Sound

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14 March 2016

NWare version 1.7 introduces Kiosk2Go, the latest addition to NWare's impressive control capabilities. Kiosk2Go allows designers and integrators to extend the custom kiosk control interfaces they create in NWare to any mobile device via the platform's web browser component and HTML5. This provides the end user custom control interfaces that they can then control from their own mobile devices, providing them ultimate mobility and freedom.

Any control interface that a designer creates in NWare can be accessed wirelessly with any Android, iOS (Apple), Blackberry, Windows or Linux mobile device. MediaMatrix NWare allows custom control interfaces to be constructed f

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14 March 2016

For the four-day training, attendees were required to bring their own laptop installed with the latest version of Audio Architect and London Architect software. Subjects covered included BSS BLU-806, BSS BLU-800, Crown DCi Network Amplifier, Crown XTi amplifier, Crown USBX, and an iPad with Motion Control and powered by Crown apps (already installed).

The applications for Architectural Media Systems are wide and varied and its scalability enables it to provide the same high quality audio experience from a

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14 March 2016

"I've mixed in my usual style of using a DiGiCo console; making it work for its money," smiles Baggy, who has to account for a four-piece band and three backing vocalists as well as Jessie herself. "I doubled up on quite a lot of channels for Jessie, so I was using all but six of the faders."

As well as monitoring, Baggy also had a comprehensive talkback system set up. This allowed him and the band members to all talk to each other during the show, without distracting the leading lady and he could also talk directly to Jessie when required.

Sound quality and flexibility are a given, but what Baggy appreciates most about the SD5 is i

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14 March 2016

Special guest Katherine Jenkins delivered a stirring operatic performance - as Matt Manasse's company Bluefish Audio faced the inherent reflections of the glazed dome roof in this landmark London skyscraper, and the difficulty of manually humping all the gear 180m up to level 40.

Fortunately for Manasse's team, the MLA Mini is both lightweight and portable. A top line sound engineer in his own right, he was already familiar with Martin Audio's compact philosophy when he became the first sound engineer to air the W8LM Mini Line Array - on tour with Katie Melua way

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14 March 2016

Exhibit-goers begin by rediscovering the nature of energy in the dynamic Energy Garden area, where they can transform energy from one form to another via a series of electro-mechanical devices and immerse themselves in a short film that dramatically presents the story of energy in our world. Guests then convert their knowledge into action via a multi-player simulation game in which they design an energy-saving car, house, neighbourhood, transportation system and city power grid.

Electrosonic teamed with exhibit designers Evidence Design, interac

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14 March 2016

"The sound was spectacular, and incredibly even for an in-the-round setup," says Brendan Hoffman, FOH engineer and production manager. "From FOH at one end of the arena up to the stage and the higher seating sections, differences were negligible. It was a gut punch on the floor and a gut punch at the top level."

Supplied by VER Tour Sound, the Leo system comprised 96 Leo-M line array loudspeakers deployed in four arrays of 14-each for long-end throws, an

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14 March 2016

Before opening in March of 2013, Game Seven Grill underwent a major renovation including new seating, championship décor and a new sound and video system featuring Community CP6 pendant loudspeakers for the interior and R.25-94T loudspeakers for the Grill's outdoor plaza seating.

Game Seven's sound and video systems were designed and installed by Parsons Technologies of Phoenix, Arizona. Mark Schultz, Systems Engineer, designed the systems at Game Seven Grill

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14 March 2016

Philippe Barguirdjian, technical director of DUSHOW, and his sound team were responsible for mixing and recording the three shows, each of which lasted around four hours. For rehearsals, four linked BBR64MADI systems were connected directly to the front-of-house DiGiCo SD7 and SD10 consoles. Here, the recorder's virtual soundcheck facility came into its own, enabling singers to save their voices ready for the

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14 March 2016

For its 2013 event West Evenement chose a new venue, the huge Le Liberte function hall in nearby Rennes, which has capacity for 5,300 people. The company had many new things to present, and wanted to choose the best venue to maximise the presentations. Eight demonstration areas were set up within the hall, and among new developments to be introduced here were sound systems and technology from Nexo.

