Italy - The Leonardo Da Vinci National Museum of Science and Technology in Milan has recently inaugurated the Leonardo Da Vinci Galleries, the largest permanent exhibition in the world entirely dedicated to the Italian scientist and artist.
The 1,300sq.m exhibition area takes visitors on an interactive multimedia journey through the life and masterpieces of one of the most important artists of the Renaissance.
The lighting installation, which contributes to give value to Leonardo’s inventions and works of art, has been set up by Sater 4.0 using more than 140 Prolights MiniEclipse.
Fabio Carolis, who works in the logistics department at Sater 4.0 says: “We chose MiniEclipse because of their extremely interesting features in terms of light output, power and colour reproduction.
“We mounted the fixtures on trusses using different optical solutions. In this way we’ve been able to create an impactful illumination in order to enhance paintings and artworks.
Deciding to use Prolights MiniEclipse was a no brainer: the product’s high flexibility, together with the Prolights team’s professionalism and reliability, have always been a guarantee of success in all our projects.”
UK - Northern Light was commissioned to design, supply and install a new lighting and AV system by The Robertson Trust for Stirling.
They were asked to provide systems which were as flexible as possible and allow the room to be used in many different configurations as the final configuration of the rooms was yet to be determined.
The proposed systems included: overhead suspension bars and lighting grids, power distribution, LED fixtures, projection, installed sound, fixed control rack, facility the new conference space within the Barracks Conference Centre, panels with cable infrastructure and a lectern.
Northern Light was also asked to provide video conferencing and presentation systems for the meeting rooms within the barracks building. The systems had to be capable of interoperability between the systems as the room will be hired out for many different client needs. Northern Light worked alongside Blackstar solutions to provide a Starleaf solution which is able to communicate between all different video conferencing systems.
“We worked with the client to produce an end result that provides the room with a user-friendly conference presentation system with additional control for larger different events and the additional challenge of an infrastructure to meet any unknown requirements in the future,” comments project manager Steve Dick.
UK - Eighteen of Zero 88’s new RigSwitch cabinets - for controlled and synchronised power switching - have been installed at P&J Live at The Event Complex Aberdeen, a new multi-million-pound flexible entertainment, exhibition, event and conference facility delivered by Aberdeen City Council in partnership with Henry Boot Developments (read more on the development in LSi February 2020).
The building was designed by architects Keppie and constructed by the Robertson Group. Theatre Projects were commissioned to define and specify the site-wide technical infrastructure for Hall C and Conference Suites 1 and 2, and the tender for electrical contractor for these areas was won by LSI Projects.
When it came to a power switching solution for the LED lighting rigs predominantly requiring ‘hot power’ in these three main spaces, the need was for a safe, cost-effective and reliable system to control the predicted on / off power surges associated with large LED installations.
LSI Projects also won the tender to deliver the cabling infrastructure for the entertainment lighting rigs, audio and AV plus associated power distribution for these performance spaces including all the fibre connections, and they in turn chose RigSwitch to be an integral part of that setup.
Two variants - a 24 and a 36-channel version - of RigSwitch were supplied.
USA - Every form of the city’s creative expression seems to find a home with the 24,000sq. ft confines of Elsewhere in New York City, which houses a loft café, art gallery and four performance spaces. It is, as one New York newspaper critic declared, a “community-driven environment where art thrives and different cultures meet”.
Tying this creative cauldron together is a flexible lighting system that includes a large number of moving luminaires and stage fixtures as well as LED panels, most of which are controlled by the house ChamSys MagicQ MQ80 console. Chris Madden, head of production at Elsewhere, selected the ChamSys desk as the club’s main console because of its price to performance ratio.
“In addition to having a large number of fixtures, Elsewhere relies heavily on LED installations in the Hall, and throughout the building,” says Madden. “The MQ80 can handle a huge number of universes, in particular for its price point. It allows us to control all of our fixtures and multiple LED installations. Additionally, when artists bring in their own lighting package or video wall to the club, we still have open universes to control them as well.”
