Video and AV

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14 March 2016

Bacardi's brief asked for experiences incorporating Cuban heritage and the iconic Bacardi Mojito drink as well as the Social Culture.

The Darkroom creatives Emma Wolf and Bruce Ferguson realised Bacardi's vision through an engaging mapping projection - the first public displays of the technology seen in Vienna, Austria.

Projected onto the Kursalon building in Vienna, the five minute public light show masterfully transformed the heritage building into a colourful, vibrant yet weathered Cuba-style building.

Sound was integrated into the projection to help viewers experience Cuba through swelling Cuban drumming, which then grows into a giant jamming session at a traditional Cuban club. Mint leaves and lime trees t

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14 March 2016

Ward joined the sales team at the company's Leeds office in 1987 and later transferred to the Saville Manchester centre and progressed to hire manager before leaving in 2004 for a spell outside the company.

She has returned to take up a newly created role as part of the company's drive to strengthen its national profile and comments, "I'm delighted to be back and looking forward to renewing acquaintances and making new ones. The conference and events sector is feeling the effects of the recession but I'm confident that we can continue to progress, particularly in view of the growing demand for web streaming and the developing range of other Saville Digital Event Services."

(Jim Evans)

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14 March 2016

"We are absolutely delighted with the result" says Rick Wilson, sales director of Le Maitre. "The VS range is in line with our continuous strategy of introducing the best range of visually stunning pyrotechnics in the market. The drastically reduced smoke levels ensure that spectators get to see the effects at their very best"

"We have introduced three products to date - VS Flames, VS Flares and VS Starbursts, and there will be more to follow over the coming months".

The VS Flares produce an intensely coloured 1-2ft flare that burns for a maximum duration of 30 seconds and are available in red, g

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14 March 2016

Durham-born Riddell has worked in the live events sector of the audio visual industry for 16years, starting as an AV technician at British Airways' conference centre and later working with WH Smith, the Currys/Dixons rebrand roadshow and with NCJ Media.

Speaking about his new role, he said, "I'm really happy to be working with Saville in the north east. It's a difficult time for the events industry but I'm looking forward to the challenge, particularly introducing our developing range of digital event services. Being able to engage and collaborate with delegates live or on-line adds enormous benefits for conference organisers."

(Jim Evans)

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14 March 2016

Coming in at 1.72m long by 33cm wide, the XXL display is billed as the largest automated timecode display system in the world.

Aimed at large post production houses or anywhere that needs to display timecode from a long distance, the Studio Display XXL is compatible with all existing Punchlight hardware allowing automated display of MIDI timecode from Pro Tools LE & HD, Cubase, Nuendo, Logic Pro, Digital Performer and Samplitude.

Combine the system with a MIDI to SMPTE timecode convertor and the display will also show timecode from other systems.

The Studio Display XXL will, like the smaller Studio Display XD, Studio Display XT and Studio Display USB, also show bars and beats, feet and frames and samp

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14 March 2016

It's just a year since members of PLASA and ESTA voted to merge the two Associations, and in the intervening 12 months, PLASA has reinvented key elements of its operations introducing a new membership structure, a new Governance system and election process, granting the vote to Organizational and Individual members, and launching a complete new PLASA logo and identity.

Whilst the day will reflect on the achievements of the last year, it will also invite members to feedback on what they'd like to see PLASA doing for their specific business sectors, additional services they feel should be offered and the role they'd like to see PLASA taking in the wider industry.

The formalities however, are a relatively small part of the

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14 March 2016

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14 March 2016

The F-30 was specified by Guetta's show/visuals designer and vibe engineer Ben Brett, who has developed a special piece of control software - Pilot - which is used to run the screen visuals. For this tour, in addition to the screen content, Pilot was running a back wall of 60 x LED moving lights positioned upstage of the rear section of F-30 screen.

The back screen comprised 105 panels of F-30 and in front of the DJ booth was a smaller one made up of 14 panels. With visuals flowing across both surfaces simultaneously, it became a genuine three dimensional digital set.

