France - IP video specialist Vitec has announced that Eric Deniau has joined the company as chief technology officer.
“IP video streaming continues to grow across all markets as more and more enterprises harness the power of their networks to deliver and manage video traffic,” said Philippe Wetzel, CEO of Vitec.
“The pace of innovation that is taking place in IPTV is accelerating as organizations across industries elevate their dependence on video streaming.
“Eric will be joining Vitec as CTO to lead technology innovation and R&D efforts worldwide. He has a deep knowledge of software and a sophisticated understanding of hardware products that will enhance the experience and capabilities of Vitec’s talented R&D leadership team. He is tasked with developing the next generation of codecs, ASIC technologies, and software solutions that will power Vitec products for years to come.”
Eric was most recently with Enensys as CTO and has over 30 years of experience in the media industry, including experience managing large software projects for major broadcasters, and has played a major role with the standards communities that have brought interoperable MPEG, DVB and 3GPP technologies to market.
Middle East - Creative Technology Middle East has welcomed two new additions to its operations. Dailos Rodriguez has joined as venue operations manager for the company’s newly-formed venue services department. He has over 24 years of experience in the hospitality and AV industry and has worked across multiple venues. He has secured various high-profile contracts during his time and implemented in-house AV services for some of the Middle East's biggest hotel chains.
Of his appointment, Rodriguez says: "It is a great honour joining the CT team, and I look forward to getting started on the variety of fantastic projects we already have lined up."
Also joining the team is Mark Johnson, who has been appointed business development manager for venue services. With over 19 years of experience in the AV hospitality industry, he brings a wealth of knowledge and experience to his role, says the company. Johnson has secured several large-scale contracts across various venues and has been a key factor in the growth and development of many different AV venue services throughout the region. He states: "It's very endearing to be a part of Creative Technology's new Venue Services department from conception! I look forward to accomplishing many new first with CT."
Andrew Reardon, MD for Creative Technology Middle East, comments: "It is an exciting time for the Middle East as we continue to grow and expand our team of professionals and our offering. It is a pleasure to have both Mark and Dailos on board, and I wish them all the best going forward."
USA - Based in Scottsdale, AZ, Impact Church is a fast-growing, multi-ethnic church known for high-energy worship and relevant, accessible teaching. The church recently moved into a new home, which was purpose-designed to host worship services with a focus on high quality audio, video and lighting.
The anchor point of this new AVL system is the ADJ LED video screen which fills the rear of the stage, while the lighting setup consists exclusively of fixtures from ADJ and sister company Elation Professional.
What began as a bible study for the Arizona Cardinals hosted by player Andre Wadsworth in the late 1990s was opened to the public and soon became one of the fastest growing churches in the nation. Headed up by Senior Pastor Travis Hearn, Impact Church has a reputation for diversity, authenticity and throwing a huge celebration each weekend. These gatherings have become so popular that the church outgrew its previous building, which led to an ambitious project to retrofit a former grocery store into a large custom-designed worship space.
The company responsible for designing, supplying and installing the audio, video and lighting system for the new facility was Illuminate Production Services, headed by Rick Franke.
At the heart of the church’s new video system is a large LED wall comprised of no less than 144 ADJ VS3 panels. This video display surface extends the full width of the stage and provides a constant backdrop to whatever is happening in front of it. This not only allows for the display or song words, pre-produced video content and
UK - BBC Studios' popular celebrity TV contest Strictly Come Dancing returned for its 18th series at the end of 2020, with new visual content choreographed by Hippotizer Karst+ media servers.
Leading the dance was a partnership of a Karst and Karst+, with the same duo serving as backup. An average series audience of more than 10 million Brits watched as the routines played out in front of a colourful array of visual content. The main stage was constructed as a series of arching LED screens, providing an eye-catching backdrop for the cameras.
The visual content included custom-made content for each performance - created by Potion Pictures and led by David Newton - and a mix of loops, full length time-coded tracks, and live rendered visuals.
These utilised Unreal Engine and nDisplay, with the data fed into the Hippotizer Media Servers by an output splitter. Live rendered content was also used, designed by Joe Philips at Potion Pictures, and utilising a camera and lens tracking system provided by Mo-Sys.