Elsewhere’s four performance spaces are The Hall (700 Cap), Zone One (250 cap), the Loft (100 cap) and a rooftop space (500 cap). The MagicQ MQ80 controls the lights in the Hall, where the headliner performances take place, while a MagicQ PC Wing with a computer runs lights in Zone One.
“Everything in Bushwick is busking,” says lighting designer David Wilson. “The vibe here i
UK - Television lighting rental specialists Version 2 has relocated to a repurposed factory in Reading, Berkshire.
The site is located within easy reach of the M4 into West London and nearby national motorway networks. The facility, formally occupied by Boomf (James Middleton), offers significantly extended storage space alongside modern equipment preparation areas. The move will also see an expansion to the company’s project management offices.
Nick Edwards, managing director, comments: “The whole team here at Version 2 are extremely excited to be moving into new premises. The move is essential to meet the ever increasing demand for our service. This will allow us to grow not just our inventory but also enable us to recruit more key personnel.”
The move comes at the time of recent news that US company Blackhall Studios plan to build a new £150m film studio in Reading to meet the current demand for Film and TV production in the UK.
Version 2’s new address became effective from the 1 February: Version 2 Lights Ltd, The Old Grain Store, Childs Court Farm, Ashampstead Common, Reading, RG8 8QT.
UK - Stage and theatre drapes manufacturer J&C Joel has appointed Lauren Kellett as its new chief financial officer (CFO), replacing Nick Warton, who will leave the business in December after almost four years of service.
Kellett will helm J&C Joel’s Finance and IT department, assuming full responsibility for the company’s finances including planning, reporting and auditing. Working closely alongside the rest of the senior management team, she will support business growth across the world.
James Wheelwright, CEO of J&C Joel added: “On behalf of the company, I would like to welcome Lauren to J&C Joel. Her experience in the finance industry, as well as her knowledge of fabrics is very valuable to our team here at J&C Joel and I have every confidence she will be a great addition to our senior management team. We have expanded significantly in recent years and are currently working on a brand-new catalogue to showcase our innovative products and services to our clients around the world.”
Kellett brings 13 years of experience to the organisation, having worked for some of the biggest names in finance, most recently as director of finance at West Yorkshire-based textiles firm, Camira Fabrics. She was also finance manager for Colliers International (UK) and spent two years within the London Audit team at BDO, a major accounting firm with a global presence.
She comments: “I am delighted to join the team at J&C Joel, the company has such a rich heritage and is well respected within the events industry. The team has
China - Sing! China is a TV singing competition broadcast by Zhejiang Television. The show is contested by aspiring singers drawn from public auditions. The latest season of the show recently came to its climax with a spectacular Finals production staged in the Beijing National Stadium, known globally as the Bird’s Nest. Watched by millions on TV, the show attracted a live audience of more than 60,000 in the stadium itself.
The show’s production values were of the highest order, with its designers sparing no creative efforts in presenting the artists in an incredibly dynamic and high-quality presentation. On stage, a 360° rotating decoration with a four-sided screen was deployed to present every detail of the show and this year, the team fully upgraded its follow-spot technology to further enhance the audience experience.
In a large capacity stadium like the Bird’s Nest, which covers 21 hectares, traditional follow spots can be difficult to use to maximum advantage. The design team at Sing! China elected to use the Spotrack TrACME dynamic tracking system supplied by ACME.
The system enables an operator to remotely control from any location, moving lights as follow spots. Compatibility is key to the system - it works with any moving light and any lighting console, in any performance space and can be used in all entertainment sectors for live production from anywhere in the venue.
For the Sing! China Finals, the designers deployed eight TrACME systems, each of which is able to control up to four moving lights from an
Qatar - Painting with Light (PWL)’s creative director Luc Peumans was asked to design an eye-catching lighting scheme for the opening ceremony (OC) of the first Qatar eSports WEGA Global Games. The OC event was staged in the Khalifa Stadium in Doha and attended by 14,000 eSports fans.
Show artistic director Steven Martin from The Cintamani Stone: ArchitectofEMOTION (TCS-AOE) asked Luc onboard for their pitch, and they were awarded the project by Doha-based event company The Planners LLC.
Working together for several years now, the experienced team at The Planners combined with TCS and Trimex has become a major player in the Qatar market for these types of shows and events.
