UK - Cheltenham’s annual Science Festival arrived in June to explore the weird, wacky and wonderful. Production AV was commissioned to design, supply and operate the high-end screen, projection and sound solutions that formed the foundation of the multiple zones that were created in the specially built Festival Village.
Hundreds of events took place over the six-day festival, with more than 280 ‘experts’ imparting knowledge, prompting discussion and provoking thought to thousands of visitors, including more than 9,000 school children.
Festival organisers asked Production AV to deliver all aspects of audio/visual for the growing event. The team oversaw set-up and technical checks for all of the zones, including the flagship Cheltenham Town Hall space and adjoining Pillar Room, the Helix, the Crucible and the Cinema zone.
“We were thrilled to design, set up and run an audio solution for the Town Hall this year, in addition to the visual elements, and we opted for a PA system based around d&b audiotechnik Y-Series speakers, Yamaha QL desks and Sennheiser radio mics,” explains Production AV MD, Pete McCrea.
“The Town Hall is notoriously tricky to set up for good sound, and it took the expertise of Production AV’s project manager, Olie Goulding, who oversaw the event load-in and operated the Town Hall audio, to scope and plot the venue to design the d&b solution, which perfectly fitted the bill.”
Production AV also supplied the Town Hall’s main room with a 16’x9’ screen with a 10k Barco projector, a Barco switchi
Australia - Vivid Sydney, the largest festival of light, music and ideas in the southern hemisphere, has come to life. Once again, Australian entertainment technology company Technical Direction Company (TDC) is playing a significant role in surprising and delighting visitors.
As the company has done for the previous 10 years, TDC is providing expertise in large scale projection mapping, LED video and technology for a number of the 50+ features.
Vivid Sydney is Australia’s largest event, and celebrates creativity and innovation across all three pillars - light, music and ideas. It takes place annually, and features immersive light installations and projections, performances from local and international musicians as well as an ideas exchange forum featuring public talks and debates from leading creative thinkers. The event attracts over 2m people. Vivid Sydney is owned, managed and produced by the NSW Government’s tourism and major events agency, Destination NSW, and runs from 24 May to 15 June throughout Sydney.
Michael Hassett, founder and managing director at TDC, says: “The use of projection mapping and video display - using projected light and images to turn buildings and architecture into dynamic art projects - has exploded over the past few years and Vivid Sydney is one of the top examples. We see this trend increasing with a larger focus on interactivity where the audience can really engage with technology and art.”
“We’ve approached this year in a completely fresh, new way - trying to achieve something even b
UAE - disguise has announced Creative Technology Middle East has joined its certified solution provider (CSP) worldwide network.
The disguise CSP programme is designed for systems integration partners to resell disguise products and services to end customers as part of their differentiated solution. Under this programme, CSPs manage, service and support end customers directly.
CT is a long-time disguise user, and CT Middle East (CTME) has been using disguise for more than three years.
“CT is always looking at new ways to raise the bar within the industry, and this CSP accreditation is the perfect addition as it enables us to continue to be a vital driving force within the region,” says Andy Reardon, managing director of CTME.
“We are pleased to be a part of the disguise CSP programme, allowing us to expand our offering within the industry and move CTME closer to the disguise business and user community,” he notes. “It provides us with a better understanding of the business and product pipeline and gives us a direct line to the development and engineering teams. CSP accreditation allows us to be a preferred solutions provider within the region which will inevitably connect us with a larger share of the integrations market.”
CTME utilised disguise for the Special Olympics World Games opening ceremony 2019, held in Abu Dhabi where two 4x4pro’s were used as the main machines and a further two were used as understudies. Two 2x2plus’ were also utilised for the main production with one machine serving as the main and one as unde
USA - ROE Visual has introduced a new series of LED screens at Infocomm 2019.
The new LED products, named Amber and Jasper, are designed to serve the market for fixed installation and AV integration.
Based on its experience with LED screens used in the live event industry ROE Visual has based the range on its philosophy of providing adaptable products that offer excellent visual quality and are easy to install, maintain and use.
Amber is designed for environments where excellent visuals count. “Installing a fine pitch video screen in exacting environments, like corporate boardrooms, broadcast studios or control rooms just got easier with the Amber LED panels,” says the company.
