UK - Christie has been chosen by the British Academy of Film and Television Arts (BAFTA) as a technology partner for its redeveloped headquarters at 195 Piccadilly in London.
The partnership will see a host of Christie integrated technology installed throughout the building, including flagship Christie MicroTiles LED tiles, as well as 3DLP RGB pure laser, 1DLP laser projectors, media servers and software. The redeveloped space, with state-of-the-art technology, will enable BAFTA to dramatically expand its learning and talent support programme through broadcast events and screenings, supporting talent across film, games and television in the UK and across the world.
Louise Robertson, executive director of partnerships and fundraising, says: “We are so excited to be working with Christie to help bring our redeveloped space at 195 Piccadilly to life. The technology Christie provides will give BAFTA some of the resources needed to dramatically expand our learning and talent development programme. With the generous support of our partners and donors, BAFTA will be able to provide the next generation with the tools to develop a career in film, games and television.”
“It’s a privilege to partner with a world-leading arts charity with such creative heritage,” says Michael Bosworth, executive vice president, Enterprise, Christie. “We are inspired by creativity and keen to support talent wherever we can, and BAFTA does an exemplary job of this in the film, games and television industries. We are confident Christie’s technologies can play a role
UK - Video technology company, 80six, recently opened the doors to its virtual production studios in Slough. The VP facility boasts a pre-configured curved LED stage, suitable for shooting in-camera VFX. Brompton Technology products are part of the studio's high-end technical backbone.
80six has been at the leading edge of building and implementing xR stages and has now directed its attention to live LED in-camera virtual production, which uses similar technologies. The company has spent the last 20 months carrying out extensive R&D with LED and cameras for film and TV productions with partners such as Epic Games, Dimension Studio, DNEG & OSF.
“Throughout the last couple of years, we have carried out various tests that have given us a solid understanding of the principles of VP. We can now confidently advise our clients as to the benefits and limitations they can expect when shooting in-camera VFX or when using LED video panels as light sources,” says Jack James, director at 80six.
Set in an overall area of approximately 335sq.m, the Virtual Production Stage includes an 18m x 4.5m high-resolution LED volume, built with award-winning ROE Visual Diamond DM 2.6mm for the rear wall and ROE Carbon 5.7mm for the LED ceiling, along with movable lighting dollies.
The ROE screens run on Brompton Tessera SX40 4K Version 3.1 LED processors. “Brompton’s 3.1 software high frame rate capabilities allow for smooth, fast play-back of content, which is particularly useful for slow-motion for film, TV and esports,” says James.
South Africa - Event and entertainment technology solutions supplier Stage Audio Works has relocated to new premises in Kyalami Park, Midrand, Johannesburg.
The move follows a change in strategic direction of the company’s Mitech Direct division (MI retail sales) to a stronger presence online. The new business model has enabled SAW to reorganise operations in a way that reduces the requirement for physical space overall whilst deploying more resources in key areas for increased profitability.
“We are fortunate in that our business has remained strong throughout the COVID-19 pandemic,” states SAW group CEO, Will Deysel. “However, to ensure that, we’ve had to remain agile and react quickly; one of our early decisions was to move Mitech Direct to a predominantly online sales model, which has prompted our relocation to new, appropriately sized premises in Kyalami Park.”
The business is split across two buildings; one that houses sales, distribution and service operations including a showroom that showcases SAW’s full portfolio; and the other that houses manufacturing for SAW’s own brands along with a dedicated showroom.
“The move will be beneficial for our business in a number of ways,” continues Deysel. “In addition to providing significant cost savings on the physical space, it’s also an excellent opportunity to streamline our warehousing and operations and we’ve invested in automated storage and racking to facilitate that. We’re also delighted to unveil a new showroom for our own product ranges in the manufacturing b
USA - Pixotope has announced three senior additions to its global staff.
Juan Rubio, is joining the team as a new product specialist and evangelist. Based in the US, Juan's career has spanned across feature film VFX, AAA Games, and enterprise, having worked on movies like the Matrix Reloaded/Revolutions, The Day After Tomorrow and The Watchmen.
Rubio said, “Having first-hand experience of being the customer, and being in the driving seat of a number of productions, it’s promising to see mixed reality’s popularity and offering growing in abundance. I’m joining the Pixotope team with a vision of delivering what our customers really need when it comes to virtual productions.”
