UK - Over a thousand delegates from the private rental sector gathered in London’s ExCel on 2 April to attend the Annual ARLA Propertymark Conference and exhibition. Protec European Events were trusted by their client Westrade Group Ltd to provide a full event technical service package.
Moderated by BBC News presenter Julian Worricker, the conference focussed on the importance of legislation, and how to keep abreast of industry issues.
Project manager Fraser McCaig reports, “Protec designed and built the 40m x 4.2m stage with six integrated 4m high x 1m wide LED video columns supported by OV40 truss 4m columns that we anchored to 100kg steel base plates with the set covered by seven colour Polycril wraps. We recessed the centre section of the set with laser line graphics for branding which was enhanced with DMX controlled LED strips on both sides and on top. We also handled the full graphic design of all the stage and branding elements for the client.”
Head of the video department – Sean Godefroy opted for Christie 14k projectors for the two screens, Analog Way PLS 350G switchers controlled by an Orchestra desk. Alongside that, he used Master Cue so the client felt they were in control of their presentations. He used two JVC HM 890 fibre studio cameras that fed the live feed to the two 5.4m screens.
Ben Waters, head of audio, notes, “We chose to use the compact Nexo M620 line array, with four hangs on the truss, plus two wider fills as well as centralised subs for even coverage. The room was extremely wide, with a fairly short depth
UK - After supporting various Esports Championship Series (ECS) shows at Wembley’s SSE Arena over the last few years, Sibar Production & Design, along with Capital Sound (and their Martin Audio MLA loudspeaker array), moved to the ICC Auditorium at ExCeL for the FACEIT Global Summit: PUBG Classic. FACEIT is the leading competitive gaming platform and organisers of some of the largest esports events in Europe and North America including ECS, Universal Open and the FACEIT London CS:GO Major.
Capital has been regularly contracted to provide the audio reinforcement for such gameplay events by Sibar’s Simon Barrington, but this represented an entirely fresh challenge. According to Capital’s project manager Robin Conway, “It was based on a completely different gaming platform and different team and elimination set-up.
“The space at ExCeL is tricky as was the design, as we needed to work around a 56m wide screen over and above the gaming pods, playing to the full width of the ICC Auditorium.”
Capital again deployed their Martin Audio MLA loudspeaker array platform, but this time harnessed to Martin Audio’s Sound Adventures, the 3D immersive sound partnership with Astro Spatial Audio.
The deployment of Sound Adventures in this scenario was to test whether or not locational gameplay information could be used to enhance the listening experience. With so many players in the game, the audio footage had the potential to be located to a specific playing pod so the audience could understand who or which team they were watching and listening
USA - ROE Visual will launch a new series of LED screens for fixed installations at on stand 2061 at InfoComm 2019, taking place 11-14 June in Orlando’s Orange County Convention Center in Florida.
Named Amber and Jasper, the new LED panels will feature two designs, one based on a 50x50cm panel, and one with a 16:9 ratio panel. Pixel pitches will range from 0.9375mm to 3.9mm.
“Both products will boast excellent visual qualities that play into the demands for permanent video installations, for example broadcast, film studios, corporate solutions, houses of worship and board rooms,” claims ROE Visual.
Glory Gao, deputy sales director at ROE, comments: “This move is mostly instigated by our own clientele. With keen understanding of project management, logistics and implementation processes, we provide clients with not only the right LED display solutions for their projects, but with the comfort that these will be delivered timely to perform flawlessly at their event.
“ROE Visual certainly has the capabilities to support a cross-over, integration and installation market. Being involved in many projects on a global scale over the last 15 years, I know what it takes to do things first-time-right.”
Next to the Jasper and Amber series, regular ROE Visual products will also be showcased, including Sapphire SP1.5, Diamond DM2.6, Vanish V8S, Black Marble BM4 and Black Pearl BP2.
UK - The first week of May saw Creative Technology UK’s Festival of Technology 2019. CTFest19, as it is known, sees the company welcome innovation partners to its Sussex base to showcase the latest in event technology and creative ideas. This year, Brompton Technology took the opportunity to give attendees a close up look at its high-end processors and new HDR technology.
