The Netherlands - Christie Digital’s latest HS Series projectors are currently in use at the GLOW Eindhoven international light art festival in Eindhoven.
A total of 12 Christie D20WU-HS projectors, provided by Christie partner Sahara Benelux, are utilised in a video mapping installation on the face of the 19th century Catharinakerk, a neo-gothic Roman Catholic church located in the centre of Eindhoven.
“We’re delighted that Sahara Benelux has chosen to invest in our latest HS Series models, and it’s rewarding to see them already being used in high profile global events like GLOW Eindhoven,” says Miles Donovan, senior channel development manager, enterprise, EMEA, Christie. “The HS Series is an excellent choice for a wide range of applications, delivering high brightness and vibrant colours in a lightweight and compact form factor. It’s our pleasure to play a part in helping to enable the world’s best shared experiences, and we can’t wait to see the creativity on show at GLOW.”
Hundreds of thousands of revellers are expected to descend on Eindhoven for the international light art festival, which attracts international artistic talent in the field of light art and technology. The event, which is in its 13th iteration, will see more than 30 art installations located on a 5km route across Eindhoven’s city centre, with this year’s theme based on ‘Shadows & Light’.
At Catharinakerk, visitors will see the Confluence video mapping installation powered by the D20WU-HS projectors, which can operate at full bright
UK - Production Services Ireland (PSI) capped a busy Halloween period by supplying technical infrastructure and support for Belfast City Council's Halloween Monster Mash and Samhain Live Halloween TV special, which was filmed in Derry/Londonderry.
PSI specialises in lighting, rigging, audio and video - for sale and hire. In the build-up to Halloween, the company also supplied riggers for the visiting U2 and ELO productions at Belfast’s SSE Arena, and full technical production for Harlem Gospel Choir at the Ulster Hall and a major public event in Lisburn.
Monster Mash afforded PSI an opportunity to deploy its Adamson PA inventory, which the company acquired in April when it became a certified reseller and rental partner. It also supplied lighting, video, rigging and staging for the themed event that welcomed thousands of people to the Titanic Slipways.
Sound reinforcement for Monster Mash featured 24 Adamson S10 full-range cabinets and 12 S119 subwoofers, powered by Lab.gruppen PLM20K44 amplification. PSI supplied a mix of Robe, CLF Lighting and Showtec fixtures, together with an Avolites Tiger Touch II for control, as well as four Litec Flyintower 13-2000 towers and a 10m x 7m stage.
In Derry/Londonderry, the brief demanded production support across a number of locations, as well as feeds for local TV channel TG4, BBC Two Northern Ireland and BBC Foyle live broadcasts. PSI provided sound, lighting, video, rigging and staging for two stages at the Craft Village (a reconstruction of an 18th Century Street and 19th Century Square), a stage at
USA - As part of the LA-based Legends Football League, the Nashville Knights are a 7-on-7, tackle football team that incorporated into the league in 2018. Playing their inaugural season in the Nashville Municipal Auditorium, the Knights wanted to offer an in-game experience that would create a lasting connection with their fans.
Needing to supplement the production gear inside the multi-purpose event venue, the Knights worked with Elite Multimedia Productions who oversaw a complete game-day audio, video and lighting design.
“We try to design our in-game experience to be similar to what they do in the NFL to heighten the experience for our fans and provide a deeper connection to the action on the field,” says Candice Leisengang, operations manager. “When we started looking for production companies, we really needed someone who had the ability to do live audio, camera’s and video screens, plus we needed to implement an instant replay system. The Elite Multimedia team, led by Harry Shaub, was absolutely incredible and they really helped us walk through all the possibilities.”
“Our initial concept for the video portion of the production design was to have the screens hanging above the field, almost like a hockey rink,” says ToniAnn Santana. “As we started working with Elite Multimedia Productions, we decided to place the screens in the end zone so that everyone in the arena would be able to see the high-definition 4K video. Harry really took the time to educate us on the technical side, and it looked great.”
With the LED video d
UK - The UK entertainment technology industry is valued at £1.28bn in 2017/18 and its value is predicted to grow over the next five years, according to a new research report by PLASA.
The study - said by PLASA to be 'the most comprehensive study of the entire entertainment technology industry in many years' - is available to download from plasa.org. It delves into each market sector’s performance and also looks at the effects of macro-environment trends and employment.
