Finland - Green Hippo has announced that the Finnish National Opera & Ballet (FNOB) has upgraded its stock of Green Hippo media servers with the company’s latest Hippotizer V4 systems.
The new equipment, supplied by Green Hippo’s exclusive Finnish distributor Msonic Oy, comprises seven Hippotizer Karst+ DVI, two Hippotizer Boreal+ DP and six Hippotizer Montane+ RTX servers - all with dual SDI input cards.
The new servers were specified by Johan West, video product manager at Msonic. A long-standing Hippotizer user, West has enjoyed a close relationship with the FNOB since specifying their very first Green Hippo systems back in 2008. Since then, he has been responsible for training the opera house crew, as well as advising on the use of Hippotizer on many productions. He also provides all Green Hippo training and support for the FNOB team.
“A series of new pieces are premiering and the designer wanted to use Notch and live camera feeds mixed together with content, in realtime,” West explains. “This gave us some things to think about: camera feed latency, latency of LED/video projector processing/signal distribution. Everything specified had to meet some rules: latency had to be kept as low as possible, it had to be flexible and it needed to work with existing signal distribution formats.”
He adds: “Hippotizer’s 3D toolkit, SHAPE, also plays a big role here. The opera house uses moving projection surfaces that are mapped using SHAPE. Also, some of the automation is pinned using automation objects in SHAPE.”
The new se
UK - Adlib supplied full technical production to the 2019 Vitality Netball World Cup staged at the 11,000 capacity M&S Bank Arena in Liverpool.
Adlib’s rental departments implemented a fully integrated video, lighting and audio package linking in with broadcast elements for BBC and Sky. The spectacle took place over 10 glorious days of top sporting action which delivered world class netball to an international TV audience and many thousands packing into the court-side seats which were sold out for the duration.
This quadrennial event featured two distinctive criteria. First, a spectacular opening ceremony which wowed the crowds and got everyone in the mood for the sports to follow.
Adlib’s technical team worked closely with curators of the ceremony Culture Liverpool and Iluminos. Adlib provided six Panasonic RZ21K 20,000 lumen laser projectors mounted vertically to project the visuals created by Iluminos onto the courts below. Lighting and video effects combined to produce the spectacle enjoyed by the live audience and TV viewers alike.
On-court drama followed, produced by Sport Presentation specialists Red Sky at Night Events Ltd, this saw 16 nations compete for the coveted Vitality Netball World Cup 2019 trophy.
Adlib’s overall project manager was Dave Eldridge. He worked with a highly talented and experienced crew onsite, and closely with host broadcasters Televideo and several other contractors to ensure seamlessly delivery of a world class sporting event to a hugely enthusiastic audience worldwide.
Working with R
Germany - Over 250 guests were in attendance throughout the nine-day Ambion Digital Jungle open-house event. Attendees enjoyed an hour-long sensory journey of innovative installations focused on tracking, immersive interactivity, sensor technology, realtime control and reactive, generative content using BlackTrax, disguise and Notch.
Ambion is a full-service provider that plans and produces technology for concerts, sports events, trade shows and congresses around the globe.
The company recently held open house days where they invited selected clients, partners, innovation agencies and event planners to attend. The Digital Jungle demonstrations focused on technology and its application in a live event scenario.
OBJ.Studio the Ambion design department has been trying some interesting light and media tech projects in Berlin. The last one was a smart installation with curved LEDs. It was a collaboration with another design studio and 22 digital artists from all over the world.
“Ambion has a BlackTrax Lab. Here employees from different departments come together and experimenting with the system. So, we build knowledge together and find creative new ways and solutions for clients and upcoming projects,” says Jo Rychlik, creative director & head of OBJ.Studio Berlin.
Ambion received their training directly from CAST Software at their headquarters in Kaufungen. They purchased their own system as well, going along with their brand of owning their own equipment to have ownership over their projects.
The plans for Amb
USA - CP Communications has announced that it will add MultiDyne’s 22ft mobile van to its growing fleet of production vehicles.
MultiDyne introduced the van in 2018 as a ‘mobile marketing van’ that doubled as an exhibition showcase for MultiDyne products at North American tradeshows, and as a mobile showroom for MultiDyne road shows and training initiatives. CP Communications, a long-time MultiDyne customer, recognised an opportunity for both companies to collaborate on smaller live productions, including high school and college sports projects.
