South Africa - Music lovers gathered for the RMB Starlight Classics at the Country Club Johannesburg in September to experience a harmonious journey that has become a springtime tradition over the past 20 years. The RMB Starlight Classics is hosted twice annually in Johannesburg and at Vergelegen Wine Estate in Somerset West respectively.
Sam McGrath and Joanne Jaques from Jam Events have managed the production since its inception in 1998, which is one of the crown jewels in the South African event calendar. “RMB Starlight Classics is an amazing product and has grown beyond anything we thought it would,” explains McGrath. “We have reached a point where the technical team is a family.”
Gearhouse South Africa once again provided the dome structure, as well as all lighting requirements. Peter Abrahamse, who has worked on the event since 2005, was appointed as project manager. “It’s probably my favourite gig, and I get to do it twice a year,” he says.
“The show really has evolved over the years, and while it’s always held under a Gearhouse In2Structure roof, the lighting changes every time. The venues are beautiful too - we work outdoors and the client, RMB, are amazing and take great care of us. Sam and Jo have put together a top team over the years and handpick the people with whom they want to work.”
Abrahamse continues: “The great thing is that they also love it when promising youngsters from the Gearhouse’s Kentse Mpahlwa Academy, work on the event. RMB Starlight Classics is a great platform for learning, and Sam and
Australia - On Sunday 6 October, the Canberra Raiders squared off against the Sydney Roosters at the NRL Grand Final in front of 82,922 spectators at Sydney’s ANZ Stadium, with millions more watching the broadcast. Impressive numbers - as was the 229 radio microphones active at the ground that Peter Twartz, radio frequency manager for the stadium and the NRL, had to coordinate to work flawlessly with one another.
Wayne Mulder, engineering coordinator for production provider JPJ, made Peter’s job that bit easier by using Shure Axient Digital and PSM1000 IEMs across pre-show entertainers OneRepublic, the choir, MCs, hosts, and national anthem performers. All up, 52 channels of Shure’s premium wireless mic and monitor products kept the show running flawlessly in an extremely hostile RF environment.
“At JPJ, we wouldn’t use anything else but Shure Axient for this kind of application,” declares Wayne Mulder. “The mics have to work when millions are watching, and Axient Digital’s performance is flawless. I trust Shure Axient completely - it turns on, does what it says it’s going to do, and even in the crazy, hostile RF environment of the NRL Grand Final, it’s bulletproof.”
Wayne and the JPJ team chose four handheld ADX2 transmitters for the main vocal channels, running in dual frequency diversity mode. This mode sees a redundant signal transmitted from the ADX2 to the receivers, which automatically select the best signal from the two independent frequencies. Both are automatically managed, and change undetectably if RF problems oc
USA - Harman Professional Solutions has launched the Martin ERA Performance Series that includes the 400, 600 and 800 fixtures, along with launching the first outdoor rated moving head, the ERA 500 Hybrid IP. The Martin MAC Allure Wash PC and VDO Atomic Dot fixtures will also have their LDI 2019 debut.
The Martin ERA 400, 600 and 800 Performance fixtures, ERA 500 Hybrid IP outdoor fixture, MAC Allure Profile spot fixture, MAC Allure Wash PC wash fixture and VDO Atomic Dot hybrid lighting and video fixtures offer powerful, versatile and cost-effective solutions for entertainment and rental applications, covering everything from the smallest stages to the largest live productions and events.
“The release of the new Martin ERA, MAC Allure and VDO Atomic Dot fixtures ushers in a new era of versatility, enabling lighting designers to create bigger, bolder and more creative lighting displays than ever,” says Mark Buss, Martin Lighting product manager, Harman Professional Solutions. “These streamlined, no-nonsense LED fixtures give rental companies tremendous power, value and trusted Martin performance. They’re bright, compact and loaded with in-demand features that lighting designers love.”
At 34,000 lumens and 800W with a 1:8 zoom, the ERA 800 Performance is the brightest moving head in Martin’s history and is designed for the largest arena and stadium productions. Additionally, the ERA 800 Performance features variable CTO for colour temperature adjustment. The 550-watt ERA 600 Performance is a fantastic option for medium-sized shows, putt
USA - Claypaky and Osram have presented the CloudIO, an IoT device which provides technicians with complete diagnostics for Claypaky fixtures.
