The tunnel's unique environment disorients the senses and allows visitors to be fully immersed in the storytelling and sound design. The bespoke soundscape has been composed to amplify the effect, reinforcing the impact of the storytelling with frequencies used to evoke fear, anticipation and heighten engagement. Ben Hickingbotham, Creative Director of The Observatory said: 'It certainly captures people's minds as they wa
Co-headlining with You Me At Six, the American pop punks played such major venues as the Manchester Phones 4u Arena, and London's O2 and Wembley Arena.
Maker specified a powerful rig which included Clay Paky Mythos, Showline SL NITRO 510C and Robe BMFL fixtures, all controlled by an Avolites Sapphire Touch, alongside a second Sapphire Touch as backup.
Maker also used two Avolites Sapphire Touch consoles on the Wembley show. For the 'enhanced' Wembley performance, Maker worked with Video Design, RES and the band's camera director Richard Shipman to specify two Avolites Ai S4 media servers, with the second Sapphire Touch triggering media and effects from the S4.
"I've been usin
Using the newly launched DZ21K Evo series and the all new PT-DZ780, Panasonic will recreate a 3D video mapping projection used to celebrate the 555th anniversary of Bucharest, on the façade of Ceausescu's People's Palace.
The DZ21K2 Evo maintains the 20,000 lumens brightness of the original DZ21K, but features extended lamp life, lower operating noise, improved image clarity and connection, thanks to DIGITAL LINKTM compatibility and two 3G-SDI inputs.
"The projection mapping we'll have on our stand, delivered by our new flagship projector is incredibly impressive. It illustrates perfectly how scalable our projection solutions for rental and staging are," said Jan Markus Jahn, European director of visual system solutions
In the new multi-million dollar production, guests experience a captivating journey to the snow peaked mountains of the high country where enchanted whispers and legendary yarns come alive.
"High Country Legends will be the most breathtaking arena show ever produced under the Australian Outback Spectacular roof," says Shane Phillips, Australian Outback Spectacular general manager. "The bravery, beauty and courage of the greatest Australian stories never told are brought to life through the biggest display of special effects ever implemented."
With lighting upgrades to be made, Clint Dulieu, lighting and technology supervisor for Village Roadshow Theme Parks
It was the eighth year that CPL has worked on this impressive event for utility supplier Telecom Plus which has grown year-on-year and now accommodates over 8000 guests across two days. CPL also supplied HD cameras / PPU and crew to the main auditorium / plenary sessions, with Lee Gruszeckyj leading the team.
As in previous years, they worked closely with Inteva and their production manager Jeff Whiteley who imagined the overall design concept and stage layout.
The event has expanded along with the business and commercial success of Telecom Plus, and with that, the associated production values have also steadily increased. This year's
The event was part of the celebrations surrounding the extension of the Hokuriku Shinkansen bullet train service, which goes all the way to Kanazawa, as of March of this year.
The creative agency responsible for bringing it all together was Drawing and Manual. Creative director Seiichi Hishikawa and Art Director Yutaka Obara were able to draw on the talent of a large crew of inspired artists and craftsmen from a great number of different companies, including CENDO Inc., Invisible Designs Lab, Diorama and Radix Corporation a
MediaMaster 4.2 now adds an integrated cue player and 4K support to the many tools already offered by this ever-popular software.
The new Cue Player is an important addition for users who require reliable, accurate playback of visual sequences, for example, on shows or installations requiring repeated automated playback. The Cue Player is built on top of MediaMaster's Theater Mode interface and can also be driven by Time Code as required. MediaMaster 4.2 is available as a free upgrade to MediaMaster 3.x or 4.x
ArKaos PRO's complete range of media servers will be exhibited. Comprising the Stage, Studio and Stadium servers, this range offers up to two-, four- and six-outputs respectively
Moore, of North-East based rental company Nitelites, has been working with Turner for five years. He designed a lively and dynamic show reminiscent of the band's recent UK tour. He used the full house rig, plus additional PRG provided floor cans for drums and keys, which provided some stunning low level key light, matching the front line.
Having operated their consoles since he started lighting, Moore has used Avolites for his entire career to date. "I followed in my family's
In 2014, Radio City's display technology systems were overhauled and updated to support the new seasonal production.