Jasper is designed for high-end indoor LED applications. The Jasper LED panels are developed to “play into the demands for permanent video installations”.
USA - disguise has announced the official launch of a new gx range flagship server. On booth #521 at InfoComm 2019, disguise will preview its powerful new gx 2c server, designed to “meet ever increasing creative demands and technological advances”.
The gx 2c server features even more GPU processing power, more capture and storage, as well as 10-bit and HDR support. Creatives can now build environments with more particles, effects and richer scenes, at higher resolutions and smoother frame rates, says the company. As creative ambition increases, the GPU and memory has been maximised in direct response to user requests for greater real-time content performance.
The gx 2c can capture 8x 3G-SDI inputs, unlocking new workflows for broadcast and live events, where they will be able to utilise more live feeds than ever before. The video inputs allow users to capture 2x2160p60 (2x4K@60) four times the capability of the predecessor, the gx 2. These inputs are also 10-bit capable, with the same low latency as existing pro and gx range machines.
The gx 2c also has double the amount of media storage than the gx 2, with a 4TB NVMe drive fitted, freeing up creatives to work with better quality codecs. The increased storage, combined with increased capture capabilities plus all the rendering power, will enable live events creatives to grow and expand their vision even further, pushing the boundaries of what is achievable.
“As one of our most popular server ranges, the gx 2c was born out of the innovation of our in-house teams designing and creating b
UK - Europe’s largest digital experience conference, the Adobe Summit EMEA 2019 returned to ExCeL London earlier this month. Creative technical event production specialist Hawthorn was once again chosen by agency Taylor Bennett Partners to deliver the full technical production for the two-day event.
Focused on creating innovative customer experiences, over 6,000 delegates from across Europe, the Middle East and Africa gathered to hear the latest updates from Adobe Experience Cloud and its partners.
Led by group creative director Pete Harding, Hawthorn was tasked to bring Taylor Bennett’s vision to life, delivering the technical production for the main conference plenary, exhibition space, break-out sessions and the Summit Celebration.
Measuring 500sq.m and floating above the Adobe stand, the Jellyfish, was dreamed up by Russell Bennett, Partner at Taylor Bennett Partners. For this, Hawthorn collaborated with experiential design studio Cinimod and laser specialist ER Productions. Four circle truss structures fitted with 84 Robe 150 beam fixtures and 84 DMX-controlled fans allowed the illuminated material to billow float on air. With interactivity the name of the game, delegates changed the colour of the installation by passing their hands through a cage of 24 laser beams situated in the centre of the Adobe stand.
This year’s Keynote theatre played host to a number of famous faces, including international human rights attorney Amal Clooney, actor Eddie Redmayne and comedian Jack Whitehall. With brands such as Unilever, BT and illycaffè
USA - Astro Spatial Audio is set to debut full integration between its audio technology and the renowned BlackTrax real-time tracking technology at InfoComm 2019.
Based on a new algorithm which seamlessly converts Real-Time Tracking Protocol (RTTrP) signals to Open Sound Control (OSC) commands, the BlackTrax integration will form the centrepiece of a busy show for Astro Spatial Audio. InfoComm visitors will have numerous opportunities to experience true object-based audio in demonstrations taking place across partner manufacturers’ booths.
The BlackTrax demonstration will be featured in the demo room of Martin Audio (W224C), whose Sound Adventures immersive audio system has the Astro Spatial Audio SARA II Premium Rendering Engine at its heart.
Meanwhile, the Alcons Audio demo room (W231A) will feature the Pro Ribbon Immersive Experience with Astro Spatial Audio. As well as numerous listening opportunities, visitors will be treated to special presentations by front of house engineers Buford Jones (Pink Floyd, David Bowie) and Robert Scovill (Tom Petty, Prince).
The arrival of BlackTrax integration further reinforces Astro Spatial Audio’s entirely brand independent philosophy.
“We are delighted to bring full integration between BlackTrax and Astro Spatial Audio to InfoComm in the company of our wonderful partners at Martin Audio,” says Astro Spatial Audio managing director, Bjorn van Munster. “We are also very excited to see what Buford Jones and Robert Scovill think of true object-based audio as part of our fantastic collaborat
USA - Yamaha is launching new products for the installed and live audio industries at InfoComm 2019.