When the lights run checks after use, the unit collects data on hours of lamp life of each fixture, the conditions of various components in the units and update firmware, simply by connecting to the cloud.
The CloudIO is a compact device (240 x 230 x 93mm / 9.45 x 9.06 x 3.66 inches), equipped with a 7” capacitive touchscreen. It has two in/ out pass-through DMX connections, so it is possible to interface and communicate directly with up to 31 lights in series. This is particularly useful for rental companies, who can connect their lights to the CloudIO when they return from a tour.
The CloudIO is a retrofit system which allows it to be fitted to these Claypaky lights: Axcor series (all), Scenius series (all), Mythos / Supersharpy series (all), Sharpy series (all), Alpha series, B-Eye series (all), K-Eye series (all), A.leda Wash series (all), Sharbar, Showbatten, Spheriscan, Stormy, Glowup.
USA - A forest of nearly 100 Astera Titan Tubes were used by lighting designer Nook Schoenfeld to create some high impact lighting effects during a sizzle-reel shoot to get player highlights for NHL ice hockey team Minnesota Wild, who are based in the Excel Centre Arena, St Paul, Minneapolis.
These are shown when the players’ names flash up onscreen before and during a game and are also used to highlight players on televised ads, interstitials and other promotions through a season. These clips are shot during a designated ‘media day’ about two weeks ahead of the season opening each season.
Creative designer Chad Gilmour of the Minnesota Wild worked directly with creatives Mark Hussey and Nook to come up with a new look to produce the footage. Chad brought in DoP Robert Durland who found he needed very little lighting other than four ellipsoidals to shoot through the forest of Titans.
Scott Saja edited the whole piece together. Much of this footage was assembled to be played live on the big scoreboard at the Excel Centre during game ceremonies. Production was overseen and managed by game operations manager Sean Zeller (director of game presentation). Secondary cameras were run by Matt Hussey and Chris Dougherty.
Chad Gilmour wanted lighting that was “totally different” to last year when Nook had specified moving light beams and strobes. In their advance meetings, Chad showed a couple of clips he liked that featured - sporadically - some horizontally hanging tubes and wondered if they could find a new and original way of using these,
USA - The Pink Shell Beach Resort & Marina, located at the northern tip of Estero Island in the Fort Myers area, has won awards for its amenities and striking beauty. The resort is positioned in a prime location along the Florida shore and boasts premiere beach access, restaurants, a spa and incredible pools.
That said, the location also comes with some expected Floridian challenges, such as a recent hurricane that did damage to the resort’s audio system. But, while many would see this as a problem for the destination, Pink Shell saw it as an opportunity to reimagine its entire soundscape and AV experience for guests. And at the heart of the new system sit a number of Ashly Audio solutions.
“When I showed them the Ashly offerings, and then the price we could install a complete system at with Ashly, they were immediately on board with adding additional features,” says Mike Kelly of Southwest Florida Custom Electronics - the integrator who designed and installed the new audio system. “They really saw the value in adding more locations of audio and in having an excellent ability to control the system.”
Kelly says audio is now routed to the resorts’ porte-cochere, lobby, three different pools, the bars, restaurants, on-site gym, conference room and even the bathrooms.
“We expect we’ll be adding the spa to the list very soon,” Kelly adds. “Right now, in total, we have more than 90 speakers installed. The resort is just blown away by what we’ve been able to accomplish.”
Kelly says the reason the project grew so s
Germany - Founded in 1952, the Maxim Gorki Theatre is Berlin's smallest with 440 seats, and regards itself as a contemporary city theatre in a historic setting.
In autumn 2019, the Maxim Gorki Theatre (MGT) adopted a new audio infrastructure. Central to this is a Lawo mc²96 production console as FOH console in the main hall, and a Lawo mc²56 console that serves as a backup and a remote console for the preparation of new projects. The mc²56 is also used as a recording console for the venue’s in-house recording studio.
A Nova73 compact serves as the setup’s central router with five Dallis units available as stageboxes, two of which can be used mobile in combination with the mc²56, or on stage. Further Dallis units are located where most of the inputs and outputs are needed, in the orchestra pit and in the basement (Amp-City). The ‘local inputs and outputs’ at the rear of the two consoles are also used both in the FOH area and in the recording studio. Unusually, the theatre’s recording studio and a small studio stage are located in the neighbouring building complex.
