Australia - Australia Day is celebrated and every year on 26 January when the nation celebrates in spectacular style. The flagship event is Australia Day Live held at Sydney Opera House and in 2019 it was bigger and better than ever. Australia’s musical stars, including Kate Cebrano, Jon Stevens and the Sydney Symphony Orchestra, took to the stage in a concert, featuring dazzling firework displays and a maritime extravaganza.
Australia Day Live in Sydney is produced by the NSW Government through the Australia Day Council of NSW and is supported by Big Picture. Big Picture is a part of the NEP Worldwide Network.
This year, Big Picture supplied a turnkey technical solution of outside broadcast facilities, LED screens, event communications and network backbone which included a significant amount of Riedel equipment with 68 Riedel Artist Panels across OB trucks, production and event control locations, 25 Riedel MicroNs for uncompressed video and audio signal distribution and 22 managed switches interfaced across the event site at the Sydney Opera House and Circular Quay with over 10km of fiber.
This was the first year that Big Picture supplied the entire broadcast facilities, LED screens, event communication and network backbone as the end to end solution. The full broadcast technical supply and management included two HD Broadcast Trucks – NEP Australia HD-10 and Big Picture HD-1.
“In previous years there were various suppliers to do different elements but this year we supplied the bulk of the technical solutions in those area
The Netherlands - Cymatic Audio has announced the appointment of RAD Distribution as the sole distributor for all Cymatic Audio products throughout the US and Canada. Signed in February, the agreement is already in effect; RAD Distribution already has stock and has hit the ground running.
Based in Middletown, NY, RAD Distribution carries a number of well-known brands in the MI/Pro Audio market, including HEDD Audio, Heritage Audio, Isovox, and more. Jon Haber, president of RAD Distribution comments, “Cymatic Audio is known as one of the leaders and pioneers in audio recording and playback for live performance. Their rock solid hardware and software have made them common items seen on live riders. We’re proud to be distributing Cymatic Audio products which are a completely natural fit for us.”
Conny Kensy, sales and marketing manager for Cymatic Audio adds, “RAD Distribution is the perfect partner for us in North America. They have a strong network of dealers – in fact, most of the top dealers across the US and Canada – and the rest of their brands are entirely complementary to Cymatic Audio. Jon and his team are dynamic, motivated and have demonstrated great success with their existing brands. I fully expect that they will do the same for Cymatic Audio.”
Europe - Pioneer Pro Audio is on tour. The loudspeaker manufacturer recently took elements of its range out on the road to give stakeholders a close-up, hands-on experience of system performance, during a series of all-day events across Europe. Distributors, installers and potential end-users have already enjoyed demonstration days in the UK and Spain and the future schedule includes visits to France, Germany and The Netherlands.
At immersive events space Aures in London, attendees came from as far afield as Portugal and Sweden, as well as closer to home, for a full day’s programme which included a showcase of the XPRS range followed by a demo the venue’s own XY system. A closer look at the XY-3B and XY218HS products included the chance for those present to play their own tracks whilst getting hands-on with the Armonia DSP software used to EQ the system.
The event at Power Light’s showroom in Torremolinos was equally well-attended and followed a similar structure, with a particular emphasis on pro-audio and hospitality. Key Pioneer Pro Audio staff were on hand to stage the demonstrations and discuss every aspect of the systems and their applications. Each day concluded with a popular Pioneer Pro Audio sales initiative, where major purchases attracted a significant giveaway of DJ Equipment.
Marketing general manager, Mark Grotefeld reports, “Taking our systems out in this way has proved to be a great success. Interest has been really strong and the feedback we’ve received has been universally positive. There’s no substitute for getting
USA - At NAB in Las Vegas this week, RTW and Avid have released details of a partnership that brings RTW Mastering Tools, RTW Loudness Tools and CLC Continuous Loudness Control to the Avid Marketplace in stereo as well as stereo+surround versions. And with the recent 4.1 update of the RTW plug-ins, these audio measuring and correcting tools now stand stronger together with Avid’s Pro Tools than ever before, says the company.
“We’re proud to announce this partnership with Avid which is a key market leader within digital audio editing,” says Andreas Tweitmann, CEO of RTW. “It is always important to us that we remain accessible to all customers, and the Avid Marketplace is strategically a great place to add as an option for our customers.”