LA-based Brad Rochon is Pixotope’s new vice president of sales and marketing. His move follows a 23-year stint at Ross Video, where he held various positions in sales, channel management and product management.
Responsible for leading new global sales & marketing efforts across multiple channels and driving impactful initiatives to support both existing and new growth areas, David Dowling joins Pixotope as chief revenue officer, bringing with him 25 years in the broadcast industry.
Marcus B.Brodersen, CEO of The Future Group said, “Pixotope is made by creatives for creatives and we are proud to be building upon the rapid growth and acceleration we’ve seen in recent months by continuing to invest in the right people.”
The Netherlands - “Using Capture 2021 is almost like seeing the visuals in real life,” is Eurovision LD Henk Jan van Beek’s assessment of the Swedish manufacturer’s pre-visualisation software system. No stranger to the Eurovision event, having been part of the 2005 programming, Capture Visualisation was proud to be part of this year’s show at Rotterdam’s Ahoy Arena. Always an extravagant feast of lights, video and FX, Eurovision 2021 was chosen as one of Europe’s pilot events for COVID safe live events, making for one of the most eagerly anticipated Eurovision shows of all time.
Since 1994, Capture Visualisation has been developing and evolving the software in the pre-programming sector and is now seen as one of the leading brands in this increasingly busy sector of the entertainment market.
"It is an honour to be the preferred solution for this premier European event, and it feels even greater that we are part of this first major post-pandemic event,” comments sales director, Vangelis Manolis. “It signals that there may be light at the end of this long and dark tunnel. We have seen so many renders of the stage set and the awesome lighting design of Henk-Jan van Beek with his team from Light-H-Art that it feels as if we have been there at the Ahoy ourselves.”
The Capture team have worked tirelessly with the entire team of visual creatives and Eurovision’s technical supplier Ampco Flashlight throughout the extensive programming required to create 39 performances and interval moments of the semi-finals and then the Grand Final o
USA - Multinational retail corporation Walmart relied on the disguise extended reality (xR) workflow to host two of its most important corporate meetings virtually for the first time earlier this year.
Walmart needed to address a global audience of investors in its annual Investor Community Meeting (ICM), as well as key management personnel in its Year Beginning Meeting (YBM), remotely. Partnering with experiential event company LEO Events, Walmart invited Xite Labs, a long-time disguise creative and workflow partner, to deliver a custom-built stage powered by disguise xR at Walmart’s headquarters in Bentonville, Arkansas, to host the two virtual events.
Using the extended reality set-up, speakers could present information, showcase statistics and accent the meetings with augmented reality elements to add layers of visual interest and engage viewers in a compelling way.
“Xite was proud to deliver a near-perfect xR production for one of the biggest companies in the world on an event that moves markets,” notes Xite Labs creative director Greg Russell.
Russell and his team spent one month pre-programming, testing cameras, AR functionality and pixel mapping content at Xite Labs’ office in Los Angeles, ahead of their trip to Arkansas. Once on site, they were able to build the xR stage from the ground up in just one week, ready for the three days of shooting.
Instrumental to meeting this tight timeframe for Walmart’s two xR productions was Xite’s careful equipment planning and the ability to have its own studio get all the gear
France - Modulo Pi has announced the immediate availability of Modulo Kinetic version 4. With this release, the fully integrated media server solution offers a revamped user interface, improved 3D engine, and new extensive capabilities dedicated to virtual productions.
Introduced in 2016, Modulo Kinetic makes a major step forward in its development with a variety of new features and improvements. The Modulo Kinetic Designer offers a revamped user interface with new icons, optimised views, toolbars, timelines, nodal programming editor, and more.
Special attention was paid to the 3D scene viewer to offer users a smooth navigation and polished experience with the software.
Version 4 includes the support of Notch Block, 10-bit Apple ProRes, and 10-bit GoPro Cineform. Modulo Kinetic also supports LUT format, allowing creative filters and real-time colour grading.
With support of the WebSocket protocol, it is now possible to create custom web applications, and interact with shows created in Modulo Kinetic from a smartphone, a touch screen, or any other computing device.
