lady-antebellumpavilion2Chauvet shines at the Lady Antebellum Pavilion
Thursday, 21 September 2017

USA - Country music fans got a glimpse of the future on a warm August Georgia night at the Lady Antebellum Pavilion. There on stage, performing solos and as a group, were six budding talents visiting from Nashville. Having written hits for some of country’s biggest names like Luke Byran and Florida Georgia Line, the sextet was there to chase the dream, as performers. Supporting them with some colourful, evocative star-worthy looks was a John Berret designed lightshow that utilized 35 Chauvet Professional fixtures supplied by Quest Sound & Productions.
“People familiar with country music know that quite a few stars got their starts writing music for established artists,” said Berret. “The musical talent on stage was pretty awesome. My goal was to give them a look that reflected their talent as well as their potential. I wanted to evoke the stardom yet to come.”
Berret accomplished this goal for the six writers (Ray Fulcher, Tyler Reeve, Cole Taylor, Trea Landon, Daren Racheals and Wyatt Durrette) with help from 19 COLORado 1-Tri IP Tours, eight Rogue R2 Spots and eight Rogue R1 Beams. His rig was controlled with a ChamSys PC Wing.
“I dispersed the COLORado fixtures throughout the stage to create warm colour washes that reflected the mellow sound of much of the music,” he said. “Of the 19 COLORados, 16 were on downstage truss spread out to create this nice back wash with blues, deep reds and other colours. Then I kept the other three COLORados in my back pocket so to speak to use as crowd blinders. They have the output (806 lux at

vkv2017360graddesign-48-von-139Eisbrecher creates fireworks with GLP
Thursday, 21 September 2017

Germany - Ahead of the Sturmfahrt tour to promote their new album, hardcore fans of Eisbnrecher (Icebreaker) flocked to their own festival under the name Volle Kraft Voraus ‘Full Force Ahead). Billed as Eisbrecher and Friends, the band invited artists like Lord of the Lost, Combichrist and And She Came into the Ratiopharm Arena in Neu-Ulm to join them for the occasion.
Rain Age was technical service provider for the high-profile event, while LD Martin Heining is also one of the long-time associates of Eisbrecher. "I've been supporting them for a long time and am responsible for the set and lighting design as well as for the special effects at the shows,” he reports. “It was only logical to work together with them on this festival as well.” In fact, it is becoming almost a full-time job for Heining, because the upcoming Sturmfahrt tour and his commitment to VNV Nation will occupy almost his entire time in the coming months.
At the Volle Kraft Voraus Festival Martin Heining faced a very special challenge. "On the one hand, I wanted to translate the set of Eisbrecher as authentically as possible into a festival design. On the other hand, all other bands should also have the opportunity to present themselves in the best possible manner." This was only possible with a clear line in the design. "You cannot become too complex with such little time for programming, but you need to create a lighting design that quickly produces a result," he explained.
At least as important for Heining is the reliability and flexibility of the fixtures - which led hi

 
 
arcolaPhilips Lighting enhances Arcola's Grimeborn season
Thursday, 21 September 2017

UK - Philips Lighting has announced that its support of London's Arcola Theatre in staging the popular Grimeborn opera festival helped the venue with its ambition to become carbon neutral. At the same time, the lighting rig also providing lighting designers with a dynamic, beautiful and consistent quality of light.
Arcola Theatre aims to become the world's first carbon neutral theatre, so being able to use low-energy, high-quality LED stage lighting fixtures from Philips Entertainment Lighting contributed a significant advantage to the production of Grimeborn. Arcola estimates that the inclusion of Philips Lighting's LED technology in the Grimeborn lighting rig delivered a 36% power-saving.
Philips Selecon PLprofiles and Philips SL BAR wash lights augmented Arcola's existing lighting equipment. "This dramatically reduced our power consumption," says technical manager Geoff Hense. "Currently, our older lantern stock is a major obstacle to our efforts towards being carbon neutral, due to the high-power consumption and lamps that regularly need replacing. The Philips Selecon PLprofiles do not have these limitations. We see this partnership as a bridge to converting entirely to LED lighting."
Hense, along with assistant technical manager Michael Paget, created a fixed lighting rig for the festival, with some additional 'specials' available to meet individual requirements. "Some companies may bring their own lighting designers or programmers, but all have to work within these limitations," says Hense.
Based on the feedback from

 
dubai-wallDataton Watchout drives mega Dubai video wall
Thursday, 21 September 2017