The Hippotizers were operated by Matt Lee, with lighting design by David ‘Bish’ Bishop, who has worked on a host of high profile events including the State Opening of Parliament, The Royal Variety Performance and the Queen’s Concerts.
“Hippotizer has been my go-to choice of media server for many years,” says Bishop. “They're very reliable, easy to use and the support from the team in London is outstanding. They provide a great balance of being able to create something very quickly, while also having the option to refine t
UK - disguise has announced new features for its xR software. This upgrade will further enhance its integration of Unreal Engine and address the continued demand for immersive content of the highest quality, detail and frame rate across Extended Reality (xR) and Virtual Production, says the company.
The latest features introduced by disguise include ACES colour management, DirectX12 (DX12) and Deep Learning Super Sampling (DLSS) support from Nvidia. Together, they will allow users to deliver images of the highest quality via 10-bit HDR processing of Unreal content through disguise RenderStream.
RenderStream is a proprietary IP protocol that enables the hosting of Unreal content on dedicated disguise hardware. “This approach of scale-out rendering in conjunction with features such as DX12 support, DLSS and the ACES colour management workflow allows Virtual Production customers to pursue truly photorealistic scenes and content without compromising on creative delivery,” says Joe Bleasdale, product manager at disguise.
“In my last shoots I’ve been working with the ACES workflow, and the results have been really good,” reports David Monguet of MO&MO Films. “This feature is a great tool for all of us in the production process - the VFX team has less work to transform the plates, and I have more dynamic range to adjust in the screens. I've been doing some tests with a colourist to compare and the conclusion is that it is working perfectly.”
disguise has also implemented a pipeline that supports Unreal Engine running DLSS - an Nvid
USA - Founded in 2020, LA-based XR Studios constantly pushes the boundaries of XR technology to new heights. Collaborating with Fuse Technical Group for technical and equipment support, XR Studios provides two high-spec LED stages featuring quality equipment, including Brompton Technology processing and ROE Visual LED panels, and offers a team of expert technologists and bespoke workflows to help bring XR productions to life.
“We have always had a great relationship with Fuse, a company we consider to be one of the greatest pioneers in terms of pushing LED technology for a wide variety of applications,” says XR Studios’ director, J.T. Rooney. “They have a lot of experience with the equipment and provide technical consulting across live entertainment, television, film and virtual production. We wanted to ensure that our entire operation was executed at the highest level, so having Fuse as our technical partner made complete sense.”
Providing a well-rounded XR (extended reality) production service, the XR Studios team works closely with artists, producers, creators and creative directors to deliver their vision in a cost effective and visually stunning manner. “We wanted to be a creatively agnostic group that allows production to bring in its own team, help them get to the finish line and deliver a successful production. With a high level of service with predetermined workflows to keep things consistent and reliable, we know large-scale productions will happen on time, on schedule, and on budget,” Rooney shares.
XR Studios runs a tight
Germany - Stephan Schenk, as general manager global sales & solutions, has taken over responsibility for the worldwide sales and service of ARRI’s hardware products as well as the company’s solutions business. This newly created position aims to combine and align the sales and service activities across all ARRI product groups and expand the systems business across all markets.
In this role, Stephan Schenk reports directly to executive board member Markus Zeiler. He is responsible for all the sales and service departments of the camera systems and lighting business units, including the ARRI System Group in Berlin. Additionally, the regional managers from the Americas, China, East Asia Pacific, and EMEAI will report to Stephan Schenk.
Schenk joined ARRI in 2009, as head of ARRI’s Business Unit Camera Systems. He was appointed to managing director of Arnold & Richter Cine Technik in July 2014.
“From day one, Stephan Schenk has guided the business activities of the Alexa camera platform to great success and has developed the Camera Systems business unit for more than 10 years. The cornerstone was the system concept he initiated for camera, lenses, components, and interfaces,” says Markus Zeiler. “On behalf of ARRI, I would like to sincerely thank Stephan Schenk for his outstanding achievements and services to the company in recent years. We wish him every success in this new area of responsibility.”
Schenk adds: “We have a comprehensive portfolio of camera and lighting systems and strive to combine our products and service
USA - tvONE has announced the forthcoming arrival of the ONErack Spider, a universal multi-voltage DC power solution which is the latest addition to the company’s ONErack universal rack mounting system.