Nexo's commercial director Jean Jacques Vias, together with concert sound specia

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14 March 2016

Andy M. Sutikno, CEO at ASIIS, explains his reasons for bringing Amadeus live sound equipment on board to the company's prestigious product lineup, "Once again I found a brand which really suits our philosophy about high-end sound. The Amadeus speakers have a very detailed mid-high frequency performance, very warm, yet transparent mid frequency response, and a fully articulated low end," he says, recalling his introduction to Amadeus during listening sessions at the 2013 Prolight + Sound show at the Frankfurt Musikmesse.

"Their products' sound quality, which definitely comes from Amadeus' high-end studio design experience, is apparent in its live sound systems with the ability to deliver a

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14 March 2016

"Since the new Mina system was installed in the main sanctuary, everybody has noticed the difference," says Elec Winner, the church's director of technical ministries. "The clarity of the high end is amazing. Now everything has its proper place in acoustic space, and the coverage from front to back is completely uniform. Our senior pastor is extremely happy. The sound check before the service takes less time, and the gain before feedback is much higher."

The new system comprises left and right arrays of seven Mina

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14 March 2016

Showcasing Gaz's new solo material, the tour took place in churches across the country. Engineer, Gavin McComb, selected an iLive modular system comprising an iLive-80 Control Surface and iDR10 MixRack to manage FOH, with iLive apps and PL controllers for additional remote control.

"Apart from being a very well designed piece of kit, iLive is also extremely compact, with a footprint of around 1m sq. so you can slot it into virtually any situation, even if you're going to a small venue that already has its own in-house stuff. As a system, the audio quality is fantastic, all the internal effects are very easy to use and sound great, whether it's a small, medium or large-sized venue."

Gavi

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14 March 2016

Hosted at the company's HQ in Redditch, one of the days will focus on using Dante networking with Yamaha CL Series digital mixing consoles and Nexo NXAMP amplification, while the other focuses on Waves plug-ins, including integration with Yamaha digital consoles via the WSG-Y16 SoundGrid interface.

Taking place on 12 February, the Dante networking course examines the close integration which is possible between CL series consoles and Nexo's NXAMP 4X1 and 4X4 Powered TDcontrollers, via Dante.

Jointly developed with engineers from Yamaha, Nexo TDcontrollers provide full integration of speaker and amplifier control, with output capacities that deliver a highly cost-effective solution for both instal

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14 March 2016

ISE 2014 will see the first major European debut of Lab.gruppen's Lucia amplifier, which offers consultants and installers a decentralised solution without compromise, presented here alongside the complementary loudspeaker products from Tannoy.

Designed for low cost, low hassle commercial installations such as boardrooms, classrooms and retail outlets, the two-channel Lucia (Localized Utility Compact Intelligent Amplification) is a compact and versatile Energy Star compliant Class D platform.

The Lucia M model variants include ADLC (Automatic Dynamic Loudness Contouring

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14 March 2016

RDNet 2.0 is based on many years of research and development making the management of complex audio systems simple and intuitive. Version 2.0, entirely designed and developed by the RCF engineering team, includes several new functions as well as multiple improvements and adjustments.

RDNet 2.0 includes its control software, all supported devices (with new firmware updates) and

Control 2 and Control 8 devices.

"The software can be found as free download on RCF's website in the section: LOGIN. Once the customer has

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14 March 2016

Stocked with all the features for pro mixing, the affordable FX2 series includes essentials like Silencer mic preamps, which allow very high gain with low noise and distortion for crystal-clear signal reproduction. The four pre-fader auxes per channel provide four monitor mixes, while the two post-fader auxes are designed for adding effects (built-in or outboard).

