UK - As the outbreak of COVID-19 across the globe saw the entire UK go into lockdown late March 2020, the last six months has forced both a sudden hiatus and transformation of the live events industry.
In response, Creative Technology (CT) has moved virtual event technology to the centre of its offering.
CT has expanded its in-house facilities which includes a XR studio powered by the Unreal engine, a fully fitted remote production gallery, two additional remote production suites and two COVID-secure socially distanced performance spaces - all based at its offices in London, Gatwick.
Says the company, “The ability to record, edit, and live stream content all in one location has allowed us to create some extraordinary events, reaching thousands across the globe. From demanding and complex streaming events such as a virtual event for international blue chip company, which saw CT delivering three simultaneous 90 minute live virtual shows twice over one day in six different languages for client, BK Events, to the Human Rights Watch fundraiser which gained over 11,000 viewers across the day raising nearly $8,000,000 for the cause.”
Another event that made use of CT’s newest facilities was Katherine Jenkins’ live sing-along, powered by Vodafone. The opera singer’s home performance was streamed to thousands of people via Facebook Live and into over 100 care homes across the UK and was a huge success.
In August, CT hosted the AIM Independent Music Awards, presented by Tiffany Calvert who was joined by a selection of award-winning artis
UK - disguise’s latest software release, 17.4 combined with its new RenderStream software, rx and vx hardware bundle creates the complete solution for hosting real-time content from render engines, Unreal Engine and Notch.
disguise has recognised the demand for immersive real-time production and their latest release, 17.4, showcases features that were identified through the Netflix's virtual production initiative NLAB, with partners Lux Machina and Fuse Technical Group. The knowledge gained from experimentation and feature testing has optimised their already market-leading workflow for virtual production on set.
RenderStream is a proprietary video-over-IP protocol that synchronises and transfers content between render engines and final composition machines. It provides low latency, uncompressed video transfer and sends control metadata to sync camera tracking between disguise and the render engine in addition to providing parameter control from disguise to the render engine. This new approach to the technology stack allows disguise to move towards a scale-out rendering approach.
With r17.4, RenderStream users can access advanced DX12 features in Unreal such as Ray Tracing to create best-in-class photorealistic content capturing accurate reflections, refractions and shadows.
In collaboration with Adrián Pueyo, virtual production supervisor Orca VFX, disguise optimised the workflow further. “The disguise approach to virtual production has been a game-changer for us, in terms of pipeline, scalability, colour management and performance. While
Italy - The latest update to Powersoft’s ArmoníaPlus software will give system integrators the tools to easily manage even the most intricate of fixed install projects through its dedicated Install Skin. This new version redefines what Powersoft amplifiers are capable of, delivering a plethora of new features and streamlining existing ones, says the company.
Although Live Sound projects in ArmoníaPlus will maintain the same intuitive structure from the original version, Install System projects now reflect the needs of system integrators for sources and zones management, allowing the creation of fully customisable user interfaces and controls in the new Views Designer.
As well making FI projects easier and simpler, ArmoníaPlus 2.0 can now serve as the gateway into the Powersoft world itself. By registering a copy, users will be able to gain access to the new MyPowersoft online platform through a single sign-in procedure.
Marc Kocks, business development manager and application engineering manager, says: "We are very proud to be launching a system that allows the user to control a complete audio system from our DSP- and Dante-enabled amplifiers. We have based this new development on the feedback from many system integrators that have already successfully applied our products in various installations around the world. We believe the new features will allow them to be even more successful and competitive.”
The new ArmoníaPlus 2.0 will be available for download o
China - ROE Visual has announced a series of short online ROE Academy training sessions to offer its clients and AV technicians easy and quick ways to update their LED knowledge.
The so called crash courses will be held in both EU and US time zones and feature training on processing technology as well as interactive Q&A sessions. These online sessions will allow you to ask anything you need to know about LED technology, processing technology and types, bug fixing or your specific project requirements, says the company.
Lecturers Victor Kortekaas (pictured), Tim Hamberg, Mike Smith and Neil Abel are all seasoned AV technicians who will explain and clarify all the critical aspects and pitfalls of LED and processing technology.
Continuing its ROE Academy events online, ROE Visual has looked into ways to transform the ROE Academy training and other knowledge sessions into a different online training offering.