“Not every rack has enough space for a full ONErack chassis, and the Spider offers the same simultaneous DC voltages but with rear or zero space racking,” says Mark Armon, global product manager at tvONE. “Everyone knows and has experienced the mess just a handful of wall-warts can cause when servicing or installing a system. The ONErack products have proven that there is a better way.”
The ONErack concept is a modular rack mount system designed to ‘vastly improve the installation and serviceability of small devices’. It allows variously-sized, externally-powered devices from any manufacturer to be converted into slide-in modules that can be designed precisely, installed quickly and serviced easily.
The ONErack Spider optimises any installation by eliminating unreliable DC wall warts and other power clutter from the rack design. At the same time, it also ensures the provision of reliable power for a choice of up to seven different voltage options - 5V, 7.5V, 9V, 12V, 13.5V, 18V, and 24V, says the company.
Available in a 1RU half-rack version (7-module capacity) or rear strip version (23-module capacity), the ONErack spider can be installed at the back or side of the rack to provide the ultimate installation flexibility.
“The Spider’s innovative, multi-voltage design will bring the award-winning power capabilities of our
UK - With esports rapidly becoming one of the world’s most popular spectator sports, one of the challenges for the industry is to ensure that audiences in studios and stadiums see every detail of the gameplay on the large screens at the same time as the players. Any lag or juddery visuals can ruin the immersive experience, and Panasonic’s latest high fame rate (HFR) upgrade kit (ET-SUK10) for the Panasonic PT-RQ35K projector addresses these issues, bringing stadium and studio spectators closer to the action.
The HFR upgrade delivers higher quality images with rapid and smooth movement and less image lag by enabling the 30,500 lumen, three-chip DLP laser projector to accept and output 240Hz HD signals using just one cable. The improvements delivered by the upgrade are significant. As well as enhanced images, latency can be reduced to just 5ms - compared to 82ms using predecessor Panasonic projectors, ensuring fans experience the thrill of the action in virtual real-time.
“This ground-breaking visual enhancement creates a fantastic live experience, enabling the audience to see and react to the action as it happens,” said Hartmut Kulessa, European marketing manager at Panasonic Business. “It’s another important addition to our complete glass-to-glass production solution for the industry - from capture right through to distribution workflow.”
UAE - LarMac Projects worked in collaboration with creatives and technical teams to deliver 49th UAE National Day, Seeds of the Union.
LarMac Projects was contracted to produce the 2020 live event production during some of the industry’s - and the world’s - most testing times. The show at Abu Dhabi’s Jubail Island saw the creative vision of artistic director & designer Es Devlin brought to life by long-term LarMac production suppliers including PRG, Auditoria, Wonder Works, SKYMAGIC and Groupe F.
A kinetic illuminated sculpture designed by Devlin took centre stage as the key visual storyteller. The 15m x 15m rotating cube portrayed projections depicting the UAE’s history.
Due to the restrictions on mass gatherings, for the first time in its history, the UAE National Day celebration event took place with a very small, socially distanced audience, and to ensure the public felt included in the celebration, the production was broadcast live.
The LarMac team was headed up by Ian Greenway and Jo MacKay, with support from Laura Hall, Siobhan Shaw and Zoe Gillespie, and from the outset, until its culmination, COVID-19 was a determining factor in how the show would be undertaken.
Planning for the project began only months beforehand, with all advancing, design and production design taking place virtually.
LarMac’s Jo MacKay says: “Not having seen the site until we arrived in the UAE was difficult, especially with the ground works required. There have been thousands of hours on Zoom from every department to get to a place
Europe - Performance systems integrator Pro Media Audio Video is entering the European market with industry veteran Eddie Thomas charged with developing global business for new entity Pro Media Audio Video EU, Thomas brings 30 years of industry knowledge to the role.
Headquartered in Lititz, Pennsylvania, Pro Media Audio Video joined the Clair Global group of companies in 2019. The new EU office will establish a local presence from Britannia Row Productions’ Twickenham base.
Pro Media Audio Video has long established connections in live sports the company enjoys strong relationships with Major League teams in the US.