The new PC Series D and DI models are a new kind of power amplifier, featuring state-of-the-art signal processing, Dante audio networking and a 20 x 8 input matrix. The matrix means that sound from analogue or Dante inputs can be output via Dante to another amplifier, after adjusting using the onboard processors, greatly enhancing the flexibility and scalability of the system.
There is a choice of standard (D) or installation (DI) version, both available with a power output of 600W or 1200W (8Ω) and delivering stable operation at a high load of 2Ω. The DI models can handle high-impedance connections, allowing them to drive multiple speakers from a single channel.
InfoComm 2019 sees the announcement of AFC4, the latest version of Yamaha’s innovative Active Field Control (AFC) acoustic conditioning system. A combination of architectural acoustics and electro-acoustic signal processing, AFC allows users to manipulate and enhance the acoustics of a space in order to improve the sound for both audiences and performers, as well as to accommodate a wider range of applications.
The full line-up of the Yamaha’s VX range of speakers is on show including the new VXC2F and VXC8S ceiling models, plus the latest V3.0 update for the Commercial Installation Solutions Speaker Calculator (CISSCA) system design software.
Yamaha’s ProVisionaire Control (Windows) and ProVisionaire Touch (iOS) software applications allow the intuitive creation of bespo
Europe - Saïd M’Roumbaba, better known by his stage name Soprano, combines music, politics and urban poetry with edginess, meaning, accessibility and superlative showmanship. His live shows are selling out and he is currently touring French-speaking Europe.
Young French lighting designer Victorien Cayzeele is an integral part of the creative team bringing the Phoenix touring show to life, a task he is doing spectacularly with the help of around 150 Robe moving lights which are at the core of an innovative and emotive visual experience.
Victorien has worked with the artist for six years, each tour seeing the shows getting bigger and bigger as Soprano’s influence and popularity grows. The 2019 touring schedule is action packed with a mix of own shows - including five stadiums in September - and festival headline slots as well as over 40 arena gigs.
Soprano’s reputation as a live performer and the special connection he has with audiences is also fuelling the demand for concerts.
When they decided on five large moving and tracking 10mm mesh LED screens with 80% transparency as the essential digital scenery and stage architecture, this presented some unique challenges for Victorien.
The all-axes tracking system - up / down, onstage / offstage and left and right - meant a roof filled with tracking trolleys and motors.
Before he’d even drawn a light on the plot, the team went through a series of essential screen moves and plotted each song in terms of the stage dynamics, which then dictated the exact positioning of the automat
USA - Christie has introduced the Christie Core Series and the next generation of Christie CorePlus. Core Series is designed for applications such as shopping mall kiosks, airport and public transit signage, and select corporate installations with budgetary constraints.
“We were, and still are, so excited to launch our Christie MicroTiles LED last February, which got a phenomenal response from our customers,” says Ted Romanowitz, senior product manager, Christie. “MicroTiles LED are best-in-class but there are occasions when customers don’t need those advanced capabilities or don’t have the budget, so we wanted to bring certain advanced capabilities to the ‘value’ space - and that’s where Core and CorePlus fit. Both CorePlus and Core Series deliver enhanced benefits and design flexibility typically offered only on more expensive products from the competition.”
With pixel pitches from 1.2 to 2.5 mm, redundant on-board power and ADA-compliant mount system; Christie Core Series installs directly onto any wall without a costly mounting frame, saving setup time and money for integrators and end users, says the company.
“Core Series makes LED video walls affordable for even small budgets without sacrificing quality and the high-value design delivers all the key features in a package that is easy to install and maintain,” says Romanowitz.
“Christie CorePlus has been very well received and we wanted to kick that up a notch and so we updated the product line in two important ways. “First, we’ve improved optical performance
USA - Brompton Technology reports that LED screen manufacturer digiLED will feature its Tessera SX40 LED processor and XD 10G data distribution unit on its booth at this year’s InfoComm.