“As ROE Visual we have a wealth of knowledge to share, but our challenge was to capture this and turn it into ready-made seminars. Having done several longer training events over the past months we felt a need to change this offering and turn it into short, more captivating sessions,” comments Luc Neyt, deputy director sales and service centre.
“Over the last months we have used online conferencing more than we ever thought we would. We notice it’s hard to keep up your concentration, while this is so different to the normal routine in an immersive live training. Keeping it simple, we now offer short interactive sessions, i
USA - The organisers of the aptly name Pizza Stock fundraiser, which took place at the Events United Studio Lab in Derry, NH, were given the opportunity to create their own graphics for the 52.5’ wide by 13’ tall video wall that served as the backdrop for their livestreamed fundraiser broadcast.
Inspired, the charity organizers came up with an engaging graffiti-like display that wove myriad images together on the massive 7.2m-pixel curved wall made of Chauvet Professional F2 LED panels.
“The folks from Pizza Stock were impressed by how clean their graphics looked on the wall, both in person and to the livestream audience,” said Tim Messina, owner of Events United. “This annual event raises funds for mental health and suicide prevention. The video wall allowed them to acknowledge all of their sponsors without taking anything away from the crisp appearance of the programme.”
For the Studio Lab team, having a backdrop with such a wide variety of images offered the added benefit of allowing them to expand their lighting palette. “The wide range of colors on the video wall actually freed us up to use more creative colours in the lighting, because we were not limited to the two or three colours that often define the entire pallet in corporate shows,” said Ryan Lane, lighting designer for the show.
The livestream’s lighting rig featured 27 Rogue R1 Wash fixtures, which were used for general stage washing, and 24 Maverick Mk2 Spot fixtures that provided front light and effects. Also included were 14 Colorado Solo Battens for floor l
Germany - Symetrix has appointed Eckersdorf-based MediasPro as its exclusive distributor for Germany.
“We are pleased to partner with one of the top audio DSP manufacturers. Symetrix´s renowned DSP technology complements our current products and will certainly increase our power of impact in the commercial integration market. Symetrix products are known for excellent audio and reliability which suits our current product portfolio and mode of operation,” comments MediasPro CEO Joachim Schwarz.
For over 20 years, MediasPro has been a leading supplier of modern, intelligent audio systems. Led by CEOs Joachim Schwarz and Michael Voessing, the company specialises in paging and evacuation systems, room acoustics, conference solutions, processing and networking of control signals, to rack assembly, training courses and technical seminars, and research and development. MediasPro provides sound system installation products for airports, stadiums, concert halls, manufacturing plants, schools, hotels, banks, and more.
"I'm really pleased that Symetrix and MediasPro could partner together to deliver our award-winning products to Germany,” says Mark Graham, Symetrix CEO and owner. “The sophisticated German market and Symetrix's technically intense solutions require a partner that is competent in both the technical and business operations arenas. I am confident that the well-managed MediasPro team is solidly positioned to help their customers succeed with Symetrix's deep portfolio of AV and control system solutions."
Spain - Arista Corporation, manufacturer of AV extenders, matrix switchers, AV MultiViewers, and related products for the AV installation and professional audio markets, has announced the appointment of Zero DBS of Cabra, Spain as the company’s first European sales representative. Zero DBS commenced representation of Arista products in September 2020.
Zero DBS is well entrenched in the concert sound / event productions market segment, as well as both the mobile and fixed recording markets, and the Pro AV installation business. Sales, consultation, and training are important areas for the company to ensure customers get the best possible value for their investments. Juan Antonio Cuevas is the company principal.
Reflecting on the new arrangement, Cuevas says: “We are delighted to be representing Arista in our country. Arista’s E-Vocal Dante products offer a comprehensive set of solutions to the challenges of integrating audio into networked environments while other products, such as the Stealth Silent Audio Workstation, are poised to make a sizeable impact on the recording market. ARISTA products are innovative in design and offer streamlined solutions to the challenges of integrating audio into today’s sophisticated environments. All of us look forward to helping make ARISTA a much more recognized brand.”