Pro Media Audio Video general manager, Ted Leamy, comments: “Each of the companies has the same working culture. Eddie shares our values and he is the person chosen to carry this global standard into Europe. Eddie is incredibly well-connected and as we begin this expansion, he is backed up by a very experienced team worldwide. Our presence in the UK will further add to our global information sharing, ultimately as one set of resources.”
Thomas says: “I enjoy working with designers and consultants to create workable solutions and I’m very excited about this new opportunity in such an impressive global business.
“There will be undoubted challenges in the UK and Europe as Brexit unfolds,” Thomas continues. “Yet I am looking forward to developing and working on a range of challenging technical projects. I really enjoy pushing the boundaries of what is expected from an integrator, and it’s a great feeling to
UK - disguise has announced that global investment firm The Carlyle Group will take a majority stake in the company, with US video games developer Epic Games taking a minority stake.
disguise employees will also retain a “significant” minority share, with founder Ash Nehru the largest shareholder. Existing private equity partner Livingbridge will also reinvest in the transaction.
The partnership with Carlyle will accelerate disguise’s growth plan, focusing on international expansion, continued innovation, and enhanced support and product offerings for its customers. Meanwhile, Epic Games has bolstered its position with this latest transaction, having last year backed disguise with an undisclosed grant to enable its technology to be a native platform for the delivery of Unreal Engine content in xR projects.
disguise CEO Fernando Kufer says: “We’re proud of the journey that we have been on with our customers and are excited by what the future holds. We’re delighted to work alongside Carlyle, who understand our vision for growth, in this next phase of the disguise story, and are excited to keep driving innovation in virtual production and xR stages with Epic. In partnering with Carlyle, the future is very bright for disguise, its customers, and its community.”
Michael Wand, MD and co-head of the Carlyle Europe Technology, comments: “The virtual production market is forecast to grow substantially, and we believe that disguise is uniquely placed to benefit from the accelerated demand for LED-based visual experiences and capture furt
UK - Vestel Visual Solutions has announced the expansion of its display range with the arrival of the Q Series family. Featuring four new 24/7 models - the 65” QN65, 55” QN55 and QP55, and 49” QP49 - the Q Series is built to meet the needs of businesses across a number of sectors, delivering ‘outstanding high-res picture quality within a slender E-LED design’.
Picture quality is delivered through UHD resolution and HDR 10 on the QN65 and QN55, and FHD resolution on the QP49 and QP55. A 500 NIT brightness level on the QN65 and QN55, and 700 NIT on the QP49 and QP55, also provide notably high brightness for displays of this size and price-point, making them a vibrant and cost-effective solution for areas of high ambient lighting - whether that be within retail spaces, schools, or corporate environments, says the company.
Each of the Q Series displays has been specifically designed and tested for 24/7 usage, which also brings with it the necessary robustness required for commercial environments. This includes a panel lifetime of more than 50,000 hours, as well as a durable yet slim-line ELED design with narrow bezels to provide a premium look and feel for any business. The flexibility of portrait or landscape orientation, combined with the option of three different display sizes, also ensures the Q Series is equipped with the versatility to be used in almost any space.
Ease of use is built into the Q Series, with an abundance of connectivity and CMS options available to simplify operations for the end user.
“We believe that the Q Seri
Luxembourg - Given that the Rockhal sits on Avenue du Rock’n’Roll, it is no surprise the venue raised its fist in the air to host five concerts aimed at gathering data to work towards the return of live events.
The Because Music Matters concert series was set up in partnership with the Luxembourg Ministry of Health to evaluate how future concerts can be presented safely and sustainably across the continent and beyond. The shows were mounted in the 1,200-capacity Club space at Rockhal (Luxembourg’s Centre de Musiques Amplifiées) with a range of safety and testing measures in place.
Featuring Glass Museum from Brussels and local heroes Cleveland, C'est Karma & Francis of Delirium, Fusion Bomb and Claire Parsons & Klein, the event also marked the first use of the Rockhal’s new Adamson Systems Engineering IS-Series PA, temporarily deployed in a configuration specifically designed for Because Music Matters.
When renovations - including a new balcony - are completed in the Club hall, the IS-Series rig will be deployed as a stereo system featuring 10 IS10 and three IS119 subs flown per side, two IS219 subs ground-stacked per side, and six IS7P as fills - all powered by Adamson D-Series amplifiers (two pairs of D120 and D80 for the IS10, two D200 for the subs, and three D40 for IS7P).