UAE - You can't miss the latest attraction at The Dubai Mall: the new curved video wall above the Dubai Aquarium & Underwater Zoo measures a stunning 700sq.m with 1.7 billion pixels on 820 OLED displays. Behind the scenes, you'll find Dataton's award-winning Watchout multi-display production and playback system, Watchnet manager software and Watchpax 4 servers delivering high-resolution content for the mall's estimated 80 million visitors.
The new video wall at The Dubai Mall, unveiled by Emaar Entertainment in August 2017, takes digital signage into a whole new realm and has already earned a hat-trick of records, in partnership with LG: largest OLED screen, highest resolution video wall and largest high-definition video wall.
Dataton’s Watchout multi-display system and compact Watchpax4 media servers handle content production and delivery, while LG’s flexible OLED screens provide the vibrant colour range and wider viewing angle necessary at the location. Show control onsite, including show selection and power cycling, is via Dataton Watchnet manager software. All functions and the user interface were tailored to meet the venue's specific requirements.
“The wall is designed to promote the aquarium, but will also provide a visually-exciting canvas for other content and companies, and with such a high-profile installation there are, of course, great demands on content quality and reliability,” said Trond Solvold, sales director at Dataton. “Watchout with Watchpax4 was likely the only system in the world that could pull off such a comple

 
 
roma-1Traditional Polish Cantos brought to life by DPA
Thursday, 21 September 2017

Poland - Clarity and transparency were the key reasons why sound engineer Tomasz Klimkiewicz chose DPA microphones when he was recently tasked with amplifying a series of concerts featuring traditional Polish Lenten cantos.
“I didn’t want the true sound of the instruments to change in any way,” Klimkiewicz says. “For example, the drums had been tuned by the drummer and I wanted the microphones to capture that exact sound. I chose DPA because I knew that their microphones were capable of delivering the clarity I was looking for.”
Entitled For Every Soul, the concerts featured unconventional arrangements of Lenten cantos that, while not as well-known as Christmas carols, are equally rich in beautiful and poignant melodies.
With a project of such emotional intensity, Klimkiewicz was keen to keep the aesthetics as clean as possible by not allowing technology to dominate the stage.
“It is important that the technology doesn’t disturb the contact between the artists and the audience,” he says. “Therefore, I tried to avoid tripods and cables that might obscure the view. DPA’s d:vote Instrument Microphones, which we used for the musical instruments, and d:screet Miniature Microphones, which we used for the vocal quartet, were ideal because they are very small and unobtrusive so we were able to hide our tools and put the emphasis entirely on the artists.”
Klimkiewicz used over 20 DPA microphones so that every single sound source had its own microphone. As well as d:vote 4099 Instrument Microphones and d:screet Minia

 
alistair-kilbeeSplitbeam invests in more Prolyft
Thursday, 21 September 2017

South Africa - To cater for theatre productions Priscilla Queen of the Desert (South Africa & Hong Kong Season), The Sound of Music (Asian tour 2017/18) and Evita (South African & Asian tour 2017/18), South African based Gearhouse Splitbeam, a theatre equipment rental company, has invested in 90 additional Prolyft motors and six controllers supplied by DWR Distribution. Alistair Kilbee is the managing director of Splitbeam and writes on his experience with the brand and why he went this route.
“I have always liked the Prolyft brand and this purchase made sense as we already had a stock holding of 57 Prolyft motors (1 Ton & ¼ Ton). The new acquisition, consisting of 85 Prolyte Prolyft Aetos 1 Ton and five Prolyte Prolyft Aetos 2 Ton, all in cases, along with six Aetos Pro range low voltage 8-way control, fits in nicely with our current stock holding to give us a total of 147 motors within Splitbeam.
“While the rest of the Gearhouse Group use CM, I felt that it was best to stay with a brand that I know and trust. We now stock 2 ton, 1 ton and ¼ ton motors. There was also the consideration that the Prolyft are easy to upgrade to double break for the future-proofing of the purchase. There is the noise factor that very few “non-theatre” people worry about, but in our market, this is a critical consideration. The new Prolyft motors are so quiet it is hard to even know that something is moving unless you see it happening.
“Theatre shows over the last few years have been getting bigger and heavier and the motor c