Paul Shu, president of Arista Corporation, adds: “Zero DBS are well-known in professional audio circles throughout Spain and we are delighted to have them representing us. I believe that, working together, we can help the Pro Audio and A
China - Adam Hall Group has welcomed Speaker Electronic (Jiashan) Co as an exclusive distribution partner in China.
Effective immediately, Speaker Electronic (SE) will take over exclusive distribution for all brands of the Adam Hall Group in the country, including LD Systems, Cameo, Gravity, Defender, Palmer, and Adam Hall.
The announcement was made at a press conference with more than 200 invited guests from audio associations, large event companies, and the ME sector. Connected online for this occasion were Michael von Keitz, chairman of SE, and Markus Jahnel, COO and managing director of the Adam Hall Group, as well as members of the German team.
Speaker Electronic and the Adam Hall Group’s relationship began in 2006. The Chinese subsidiary Speaker Factory is German owned and has been an important supplier for the Neu-Anspach event technology company since that time.
In his video message, Chairman von Keitz spoke of the many years of confidence, fairness, and reliability in the now 14-year cooperation. “Our most important shared goal was and always will be to supply our customers with well-designed quality products,” says von Keitz, who is also the German owner of Speaker Factory.
In his opening speech, COO Jahnel mentioned the most important flagship projects of the Adam Hall Group, such as the iconic MAUI P900, developed in cooperation with Porsche Design Studio, and also looked back on the success story of LD Systems as a global player in the pro audio industry. Jahnel emphasised Speaker Factory as a loyal supplier and contr
Australia - Based in the Sydney suburb of Rhodes, The P.A. People are leading suppliers of event communications systems, having worked on many of the largest celebrations and events across the globe, including five Olympic Games. Their inventory includes wired matrix and digital matrix intercom systems, trunked and traditional two-way radios, CCTV systems, time code displays, event networking and WiFi, mass cast monitoring and full duplex comms systems.
Recently, the company was looking to augment its equipment arsenal with a broadcast quality video transport solution. “We looked at quite a few solutions from a number of vendors from around the world,” comments Chris Dodds. “Our initial focus was on equipment based on the emerging SMPTE 2022 standard, but it quickly became apparent that the level of networking equipment required was simply not tenable for live short-term events.”
Instead, the team turned their focus back to alternative technologies and eventually rediscovered the BroaMan range of fibre-based solutions. BroaMan, the sister brand of Optocore, has developed a number of solutions based on single-channel and CWDM technology to transport SDI video and audio signals over a fibre backbone.
Senior account manager for The P.A. People, Andrew Rodd notes, “We were looking for a solution to transport multiple channels of SDI video across venues and between breakout rooms. When we found the Repeat48 product we found just what we needed, and we knew that with the Optocore heritage it would just work.”
Repeat48 is a series of a
Europe - Technological Innovations Group (TIG) has opened two of its new series of Experience Spaces - in Frankfurt and London. These spaces will welcome integrators, consultants, specifiers and end-users and showcase TIG's ecosystem of AV, UC, IT and control solutions in a safe and socially-distanced way.
The Experience Spaces will serve to demonstrate how TIG's brands work together to form bespoke bundles that ‘match the client's exact brief, and help integrators deploy fully integrated, tailor-made and future-proof smart spaces in a wide range of environments including corporate, retail, residential, hospitality, education and healthcare’.
The locations of the new Experience Spaces were carefully chosen for their ease of accessibility and central positions in both Frankfurt and London.
Guests can book their personalised visit with one of TIG's experts by going to www.tig.eu/events#booking-form. TIG is committed to adhering to COVID-safety and strict social distancing regulations, and all meetings will be held in private with the most relevant TIG specialist on hand.
With ISE 2021 postponed and many other industry events being cancelled, TIG is planning to host bespoke and small-scale events in its Experience Spaces over the coming months, which will offer an intimate and safe platform to see first-hand how the technologies that TIG represents integrate. These events will see safety measures in place and virtual elements to reach those unable
UK - Media serving and pixel management experts, 7thSense Design supported a celebration of subterranean karst cave systems in the Museum Building at the heart of Dublin’s Trinity College earlier this year.
The event, Inception Horizon, took the audience on a sensory journey deep underground, following the flow of water through song, sculpture, visual projections and spoken word, also featuring the world premiere of the choral piece Inception Horizon by composer Norah Constance Walsh, performed by the Mellow Tonics choir.