“Many high school and college sports venues have live production needs, but lack the workspace to accommodate a flypack or a large truck,” said Kurt Heitmann, CEO, CP Communications. “The MultiDyne van offers the perfect footprint for a four-to-six camera shoot, and solves our problem of carving out a workspace for live productions in tight spaces. It also provide a professional, low-cost acquisition model for our customers working on strict production budgets.”
“We have long considered how the professional design of this van can be leveraged for more than standard road shows and demonstrations,” said Frank Jachetta, CEO, MultiDyne. “Partnering with CP Communications, among the industry’s premier live production companies, offers a compelling way to provide real value to the broadcast and production community, while also ensuring that the CP Communications team has the best that fibre transport technology can offer for live services.”
MultiDyne will equip the van with its lat
USA - Powersoft has appointed industry veteran Tom Knesel to the position of general manager, North America. Knesel, who will be located at the company’s US headquarters in Kearny, NJ and who will start on 7 October, will report directly to Luca Giorgi, sales & business development director, Powersoft. The announcement follows the successful relocation of Powersoft’s North American headquarters two years ago, and coincides with the company’s increased focus on the systems integration market and launch of the Mezzo amplifier platform earlier this year.
“We are very pleased to welcome Tom into the Powersoft family,” commented Luca Giorgi. “Two years ago, we began a significant restructuring of our U.S. operations, which included relocating our headquarters to the east coast, hiring new operational and sales staff, and realigning our entire North American sales rep network. Having successfully completed these tasks, we are perfectly positioned in this region for sustained growth and net new revenue opportunities.”
Before joining Powersoft, Knesel was regional business development manager, Americas, for MUSIC Tribe and responsible for driving revenue and managing the Americas for the company’s commercial audio brands - including Midas, Klark Teknik, Lake, Lab Gruppen, TC Electronics, Tannoy and Turbosound. Prior to that, Knesel spent several years in the manufacturer, design and systems integration markets
Luca Giorgi, who has served in a dual role for Powersoft as GM, North America and sales & business development director for
UK - The University of Northampton has deployed a network of interconnected Harman Professional AV solutions to facilitate a cutting-edge collaborative learning environment at their new Waterside campus.
The university leadership decided to build a new, centralised campus in Northampton’s Waterside district. The project allowed the school to completely rethink how to best serve their students, resulting in a radically different approach that eschewed traditional lecture halls in favour of flexible, collaborative learning spaces.
In order to achieve these goals, AV distributer Midwich supplied the university with a range of AMX, JBL, Crown, BSS and AKG solutions to accommodate the complex technical demands of the ultra-modern campus. The comprehensive Harman solution was designed and deployed by Kinly, a service-led integrator specializing in the design, implementation & support of best in class collaboration solutions globally.
“It became obvious to us that we needed to teach in a more 21st century way, so we've adopted a new approach called Active Blended Learning,” said Andrew Taylor, digital services manager, University of Northampton. “I like to refer to it as almost the democratisation of learning, because it's not one person standing above everyone else and talking down to them anymore.”
The backbone of Waterside’s new digital infrastructure is a campus-wide matrix of networked AV equipment. Thirty-three AMX SVSI N-series encoder and decoder units stream 4k video to 116 flexible teaching spaces, 24 collaborative spaces,
Italy - RTS is well established as a go-to intercom choice for sports broadcasters all over the world. RTS equipment continues to be standard issue in OB trucks covering international competitions at every level.
A recent example is Global Production’s OB coverage of the European Under-21 football championships in Italy. The Turin-based company deployed its OB-8 truck to cover the tournament - the largest and most recently-equipped member of its fleet. In addition to this, OB-8 is also Global Production’s first truck to feature RTS intercoms.
“We have two other vehicles that use different systems,” recalls Luca Manfredi, OB manager at Global Production. “But when we came to making the technical choices for OB-8, we could see that the RTS system was superior.”
As a result of this decision, the large and modern production environment of OB-8 features an Adam intercom matrix with 50 KP-series keypanels optimized for use with powerful Omneo IP-networking technology - 35 KP-5032 and 15 KP-4016.
The full-sized Adam matrix supports up to 272 ports. It can be configured to form multi-frame systems of up to 880 ports and supports the widest variety of audio interface cards in the industry. “We opted for the Adam matrix due to the power of the available ports and the compatibility with Dante and AES 67,” explains Manfredi.