HDR video offers a new approach to delivering better image quality, without requiring finer and finer pixel pitches to achieve it and brings a trio of image quality improvements that are particularly well placed for LED screens.
“The response to HDR at CTFest19 was extremely positive,” says Brompton business development manager Rob Fowler. “We’re always keen to get involved with companies who prize innovation and want to showcase leading edge technology. CT understands the benefits of our system and how it can be used to best effect. CT Fest offered us a broad reaching yet intimate platform to demonstrate the benefits of our technology to a wide range of event producers and technicians.”
As well as Brompton’s own dedicated area, CT also took advantage of Brompton processing power for CTFest19’s main stage show, which featured a 6152 x 1760 pixel, 2.8mm ROE Black Pearl LED screen run by two SX40s.
South Africa - Black Coffee, a Durban-based rental company, has become more creative since taking ownership of the Hippotizer Boreal+ Media Server.
John-Dee Styles, who heads the creative team at Black Coffee, put the Hippotizer Boreal+ purchased from DWR Distribution to the test for the first time at the Globe Theatre, a new multi-purpose dome structured venue which forms part of the Suncoast Casino. The event was held to celebrate the casino’s new upgrade and renovation, a project that took two years to complete.
“We used our new Hippotizer Boreal+ with a backup system,” explains John-Dee. “We used 4 DVI outputs, two of which went to a double stack of 18K Barco projectors, for the main content. This was projected on a black gauze to create the clients desired effect.” The climax of the show saw a dancer performing behind the black gauze projection surface, interacting with the content on screen. The other two outputs were used for projection mapping onto giant balloons positioned on either side of the stage.
“The show went well but I have to admit it was nerve-wrecking getting to know the system and using it for the first time on a major show,” admits John-Dee. He adds that he was grateful to have Dylan Jones from DWR on site for technical support.
“Going down to help Black Coffee with their first Green Hippo show was an experience,” says Dylan Jones. “They did remarkably well, having just taken delivery of the system. John is extremely creative and I can’t wait to see what he will come up with next. Both he and Gerri
Europe - ArKaos has announced that with immediate effect its product range will be distributed by and available throughout the UK and Ireland via sales specialist Entedi.
This announcement coincides with the PLASA Focus expo in Leeds this week where key ArKaos products including the new 4K Studio range of media servers and its MediaMaster Pro software will be presented by Entedi on stand Number N-D31.
Says ArKaos MD Agnes Wojewoda: “We are delighted to be collaborating with Entedi with its dedication to premium products and service. It will broaden the availability and support for ArKaos products generally throughout the UK and Ireland and open new doors through the expertise, enthusiasm and extensive industry contacts of Entedi’s MD Cally Bacchus and his fantastic team.”
Cally himself commented: “We are very pleased to be representing ArKaos as an innovator at the cutting edge of the constantly evolving world of digital communications. As a brand with such a strong reputation and identity, we are looking forward to a positive and long-term working relationship with a great future ahead.”
ArKaos’ new 4K Studio Servers provide a highly effective solution with extremely high-quality rendering performance that is easy and intuitive to run from a lighting console. Eight of these recently featured on the German edition of Dancing on Ice.
ArKaos’ ground-breaking MediaMaster Pro software is designed to be right at the heart of a diversity of practical entertainment and architainment video and media solutions. The latest ve
Europe - Vincent Fenton, working under the name French Kiwi Juice, or FKJ for short, delivered his first long player in 2017 and 2019 sees the French multi-instrumentalist tour Europe and North America.
Described by the press as ‘one of the flag bearers of the New French House musical genre’, FKJ is also heavily involved in the visual objectives for his live performances and his concerts guarantee visual as well as musical excellence.
For this tour, FKJ appointed Stu Dingley as creative director and production designer. Stu is also lighting designer, with Will Smith positioned as lighting director, and video content was created by Lorenzo Depa, Sugo Design and FKJ himself.
