Europe - Notch, the visual creation tool for interactive motion graphics, has released a new version of its Notch Builder software for motion graphics artists and designers. The update brings a path tracing solution to the tool, which already features accessible real-time rendering and ray tracing technology.
Path tracing is used by many leading high-quality renderers. It simulates the paths of real light including the way light bounces, reflects and refracts through a 3D scene. It also takes into account the materials it interacts with, making near photo-realistic results possible.
The new GPU path tracer is seamlessly integrated into the existing Notch toolkit. The same real-time WYSIWYG environment and nodes our users know and love are now unified with the path tracer. This includes particles, procedurals, cloners, lights, post-processing and compositing. Available as a drop-in component, path tracing can be introduced to scenes and toggled on and off when needed.
The increase in render quality using the new path tracer node makes Notch viable for a whole new range of use-cases.
Matt Swoboda, founder of Notch, comments: “Our R&D team has spent months pushing Notch’s creative boundaries. For the first time, we’ve combined the familiar immediacy and intuitiveness of Notch’s toolset with our own full GPU path tracing renderer. Much of what we have launched to date has been building up to this. Today’s release shatters the ceiling for rendering quality available in Notch.
“Near realistic rendering in an easy to use package
USA - With just less than a month to go until LDI 2019, organisers have announced they expect record attendance and participation in this year’s events.
LDI runs from 18-24 November at the Las Vegas Convention Centre, starting with the LDInstitute and LDIntensives sessions and LiveXperience Symposium, culminating in the exhibit hall tradeshow from Friday 22 to Sunday 24 November.
“We’re thrilled that this year’s LDI Show looks set to be the most well-attended yet, bringing the global live production community from over 80 countries to Las Vegas to share ideas, exhibit and do business,” says LDI's managing director, David Johnson. “Our registration process shows us that people are coming from a wide range of international live and broadcast venues - festivals, corporate events, theatre, concerts, clubs, theme parks, architainment, and houses of worship. LDI has more to offer than ever, to more people than ever.”
LDI 2019 will expand its focus with emphasis on the next generation of design and technology, including AR/VR, drones, live for broadcast, and experiential design. The move will make LDI the place to discover what’s hot and what’s next and what it means for the industry.
This will be in addition to LDI’s ongoing commitment to the core live event categories of lighting, staging, video, and sound, and the awards ceremonies that take place during the week.
The LDI Debuting Products and Booth Awards Ceremony is back for 2019 and will be presented on the show floor at the end of the day on Saturday 23 November, i
UK - CPL supplied full technical design and production for show producers Pandora Events, who delivered Tropic Skincare’s 2019 Glambassador motivational event, a high-energy day action-packed with new product launches, presentations, awards and live entertainment, complete with a gala dinner.
The extravaganza for 2,500 people - themed Carnival of Colour - was staged in Hall 4 at the NEC, Birmingham, UK.
CPL’s production and project manager Lee Gruszeckyj worked closely with Pandora’s Vanessa Carter and a crew of 27 technicians specialising in all the disciplines who started with the installation of a 20m diameter circular stage in the centre of the room. The inner 10m diameter section was a revolve.
Above this, four large screens were installed, which were fed by Barco UDX high-powered projectors, giving 360° viewing angles.
The stage was a full custom design and build for the event, with a Steeldeck base covered in bespoke ply pieces to make up the spherical shape and the revolve machinery installed in the middle, completely flush with the outer section, so not immediately evident to the eye. The whole surface area was finished in white gloss vinyl.
The four screens flown above the central stage each measured 16m wide by 4.5 high, and each was fed by a pair of doubled-up Barco UDXW32 32K lumen projectors which were positioned on the largest of three concentric circular trusses flown - chandelier style at slightly staggered heights in the roof.
On the two lower trussing circles, 70 x 1.2m by 100mm wide Roe pixel stri
UK - Projection Artworks has rebranded to Pixel Artworks to reflect the company’s expanding use of pixel-based display technology.