The next generation of European football talents was on show for the world to see, as Spain claimed a fifth title by beating Germany 2-1 in the final in Udine. Thanks to the work of Global Production and the capa
UK - Following on from the resounding success of its production of The Flying Dutchman in summer 2017, Theater Regensburg has once again pushed the boundaries of open-air opera with its latest offering - a version of Puccini’s semi-staged concert performance in three acts, Tosca.
Like its predecessor, the event was held at the West Port of the bayernhafen business park, a freight traffic hub in the East Bavarian town of Regensburg. The stage was situated on the historic Municipal Warehouse side, while the audience of nearly 3,000 was seated opposite on the North Quay. The side of the warehouse itself served as a gigantic projection surface upon which visuals were beamed, courtesy of Digital Projection Titan laser projectors.
“The video aspect was the main part of the show,” comments video operator, Wolfgang Frauendienst. “The actors and their audience were around 100m apart, so we needed a projector that could provide as much brightness as possible over a long distance. We decided to use four Titan Laser projectors arranged in two stacks of two, with each stack covering one half of the building.”
The Titan Laser 37000 delivers up to 37,000 (WUXGA) or up to 31,000 (4K-UHD) lumens from a relatively compact chassis, making it the ideal projector for the most demanding of large-venue applications.
“Where bright, pin sharp images are required there should be no compromise,” says Digital Projection’s vice-president of global marketing, Mark Wadsworth. “The Titan Laser utilises the very latest in connectivity, includ
UK - The 1975’s video for new single People sees the band performing the alt rock track inside an LED cube, supplied and installed by 80six Ltd, displaying swirling lyrics and quickfire, colour-changing content. Filmed at London’s Black Island Studios, the production was an ambitious surround-video setup, powered by a Hippotizer V4 Taiga servers from Green Hippo. Directed by Warren Fu, the video featured premade content inspired by the band’s lyrics, created by Jon Emmony.
Simon Harris, project manager at Bryte Design, was approached by The 1975’s tour director James Valpy to project manage the video content delivery. “Set up was simple, utilising Hippotizer’s Output Manager and VideoMapper to map the five sides of the cube, outputting six HD signals via Evision LED processors,” says Harris. “As the content was running to timecode, playback was simple and straightforward.”
In addition to the LED cube video content, the main Taiga server also fed content via PixelMapper and Art-Net data through a grandMA2 to a rig of Astera LED tubes and ARRI SkyPanels used to light the band with complementary colours, providing illumination consistent with the screen content. Mike Smith, managing director of Bryte Design, operated these, as well as moving lights, on the grandMA2.
“As the content was very fast moving and contained quick colour changes and strobes, this was the ideal way to light the band effectively and synchronously,” adds Harris. “Pixel-mapping the Astera tubes and SkyPanels was a last-minute request, but we had the
UK - ArKaos, realtime visual processing technology provider for live performance and displays, enjoyed a busy PLASA 2019 expo in London Olympia (15-17 September) on the stand of its UK and Irish Republic distributor, Entedi.
ArKaos highlighted the latest version of its flagship MediaMaster Pro 5.6 realtime video control software, which is also now available with a License Rental service that enables weekly rental periods of MediaMaster Pro usage. This greatly increases flexibility and affordability for anyone involved in specific projects or events on which they want to use this award-winning platform, says the company.
ArKaos CEO Agnes Wojewoda comments: “PLASA was great! A lot of buzz and activity at the show and a lot of interest in MediaMaster Pro in particular and in the new Licence Rental options for this as well as some other ArKaos products. It’s a good show with great networking for anyone active in entertainment and live events sectors.”
On working with Entedi, she adds: “We are really pleased to be working with Cally [Bacchus, Entedi MD] and this team. They are great people with an excellent reputation and a wide reach across all areas of the entertainment industry.”
Bacchus says his company saw more high-quality and serious visitors than last year, underlining PLASA’s place as a hub for the UK’s entertainment technology industry. He adds: “We have seen ArKaos develop over the years and add a huge amount of user-friendliness, power and simplicity to the real-time control of video and pixel sources. Like us,
UK - iMAG, Poole-based creative technical production and LED screen supplier, has just invested in a whopping 300 panels of ROE Visual Diamond 2mm indoor LED screen and has chosen Brompton Technology’s SX40 processors and XD 10G data distribution units as its perfect accompaniment.