As well as displaying the SX40 and XD units on a dedicated plinth, an SX40 will also be running digiLED’s new digiTHIN HD screen. This 1.5mm pixel pitch LED screen offers a true 16:9 ratio, native HD resolutions and is designed as the replacement for fixed installations that would traditionally be serviced by high end projection screens. The 1.5m x 0.85m screen section on display at InfoComm will sit on digiLED’s new Squashed Frog plate, which adds extra versatility users of the HD panels by allowing it to be used on temporary mounts and stands.
“We’ve been keen to work with Brompton for a long time,” says digiLED technical director Tom Mudd. “We’ve always been customer driven and recent enquiries for digiTHIN that need extremely accurate colour reproduction have prompted us to add Brompton to our processor offering. We know Brompton processors have the right capabilities and, along with highly accurate screen calibration, gives us the confidence that our clients will get a VIP processing solution on a VIP screen product.”
“We’re delighted to be working with digiLED and it’s a real pleasure to see our products on their booth at Infocomm 2019,” adds Brompton’s business development manager Rob Fowler. “They were one of the first companies I spoke with when I joined Brompton and I know there has always been a desire on both sides to work t
UK - LED screen, drapes and special FX specialist S+H Technical Services supplied its Glux 10mm LED screen to the recent UK tour by 10cc.
The tour’s production manager, Dave Cobby, also looks after the video elements on the road, and he specified the screen, returning to S+H, the Ilfracombe, Devon based company which has supplied previous 10cc tours including the 2016 40th anniversary celebration of seminal album Sheet Music.
Dave has worked with the band since 2006, and this time around took on both roles. “It’s always a pleasure doing business with S+H’s Terry (Murtha) and the team. We get a great deal and the 10mm screen is exactly the resolution and quality that we need.”
The screen was configured as a continuous 8m-wide by 5m-high surface upstage. The requirement was for a lightweight and easy to rig solution that was adaptable and practical for a variety of venues on the itinerary, that could be rigged quickly and easily.
“It is one of the most handle-able and reliable screens I’ve encountered,” says Cobby, who was assisted in the rigging and positioning process by LD Martin Bell.
Used only in three songs, the screen had maximum impact, and the rest of the time was absorbed into the background. “This is another great advantage of this type of screen” comments Cobby. “You can get a proper blackout.”
The band’s video content was designed and created by 10cc founding member Kevin Godley (who was not on the tour). It featured during the intro Son of Man and Somewhere in Hollywood, w
USA - Barco has agreed in principle to sell the Medialon brand and Show Control activities to 7thSense Design.
The team behind 7thSense Design has led the acquisition to form a new company, Medialon Ltd., which will acquire the Medialon brand and Show Control activities from Barco. The sale is set to be completed by 1 July.
The transfer does not include the Overture product suite, which will continue to be owned by Barco.
Eric Cantrell, product manager for Medialon within Barco, will lead the new Medialon business as vice-president of business operations. He comments: “The decision by Barco to transfer the Medialon show control activity is driven by Barco’s continuous effort to focus on core activities, comprising of display and image processing technology, in conjunction with strengthened partnerships across the value chain in the entertainment market.
“This transfer will allow Medialon greater agility to further enhance its product offering and expand its scale - we are excited to bring a highly focused range of solutions and services to attractions and theme parks as part of the 7thSense Design family.”
Matt Barton, CEO of Medialon Ltd. and 7thSense Design, adds: “7thSense Design’s products and technologies are often integrated into theme park and attraction installations alongside Medialon show control products.
“Medialon Ltd.’s acquisition of the Medialon show control product, and new place in the 7thSense Design family, allows the two businesses to offer complementary media serving and show control solutions
UK - Creative technical event production company Hawthorn has appointed Jolene Price, who has joined the company as business development manager.
Price will support the development of new business for Hawthorn’s live event technical production service. Before joining Hawthorn, she held the position of sales, events and marketing director at Rail Media and brings with her over 19 years of experience in sales and events.
Scott Rooney-Ashby, account director at Hawthorn, comments: “We’re delighted to welcome Jolene to Hawthorn. She brings a wealth of experience to the position and with her previous experience in the industry, I believe she will be a great asset to the team. Investing in our people is vital to developing the service we provide to our clients and maintaining the extremely high-standards we are renowned for delivering.”
China - Absen LED products have been used to create a large DOOH display that towered 15m high above the exterior of the Hua-Yang Plaza Hotel in Luoyang, where the month-long Peony Culture Festival took place. The festival, which occurs each year from mid-April to mid-May, sees the peonies in full bloom and various folk performances staged around the gardens.