Tom Burch, managing director of Pixel Artworks, comments: “For over a decade, our pioneering creative, technical and delivery expertise has grown alongside the incredible advances in pixel-based display technology. For years we’ve been telling clients’ stories through the best medium for that project, whether that be OLED, lighting design, LED or projection mapping. It’s time our name reflects this.
“Our clients used to come to us when the nights grew darker and people thought of projection, now our talented team of nearly 50 people across two continents can design virtually limitless concepts that excite, explain and inspire in any environment - from digital out-of-home to giant airport activations, to choreographed live shows and 360° immersive experiences. We paint with light, and the world is our canvas.”
Recent projects from Pixel Artworks include the innovative entrance stage to the globally broadcast International Swimming League competition, a large lighting and projection mapping show for the grand opening of the Macallan distillery in Scotland; a touring pop-up pavilion to promote Expo2020 in Dubai featuring LED and entire room of LCD panels, lighting displays and touch screens; and a sensitively portrayed outdoor live immersive experience for the Second World War Museum in Gdansk to mark the 80th anniversary of World War II, with choreographed live theatre, lighting design and projection mappin
UK - Entertainment Technology Partners Europe (ETP Europe) has acquired UK-based video and audio technology companies Pixl Evolution Limited and Audio Evolution Limited. The two companies will retain their individual identities whilst gaining access to ETP’s resources.
“These are the first two companies to join ETP Europe’s portfolio and are perfectly aligned with our existing brands in the US and our ongoing global strategy,” comments Paul Hutton, ETP Europe president. “Pixl Evolution and Audio Evolution are young businesses that have attracted a wealth of industry talent and have made an impression on the events market in a short amount of time. They will continue to operate as independent companies and now have access to significant investment opportunities plus ETP’s global technical inventory and support structure. This platform will enable the businesses to accelerate their growth and reach a wider audience. It’s an exciting start as we look forward to continued growth of the ETP portfolio of brands in Europe.”
Guy Vellacott, founder and commercial director of Pixl Evolution, adds: “When ETP Europe approached us with the advantages of being part of this group, it was clear to see the amazing opportunity from day one. Having previously worked with Paul and meeting the ETP brand partners in the US, we believe this to be a great fit, both culturally and strategically.”
Spain - AV distributor Earpro and LED manufacturer Absen are due to celebrate the first anniversary of their official distribution partnership in Spain, Portugal and Andorra. The milestone comes at the same time as the official opening of Earpro’s new showroom in Madrid, featuring a 200sqm dedicated experience centre.
Earpro, which is part of the Midwich Group, offers a dedicated local service centre and in-house technical support for both rental and fixed installations. Earpro will also be offering technical training to customers from November 2019.
Luis Miguel Batuecas, visual media business manager of Earpro, says: "With Absen, we always feel confident that we are offering our resellers and rental companies a top-quality LED solution. We have been very impressed by Absen’s commitment to supporting us with our customers’ local requirements, which includes a fantastic Spanish-speaking team who have shown a deep understanding of the local market.”
“We have been very pleased with the success of our partnership,” adds Mirian Cheng, regional director of Absen. “We are committed to the Iberian market and will continue to invest in local service and support to ensure customer’s get the most out of their LED deployments.”
To celebrate the opening of the new office and showroom in Madrid, Earpro hosted an Absen Open Day on 16 October.
The Netherlands - Dutch megastar Marco Borsato recently played a stream of sold out record breaking shows at De Kuip stadium. The set included a large scale canvas in the form of a 1,000sq.m LED screen.
To power the impressive visuals needed for this event, Michael Al-Far of MalfMedia and Jo Pauly of Visual Solutions turned to disguise servers. Six disguise vx 4 and four disguise gx 2 media servers played key roles in the production, driving the video content and facilitating real-time IMAG grading of the live feed and the integration of Notch VFX and multicam AR in the massive main screen graphics.