Laurence Gill, Professor in Environmental Engineering in the School of Engineering at Trinity College Dublin, was the driving force of the event.
Behind the on-stage choir, visuals designed by Dara Ní Bheacháin, were projected onto the internal wall using two 7thSense Pico media servers and four Panasonic PT-RZ660BEJ projectors. The installation was configured as two banks of two projectors spaced 30m apart across the hall. Each Pico media server was integrated locally to the projectors, with a network cable connecting each of the server banks for synchronisation.
Speaking about the special event, Dr Fergus Mc Auliffe, communications and engagement manager at iCRAG (Irish Centre for Research in Applied Geosciences) said, “Producing Inception Horizon has allowed us to explore our science in a highly sensory way. The acoustics of the building were perfect for imitating a cavernous underground landscape, and the richness of the choral song was emphasised by the stunning visualisations projected on the
Australia - When Big Picture announced its partnership with South West Solutions and Ikonix to offer ‘the most technologically advanced and connected virtual event space in Australia’, the industry was anticipating something spectacular. They were not disappointed. Top-of-the-range technology means the new premium live event studio facility in Sydney transcends all expectations, with Brompton Tessera processing playing significant part in its success.
The live event studio offers a professional soundproof studio with full backstage facilities, global broadcast-grade fibre connectivity and industry-leading production technology.
The main studio set showcases a 40sq.m ROE Black Onyx 2.8mm LED screen, made up of 243 panels in its largest configuration, built in a concave curve. Dual ROE Carbon 3mm LED screens are used for presenter feedback, showing visuals like remote audiences and presenter notes, all connected by Barco E2 control system and disguise GX2C media servers.
The secondary set features an XR stage offering complete virtual set customisation with Panasonic 4k PTZ cameras, with total tracking integration to the disguise servers and presenter interaction in real-time.
“We chose Brompton for both our main and secondary sets, with four Tessera SX40 4K LED processors and 10 Tessera XD 10G data distribution units running in the main studio, with the XR stage using Tekken 3.9mm LED screens running off Brompton Tessera S4 processors,” explains Josh Moffat, business development at Big Picture.
“We have been using Brompton p
USA - Conmy Hall, the historic events space used by the United States government in Fort Muer, Va, recently underwent a significant transformation with the installation of a massive 144ft by 14ft Christie CorePlus LED wall. Spearheaded by The Bridge Group and integrated and installed by Quince Imaging, the video wall is powered by a Christie Spyder X80 image processor with content management handled by a suite of Christie Pandoras Box solutions.
“Conmy Hall was originally built in 1934 as an indoor equestrian facility used by General George Patton,” says Cathy Arevian, CEO & managing director, The Bridge Group. But as the mounted cavalry was phased out, the Hall was converted into a gymnasium and later into an indoor ceremonial area. It’s now the U.S. Army’s principal performance centre, used for presidential functions and military ceremonies, as well as hosting multi-agency briefings and strategy sessions. The Hall, which seats 1200, also hosts US Army band concerts and productions by the Military District of Washington, both of which are open to the public.
Prior to the renovation, the space used two projection screens and large, vinyl-printed maps for multi-agency briefings and strategy sessions. “The equipment and processes became inadequate given the expanding needs and advancements in technology,” says Arevian. “After conducting several events using large format rental equipment and projection, it became clear that the versatility available using this equipment was worth the investment.”
In 2015, the project began, and vari
South Africa - Whilst South Africa has just moved to Level 1 allowing events for up to 250 guests indoors and 500 people outdoor, technical supplier Multi-Media has utilised the past few months to establish a virtual platform for the future and something that can be expanded upon with the new eased restrictions while adhering to strict safety protocols.
Multi-Media has seven virtual studios based in Johannesburg and Cape Town, which have opened doors for businesses and financial institutions, to continue communicating with their audience during this time. The multi-purpose studio spaces have been used for live events, virtual events and broadcasts (complete with customised 3D virtual sets) and product launches. In addition, Multi-Media has partnered with Century City Conference Centre (CCCC) in the Western Cape, to create additional virtual space.
Event planners and businesses are encouraged to use their imaginations as, thanks to Level 1, the diverse Multi-Media stages could serve as a hybrid event, live show or an option to host multiple satellite venues, all linked up, across the country.