According to the findings, all sectors have experienced growth, particularly AV and audio, which represent 38% and 27% of the market share respectively. AV is currently valued at £490m and has an increasing presence in many sectors including architectural and retail. Audio is valued at £340m due to its usage in installations and sports among others.
The suppliers surveyed showed a positive sentiment about the future of architectural & commercial, concert & touring and themed attractions; performing arts, DJ and studio sectors were also listed. The future of the industry is also positive, with half of those surveyed expecting the value of the industry to increase in the next five years.
PLASA managing director, Peter Heath, comments: “It’s great to learn that the entertainment technology industry is in such good shape. And with the industry diversifying and adapting, it is clear that leading professionals from all sectors are more than capable of steering live enter
The Netherlands - ROE Visual has appointed Emmanuel Pezant to the role of technical sales support.
An experienced LED technician, Pezant has worked as a video technician for over 15 years. Pezant has worked as LED and video technician for notable partners in the French market.
“Combining his practical skills with a commercial flair, Pezant will support our French speaking clientele in both their commercial needs as well as the occasional technical support. We are very pleased to have him joining our team,” states Auke Meijer, operations & sales director for ROE Visual Europe.
UK - Celebrating the world of entertainment, the BBC Radio 1 Teen Awards recognises some of the UK’s unsung heroes alongside stars of music, sport and screen. The live event, held at the SSE Wembley Arena, fronted by Greg James, Mollie King and Maya Jama, featured a host of acts including Little Mix, 5 Seconds of Summer and Sigrid.
Working alongside gaffer Richard Gorrod and PRG, LED Creative assisted in building the vast ‘neon’ archways and circular truss system that spanned the areas above both the stage and the audience. The installation allowed the team to create a truly immersive viewer experience that extended beyond the main performance stage to fill the entire venue with a spectacular array of shape and movement.
LED Creative also provided a range of proprietary products, including the company’s Pulse Wands and Sigma Fairground fixtures paired with BYTE Controllers, which the LD and LED Gaffer Craig Davis incorporated into performances from 5SOS and Not3s & Mabel. The 2m Pulse wands allowed intense bursts of colour, perfectly choreographed to match Lighting Op Chris Scott’s dazzling display on stage and out into the arena.
Speaking about the show, LD Stuart Pring says, “The equipment supplied by LED Creative for the BBC Radio 1 Teen Awards allowed us the flexibility to build a stunning installation for the show. In particular, the arches created above the performance areas and across the audience allowed us to extend the visuals beyond the confines of the stage right throughout the venue.”
LED Creative project manage
South Africa - Cape Town’s first Green Hippo Amba+ was put through its paces at the Shoprite Super Service Awards held in at the ExecuJet Hangar at Cape Town International Airport, with one third of the 2400sq.m space used for a jet plane parked inside.
Solid Group were appointed by Venturescapes Events to supply the full technical at the awards, attended by 600 guests. They took ownership of the Hippotizer Amba+ a few days before the event.
“We initially came up to visit DWR Distribution purely to attend the L-Acoustics Kiva demo with Richard Smith,” Alex van Dyk, owner of the Solid Group, explains. “Luckily we set aside enough time so that we could go through all the toys. Dylan Jones spent time with us on the Green Hippo, and we completely fell in love with it. Even having the baby Amba+, it’s incredible how powerful such a small unit can be, and this is the entry level unit! It packs a punch.”
Keystone Productions created the content around the three separate screens. “The nominees' names would appear on the left-hand screen, and the area from which they came from would be on the right-hand screen, with an award category always on the centre screen with a rolling video,” adds Van Dyk. “For some of the artists’ performance, they had a camera in the middle and video running on both sides or vice-versa. So we would split the screens up to do different things at different times which is exactly where the Hippo came in and did incredibly well.”
Europe - Walking with Dinosaurs - The Arena Spectacular (read report in LSi November) is a $20m production based on the award-winning TV programme of the same name.
The show benefits from major improvements to animatronics, which have enabled the life-like dinosaurs to 'eat' and 'breathe' - and live arena experience has already been seen by over nine million people in more than 250 cities globally.
Experience and expert technical knowledge has been essential in executing the brief, and South Wales-based Sonalyst was called upon to deliver. The audio, lighting, BlackTrax system and comms for the production were all provided by Sonalyst.
Project manager George Pakenham explains: “Being able to provide it all was exciting to us, generally we always supply the full production package on our tours. Due to the length of this tour it needed to be a brand-new system, so it gave us the opportunity again to invest into the latest equipment available.”