Luc was excited to be part of an all-Belgium technical design and imagineering team including OC technical director Ludo Vanstreels from Trimex with whom PWL has also worked on several previous projects.
Challenges for Luc’s lighting design included the positioning of the stage in one section down the long end of the stadium, which meant that the whole lighting rig - and all other technical elements - had to be ground supported.
Integral to the winning pitch were elaborate projections mapped onto the stage floor and holographic images beamed on a special 30-metre-wide by 12-metre-high scrim - currently a trending aesthetic in the world of eSport tournament OCs. These had to be carefully ‘lit around’, combined with several flying and ground-based cast members and performers.
Large amounts of video and LED screens to generally contend with were additional c
Australia - Urban Theatre Projects (UTP) is dedicated to telling real-life stories which portray the many facets of modern-day Australia through site-specific cultural experiences. Many of its projects are presented in Blak Box, a portable venue that uses Alcons Audio pro-ribbon systems for a fully immersive audio experience.
UTP’s latest production was Momentum, which was presented in Blak Box at Barangaroo Reserve, Sydney, throughout the first half of November. Alcons Audio systems for all Blak Box productions are supplied by David Betterridge of Sydney-based Loud And Clear Audio Pty. The Momentum system comprised six pro-ribbon VR5 mini monitors and two BF151mkII compact subwoofers, powered and managed by two Sentinel3 amplified loudspeaker controllers. The VR5s were evenly-spaced around the perimeter of the internal wall, with the BF151s placed in opposing corners, between the internal and external walls.
“Each project presented in Blak Box is an individual work created by different teams, with different styles of storytelling, music and soundscapes. It’s quite an intimate space, so the quality of the system is paramount,” says Betterridge. “For Momentum, the brief was to supply a very compact system, because there was very little space for the top boxes, but which would be capable of reproducing a very varied range of speech and musical styles.”
Betterridge and his team proposed the Alcons VR5 because it delivered very high fidelity sound, but was able to fit into the very tight space between the top of the inte
USA - When French record producer and DJ Gesaffelstein launched his impressive stage set at Coachella last April it created a blueprint for the Against the Night, Across the Time US tour that was to follow towards the end of the year.
Positioned behind the artist was a 32ft high monolith covered entirely in Vantablack, a fragile material reported to deliver the world’s blackest black, erasing any visible features on a 3D surface and making objects very disorienting for the brain. The UK-designed material was being used for the first time in a live performance context.
Show producer, Matthias Leullier, from Live Nation France, worked alongside LD Pierre Claude to turn the concept into reality, the latter in turn dipping into his GLP toolbox. He requisitioned 54 x JDC1, hybrid strobes as the main fixtures (running them mostly in SPix Pro Mode4, using 62 DMX channels). Two lines of 12 JDC1 on the floor surrounded the artist, with a 24 JDC1 tower behind the Vantablack, and a further six hybrid strobes on a truss. Meanwhile on the floor were 12 GLP impression X4 Bar 20s run in full pixel mode.
Leullier explained, “The main idea behind Gesaffelstein’s set was to create a memorable experience with a super-black monolith able to challenge the audience’s depth and spatial perception. The artist appears to ‘float’ against the Vantablack monolith, a mesmerizing two-dimensional black void.
“During the performance, this also separates into two vertical halves exposing a high-resolution LED display combined with a complex light show in
UK - RCF UK has appointed Tom Martin to the role of UK technical sales/support. He will be supporting all RCF dealers south of the M62.
During his career so far, Martin has worked across many sectors, including tour/product management, FOH engineering, corporate production and audio installations, and many large-scale events including The Olympics, The Brits and MTV Awards.
Dean Davoile, UK sales director, comments: “As RCF continues to grow we needed to find someone that was capable of supporting our dealers and demonstrating across all our product ranges. Tom is that person; with his extensive experience in Live, Installed and AV applications, he fits the bill perfectly.”
Martin adds: “I am looking forward to getting my teeth into the RCF product lines and working with some great people, both in the UK and Italy.”
Italy - In 2020, HP Sound Equipment and its pro audio brand K-array will be marking their 30th and 15th anniversary respectively.