The Hua-Yang Plaza Hotel is situated in the middle of Luoyang National Peony Garden, Luoyang National Flower Garden, Wangcheng Park and the Peony Square, which made it a suitable location for the billboard to provide warm welcome to all of the visitors that journeyed from across the globe.
The display itself - made up of Absen’s A1699 product - measures 730sq.m and offers a pixel density of 6760 x 420, making it the highest resolution OOH LED screen ever seen in the city.
Absen’s A1699 is an updated version of the A1688, which is one of the most successful outdoor LED products in the company’s portfolio. Nearly 200,000sq.m of the A1688 has been used in more than 120 countries and regions over the past 12 years.
“With such a gigantic LED display, the power consumption is, on average, around 63 KW/H,” says Landy Liao, Absen product manager. “Thanks to the Absen-encapsulated LEDs, this DIP product is very energy-efficient without compromising the high brightness levels - even in the direct sunlight. These factors, among many others, are what helps Absen to stand out among its competitors.”
Europe - Universal Pixels provided video packages for Spice Girls in Dublin, Snow Patrol in Bangor, and The Chemical Brothers in London across an action-packed Spring Bank Holiday weekend. The video specialist supplied over 1,450m2 of LED screen, multiple 3G camera packages, disguise GX2 servers, and a total of 26 crew over the three shows.
When it comes to big shows like this, the devil is in the detail, explained Universal Pixel’s Phil Mercer: “We know from many years of experience in delivering large-scale shows and tours that pre-planning and the correct preparation before equipment and crew get onsite is fundamental. We pay close attention to each project and simplify things wherever we can, so that everything runs as smoothly as possible.”
Kicking off on Friday 24 May, the hotly anticipated Spice Girls comeback show at Dublin’s Croke Park welcomed an audience of 75,000 people. Universal Pixels worked with creative director Lee Lodge, set designer Jason Sherwood, content designer Kate Moross, and video director Jon Shrimpton to create the double-sided video ring in the centre of the stage, two large screens on the wings, and a header of video across the entire width of the stage, including the wings. All of this was achieved with over 700m2 of 5mm LED panels. The video specialist also supplied a 14 camera 3G PPU, Disguise GX2 servers, and 16 video crew.
The same evening, The Chemical Brothers’ headline performance at All Points East Festival in London was enhanced with over 130m2 of ROE 18mm Vanish and two crew. Under the direction of
UK - A.C. Entertainment Technologies (AC-ET) will demonstrate its extensive and exclusive portfolio of leading theatrical technologies - including new lighting, audio, rigging, and video products - at the ABTT Theatre Show 2019, taking place on 5th - 6th June at London’s Alexandra Palace.
Highlights from AC-ET will include Chroma-Q's multi award-winning Color Force II cyc, wash & effects and Inspire house lighting LED fixtures, featuring colour-mixing homogenised optics. Showing at ABTT for the first time will be the Vista 3 by Chroma-Q lighting and media control system.
Prolights fixtures on stand will include the Pixie Wash XB, a 280W single source LED wash luminaire and the Jetspot4Z, which features full CMY colour mixing and a custom optical system.
Meanwhile, the Luminex Luminode Ethernet & DMX processor, first unveiled at Prolight + Sound, will also debut, and visitors to the show will also be able to take a closer look at. Spotlight's Hyperion series, designed for large installations such as theatres, with a performance comparable up to a 2000W halogen fixture but with a more compact size and reduced heat production.
Also making its ABTT debut will be the StageSmarts C24 power distribution unit alongside a number of LSC’s intuitive power & dimming control product range, including the Mantra Lite, and the GenVi.
D.A.D Audio’s flagship point source Touring Power Series of affordable loudspeaker solutions are purpose-engineered for live applications. Also on display will be the new Midas M32 R Live digital mixing co
UK - Calibre has announced a further set of features to its recently-introduced AiO (All-in-One) LED display.