“It took us time to mobilize and adapt to a different way of doing business, but the main concern was trying to communicate to clients how our service could add value,” explains Tim Fish, owner of Multi-Media. The eye-catching virtual studio has been used for a wide variety of events including talk shows, successful car and product launches, educational programmes and various broadcasts. More recently, the green screen formed the backdrop for a music video w
Germany - Thomas Giegerich is someone who likes to keep ahead of the game. He and his team at bright! studios, based in Frankfurt, were already planning to add a new ‘extended reality’ division to their visual design and services business at some point during 2020, which was in anticipation of it being more widely adopted - in particular - by television productions and video projects.
The team at bright! studios were already working with real-time tracking and real-time rendering software like Unreal Engine and Notch as part of their creative workflow, as well as running a busy show and events equipment rental company from the same premises, so combining these skills into a new product was a logical step.
Further, with the launch of the xR services department in mind, they had already built a small production studio and produced some demonstration reels in January 2020.
So, when the coronavirus pandemic spread around the globe, all these plans were rapidly accelerated as they fast-forwarded their timeline from 12 months to 12 days.
In that time, the first iteration of a fully functional streaming xR studio started receiving bookings almost immediately as live events were shutting down worldwide.
More space was cleared in the warehouse by moving some of the events kit into exterior storage and the bright! Virtual Production Studio was born.
The initial studio set up includes Robe Esprite LED profiles and Spiider LED wash beams for front and overhead lighting, with some LEDBeam 150s for back light.
The studio area is equ
USA - Christie has announced the launch of the Christie Mirage SST RGB pure laser projector with a 50,000-lumen light source. With the same small and flexible form factor of the original 35,000 lumen Mirage SST, the new 50,000 lumen model cranks up the brightness for spectacular visual experiences, says the company.
The Mirage SST features a fibre-coupled, ultra-compact projection head weighing just under 51 kilograms and a remote light source that can be located up to 50m away from the head. It is engineered specifically for complex applications that require a high-brightness projector with incredible image fidelity, but that are tight on space such as venues without projection booths or outdoor weatherproof enclosures, or where quiet operation is critical and otherwise challenging to achieve.
“The new Mirage SST is a powerhouse in a small package,” says Larry Paul, executive director, technology and custom solutions, Christie. “With the chilling equipment and light source installed away from the projection head, as well as the ultra-low output of 2501 BTU, it gives users a flexible and quiet solution for theme parks, projection mapping spectaculars, domes and planetariums.”
A wide range of lens options are offered for added installation flexibility, with a total of 10 high-brightness 4K lenses with ratios from an ultra-short throw 0:38:1 to a long throw 7:69:1, and eight high-contrast lenses that offer enhanced contrast performance from 2000:1 to 5000:1.
Christie Mirage SST features TruLife electronics, a proprietary electronics plat
World - Creative Technology (CT) has recently launched a new website. Since joining the NEP group three years ago, the CT business world-wide has expanded significantly through a combination of organic growth, acquisition and re-branding of regional businesses and is now operates from 24 inventoried locations across 15 countries.
The new website built over a 12-month period provides a consistent look, feel and messaging while allowing a high degree of local customisation for CT’s evolving global structure, says the company.
At launch there are dedicated new sites for US, UK, Middle East and Spain including multiple language options on the Spanish site.
In the coming weeks Asia Pacific, Northern Europe, Ireland, Germany and Holland will be added each with dedicated sites focusing on relevant local service offerings and market sector activities and significant additional language functionality.
The development process has been led by Kris Jonson, director of marketing for CT in North America who comments: “With this new website we have more flexibility with SEO, and our graphics have been updated with a more modern look and feel which is crucial to keeping the brand fresh.”
Dave Crump, CEO for CT’s EME division, adds: “We were determined to develop a new web platform which clearly communicates our core values and global service proposition , whilst allowing a high degree of regional flexibility, a clear focus on our local delivery capability and reflects the widely varying customer culture in different geographic markets. Kri
USA - At the end of 2019, footwear giant Crocs made the decision to move its warehouse to a brand-new distribution centre in Dayton, Ohio. At the time, the company had no idea just how its operations would be challenged in the months ahead, or how important the safety and operation of the distribution centre would become as an essential facility. Fast forward to the 2020 COVID-19 pandemic that has impacted every corner of the globe, Crocs took the necessarily steps to install an overhead paging system in its new distribution centreto ensure it was set up for business as usual in a world facing unusual circumstances.