“As an artist and photographer Marco felt the time had come for him to be involved in every step of this exciting project, so we had creative freedom, but he had the final say. Together with set and lighting designer Carlo Zaenen we created the content book in which we outlined the look and feel of every song,” says MalfMedia founder Michael Al-Far.
“Marco Borsato was adamant that the live feed would be treated to fit better in the cinematographic content,” Michael notes. As a result, MalfMedia approached Lewis Kyle White to apply his vast experience in IMAG grading for live shows on this project.
The outdoor show posed a number of challenges: starting in daylight and transitioning to night; a canvas that was by some measures the largest screen ever used for an arena rock concert; the IMAG live feed embedded into the content and not shown on side screens; and a set list of 37 songs that all needed to have the same standard of quality.
World - Green Hippo reports that its Hippotizer Media Servers are driving the on-stage stage screen visuals for Noel Gallagher’s High Flying Birds (NGHFB), as their 2019 World Tour continues.
Production manager Michael O’Connor and lighting/video designer Rod Clay turned to event production supplier OneBigStar to service the tour’s media playback and control requirements. “We were delighted when Rod approached us to provide the control package for NGHFB,” says OneBigStar’s Steven Yeardsley.
“We’ve worked closely with Rod on a number of occasions over the past few years and he’s very familiar with the equipment we stock. OneBigStar have always looked to Green Hippo and their range of media servers as a first choice for our rental inventory. The quality of the product and the support we receive is second to none.”
The media servers on this tour, two Hippotizer Karst+ with Datapath capture cards, are controlled by Clay himself, with support from lighting and video technician Matt Compton, from an MA Lighting GrandMA full-size console, via CITP. Flexibility, both in the updating of content and the mapping of outputs to displays, was an essential requirement. “The ease of setup and connectivity between the lighting console and Hippotizer servers was crucial,” says Yeardsley.
The upstage LED screens display a variety of content, including custom-made material to match the themes of each song, and additional content added on a show-by-show basis. For one special performance – the leaving dinner for departing Manchester City
Indonesia - The integration of immersive display solutions into the world of enterprise conferencing and collaborative working was a key theme for Calibre at AV Week Jakarta. The event ran from 9-11 October at Kasablanka Hall, Jakarta.
Calibre teamed up with its new local partner V2 Indonesia based in Jakarta to showcase a host of innovations.
A smart meeting room collaboration solution utilised the Calibre 130-inch all-in-one LED Wall integrated with the Calibre 4K QuadVision scaler-switcher and multiviewer for management of 4K @ 60 4:4:4 video and HDMI bandwidth of 600MHz using sources from webcam, a notebook computer, media player, an interactive flat panel display and powerful collaboration software.
The result was an immersive, intuitive, and cutting-edge user experience. Visitors could try and test out the robust capabilities of each product.
Calibre also demonstrated the HQPro1000 scaler/switcher and SmartBrick LED solutions.
“We use Calibre with our top customers,” said Rudi Hidayat, CEO at V2 Indonesia. “We’re so excited about representing Calibre in Indonesia and AV Week Jakarta was a great opportunity to meet current and future customers.”
Willy Tsai, managing director at Calibre added, “AV Week delivered a strong mix of local and international integrators and end-users, and we believe our solutions, designed in partnership with V2 Indonesia, inspires and shows how collaborative working is moving into everyday enterprise communication.”
UAE - Creative Technology Middle East has appointed Lee Forde as the new general manager of its Dubai branch. Lee is an industry veteran with over 33 years’ experience and has a strong technical and managerial background. Lee will play a crucial role in overseeing the day to day operations while further assisting Andy Reardon implement strategies to enhance and expand CT Middle East.
Andy Comments “It is an exciting time for the Middle East as we continue to grow and expand our team of professionals. I am looking forward to working closely with Lee and wish him all the best going forward.”