Working with a diverse range of clients, from well-known brands such as Dyson, Samsung and Calvin Klein, to a multitude of festivals and conferences, iMAG knows that having the best products available in its portfolio is vital.
“ROE Visual is an industry leader. We’ve been using their LED screens since the very beginning and they’ve always worked really well for us,” says iMAG co-founder and director, Charli Harding. “With requests for hi res indoor screens increasing significantly, we decided that now was the time to add ROE’s Diamond 2mm to our inventory.”
With such a substantial investment, iMAG needed to ensure that they were going to get the very best out of their new panels and also chose to invest in four of Brompton’s Tessera SX40 processors and 10 XD data distribution units.
“We always analyse and research the LED market before we make any investment,” Charli continues. “For this new purchase, robustness and cutting-edge design was key; our clients are buying into both the sheer numbers of pixels this screen can create and, of course, its concave and convex curves, which makes it a really creative solution.We wanted to match it with the very best in processing, and that is Brompton. We already have Brompton processors in ou
The Netherlands - As part of a 15-hour performance spread over three days, Dutch National Opera performed major parts of Karlheinz Stockhausen's aus LICHT cycle.
One of the world’s top five opera companies, the Dutch National Opera opted for a combination of Christie Terra for AV distribution and processing, and Christie Pandoras Box for content management and control of the four LED video walls, cameras and projectors used throughout the performance space.
The performances were produced in cooperation with the Holland Festival, the Royal Conservatory in The Hague and the Stockhausen Foundation, and held at Amsterdam’s Gashouder, a former industrial hall that now serves as an event space. The audience experienced some of the highlights from the artist's seven operas, named after weekdays, during the three-day performance. This is the first time that a summary of aus LICHT has been staged.
Christie partner Rolight supplied the Christie Terra AV distribution equipment. Two Christie Pandoras Box Managers and two Christie Pandoras Box Quad Servers supplied source signals to Christie Terra Transmitters. Four Terra receivers supplied signals to each of the four LED walls, and four more Terra units were used for previewing AV sources and broadcast feeds. The system operated from a 10G Ethernet switch and a Terra Controller was used to configure and control signal routing.
The large-scale production was recorded, with the aim of reproducing the entire sound universe of Stockhausen's aus LICHT, with three wireless cameras in
Europe - Panasonic has announced availability of ‘the world’s smallest 50,000 lumen laser projector with Native 4K resolution’. It delivers new levels of immersive experience at live events and entertainment venues with half the effort and twice the reliability of existing solutions, says the company.
Designed for the rental and staging market and theme parks, where fast set-up and reliability are essential, the PT-RQ50K is a single body, 3-Chip DLP laser projector will be available in Europe from December 2019.
“RQ50K is an all-in-one projector that allows our partners to create breath-taking experiences with ease and reassurance,” says Hartmut Kulessa, European marketing manager at Panasonic Business. “It is the combination of our finest image quality and our long proven ‘half’ and ‘dual’ concept. Partners will be able to deliver the premium experience with half the effort and double the reliability.”
A single PT-RQ50K can match the output of two lower brightness projectors, reducing installation and set-up time. It delivers Native 4K resolution at 50,000 lumens with separate blue and red phosphor laser technology creating powerful colour reproduction. The addition of red laser technology delivers an enhanced colour gamut, delivering an image closer to Rec. 2020 and the SMPTE2120 colour specification.
Australia - LED displays manufacturer Absen has welcomed Audio Visual Distributors (AVD) into its Value Added Distributor (VAD) network.
Effective 18 September, AVD promotes Absen LED products across the Australasian region, provides training for local end users, and exhibits Absen products at relevant trade fairs and roadshows.
“We pay particular attention to strategically aligning ourselves with quality manufacturers who deliver innovative, market-leading products,” comments Blair Terrace, business development - LED displays at AVD. “We believe that the quality range of products from Absen is well suited to the vertical markets we support. The continual R&D and technical innovation of Absen’s LED ensures that our customer base is exposed to a constant stream of fresh and exciting products.”
AVD’s sales and technical team is made up of a diverse group of people who collectively bring decades of experience across multiple sectors of the AV industry, allowing it to offer a high level of customer satisfaction and technical assistance to all clients.