 
 
robe-plasa-2017-pla171204111Robe enjoys mega PLASA Show
Wednesday, 20 September 2017

UK - PLASA 2017 proved a lively, energetic and vibey hub for meeting the UK’s lighting and visual designer community and other creatives commented Robe UK’s MD Mick Hannaford, words echoed by the moving light manufacturer’s CEO Josef Valchar, stating, “We have enjoyed seeing many individuals, companies and organisations from all over the UK as well as several from Europe – the quality of the visitors and the networking opportunities were really excellent this year!”
The annual trade show was again staged at the Olympia exhibition centre in west London over three days, with Robe’s large, high-impact stand right at the heart of the domed ceiling hall, attracting massive attention with a specular dance / light performance live show.
This year, the product focus was on Robe’s just launched MegaPointe multi-functional moving light.
Another stunning booth design complete with elaborate draping and dressing continued the theme of theatrical spaces around the world in which to showcase Robe’s diverse range of products.
The stand design and the live show’s direction and choreography was conceived entirely by Robe’s own creative team led by Nathan Wan and Andy Webb. The show starred Jake Stephens - a talented freestyle dancer who has auditioned for Britain’s Got Talent - together with 42 x MegaPointes.
The hourly live show, with a robot-brought-to-life narrative and an elaborate post industrial stage set - was complete with dynamic soundtrack which took the global launch MegaPointe video presentation as its starting

 
le-markUndefeated! The PAL Label Challenge at PLASA 2017
Wednesday, 20 September 2017

UK - On its first ever public outing at PLASA 2017, Le Mark’s new PAL Label Challenge was attempted by some of the shows strongest visitors and exhibitors, but remained completely undefeated.
“The PAL Label Challenge is so much fun. It gets really competitive between friends and colleagues but so far, no one has made it budge.” Said Le Mark’s marketing & strategy manager, Mark Gibbons.
What’s the PAL Label Challenge? Le Mark wanted an entertaining way to demonstrate the raw strength of the adhesive they use in selected PAL Road Case Labels. With the help of with 5 Star Cases, they designed a set of flight case plates, fitted with heavy duty handles and stuck them together using the very same super-strength foam adhesive used in their foam-backed PAL Labels. The challenge is to see if anyone has the strength to pull them apart.
With no one successfully completing the Challenge at PLASA, the search continues…
(Jim Evans)

 
 
shureukrentalawardsseSSE Audio is Shure UK Rental Partner of the Year
Wednesday, 20 September 2017

UK - Shure UK announced SSE Audio as its 2017 UK Rental Partner of the Year during the PLASA Show at London's Olympia. The award was given to SSE Audio's group managing director John Penn and co-founder Heather Penn at the Shure PLASA stand during the second day at the show, by Shure UK's Pro Audio Group manager Tuomo Tolonen and area sales manager Stuart Moots.
"Shure's excellent relationship with SSE Audio spans several decades, during which time they've been a highly valued rental partner for us - but this past year, we've worked especially closely together with them," noted Tuomo Tolonen following the handing over of the award.
"SSE were involved with beta-testing for Axient Digital, our new flagship digital wireless microphone system, and this provided us with valuable feedback and allowed SSE to get first-hand experience with the system. After Axient Digital began shipping, SSE was amongst the first companies in the world to invest in it and to deploy it at high-profile events - with excellent results. In short, our relationship with them as trusted partners has gone from strength to strength this year, and this award is our way of recognising that."
“Shure has been a pioneer in microphone technology for over 50 years," commented John Penn. “In fact, 40 years ago, the first trade account we ever opened was with Shure. Over the past 12 months, we’ve invested in the latest Shure technology as we recognise the benefits it brings to our hire customers. With the ever-increasing demands on the RF spectrum and the high channel count that produc

 
sundown2017-craig-davidHawthorn at the double at Norfolk Showground
Wednesday, 20 September 2017