Rob Turner has joined as the integrated networks technical manager. Rob has joined CTME to develop the newly established communications and networking division, with over 24 years experience in the AV industry, 10 of which he spent at Delta Sound.
The Netherlands - Dutch national airline KLM celebrated 100 years this month, making it the world’s oldest airline and the first airline still operating under its original name to reach its centenary.
To mark this landmark occasion, Hangar 10 at Schiphol Airport, Amsterdam was cleared out to host multiple days of a spectacular KLM Experience event, where guests were treated to an impressive overview of KLM’s past, present and future.
WIcreations, working for technical production suppliers United Productions, used their new WImotion system and new proprietary MCA automation control to animate a massive LED video wall which split into three sections and tracked across the stage. The screen was the centrepiece of the event’s show.
A special movie was screened taking an in-depth look at KLM’s development over the decades and its pivotal role in the history of international civil aviation.
The screen measured 17m long by 5.7m high, and split into three sections. The centre one at 10.5 wide was flanked by two at 3.36m wide, with a total weight of 2.6 tons.
The project was managed for WIcreations by Geert Stockmans who worked closely with Unlimited’s Bart Roelen.
Geert commented, “MCA offered a perfect solution for this high-profile event, combining accurate, dynamic control with reliability and all the correct certification. This was also an ideal scenario for the system which offers powerful and intuitive next-generation automation control for numerous applications.”
Other components of the automation system
UK - Having already won industry awards and being used on some extremely high-profile projects in its beta stage, Avolites reports that its new software control system, Synergy, is being released worldwide.
Effectively a free V12 software upgrade to both its lighting console and media server ranges, Synergy unites them, allowing lighting designers full visibility and fine control over both the lighting and video components of a truly multi-media performance.
Synergy allows users to quickly and simply pull control of pre-created screen surfaces and layers into a Titan-based lighting console at the touch of a button, or, vice versa, create surfaces in an Ai media server from within the console interface. All operations occur seamlessly using Avolites’ proprietary Titan Net protocol and take place on whatever hardware the user is running, from Titan USB interfaces all the way up to the Sapphire Touch console, and from Ai software licences all the way up to the super-powerful Q4 media server.
The software’s new Lightmap feature allows users to stream Ai video colour data through any colour-mixing fixture group, to instantly integrate them into a larger video canvas. As a result, everything from high-res LED screens to LED fixture groups can be controlled from a single intuitive User Interface without the requirement to create and arrange fixtures in the media server or create ArtNet merges. Users can simply select the group and choose Ai in the pixel mapper.
Synergy also allows for live video previews of up to six simultaneous streams from th
UK - AV technology pioneer Peerless-AV and LED manufacturer Absen have teamed up to install an LED video wall in the showroom of Mulgari Cars, bespoke styling and tuning body shop for performance and luxury vehicles. Mulgari wanted a video wall solution that would enable them to advertise their services to new and existing customers via a medium befitting its supercar studio image.
LED was the most suitable choice for its design flexibility, narrow pixel pitch, high contrast in ambient light, 24/7 performance and low power consumption. Absen N Series high bright panels and an easy-assemble, custom LED mounting system from Peerless-AV were chosen for the project.
Bracknell-based Mulgari Cars is owned by Iain Campbell, a former director at AV distributor Midwich Group. “The LED video wall has successfully addressed our visual goals,” says Campbell. “We have an in-house content creation team for our web and social channel advertising, which now extends to the new display platform and is clearly seen by visiting customers and drivers passing by the forecourt.”
A technical team of four managed the install, which was completed quickly and easily, without interruption to Mulgari.
Europe - Painting with Light has developed Realites, a real-time virtual lighting design tool for balancing and fine-tuning the lighting of people and 3D objects in relation to digital scenery that is appearing on LED video screens in the background or foreground of the same scene.
It enables the lighting designer / programmer to light both the video content – which will already have a pre-determined ambience – and the actors or set around it, using the show lighting console, and without the video content needing to be re-rendered.