Terrace continues: “LED has become an increasingly requested product within the commercial AV space in this region. More and more corporate boardrooms, retail applications and performing arts / cultural venues are requesting LED installations, while the rental and events market is continuing to grow. In particular, the demand for higher resolution LED screens is becoming greater every year. With the innovation Absen has in the 1.5mm - 0.9mm pixel pitch bracket, we are now well posi
UK - The new CA Series of amplifiers from Lab Gruppen provide a solution for commercial and industrial applications requiring distributed audio, coupled with power conservations and reduced operating expenses. The series, available through Toucans in the UK, is capable of delivery high-quality sound, over both Low-Z (4/8 Ohm) and High-Z (70/100V) loudspeaker configurations, offering extreme flexibility on every channel.
The CA is available in three models, 60W, 120W and 240W, with each of these then having a single and two channel variants. Each model is equipped with rubber feet, enabling the amp to be placed on a desk or shelf without any additional requirements. Alternatively, rack mounting hardware is also supplied, allowing for one or multiple models to be housed and protected inside an enclosure. Save space in your rack mounts due to the CA Series being half-rack sized, allowing for amps to be installed side by side in a single rack space.
Front panel controls on the CA amps are sublimely intuitive, allowing the operator to quickly make adjustments. Both the power button and Master Volume knob on the front panel are easily accessible and simple to use, enabling virtually anyone to operate them. In addition, Bass and Treble controls are also located on the front panel for fine tuning, however; a tool is required to adjust these.
All models of the CA Series are Energy Star Certified. This means that not only do the CA amps direct drive constant power technology provide superior audio performance and reliability, it also consumes less mains po
UK - Netgear has announced the introduction of a new engineering support centre for professional audio video (Pro-AV) integrators deploying AV solutions which utilise IP networking. This new service to AV installers, consultants, manufacturers and resellers is positioned to streamline audio visual solutions over IP and eliminate the complexity of AV deployments.
This dedicated Pro AV engineering services team of experts has been conceived in the company’s efforts to empower those who are conducting installations and designing projects with free network design assistance, training and installation support. From pre-sales and post-sales support to technical training, to white papers and best practices, these services are positioned to help educate tech managers and integrators to become masters of AV deployments which require IP networking.
In order to streamline the adoption of AV over IP and to ensure the successful transition from legacy matrix switching to AV over ethernet, residential and business integrators depend on a solid partner to guide the way. Netgear is determined to be this partner. This new structure for Netgear is essentially a design centre with a number of the company’s top networking professionals who are accomplished at documenting, drawing, and producing AV architectures.
“This technology transition to AV over IP is an exciting new space where Netgear is driving the integration,” says Laurent Masia, director of product line management for Netgear. “We are in the market to simplify and streamline IP networking for sma
USA - During a 20-plus-year career, Gary Allan has sold over 8m albums. With a fan base that stretches around the world, the California-native is often out on the road showcasing his vocals in a raucous live performance. Readying now for the 2019 tour across North America, production designer Ben Shockley once again worked with the Nashville-based production provider Elite Multimedia Productions to supply a versatile and memorable LED video and lighting design.
“As an artist, Gary typically tours all year long without a set schedule,” opens Shockley. “I have been with him for a little over two years now, and each year we try to bring something new. Since we will be playing a lot of the same venues each year, we have to have a fresh look to give the fans a slightly different experience each time.”
Getting started on the new production design, Shockley understood that video would play an integral role. Knowing how the artist likes to create a dynamic visual experience out on the road, Shockley took the opportunity to be a bit creative in creating this year’s LED video design.
“Gary likes to have good video content as part of the overall tour design, and in years past we have done a straight LED wall or LED strips along the back of the stage,” adds Shockley. “This year we wanted to think a little more out-of-the-box, so we created a video wall that was a hybrid between a circle and square, that we affectionately call the ‘8-bit circle’, like an old video game. We also added some truss facias with video panels that created an addition
UK - AV and entertainment technology company Anna Valley is the solution architect and technology provider for the mixed-reality ‘window on the world’ feature in ITV’s Rugby World Cup 2019 studio.
The studio in Maidstone is the base from which the host broadcaster provides insight and analysis on the Rugby World Cup 2019 tournament, from the opening fixture on 20 September, through to the final on 2 November 2019.