In order to get the system quickly up and running, audio supplier Chapel-Romanoff Technologies (CRT), turned to LEA Professional to ensure Crocs could operate efficiently. CRT was commissioned to provide the overhead paging system for the facility which, at the time, had none.
CRT used four of LEA Professional’s Connect Series amplifiers including three of their Network Connect CS354 4-channel, 350 Watt units and one of their Network Connect CS352 2-channel, 350 Watt units. All four units include free access to the LEA Professional Cloud Platform, to provide systems integrators with powerful, reliable and secure remote monitoring and control capabilities.
“For this project we didn’t need a two-channel amp with 1000 watts but we also didn't want a 10-watt multichannel amp. LEA Professional is right in this sweet spot and provided us with an option for 4 and 8 channels in a single rack space between 200 to 300 Watts per channel,”
Colombia - TV singing contest The Voice continues to dominate global viewing habits, and The Voice Kids in Colombia on Caracol Television is one incarnation of the phenomenon. Like its sister shows around the world, the spectacle demands ever-better visuals as each season ups the one before.
For the latest Colombian kids’ version of the show, video designer Alvaro Fuentes, from Bogotá-based visual design company Visual in Motion, drew on his collection of Green Hippo gear to achieve the ambitious looks required by the production team. Fuentes’s Hippotizer armoury is headed up by a Hippotizer Karst, which alongside a family of Hippotizer Media Servers drove the content for Season 4.
“Because of the complex LED screens setup on stage, which were in different positions, sizes and resolutions, we needed a tool to map the content onto the surfaces,” says Fuentes. “That’s where Hippotizer is a huge help - VideoMapper is the perfect tool, making it really easy to make everything fit and synchronise.
“The other tool that we value the most is the DMX component, since we need to synchronize the video content and also the lighting fixtures, we wrap it all together in a lighting desk that controls everything via Art-Net.”
For The Voice Kids, Fuentes and his team positioned LED screens on every wall of the set. All were different sizes, including tall strips of 1m x 4.5m to contrast others at 3m x 4.5m. Between these screens, 3m x 4m boxes with the The Voice logo were displayed, illuminated by LED nodes mapped
UK - Shaun Pearce, MD of Pearce Hire, is actively lobbying the government, as are many throughout the sector. He is asking for urgent government intervention. Specifically the continuation of SEISS (self-employment income support scheme) for those individuals working in the industry, continuing furlough support for employees and extending rates relief to event hire businesses (most of which are SMEs and owner-operated like Pearce Hire).
Pearce and his management team were looking forward to a record year in 2020, recruiting another four permanent members of staff with typically, over 70 seasonal freelance technicians being employed. Pearce Hire was on the cusp of rolling out its busiest summer season ever when the government shut down the economy and everything came to a grinding halt. “The impact was immediate and disastrous for us,” says the MD.
As an event production company, with an expertise in temporary power and production services for outdoor events and greenfield site events, May to October are Pearce Hire’s busiest months. With an all too familiar and gloomy story, Pearce explains what happened next. “Even before lockdown was officially announced we had started to get cancellations from early March onwards. From then on it was a downward spiral and within six weeks we had lost over 85% of our annual business because of circumstances entirely out of our, or anybody else’s control.”
Late Autumn and Christmas work is also now being cancelled as fears of a second spike loom. “We have an extremely loyal customer base and many of
Australia - With over 15 years serving the events industry and providing a complete range of AV production services, Australian company Audio Visual Events (AVE) continued with its precise level of technological achievement and client satisfaction even when live events ground to a halt.
By partnering with Create Engage and Sydney Masonic Centre (SMC), the company brought On Air to life, offering a plethora of high-end audio visual and virtual event capabilities, enhanced by powerful and intuitive Brompton Tessera processing.
“AVE, Create Engage and SMC have long-standing relationships and have delivered many successful events together over the years, so we knew we could count on them when the pandemic engulfed the events industry,” says AVE’s general manager, Paul Keating. “Together, we focussed on ‘why’ we should create the On Air studio, with key goals being saving jobs, helping our clients, supporting our industry, and building a product we can all be proud of.”