Sonalyst then turned to VDC Trading. The two companies had previously worked together on productions including We Will Rock You, The Commitments London Musical and Monty Python’s O2 reunion.
Pakenham explains: “It was natural to go back to VDC. Audio Signal & System Data flow’s are increasingly digital based now so we didn’t need as much of the analogue based infrastructure but we still source
Columbia - DirectOut has expanded its worldwide business network with the appointment of VCR as its sole distributor for the Colombia market.
Based in Bogota, VCR will handle distribution of the full DirectOut product portfolio and provide technical and sales support.
Hernan Suescun, VCR’s CEO comments: “As a company, we aim to offer our clients the most advanced technologies available to the AV world, especially now that new IP technologies are rapidly developing. DirectOut has the best solutions in terms of audio networking, routing and conversion along with a well-known quality and reliability.”
Lorenzo Sassi, business developer at DirectOut, adds: “A few months after we met with VCR for the first time it was quite clear to us that both companies had a common interest in developing their business together. VCR not only has skills and a deep knowledge of our products, but also has the passion that we look for when we are searching for a new distributor. We came together, and we are totally convinced that VCR is the perfect distribution partner for us in Colombia.”
Argentina/USA - Over $10m worth of equipment has been seized from a black market organisation in Buenos Aires following a two-year undercover operation.
The equipment was retrieved on 13 September in a joint operation between Argentinian police forces, the NYPD major crimes squad, the FBI and the US embassy. The authorities said 10 raids had been carried out, with the kit believed to have been stolen from the USA and rented out to film and TV production companies on the black market in Argentina.
ESTA’s Production Equipment Rental Group (PERG) worked closely with the police to coordinate the identification of the recovered items via its searchable online database for missing equipment, Rental Guard.
Martin Pastor, NYPD major case squad detective, comments: “We have recovered over $10m in stolen equipment thanks to Rental Guard. I urge anyone who suffers a theft to post it on the database immediately, and anyone considering buying used equipment to search the database first to make sure the item is not stolen.”
He adds: “I would especially like to thank the members and staff of PERG for their vital assistance in the recovery. Everyone I contacted made themselves immediately available to help. This was a joint effort that could not have been accomplished without their participation.”
ESTA has released a list of equipment for identification. Those who believe any of the items belonged to them should submit a police report or an orig
World - L-Acoustics has released a plugin to enable interoperability between its P1 processor and QSC’s Q-SYS designer software.
The integration will enable users to control and monitor L-Acoustics’ P1 through Q-SYS.
Jeff Rocha, director of product management for L-Acoustics, comments: “Following the successful introduction of a Q-SYS plugin for LA4X and LA12X in June, accompanying the P1 release with a complementary plugin seemed essential.”
The L-Acoustics P1 plugin for the Q-SYS platform as well as the LA4X and LA12X Q-SYS plugins are available from the L-Acoustics website.
UK - Festival Elrow Town took over London’s Queen Elizabeth Olympic Park this summer, bringing eccentricity and an expanded two-day schedule of dance and DJ line-up to match the hot temperatures.
CPL was asked to provide “an eye-popping large format projection system” for the main and second stages.
Mike Radford led the CPL team after they were asked onboard by technical services provider Production Hire from Brackley.
Giant inflatables, mad puppets, massive confetti blasts and lots of fun-filled mayhem abounded and immersed Elrow’s ever-ebullient fanbase in a megamix of fun, fantasy and sheer visual extravagance.
While CPL’s roots lie in the rave and party scene, the company has grown into one of the UK’s fastest expanding full technical production specialists, working across all sectors and more recently building a great reputation in the ‘black art’ of large format projection.
Elrow London’s 2018 main stage (The Town Square) was a big scenic multi-layered design - part of the brand’s highly theatrical touring system - which is alive with colour and detail right at the centre of Elrow Town’s dynamic theming, a look that is hugely popular throughout Europe.
Radford specified CPL’s largest projectors for the Town Square - two pairs of Barco UDX 30Ks - a new acquisition for the company this summer. This was the fourth event on which they had been used.
The projection platforms were built behind the FOH position, approximately 70m away from the stage.
With 120,000lm of output, the animated images
UK - Colour Sound Experiment supplied lighting and LED screens for the Wave Goodbye concert by UK synth pop duo Soft Cell, who reunited after 17 years for one final show at London’s O2 Arena.