“From an image quality point of view, it can be difficult for customers to choose between one LED display and another,” explains Willy Tsai, managing director at Calibre UK. “With the development of the new AiO LED Display, we chose to focus on functionality that is less visible - but that is no less important when it comes to the practicalities of deploying videowalls. The result of that development work is an LED display that not only features outstanding image quality, but that is easier and faster to install than alternative solutions - and is also significantly safer in operation.”
The AiO LED Display features an integrated power control system with low standby power consumption and an efficient power supply - minimising long-term cost of ownership as well as being more environmentally friendly. Critically, however, the power consumption of the full screen body is clearly marked and is consistent throughout.
This is in contrast with a typical LED wall which is regulated by the LED modules: the power consumption of these modules after assembly is not clear, meaning that incorrectly assembled units may cause overload or even fire. With the AiO, the specifications and warning signs are clear to the user at a glance, thus avoiding any electrical hazards and making it safer to use.
Ease and convenience of installation and ongoing operation and maintenance were also key design goals for the AiO. Its all-in-one architecture - Ca
USA - Audinate has announced its CEO Lee Ellison is retiring in September, with the company’s CTO and co-founder Aidan Williams (pictured) set to replace him in the role.
Ellison is to retire on 13 September following the release of the company’s 2019 full year financial results.
David Krall, Audinate’s chairman, comments: “Lee has been a key contributor to the growth of Audinate, and the results speak for themselves. Under Lee’s leadership as CEO over the past 11 years, Audinate has become the global market leader in audio networking for the professional AV industry. Lee led the company through its successful IPO in June 2017, and since its listing, Audinate has consistently delivered strong results and record growth.
“Together with Lee and the Board, we developed a succession plan over the last year to ensure a smooth transition of the CEO role. Our plan was for Aidan to follow Lee into the CEO role, and we are delighted that this will occur. Having co-founded Audinate, Aidan has been a guiding force in its product innovation and strategy and will continue to do so as CEO. With a talented team in place, we are confident of a smooth transition and continued growth.”
Commenting on the transition, Ellison said: “I am most proud about the passionate team at Audinate that has contributed to our overall success and is brilliantly executing on the growth strategy that has been put in place. I am comforted in my decision to enter retirement, believing the time is right to hand the leadership over to Aidan. Aidan, and the rest of ou
UK - Wakefield-based Backstage Academy recently presented a graduation showcase, which saw third-year students assessed across five presentations.
The students were assessed in a project-based environment, with each team working under a project manager. The event was supported by many industry partners, some of whom had arrived fresh from attending PLASA Focus Leeds.
Vice-principal Rachel Nicholson explained the idea of designing real world concepts - effectively transforming black box studio/stages into coruscating jewels - had grown out of the Live Visual Design & Production course. “It’s the first time we’ve presented the work in this fashion,” she confirms. “The team looked back at last year and decided they wanted more scope to visualise. Our live visual design course has always been project based, so we adapted that to the other courses - which seemed the most natural thing in the world to do.”
All shows had come entirely from the imagination of students, she said. “They are exploring the cutting edge of new technology and what can be done, but at the same time, it’s also a validation of the confidence placed in the students by the lecturers. Neither could we have done it without the support, passion and enthusiasm of our industry partners. The Graduation Showcase is just one day but it represents three years’ hard work.” In fact, many of those industry partners had already set up training days for students in advance, in order to build operational skills with the platforms.
The five distinct concepts, staged by s
UK - London-based technical event specialists Light Fantastic Production Services supported Voxburner with a full design and technical solution for YMS London.
YMS LDN is Europe’s largest youth marketing festival, part of a series of global events demystifying the changing trends, habits and attitudes of the consumers of the future.
Held over two days at the Old Truman Brewery, YMS19 LDN was the largest Youth Marketing Strategy event to date, welcoming almost 2,000 delegates and over 150 speakers.
Working closely with Voxburner to deliver an engaging visitor experience, Light Fantastic Production Services provided a comprehensive equipment and support package covering all technical elements, including lighting, audio, video, set and staging.
Commenting on the show, LFPS project manager Andrew Maxted says: “Handling all aspects of the technical requirement at YMS allowed us a good amount of creative freedom. Working with Voxburner we devised a bright, semi-industrial look for the show which complemented perfectly the venue’s sparse interior, allowing the strong colours of the event branding to come to the fore.”
