Moores continues, "We buy Christie because of the people we deal with there. The product is stunning but the relationship we have with them is the most important thing. The Technical support from Christie is very helpful and you can speak to someone in depth. They're always very quick to resolve issues when they do occur and Christie is a very good product. I would say it's one of the best.
"We opted for the J Series as it is packed with features, so
After the successful training sessions organised in conjunction with Green Hippo at Theatre Basel in the autumn of 2011, IQunlimited scheduled another two-day training seminar for an extended range of clients.
The training took place Tuesday and Wednesday 13 & 14 March in a Cultural and Community Centre close to Zurich with invitations going to IQunlimited's customers as well as potential clients.
With attendees ranging from various fields including rental companies, theatres and operas, TV/Broadcast, cultural centres, concert halls as well as freelance designers and operators, IQunlimited managed to reach a wide range of market sectors, increasing Hippotizers profile even further in Switzerland.
Once again the seminars were held by Green Hipp
These solutions will be exhibited in Analog Way's booth #N952 during InfoComm 2012, from 13-15 June in Las Vegas.
"Analog Way has a long history in the development of solutions enabling the creation of wide images, either horizontally or vertically", explains Franck Facon, marketing & communications director. "Combining this with different levels of processing capabilities, we now offer three Edge Blending syste
dbn's project manager was Nigel Walker, and they were working for UK based Stage One Creative Services, with whom Walker has enjoyed a long and successful working relationship. Stage One in turn was commissioned by producers Fabelactiv, to deliver a set for the high profile show which is broadcast from their HD studios in Hamer via national TV channel, NRK.
Stage One appointed Nick King to design the spectacular set, and then asked dbn to interpret the prominent lighting elements of the resulting 15m wide scenic environment, a streamlined fusion of interlocking curves made from frosted acrylic material and backlit with LEDs, embracing retro and futuristic in
Gray was commissioned to create the piece by curator Charlotte Lurot. The exhibition, supported by HRH The Prince of Wales, focuses on the modern, innovative and avant garde use of wool in creative industries.
Gray's video and sound installation is fully interactive - visitors listen to a soundscape through pre-triggered headphones and look at a fully visual 'colour story' unfolding in front of them that encapsulates the diversity, chaos, symmetry and many textural possibilities of the warp and weft of the wool.
The physical installation is a frame structure with three panels of stretched wool yarns
Telegenic's Rob Watt says: "We have hundreds of flight cases here at Telegenic, each housing specific and expensive items of broadcast equipment. Working in a 'live' and very unforgiving industry, we have to know exactly where our kit is at all times. Le Mark labels are an essential part of our working day, being clear to read, practical and durable."
(Jim Evans)
Designed and directed by France-based ECA2, who were involved in shows such as the opening and closing ceremonies of the 1998 World Cup in France and the Eiffel Tower Millennium Show, the 'O' stands for the ocean and resembles the numerical zero to illustrate a new beginning for the sea. The show is expected to remain as a permanent centrepiece after Expo.
Two sets of triple-stacked Christie Roadie HD+35Ks project a short animated film about ocean conservation onto the water screen at the internal rim of the 'O' which is l
The equipment used needed to reflect the importance of energy efficiency with the project including a 10-minute video presentation that takes the visitor through all the issues that come with durable and energy efficient construction, renovation and housing. Visual Productions' CueCore proved to be the right choice for solid-state lighting control and this unit benefits from having a minimal power consumption.
The presentation takes place on four synchronized big LED scr
TRIAS S.A. is the official technology partner of the stadium and the general contractor of the tele-technical systems. For the next five years TRIAS will also supervise the correct functioning of the installed electronic systems.
During Euro 2012 PGE Arena Gdansk will host three group games as well as a quarter final. Designed in a manner to resemble the colour of Baltic amber, the arena can seat up to 42 000 spectators.
TRIAS equipped the stadium with four diode sc
Helping to tell this story is an immersive three-side 'cave' - a CGI virtual walk-through of the entire ship, constructed by Bedfordshire-based Paradigm Audio Visual, and installed by DJ Willrich to meet the design brief from Event Communications.
The Paradigm project team was led by Steve Pratt, director of engineering, who conducted several site meetings before drawing up the design for the three seamless rear projection surfaces, each 6m (wide) x 2.3m (high) and powered by Panasonic PT-DZ110 dual lamp, 10,600 lumens WUXGA resolution projectors, fitted with 0.8:1 lenses.
P
Explaining the technology installed, Alan Williams, operations manager at Atlas AV says, "The interpretation designs provided by Ralph Appelbaum Associates and interior fit-out by Beck Interiors are complemented by state of the art audiovisual technology.
"Projection is prominent within the exhibition and displays are all individually warped and blended using Delta Media Servers to fit the contours of the historic building with masks placed on the edges for a soft edge. Uncompressed content created by Center Screen Productions is controlled by 7thSense Design Delta central media servers, providing frame accurate synchronised projections with 32 channels of audio over CobraNet to provide gen locked audio in addition to gen locked video
Stuart Holmes, PSCo Group CEO explained, "At PSCo, our ethos is to invest in and bring new technologies to the UK market, making them available to our trade partners in compelling rental packages. The introduction of omniSHAPES will give customers more flexibility to be creative with the confidence of the latest German engineering supporting the product.
"omniSHAPES is believed to be a real game changer and the next generation of display and is the most technical
Throughout the last year, the Association has continued to develop and promote its Technical Access Passport (TAP) - launched at the ABTT 2011 Theatre Show - a scheme that creates an online repository for verified training, skills, insurance and other professional information.