Award-winning lighting designer Rob Sinclair helped build the ambience and vibes for this sold-out pop music moment for the band who’ve occupied some hypnotically catchy and viscerally emotional space in the slightly darker echelons of 1980s synth pop.
Once he was confirmed on the creative team along with set designer Ric Lipson from Stufish, Rob started imagining the lighting.
It was also being streamed live to cinemas around the UK and Ireland and recorded for a live CD and DVD/Blu-ray release in 2019.
Both Rob and production manager Kamal Ackerie agreed early on that they wanted Colour Sound to be involved in the event, “We needed a London company that could supply both lighting and the main video elements and that had a good sense of humour,” he explains.
He’s also worked with H (Hadyn Cruickshank) and the team on previous tours and shows, so knew they would deliver
Once the stage set and screen layout was evolved, the lighting positions became obvious.
A 9 x 9m box truss - clad in a pink metallic-finished fabric surround to emulate the ‘soft cell’ - was installed above the stage on six Kinesys Elevation 1+ motors.
Rob wanted to have lots of fixtures on the rig and the choice of specifics was based around what Colour Sound had in stock, with Robe BMFLs being the main profile. Thirty-six of these, nine a s
Canada - Solotech has appointed Marie-Josée Primeau as business development director.
In her new role, Primeau will work closely with the management of the sales and integration division to identify and develop new business opportunities.
She has held multiple roles in sales over the last 25 years in companies such as Canon Canada and telecoms firm Telus. She also pursed her career for a few years with the Canadian Business Council in the United Arab Emirates and recently worked at Cognibox International Sales.
South Africa - Cape Town-based Audio Engineering took delivery of their new Absen LED Screens just in time for the Lamborghini Urus launch, followed by the launch of the new Porsche Studio situated at the Cape Town Waterfront.
“We didn’t even have a moment to unbox the panels at our offices,” says Marcel Bezuidenhout, owner of Audio Engineering. The Absen gear, comprising of 84 panels, four senders, two scalers and flying gear, went straight to the Lamborghini dealership in Century City, where DWR Distribution’s Bruce Riley and Bradley Bruchhausen were on site to help set it up for the first time. DWR are the distributors of Absen in South Africa.
“Once the Absen was up, everyone was over the moon,” adds Bezuidenhout. The positive feedback continued at Audio Engineering’s next event, the launch of Porsche’s new home at the V&A Waterfront, and a couple of other corporate productions.
“The training and set-up went very well,” Bruce Riley from DWR confirms. “It was easy thanks to Marcel’s extensive knowledge in all technical aspects.”
USA - The winners of the inaugural Knight of Illumination Awards USA (KOI-USA) have been revealed.
An independent jury picked 18 lighting and video designers who were ‘knighted’ for their creative talent across Theatre, Live for Broadcast, and Concert Touring & Events at a gala ceremony attended by 300 professionals in Las Vegas on 20 October.
The winners are as follows:
The DTS Award for Projection Design: Finn Ross & Adam Young for Mean Girls
The ETC Award for Dance: Al Crawford for Victoria
The Altman Award for Plays: Jules Fisher & Peggy Eisenhauer for The Iceman Cometh
The Elation Professional Award for Opera: Joe Levasseur for Cellular Songs
The Robe Lighting Award for Musicals: Tyler Micoleau for The Band's Visit
Live for Broadcast
The Philips Vari-Lite Award for Awards Shows: Robert Dickinson & Travis Hagenbuch for 90th Academy Awards
The Green Hippo Award for Set & Video Design: Michael Figge for The 2018 MTV Movie & TV Awards
The SGM Award for Unscripted Series: Noah Mitz for America's Got Talent
The ARRI Award for Scripted Series: P.J. Dillon for The Alienist, Season 1, Netflix
The Ayrton Award for Entertainment & Events: Al Gurdon for Jesus Christ Superstar: Live in Concert
Concert Touring & Events
The MA Lighting Award for Club: Sarah Landau for Fever Ray Tour 2018
The disguise Award for Video Content: Bob Bonniol for GM World In
UK - CPL supplied full technical production, including video design, equipment and crew, to show producers Pandora Events for a large Glambassador motivational event.
The event featured numerous presentations and awards as well as a gala dinner for Tropic Skincare in Hall 12 at the NEC, Birmingham UK.
CPL’s project manager Mike Radford, working with Lee Gruszeckyj and Karl Johnstone, composed a contemporary stage and screen design, which utilised over 200 panels of the company’s new ROE CB5 indoor / outdoor LED screen product - so new that it had only been delivered to the warehouse the previous day.