This is a flexible solution for video-orientated shows, creating highly realistic effects as the blend between 2D and 3D elements onstage becomes imperceptible.
Additionally, lighting on both the actors and digital backgrounds can be perfectly matched or contrasted to achieve the exact desired effect, bringing a perfect visual harmony to each scene.
The big advantages are the real-time workflow and rendering; an extremely fast production process offering ultimate flexibility for video and scenic content right up until the show / event goes ‘live’ and the expansion of creative possibilities in a show environment.
PWL initially developed the technique for Studio 100’s 40-45 spectacle which launched in 2018. The production is still thrilling audiences at the Pop-Up theatre in Puurs, Belgium.
The ‘virtual lights’ are additional lights to those on the actual physical lighting rig in the theatre or performance space. They are built into a 3D model which is loaded in the video server being
UK - London based Kudos AV arrived on the Data Strategy stand at London’s PLASA 2019 exhibition to confirm its order of a two-bay QC-Check 660 Workstation, incorporating PAT-4 and CAB-5 test equipment from technology partner, Out Board.
Kudos AV is an event management company delivering full-service event production with high quality audio, visual, lighting and staging solutions. Data Strategy’s QC-check will provide the company’s stock and inventory system with increased levels of efficiency as well as safety.
QC-Check will interact with the company’s existing inventory management system, to automatically request and log product test updates from the workstation’s in-built industrial PAT and Cable inspection equipment from Out Board. One of the big advantages of the QC-Check system, Kataria explains, is its capacity to “aid the management of assets”. He adds, “The ability to test our equipment in-house will not only save time but give us greater control over workflow and output.”
Kataria asserts, “Safety and integrity of equipment is of paramount importance for any organisation. As a company that supplies and installs electrical equipment with such regularity, it is essential that we are 'on top' of our maintenance and testing. QC-Check will provide us with real-time status of our assets to aid the planning and prep of projects with greater efficiency.”
Data Strategy’s managing director, Iain Roche, said, “I’m very pleased Kudos AV has opted for a QC-Check now. As a fast-growing and successful technical production
UAE - Lucid Technologies is showcasing the systems behind its art, on Stand 4B24 at this week’s ProLight+Sound Middle East exhibition.
Lucid Technologies’ recent presence in the Middle East has assured the success of vividly impressive projects such as the Saudi Arabia National Day projection at Samba Bank. With the company’s projection mapping expertise behind the event, the inherent difficulties of projection on to glass was meticulously overcome. Two facades of the vast 40-storey building in the new King Abdullah Financial District of Riyadh were rendered ablaze with colourful and flowing imagery for the celebration.
Lucid Technologies has a number of projects underway in the region and more on the horizon in the Middle East. The company will demonstrate the capabilities of BlackTrax for the tracking of both lighting and video, with a system driven by the company’s new Disguise VX4 media servers.
Specialising in the design of technical solutions to solve creative problems in live events and theatre as well as the corporate environment and for bespoke projects, Lucid Technologies is building towards a more permanent presence in the Middle East. The company maintains its focus on better collaboration, more highly integrated systems, and the break down of creative barriers caused by technical limitations.
Germany - More than 50,000 EDM fans descended on a former NATO missile base in August to experience the massive Nature One Festival. Germany-based Gerdon Design specified two Green Hippo Boreal+ media servers for the main floor, to power live IMAG feeds, Notch effects and pre-made content.
This year marked the 25th anniversary of Nature One, which is held near the western town of Kastellaun. Over the years, it’s grown into one of Europe’s biggest dance music festivals. Gerdon Design has been involved with Nature One since 2011, responsible for the stage, lighting and video design as well as creating the concept, audio and visual design for the timecoded highlights show.
“We were responsible for the content playback of all acts - except for those who were travelling with a VJ – so we needed a powerful and easy-to-use solution,” explains Gerdon Design’s Marek Papke. “We really like the versatility of the Hippotizer software – it’s very quick to set up and get great results. We organized all of the custom content and the DJ-specific content before the show and used a GrandMA3 FullSize to sort and program all the content for later playback.”