Display features include 11-projector 3D theatre mapping - delivering content to the main proscenium arch and additional arches either side of the stage. An 80ft digital scenery LED wall fed by Delta now runs content at 4:4:4 / 60 frames-per-second (fps), giving audiences a beautifully im
First up is the new Ethernet-DMX8 Truss MkII. This 8-port truss-mounted converter brings all the well-known features of a Luminex converter in a rugged and versatile form factor. Fitted with eight fully isolated DMX ports, and two Ethernet ports, the unit is designed as a solution for converting a high number of DMX channels, using the benefits of the powerful Luminex Ethernet-DMX engine.
Also on show will be a demo of the beta version of the upcoming 4.2.0 firmware for the Ethernet-DMX range. This beta includes the following new functionalities: Support for BlackTrax (Cast) protocol; Fade between sources for triggered control; Synced outputs.
In Hall 8, E0 Stand K37, t
The week-long run included a comedy night hosted by Kevin Bridges, plus live music shows headlined by Stereophonics, Noel Gallagher's High Flying Birds, Paul Weller, The Who, Van Morrison, and Frank Turner and the Sleeping Souls.
All the shows featured a central flown screen, 36.6sq.m in total, formed from XL Video's Barco NX6 6mm LED. This screen displayed a mixture of the artists' own playback content and logos, live IMAG footage and pre-recorded films about the Trust's work. Playback content was served from one of XL's Catalyst media servers.
In addition, a wide LED banner screen formed from XL's ROE Visual MC-18T
PSCo is now embarking on a second year, having successfully brought the Absen brand to the forefront of the LED display market in the UK, and has ordered another 1,200 Absen LED panels for stock to meet the increasing demand from trade partners. Due in early June, PSCo has already sold 60% and is anticipating much interest from Pro Light + Sound.
Stuart Holmes CEO of PSCo explains, "We are delighted to be celebrating such good news following our year of exclusivity with Absen. In fact, Absen is the perfect partner for PSCo and our customers, providing the latest high resolution LED products for both rental and fixed installation at a
"Hitachi can now offer customers a convenient and cost effective approach to lossless high definition projection at distances of up to 100m. With a higher contrast ratio of 5000:1 these two new models deliver the high-quality widescreen images that customers expect of the 8000 Series but with the added benefit of support for HDBaseT," said Axel Kutschke, senior manager, presentation products for Hitachi Digital Media Group. "By supporting this emerging standard Hitachi ensures that customers with a need for remote or long distance high
Fisher Hires supplies lighting, AV and technical expertise for all Fisher Productions events, and was launched as a separate company last year with the aim to widen the business and offer a full dry hire service.
Responding to client demand, Fisher has purchased a number of products from Clay Paky, MA Lighting, Avolites, Prolights and ETC and have significantly increased its stock of wireless uplights to include the Core Colourpoint.
Graham Beswick CEO of the Fisher Productions Group said, "Our upgrade of lighting and AV equipment comprises of over 110 product lines and thousands of pieces of kit, allowi
The 50% increase in total warehouse space enables XL Video to create a dedicated space for preparation and dispatch of the company's wide and varied range of indoor and outdoor rental LED screens, and other creative LED products.
This expansion into the new LED facility also creates additional much-needed space in the main XL Video warehouse to allow for the growth in inventory of XL's projection and media server/control departments, both of which announced major technology investments earlier this year with the likes of d3, Barco, and Lightware.
XL Video's UK director of operations, John Hooker commented, "We are pleased to be able to expand our operations into this ne
K3's impressive longevity - achieved without airplay on MTV and other standard music channels - was led by proactive direct marketing through youth and children's TV channels.
Luc has been involved with K3's live performance visuals for 12 years. His team from Painting With Light on this tour included programmer and lighting operator on the road Paco Mispelters and media server programmer and operator Katleen Selleslagh, and the design's starting point came from the band's hit TV show K3 Can Do It which is based on helping children achieve their dreams. The idea was to align the live show with the whole current K3 brand conc
"This collaboration with VuWall demonstrates the vast range of applications we can service with solutions as well as expert technical advice," comments Stuart Holmes, CEO of PSCo. "We are pleased to be able to offer our customers this software as part of the PSCo portfolio, creating a tailored solution for their requirements."