UK - Sundown Festival returned to Norfolk Showground for the seventh year this September and Hawthorn once again supplied lighting for the main stage. Attracting a 40,000 crowd, the three-day festival was the biggest ever and featured Craig David, Pendulum, Rag’n’Bone Man and You Me At Six.
Hawthorn supplied the Main Stage flown lighting system, including rigging, drapes, FOH control systems and followspots. On top of this, the company also provided a custom designed lighting package for Saturday’s headline act Craig David and another for Pendulum, who brought the festival to a spectacular close on the Sunday night.
Hawthorn’s head of concert touring, Mick Freer, led the project and consulted with the lighting designers for this year’s headline and supporting acts to produce a design that brought together all their precise requirements.
“The LDs provided a festival/touring plot in their rider and from this I picked out the key fixtures they wanted; in this case these were Martin Mac Viper Profile, Clay Paky Sharpy and Atomic Strobes” said Freer. “Once I’d pinpointed these, I then incorporated them into my design for the flown rig. The key with this was to ensure that any floor lighting packages the acts were touring with could seamlessly merge together with the flown rig to achieve the best possible visual effect for both artists and festival goers.’’
Following several weeks of discussions and meticulous planning, the final drawings were then submitted to the Sundown production team and staging company for their structura

 
 
depeche-modeGreen Hippo joins Depeche Mode global tour
Wednesday, 20 September 2017

Europe - Depeche Mode’s Global Spirit Tour sees the band crossing the globe in support of Spirit, their 14th studio album. During the European leg alone, the boys will play to 1.5m fans in 32 cities in 21 countries. And at each venue a pair of Hippotizer Boreal Media Servers will provide the technology required to manage the show’s video playback.
SRae Productions, the full-service design and production company owned by Sooner Routhier and Robert Long, takes charge of the tour lighting direction for Anton Corbijn’s production design. Commenting on the Global Spirit Tour, Sooner described some of the duties she and her team demand of the Hippotizer gear: “For Depeche Mode, the Hippotizer is a playback machine. We used the system for IMAG effects on the rear wall. We also used the colour block system in some way, shape or form. We trace the screens to give them the look of being lined in modern, neon-esk lines. We also were able to use each LED tile as a lighting fixture, taking a bit of pressure off the content team.”
Key to the success of this world tour’s video & lighting show is Hippotizer, Green Hippo’s award-winning proprietary software, including its ZooKeeper user interface. ZooKeeper talks to ‘The Engine’ (the core of the Hippotizer system) and the latest version enables best-ever real-time control. Sooner is a ZooKeeper fan: “We love the new layout and its workflow,” she said. Evaluating the latest version of Hippotizer V4 with previous release, Sooner added: “It’s still similar to V3, but with a bit of added f

 
ma-service-training-2017MA service training for DWR technical team
Wednesday, 20 September 2017

South Africa - Visiting South Africa, and in fact the African continent for the very first time, Oliver Ronshausen, service manager from MA Lighting, presented an elaborate three-day Advanced Service Training session to the DWR Distribution technical and support team.
Oliver joined MA in 1994, and with only a four-year interruption in between, really is part of the family. “I love the MA team, the product, being around the users and distributors and making friends in the industry,” said Oliver who in August last year started pushing service training to new and more structured level. “The training is to educate and enable people in the field to do repairs but the important thing, really, is maintenance. The feeling I have is that many MA owners don’t realize that they have to maintain their consoles in order to operate shows with a reliable product.”
The complex course went right down to component level and included fault-finding, quick fixes, replacing parts, PC boards, screens and a wealth of other information.
“We have learnt a great deal and our sincere thanks to Oliver,” said Bruce Riley, head of the DWR Technical department. “Our knowledge on tips and tricks and prompt problem solving has increased. We have learnt about support, how to listen to problems over the phone and how to swiftly get to the bottom of issues.”
An added benefit was that the entire DWR technical team, from Johannesburg, Durban and Cape Town, received the same training at the same time. “That was the beauty of it all,” added Bruce. “On many o