With the show running to a Timecode, the music structure of each track remains the same, however, FKJ inserts different live loops of music meaning audiences experience a different performance each night. Here, Stu employed a brace of Hippotizer Boreal+ Media Servers to control the Timecode, with layers split between Timeline and the grandMA2 light. An effective feature of Hippotizer V4+, Timeline enables Hippotizer to save and playback complex shows across the Hippotizer network.
Joining the Hippotizer Media Servers in the line-up is a double-stacked pair of Barco UDX-W32 projectors, outputting 1080p resolution, as well as a custom, clear acrylic piano loaded with six ROE Visual Magic Cube MC-18H LED panels as a separate mix on the servers. The main screen comprises three 10x30ft strips of semi-transparent black silk from ShowTex, with the material appearing and disapp
South Africa - DWR Distribution recently welcomed Absen’s Ricky Qiu in South Africa, where Qui and DWR’s Schalk Botha visited several Absen installations to seek client feedback. The duo also demo’d Absen products to prospective clients.
“People really liked the new Polaris series,” comments Schalk Botha. “The design of the frame is user-friendly and hands-on, and we were pleased to receive positive feedback.”
UK - Rental company Adlib has confirmed its investment in a considerate amount of the Vanish V8 LED panel from ROE Visual.
Concluding a two-year conversation with the final investment in the ROE Visual products, Adlib and ROE Visual both believe that a steady business relationship, based on supplier support and excellent service, are beneficial to the end-user.
“A partnership with the Team at ROE was a no brainer,” comments Rich Rowley GM of lighting and video. “Adlib’s ethos of strong manufacturer relationships ensures we have fast backup and support, which is of paramount importance to us. With ROE Visual their diverse and creative product range sits well with our growth strategy in touring video.”
“We have found good resonance in the UK with our products and service-based approach. The UK market has rapidly become an important market for us, and we can boast really nice partnerships with the UK-based companies,” states Auke Meijer, sales director for ROE Visual Europe.
With a substantial investment in over 400 panels Vanish V8, Adlib can extend its rental fleet with this transparent LED panel and respond to current market demand. The Vanish V8 is a lightweight LED panel offering a 60% transparency and excellent visual qualities.
“We have had lots of demand last year for a 10mm blow through type screen,” comments Rowley, “but the birth of the V8 allows us to offer not only a sub 10mm product, but one that offers 60% transparency also. We already have a very busy summer season from touring to festivals and the V8 is
UK - Calibre UK has announced its all-in-one FHDQ130 130” AiO LED wall is now shipping.
With in-built Calibre’s LEDView series scaler/switcher, which brings Ultra HD capability to LED screens, the FHDQ130 is a 130" FHD LED video wall that is fully CE-, CB- and UL-approved.
Weighing 125kg (275.5lb), it can be built ready to run in under an hour by three people, while a single module can be replaced in less than 10 seconds, claims the company. The video wall is controlled via either a remote or an app and consumes less than 0.5W in stand-by mode.
“The AiO is the result of feedback from our customers requiring a single solution that minimises set up time, is plug-and-play and ready to go,” comments Willy Tsai, managing director at Calibre UK. “Our solutions are increasingly used in a verity of challenging environments requiring higher brightness levels, clarity and better colours. We are delighted to be delivering them to market so soon after announcing them, and we’re sure they will find many admirers among our existing and new customers.”
Fresh from being launched at Prolight + Sound in Frankfurt last month, the AiO solution will make its Asian debut at InfoComm South East Asia trade show in Bangkok from 15-17 May.
Singapore - Hexogon Solution has become a disguise rental partners, the AV solutions manufacturer has reported.
With offices in Singapore, Thailand, Japan, Taiwan, Vietnam, Hong Kong and the Philippines, Hexogon provides lighting, audio and video projection mapping equipment and also offers design and staging services for events and exhibitions. The company was founded in 1997 and has worked on the annual Singapore National Day celebrations, the Singapore Formula 1 City Light Up, and the 28th SEA Games’ opening and closing ceremonies.
“As we are rapidly expanding, not only in Asia but in target markets outside of Asia, we need to ensure that we have a strong variety of server brands in our inventory,” says Adrian Goh, group managing director at Hexogon. “disguise is one of the top servers in the market and will help grow our business. Having a large fleet of projectors in the company also means that disguise, with their advanced projection workflows and capabilities, will be one of the preferred choices for large-scale events. We are now more comprehensive in our offerings and more competitive in the rental market than ever before.”