The safety-first Because Music Matters shows demanded an ingenious change to the system configuration that kept the socially distanced audience connected intimately to the performances.
“For this set up we could easily adapt it to provide 360° o
UK - Brompton Technology and disguise are among the companies included in this year’s fifth annual Financial Times 1000 list of Europe’s fastest-growing companies. The FT 1000, compiled with research company Statista, shows 1,000 European companies that achieved the highest compound annual growth rate in revenue between 2016 and 2019.
This years’ edition highlights some of Europe’s most promising growth businesses, with data taken just before the pandemic took hold.
“We are delighted to be recognised by the Financial Times, one of the world’s leading business news and information organisations, and see Brompton included in the latest FT 1000 list alongside other brilliant companies, such as our friends at disguise,” comments Brompton’s CEO, Richard Mead. “We would like to thank all our staff and partners across the globe for their part in this achievement and their continued support.”
Meanwhile, the FT listing comes less than two weeks after disguise’s inclusion in the Sunday Times HSBC International Track 200 recognising British companies with fastest-growing international sales.
“We are incredibly proud to be named one of the fastest growing companies in Europe,” says disguise CFO Ryan Sklar. “This achievement is a credit to the whole disguise team, whose hard work resulted in a record year of revenue in 2019 and weathered the storm of the Covid-19 pandemic throughout 2020. The business has continued to thrive in unprecedented times, releasing a host of innovative products and enabling the entertainment industry
Japan - Christie has announced that Kogakuin University has deployed a D4K40-RGB 3DLP pure laser projector for large-scale and 3D projection mapping on a large surface (mapping area) comprising a ‘kinetic wall’ set up in its atrium as part of the renewal process of its Shinjuku campus.
Jointly delivered and installed in Shinjuku Atrium by Ushio Lighting Inc. and CIMA Co, with planning and direction accomplished by P.I.C.S. Co, the Christie D4K40-RGB delivers big, bright and bold images on the mapping area that includes a ‘kinetic wall’ measuring 16m in width and 8.5m in height. This ‘kinetic wall’ features 180 modular cubes, each measuring 40 cm, that can be programmed to move back and forth individually. Creative expressions ranging from a highly dynamic wall surface, large-scale and 3D projection mapping, as well as data visualisation can be achieved using a combination of video, audio and lighting effects.
A spokesperson from Kogakuin University commented, “There is a characteristic open ceiling space up to the 4th floor of the atrium and it is a place that reflects the ideas of Kogakuin University, which allows members of each faculty to express themselves experimentally, as well as generate new ideas and concepts. This ‘kinetic wall’ is an extension of this creative process, and through the combination of various technologies such as 3D projection mapping, new life and energy can be injected into our renewed campus.”
Explaining why the Christie D4K40-RGB is chosen for this facility, the spokesperson said, “It can produce a
Germany - ARRI has introduced Remote Solutions, a toolkit that can be customised to meet near-set and off-set workflows. This remote production ecosystem allows professionals to safely and immediately get back to work without compromising operational and creative control, says the company.
With a complete system of connected ARRI cameras, lights, remote heads, and accessories, ARRI Remote Solutions offers workflows that enable safe social distancing between talent and crew as well as between crew members.
The ARRI Remote Solution enables professionals to remotely control ARRI cameras, lights, remote heads, and accessories.
“The pandemic has accelerated change and forced productions to adapt. With travel limitations and new requirements for social distancing onset, our connected ecosystem of industry-proven tools can be customized to create safe sets, whether working near-set or off-set, without compromising the creativity or technical control of production. This is just another way we at ARRI are enabling and supporting filmmakers,” says Stephan Schenk, general manager global sales & solutions.
World - Hippotizer’s Nevis+ Media Server is proving to be an essential tool for smaller productions around the world, offering the features and power of its ‘bigger brother’ stablemates but in a more compact and affordable package.
Some of the world’s leading visual design companies have embraced the creative possibilities of the Nevis+ since it was launched in July 2020, using it as a simple-to-use training and demo option as well as specifying it for small to mid-size events.
