Video and AV

Details

14 March 2016

Club Red's fashionable environment, its excellent cuisine and its premium event seating are complemented by a club-wide, multi-purpose AV system designed and installed by ICOR International Systems of Doral, Florida. Club Red's AV system provides live Panthers play-by-play hockey coverage, six news and sports channels and video playback and sound reinforcement for press conferences, presentations and private meetings in the club's large multi-purpose room. The BB&T Arena also hosts concerts and audio and video from these events may be routed through the club's AV system.

To provide coverage throughout the club's 12,000sq.ft space, ICOR installed 25 large screen video displays, a two-wide

Details

14 March 2016

Creative Technology (CT) was contracted by ITV to provide the stage backdrop. Working with their designer Peter Bingemann and lighting designer Dave Davey, CT installed an 11.5m x 8.6m Spider 30 screen, achieving the desired softened look by using a rear projection surface in front of the display. This allowed a lower resolution and lower cost product to be used, increasing the impact without overpowering the star of the show.

(Jim Evans)

Details

14 March 2016

The impressive, meticulously researched and compelling 27 minute work, complete with specially compiled sound-track by Karen Monid, featured stunning visuals and an emotive narrative that was specific to Glasgow, detailing the historical contributions made by the city and its communities, and the resulting social impact of World War 1.

"It was an incredible honour to be trusted with relating such a fundamentally significant piece of history and of telling the story of Glasgow's War with honesty and integrity" states Ashton, whose art has won multiple international Awards and holds two Gui

Details

14 March 2016

The familiar Never Mind the Buzzcocks set includes a number of video elements that are key to the music-based quiz show, which is hosted by Rhod Gilbert. This series is recorded at Stage 9 of Elstree Television Studios and broadcast on BBC2.

For the main screen, XL Video project manager Jeff Bailey specified one of XL's high brightness Barco FLM HD-20 projectors, which feeds the 16ft x 9ft screen. The high brightness 20,000 Lumen unit was selected to counter the ambient light on set.

The stage left and right of the set are populated with 12x Panasonic 42" LCD screens. These screens were specified for their built

Details

14 March 2016

Wade's rig includes 64 active MagicPanel-R units in the air, plus 25 Ayrton MagicBlade -R fixtures under a transparent forestage. Both fixtures are members of Ayrton's new Radfical line of LED beam projectors, which was introduced at ProLight + Sound in Frankfurt earlier this year.

The common component of the entire Radical line is an individually-controllable, 15W RGBW multi-chip LED source coupled with a 67mm diameter 4.5° collimator optic. MagicPanel-R puts these emitters into a 5 x 5 matrix, while MagicBlade-R mounts them in a unique, seven-in-a-row, in-line configuration. Both fixtures feature a fast mov

Details

14 March 2016

"Many of the big sound & light retailers in Europe listed the products quickly after the product release and the demand from the customers was great," says Norbert Stangl, sales & marketing director at Laserworld. "We set this product line to provide a semi-professional laser show system at significantly low pricing, but with professional features like the latest diode-only technology and analogue modulation."

The Diode Series RGB white light products are available in three different power levels with up to 800mW, 1,800mW and 3,300mW: The DS-900RGB, the DS-1800RGB and the DS-3300RGB. All Diode Series units have automatic mode, sound-to-light mode, DMX512 capability and an ILDA (computer control) interface. The

Details

14 March 2016

The news was confirmed at last week's meeting of the Joint Advisory Committee on Entertainment (JACE) at the HSE in Westminster. The following report was produced by Michael Anderson and Lee Holloway, members of SAGE (Safety Advisors Group in Entertainment):

"This was an unexpected turn of events as it had appeared earlier this year that a "BEA" (Business Engagement Assessment) industry impact assessment process engaging with the event industry trade associations may have led to a decision not to enforce. But HSE stated that they had since received legal advice that not enforcing would breach European law and expose the government to international prosecution.

&qu

Details

14 March 2016

"We've merged in order to represent our industry more effectively in engagements with government and regulatory bodies - and in order to better serve our members," says SACIA CEO, Kevan Jones.