The two anniversaries will be celebrated throughout the year during various events for K-array and HP Sound Equipment clients, suppliers and staff.
The Italian manufacturer got its start in 1990 in studio design and installation, specifically for radio and television, operating as parent company HP Sound. Its three founding partners - Massimo Ferrati, Alessandro Tatini and Carlo Tatini - sought out to develop their own line of MI-based equipment and by 2005, it turned its sights to live sound reinforcement and formed K-array. Practising primarily as a rental company, K-array was driven to find an alternative to the traditional design of a PA system as the sheer volume and weight of these wooden transducers caused the cost of transport to be highly expensive and made the rigging hugely inefficient.
After years of research and testing, K-array’s flagship Concert Series was introduced. Since then, K-array has maintained its reputation for innovative design by developing touring systems as well as line array elements for fixed installations and portable audio.
As the company’s portfolio grew, so did its family of designers, inventors and distributors; today, there are over 60 employees located in Tuscany and a network of 40 distributors worldwide.
In 2018, K-array’s industrial headquarters underwent an expansion and renovation for a restructuring entirely of Italian flavour to harmonise with its deep-seated
Saudi Arabia - Diriyah Gate is the birthplace of the Saudi Kingdom and was the original home of the Saudi Royal Family. Today, it is a 19th-century UNESCO World Heritage site which is set to attract thousands of tourists as part of Saudi Arabia’s vision 2030. King Salman Bin Abdulaziz Al Saud and HRH Crown Prince Mohammed Bin Salman Al Saud launched the opening ceremony of Diriyah Gate with a visual spectacular show.
CT was called upon by Executive Visions (EVI) to deliver the technical implementation of the striking cinematic projection mapping on the historic site to tell the visual story of the kingdom’s history.
The ancient ruins ‘mud city’ of Diriyah has been restored over the years by the Saudi Royal Family, enabling it to be the centre stage for the production. CT provided 170 Panasonic RZ31 and 21k projectors span across the 350m+ wide projection canvas.
CT were tasked to ensure all visible surfaces across the 350m+ wide canvas was covered to enable content to run smoothly across six content zones.
“We carried out various site visits during the planning phase so we could strategically plan where the projectors would be located. This enabled us to avoid any potential issues early,” says Dan Hughes, CT’s project manager. “As this was a UNESCO world heritage site, we needed to carefully asses where the projector locations could be positioned. We worked closely with our client EVI and the Diriyah Gate Development Authority (DGDA) to ensure all locations were approved by the DGDA ahead of time.”
CT was tasked to e
UK - Chester’s Storyhouse is an award-winning venue encompassing a theatre, library, restaurant and cinema. Housed in a restored Odeon building that dates back to 1936, it now holds an 800-seat auditorium and a 200-seat studio theatre. SolaFrame 1000 luminaires from High End Systems are the latest addition to the venue’s LED inventory as part of a tungsten replacement programme.
“With busy rep seasons multiple times throughout the year, playing up to four shows on top of one other, flexibility within our lighting equipment has always been key,” says Storyhouse technical manager, Andy Patterson. “We opened our building in May 2017 with a four-show rep season and a schedule that didn’t allow for refocuses between shows.”
During the first year of operation, the venue’s kit list included a combination of Source Four, Source Four LED Series 2 Lustr and ColorSource Spot fixtures from ETC. Added to this were some tungsten Fresnels, some ex-hire tungsten moving head wash lights and four moving light profiles.
“Given the impending demise of tungsten, the increasing difficulty getting hold of lamps for units like the TW1 and the desire to improve our production quality, I put together a 10-year tungsten replacement program,” explains Patterson.
With the intention of replacing the tungsten moving fixtures and bolstering their generic stock with LED replacements, Storyhouse turned to White Light, and worked closely with business development manager Jonathan Haynes for some impartial and invaluable advice. Haynes talked through the opt
UK - The Factory Live is a new venue in the UK's south coast town of Worthing. Already attracting much critical praise, its audio system of Yamaha DZR and DXS XLF loudspeakers is impressing audiences and artists alike.