“It is a pleasure to welcome RTW as a plug-in provider, as they represent decades of experience and proven results in the field of measuring audio and presenting it visually. We are certain their tools will benefit many Pro Tools users around the world,” comments Ed Gray, director, partnering programmes, Avid.
The multi-channel features of the surround plug-ins have been improved, as the surround version now aligns with the Pro Tools channel layout from mono and up to eight channels. Further, in the setup page, a new channel activity indicator makes it significantly easier for users to set up their multi-channel workflows.
The new version 4.1 of the RTW plug-ins is compatible with the latest operating systems, including Mac OS Mojave and Windows 10 in order to integrate with any system. This app
Germany - Faital S.p.a introduced FaitalPRO HF1440: a new powerful 1.4" neodymium compression driver
Flavio Naggi, sales and marketing manager of FaitalPRO, explains: "The new HF1440 is a completely new compression driver, very powerful and outstanding, which joins a series of really compact high frequency drivers.
“Mounting a 3.4" voice coil, we are now facing a market area that has been completely unexplored so far for FaitalPRO. It is the model with the largest voice coil in our catalogue.
“Furthermore, it covers a fairly wide frequency range from 0.7 to 20 kHz allowing it to be used as a high-power driver in any traditional application, including two-way acoustic systems. Its linear frequency response gives a neutral and natural sound tonality capable of obtaining a very high sound quality.”
The neodymium magnet circuit uses an 86mm, 3.4" coil, which classifies it as a large driver, nonetheless the external dimensions make it surprisingly compact.
The diaphragm carries over some technological choices common to other consolidated FaitalPRO drivers and is a polymeric type, precisely a ketone polymer.
Developed to ensure an unparalleled response to transients, it is able to withstand high continuous power, up to 120W AES, corresponding to 240W of maximum power.
Designed to operate at a minimum crossover frequency of 700 Hz, it reaches low frequencies so as to facilitate perfect matching with a woofer.
This product may be used with the FaitalPRO horn LTH142 or the FaitalPRO WG141 waveguide. Flavio Naggi concludes:
South Africa - DWR Distribution is hosting dot2 training from 25-26 April 2019.
Presented by Ole Boinamo, the two-day training course will cover patching, user profiles, groups, chases, back up, tracking and will enable you to have a good understanding of the product.
Delegates are requested to supply their own dot2 console and laptop for the dot2 3D Visualizer.
The training will be hosted at DWR Cape Town, Unit 74D, 4 School Street, Platinum Junction Business Park, Milnerton, Cape Town.
Bookings on-line at: http://dwrdistribution.co.za/register/dot-2-training-april-2019/
New Zealand - Literally the world’s first festival of 2019 saw over 30,000 festival goers brave the hot summer sun at Mount Maunganui to enjoy world class music entertainment.
Local and International artists including Peking Duk, Sticky Fingers, London Elektricity, Shapeshifter, Ladi6, Tash Sultana and rapping superstar Cardi B. In only four years, Bay Dreams has fast become one of New Zealand’s leading summer festivals. The event began in 2016 with 5,000 attendees to over 30,000 in 2019 for the North Island event. Due to the popularity, a second South Island location was added to the itinerary in the city of Nelson.
NZ Sound Reinforcement, a full-service production company deployed a JBL Professional audio solution for the second stage with a combined audio output of 500,000 watts RMS that included the JBL VTX A12 and new VTX A8 line array elements.
Bay Dreams signalled the upswing of the summer tour season in New Zealand, with NZ Sound’s inventory set to bring exceptional audio coverage to the music festivals and international artists such as UB40, Toto, Slayer, KORA, Sound Splash and The Hollies who toured New Zealand over the summer months.
Having recently become part of the JBL VTX A-series family in New Zealand, NZ Sound owners Ray and Brenda Ward are exceedingly happy. “We are blown away; Bay Dreams was pretty epic. The JBL VTX A12 and A8 systems have performed even beyond our expectations - they sound amazing. JBL certainly helped the artists to put on some of their best performances and the crowd loved it,” says Brenda W
USA - A recent ballet production of C.S.Lewis’ The Lion, the Witch and the Wardrobe at Pine Crest School, Boca Raton, Fl, featured a Clifford Spulock lighting design, anchored by a collection of Chauvet Professional Rogue fixtures.