The collaborative visualisation software from VuWall Technology complements existing PSC
This is the fifth consecutive year XL Video has been involved in the video production for the awards.
The red carpet event took place on Sunday 12 April at the Royal Opera House and was followed by a televised highlights show on ITV later the same night. The full highlights package is available on ITV Player - www.itv.com/itvplayer/
XL Video's head of UK theatre, Ed Cooper, worked with the Awards team of executive producer Julian Bird, associate producer Julian Stoneman, head of production Lee Batty and general manager Katie Harper to specify the video requirements for both the Royal Opera House and the outdoor stage in Co
XL supplied ROE MC-7T and MC-18T Hybrid LED screens in XL's custom touring frames, cameras / PPU, Catalyst media server playback, a large Barco Mi-Strip scenic feature, projection and crew for the colourful, animated megamash of 30 major musical numbers, which was performed by eight artists and 11 dancers to sell out audiences. The live tour show was produced by Beth Honan for Syco Entertainment under the technical direction of Production North.
The Hybrid MC-18T screen - seen on many recent XL tours including Ellie Goulding and the Kings of Leon - was used on tour and features a standard medium 18 mm pitch compr
The ceremony was held at London's O2 Brixton Academy, and featured live performances by The Vaccines, Run the Jewels, award-winners Royal Blood and Charli XCX, and the recipients of the 'Godlike Genius' award, Suede.
XL Video project manager Paul Wood worked with Reality's Paul Corrick and vision director Matt Askem to specify the multi-camera, multi screen set-up. This is the eighth consecutive year XL Video has supplied the awards.
Upstage centre, a 35sq.m 16:9 screen formed from XL's ROE MC-7T LED Screen was flown, and 25m2 of XL's ROE MC-18 Hybrid LED Screen was used for an additional square LED surface flown to the left of the stage and 6 portrait banner screens arranged around the main screen.
The LED
Displays for the FLEXTile, FLEX Lite and FLEXCurve will also be featured for the two-day convention that takes place 20-21 May at the Kansas City Convention Centre. This will be PixelFLEX's fourth time attending a PLASA Focus event, following the successful PLASA Focus in Orlando in February of this year.
"PixelFLEX has made a definitive mark in the LED world both in Nashville and through the rest of the country and world," said David Venus, PixelFLEX director of marketing. "Attending PLASA Focus as a vendor is a more intimate way for us to get the word out about how unique our products are, especi
The show, designed by Owen Tozer alongside Andy Rowe features a cinematic video look thanks to content commissioned and created by Alan 'Willy' Williams.
For this tour, which includes three nights at London's Alexandra Palace, the screen design includes a central LED screen 10.8m wide x 6m high, flanked by three columns of LED either side, each measuring 1.2m wide x 6.6 m high.
To create this arrangement, XL Video have supplied their ROE Visual MC-18T LED, packaged in a combination of their custom touring frames in both full 4-tile and half 2-tile versions. The new half-touring frames allow show designers even greater flexibility when creating their screen set-ups.
The Barco Capital portfolio is initially available for the Digital Cinema, Venues and Hospitality, and Retail and Advertising product portfolios, starting with customers based in Europe and the Americas.
"For both current and potential Barco customers, it's essential to keep abreast of the latest innovation to generate business growth," says Sjoerd De Clerck, global director Barco Capital. "With Barco Capital, we help customers upgrade their equipment or invest in our state-of-the-art technology when the traditional capex-driven sales cannot be achieved or aren't appropriat
Simon brings with him 15 years' worth of experience, having worked previously for audio brands Sennheiser and Audio-Technica, and distributors C:UK and Polar.
Simon joins a strong team of specialists headed up by Sales Manager Scott Pollard, and will be responsible for the audio portfolio at Midwich. The field-based role means that Simon will be able to assist dealers with all elements of a project, no matter where they are based, from helping make the right decision in terms of audio to demonstrating the products.
Simon stated that: "It's great to be joining a successful company that is continually developing its strategy and approach to business. Audio is a significant part of any project, and I'm really plea