The event required the design and build of three stages, each featuring full audio, video, lighting and scenic designs and all following the ‘industrial’ theme applied throughout the venue.
The main auditorium, with capacity for 1000 delegates, featured exposed scaffolding around a central LED wall contrasted with the creative application of LED lighting in bold colours and eye-catching large format graphics. A
USA - AV Stumpfl will present its new AT64-SHIFT system for large mobile projection screens and the new PIXERA mini media server at this year's InfoComm in Orlando.
With the AT64-SHIFT, it's possible to assemble a large mobile projection screen and to adjust its height in a matter of minutes, says the company. No extra measuring is needed to ensure that the frame is level, due to a clearly marked height scale.
Based on the same principles as the T32-SHIFT, the AT64-SHIFT projection screen legs can be used for much larger mobile projection screens and are compatible with all mobile AV Stumpfl screen systems.
Another highlight of AV Stumpfl's InfoComm booth will be the new PIXERA mini hardware. PIXERA mini is an ultra-compact media server, perfect for digital signage and multi-display applications.
The PIXERA mini is a 1U and ½ 19“ product. Two PIXERA mini servers can be installed in a 1U 19“ rack.
PIXERA version 1.2 will include the ability to export videos from the workspace, either containing the entire venue or the content of a specific screen. Another of the many new features is a set of pixel patching tools seamlessly integrated into the UI. They allow users to reposition content pixels on the output as needed and to patch the result to DMX channels, making it possible to drive all forms of LED processors from PIXERA.
For those InfoComm visitors interested in show control solutions, there will be a sneak peek presentation revolving around AV Stumpfl's upcoming AVIO 3 software, a distributed, highly modular and extensible
UK - This April, competitive gaming platform FACEIT partnered with the PUBG Corporation to host the first global event of PlayerUnknown’s Battlegrounds’ 2019 Esports season.
The multi-stage tournament held at London’s ExCel saw 24 teams battle for the championship. Bluman Associates were commissioned to provide full video display solution and management.
The FACEIT platform is home to 12 million registered users, hosting 34 million monthly games with up to 90,000 gamers playing at any one time. The summit included teams from North America, Europe, Korea, China, Japan, Southeast Asia, Latin America and Oceania.
Streamed to registered internet and television viewers, the tournament started with three days of broadcasted heats, followed by three days of finals as the players competed for a $400,000 prize pool in front of live and broadcast audience.
The system provided by Bluman Associates comprised of 12 front project double stacked units, displaying onto a 10k pixel x 1080 high screen. The system also included 16 LED Screens, exhibiting the six individual teams battling it out for the title.
The gaming aspect of the project heavily relied on HTML5. This allowed player information and stats to be projected on to the wide screen display. The team sent a 2 x 2k HTML5 Rasta over a pre-rendered wireframe, programmed with data such as pod sizes and video screen layout. This allowed team logos, scores, stats and maps of different scenes to be routed to the relevant pod, enabling the audience to keep up to date with competition information
Australia - The Star Casino in Sydney has unveiled its immersive indoor light and water display, featuring a crescent-shaped video screen based on Black Onyx LED panels by ROE Visual.
The Grand Foyer experience at the Star Casino in Sydney, combines LED screens, aquatic water fountains, lasers, light and live performances to offer an interactive arrival experience for its approx. 20,000 guests that pass through the foyer every day.
Big Screen Projects were commissioned by Ramus Illumination to supply the LED equipment for the refurbishment of the Grand Foyer, the total immersive installation amounting to a 22m dollar investment for the Star Casino.
For this project Big Screen Projects have been working together with lighting specialists Ramus Illumination, who specialise in the design of grand-scale theatrical experiences that encourage public engagement.
The screen showcases the works of Australian artists, university students, cinematographers and animators, the content reacting dynamically to the real-world environment and human movement, encouraging guest interaction. “Creating an installation that combines architecture, contemporary art and technology, states Dino Mezzatesta, the Star Sydney chief operating officer, inspiration behind the artworks was drawn from The Star’s proximity to the busy Sydney Harbour shoreline.”
“With The Star Sydney Grand Foyer experience, we wanted to design an experience full of compelling encounters that enrich the journey,” comments Bruce Ramus, who heads Ramus Illumination, we envisioned a