“Lighting the ballet opened me up to a lot of different opportunities to make choices and looks that would not normally be done in the stage version of this story,” said Spulock. “Happily, the director of the show, Kimberly Vlcek, has a great understanding of production and gave me a lot of freedom. Along with a strong score and great dancing, my lights really brought a lot of energy and emotion to the show. I really wanted to bring out the precision of the dancers when they were wolves or the Ice Witch, etcetera to help portray their characters more.”
Spulock’s rig for the ballet, which was performed by Pine Crest School, featured the Rogue R3 Spot, Rogue R1X Spot, and Rogue R2 Wash. Working in harmony with some Chauvet DJ Intimidators, these moving fixtures not only provided an architecture of light for dancers to move through, they also set evocative moods by creating coloured shafts of light and textured gobo patterns.
“I used different colour palettes to create various mood temperatures that helped to bring the audience to other worlds,” said Spulock. “When characters were in the real world, it was nice and warm, but when they were in Narnia’s icy fortress, I used a lot of blues and whites that created the feeling of a frigid world. I also used beams with alternating blue and white every
Germany - Robe celebrated 25 years with style and flair at Prolight+Sound Frankfurt 2019 with its largest and most dynamic booth to date – also one of the biggest in the exhibition – which provided a dramatic backdrop for the show-stopping finale of the Lost Worlds trilogy of live shows, complete with seven dancers, a specially compiled soundtrack and over 300 of the latest Robe moving light fixtures.
On the Wednesday night, a special Robe silver jubilee party rocked the booth and over 1000 guests joined the Robe Family to be entertained by Czech ‘glamtronic’ electro swing band Mydy Rabycad, who interrupted their European tour for the occasion.
Robe CEO Josef Valchar got the party started in a short kick-off speech, thanking everyone for their vision, enthusiasm and commitment to the brand. “It’s been a fantastic and inspirational journey in every way by an extraordinary team with whom I am very proud to work! Here’s to the next 25 years,” he stated.
The live show ran eight times a day, and the booth was constantly full for all four days of the event, packed with people as Robe enjoyed the buzz and international flavour of the exhibition and highlighted three exciting new innovations:
The SilverScan is the first in a range of ‘silver jubilee’ products from Robe and the result of a ’favourite technology’ study covering the last quarter century.
The new T1 Wash is the latest product in the T1 series of refined LED luminaires specifically designed for theatre, television and touring, featuring Robe’s MSL (
Germany - #reflection is an innovative laser performance presented by tarm Showlaser in Bochum, which is based on an array of static and computer-controlled, motorized mirror surfaces and diffraction gratings, multiplying the full-colour RGBYC laser sources and creating a spectacular scenography that “plays with shapes and colours, dance to selected sounds and create sculptures out of laser light, far from traditional laser stereotypes”.
"Laser beam deflections via mirrors and diffraction gratings have been used for over 30 years, but so far only with small static tiles, usually in the format of 15 x 15cm. The use of motorised units and mirror surfaces of various dimensions and formats, however, opens up completely new design options for use at events and presentations of any kind,” says managing director Ralf Lottig.
This performance can be experienced live by appointment in the Bochum Studios of tarm Showlaser GmbH. A video can be seen on the homepage www.tarm.de at https://www.tarm.de/work/reflection-61.html
Germany - One year after the release of MADRIX 5, the first major software update was previewed at PL+S 2019, alongside the full range of hardware products for modern lighting control.
Version 5.1 will bring native support for Blackmagic Design, NDI, and Spout to the award-winning pixel mapper. Operators around the world are already looking forward to these flexible new ways to work with video.
With Blackmagic Design, using capture cards from the professional equipment manufacturer, such as DeckLink and Intensity, is now even simpler and faster. Capturing live video signals can be a valuable addition to any artistic LED project.
Based on the widely available IP technology, NDI makes sending and receiving video or output streams over standard network easily possible. As such, NDI promises to be an extremely useful addition to any Ethernet-based production environment.