 
 
lockin-festivalSJP creates forest of light with ChamSys
Wednesday, 20 September 2017

USA - “Magic is what we do, Music is how we do it,” Jerry Garcia once told an interviewer. Had the Grateful Dead frontman been around to see the fantastical transformation of his namesake forest at the recent Lockin’ Festival, he undoubtedly would have agreed that there can be quite a bit of magic involved in lighting too.
S. Jeremy Peters turned the thickly wooded ‘Garcia’s Forest’ around Lockin’s Terrapin Station Stage (named after the Grateful Dead’s mystical 1977 album) into a transcendental canopy of colour with 150 pixel-mapped IP65 par fixtures that he controlled with his ChamSys PC Wing and Playback Wing.
Peters, the owner of SJP Productions, hung between three and five lights on over 30 trees in the forest. The glow from these fixtures radiated throughout the woods, colorizing other trees and creating a wonderland around the stage. Using modified hunting stands to set up his rig without harming the trees, he positioned his pars high over the ground. This not only aided in spreading the light, it also kept the fixtures safely out of the reach of festival goers.
The glowing forest provided a colourful backdrop for the music on the stage, which featured a life-sized replica of the Terrapin Station Porch that graced the cover of the Grateful Dead album. Peters lit the stage using only six par fixtures.
“We wanted very minimal stage lighting to keep the ‘porch’ vibe, so we just used a basic front wash and a coloured wash on the tent ceiling,” he explained. “The idea was to make sure the porch façade was well lit

 
nexoNexo line array at cultural heart of Tahiti
Wednesday, 20 September 2017

Tahiti - Nexo’s flagship modular line array, the STM Series, has been installed in its most exotic location to date – the To’Ata Showground in Papeete, the capital of Tahiti.
This very large showground, available for rental in different configurations that can accommodate 3200-6000 people, is the primary cultural events venue in French Polynesia, staging rock and pop concerts for up to 5000 people. It is also home to the Heiva, a spectacular two-month festival of dance and sport which dates back to 1881. Teams and troupes arrive from all the islands, more than 8000 participants in all, with the best chant and dance groups competing on the famous To’Ata stage.
Te Fare Tahiti Nui (TFTN), the public service organisation which manages the venue, was tasked with choosing a PA system that could match the showground’s versatility. Working closely with Comimpex, the Nexo distributor in Tahiti, TFTN opted for the scalable STM Series modular line array which could provide the best quality without compromise in different configurations.
Nexo field support engineer Val Gilbert flew to Tahiti to set up the system. “This is a perfect example of the true benefits of modularity. The entire setup can be re-configured to provide an optimised solution for all their events, despite the challenges of reduced sight lines when the production companies want the loudspeakers to be invisible on camera during the traditional events.”
The To’Ata house system now comprises 18 sets of STM M46 main and STM B112 bass modules, with STM M28 omnipurpose cabinets

 
 
alcons--kulturhuset-tromsoTromsø's KulturHuset chooses Alcons LR18
Wednesday, 20 September 2017

Norway - Acoustic problems are not limited to historic venues - many newer concert halls still experience issues with reverb or frequencies that can be difficult to eliminate. But an Alcons Audio pro-ribbon system has made a major difference to the main live venue in Tromsø, Norway.
Owned by the municipality of Tromsø, KulturHuset opened in 1984 and is used for a wide range of productions including opera, theatre, stand-up comedy, rock, pop and classical concerts. It also shows films during the Tromsø International Film Festival. The main auditorium can accommodate a seated audience of 620, or 1200 with the seats removed.
The main auditorium’s existing PA had been in place for over 10 years and the theatre felt that it was time to modernise and embrace the latest technology to help minimise a problem with bass reverberation.
"Sound quality was of course one of the most important considerations, a new system had to deliver equally high quality audio for all the varied types of production that we host,” says KulturHuset stage manager John Bekkelund. “The difficult acoustic characteristics also meant that we were looking for a system that was at the cutting edge of current technology.”
John and the team looked at a number of options, finally settling on the Alcons LR18 compact mid-size line-array, to be supplied by local installation specialists Lydproduksjon Tromsø AS.
The LR18 is a high performance, three-way line array system for medium to larger applications, featuring a purpose-designed RBN702rs seven-inch pro-ribbon tran