The 300-capacity venue is the brainchild of managing director Steve Gardner. Having taught himself to play piano upon retirement from a successful corporate life, Steve was approached by an old school friend who had an empty building in the town of Worthing, formerly used by the local college as a music and dance training centre. Spotting an opportunity, Gardner started the successful Soundhouse and Dancehouse rehearsal businesses.
It was natural for him to approach nearby high-end audio retailer The Audio House when equipping the rehearsal studios, developing a close working relationship with company founder Gerry Heeley.
As Soundhouse and Dancehouse quickly established themselves as ‘go to’ music and arts rehearsal spaces in the area. Gardner saw the opportunity to develop a large, unused space in the building as a new venue. The Factory Live was born and, with 30 years’ experience of the local music scene, Gerry was the perfect collaborator.
“There is a keen appetite for live music in and around Worthing. Although there are a few existing venues, most of them are not purpose built, have limited capacity or are in concentrated residential areas,” says Heeley.
“Being a 10-minute stroll from the centre of town, two minutes’ walk from the railway station and with no immediate residential neighbours, we had the
UK - White Light has supplied the lighting equipment for Anton Checkov’s Uncle Vanya which has opened at the Harold Pinter Theatre in London’s West End.
This latest production has been directed by Ian Rickson and features a lighting design by Bruno Poet. Bruno comments: “What’s great about this translation is that it doesn’t reinvent the original but actually gives it a modern edge, using contemporary and accessible language which makes it moving, clear and very funny. Whilst it is set in the 19th century, the themes feel completely relevant to today.”
Bruno’s brief on the show was to move the story forward and support the character’s emotional journeys. He explains: “The script calls for a sense of the time of day, and the weather. We start in summer sunshine, move to a hot, but stormy night, then enter an autumnal afternoon that slowly travels through sunset to dusk and night time.
“The production all happens in the same space, so the lighting needed to give each act a distinctive feel while belonging within Rae Smith’s elegant design. Although we are guided by the script, Ian and I wanted the feel to be bold and expressionistic, sculpting the air and supporting the focus of the performers; with all the characters trapped in the misery of loneliness and unrequited love.”
As such, Bruno started designing his rig and choosing the fixtures that would be most suitable. He comments: “I knew I wanted tungsten light through the big windows that make up most of the stage right wall. I needed the rich warms across the
India - It’s a rare occasion when a live concert features more musicians on stage than there are spectators in the audience, but such was the case for a Guinness World Record-breaking performance in Mumbai on 24 January.
To commemorate the premiere of Amazon Prime’s series The Forgotten Army, Live 1000 - a group of 1,046 musicians - performed selections from the series’ score for a crowd of about 200, supported by an Adamson S-Series audio system from production technologies provider Sound.com.
“When we were first approached to take part in this very special event, it was clear that the sound system needed to be compact and discreet as to not impede the audience’s sightlines, considering the unique layout of the seating and stage,” begins Warren D’souza, the founder and managing director of Sound.com. “We knew Adamson’s tour-proven S-Series would give us the power, clarity, and headroom we needed, even in a such a minimal set-up.”
Sound.com deployed four identical stacks of three Adamson S10 two-way, full-range sub-compact cabinets over a single S119 subwoofer to cover the long but shallow seating area for a total of just 12 mains and four subs. As with the rest of the company’s substantial inventory of Adamson products, the system was acquired via Sonotone, the manufacturer’s exclusive Indian distributor.
“We needed a compact system that could deliver the required coverage and SPL for this show and the S-Series delivered on all fronts,” comments Sound.com’s Mark Thomas, who mixed FOH for the event. “The
USA - Visitors to Arcadia Earth can’t help but feel at one with the assortment of environments represented in the art installation’s 15 rooms in Manhattan’s NoHo district, ranging from the depths of the sea to the tops of glaciers. They will also be touched by the dangers posed to each from climate change, from overfishing and plastic pollution to deforestation, as envisioned by environmental artist Valentino Vettori. But what brings it home emotionally is the score and ambient sound created by Dave Hodge of Finger Music, with specific music and sound design for each of the rooms, delivered subtly but powerfully.