Sharing videos and output streams among different tools on the same system has never been easier than with Spout. Bringing stunning new looks and visuals into MADRIX or using the creative power of MADRIX in other software is now just a few clicks away for any VJ.
The visual lighting design toolbox has never been more versatile or flexible as you can now combine your favourite solutions for video and pixel control quickly and easily, says the company.
Additionally, the new pre-programmer software licence facilitates show and project preparation without the need for a full output licence.
Europe - Prolyte Group has appointed Production Services Ireland (PSI) to its growing global distribution network. The move adds significant expertise and reliability to the family of companies that represent the Dutch truss, staging and hoist manufacturer around the world.
PSI has headquarters in both Belfast and Dublin. Since its formation in 1996, it has grown its position across the Irish market.
PSI will support Prolyte’s existing Irish customers and develop new relationships in the region by holding the latest stock and delivering high-quality technical support and training.
PSI director, Sean Pagel, comments: “This is an exciting new partnership, combining the Prolyte brand and quality with PSI’s ethos of excellence, rigging expertise and passion for training. We’re looking forward to combining the strengths of both businesses and delivering quality solutions across a range of applications in Ireland.”
Prolyte’s distributor manager Paul Hadfield says: “PSI perfectly complements Prolyte Group’s philosophy with a focus on technical support, product availability and a dedication to provide the knowledge to further educate the industry to the latest safety regulations. With the addition of PSI as our Irish distribution partner, we have created better access to our product range, allowing Irish customers to be better served with Prolyte products and our Prolyte Campus events.”
“It is a pleasure to collaborate with PSI to strengthen our global network, while increasing the availability of Prolyte’s wide ranges of
UK - This year the producers of the Brit Awards took a bold step and encouraged show designer Misty Buckley toward some blue sky thinking (not that she’s ever needed any encouragement on that score). This presented new challenges for audio delivery at London’s O2 arena.
“The set this year differs fundamentally in that there is now a large set element flown above stage and out over the B stage into the audience,” explained Josh Lloyd of Britannia Row Productions who have provided the audio for many years. “Think orchestral reflector in a classical music venue and you have the form of it.” Lloyd has been Britannia Row’s audio designer and principal FoH engineer for the Brits for the last nine years and knows more than most how profound this change would prove to be.
“That change has inadvertently made it more exciting. You might say that year on year, every change we have ever wrought has been both incremental and technology led. Once the baseline of using L-Acoustic K1 system was established some years ago, each year we have implemented the latest advance; the new network amps; improvements in system control software and so on.
“This year we have had to completely re-think the system at a fundamental level to accommodate the visual changes. Fortunately, with a versatile toolkit like the L-Acoustic system, that’s not a headache, more an interesting game of acoustic origami. That’s where the fun comes from.”
On the day Lloyd was unable to participate directly for entirely understandable reasons he was at the bedside of hi
UK - Creative Technology (CT) is taking on the 100-mile Vélo Birmingham & Midlands course on Sunday 12 May in aid of Backup - The Technical Entertainment charity.
“CT has supported Backup from the outset and we’ve often said we should do something more than simply supporting its KartFest and GolfFest events,” saysDave Crump, CEO CT Europe & Middle East. “When an opportunity to enter a four-person team into a challenging 100 mile cycle event, it seemed an ideal opportunity to raise some money and awareness for the charity whilst getting fit and Team VeloCT was born.”
The original plan was to take part in the Velo South event last September. The team was formed, training begun, lycra purchased and money raised - a spectacular £7,038 at the last count. Unfortunately, the event was cancelled at the last minute on safety grounds due to severe weather forecasts.
Disheartened but determined, the team has continued training and will now be taking part in Velo Birmingham on 12 May, tackling a similar and equally challenging 100-mile, closed-road ride through the Black Country, starting in Birmingham’s city centre and taking an estimated 17,000 riders through stunning countryside and picturesque villages to finish in the heart of Coventry - the 2021 Capital of Culture.
Dave, initiator of the idea, has unfortunately had to drop out due to back problems, but his place is being taken by former CT employee and now video director extraordinaire, Dick Curruthers. The remainder of the team is unchanged and includes Steve Purkess, Nic Maa
Germany - Grammy Award winning artist and engineer Imogen Heap imopressed a capacity Prolight + Sound crowd with a live demonstration of how she uses her Mi.Mu gloves to create sounds and control the d&b Soundscape, the d&b immersive sound system.