These mixers also include dual DSP engines that allow multiple simultaneous effects assignable to any channel via aux 5/6. Onboard effects include reverb, reverb enhanced, delay, compression, expander, de-esser, chorus, flanger, tube emul

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14 March 2016

The RR12 combines a linear, non-compressed crystal-clear response from the lowest to the highest SPL's with a very wide dynamic power output ratio. The distortion is in average only 1/10th of that of traditional compression-based systems, says the company.

The system features the Alcons-proprietary RBN602rsr 6" pro-ribbon driver and a custom-designed 12" woofer with 4" voice coil, dual-spider suspension with forced-venting; while both transducers have Neodymium motor

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14 March 2016

"It's about time Solid State Logic got out of the house!'' says Dave Shadoan, president of Sound Image. "Everyone here at Sound Image is looking forward to a long and mutually beneficial relationship with SSL through the sales, service and use of the new SSL Live."

"Sound Image is a well-established leader in the live market and its extensive customer base offers an unparalleled opportunity for the SSL Live to gain exposure in North America," says Jay Easley, SSL's

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14 March 2016

Describing the usual routine of the three-piece band, engineer Daniel Paine explains that "it's mainly vocal and guitar through the wedges, and it's extremely loud, one of the loudest mixes on stage for monitoring that I've ever come across, which was partly the reason for going with the N-12s; they're so stable and have so much headroom. We did a measurement at 1

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14 March 2016

As part of this change, Tyrell and Clear-Com have announced the appointment of three authorised reseller partners that are already signed up and established in the live performance market: Amber Sound, Autograph Sales and Orbital Sales. By working with these known resellers, Tyrell is in a good position to start the Clear-Com distribution.

Martin Bennett, commercial director at Tyrell Group, said, "The opportunity for Tyrell to expand the Clear-Com distribution into Live Performance and Install market allows us to build on the success we have developed in the Broadcast market, and we are excited about the challenges of developing new business in this market with

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14 March 2016

NBC Olympics has purchased two 64-fader Artemis Shine consoles and augmented its arsenal by renting a further 40-fader and two 24-fader Artemis Beam consoles from Calrec.

"We are extremely proud to be the mixing console manufacturer selected once again by NBC Olympics during the Olympic Winter Games in Sochi," said Goodman. "After the success of the Summer Games in 2012, we are delighted to continue working with NBC Olympics and thank them for their belief in Calrec by choosing our desks."

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14 March 2016

Following the announcement of the very high profile winning entries, Judge Sebastian Frost took the opportunity to highlight Finalist TiMax as "The go to product of my choice for any live reinforcement application."

It was the revolutionary sound design and large-scale automation implementation by Robin Whittaker of Out Board and Sven Waldheim of POOLGroup GmbH, that propelled Out Board's TiMax2 SoundHub audio showcontrol and TiMax Tracker performer tracking automation into the final round of the awards.

The winning entries comprised the stunning London2012 Olympics Opening Ce

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14 March 2016

Taking place over the weekend of 7-8 December, the event's sound equipment was supplied by Adlib Audio, including a large Sennheiser inventory. Sennheiser UK's Mark Saunders and Tim Sherratt were on site to provide additional equipment and any required assistance to Adlib's Dave Kay and Marc Peers, as well as Andy 'Baggy' Robinson, who was handling the audio side of things for production company Production North.

"The biggest challenges for us were the size of the arena that we had to cov

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14 March 2016

Based upon a positive experience with their previous D.A.S. Audio sound reinforcement (SR) system, the Coliseum Tallahassee elected to keep the sound in the D.A.S. family when it came time to upgrade to a larger setup. These days, the popular night spot is the proud owner of a system based upon D.A.S. Audio's flagship line array system: the Aero 40A.

Tallahassee, FL-based Ultimate Sound and Light was contracted to design and deploy the Coliseum's new SR system. Pete Barbaree, the person responsible for the D.A.S. Audio system's sale, design, and installation, elected to deploy a setup that include