The audio is riding on a networked backbone with components from Focusrite’s RedNet range of Dante-networked audio converters and interfaces. Four RedNet A16R 16-channel analogue I/O interfaces provide 119dB of 24-bit/192kHz dynamic range and Focusrite’s superb sound, thanks to top-shelf AD/DA conversion, to cover the exhibition’s 13,000sq.ft over two floors. Bond Applied Technology served as installation partner, assisting with the wiring and other technical aspects of the job.
“We couldn’t have accomplished this without RedNet,” says Hodge, who serves as creative director and partner at Finger Music, as well as the sound designer and music consultant for the project. “We have two channels of full-range audio per room, played through either two or four speakers per space. There’s another 32 channels of ambient sound that plays throughout the entire installation on tiny speakers embedded in the walls, holding it together wi
UK - When the £84m International Convention Centre Wales (ICCW) opened in September last year, it was not only the first of its kind in Wales, but this joint venture between the Welsh Government and the Celtic Manor Resort has contrived to deliver 26,000sq.m. of total floor space for meetings, conferences and exhibitions (around the size of four international rugby pitches). For visitors driving down the adjacent M4 motorway, the 10m tall red steel dragon provides an unmistakable landmark.
Incorporated within this is a 4,000 sq.m., pillar-free, reconfigurable main hall, and it was this space that threw up many challenges for the technology contractors, Stage Electrics. Their solution was to specify an end-to-end audio workflow from the extensive RCF catalogue, tying nearly 800 loudspeaker products (and over 1,000 RCF components in total) into a multi-use PA in the main hall and mobile systems for the meeting rooms, merged into a fully-compliant PAVA environment.
With the inception of the project dating back to 2016, many technical pitfalls had to be overcome along the way, Simon Cooper led the Stage Electrics engineering team for this project which benefitted from his substantial prior experience in Convention Centre systems.
Stage Electrics were awarded the contract in part by virtue of having worked with Celtic Manor on a number of previous occasions and most significantly by putting forward the most compelling solution to the challenges posed.
Stage Electrics has considerable success installing RCF systems into a wide range of applicat
South Africa - DWR Distribution has appointed Andrew ‘Andy’ Pettit in the role of sales and technical support for the Cape Town market. He will be joining Bradley Bruchhausen at DWR’s offices in Milnerton, Cape Town from mid-February.
“I am very excited to be taking on the role of sales and technical support at DWR Cape Town. I believe that the position will present some much-welcomed new challenges and will allow me to grow both personally and professionally,” says Andrew. “I am honoured to be a part of the DWR family and am looking forward to a bright and rewarding journey with the team.”
Andrew is no stranger to the technical entertainment industry. After matriculating, Andrew attended The Cape Audio College where he achieved his Diploma in Audio Technology while working as a freelance technician. Following graduation in 2015, he joined SOLID Group, a well-established production and events planning company.
“I am very pleased to have Andrew join me at DWR’s Cape Town office,” says Bradley Bruchhausen, who currently manages the branch. “Andrew and I have worked together on various projects over the years, and I am confident that he will prove a fantastic addition to the family and fill Jethro’s shoes, who is exploring other opportunities.”
UK - Penn Elcom has announced that RGB Communications will be distributing its full range of 19-inch racking enclosures and associated accessories.
The move is in line with RGB’s goal of being a one-stop shop for AV racking solutions. In addition Penn Elcom’s various products for the AV market, along with its 19” ranges, complement, RGB’s existing product portfolios in the residential and commercial sectors.
Caroline Britt, Penn Elcom MD, comments: “As a high-quality UK-based manufacturer with great support and a reputation for quick turnarounds on bespoke projects, as well as its practical off-the-shelf ranges, we are a good match.”
Penn’s sales director Rob Platt, adds: “We look forward to a busy and proactive working relationship with RGB. With 29 years’ experience in the pro AV industry built on understanding the products they distribute, we think RGB will be great Penn Elcom brand ambassadors and a solid partner for the continuous development of our various 19-inch ranges.”