“The combination of these two exceptional tools quite literally puts live production control at my fingertips – and the results are magic, as if there was no tech at all, just sound and space,“ says Heap.
Heap has been touring with the d&b Soundscape on her Mycelia European tour and will again take it on tour in North America this year. In the session, part of a series of well attended User Experience events hosted in the d&b demo room, Heap spoke about her experience using the d&b Soundscape on tour and how the immersive experience that it created for the artist and the audiences has changed the live performance sound experience forever.
“It’s like going to see technicolour for the first time after only seeing black and white,” Heap stated.
Other special guests at the d&b demo room included renowned theatre designer Sebastian Frost and Serge Gräfe, sound engineer and designer for electro pioneers Kraftwerk. Each guest different insights into their experiences with the d&b Soundscape.
Ireland - The Audio Engineering Society’s 146th International Pro Audio Convention in Dublin, Ireland drew to a close on 23 March, wrapping up four days of audio science and education that drew attendees from 47 countries.
“It was a pleasure to bring the AES convention to Dublin for the very first time,” commented convention co-chair and Dublin resident Enda Bates, “and an excellent way to kick off the formation of the new AES Ireland regional section in style. It was also great to see a more diverse range of presenters and topics, something which was specifically highlighted by many attendees as a welcome development.”
The convention content was packed with options, notes co-chair Ben Kok, with 200 individual workshops, tutorials, paper and poster presentations and special events held in parallel across the four days of AES Dublin in seven auditoriums in the Dublin Convention Centre.
This year’s convention featured the AES Heyser Memorial lecture Learning to Listen by industry innovator and digital reverb pioneer David Griesinger and the keynote address – arranged by AES Dublin’s third co-chair, Mariana Lopez – Inclusive Sonic Interactions presented by Aalborg University Copenhagen Professor Stefania Serafin.
“For topics like cathedral acoustics and spatial electroacoustic music and education, there was a link between the technical programme, off-site and special events,” Kok elaborates, “Overall, immersive/3D sound and spatial audio had a strong presence at the convention, covering both sonic capture a
China - Opera star Zhang Jun’s recent production Shuimo Xindiao featured JBL VTX Series loudspeakers and Crown amplifiers, which delivered premium audio to an arena packed with 10,000 music fans.
As a UNESCO Artist for Peace, Zhang Jun strives to keep the 600-year-old tradition of KunQu opera alive. His latest production, Shuimo Xindiao (New Tunes of the Water Mill), reinvented classical melodies with modern pop instrumentation, including guitar, violin, saxophone and electronic elements. The performance took place at Shanghai’s Mercedes-Benz Arena.
To convey the subtlety of KunQu with the intensity of pop music, the production required “a cutting-edge sound system with unparalleled power and clarity”. In order to deliver world-class sound for the performance, event crews deployed a JBL VTX line array system consisting of VTX A12, V25 and V20 loudspeakers, S28 and G28 subwoofers, and Crown I-Tech HD amplifiers.
Due to the immense size of the Mercedes-Benz Arena, the production needed a sound system that could provide even coverage throughout the entire venue and bring high-quality sound to every seat. The Harman Professional system was comprised of 28 VTX V25 loudspeakers for the main arrays, 30 VTX A12 loudspeakers for side-fills, six VTX V20 loudspeakers for centre-fills.
Subwoofers included 16 S28 subwoofers suspended with the main arrays and eight G28 models stacked at ground level. The entire system was powered by a network of Crown I-Tech HD amplifiers.
UK - Ozzy Osbourne, Jimi Hendrix, Guns N’ Roses and Motörhead have sold millions of albums, inspired fans around the world and won bushels of major awards. Now these rockers share something else in common as well – each is featured in a licensed slot from NetEnt, the supplier of digital games to the online casino industry.
At the ICE London show in February, NetEnt announced that former Black Sabbath frontman Osbourne is the latest rock hero to be featured in its NetEnt Rocks series, joining Hendrix, Guns N’ Roses and Motörhead. Setting the tone for the big announcement on the Osbourne slot was an attractively designed stand that featured 60 Chauvet Professional ÉPIX Bar Tour fixtures from BigFish SRL, arranged to resemble guitar strings.