Head of sound and video department, Christopher von Nathusius, was responsible for the modernisation of the theatre’s audio technology, together with his team and planning support from Gunter Lühder of Avissplan. Elektroakustik Neuenhagen carried out the project work.
For Christopher von Nathusius, reliability was the most important consideration when choosing the new system - and, in this respect, mixing consoles which run reliably in 24/7 radio operation for years
USA - As Wheel of Fortune begins shooting its 37th season, the popular game show has been replacing its ageing lights with LED fixtures requiring less power, generating less heat and needing little maintenance. Joining the show’s upgraded rig are Ayrton Khamsin compact LED profiles provided by Sony Set Lighting.
“LEDs have finally caught up to where they’re able to replace a 1200W arc source,” says lighting director and programmer, William McLachlan. “I’ve used Ayrton fixtures on other shows; they’re building interesting lights that are becoming mainline workhorse fixtures.”
It was through McLachlan’s long-time relationship with ACT Lighting, the exclusive distributor of Ayrton fixtures in North America, that he learned about the new Khamsin fixtures. “We wanted to expand the show’s plot with moving key lights, and Khamsin had just come out. They had all the features, the output and the quality of light that we needed, so ACT lent us some Khamsins for a shoot-out, and we actually shot some shows with them.”
The Khamsin units “definitely stood out” he reports, so McLachlan recommended them to DP and lighting designer, Jeff Engel, and the Khamsins soon joined a group of 85 moving lights on the pipe grid over the 150 x 250-foot stage.
“That’s a big footprint to cover; we needed lights that would be usable from 90 feet away, and Khamsin’s output put them over the top,” says McLachlan. “They serve as moving key lights that save us lots of time as shots are set up, they fill the need for shutters that ar
Finland - The Rantakylä School Centre in Mikkeli has recently undergone a major audio upgrade with two Allen & Heath SQ digital mixing systems.
With around 700 students, the renovated school centre prides itself on providing the latest cutting-edge technologies. “When our huge renovation project started, it was clear in our minds that our audio system needed to be as accommodating and up-to-date as possible without compromising on an easy and intuitive user interface,” explains Juha Lindbohm, a music teacher at Rantakylä school. “As we have several event locations within the premises, the key requirements for us were: a reliable audio network, wireless control and integration with lighting and video.”
The school turned to Allen & Heath’s Finnish distributor, F-Pro, who recommended two identical systems featuring an SQ-6 equipped with a Dante card and an AR2412 AudioRack.
Connecting to the Dante network (via two Dante-enabled rack units in the auditorium entrance hall and the sports hall), an SQ system is positioned in one of the music rehearsal rooms, providing the option to link anywhere on the premises via network switches located in the tech room. Audio is then directed to multiple breakout points situated in the sports arena, auditorium and two adjacent music classrooms. Lindbohm further utilises the SQ’s Dante card for multi-track recording of local school events.
The second SQ-6 setup is built into a flip case, which can be easily moved around the campus and used for a variety of events.
Poland - Singer-songwriter Dawid Podsiadlo found fame by winning the second series of Poland’s X Factor in 2012, securing himself a recording contract with Sony Music. Following the success of his two Diamond certified albums, Podsiadlo embarked on a stadium tour, where FOH engineer Rafal Smolen relied on SSL L300 consoles, supplied by GMB Pro Sound and Polish distributor Audiotech Commercial.
“The L300 was the best possible choice for this tour,” says Smolen. “I got comfortable working with it, as it quickly became apparent that whatever I did on this console would always sound exceptional.”
One of the Dawid Podsiadlo concerts was held at the National Stadium in Warsaw, which Smolen says was always intended to be a 'one of a kind' show.
“We wanted it to be a real, one-time event that would really amaze people and make them want more. That was our goal,” he says. “I am not someone who likes to brag, but it was the National Stadium, which is the venue where probably 90% of the live music concerts that took place there were a disaster, because it has horrible acoustics and it's a really difficult venue to play music in.