In addition to the two main floor Boreal+ servers as main/backup, Papke and his team specified a third Boreal+ to manage a Barco S3 Switcher and to generate further Notch effects for IMAG.
“Hippo’s CITP integration helped us a lot, because it allows us to see previews of the content directly in the console,” says Papke. “The quick and easy-to-use media manager was also great for add
UK - Throughout a busy summer, event production specialists Light Fantastic Production Services has been supporting a number of major UK cinema releases, includingThe Lion King, Toy Story 4, Aladdin, Yesterday, Good Omens and Once Upon a Time in Hollywood.
Working on behalf of client Limited Edition Event Design, recent projects required custom-built solutions tailored to the associated media campaigns and movie branding.
Complementing the colourful look of Toy Story 4, LFPS built a series of frames to surround the LED video walls which flanked the red carpet. Finished in a gloss blue laminate, the surrounds incorporated over 400 LED cabochons to mimic the fairground theme in the films advertising campaign. The same look extended to a 3D ‘step and repeat’ structure used for cast photos and an interview stage.
The LFPS team were back in Leicester Square to provide decking structures for the UK premier of Disney’s The Lion King. With the premiere screened in both the Odeon and Cineworld cinemas on different sides of the site, the project required the construction of a pair of walkways and raised bridges which allowed guests and celebrities to pass from the central gardens over the perimeter railings and back down to each destination. LFPS also provided the ornate stage structure which formed the centrepiece of the event.
LFPS managing director Rob Myer comments: “Over the years, our design and fabrication
UAE - ARX has appointed Gala Pro AV as its distributor in the United Arab Emirates.
Based in Dubai, Gala is a leading pro AV and lighting solutions provider who also represents Bosch, Lavoce Italiana and Odyssey. The company is exhibiting at the upcoming Prolight+Sound Middle East expo (15-17 October) in Dubai.
“Gala are ideally placed in the UAE to strengthen our brand and to build sales in a market where we see a great potential for growth,” comments Colin Park, managing director of ARX Systems.
China - Powersoft amplifier platforms have been chosen to drive the new audio system installed at Qingdao World Expo City (QWEC), a 32,000sq.m conference venue in the ancient coastal city of Qingdao.
The upgrade, handled by EZ Pro, focussed on QWEC’s Great Hall, which accommodates up to 1,500 people, has an area of 3,000 sqm, and can even be divided into two parts.
“We hoped to create a destination that is, in terms of scale and technology, far ahead of anything else in Northeast Asia,” says general manager Zhao Guangjun.
The venue was to be equipped with world-class audio-visual equipment to meet the needs of a variety of international and domestic high-end conferences. With this forward-thinking ethos in mind, Powersoft amplifier platforms were chosen.
“Powersoft products offer a traditionally amazing sound quality and reliability,” says Alan Ho, senior VP of business development at EZ Pro. “The Smart Rails Management (SRM) technology allows us to maximise the efficiency of the system and drastically reduce power consumption at any load and for any usage conditions. Its exclusive dampening coefficient compensation technology can also solve problems like line power loss that is caused by remote transmission.”
In total, EZ Pro installed 46 of Powersoft’s Quattrocanali 1204 amplifier platforms, as well as 23 of the Quattrocanali 2404 DSP+D. These particular versions of the Quattrocanali grant the integrator in-depth control and monitoring of all the signals via ArmonìaPlus, so that the sound can be tailored to suit any cu
UK - Following a successful debut last year, Christie has announced that Christie RealLaser is the flagship projection technology for the 63rd BFI London Film Festival (LFF) in partnership with American Express.