While SACIA members are responsible for fixed audio visual displays such as those one sees in board rooms, shopping centre, sports arenas and houses of worship, the TPSA membership have been responsible for the spectacular effects one sees at music concerts and other similar events. Over the last few months a task group made of representatives fro

Details

14 March 2016

The Sheraton Waikiki hired PointCloud Media, a full-service production company specializing in 3D projections, to develop innovative, energized shows featuring graphic figures and images projected onto the nearly 200,000 gallon superpool. The PointCloud solution integrates its core Raylight4D mapping system

Details

14 March 2016

Jvan is not afraid of taking a creative risk or two, and the design involves a provocative synergy of lighting and video delivered with Jvan's trademark thought and intelligence. The set embraces a whole range of styles characterized by The Kooks own distinctive style, and for every number, Jvan's imagineering brings an individual look, theme or ambience.

It's also Jvan's first full tour with Colour Sound as a supplier, on which he comments, "I like working with this company. It's a very well-organized operation with excellent kit, everyone is friendly and highly knowledgeable - and generally th

Details

14 March 2016

This new projector is suitable for small- to medium-sized venues, and its optional rental frame makes it equally suited for the rental and staging market as well. The projector will be commercially available from December 2014 onwards.

"Our RLS-W12 projector is a smart choice for customers who are looking for a cost-effective projector that delivers the brightness needed for large screens," comments Richard Marples, strategic market director venues & hospitality at Barco. "Designed for fixed installation in museums, theaters and conference auditoriums, it's als

Details

14 March 2016

"Having already had some dealings with the company, I was keen to join CIE-Group when the opportunity arose," comments Lloyd. "The 50thAnniversary year has made it an exciting time at CIE-Group, and it is also that clear through its range of brands and value added services, the company is offering something new for the AV integrator. I'm looking forward to spreading the word further."

"Lloyd has a wealth of AV industry knowledge and experience, plus a proven track record in relatio

Details

14 March 2016

The production was designed by Florian Wieder and Matthias Kublik from Wieder Design. The circular main stage featured a backdrop of LED surrounded by a series of elegant, curved metal ribs to form a vortex style structure inspired by the show's 'Time Machine' theme. A thin curved catwalk extended into the audience and an award presentation area and glamour pit faced the main performance stage.

XL's crew was led by project manager Guido Ruysschaert assisted on site by two crew chiefs Kurt Verhelle and Daan Govaerts.

Once again XL worked closely with MTV event manager Maggie Mouzakitis and production executive Andy Derbyshire, and Ogle Hog who provided all the content control and screen management.

A total of 170sq.m of

Details

14 March 2016

The Vectorworks 2015 software contains more than 100 updates and new features in the areas of architecture, BIM, urban planning and entertainment design. In previous versions, the power of 64-bit was only available in the platform's photorealistic rendering engine, Renderworks, but has now been integrated throughout the entire Vectorworks 2015 product line, providing designers with the ability to handle larger

Details

14 March 2016

The Alexandra Palace show, in support of the band's third album Blackbird, rounds-off a successful year of UK shows, with a one-off at Village Underground in June, and a UK tour in October.

XL was asked to provide an HD camera system and IMAG projection for the show. To ensure the enthusiastic audience had the best view from anywhere in the venue, XL supplied three Sony HXC-100 cameras plus robocams, paired with four Barco 12k projectors doubled stacked on to XL's 16x12 ECT screens. The set-up was also used for opening DJ Mr Scruff.

Two of the cameras were situated in the pit, and used XL's track and dolly system for the close-ups, with a further static HXC-1

Details

14 March 2016

In2Structures, a member of the Gearhouse Group of Companies, created the portable structures - there is a SupaDome, 71m x 35m x 17m high, at Silverstar and a Maxi Dome, 49m x 28m x 13m high, at The Ridge. Unlike other conventional aluminium framed assemblies such as marquees, they have the ability to withstand large imposed loads such as suspended equipment and high wind pressure and importan

Details

14 March 2016

"Exhibition work is a very exciting market for us because our service appeals on both the exhibitor and the organiser levels and we have solutions for pretty much every size and type of display" says Gearhouse South Africa's marketing manager, Robyn D'Alessandro.