Three onstage LED screens were flanked by two IMAG screens out to the sides giving an impressive widescreen look. The central screen was made up of two pieces - an arch with a central cut-out panel - which was manually removed for artist entrances and exits for the evening portion of the event when the 2500 audience were entertained by an array of dancers and performers.
UK - It took a year of negotiations, but 2018 saw Stonehenge host its first-ever live DJ set. And lighting creative Motion Mapping, complete with a pair of Green Hippo Hippotizer Karst Media Servers supplied by A.C. Entertainment Technologies, was tasked with delivering a digital video projection show equal to the brooding majesty of one of the Seven Wonders of the Medieval World.
Up until this happening, ‘playing Stonehenge’ had proved impossible. Deep, booming bass, large crowds, and ancient stones are not always a good mix and English Heritage, Stonehenge’s current protector, had turned down numerous requests from music acts. But one Alon Shulman was perfectly placed to make the gig happen.
Shulman is a special advisor to English Heritage and a business partner with DJ Paul Oakenfold. His live DJ set pitch ticked all the boxes: the show - including Live from Stonehenge, the album of Oakenfold’s DJ set - would raise funds for English Heritage; the event would introduce the Wiltshire monument, parts of which date back 5,000 years, to a new generation; the crowd would number but 50 lucky souls; and, thanks to ‘silent disco technology’ - aka headphones - the noise impact on the celebrated shrine was zero. At last, one of the ultimate scenes was set.
In contrast, though, to the serene setting, Motion Mapping had only 30 minutes between Stonehenge closing to the public and the guests arriving to get ready to dazzle. Speed and reliability were of the essence and Green Hippo and Hippotizer delivered exactly that. Using a pair of Hippot
UK - Christie is technical sponsor for the Dead Puppet Society’s production of The Wider Earth by David Morton. The award-winning drama tells the story of a young Charles Darwin’s around-the-world journey aboard the HMS Beagle - is showing at a purpose-built theatre in London’s Natural History Museum.
Christie provided the Pandoras Box Players, Pandoras Box Manager and Widget Designer software to control animated projection content for the 11m screen, which provides a vibrant and detailed backdrop for the actors and puppets on a revolving stage.
The Wider Earth blends the traditional storytelling medium of puppetry with creative sound, lighting and video elements in an impressive spectacle at the 357-seat venue located in the museum’s Jerwood Gallery. The screen depicts many of the exotic locations that Darwin explored, further immersing the audience in the action told by seven characters and 30 wooden puppets.
The backdrop is a three-way projector blend mapped to a curved canvas screen stretching over 10m wide and 2.5m high. Each projector relays its native resolution of 1920 x 1200, creating a 5000 x 1200-pixel canvas. Pandoras Box manages the warp and blend, as well as controlling the internal shutters of the projectors via Art-Net.
“The projection provides a powerful representation of the places that Darwin travelled to on the voyage, and it allows us to deliver the landscapes in a visually compelling way,” says Nicholas Paine, executive producer, Dead Puppet Society. “Pandoras Box combines with other elements -
USA - At this year’s LDI show, CAST Group (stand 2255) will demo the latest from wysiwyg, BlackTrax and also present a new native software for broadcast. The company will also launch its global training programme.
CAST will present release R41 of wysiwyg in the USA for the first time. On stand, the new BlackTrax V2.3.3 will be at the heart of a presentation designed by Dream Laser that will combine tracking with lighting, media interactivity, moving projection mapping, 3D positional audio and camera tracking for broadcast. Lighting for the demonstration - which will include the opportunity to get hands-on and will feature live performances and interactive games - will be powered by Luminex; media support will come from disguise and Notch; L-Acoustic will provide 3D positional audio; and projectors and PTZ cameras will be from Panasonic.
Meanwhile CAST’s new broadcast software, code-named Herald and powered by BlackTrax, will also be demo'd.
Andrew Gordon, director of business development at CAST Group, comments: “This is the first time that we’ve shown the software publicly. We’ve been testing it with focus groups in the broadcast and production market - and we’ve had an overwhelming response.
“Our goal with Phase 1 of the system is to aid in the automation of broadcast with the function of not only camera control, but also to become an aggregate control suite for all cameras on a production as well.”
“Herald’s node-based editor is a user’s dream. For the first time in broadcast software dedicated to cameras, the qu
South Africa - Absen users in South Africa were invited to attend a three-day training session with Ricky Qiu from Absen at local distributor DWR Distribution earlier this year.