Improved 3D engine Modulo Kinetic V4 includes a large series of improvements to its embedded 3D engine. New features allow to significantly enhance show study and simulation in Modulo Kinetic. Projectors can be easily imported into Modulo Kinetic Designer from a csv file. Their distribution in 3D scenes is much faster and easier thanks to a new clone and symmetry tool.
UK - Brompton Technology has collaborated with White Light (WL) to showcase the new functionality of its latest Tessera V3.1 software release.
The software’s new features, such as Frame Remapping and High Frame Rate+, have unlocked a number of virtual production opportunities. Frame Remapping within White Light’s SmartStage LED studio enables multiple cameras and shooting modes to each see their own render perspective. It also means that a live feed can be captured, fully utilising the benefits of XR technology, including reflections and bespoke lighting, while adding the capability to simultaneously shoot against a green screen to give options in post-production.
Dynamic chroma key adjustments can be made, allowing any 24-bit RGB colour to be specified. For events with remote participants in different countries, the technology allows outputs to be tailored and regionalised to simultaneously deliver unique content in multiple languages.
“We were delighted when Brompton approached us to look at how their new software could help enhance the projects and solutions we are developing for our clients,” comments WL’s technical solutions director, Andy Hook. “As the leaders in selling and deploying multiple SmartStage XR environments around the world, collaboration with other global leaders is key to our evolution journey. The powerful combination of these technologies unleashes so much potential for the creative industries and we are hugely excited to see how this partnership develops.”
“Having the opportunity to work with Andy, Sarah
USA - For the past year, the world has been preoccupied with Zoom meetings. Disguise has been looking at a very different type of zoom. Instead of video meetings, disguise allows its users to zoom in and out of a virtual world on camera.
disguise’s extended reality (xR) workflow, released to the general public in April 2021 through its new r18 software, includes this new feature which extends the virtual scene to allow cameras to zoom in and out of each scene. With these capabilities, the community of disguise users can now build even more exciting and elaborate scenes than ever before.
xR pioneers and disguise partners, XR Studios, were among the first to incorporate the new feature into their current workflow and explore its full potential. Their first project using virtual zoom was with singer Katy Perry. For what is now the third collaboration with Perry, XR Studios used the new feature to enhance her performance for the Lazada, the Malay e-commerce platform, annual Super Party that was simulcast across Southeast Asia.
“The virtual zoom allowed us to work outside the box because we can now simulate shooting in a space that is ten times larger than ours,” says J.T. Rooney, chief creative officer at XR Studios.
Silent Partners Studios were the xR content designers on this project, and by partnering with XR Studios, they were able to create worlds that went beyond the limits of the physical screens. Perry performed against a giant Pierrot statue, Escher-inspired architecture, swan sculptures, and a fireworks display, with the camera
France - PRG and MADO XR has launched Virtual Production Studio-xR, a 360-° LED facility powered by Brompton Technology Tessera SX40 4K LED processing. The space “brings the power of virtual production to any type of pre-recorded or live production” and features ROE Visual LED panels, with multiple Tessera LED processors running the entire set-up.
“Situated on the outskirts of Paris at the historic TSF Studios, we designed a modular studio of approximately 800m2 to provide full control over both the lighting and the filmed scenes in a realtime recording environment. We have put a team together that is fully dedicated to the studio and is composed of PRG and MADO XR staff who will be able to advise and guide you in the realisation of your projects,” comments Thierry Kra, managing director of PRG France.
Louis De Castro, CEO and co-founder of MADO XR, utilised over 10 years of experience working with some of the biggest fashion houses, including Valentino, Yves Saint Laurent and luxury brands such as Cartier and Baccarat, to merge his creative industry knowledge with PRG’s global reach and technical expertise to create a top notch XR studio.
“Our studio is 15m wide by 5m tall and 7m deep, meaning it has an LED backwall, a ceiling, a floor and front panels, which is a unique offering in France,” comments Yves Winand, PRG’s senior video project manager & technical advisor. “Together with MADO XR, we pulled together a set of technologies for real time tracked images to be rendered with extremely low latency, allowing the actors to
UK - Preevue and Race Furniture have announced a strategic partnership, bringing together Race’s decades of experience in theatre seating design and Preevue’s venue scanning and sightline analysis technologies.