Now, with TAP gaining weight within the industry, the second phase of the scheme is ready to start. Industry trainers will
No Show - Lady Gaga has cancelled a concert in the Indonesian capital Jakarta, citing security concerns after protests by religious groups. The s
A collaboration between the town of Les Baux de Provence and the specialist French venue management company Culture spaces, Carrières de Lumières'('Quarries of Light') is a hi-tech re-purposing of the Carrières du Val d'Enfer- a network of abandoned chalk-mining tunnels close to the historic Provençal village.
With a subterranean feel, the Carrières de Lumières is a labyrinth almost 200m long that varies in height between 10 and 15m. In its newly re-invented form, the space provides the perfect backdrop for large-scale video projection- a place where visitors can view images close to or from a greater distance away, while the texture of the chalk surfaces adds further visual interest to whatever a
Luminous at Darling Quarter represents an important investment in green digital art by the Darling Quarter joint stakeholders, Lend Lease, Commonwealth Bank and Sydney Harbour Foreshore Authority.
The project, which has taken 12 months to complete, establishes Darling Harbour's vibrant new precinct - Darling Quarter, as the new face of digital arts in Australia.
Bruce Ramus, creator of Luminous at Darling Quarter stated, "The digital façade adds radiance and playfulness to the precinct and brings people together in the spirit of creating light and art for others to enjoy."
Ramus says Luminous at Darling Quarter has been the collaborative effort of many, resulting in a unique approach to urban space that aligns public ar
In order to enhance the customer experience at the airport, the airport management company Gesac decided recently to install two LED walls, of 3m by 4m each, for marketing purposes. These impressive screens run on Scala software and now serve as the core element for the communication and advertising strategy at the airport.
"Konvergence has created an eye-catching digital installation that immediately draws the attention of everyone in the departure hall of Naples Airport," states Damon Crowhurst, senior director, Scala EMEA. "An airport is open and operational 24/7 and365 days a year. That means that the proven stability and perfect playback quality
A laser scanner was used to create a highly accurate 3D model of the building, and then prepared by 3D modeler and artist Nils Porrmann in order to set up the d3 stage, providing Treatment Studio with a content template to work on. Sam Pattinson, creative director of Treatment Studio, commissioned a number of animators to create the content. Pattinson has a long-standing relationship with d3
An estimated 1 600 people, all South African Breweries internal staff, attended the convention, business sessions and the new brand experience - a networking area where delegates gather after various sessions. Here all SAB brands were displayed in an exhibition-type fashion and complemented with lighting and background music.
AV Unlimited arrived in Cape Town on Sunday and the set up had to be complete by Wednesday for rehearsals. The event was hosted on Thursday and Friday.
Guillaume Ducray, joint partner at AV Unlimited, says the biggest challenge was rigging 99 points in 48 hours. Having worked on the gig on numerous oth
Highly visible and iconic, the 'LightVeils' display is unique to Weymouth. It is also one of the final parts in an ambitious £2.5m seafront regeneration programme undertaken by the Borough Council and other partners. The luminous green laser patterns will now form a permanent night-time feature, shining across the beach and into the sea.
The innovative project was designed and delivered by international engineering consultancy Parsons Brinckerhoff, based upon a concept developed by renowned artists Vong Phaophanit and Claire Oboussier. The company won the 2009 design competition set up by Weymouth & Portland Borough Council and The Arts Council to deliver an artistic led lighting installation for
The strategic collaboration between NEC Display Solutions Southern Africa and Electrosonic is targeted at increasing local market share and informing the industry of the benefits and capabilities of NEC's innovative product solutions. While Electrosonic's core focus will be on public displays, large venue displays, events and the control room market, they will be distributing the complete range of displays, including large format displays and projectors.
"This is a strategic appointment where NEC Display Solutions Southern Africa aims to enhance its exposure in the local Pro AV and systems integration market by building on existing working relationships with complementary products currently distributed exclusively by Electrosonic," says
The setting up of Christie's new office in Africa, effective from 1 June, 2012, underpins the company's long commitment to the territory. This new office will provide facilities for demonstrations, customer and partner training, as well as inventory management.
The move has been in the planning for almost a year, and Dale Miller, Christie EMEA vice president, said, "Over the last three years we have been working to develop the right relationships to grow our business. As an organisation we invest heavily in training and believes this lies at the heart of quality service and support. So we look to the same commitments from our Partners."
He adds, "Just over a year ago Stage Audio Works put their service team through our advanced level servic
Responding to a commission from the show's lighting designer, Durham Marenghi, XL Events' project manager, Steve Greetham, worked for several weeks to specify and supply equipment and crew, both for the stunning projection mapping onto Buckingham Palace, and the onstage wraparound LED screens and IMAG cameras for the concert stage. This was cleverly built around the Queen Victoria Monument in front of the Palace.
For the much-talked-about Buckingham Palace projections, XL Events supplied a total of 36 Barco FLM HD 20K projectors arranged in six stacks of six, 12 Barco Image Pros and two Lightware DVI matrices, all under the watchful eye of Master Projectionist, Andy Joyes and his team.
CT provided an 87m² Lighthouse R7 screen in Trafalgar Square and a 39m² Lighthouse R7 screen in St James' Park South, enabling the tens of thousands of visitors and residents of the capital to view the long weekend's festivities in all its regal glory.
CT also controlled the content across a total of 13 screens in central London, combining the main broadcast feed, locally generated live images and an advert roll with both ticker and emergency messaging options. Signals were distributed ov