“However, this event was a great success. It was attended by music journalists and other musicians, and all the feedback said it was the first concert that sounded fantastic, which was a really great achievement for us and our partner company GMB Pro Sound who worked on the PA.”
Dawid Podsiadlo has some smaller gigs planned for 2020, where Smolen reports that he will be using SSL once again.
USA - Garth Brooks wrapped up the 2019 leg of his Stadium Tour with a record-breaking, sold-out show of 85,000 people at The University of Tennessee’s Neyland Stadium. Knoxville is the tenth city this year to welcome the tour following sold-out performances in St. Louis, Glendale, Gainesville, Minneapolis, Pittsburgh, Denver, Eugene, Boise and Regina.
The concert at Neyland is his second show there since 2003 and comes on the heels of Brooks winning County Music Association’s Entertainer of the Year award for the seventh time. Bandit Lites has provided the lighting for Brooks for more than three decades, and the Grammy-award winning artist once again entrusted his massive vision to the Bandit team.
Brooks also gave an impromptu shout out to Bandit Lites during the concert, sharing how he has worked with Bandit “ever since we could afford lights”. He praised the crew’s work ethic, and how they’ve been with him around the world.
Lighting designer Dave ‘Gig’ Butzler utilised more than 600 hundred Bandit Lites fixtures including Robe MegaPointes, HES SolaFrame 3000s, GLP X4 Bar 10, VL 3500 washes, Martin Atomic 3000 LED Strobes, GLP KNV Cube, Robe BMFL, Robe Robin 1200 LED Washes, Solaris Flares and Showline Nitro 510C. Three grandMA2 Full consoles provide control.
Tyler Truss crafted custom, automated pods for Brooks and Bandit loaded with Robe Robin 1200 LEDs, Martin Atomic 3000s, Nitro Strobes and Robe BMFLs that move about the in-the-round stage. Eight additional BMFL Wash beams mounted with Light Master controls act as the
USA - After auditioning nearly every industry standard microphone capsule for multi-platinum recording artist Khalid, production manager and FOH Engineer CJ Blair found that DPA Microphones’ d:facto 4018VL Vocal Microphone “perfectly complemented” the singer’s deep R&B tones. Now out on Khalid’s Free Spirit World Tour, Blair initially sought out a new vocal solution as a means of bringing the singer-songwriter’s studio sound to the live stage.
“Khalid, like most artists, doesn’t want a technical explanation of why something does or does not sound great,” says Blair. “He just wants a great sounding solution; and we found that with the d:facto 4018VL.”
Blair has used the DPA d:factos for the entirety of the Free Spirit tour and has been impressed with the sound he’s attained. “When Landon (Storey, Khalid’s monitor engineer) and I started using the d:facto 4018VL, we finally began to breathe easier,” he says. “The d:facto delivers a much more usable response for Khalid’s voice without me having to hack the EQ too much. Khalid has a very rich, deep voice and sings a lot of soft, lower-register songs. The d:facto has very little proximity effect in the low mids, so I no longer have to rely on EQ. Prior to using the d:facto 4018VL, that was a big struggle for me as FOH, especially in a big, resonant room.”
Another prior concern that Blair is able to address by using the DPA d:facto is the ability to control stage bleed from other sources. “Khalid is an extremely dynamic singer who, thankfully, has a good mic techn
UK - Protec supported its client Optimum for the Jaguar Land Rover Long Service Awards at the Ricoh Arena in Coventry on 25-26 October. This event, held over two nights, hosted over 2,400 guests in total celebrating employees who have given 25, 40, and 50 years loyal service to the company.
Protec put together a bespoke audio and video package working alongside Christie Lites for this production servicing a corporate presentation, an awards ceremony, the showcasing of two new vehicles, live entertainment including singers, dancers and theatrical performers, and a gala dinner.
Production manager for Optimum, Tony Butler reports: “Protec have been fantastic on the most recent production for Optimum at the Ricoh Arena. From early planning and budgeting, all the way through the pre-production process and on-site delivery the whole team have supported me superbly. I can’t thank them enough for making my job so much easier & the client’s reaction to the project says it all. A true bunch of dedicated professionals.”