Maggie Zhu at KUPO (Keep Ur Performance Outstanding) Shanghai was one of the first investors in a Nevis+.
“The main attraction of Nevis+ is its price, coupled with the fact we can use all of Hippotizer's comprehensive software features,” she says. “For us, the main market for Hippotizer is for performance and theatre. Nevis+ is the right solution for these events, as one machine includes the functions of playback, control, timeline and so on.
“We also purchased the Nevis+ for customer training, demonstration and promotion. In the past, we used the bigger Hippotizer Media Servers such as the Montane+ RTX or the Boreal+ when we needed to test. But now, it's very convenient to use the Nevis+.”
Over at Sofit-108 in Russia, Andrey Miroshnichenko invested in the Nevis+ towards the end of 2020. “Last year was obviously very difficult for everyone working in visual production,” he says, “but due to its attractive price the Nevis+ offered a good solution for our training purposes. It’s small, powerful, and not too expensive. It’s a dream.
UK - The Institute of Sound, Communications and Visual Engineers (ISCVE) has announced two online seminar presentations for its Annual Members’ Day. The online seminars are open to ISCVE members and non-members and will be presented by leading AV industry and Audio industry figures following the ISCVE’s annual general meeting.
The first presentation, taking place online on 10 March 2021 2:30-3:15pm, is titled AV Over IP using NDI and will be presented by Liam J Hayter, senior solutions architect EMEA, NewTek. The presentation will be taking a look at how NDI AV over IP technology can deliver next generation AV solutions, from meeting rooms to auditoriums, to TV studios and video conferencing.
The second presentation (4:00-4:45pm) is titled Brexit and the implications for our Industries and will feature presentations from Andy Simmons, UK & Eire sales manager, Nexo and Andy Lewis, managing director, Audiologic.
“This year our Members’ Day will take place entirely online for the very first time, using technologies we have all become very familiar with over the past eleven months or more. Both presentations look to be strikingly relevant and I’m delighted we can extend invitations to attend the presentations to both members and non-members of the Institute,” states Helen Goddard, president, ISCVE.
Austria - Family-owned AV Stumpfl GmbH recently appointed two executive directors as part of restructuring measures aimed at maximising the company's management efficiency.
At the core of the new executive directors' tasks will be the operative coordination of the screen and media server departments.
In her new role as executive director, Stefanie Niederwimmer will be responsible for projection screens, with her colleague Christine Doppelmair taking over her former position as head of sales - screens.
Niederwimmer has been with AV Stumpfl since 2004 and has held a number of different positions of strategic importance during that time.
Harry Gladow, formerly a global business development manager, will become the new executive director for the company's media server department. Gladow joined AV Stumpfl in 2017 and was tasked with growing the global distribution network. His extensive previous experience with media servers led him to be heavily involved in the development of the next-gen media server software Pixera.
AV Stumpfl CEO Fabian Stumpfl comments: “Our company experienced substantial growth during the last few years, which led to quite a few changes, like the establishment of our own offices in the USA in 2018. This kind of development also has to be reflected in the management structure, in order to enable further and sustainable growth.”
Tobias Stumpfl, CEO, adds: “We used the current, very challenging times to think deeply about what we could do to ensure that we'll be able to make full use of our company's poten
USA - When an Illinois-based four-star hotel and conference centre needed a powerful, versatile, and scalable audio system, local supplier C.V. Lloyde Audiovisual turned to LEA Professional for its amplification needs.
From corporate meetings, seminars, social gatherings, weddings, and more, the I-Hotel and Conference Centre in Champaign, Illinois, provides more than 70,500sq.ft of interior meeting space. This includes a modern exhibit hall that can accommodate up to 750 guests for a wedding reception, endless floorplan options for large conferences and expos, and seating for up to 1,200 guests, theatre-style. In total, they now have nine new, fully reconfigurable rooms, with audio powered by LEA Professional’s Dante Connect Series amplifiers.
Throughout the renovations and upgrades, Illinois-based C.V. Lloyde Audiovisual has been the I-Hotel's AV partner. C.V. Lloyde has provided audiovisual services to many of the region's most prestigious projects - including University of Illinois State Farm Centre, Memorial Stadium, Yahoo, Intel and John Deere.