From there, AVE and its partners created On Air; a state-of-the-art, semi-permanent studio in the heart of Sydney’s CBD, which provides AVE’s customers with an innovative platform to live-stream and share their messages in a timely, cost effective and safe way.
The studio is equipped with high-resolution Panasonic robotic cameras, a large, fine pitch LED screen backdrop, stage lighting, microphones, presentation computers and confidence monitors.
“We installed a 7m by 2.5m LED screen in the studio that consists of 70 Unilumin UPADIII P2.6 LED til
USA - When the entertainment industry’s lights were switched off by the global pandemic, Fuse Technical Group, like many others, had to come up with new and innovative ways to continue serving its customers. The solution became evident when the full-service production company decided to partner with LA-based Third Encore Studios and Monsters of Rock Cruise (MORC) to build a virtual live production environment for content streaming.
Regular events including MORC’s PPV live streamed music performances are delivered in front of rich visual backgrounds thanks to the processing power of Brompton Technology and its HDR solution.
“Third Encore Studios is a well-known rehearsal facility in Los Angeles. We’ve crossed paths many times, but never worked together on a project like this before,” says Fuse project manager, Benjamin Johnson. “The coronavirus pandemic and the state of the entertainment industry meant there was a need to create new solutions and gave us our first opportunity to collaborate. We have solid technical knowledge and high-quality video and lighting equipment, and they have the perfect facility, all we lacked was great talent. That came in the form of the Monsters of Rock Cruise webcast, transmitted live via their Facebook page.”
Together with his team, Johnson built a high spec virtual event space, with an LED floor measuring 20ft by 24ft (43.2 sqm), enclosed by a 35ft wide by 12ft tall (38.9 sqm) LED wall. The space uses ROE panels; Black Marble 4 for the floor and Carbon 3 for the upstage and left/right screens, all runnin
UK - The #WeMakeEvents campaign aims to raise awareness around the current plight of the live entertainments sector and its urgent need for financial support if it is to support the COVID-19 crisis.
Last month, it was announced that it would be steered by a collective of industry trade bodies, businesses and freelancers; all working in collaboration with each other. Over the past few weeks, the team has continued to build momentum around the campaign, working endlessly to rally the government for much needed support.
Following last month’s Day of Action which saw buildings across the UK lit up in red as a show of support, the #WeMakeEvents team has been busy capitalising on the extensive media coverage and attention this received. One of those involved is White Light’s managing director Bryan Raven, who comments: “The Day of Action was vitally important for our cause as it finally got people talking.
“There were a few government figures who weren’t particularly listening to our concerns prior to this and didn’t fully appreciate the scale of the crisis we are in. That certainly seems to have changed now and, whilst it may appear that the campaign has been slightly quieter for the past few weeks, this is only due to us putting all of our energies into the various meetings and surveys we’ve had to conduct to ensure the campaign continues to gain momentum.”
Activities over the last few weeks include meetings with political advisors, who are helping to formulate precise action points of the campaign’s next steps, as well as coll
Italy - Powersoft, has launched its fully overhauled website, with a clean new layout and simple navigation structure designed to help users to quickly and easily access essential information, while offering a comprehensive understanding of the company’s value proposition, technologies and solutions.
The new website is also fully responsive, meaning that it is compatible with all browsers and can easily be navigated using any mobile devices.
“Through this easy-to-navigate design, users can learn about Powersoft including the services offered, said Powersoft’s brand, communication and trade marketing manager, Francesco Fanicchi. “It also details the applications the Powersoft’s products are suitable for, as well as providing support material, product guides, tutorials, application examples, and case studies. We hope that this new design will help customers to learn about Powersoft solutions and their relevance to specific applications or market verticals.”
Another aspect of the new website is the introduction of MyPowersoft, which will allow registered users to have seamless access to Powersoft ArmoníaPlus software and ProManagerPlus multi-purpose configuration tool, without having to remember multiple accounts and passwords.
“MyPowersoft is not only the simplest way to connect with Powersoft users and partners by providing what’s relevant to them, but it also allows them to gain access to an exclusive set of tools and services,” said Fanicch