HOD of video Sean Godefroy notes: “Barco E2 was the ideal choice to handle the pixel space of all the content as there were 4K inputs and outputs and it is incredibly flexible in a show environment. We chose a 2.6mm Unilumin LED wall measuring 12 x 5m with a resolution of 4608 x 1920 flanked by two circular side screens using double stacked Barco 30k projectors to display camera feeds ensuring a vivid, sharp display. We also used two Panasonic 12K projectors for the relay screens projecting 16 x 9 content and one DSM monitor for
Finland - The University of the Arts recently upgraded some of its AV facilities to improve the student experience. Electro Waves, a local integrator, carried out the work which includes new Christie APS and the GS series laser projectors in a number of lecture theatres and music performance halls.
With its combination of disciplines including fine art, music and theatre studies, the new university offers varied education opportunities to students in Finland and overseas. And, with increasing numbers of students attracted to the university through its growing reputation, the in-house AV team were keen to add first-class projection to enhance the teaching and presentation facilities. Kai Tuovinen of Electro Waves organised a trial period to test which projectors would be suited to the university’s requirements.
“In partnership with the in-house AV team we decided to put various projectors through their paces before we made our final choice. Christie came out on top overall and we were happy to settle on the one brand for the two separate requirements - classrooms and music performance areas,” explains Tuovinen. “The APS Series are perfect for the teaching environment and the versatility and performance of the GS Series made it a natural fit for the performance areas.”
The GS series have been installed in four of the main music theatres which are for acoustic and electric music, opera and organ music. “The projectors stood out for the almost silent operation, the uniformity of the image, flexible lens choices and the general cost-effective
USA - In January 1996, what is now Life.Church was founded as Life Covenant Church in a two-car garage equipped with an overhead projector and two construction lights purchased at Lowes for under $40. The church and its technological prowess have both come a long way since then.
Ranked among the largest houses of worship in the US, Life.Church has 34 different campuses stretched out 2,078 miles, from Rio Ranch, New Mexico to Albany, New York. Live stream video has been key to helping the church reach worshippers throughout this far flung network of satellites.
Since July of this year, these videos have emanated from a sprawling new broadcast campus, engineered by Summit Integrated Systems, that features equipment, including a lighting rig anchored by a collection of over 100 Chauvet Professional Maverick, Ovation, and Rogue fixtures.
The product of a two-year process, overseen by project manager Jared Wells, technical director Greg Baucus, and lighting designer Daniel Connnel, the new broadcast campus is capable of capturing and distributing 4k video content. Featuring a fully robotic camera and dolly system as well as AR- equipped technology, the campus is a model of precise engineering.
Given the sophistication of its video equipment, the campus needed a lighting system that could deliver optimal colour temperatures and smooth, even fields of light with no distractive shadows or flickers. The lighting rig also had to operate silently. These considerations led to the specification of the Chauvet gear, such as the 48 Rogue R2 Wash fixtures th
USA - At LDI this year, BroadWeigh will offer ‘a bold new look and new vision for the future’. This comes as the company prepares to give its award-winning Bluetooth system its US trade show debut.
BroadWeigh is collaborating with CassidyRig, one of its US product partners, with Dan Cassidy, founder and CEO responsible for the design and build of the stand - which of course will be monitored with BroadWeigh loadcells.
Speaking ahead of the show, Robert Wilmington-Badcock, MD of Mantracourt says: "BroadWeigh really came about as a result of some clever thinking by one of our employees, who happened to be a part time rigger. He saw the potential for Mantracourt to break into the entertainment technology market with our core wireless technology which, at the time, had just been released and was being rapidly adopted in the under hook industrial market. Little did we realise that our wireless load cell offering would become the success that it is today. You could say that BroadWeigh was never part of the original Mantracourt blueprint."
He continued: "However looking around in the market, it has become very clear to us that no one else is designing monitoring tools specifically for the entertainment market, or as successfully. As a company, we hold the engineering and manufacturing capabilities to bring really useful products to riggers and 2020 will mark the year that a series of bold developments will be released and continue to be developed upon.”
The timing of the rebrand co-incides with new feature releases on existing products as well
USA - Designed in the spirit of the award-winning Sharpy Plus, the Sharpy Plus Aqua luminaire is an IP65-rated moving head fixture designed for outdoor events, touring, permanent installations, cruise ships, and much more. This new fixture maintains the same performance features of its predecessor, the Sharpy Plus luminaire, in a new weather-resistant package; giving you greater flexibility in a single luminaire.