Hexogon previously invested in disguise media servers for the 2019 Marina Bay Singapore Countdown show on New Year’s Eve and has recently added the new vx 4 server to its fleet.
Acoustic & Lighting, a disguise sales partner, supplied Hexogon with the disguise servers and has worked closely with them on their disguise rental partner accreditation. “We are proud to be working with innovative compan
UK/USA - Green Hippo has appointed Ashley Hazlett as an inside sales representative at Green Hippo US, whilst Warren Keyes has joined as development manager for the UK team.
Hazlett, whose career originally started at Green Hippo, is bringing hands-on experience of the company’s solutions, including media server QC responsibilities at VER. “The first media server I ever learned on was a V3 Hippo. After working closely with the Green Hippo team and products over the years, I am thrilled to get the opportunity to represent a company and product I truly enjoy.”
Warren Keyes brings 16 years of professional programming experience to his new role at Green Hippo, including most recently, working with Microsoft in Seattle as an engineering manager covering Xbox and AR/VR. Warren has also worked at Skype and Sony Computer Entertainment Europe. “This role is the ideal opportunity for me to use the skills that I have developed over many enjoyable years at the likes of Microsoft and Skype,” he says.
Italy - Powersoft has released a series of training videos on YouTube for their audio design environment software ArmoníaPlus. The hour-long set of tutorials comprehensively covers the new features that Powersoft introduced with ArmoníaPlus when it was released last October. Aside from educating new users on the software, the goal of these tutorials is also to bring existing users who were familiar with its previous iteration, Armonía, up to speed.
ArmoníaPlus’s redesign includes a single window interface with four main views and takes further advantage of intuitive hotkeys and simplistic icons to allow users to move between functions efficiently. Users can move through four main steps: Design, Config, Tune, and Show, each offering a variety of functions and flexibility for different scenarios, as well as allowing users to audition different speaker presets easily. The YouTube tutorials cover all of these functions, as well as new features such as Shading, which allows the interface to reduce the gain of loudspeaker limiter thresholds coherently, keeping the balance between elements even if the system is limiting.
“When we were designing ArmoníaPlus, we wanted to make the system easier to use and employ,” says Powersoft US application engineer Rick Woida. “We also wanted to make certain that we were still supporting our users who work with Armonía and allowing them to learn the new features over time.”
Italy - The Colosseum in Rome is one of the world’s busiest tourist attractions, with over six million visitors per year. Now, under the management of archaeological park director Alfonsina Russo, it has once again become a venue for all kinds of events.
Last year, visitors to the Colosseum were treated to a spectacular show, Sangue e Arena, at nightfall. This international collaboration between Canada and Italy offered a totally immersive experience, in English and Italian, with lights and remarkable holographic video effects at the heart of the ancient monument. wysiwyg was at the centre of all the action.
The Sangue e Arena project was the result of a close collaboration between Italian company, Electa Editore under the direction of the Parco Archeologico del Colosseo. Graphics eMotion and Lumin-ART gave life to the Colosseum, a world heritage site. Canadian company, Lumin-ART, are avid wysiwyg users and supporters of CAST Group of Companies Inc.
Shouldered by an array of talents, Lumin-ART met several needs of Sangue e Arena, Roma Coliseum. With the help of his team, Simon Gauthier, who acted as lighting designer, took care of design, programming and rendering of the lighting aspects of the production through wysisyg. Simon teamed up with Graphics eMotion to project historically accurate animated pictures and 2D/3D models reminiscent of the era on the outer and inner walls of the Colosseum, as well as on a see-through, hologrammatic screen. The experience is compounded by lighting and sound effects.
China - One of the Hong Kong Science Museum’s latest exhibitions - a complex projection interpretation of the Landscape Map of the Silk Road - made good use of AV Stumpfl’s PIXERA two media servers to achieve the flexibility and power necessary for such a demanding project.