(Jim Evans)

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14 March 2016

GrandVJ is a real-time video mixer software allowing VJs to compose up to eight layers of video on the fly.

The new GrandVJ 1.5 brings video mixing to the next level with the addition of two major new features: Transitions and ArKaos Connect VST plus several other great enhancements, says the company.

With the addition of 37 transitions, it's "even more fun to mix with GrandVJ 1.5". The transitions are distributed across the following groups: eight Fades - three Blinds - six Masks - four Distortions - three 3Ds - two Pixelisations - seven Rectangles - one Slide - one Swipe - two Waves.

Each transition can have up to four parameters plus a fade time, all of which can be controlled through MIDI. In Synth Mode, the new transitions add fade in/fade out betwe

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14 March 2016

The Christie Mirage WU-L delivers "high resolution and rich pixel density, as well as continuous system calibration, in a small footprint unit capable of advanced 2D-3D visualisations". Targeted to the professional market, the Christie Mirage WU-L is suitable for all applications from entertainment, to museums and education, scientific research, manufacturing, and oil and gas exploration facilities, says the company.

The 1-chip DLP with RGB LED is the first Mirage Series projector to use solid-state LED illumination, providing precise, lifelike, vibrant colours and consistent performance over an estimated 60,000-hours (approximately 6.5 years) life cycle.

"The Christie Mirage WU-L is an ideal solution for visualisation professionals whose prime concern is t

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14 March 2016

XL Video has this afternoon issued a statement which reads: "With great sadness we announce the death of Des Fallon, XL Video director, production industry legend and incredible personality.

"Des passed away in his sleep on Wednesday night. Des's passion and dedication to his work, love of people and life, and incisive wit and humour was an inspiration to all who knew him. His individuality and unique style brought a vibrance and energy to any situation, and he was valued and respected by so many as a truly unique human being.

"Des will be remembered for numerous things - for embracing foresight and innovation in his work, for making people laugh whatever the

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14 March 2016

Set-exchange was set up by lighting designer and production electrician Peter Harrison. He told The Stage, "The idea came from me working with some of the small companies as well as the big companies and seeing waste in one and scrimping and saving from the other, so it came out of trying to share resources."

Set-exchange is structu

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14 March 2016

The background to the document lies in the introduction of new EU Directive and national legislation regarding AOR, and the subsequent agreement, by manufacturers attending a presentation that PLASA's Ron Bonner and the Health Protection Agency gave at the PLASA 2010, that guidance should be created.

In short, the new legislation requires employers to assess the exposure to the workforce of AOR and if the exposure is believed to be above permitted levels, the employer will need to measure the levels and take action to reduce the exposure. Manufacturers will also have a duty to supply relevant safety information. In the UK this is enshrined in health and safety law, but will also be part of the conformit

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14 March 2016

The total count of 107 Kinesys motion controlled elements on this production beats the previously held record of 80 by the 2010 Eurovision Song Contest final in Oslo.

Borsato's set and lighting was designed by Ignace D'haese from Arf & Yes who worked closely with show producers John Mulder and Flip Van Ommeren from Mojo Concerts who also did the production management.

WImotion - part of the Belgium based WIcreations Group - were asked onboard to co-ordinate and engineer all the automation design and specify t

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14 March 2016

"The spectacular creative design from Florian Wieder and Jerry Appelt stretched us in places we'd never been stretched before," said head of CT's Dusseldorf Office, Alex Klaus, and the man responsible for running the project.

The Wieder/Appelt design was dominated by a 1250sq.m expanse of Spider 30 LED screen. At twice the size of the infamous U2 Pop Mart screen, it completely filled one end of the Esprit football stadium in Dusseldorf. "That's almost the entire worldwide inventory of Spider30," said CT's MD Dave Crump, over from England to witness the event.

"We've pulled in resourc

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14 March 2016

Lighthouse's first involvement with owner Galaxy Entertainment Group (GEG) was at the beginning of 2008, when it supplied two LED screens to GEG's flagship StarWorld Hotel and Casino in Macau Peninsula.

