Designed by Ben Harrison and supplied by Orbital Sound, the show's audio production features a Yamaha CL5 at front of house, with i/o from two Rio3224-D units. One of these is in the orchestra pit for the band inputs, a combination of microphones and DIs, with the other on stage handling inputs from the cast mics. The AES outputs from the latter unit feed a Yamaha DME64N digital mixing engine, which in turn outputs AES to the front of house PA.

Meanwhile, a PC at FOH with Dante Virtual Soundcard is running Steinberg Nuendo Live, enablin

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14 March 2016

V1.4 features two multiband compressors (three and four bands) and a four-band dynamic equaliser, recently developed for the latest update to the acclaimed iLive digital series. V1.4 also includes Transient Controller, an accurate model of the industry standard transient signal processor. These additions provide GLD users with crucial tools for dynamic control, such as taming vocals, smoothing a bass line, or shaping the transient behaviour of a snare drum.

In response to user requests and especially useful for theatre production, v1.4 provides the ability to set a crossfade time of up to 20s per each scene, which ensures a smooth transition by automating the lev

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14 March 2016

Homecoming - Hit musical Book of Mormon is due to play Salt Lake City for the first time next year, near the location of the Mormon church's headquarters. It will run from July to August at The Capitol Theatre, less than half a mile from The Church of Jesus Christ of Latter-day Saints' flagship temple. Written by South Park's Matt Stone and Trey Parker, the show pokes fun at two naive m

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14 March 2016

Continuing its tradition of offering exhibition visitors even more bang for the bucks, DPA is once again running a daily draw at the company stand, with the opportunity for a lucky person to win a DPA microphone (d:vote or d:fine single-ear hea

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14 March 2016

ARION 5 includes a tri-amplified module that provides a complete control over each band. The amplifier offers three separated ways: 1000W for the subwoofer and 650W + 150W for the satellites (mid+high). It has integrated the new DSP module that allows to get the appropriated equalization by setting several parameters. The process is very accurate and is made through exc

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14 March 2016

The best-selling EIDOS range expands yet further with the addition of three new members, the X123W, the 6.5 and the 12 SP:

The EIDOS X123W is a classic multi-purpose problem-solver, combining high power with an asymmetric cabinet design allowing myriad applications. Its use of modern co-axial driver technology (12"/3" LF/HF) allows a very light and compact unit to deliver serious spl.

The EIDOS 6.5 is a super-compact 6.5" + 1" module designed for installation purposes, especially where space is limited but which also requires power and intelligibility. It is also available in virtually any colour to match surroundings where needed.

The EIDOS 12 SP is a very powerful multi-role device co

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14 March 2016

ASP880 features eight of Audient's renowned console mic pres, two JFET D.I instrument inputs, pristine converter technology, variable impedance and variable high pass filters, all part of a versatile feature set neatly packaged in a 1U rack mount unit.

Chief technical officer Tom Waterman explains, "Listening to feedback from Audient users has been essential. As a result, we worked closely with David Dearden to develop a brand new eight channel mic pre combined with the latest Burr-Brown converter technology to ensure the best sound quality throughout.

"ASP880 is the perfect front end to any DAW system" say

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14 March 2016

Production for the 14 date UK tour was handled by Cato Music. Cato's FOH engineer, Jim King, needed a console to meet the tours specific requirements, which included a large number of outputs. He discussed the options with HD Pro's Andy Huffer and decided the SSL Live more than met all the tour's needs. Although new, its ease of operation also required only half a day's training for King to operate with confidence. "When new consoles go on tour we expect a few phone calls regarding operation," commented Huffer, "But we didn't get any on this tour thanks to a good engineer and the logic of the interface that SSL has designed for the Live

"It's a truly suburb console," said Ki

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14 March 2016

He initially joined the industry after completing a sound engineering course. "In fact, Peter Rieck, a friend of mine from high school, introduced me to the industry," recalls Johnny. Peter was working for MJ Event Gear at the time, and Johnny joined the company soon after. He stayed at MJ for 11 years, working himself up the corporate ladder and falling in love with lighting along the way. Johnny also freelanced for a couple of years thereafter.

"Now I'm on the other side," he says. "It's a new challenge in my life, and a time for moving and growing."

Says Duncan Riley from DWR, "I have always enjoyed Johnny's easy going nature. It has been great to see his t

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14 March 2016

Customers are invited to arrange an appointment to view the full features of the S6 with HHB's knowledgeable Avid specialists in a 5.1 equipped facility. The 24-fader M40 offers a unique advantage by showcasing the full range of modules available in a large format console. Pro Tools, Nuendo and Logic are installed and available for S6 demonstrations.

The S6 console has revolutionised the control of Pro Tools and other DAWs by providing extensive visual feedback, an integrated touchscreen and superior ergonomics that provide faster mixing and intuitive control. By offering the best of industry leading ICON and System 5 families, S6 provides a truly immersive experience for the user.