 
awards17PLASA Awards for Innovation 2017 winners announced
Tuesday, 19 September 2017

UK - Organised by LSi magazine, the 2017 PLASA Awards for Innovation took place at the end of a very busy Monday at this year’s PLASA Show. Hosted by PLASA’s managing director Peter Heath, the awards aim to recognise and reward outstanding new product ideas. 
The Awards garner a huge amount of respect because they are independently and impartially judged by an invited team of industry experts.
To win an Award for Innovation and Sustainability, a nominated product had to satisfy the chairman of judges that it met the criteria for Innovation by clearly showing that it demonstrates a new style of thinking; improves technical practice; introduces new technology, new materials or new techniques; includes patents or unique intellectual property; offers a new commercial advantage, or improves safety.
“This year we saw an incredible 40 products nominated, rather fittingly for our 40th year,” says Peter. “The judges can give up to eight Awards of equal standing - plus they have the option to make one or more of these a ‘GOLD’ Award - to recognise products they believe stand out above the others. They also have the option to present the PLASA Award for Sustainability, for products which offer a significant reduction of power usage; or make effective use of renewable energy sources; or which offer a significant reduction in environmental impact of its product lifecycle.”
The judges awarded all eight trophies and the winners were:
City Theatrical for the DMXcat
The judges said: "A compact multifunction DMX ana

 
 
gdsGDS launches South Korea operation
Tuesday, 19 September 2017

UK GDS announced at PLASA 2017 the creation of GDS Korea, a GDS manufacturing and design office in South Korea.
Following its creation, GDS has secured leading lighting supply and integration company, Hansam System Co Ltd as its exclusive distribution partner.
Richard Cuthbert commented: I am extremely pleased to be working with Hansam System and the team in South Korea. With an unparalleled system integration knowledge, it is the right choice for GDS theatre and lighting products. I very much look forward to improving the technical quality of theatre spaces in South Korea, and driving standards higher, as GDS has a long-standing reputation for doing.”
(Jim Evans)

 
chroma-q-appoints-paul-pelletierChroma-Q appoints global brand manager
Tuesday, 19 September 2017

UK - Chroma-Q has appointed Paul Pelletier as global brand manager for Chroma-Q. Pelletier is a 30 year veteran in the performance lighting industry working for industry leaders, most recently Martin Professional in the role of solution manager. Bringing with him extensive experience working with key brands, Paul has been an integral asset in brand development and marketing. He has worked closely with product development, sales, marketing and technical support to develop products, as well as to promote and sell these products within the lighting marketplace.
Reporting to Jean-François Canuel, managing director for the Canadian Operations, Paul will provide the direction to promote and continue the growth of the Chroma-Q brand, with support and training for clients and users. He will also work closely with Chroma-Q’s R&D team to create forward-looking, successful product development efforts that anticipate and fulfill end-user lighting design needs.
Paul will be based near Chroma-Q’s North American manufacturing operations in Toronto, Canada.
Paul commenced his new journey for Chroma-Q attending IBC2017 tradeshow in Rai, Amsterdam, and PLASA 2017 international tradeshow in London, to discuss highlights from the Chroma-Q LED product range at the brand's dedicated stand.
(Jim Evans)