While the two companies will remain separate, they will collaborate closely on future projects where skills and resources can be shared, with Preevue services being integrated into Race’s offering to new and existing clients.
Lucy Stokes, managing director of Race Furniture comments: “I am thrilled to announce this key partnership between Race and Preevue. Race has over 75 years heritage within theatre and venue seating and continues to grow. We view this partnership with Preevue as a major step forward not only in Race’s evolution but the evolution of the entire industry - for the first time ever seating design, layout and manufacturing expertise will be combined with cutting edge technology in 3D venue visualisation and sightline analysis.
“This past year has highlighted a need for a much more remote based technology service, allowing the software to be utilised for multiple smart benefits including remotely, digitally & accurately viewing your entire venue and how maximizing capacity and therefore revenues is possible.”
Ryan Metcalfe, managing director of Preevue adds, “I’m really excited to announce this strategic partnership between Preevue and Race, a company with such an illustrious history in theatre seating. I see this partnership as a great way to further streamline the efficiency of projects within the
UK - AV and entertainment technology company Anna Valley has acquired event technical support provider Production Plus. The purchase will provide Anna Valley with additional staff and technical capabilities to support the company’s portfolio of venue clients.
Production Plus has provided technical services to the events, hospitality, corporate and private markets since 1985. The company supplies video, audio, lighting, rigging and set design, build and staging services and equipment from a 20,000sq.ft facility in Hertfordshire and is the preferred supplier to a number of five-star hotels and venues.
Like many suppliers in the sector, it has recently experienced difficult trading conditions due to the Covid-19 pandemic. Over the last 12 months, the owners were forced to reduce the company’s full-time staff and re-evaluate the business, ultimately deciding to approach long-time industry associates, Anna Valley, with an offer to purchase Production Plus.
“This purchase will not only expand Anna Valley’s technical inventory and strengthen our capabilities as an audio-visual provider to event venues,” comments Anna Valley MD Peter Jones. “It also means that we’ve been able to take on 17 highly-skilled staff members who would otherwise have faced redundancy through no fault of their own. We’re thrilled to welcome the Production Plus team into the Anna Valley Group.”
This is Anna Valley’s second acquisition since the company underwent its own management buyout in 2015. In 2018, Anna Valley purchased live event specialists, Matri
UK - Christie has announced a new UK partnership with Visualization. The UK-based company will be joining Christie as the UK’s technical distribution partner, offering a full system design, build and supply of services and products, to the integration and dealer channel.
Visualization is an associate company of AV Rack Build and is able to draw on a long-established relationship with Christie and its products. The new arrangement gives integrators a one-stop-shop for system pricing, orders, and an opportunity to take advantage of additional AV engineering services and technical expertise each step of the way.
“Christie products are respected across the AV world and their reputation speaks for itself,” comments Nick Pidgeon, managing director at Visualization and AV Rack Build. “We have enjoyed an excellent working relationship with Christie since early days with the first Dolby Cinema deployments and the move to formalise our relationship is a mutually beneficial step for both companies. From our side, we’ve put together a great account team including industry stalwart Chris Brittan, who can draw on extensive experience of Christie solutions over the years. This is a very exciting time and I’m very much looking forward to the future.”
“As business starts to open up again, it’s an exciting time for Christie to be partnering with Visualization,” adds Miles Donovan, senior channel development manager at Christie. “Its particular focus will be on our Pandoras Box, Spyder, and Terra products, the demand for which is likely to be on
Europe - LED manufacturer Absen is set to hold three online round table panels on immersive LED experiences. The sessions will cover immersive LED in virtual studios, retail spaces, and corporate spaces, with each round table session hosting a variety of expert brands in each sector.
Hosting all the roundtables will be Jessica Golding, Absen’s European brand manager. The first roundtable, upcoming on 19 May, will discuss the impact and rise of virtual studios on the AV industry over the last year. With a panel of the industry’s virtual studio experts, including Christian Czimny, Absen’s industry product director, the panel will discuss what virtual means in the industry, where virtual studios can be used, and what the benefits are of using LED over traditional ‘green screens’. The event will provide a multitude of perspectives, from end user to integrator, on the reality of virtual studios and the way they are perceived and used in a post-pandemic landscape.