Once reserved for the premium cinema market, RGB pure laser is now affordable and ready for mainstream cinema adoption, making it perfect for the return of the much-loved 820-seat ‘pop-up’ Embankment Garden Cinema (EGC). Described by BFI head of technical services, Dominic Simmons as, “One of the highest quality temporary cinemas ever seen”, this year the EGC hosts its first international premiere (Martin Scorsese’s hotly anticipated The Irishman from Netflix) in a stellar line-up of gala screenings.
Christie has worked with the BFI on the projection set-up since the BFI first made the bold move to build a full, state-of-the-art temporary cinema, providing the festival with a central London venue nestled in the tranquil Embankment Gardens just by the river. “The EGC has become an absolute favourite and has gained a surprising level of affection in just four years. Many people say it is their favourite venue and a shame it’s only available two weeks a year,” remarked Simmons.
“It’s loved not just by the public and BFI staff, but filmmakers who are often really surprised at the quality. One said it was the best screening of his film he had seen. This a really high-spec install which is what we wanted, it is as good as a permanent cinema, especially using Christie RealLaser projection with such bright colours, higher
USA - A roundtable discussion exploring the transformative effects networked AV has on learning and higher education will take place at 11am, PT on 29 October. The event includes an in-person discussion between multiple AV experts. A live Q&A, where webinar attendees can ask questions of the participants, will occur immediately after the discussion. Registration for the webinar is open now at: www.audinate.com/ddm-edu
The roundtable event is hosted by Audinate, developer of the Dante AV networking technology, and brings together experts from the University of Southern California, University of Oregon, Arizona State University, University of Colorado, Denver and Brigham Young University - Idaho.
“When we talk with our partners about how they are using networked AV we always come away impressed at their innovation and ingenuity,” said Joshua Rush, senior vice president of marketing at Audinate. “This is especially true in the higher education market. We realised it would be incredibly beneficial to bring together some of the leading minds utilising networked AV in higher education - and then share that discussion with the industry at large.”
Canada - Cast Software has released wysiwyg as a 64-bit application.
Available for download from the Cast members area, the application offers noticeable stability and performance increase across all modes and can now utilise more than 4GB of memory to open files.
Cast VP of product, Dino Mazza comments: “This is a special release for Cast. I am proud of the entire wysiwyg development team for getting us here, identifying the challenges along the way and finding the easy, and sometimes difficult solutions, and continuing to plug away at this project until its completion.
“R43 delivers our wysiwyg in a 64-bit architecture, and along with the increased responsiveness and improved user experience, which we know the users will love. But, also included are some new features too. I know there are some happy faces around Cast, and I’m suspecting the same is true amongst the wysiwyg R43 users out there as well.”
UK - Equipment rental supplier Visual Elements has made a substantial investment in technologies for its new video production services division, sourcing everything from A.C. Entertainment Technologies (AC-ET).
Established for 20 years, Visual Elements provides wet and dry hire solutions to music festivals, theatre shows and film premieres, as well as servicing London events venue Tobacco Dock.
After deciding to set up a video division alongside its existing production services, it approached AC-ET to help specify and supply a complete range of technologies from its portfolio of premier brands.
Video technical sales executive Chris Beardwell worked closely with Visual Elements’ head of video, Leon O’Neill to deliver a package which met all technical needs and maximised the available budget.
The order included Panasonic PT-RZ120 and 970 1-chip DLP laser projectors; over 60 Samsung UHD 4K TVs ranging from 40 to 82 inches; a Philips X-Line modular video wall; and a Roland V-1HD video switcher.
Related signal transmission products, cabling and accessories supplied included a B-Tech video wall stand, Unicol screen mounts and custom flight cases for all panels; Barco video switchers; Kramer HDMI distribution amplifiers; Blackmagic Design and Decimator HDMI/SDI converters; Interspace AV control; and over 1400 metres of Kramer fibre optic HDMI and Belden Neutrik BNC-BNC cabling.
Visual Elements received full delivery within four weeks of all 350 separate pieces of equipment.
Leon comments: “AC-ET has been fantastic. Chris’s p