Highlights from Penn Elcom’s range of 19” rack enclosures and accessories include free-standing and wall racks, rack panels with assorted CNC machined magnetic faceplates, and wall-mounted media device brackets, ideal for home audio and cinema installations.
In the last 12 months, new Penn 19” racking innovations have included the R6400-RHF Double Hinged Wall Mount Rack enclosure and several new 19” products, scheduled for launch in the coming months.
Finland - The Sámi Cultural Centre Sajos, situated in the heart of Inari, Finland, recently underwent a full renovation of its main auditorium, equipping it with the latest audio and conference technology, including an Allen & Heath dLive mixing system.
The Sámi Cultural Centre Sajos, also home to the Finnish Sámi Parliament, puts on a range of events, from concerts to theatre productions, and as the largest event venue in Northern Lapland, one of the central projects is the Sámi music centre, which actively encourages the development and teaching of traditional Sámi music.
As such, the venue needed an advanced, up-to-date system that could keep up with the various requirements for concerts, theatre productions and seminars.
Supplied by Finnish distributor, F-Pro, the installation featured a dLive S7000, fitted with Dante card for virtual soundcheck and multi-track recording and a Waves card, paired with a CDM48 MixRack.
“The previous system was getting old and with fewer updates being released, it was time to move on to something more technologically advanced,” explains Petri Kaltala, product manager at F-Musiikki. “As Janne was already aware of and using Allen & Heath products, we felt dLive was the natural progression for the centre and that it would tick all the boxes.”
Lead engineer Janne Lappalainen, adds: “After seeing all the rave reviews for dLive and having used Qu-SB, which sounds far more expensive than it is, we decided to take the plunge and get an S7000. We felt that if A&H can build such an impr
USA - Agnieszka Roginska has begun her term as president of the Audio Engineering Society.
Currently celebrating her 20th year as an AES member, Roginska has served in numerous leadership roles within the Society. Professionally, she currently holds the positions of Professor of Music Technology and the vice-chair of the Music and Performing Arts Professions Department at New York University.
In her role as Professor of Music Technology at the university, Roginska’s work involves conducting research in the simulation and applications of immersive and 3D audio including the capture, analysis and synthesis of auditory environments, auditory displays and applications in augmented acoustic sensing. She is the author of numerous publications about the acoustics and psychoacoustics of immersive audio and auditory displays.
“It is an honour and a privilege to begin my term as president of the Audio Engineering Society - the world’s leading society of audio professionals, creative artists, scientists, educators and students,” Roginska states in her inaugural AES president’s message. “One of my goals in 2020 is to build membership and continue to recognise that we are a diverse community of members - whether you are a student just exploring the world of audio, a young professional entering the workforce and growing in experience, in mid-career maintaining your skills while learning new ones in our rapidly changing industry, or a seasoned professional who wants to give back to the community as a mentor.”
She adds: “I look forward to a
UK - Green Hippo’s Hippotizer media servers were chosen by video director Jay Baker of Creative Video Design to drive the visuals for Spotify Presents: Who We Be Live 2019. Performed live at the O2 Victoria Warehouse in Manchester, the Spotify show was part of its series of events featuring the UK and Ireland’s leading Rap, Grime, R&B and Afrobeat line-ups.
Creative design and production was by UK marketing agency Amplify, working closely with event promoter, SJM Concerts. Creative Video Design was brought into the project by Production Box, led by Mike Oates.
While the venue’s exterior was used as a projection surface on which lighting designer Jon Trincas created some suitably grungy looks, the stage set inside was designed with a grunge/grime warehouse theme. “Our main challenge,” Baker explains, “was to create multiple different looks for the many artists performing, including mapping their own 16:9 format content to screens that were in no way 16:9!”
Baker used Hippotizer Karst+ media servers, supplied by 80Six Ltd, as the main playback and backup devices, with timecode playback rig provided by SFL. Baker had real-time access to parameters via Green Hippo’s ZooKeeper interface from front-of-house. “Before the event, we also made use of the Hippotizer PREP dongle at our studio,” says Baker, “which enabled us to prepare the pixelmap setup before we arrived on site.”
For the performance, Baker and his Karst+ delivered visuals designed in-house by Creative Video Design, as well as stings and ident content fr