The second roundtable on the 26 May will discuss the nature of virtual environments and why retailers should consider LED experiences in store. The panel, made up of brands such as Trison and Gensler, as well as Absen’s retail industry director, Ben Phelps, will discuss LED not only from a global retail market viewpoint, but will also analyse leading regions in LED adoption, such as China. The experts will give advice to retailers on how to create immersive spaces, and how to effectively use LED to their advantage to create experiences that customers will not forget.
The final sessio
France - The Organisation for Economic Co-operation and Development (OECD), based in Paris is an international organisation made up of 37 member countries that works to build better policies for better lives. More than 1,000 conferences are organised annually in the OECD conference centres (La Muette and Boulogne), including around 30 conferences and major events. The OECD Conference Centre offers 3,000sq.m of modern and modular conference rooms and a range of facilities.
Currently, OECD manages around 250 daily web conferences. Most high-level meetings offer interpretation in at least both official languages of the OECD and rely on collaboration, meaning interactions are dynamic amongst participants.
Audio visual services (audio, video and web conferencing) have been used for several years in OECD, but with the significant increase in remote participation requests in recent months, and the massive virtualization of OECD events, communication needs have evolved. Today, many meetings take place in a virtual (remote participants) or hybrid (presence of participants simultaneously on site and remotely) fashion.
In this context, the audiovisual department had to quickly adapt and rethink its strategy, in particular by adapting its digital infrastructure to new interpretation flows.
“We had used Dante before the pandemic, but only for a few implementations,” Guillaume Carlier, head of the Technical Audiovisual Support Unit at the OECD explained, “However we knew it was a powerful and flexible option. When the crisis happened, we saw a major c
France - Technological Innovations Group (TIG) has appointed Alexandre Martin into the role of residential sales engineer in France.
Reporting to Christophe Malsot, TIG's director of hospitality, leisure and retail, Alexandre will be the go-to technical specialist for system integrators and smart home customers, working closely with the expert regional sales team.
Christophe Malsot comments: "Alexandre is a Crestron certified programmer and will therefore make a superb asset to the team, thanks to his perspective acquired from past roles as System Integrator and Automation Programmer. He brings a technical mindset and vast industry knowledge to help us ensure our continued, exceptional customer service for the Residential market."
Alexandre adds: "I feel so happy and proud to join such a talented team and recognised brand. Crestron offers system integrators and homeowners alike with so many opportunities and I'm looking forward to providing our partners with the tools and knowledge they need to deliver outstanding Residential projects. Sharing this passion is what motivates us."
UK - Remembering the Oscars, staring Strictly Come Dancing’s Aljaž Škorjanec and Janette Manrara, is a celebration of the Golden Age of Hollywood. With the originally intended 41-date UK theatre tour curtailed for two consecutive years because of the pandemic, Škorjanec and Manrara were desperate not to disappoint fans. The show’s producers, Steven Howard for The TCB Group and David Shepherd from Imagine This Live, looked for alternative solutions.
With streamed performances gaining increasing success, they turned to video production specialist iMAG Displays to help them bring the sparkling show to life in a series of streamed performances, which aired for three weeks from 27 March.
“When Steven and David got in touch with us, we were more than happy to help,” says iMAG founder and technical director, Alex Strachan. “We sent them pictures and information about our mobile virtual production studio, which was set up in the Bournemouth International Centre at the time, so they could see how this alternative solution could work for them.”
iMAG’s mobile facility offers a 360-degree LED workflow, which includes an in-house drawing team, rigging specialists and full LED set up. Howard and Shepherd realised that working within a virtual setting could open up a host of creative possibilities for the one-hour special, which featured the Strictly duo and a cast of singers and dancers performing favourites from Dirty Dancing, Mary Poppins, Flashdance, Cabaret, The Wizard Of Oz, Singin’ In Th
UK - Creative Technology supported the live broadcast of a ‘secret’ event from one of the UK’s leading motor racing circuits.
The event would be streamed to a small number of top clients for the manufacturer, with security of the broadcast being of utmost importance. CT proposed the use of its Eden platform which enabled two-factor authentication for the invited attendees to maintain a high level of security, ensuring confidentiality of the product. CT were on hand to collaborate with the end client’s IT department and Sprout, throughout the production process, to ensure that all protocols were observed and minimise any issues on the day for the invited audience.