Available in an array of pre-configured M10 and M40

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14 March 2016

Bringing the sonic performance of the MJF-212A stage monitor to a more compact package, the MJF-210 is the direct result of a collaborative effort between Meyer Sound and its customers in the field. Looking for a new solution to meet a series of on-stage reinforcement requirements, including weight, footprint, power, and clarity, the Metallica team turned to Meyer Sound. The team, including Dan Braun, show director, along with monitor engineer Bob Cowan and assistant monitor engineer Adam Correia, subsequently took part in

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14 March 2016

"I've had the chance to try them all, and there's really no comparison," he says. "It starts with sound quality. My job is to EQ an individual mix for each band member, so I want to hear everything accurately coming off the source," he says. "That's the only way to know for sure what I'm actually doing to the sound. Sensaphonics are so accurate, it lets me start with the truth, which helps me deliver the

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14 March 2016

The newly launched Gasworks Plaza element of this project stands below the superstructure of the former gas storage ring which still majestically towers above the land below ... and has now been illuminated with over 500 Anolis LED lighting fixtures.

These bring its Victorian architecture to life in a spectacular lighting and sound installation concept bridging the gap between its former functionality and its new funkiness.

The old gasworks that once stood on the site adjacent to the Brisbane River was opened in 1

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14 March 2016

SSL is also presenting a trio of major new developments for its Duende Native range of plug-ins. The three new plug-ins complement the existing range, with two plug-ins (X-Saturator and X-ValveComp) designed to bring some analogue saturation and distortion emulation to your digital DAW and the third (X-Phase) delivering high precision frequency specific phase correction.

Lastly, the c

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14 March 2016

"We are very fortunate to be chosen to represent DPA Microphones in Canada," says Bob Snelgrove, president of GerrAudio. "The quality and performance of the company's mics are consistent with GerrAudio's long-standing philosophy of bringing quality audio solutions to the technical teams that support highly creative artists.

This partnership with GerrAudio signals DPA Microphones' continued commitment toward growth and customer service throughout North America. T

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14 March 2016

AES50 and HyperMAC audio networking combine deterministic and ultra-low latency performance with true 'Plug and Play' connectivity, minimising set-up and configuration times - essential when playing a different venue every night, says the company.

On its own, the PRO X provides 168 inputs and 99 mix or 103 output channels simultaneously on a control surface that measures less than 1.5m, or 60° wide. This compact form-factor is ideal where space comes at a premium, but high I/O counts are a must. AES50 digital

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14 March 2016

The 96kHz 24bit four stereo channel USB soundcard enables replay and recording from any chosen DJ software, offering users all the benefits of digital DJing using the controls of a "real" mixer. The bundled Mixvibes Cross LE software also enables two-deck DVS control, and plug 'n play connection of a Xone:K series controller, premapped ready for use.

The Xone:23C also features the renowned analogue Voltage Control Filter (VCF) system, offering Low-Pass and High-Pass filters, frequenc

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14 March 2016

Joining an extensive existing PAS inventory of Meyer Sound equipment which includes Milo, 700-HP subwoofers and quantities of Ultra-Series products as well as MSL-4s, Industrial Series products, Galileo controllers and much else, the new monitors are being immediately deployed on several hires. As with all Pro Audio Systems hire equipment they will be supplied to hirers in a fully road-ready package.

The MJF-210 is extremely compact for a device with such high power handling, containing two 10" LF transducers plus a 4" diaphragm compression driver mounted on a 50 x 70 (horizontal x vertical)-degree CD horn and is powered by an internal 3-channel Class D amplifier.

Pro A

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14 March 2016

Taking place at Tour Supply's Manchester office at 10.30am and 2pm on 18 March, the sessions are open to technicians and anyone else interested in the topic. They will be run by Sennheiser UK's chief engineer Andrew Lillywhite and will deliver hints and tips on how to best set up and use wireless microphones, in-ear monitors, plus a round-up of Sennheiser's current RF products.

Tour Supply will also have a number of one-day-only special offers on Sennheiser products for session attendees.

"We're delighted to be able to offer these sessions," says Tour Supply's 'Big Al' Mouat. "Our mission is to provide touring professionals the best possible equipment when and where they need it. Being able

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14 March 2016

The installation was managed by Sanecore, who decided to use an Allen & Heath digital mixer as the heart of the whole system, with the addition of multiple digital base stations, in order to satisfy the requirement of room combination and audio synchronization, while providing audio quality superior to any typical A/V matrix.

Four iDR-16 MixRacks were installed, one for an inspection room, one for the emergency command centre, and two for monitoring in the hall. Real time audio communication between multiple rooms was established using Allen & Heath's proprietary ACETM point-to-point audio network technology.

An iLive-R72 Control Surface and two iDR-16 mixers were installed for the PA system in the command ce

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14 March 2016

Still made in Denmark, Dynaudio Professional's BM range has become a pro audio industry standard since its introduction 15 years ago. Since then, continuous improvements to this series have been made to further support discerning professionals' needs for transparent, highly responsive and non-fatiguing listening monitors. This new series is the next step in that evolution.

The smaller BM Compact mkIII and BM5 mkIII models both feature expanded frequency response and SPL thanks to a combination of improvements including drivers design and Class D amplifiers. Each i