 
 
what-the-festivalFunktion One at What The Festival
Tuesday, 19 September 2017

USA - What The Festival (WTF) returned to the Wolf Run Ranch in Oregon on 16-19 June for the sixth edition of the boutique festival. Funktion-One sound, including a Vero system for the main stage, was deployed across the festival, courtesy of Sound Investment and Fusebox Productions.
WTF was born in 2012, the same year that the festival’s co-founder, Glen Boyd, had Sound Investment install a Funktion-One sound system in his house. This year’s event welcomed 7,500 people, who came for what Boyd describes as: “A totally immersive festival”.
“It’s not about massive crowds and headliners, it’s about the whole experience, which includes interactive art, eight stages of electronic and live music, guest speakers and movement classes,” he says. “We don’t do pass outs because we want our community to stay together and for the environment to be as immersive as possible.”
To ensure that each stage has its own immersive aural environment, Boyd, together with fellow co-owners Tiffany Boyd and Peter Clark, stipulates that Funktion-One loudspeakers feature throughout.
Boyd continues: “I believe Funktion-One sound provides the best experience. I’ve followed the brand since the early 2000s and I’ve watched them improve and get better. There isn’t anything in the market that comes close in terms of quality and the warmness of the sound.”
The main stage, which hosted a range of DJ and live performances from the likes of ZHU, Cut Copy and Gramatik, featured two vertical arrays of three Vero V315 mid-bass enclosures, two Vero

 
scalaKings Cross club upgrades with Capital Sound
Tuesday, 19 September 2017

UK - Historic landmark building (and former picture house), The Scala at Kings Cross originally opened its doors just after the end of World War 1. More recently, in its current guise as an eclectic live music and dance/club venue, it has played host to many top bands since the venue reopened in 1999, including Tiesto, Bastille, Ed Sheeran, Nine Inch Nails, Kaiser Chiefs, Foo Fighters, Rihanna, Rita Ora, Lana Del Rey, The Killers and Stereophonics.
In order to keep up with the demanding technical requirements of artistes of this calibre, the Scala recently upgraded its house PA system to a Martin Audio MLA Compact, with the new system designed and installed by Capital Sound (for whom both The Killers and Stereophonics are long-term touring accounts).
With as many as 800 people packing the place for live stage events (rising to 1145 capacity for club nights), audiences too are now treated to pristine digital audio from the new mixer-loudspeaker combination.
Explaining the background to the sale, Capital Sound’s operations & development director, Paul Timmins stated that when his company became aware that the Scala were starting to upgrade, having taken possession of a new digital console, they approached the venue’s technical manager, David Preston and he in turn introduced them to Scala owner, Ryan Bissett and Operations director, Lee Hazell.
“We recognised that this is a difficult venue, with a big reflective glass wall at the back, and we felt that MLA Compact would offer the ideal solution,” he said. “The sale was concluded ov

 
 
andrea-bocellidLive in the mix for Voices of Haiti
Tuesday, 19 September 2017

Italy - An Allen & Heath dLive C Class mixing system was selected for a charity concert by famous tenor, Andrea Bocelli, held at Teatro del Silenzio in Lajatico, Italy, for his foundation, Voices of Haiti.
Held annually, this year’s concert featured a choir of 60 young Haitian singers, who are part of an educational Andrea Bocelli Foundation (ABF) musical project. The opera star accompanied the choir and there was also performances from several international guest artists. Now in its 12th year, the concert was attended by more than 15,000 people.
PA company, Luciano Spera Audio Video Luci, was responsible for audio requirements on the night, selecting a compact dLive C3500 Surface with CDM48 MixRack, to manage FOH.
Sound engineer, Pierpaolo Guerrini, commented: “The dLive C Class was a great choice for this concert. Its compact size means we did not take up much space in the audience, and the audio clarity, depth and quality of the system make it the perfect choice for classical events.”
(JimEvans)