The install was designed, supplied and system integrated by Cosmo Pro AV, and ran from 7 December 2018 and until 20 February 2019.
The original map was created as a painting for the Jiajing Emperor in the Ming dynasty. With over 200 cities marked on the map, ranging from the Jiayu Pass in Gansu Province in the east to Mecca in Saudi Arabia in the west, it demonstrated that the Chinese had grasped a very clear geographical understanding of the Silk Road thanks to centuries of trade.
For the recent exhibition, the museum oversaw the fabrication and installation of a 32m x 3m edge blending projection that would allow visitors to experience the Landscape Map of the Silk Road as an animated, digital exhibit.
Cosmo Pro AV’s Jason Yeung comments: “The Hong Kong Science Museum approached us to provide a comprehensive solution for the edge blending projection. The system needed to be flexible above all else, as the museum planned to experiment with multi-layered playback, bringing the traditional art pieces to life with animations.”
Cosmo Pro AV specified a pair of AV Stumpfl’s new PIXERA two Quad media servers, complete with AV Stumpfl media server software for edge blending and show control. This system was set up to remotely control 8 Vivitek DU7090Z Laser il
USA - As the largest AV conference and exhibition in North America prepares to open its doors on 8 June, Nashville-based PixelFLEX is set to debut an innovative LED video showcase at InfoComm.
Located on stand 248 at the Orange County Convention Centre, the visual solutions provider will be demonstrating the unlimited potential for creating dynamic and long-lasting LED video designs for virtually any architectural, commercial, educational or entertainment installation.
“Over the past several years, LED video has crossed over into a variety of markets and is becoming an ideal solution for any AVL professional looking to create a memorable visual experience,” says David Venus, chief marketing officer, PixelFLEX LED. “No matter if the installation is indoors or outside, we have helped deploy high-resolution and durable LED video designs that accentuate any environment, and we are excited to be showcasing a number of these solutions at InfoComm 2019.”
A dynamic and high definition LED display, FLEXUltra from PixelFLEX LED allows for “boundless opportunities to experience true HD quality video with the creative freedom to define any space”. Utilising the impact and scratch-resistant COB PixelShield technology for long-lasting performance, FLEXUltra is designed in a convenient 16:9 ratio and has a 160° horizontal and vertical viewing angle.
With fully font-serviceable panels for quick and easy onsite installation and maintenance, FLEXUltra operates with a 3840Hz refresh rate to eliminate on-camera scan lines and flicker, and is availab
UK - Creative vision can often be frustrated by the limitations of technology, yet ever so quietly, UB40, with some help from Grant Hickey, Oli Metcalfe, Video Design, and the latest Notch effects software are revealing to their UK audiences that at least one technological barrier has been crossed. “Astro and Ali said to Grant, their production designer, that they wanted to ‘step it up a bit’ as far as this year’s tour was concerned; they wanted something that set it apart from other recent outings.”
As Metcalfe comments: “This was a case of right place, right time. It was an opportunity to try out some ideas I’ve been having about generative video and being creative in real-time.”
Metcalfe is video director for the tour, called in by Hickey on that ‘step-up’ initiative from Ali and Astro. “Grant and I have worked together many times before; he has often been my wingman on a number of other productions and I’ve recently seen his work with Kodaline - that was visually very nice.”
Video Design supplies the full video system and crew for UB40, IMAG either side of stage and large LED back wall screen on stage, providing Metcalfe with a Ross Carbonite. Content and Notch resides on a disguise (formerly d3) server which is final output to all screens. “And, I have a four-camera HD package. When you’re going to try something truly experimental, having the quality of support and stability Video Design provide is essential.”
Metcalfe’s vision was founded on the Notch software. “There’s a lot of excitement around th
UK & Ireland - A.C. Entertainment Technologies (AC-ET) has been appointed as the exclusive UK distributor for PureLink's IPAV Pro series of 10Gb AV over IP transmission, switching and signal processing solutions. AC-ET sister company A.C. Entertainment Technologies Ireland will handle distribution in the Republic of Ireland.