ITV’s Rugby World Cup 2019 studio combines live-action, augmented reality and mixed reality to provide a dynamic and engaging studio environment and the ITV Sport team enlisted a group of broadcast technology specialists, including Anna Valley, to collaborate on the technical design and delivery of the concept according to their specifications.
The mixed-reality ‘window on the world’ element of the set created by Anna Valley uses high-resolution LED screens to show an artistic impression of a Japanese cityscape that responds to on-set camera movements in the same way that an actual panorama view through a physical window would. The AV specialists achieve this effect by feeding positional data from Red Spy trackers fixed to the live studio cameras into a disguise server running Notch software. The software then renders the cityscape content from the perspective of the cameras and feeds this back to the LED display “window” in real-time.
Anna Valley is also providing in-set lighting, studio floor projection and static versions of the “window on the world” concept at ITV’s two satellite studios in Japan.
UK - The 2019 PLASA Show was “the busiest in years” thanks to a six per cent increase in attendance, PLASA has reported. The event’s global status was also strengthened, with delegates from over 63 countries flocking to the London-based tradeshow.
This was the last edition of the event that was held at Olympia’s National Hall, with the 2020 PLASA Show set to move to London Olympia’s Grand Hall to accommodate a greater number of stands and show features.
“PLASA Show has clearly been improving year on year with 2019 being the best one yet,” comments Johan Gunsing, international sales manager for Adam Hall Group. “We have started to see a wider geographic audience attend the show which brings with it new opportunities, new business and increased brand awareness.”
“Once again PLASA did not disappoint,” comments Gareth Collyer, Nexo’s UK sales manager. “We were very pleased with the overall number and quality of the visitors that visited our booth and we look forward to seeing the show grow again next year when it moves to the Grand Hall.”
Grant Bales-Smith, sales manager EMEA for Vari-Lite & Strand, adds: “The show has really re-built itself which is a great thing to see. We’ve met with international customers from France, Spain, Germany and Scandinavia, representing the whole industry from theatre to concert touring.”
Coda Audio’s director of global marketing, David 'Webby' Webster, comments on the company’s debut appearance: “Because we’re relatively new to the market, it’s been great for us t
Germany - Colour Sound Experiment returned to the Olympiastadion in Berlin for the 2019 Lollapalooza festival where they were the lighting and LED screen supplier - plus all related sub-rigging - for the Perry’s (Dance) Stage.
The West London-based technical specialist has been involved with the two-day event since 2015 when the Berlin edition of the popular music extravaganza started.
It was the second year for Lolla Berlin at the Olympiapark site, and once again Perry’s Stage was inside the Stadium arena itself, where the line-up was headlined by Underworld on Saturday and Martin Garrix on Sundaysupported by Don Diablo, Scooter, TV Noise and others.
Ricardo Lorenzini (crew chief) and Dave Ross led the Colour Sound crew, who sub hung three LX trusses from the roof plus four vertical tower trusses per side in the mid-stage area. Another lighting truss was rigged either side above the left and right IMAG video screens, and the rest of the fixtures were positioned on the deck along the front of the stage lip and in the stage wings.
The upstage video screen measured 17m wide by 9m high, made up from Colour Sound’s Unilumin Robe CB5 screen, and this was supported by the two portrait-format side screens, each 5m wide and 7m tall, built from BT7 LED screen.
The visual design, including lighting and screens, was created by Colour Sound’s team based on their vast collective experience of lighting multi line-up festival events, and also accommodating the two headliners - Martin Garrix and Underworld - both of whom also brought in substant
South Africa - Having congregated in the Barnyard Theatre in Rivonia, and filling the venue to its maximum capacity, the CRC Church started a 10-month project to build a new 6,000-seater church in Fourways.
DWR Distribution supplied and installed lighting, audio and AV equipment for the church which opened earlier this year, ranging from a grandMA3 compact console, 64 Robe lighting fixtures, an Absen DWP3.9mm screen, Prolyte trussing, L-Acoustics Kara System and a DiGiCo SD12.
The CRC Church led by Pastor At Boshoff, already has two branches in Bloemfontein, a massive auditorium in Pretoria and 90 satellite meeting points where services are broadcast each week.
“Pastor At is a focused man,” says Robert Izzett of DWR, who headed the install. “He is very straight, honest and doesn’t mince his words.”