The cooling system has been redesigned and optimised specifically for this new outdoor configuration for the Osram Sirius HRI 330W X8 lamp currently used in the Sharpy Plus fixture. This lamp is a proven performer in its reliability, output, and being consistent in both brightness and colour temperature.
Like the Sharpy Plus, the Sharpy Plus Aqua fixture offers two distinct operating modes - beam or spot. The 3° to 36° zoom covers the entire zoom range linearly with a beam that is always perfectly sharp and uniform in either mode. It also offers the same complement of prisms, rotating and fixed gobos, colour wheels, CMY colour mixing, and more.
Australia - The Australian College of the Arts Pty recently outfitted their new flagship campus with JBL by Harman audio systems for their audio and music production programmes.
The Australian College of the Arts Pty (Collarts) is an independent tertiary college specialising in degrees and diplomas in the creative industries, including audio engineering and music production. With four campuses throughout Melbourne, Collarts teaches their students the fundamentals of studio recording, live production, and sound for film.
When the college moved its main campus from South Melbourne to Collingwood, they used the opportunity to equip their recording, mastering and post-production studios with JBL by Harman audio systems, including Studio One, Critical Listening and an immersive Dolby Atmos Room.
Collarts equipped their primary recording space, Studio One, with soffit-mounted JBL M2 Master reference monitors, powered by a Crown amplifier. The Critical Listening Room, which doubles as a mastering suite, is also equipped with a pair of M2 Reference Monitors driven by a Crown amplifier. Three smaller recording spaces utilize with JBL 305P MKII powered studio monitors, which provide stunning detail, precise imaging and impressive dynamic range.
The Atmos Room, primarily used for creating Dolby Atmos mixes to video, is outfitted with 20 JBL loudspeakers, including three JBL 708P monitors in L/C/R configuration, 10 705P monitors around the walls, six Control 2P monitors on the ceiling and a JBL S2SEX 15-inch subwoofer powered by a Crown amplifier. The sy
USA - ADJ’s new Hydro Wash X7 IP-rated moving head wash luminaire has been released to the market, the manufacturer reports.
This versatile 280W LED fixture packs a host of features into a compact housing, making the luminaire suitable for one-off events and concert touring as well as permanent installation in large nightclubs and other entertainment venues.
The latest addition to ADJ’s Hydro Series of IP65-rated professional moving head fixtures, the Hydro Wash X7, harnesses the power of seven 40W Osram 4-in-1 (RGBW) LEDs. Each LED can be controlled independently, which allows for the creation of dazzling ‘eye candy’ visuals through full pixel-mapping. The unit also offers motorised zoom with a wide range of between 6° and 40°. This makes the fixture equally suited to generating large washes of punchy saturated colours as it is to creating narrow solid beams ideal for impactful aerial effects.
With its IP65-rated casing, the fixture is designed for safe use outdoors in all weather conditions. Protected from rain, dust and dirt, it can be used reliably for events, concerts and productions anywhere from dusty deserts to rainy fields. However, it’s not only outdoors that the Hydro Wash X7 has the potential to shine. Used indoors its IP65-rated shell protects the fixture from dirt, dust, drinks and haze residue to prevent build-up on internal components and therefore offer a prolonged operational life and reduced maintenance requirement.
“The Hydro Series is really making waves in the industry,” explains ADJ USA’s national sales
USA - As part of the acquisition that was finalised in August 2019, global design and BIM software provider Vectorworks brings ConnectCAD 2020 to market in conjunction with the Vectorworks 2020 Service Pack 2 release. From simple to complex, the ConnectCAD add-on to Vectorworks Spotlight and Designer allows AV system designers to lay out signal flows in an easy-to-read format.
“Since ConnectCAD is built on Vectorworks technology and available as an add-on for Spotlight and Designer, you can take advantage of the flexible and robust design and documentation capabilities that have made Spotlight the entertainment industry standard,” comments Vectorworks CEO, Dr. Biplab Sarkar. “With features like data visualisation and bi-directional worksheets, along with an extensive manufacturer library and a customizable 2D/3D hybrid environment, you have everything you need to design with confidence.”