 
poFull Boar 4s cruise with P&O
Tuesday, 19 September 2017

Australia - Brisbane’s Point Source Solutions are specialist AV integrators that pride themselves on making complex systems work. With skills across multiple disciplines, Point Source can do everything from event management, to networking infrastructure, to LED video screen design. With a diverse roster of clients, Point Source recently found themselves aboard two P&O cruise ships, the Pacific Dawn and the flagship Pacific Explorer, upgrading their theatre’s lighting system with High End System’s Full Boar 4 consoles.
With a rotating line-up of productions created for the global cruise giant by Sydney’s Grayboy Entertainment, theatre on the P&O line is just as complex and technical as it is on dry land. Grayboy’s lighting designer Gavan Swift is a dedicated Hog user, and specifies High End Systems consoles for all of the P&O shows. As part of a major upgrade, both the Explorer and Dawn’s Full Boar 3s were retired and directly replaced by the latest Full Boar 4s.
“I specified the Full Boar 4 firstly due to its ease of use and intuitive control interface,” said Gavan Swift. “The second reason was that the Full Boar is a direct upgrade from the Hog 3 with similarities in how the two consoles operate resulting in less training for the on-board crew who have to program and operate the lighting console on a daily basis.
“Whilst the Grayboy production shows are the primary focus for the theatre on-board, there are daily events that need to be lit and a number of guest entertainers who need their shows programmed and operated

 
 
show-floorPLASA Show celebrates 40th anniversary
Monday, 18 September 2017

UK - The PLASA Show’s second year at London Olympia marks its 40th anniversary. It may be 40 years old, but the show has moved with the times, adapting its offering to accommodate the shift in how companies want to exhibit.
There are over 200 brands on the show floor this year, displaying the very latest pro audio, lighting, AV, staging and rigging technology. New audio products on show include: Adamson’s IS-Series of loudspeakers; d&b audiotechnik’s 24S and 24S-D and 21S-SUB point source loudspeakers; FBT Audio’s VENTIS and Shure’s Axient Digital Wireless System. New lighting releases include Chauvet’s Maverick MK2 Profile; Elation’s Artiste Dali; Eaton’s Zero 88 FLX S and Robe’s new MegaPointe.
This year’s enhanced seminar programme sees more than 100 industry experts giving key-note talks, live demos, interactive workshops and panel discussions. Sessions will cover hot topics in the industry such as 3D audio, preparing for the loss of 700MHz, using video design to support theatrical lighting, and familiar favourites, such as the annual Rigging Conference and Forum, and Dante training workshop.
In the Audio & AV Theatre, sound designers Gareth Fry and Pete Malkin will talk about their incredible work to build a shifting world of sound on The Encounter, Simon McBurney’s solo performance at The Barbican; veteran industry journalist Phil Ward is hosting two panel sessions - 360 Degrees of Sound, which will take a look at 3D audio, and dealing with architects and consultants, in the intriguingly entitled Was Le Corbusi

 
10th-koi-winners24 lighting designers knighted at 10th Knight of Illumination Awards
Monday, 18 September 2017

UK - Sunday 17 September marked the 10th anniversary of the prestigious Knight of Illumination (KOI) Awards, held at the Eventim Apollo in London. During the dazzling evening event, 24 respected designers were 'knighted' - and bestowed with the iconic KOI sword.
The event was skillfully compered by the inimitable Ola Melzig, an internationally renowned technical director perhaps best known for his tireless work on the annual Eurovision Song Contest - the world's biggest televised music event.
More than 500 entertainment technology industry professionals gathered together to celebrate the achievements of the many international lighting and video designers whose work on shows across the UK earned them a coveted place on the shortlist for this year's KOI Awards. The winners are as follows:
THEATRE
Winner of The ADB Theatre Award for Plays:
Richard Howell for Guards at the Taj
Winner of The ETC Theatre Award for Dance:
Fabiana Piccioli for Echoes
Winner of The PRG XL Video Theatre Award for Musicals:
David Hersey for Fiddler on the Roof
Winner of The Hawthorn Theatre Award for Projection Design:
Lysander Ashton for City of Glass
Winner of The Robert Juliat Theatre Award for Opera:
Simon Corder for The Queen of Spades
TELEVISION
Winner of The Light Initiative Television Award for Events:
Bernie Davis for BBC1's Festival of Remembrance
Winner of The Philips Vari-Lite Television Award for Drama:
Domini

 
 
 
 
 
 
 
 
 
 
 

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