In the first phase of the project, the team implemented an AV over IP network and an entirely new control system as the I-Hotel looked to upgrade their existing AV capabilities. Using portable input boxes, rooms can be set up as one-to-one, or combined presenting in one room with audiences in any number of other rooms. Phase two saw the expansion to the conference buildings which added six more large-scale banquet halls and three more smaller conference rooms. C.V. Lloyde provided full building matrix
Vietnam - A new nightly lake show at the picturesque Dam Sen Park in Ho Chi Min City is turning heads with spectacular visuals and water effects, including large-scale water screen projections using Christie HS Series 1DLP laser projectors.
Jointly presented by Dam Sen Theme Park and Christie’s partner Alta Media, the night-time spectacular features an advanced lighting system comprising lasers, interactive water screen projections and a dancing fountain spanning 100 metres in length. Visitors can enjoy an exciting combination of twirling water jets, complemented by a fire performance and an aerial firework display over an energetic soundtrack.
This is the first interactive water screen project in Vietnam that showcases an innovative “photo booth” function where selfie photos taken on-site can be displayed on the water screen during the performance.
“We are delighted to be involved in this major project that seeks to promote Dam Sen Theme Park as the latest and trendiest night tourism destination in Ho Chi Minh City,” said Hoang Tu, chief technology officer, Alta Media. “As the systems integrator and digital content provider for this new outdoor show, we have pulled out all the stops and deployed various AV technologies, such as state-of-the-art laser projections, to deliver a highly immersive and enjoyable experience.”
Noting that the quality and reliability of the projections are most critical to the success of this night-time extravaganza, Tu said the team had shortlisted several projector models for assessment before deciding
UK - Audio consultancy and networking specialist RH Consulting has been counting networked audio products and licensees since 2013 in an effort to chart the adoption of audio networking in the pro audio, AV and broadcast markets. The report covers all the major protocols including Dante, RAVENNA, AVB, Milan and others, and comes in two parts: the headline totals, followed in a few weeks with more comprehensive data on protocols, compatibility and rate of adoption.
Part one logs a total of 3,306 networked products currently shipping from 420 manufacturers, and that number is going up all the time. That’s nearly two new products every day in the past year. “We were pleased to note that the current pandemic doesn’t seem to have had a great impact on new product launches - Dante, for example, has passed the milestone of 3,000 shipping products,” observes RHC’s Roland Hemming. There is also a modest increase in the number of Ravenna products, and better data also reveals more Ravenna manufacturers than previously logged.
Another significant development for the 2021 report was to say a final goodbye to CobraNet whose products were no longer counted during 2020. “This wasn’t without a little tug at our heartstrings as CobraNet technology was absolutely pioneering in its time,” says Hemming. “It was the first commercially successful audio-over-Ethernet implementation, and audio networking technology would not be where it is today without CobraNet. However, CobraNet modules have been officially declared End-of-Life and Cobranet developer Cirrus
UK - Reflex, Audio Visual Material (AVM), and Christie have collaborated on one of the largest rear projection systems in Europe at Queen Mary University of London. Two Christie Crimson HD laser projectors have been installed for the 12m by 6m (39 ft x 19.5 ft) screen in The Great Hall, an 800-seat space in a 1930s art deco building.
Raj Dattani, senior technical design engineer at Reflex led the installation and chose to work again with AVM and Christie teams seven years after the initial installation. “We have gone from two 10K projectors, four lamps, and regular maintenance checks to triple the brightness and no maintenance with laser,” he said. Additionally, a switch to AV over IP distribution means just one cable to the projector, giving users and clients huge flexibility.
Queen Mary University is a leading Russel Group university, with more than 25,000 students where the hall is also rented to corporate clients. The university wanted to keep the same 3DLP quality but with the maintenance advantages offered by laser projection technology.
“The Christie Crimson HD31 projectors offer both,” said Mick Perrone, key account manager at AVM. “And with BoldColor Technology for rich and vibrant colours, they offer enhanced colour performance and saturation over standard laser phosphor projectors. Since there are no more lamps to change, we don’t need to schedule return visits to the site as they are virtually maintenance free. There were other features to consider such as having a comprehensive suite of lenses, being fully omnidirectional,