CT’s involvement with the project further extended into the ‘live’ environment following Sprout’s decision to broadcast the event on-demand over the weekend of 13-14 March.
The on-site element therefore developed into event capture and subsequent editing to create a programme for the broadcast. On site, CT played the supporting role to the event by providing both video and audio equipment and services.
Audio services consisted of a DiGiCo SD12 console, a range of wired and wireless microphones and IEM systems to manage capture and monitoring for the 18-piece orchestra which was recorded within the environment on day one of the production. On day two, audio support was provided for the capture of on-stage presenter and host interviews.
Video consisted of a 10.5m x 3m ROE Black Pearl 2.8mm LED screen set within a 3° curve. Delivery of content to the screen was fr
USA - When the Seattle Symphony orchestra wanted to explore the realms of music through audio and visual representation, they envisioned creation of a space that would immerse the audience into ‘a music experience unlike any other’.
The Octave 9: Raisbeck Music Centre is named after Seattle philanthropists James and Sherry Raisbeck, who donated $2m on top of the various public and private donations to transform the former Soundbridge Seattle Symphony Music Discovery Centre into a musical experience to remember. Fusing music and technology, Octave 9 was designed to stretch the boundaries of creative possibility and immerse the viewer in new worlds created with the orchestra’s music.
With this in mind, the technology implemented in this immersive space needed to be fully adaptable to match the variety of genres and eras recreated by the orchestra, and able to change at the touch of a button. US based acoustic and AV design firm Jaffe Holden contacted German projection specialist Vioso in order to provide installation support and calibration for the visual aspects.
“When we were contacted for the visual content of this project, it was immediately a very exciting prospect,” said Kevin Zevchik, director of Vioso America. “The complexity and purpose of the project, along with the need for it to be entirely flexible to any future needs, made it a very interesting project to be part of.”
The visual complexity with the project laid within the cylindrical moving screens, which surround Octave 9’s intimate demonstration space and move o
World - Green Hippo has released a major upgrade to its Hippotizer software which introduces a new design, pre-programming and content delivery workflow. Version 4.6 builds on the familiar flexibility of Hippotizer’s realtime media manipulation system with planning, visualization and timeline control architecture.
“Version 4.6 is the result of some incredible work by our R&D team who have worked their trademark Hippo magic to implement a host of powerful, simple-to-use, project-enhancing features designed with the end user firmly in mind,” says Green Hippo’s product and development director Ryan Brown. “Hippotizer has always been the ‘pocket knife’ of media servers, delivering multiple solutions from a single box. Now, version 4.6 adds so much more.
“Version 4.6 combines Hippotizer’s familiar content and design practices with a redesigned, realtime 3D visualizer and projector planning tools for intuitive playback and control, giving designers the tools to manage, manipulate and plan projects with full visibility. Users can deliver on-the-fly changes, with easy control options, for an even faster and more creative toolset. In short, it’s the next giant leap in collaborative video design, production and content delivery.”
Key new design features include Projector Planning, giving full visibility of the projection environment and requirements, and improved integration with third-party 3D tools (C4D, DAE, OBJ) and textures in Cinema 4D. The Hippotizer development team says this takes the guesswork out of projector placement, pr
Russia - On 12 April 2021, the Baikonur Cosmodrome hosted a gala concert to celebrate the spaceflight of the first cosmonaut Yuri Gagarin. The festivities were broadcast live by the Russia TV network.
The concert’s ‘X-factor’ was a beam of light shooting out from the pit of the launch complex that sent the Vostok-1 spaceship into orbit 60 years ago. The light beam was created by TDS, a full-service production company.
The design concept called for the light beam to be so powerful that more than 60 high-power light projectors would be needed to create it. Another way to accomplish the task was to use augmented reality technology.
“Our team landed at the Baikonur Cosmodrome on 9 April,” reports TDS. “We had only four days to prepare the equipment for filming, install special marks, calculate precise distances using industrial-grade range meters, calibrate five cameras, integrate the light beam into the launch facility, and fine-tune a realistic output picture.
“The broadcast was performed with the five AR cameras, of which two were tracking cameras - including one on a telescopic camera crane - and three static view cameras.