While the CRC buildings are similar to each other, they are not exactly the same. Having supplied the previous locations, DWR could come up with a solution to meet the technical needs of the Fourways branch. While the church will ultimately seat 6 000 people, the system has been set out in phases and a basic infrastructure has been put in place for future growth.
DWR and the Install Crew, who assisted with the installation, were part of the project from the onset.
The first striking feature when entering the auditorium is the wedge shape and steeply raked seats leading down to the main stage, where the focus is a large high-resolution screen comprising of 336 panels of Absen DWR P3.9mm.
Complimenting the curves of the
USA - JMT Show Concepts is a specialist in media playback systems, providing rental and operation of solutions for concert touring, corporate events and various one-off special shows. For the past year or more, the company has been an owner of Green Hippo’s Hippotizer media servers.
“When we were searching for new systems for JMT, our number one priority was stability - and we found it in Hippotizer,” says company owner, Jorge Toro. “One of the most amazing things about Hippotizer, which surprised me from day one, is how user-friendly and stable it is to use.”
Impressed by Hippotizer’s reliability, as much as its advanced features and workflow, Toro decided to invest in Boreal+ and Karst+ systems running Hippotizer V4. HippoSchool training was delivered in Orlando by Green Hippo product specialist Cory Froke, and Toro took his new Hippotizers straight out to work. Since then, the systems have been in regular use.
JMT has built a strong presence in the Latin American music market over the years, and has worked on tours and events by artists including Farruko, Luis Miguel and Zion & Lennox, plus any number of music events, cruise ships, conventions and corporate entertainments everywhere from the Caribbean to Canada.
A major recent show for JMT was the Premios Tu Música Urbano. This new Latin music awards show, held in Puerto Rico in March 2019 and televised by Telemundo in the US, reached an estimated 80m people in 52 countries - almost four times the audience for the Grammys. For this production, JMT was responsible for
UK - Creative Technology (CT) took on the challenge of almost doubling the size of the main stage IMAGs at Reading and Leeds Festival last month, after 25 years working on the event.
Every year over the August bank holiday, festivalgoers flock to Reading and Leeds for two of the most popular festivals in the music calendar. Taking part simultaneously and sharing the same bill, Reading and Leeds Festival boasts an varied line-up with a diverse combination of musical genres with this year’s headliners including The 1975, Foo Fighters, Post Malone and Twenty one Pilots.
This year saw client Festival Republic transforming the Main Stage IMAG Screens at Reading and Leeds Festival, almost doubling them in size from 145sqm to 270sqm. Each of the screens which were made up of InfiLED 5.9 measured 22.5m wide x 12m high.
A custom double curve at each end allowed them to aesthetically wrap around the festival goalpost support structures, opening the stage area and giving the crowd some impressive close-up shots of their favourite artists.
CT supplied and operated Barco E2 switchers and 4K signal transfer to deliver video relay to the IMAGs (each of which were larger than 4K) with the additional provision of four cameras at Leeds, feeding images for the video relay to the IMAGs, all using Brompton processing. UK Rigging provided custom header blocks which neatly covered the overhead rigging, giving the IMAGs a clean finish to fit in with the rest of the stage design.
Dominic Hill, project manager at Creative Technology looking after Leeds Festival
Europe - Belgian-based visual design studio Painting with Light (PWL) celebrates 20 years of utilising multiple media and luminescent sources - including lighting, video, lasers, projection - and content to create inspiring designs and dramatic immersive environments.
The journey has seen it grow from an ambitious dream to a leading international technical innovator and solutions provider.
The company was founded by Luc Peumans in 1999. His vision, imagination, focus and sense of adventure have driven PWL to become the imagineering powerhouse it is today, working across multiple entertainment and leisure industry platforms with a skilled team of dynamic multi and mixed media experts.
PWL’s core business started with designing lighting, video and scenic elements for music tours and festivals, television productions, a diversity of live events and theatre productions.
Peumans’ eagerness to experiment with and try out new ideas helped his work become noticed, which prized open new opportunities and areas especially in ‘crossover’ disciplines like ‘architainment’ which require a broader approach, thinking ‘out-of-the-box’ and the adaptation of light and ‘luminosity’ in its various forms utilising different techniques and treatments.
PWL’s work is now an invigorating balance of projects in these original sectors, plus newer areas where lighting and media installations are integral to creating atmosphere and mood like theme parks, attractions, museums, venues - from bars to live music and dance halls - and buildings (fro