The ACE Training (Absen Accredited Certified Engineering) was attended by 20 delegates from both the rental and install markets, with the aim of imparting practical user knowledge to operate and set up screens as well as fault-finding.
“The Absen panels have taken off beyond our wildest imagination,” says Schalk Botha, sales representative at DWR. “The panels are user-friendly, reliable, cost effective and easy to maintain.”
Ricky Qiu from Absen adds: “The training went very well and was much better than I had anticipated. The course made sense to the delegates, and I can see a positive future for Absen in South Africa.”
Qui will be in the country again in November to demonstrate the new Absen Polaris Lite range - dates will be confirmed in due course.
Croatia - AV solutions provider HUST has completed the design and installation of new audio and video systems for the largest conference hall of the Croatian Catholic University (Hrvatsko Katoličko Sveučilište) in Zagreb.
HUST was commissioned to provide the main conference hall with a triple projection system and high-quality audio throughout, with a focused sound system for the centre screen.
To deliver uniform sound levels and clarity throughout the hall, HUST designed a distributed system using Community D8 two-way high output ceiling loudspeakers, with D10SUB ceiling-mount subwoofers adding extended response and low frequency impact. An additional pair of Community V2-28 dual eight-inch full-range two-way loudspeakers is positioned above the stage to focus sound on the main 5.5m wide screen.
Two further 3.6m screens and three high output Epson 3LCD full HD projectors complete the video system. For people with hearing difficulties, HUST also installed a Univox induction loop system. The whole system is controlled by a Biamp TesiraFORTÉ, with a Windows PC-based custom interactive interface.
With basic controls, users have the ability to manage the content source, audio configuration, motorized lowering of screens and room light dimming with predefined scenes. The system is managed at several different levels of administration in accordance with the privileges assigned by user name and password. Designed as a modular system, HUST has future-proofed it to be easily expandable, both at the current location and in additional remote micro-
UK/USA - They may have their own distinctive flying saucer, but sometimes for Jeff Lynne’s ELO, taking the boat is the smarter option. “The thing was, we were down to the wire,” says production manager Richard ‘Wez’ Wearing. “We simply had no time from the band finishing prior commitments here in the UK to going onto ELO in the States. The only way to get any proper production rehearsals for the US tour was to set up everything in Neg Earth’s LH2 production facility here in the UK, then put it in a sea container and ship it straight to the US.”
Not an insignificant call? “There are pros and cons on the financial side - yes, it was a cost, but there was no time to do anything else. When we got there, we had just one set up day then straight into the first show.”
Fortunately, since the triumphant return of Jeff Lynne and ELO, which began in the UK almost six years ago, they have always used the widely experienced services of Chris Vaughan as tour director, his company CV Productions, of which Wearing is a key part, steering the production management role.
“That well-established relationship worked both ways,” says Wearing. “We in turn have built strong relationships with all the key production suppliers, Video Design, Skan, Brilliant Stages and Neg Earth in particular. If we’d had time we would have looked at other ways, but there are more important considerations than just gear; even with the gear you've got to find the ideal product. For example, we'd used Video Design before and knew their system worked and worked we
UK - Specialist illumination company LED Creative is working with lighting director Stuart Pring on the latest series of hit comedy show Roast Battle.
Filmed before a live audience on a custom installed set at the Electric Brixton Theatre, London, Roast Battle features some of the UK’s finest comic performers pitted against each other in a no holds barred verbal assault.
Helping create LD Stuart’s look for the show, LED Creative has supplied a selection of their Alpha Soft Wands, including a consignment of built-to-order 500mm units, all controlled using the company’s in-house designed BIT 8-Way Controllers.
Complementing the installation, which incorporates a range of equipment from Version2 Lights, the Soft Wands provide highly controllable, linear LED accents across the semi-industrial, ‘grunge’ set design, a fitting backdrop to the ruthless onstage battle.
Supplied as ‘plug and play’ rental units, LC Soft Wands offer a convenient way to build LED versatility into lighting designs. Used individually or in series, the fixtures are well suited to custom installs such as Roast Battle where limited access or restricted fixing points might be an issue. Available in a variety of lengths, the 30mm diameter wands are particularly effective when paired with LC BIT Controllers to allow maximum management over each individual unit.
LED Creative project manager Tim Rees says: “Stuart really does make clever, creative use of our Soft Wands. Roast Battle has a great look and our wands provide the perfect