With the Pro AV industry currently transitioning to AV distribution over IP, to create entirely new user experiences with 4K+ video content, there is a growing demand for technologies which meet tomorrow's as well as today's video performance needs. In addition, companies are seeking products which utilise a widely adopted VOIP protocol, such as SDVoE (Software Defined Video Over Ethernet).
The IPAV Pro series combines 10Gb Ethernet over IP switching technology with a toughened chassis custom made for the rigours of rental and staging. Utilising the SDVoE protocol, it provides reliable distribution of uncompressed 4K video in real time, with zero frame latency and pixel perfect image quality in even the most demanding of conditions.
Stuart Burdett, video sales manager, comments: "AV over IP is the future for our industry, so it's important to ensure that our rental and touring production customers invest in solutions which deliver professional-level, future-proofed video performance for many years to come. In addition, these products need to offer simple, reliable integration with other system technologies in a production environment.
“PureLink's IPAV Pro series really meets all these technical requirements, and comp
EMEA - Production Resource Group (PRG) is integrating its global research and development efforts into a new operating group, PRG Innovation.
Joining under PRG Innovation will be PRG Projects, PRG Research and Development, and the VER product development initiatives. The new operating group will encompass operations in Belgium, China and the USA, which include facilities in Dallas, New Windsor, New York and Los Angeles.
Jere Harris, chairman and CEO of PRG, comments: “PRG Innovation brings all of our talent focused on product development into a single, global team, allowing us to anticipate market trends, move with agility and align product development with our larger strategic objectives. I believe that our investment and performance in market-driven innovation is one of the most powerful points of difference separating our brands from the competition. Now, that advantage will become even more significant.”
PRG Innovation will be led by Chris Conti in his new role as the company’s chief innovation officer. Conti has experience in concert tours, tradeshows, corporate events, TV shows and special events like the Olympics and Super Bowl Half-time shows. As product manager for PRG proprietary luminaires, he led the development of the highly successful Bad Boy Spot and Best Boy Spot fixtures, as well as PRG’s Emmy-award winning GroundControl Followspot System.
Additionally, Clay Powers will become chief operating officer of Innovation, overseeing all financial and logistical aspects of both proprietary product development and custom show s
Germany - At Frankfurt, Green Hippo seized the opportunity to team with cast, its German distributor, to showcase the new features of Hippotizer Version 4.5, the latest version of its software.
Co-exhibiting with CAST, Green Hippo demonstrated the features of Hippotizer Version 4.5, including BeatBridge and Object to Output – Object to Output maps content to outputs directly inside SHAPE’s 3D workspace, while BeatBridge simplifies programming by allowing Hippotizer parameters to react to audio input.
The Green Hippo squad also worked with Absen and Notch, to create stunning visuals on Absen’s stand. Here, the display highlighted the power of combining Hippotizer Montane+ RTX with Notch. Thanks to Notch’s generative content creation system, the show team created visuals, using input from a simple camera feed, which was then shown on an Absen LED wall. Eliminating the need to render content, generating video on the fly is the next frontier in live events.
Prolight + Sound 2019 attendees could also witness Hippotizer on the Kinesys stand and also on the Martin booths. Kinesys works well with Green Hippo Hippotizer Version 4.5, including integrating with Object to Output and Advanced Automation Smoothing, making the integration of moving elements with Hippotizer easier and more flexible than ever before. The demonstration fed data from a Kinesys K2 system into Hippotizer, creating a full 3D representation. SHAPE then mapped content on to the display in real time.
“We were thrilled about the response that we had at the show, from both exi
Australia - Hot on the heels of his tenth studio album, Kamikaze, and the extended reissue of The Slim Shady LP, Eminem has broken attendance records around the Southern Hemisphere with his second Rapture tour of Australia and New Zealand.
The five Rapture 2019 stadium shows, which featured guest appearances from Hilltop Hoods, Royce da 5'9", Boogie, and more, included an 81,000-strong audience at the Melbourne Cricket Ground on 24 February, and were acclaimed “a full-blown spectacle" by the New Zealand Herald.