“At Vectorworks, I've found myself amongst a group of people that I can really communicate with, and we share a similar mindset and goals,” says Conrad Preen, ConnectCAD founder and now software engineer at Vectorworks. “The technical excellence of Vectorworks is important and has helped us grow immensely in our current development to get further towards what we would like the product to be. Plus, Vectorworks’ passion to expand the reach of the product is more than I could have ever hoped for.”
ConnectCAD will be on display from 22-24 November at the Live Design International Show 2019 in Las Vegas at booth 1331.
Jamaica - Located in Kingston, Main Event Entertainment Group (MEEG) is a multi-level experience agency. Their technical services department recently acquired a large Martin Audio MLA/MLX multicellular array system.
Solomon Sharpe, CEO at MEEG, comments: “Main Event is a full-blown experiential marketing company that has grown organically; the company operates as small internal business units, thus allowing us to deliver a holistic brand experience to our clients from the root to the fruit. We work with numerous corporate giants in Jamaica and have supported major campaigns and activations from above-the-line advertising to below-the-line marketing strategies.”
Sharpe adds: “Over the years we have produced everything from major festivals to executing multi-level engagements for the MICE (Meetings, Incentives, Conventions, Events) market. Jamaica is positioned as a very great market for those kinds of destination events.”
The company’s landmark Martin Audio purchase included 28 MLA enclosures and four MLD (down-fill) enclosures along with 16 MLX subwoofers.
Slovenia - Over 30 Chroma-Q Inspire XT LED house lights have been installed in the Conservatory of Music and Ballet Ljubljana (KGBL) to provide high quality lighting with minimal noise.
Regarded as being instrumental to the development of the Slovenian music and ballet profession, KGBL’s basic music education, secondary music and ballet education, and higher ballet education programmes have earned it numerous awards and recognition on the international stage.
As part of an upgrade to KGBL’s main performance auditorium, the project brief was to source a multi-purpose fixture that could be used as a high-quality working light for musicians, a show light for performers, and a house light for the overall room.
In addition, the requirement was for a very powerful solution, which could illuminate the large 16m by 16m space using as few fixtures as possible. However, owing to the room doubling as a recording studio, the chosen product needed to be fanless and virtually silent in operation to meet strict acoustic requirements.
Professional equipment provider, KSL Sound and Light Studio specified the award-winning Chroma-Q Inspire XT due to its high-quality white light and colour-mixing abilities. Delivering up to 9,500 lumens, the fixture is convection-cooled and has additional protection as standard against electrical and audible noise.
KSL’s CEO, Bostjan Konic comments: “For the prestigious KGBL, we needed a light of really premium quality to meet the high technical specification. With its homogenised RGBW optics, the Inspire XT pro
Ukraine - Lighting manufacturer Prolights has appointed Light Converse as distributor for Ukraine. Founded in Kiev in 1997, Light Converse has developed strong relationships throughout the show lighting worlds, particularly in the world of stage, theatre, architectural and TV.
Aleksandr Berenok, owner of Light Converse, comments: "Prolights has rapidly become an important landmark in this industry. Their can-do attitude and thirst for innovation are among the reasons why we decided to work alongside them. We have seen Prolights continually put exceptional customer support, personal customer relationships and high-quality products at the forefront and this completely aligns with how we operate. We look forward to a long and successful relationship as their distributor."
Paolo Albani, international sales manager for Prolights, adds: "We are really proud to start working with Light Converse and its well-connected and knowledgeable team. Their passion and dedication is well-known in the industry and we are sure that they are the right partner for Prolights in Ukraine."
Ireland - Stage Electrics has won a £2m contract for the Grangegorman campus East Quad at TU Dublin, Ireland’s first Technological University.
The new campus, part of a wider development at TU Dublin, will provide learning and teaching facilities as well as dedicated space for research technology. The East Quad buildings include the schools of art, design and printing, conservatory of music and drama, and media.
Stage Electrics is supplying full lighting, sound communication and audio-visual systems to a 400-seat rehearsal hall, a recital hall, a performance hall, a black box theatre, TV studios, and post-production studios throughout the building. Work will commence on site shortly and is expected to be completed by late spring 2020.