Lighthouse provided the 550,000sq.m Galaxy Macau, the newest integrated destination resort in the Special Administrative Region's Cotai entertainment area, with six LED screens.

Two Pi10-ER 10mm screens are situated at the entrance to resort, each measuring 12.8m (w) x 9.6m (h) (10 x 10 panels), display

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14 March 2016

The HQView520 switches, scales, scan-converts and edge-blends multiple images - also performs warp mapping so that those images can be projected onto curved screens.

The new HQView520 will also perform sub-pixel precise image alignment for stacked pairs of projectors used for 3D applications.

Like the other products in the HQView500 series, the HQView520 has a 3G-SDI input and output capability, as well as backwards compatibility with HD-SDI and SD-SDI formats.

The processor will accept a wide range of HD, SD and computer inputs including DVI, HDMI, YPbPr/RGBS, VGA/RGBHV, S-Video, and Composite PAL, NTSC, and SECAM.

Tim Brooksbank, chairman, Calibre UK, says, "Curved-screen and 3D projection is now entering the m

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14 March 2016

The pyro display was the culmination of months of hard work for Karen Haddon, events director at Le Maitre and her team.

"The size of the task cannot be underestimated. The arch itself is the longest unsupported roof structure in the world, and at 133m high and with a 7m diameter lattice arch, we knew this was never going to be straightforward. Add to that the wind and British weather in general and you have a pyrotechnician's worst nightmare. T

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14 March 2016

CT's Barco 20K FLM R20 projector is located on the front of the Circle and positioned side on to ensure the audience's view is not restricted. With the beam deflected 90° via a mirror, the images are projected onto various stage elements providing life and texture to the set components and props. A 13m2 10mm LED screen, also provided by CT, is flown upstage to add to the visual elements of the show representing the passage of the sun and the moon, an integral part of Shrek and Princess Fiona's story.

The entire video system is based around a pair of CT's Hippotizer HDs and ultimately controlled from the show's lighting desk.

Working with creative partner La

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14 March 2016

To coincide with the new website, Goboland UK is also presenting a new catalogue at the show which can be downloaded directly from the website. Choose between Black Steel, Premier, Designer and Glass Gobo Collections.

Following its launch at PLASA 2010, Goboland UK will be promoting its GoboSlides, the economical film-based alternative to full colour

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14 March 2016

The case has been designed to allow a very efficient air flow. Several fans, protected by a dust filter, are located at the front of the case and can be easily serviced without opening the rest of the case. This is done through a special door that gives access to both the fans and the filter without exposing any cables or electrical connections. This is very handy when working on long tours.

The custom-made case provides a convenient display on the front which allows the server to be used without the need to connect to an external display. The front cover also provides a large LED strip that gives feedb

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14 March 2016

Liberty is an audio/visual (AV) supplier of solutions-based products ranging from bulk wire and cable to equipment enclosures and mounts to power distribution products and more.

"Intelix has built a fine reputation among AV professionals over the last decade," John Dace, who leads the Liberty operation within WESCO, remarked following news of the WESCO acquisition. "The company will enable the analogue-to-

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14 March 2016

The day was dedicated to introducing a range of bespoke Blitz products and new technologies that assist organisers in making their events more cost effective, sustainable, interactive and innovative, and at the same time creating opportunities to generate additional revenue.

Commenting on the masterclass, sales manager at The Point Peter Ash said, " We have appointed Blitz as one of our preferred partners of choice for our event staging and were delighted to be able to host this technology masterclass on their behalf."

Hosted by ITV weather presenter and news features reporter, Emma Jesson, the masterclass was introduced by B

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14 March 2016

The 90ft-wide stage set featured three 16'x 9' screens, with video projection mapping in the centre section. This created a versatile branding solution which changed throughout the event. A newly installed production and edit suite at Saville Manchester was used to build the 3D Premier League logo plus event specific branding and Premier League club logos, which were all projected onto the set.

The centre section utilised another of Saville's newest purchases, a Christie Roadster HD18K full HD 18K lumen projector. Audio was via a d&b Q1 L