These epic shows were augmented by a total of 1494 LED panels which displayed ‘cinematic’ visuals and scenography and were driven by the powerful Brompton Technology Tessera SX40 4K LED processors and XD 10G Data Distribution Units, all supplied by video equipment and production specialists Big Picture - part of the NEP Worldwide Network.
Jeremy Moore, head of displays at Big Picture and crew chief for the tour, says that given the scale of the Rapture shows, the SX40 / XD combination was an obvious choice. "We were able to have a central processing position with multiple XD locations around the stage, minimising cable runs.”
The complete tour video rig consisted of a huge upstage wall of 620 ROE Carbon panels, four tower screens of 144 panels, and two IMAG screens, each with 360 panels of ROE Visual MC7 – totalling over 13m LED pixels.
The Brompton SX40 LED Processor uses the company's Tessera LED video processing technology for full 4K 4096 x 2160 resolution with zero-latency scaling, Chroma
UK - AV and technical production company Blitz has announced the promotion of Jason Sorabji to the newly created role of group production director.
Jason’s new remit includes directing the company’s overall production and project management strategy, engaging directly with key clients and prospects to drive innovation. The position sees Jason join the Blitz senior management team and report directly into managing director, Mike Phillipson.
Jason has been with Blitz for over three years and was previously group account director at ExCeL London, where Blitz is the official in-house supplier delivering AV solutions and production for the venue.
New hire Paul Stuart will be joining Blitz to take over Jason’s position at ExCeL London. Paul brings extensive experience in the industry, joining from White Light where he oversaw the AV technical delivery for customers such as The Science Museum & Wembley Stadium.
Jason said: “It’s such an important time for Blitz; the business is growing and we are developing our production strategy to meet the increasingly exciting expectations of our clients.”
UK - Production AV has announced two open days on 7-8 May at its new premises in Cheltenham, Gloucestershire.
The AV hire and event company will offer hands-on demonstrations of its latest 6mm, 3.9mm and 2.6mm LED screens, 4K screen management system, media servers and camera solutions. The team will also showcase some recent projects, including large-scale projection mapping of Cheltenham’s Municipal Offices for a WWI Remembrance event and recent work on the Teenage Cancer Trust series of star-studded concerts at London’s Royal Albert Hall.
There will also be an opportunity to meet the team and discover more about the company’s plans for future growth.
“We’re thrilled to not only have a new home but also a much larger facility, which will have a direct benefit for our clients,” says Production AV’s managing director, Pete McCrea. “There is a real sense of excitement as we drive forward the business, create a new hub for AV and invest in new technology. We look forward to sharing it with you in May.”
The company also celebrates its fourteenth birthday in the same month, so the team is throwing an informal party between 5pm and 9pm on 7 May, with a light buffet and locally sourced refreshments.
The open days take place on 7-8 May (Tuesday and Wednesday) between 10:30am and 5pm at the company's premises at Unit F, Ashville Trading Estate, The Runnings, Cheltenham.
Those interested in attending should email firstname.lastname@example.org with their preferred day and time.
UK - The Make A Difference Trust (MAD Trust) is producing its spectacular West End Eurovision show next month and AV and event production company Blitz is providing the sound support.
Taking place at the Adelphi Theatre on 28 April (Sunday), the interactive event will raise money for MAD Trust, which fundraises for HIV and AIDS projects that build awareness and provide care, support and education in the UK and Sub-Saharan Africa.
The show will feature eight casts from West End Musicals competing against each other by singing original Eurovision song contest songs to win text votes from the audience and the approval of a panel of judges.
Martyn Hunt, theatre & sound project development manager at Blitz, says: “Blitz prides itself on its sound technical support for all of our clients, so we feel honoured to be able to provide equipment for such an important event and help raise funds for The Make A Difference Trust. We have worked on this event in the past and it’s such a fun, feel-good evening for a very worthy cause.”
Melanie Tranter, The Make A Difference Trust co-founder, trustee and chair, said: “We received fantastic reviews for last year’s West End Eurovision show, with much made of the production side. The tech and creatives did an amazing job - not a foot wrong. We can’t thank the Blitz sound team enough for supporting our event. The money raised allows us to continue our vital work supporting those living with or affected by HIV and AIDS.”