"We have seen the exhibition market taking an increasingly strong position in the marketing mix of late. There is a growing trend for buyers to seek to engage with sellers in a face-to-face scenario and exhibitors are using a variety of technology combinations to engage the senses in that interaction. Luckily Gearhouse has been able to continually diversify to accommodate t

Details

14 March 2016

"With the Transit MC 1031 we have developed a compact hybrid cable which is up to the daily strains in professional environments. Despite its three inner conductors it is highly flexible, so you can easily bend or reel it," emphasises Pascal Miguet, product manager with Sommer Cable.

The new cable provides a hassle-free transmission over distances exceeding 100m due to low damping values, but also relies on a special

Details

14 March 2016

Founded in 1996, the multi-awarding-winning WaterTower Theatre is a not-for-profit professional theatre company that produces six main stage shows each season alongside award-winning educational and community outreach programmes.

Earlier this year Fred Mikeska and Darrell Barnes of A.C. Lighting (ArKaos' US distributor) took Arkaos MediaMaster Pro to The Addison Theatre Centre where they presented a full demonstration of its capabilities to technical director, Scott Guenther, and lighting designers, Dan Schoedel and Jason Foster. "The team at Addison Theatre Centre was evaluating different media server options that would meet the venue's diverse requiremen

Details

14 March 2016

The Barclays ATP World Tour Finals is the year-end climax to the men's professional tennis season, featuring only the world's best eight qualified singles players and doubles teams as they battle it out for the last title of the season.

Creative Technology (CT) has been supplying equipment to the Barclays ATP World Tour Finals since 2009; the first year they were held at the current venue.

The sports presentation involved all of the usual display elements as provided by CT. This included 230 linear metres of LED courtside banner, 160sq.m of flown LED in the form of an eight-sided gondola hung above the court and a 90sq.m IMAG screen.

Key to maximising the potential of all the display technology in the arena is the event control sy

Details

14 March 2016

The three-minute video, which is available now on HK Audio's official YouTube channel, explains Pulsar's key features from the perspective of one of the firm's engineers, and runs through the considerations made when designing the series.

Engineered specifically for musicians and DJs who want state-of-the-art acoustics and electronics delivered in a classic format, Pulsar brings all of HK Audio's longstanding competences together in a modern, easily transportable package. The speakers feature 1000 watts of Class D power and the latest DSP technology, while the cabinets are built of select wood chosen for its superior acoustic properties.

HK Audio product manager Alexander Wollenb

Details

14 March 2016

At the Forum in Copenhagen, Change Lingerie introduced the Intimate Britney Spears line in the presence of the artist, as well as 5,000 attendees. Nordic Rentals was selected to create an astonishing fashion show.

As a background to the catwalk and stage where lingerie models and dancers performed, an ultra-wide curved screen of 44m x 5.5m was utilised. A total of six Panasonic DZ-21 video-projectors were blended to provide the panoramic curved image. The entire show was built in a Watchout 5 system, with eye catchi

Details

14 March 2016

It was the first time a full motion video has been projected onto this landmark building.

The song is helping to raise funds and awareness in BandAid30's ongoing fight against Ebola.

TPS's Creative Director Ross Ashton received the call on Friday afternoon from Des Shaw at event production company Ten Alps, who had received final clearance from Bob Geldof, on all the permissions to make the high-profile event happen on the Sunday evening in front of the world's press.

Says Ross Ashton, "We were called at 13.30 on Friday, and by 13.00 on Saturday we had started the install. Naturally I was thrilled to be involved.

Details

14 March 2016

The glitzy event, attended by some of the biggest names in British fashion, was set against a backdrop including a main projection surface of eight Panasonic projectors blended to create a 6598x830 screen.

Ben Miles used two active Ai S8 servers, with another two used as reserve and programming systems. Another 1920x1080 HD feed to the camera PPU fed the IMAG screens content, such as fashion shoot clips, awards and winners graphics, mostly created by StrangeBeast.

Of the two active servers, one had the UI and three outputs and the other, the UI and two outputs, all outputting 1920x1080 at 50Hz, beautifully synced together.