“This was the fourth year running that we were contracted by 2lk Design, the stand’s designers, to do the lighting,” said Steve Hubbard of BigFish. “This year it was decided that the main feature of the stand would be six large light strings encompassing the stand entrance and extending inside at its ceiling. Having worked with ÉPIX in the past, and holding a large stock of these fixtures, we decided that this would be the perfect product to achieve the desired effect.”
Instructions from 2lk Design were that the ÉPIX Bars be fully pixel controlled and able to show low-resolution video content. After considering the option of using external media servers, BigFish instead decided that the ChamSys MagicQ MQ500 would give them the most flexibility for programing on site, making it easier fo
UK - Absolute Motion Control is bringing live moving light tracking, using LightStike, to The Bridge Theatre for their latest production. A German Life stars Maggie Smith, who returns to the stage for the first time in 12 years.
Over the course of the evening the set moves continuously and almost imperceptibly, taking one and three-quarter hours to reach its final position. The play is staged in a kitchen set, formed by four trucks which move diagonally off-stage. As they move off-stage, slowly gaps appear in the walls as they move apart. In addition to the four trucks, a large floor pallet moves downstage, carrying with it the star of the show.
Because of the constantly moving set, the lighting and scenery need to be synchronised precisely to ensure that the performer and the set are perfectly lit over the course of the long running cues. As an example, the floor pallet moves at only half a millimetre per second throughout the duration of the evening. The moving lights automatically track the performer and the moving set. All kinds of moving light attributes can be controlled using this system. As an example, when the walls move offstage not only do the lights pan and tilt, to keep them lit, but the shutters also adjust to keep them perfectly framed throughout the move.
This precise synchronisation is achieved using LightStrike, a piece of software running on a Macintosh, that enables scenery tracking for OSC/UDP enabled consoles and sACN controlled rigs. Absolute continually transmit the current position of the scenery, over the open protoc
UK - White Light is supplying the lighting equipment for the musical Hairwhich is currently touring the UK.
Having first debuted Off-Broadway in 1967, Hair follows a group of youngsters in New York’s East Village as they begin to question the world, authority and the American flag. Having been revived several times on both Broadway and in the West End, this is the 50th anniversary production and has already received a WhatsOnStage Award.
Lighting designer Ben M Rogers comments: “I previously lit this production for its immersive incarnation at The Vaults, Waterloo so this is an evolution of that design into a proscenium format for a national tour. The key design choices and looks remain but are expanded to fill these larger spaces and the enhanced scenic elements.”
Ben worked closely with director Jonathan O’Boyle to discuss the aesthetic he wanted to create for the show. He explains: “Jonathan first described the show as ‘a trip from start to finish’ and that has stayed with me. Although it continually breaks the fourth wall, the show does alternate between the more naturalistic environment that the tribe inhabit and the abstracted, often drug-infused hyper-reality moments. As such, I looked at how to layer the design to allow these dramatic shifts of tone and focus.”
Ben approached WL to supply him with the fixtures to achieve his design. He comments: “I was very conscious of the era in which the show is set and the lighting instruments of the time. That said, I had to ensure the show remained a dynamic music
Australia - The beginning of 2019 saw the opening event of the UCI WorldTour, the Santos Tour Down Under. Held in South Australia, it is the southern hemisphere’s biggest cycling event attracting 750,000 visitors and is globally recognised. In pitching for the contract, Adelaide’s Novatech Creative Event Technology proposed some fairly innovative audio-visual ideas and deploying Brompton Technology’s Tessera SX40 LED processors helped them deliver.
“We wanted to improve the spectator experience on every level,” says Ashley Gabriel, director of sales and marketing at Novatech. “We deployed our ROE CB3 and CB5 LED screens at the start and finish lines, with signal transported over fibre via Riedel’s MediorNet.”
At the Tour Down Under Village in Adelaide’s Victoria Square, Nexstage built a custom 18m wide by 8m high Layher scaffold structure for team presentations and daily events, vinyl wrapped with signage and paired with a 30 square metre ROE Visual CB5 LED screen.