“Our primary challenge was to make the beam look realistic, and integrate it with a physical object - the launch pad, which was a very complicated structure. We accomplished the task by putting a mask on the beam itself. It produced an excellent result. We were able to achieve precise tracking at a distance of 360m (four football fields) from the cameral to the virtual object.
Using the Pi
UK - Dream is a multi-layered mix of movement, music, visuals, cool technology and narrative magic, an immersive digital performance fusing the drama of Shakespeare with the dynamic worlds of gaming and theatre in a production by the UK’s Royal Shakespeare Company in collaboration with Manchester International Festival, Marshmallow Laser Feast, and the Philharmonia Orchestra (read a full production report in the upcoming issue of Lsi, out early May).
Staged physically in the Studio at Portsmouth Guildhall and inspired by the classic A Midsummer Night’s Dream, the characters were played by six real actors utilising Vicon motion capture cameras, their avatars and effects appearing onscreen - centring around the antics of cocky and capricious mischief-maker Puck. They run amok in the virtual Midsummer forest, hellraising and spoofing four other sprites during a disruptive and chaotic journey.
Matt Peel was responsible for lighting design and show control. He utilised the power - and specifically the OSC (open sound control) and DMX remote triggering capabilities - of his grandMA3 system with the new grandMA3 software.
The show was broadcast live for 10 evenings and enjoyed by thousands worldwide, who logged in, either paying for an interactive ticket - with the chance to shoot fireflies into the story to help illuminate Puck’s pathway through the forest - or simply watch the performance for free.
Dream was originally intended to be an in-person performance during 2020, but due to the pandemic, was adapted and re-work
Sweden - Blackmagic Design reports that its technology has been instrumental in allowing the creators behind ReaktLive.com to stream performances direct to audiences from its own platform.
Based out of the former EMI/Abbey Road Stockholm studio, the live content experience has built its live video capabilities around the Blackmagic URSA Min Pro 12K, URSA Mini Pro 4.6K G2 and Micro Studio Camera 4K with the support of Scandinavian Photo.
The full-service streaming studio and broadcast company features a studio design with six small, discreet cameras on robotic rails and jibs, reveals co-founder Nicolas Notini. “The purpose of automation for us was to ensure artists and creators have far fewer distractions and can just ‘do what they do’ more easily.
“With our background as professional musicians, this is how we feel it works, and looks, best. After a few minutes, the cameras will be ignored, and the artist can ‘get into it.’ We are also not afraid to have the technology in the frame when it makes sense, as it helps to enhance the sense of being there in the room for the viewer.”
The streams have a deliberately filmic quality. Every part of the production chain has been considered with that in mind says Notini. “From the best audio possible, in the best studio, with the best gear. And everything, including the audio, is mastered live as we broadcast.”
He continues: “From lighting design to only using cine lenses, the entire system is designed to produce a cinematic look throughout. All cameras are ISO recorded in 4K on H
UK - The Vice-Chancellor’s Innovation Awards recognise and celebrate the high-quality research-led innovation at Oxford University, that is having societal or economic impact. With categories including Team Work, Building Capacity, Inspiring Leadership, Early Engagement Innovators and Policy Engagement, the Awards reflect the excellence of the innovation that takes place across the University.
Established in 2018, the first two editions of the Awards were celebrated at a live event involving around 150 delegates who enjoyed panel discussions as well as a presentation ceremony. The 2020 renewal was due to take place at the Sultan Nazrin Shah Centre at Worcester College, Oxford, but the prevalence of the COVID-19 pandemic rendered this impossible.
Supported by events organiser Michelle Miles of Fusion Events and Weddings, the university opted to stage a virtual event. The Innovation Awards of 2020 were to remain true to their name when Oxford-based event production specialists THAT Event Company (TEC) came onboard.
TEC’s brief was to create a fully virtual and interactive replacement for the live event. Following a pre-filmed introduction from the Vice Chancellor, the event would be placed into the hands of a moderator who would manage the guest speakers, panel discussion and question and answer session with the live audience. Following detailed consultation between the stakeholders to clarify and explain the possibilities in detail, TEC began to create a bespoke virtual package.
Whilst the event was filmed live at the King’s Centre, the a