“We used our Brompton SX40 4K and S4 processors. They are quite amazing and we had a lot of comments as to the quality of the screens and the race images,” continues Ashley. “We used our CB5 with airframe and CB3 panels on the event and all performed superbly on the Brompton processors.”
The Tour Down Under is not just a bike race, it is also the southern hemisphere’s biggest festival of cycling and after 1980s corporate pastiche pop stars Client Liaison had rocked the opening night, the live site stayed active for the 10 days of The Tour running intervi
Europe - Prolyte Group has announced a partnership with F-Musiikki / F-Pro as its distributing partner for Finland. F-Pro has offices and outlets in Helsinki, Espoo, Kuopio, Lappeenranta, Oulu, Tampere, Turku and Seinäjoki. The central warehouse is located in Vantaa/Helsinki.
Peter-Tjalling Siertsema, distributor manager, Prolyte, comments, “I am excited to improve and expand our services in Finland by working closely together with F-Pro and our customers. The Finnish region represents an important market for Prolyte. By installing F-Pro as our new distributor, we assure that our existing and new Prolyte users have quick access to material, service, knowledge and support.”
Jussi Aalto, sales manager, F-Pro adds, “It will be a great pleasure to work together with a company like Prolyte, the world leader in hardware products. Together with Prolyte we can expand our footstep in the local entertainment business and serve our customers even better. I’m excited to take one remarkable step forward and start productive longterm co-operation with Prolyte.”
F-Pro is an event technology division of F-Musiikki, the well-known musical instrument distributor and dealer in Finland. F-Pro is distributing a number of visual and audio brands including Robe, ChamSys, Allen & Heath, Bose Professional and dB-Technologies.
William Voskuil, Prolyte sales director EMEA and LATAM concludes, “We constantly strive to enable even better access to our product ranges, support and product knowledge. The new partnership between Prolyte and F-Pro enables us t
Germany - Loudspeaker manufacturer Funktion-One has unveiled its latest technological development with the launch of Vero VX at Prolight + Sound 2019 in Frankfurt. Vero VX, which has been in development for the last three years, promises Vero sound for a wider range of venues and environments thanks to its more compact footprint.
Funktion-One founder Tony Andrews says: “We’re delighted to introduce Vero VX to the world. Since Vero’s launch in 2016 we’ve had a lot of interest in a smaller system that offers the same performance characteristics and ease of deployment. Through significant engineering innovation, we’ve managed to achieve that objective.”
The Vero VX system comprises VX90 full-range vertical array elements, V124 or V221 bass enclosures, amp racks, fly bars, transport dollies, ground stack hardware, cabling and Projection predictive software.
The VX90 is a 3-way vertical array element with four new Funktion-One designed Neodymium drivers in a horizontally symmetric configuration: two reflex loaded, high efficiency 12” mid bass drivers; one Axhead loaded wide bandwidth 8” cone midrange driver; and a single 1” compression driver on a proprietary isophase diffraction waveguide. The VX90 measures 1120mm wide and 340mm high, its usable bandwidth is 50Hz to 20kHz and horizontal dispersion is 90°.
The patented Lambda rigging system results from 40 years of development and refinement of Funktion-One rear tension rigging methods. This enables cabinets to be transported and flown as straight columns, then tensioned into p
Germany - Responding to the recent pro sound philosophy that requires lightweight products, with a light moving mass, Italian manufacturer FaitalPRO has launched three cone speakers 12, 15 and 18 inches in diameter. The units are dedicated to the reproduction of the lower frequencies. With 700 W of continuous AES power and 1400 maximum, the new woofer family called FX600- comprises three new models, 12FX600, 15FX600, 18FX600.
Flavio Naggi, sales and marketing manager of FaitalPRO, explains: "In the audio-video world ‘FX’ refers to ‘special effects’ and that's why we chose this name for these series of speakers. They offer high level performance for top of the range applications. An acoustic designer can obtain super high-grade performance and maximum efficiency (2,2-2,4% of total efficiency) for a first-class impact."
Flavio Naggi concludes: "The FX600 woofers are definitely designed to cover wide-ranging, multi-purpose application pro market needs. They sound excellent, have a consistent behaviour and very significant acoustic performance even in smaller cabinets."