UAE - SSL has appointed Provision AVL as its live sound product distributor in the UAE, KSA, Kuwait, Oman and Bahrain.
Formed in 2014, Provision AVL have grown their reputation as a leading sales and distribution company in the Middle East, representing premium brands including Prolyte Group, Chauvet Lighting, Clair Brothers Audio Systems, Admiral Staging, and Le Maitre.
Provision AVL’s MD, Kevin Boujikian comments: “Back in my college days, the first and foremost audio console brand discussed around our Audio Engineering classes was Solid State Logic. Twelve years on, it was vital for us at Provision AVL to add a leading audio console brand alongside the exciting portfolio of lighting, staging and trussing products we already represent - hence the simple decision to go with Solid State Logic. The Live series compliments what we already offer in terms of audio systems. Our immediate priority now, will be to increase sales, exposure, and support across the region alongside the SSL team led by Philippe.”
Philippe Guerinet, SSL director of international sales, comments: “We have worked with Provision AVL previously on our core music creation products, such as SiX, and Fusion. As part of our strategy to further develop our Live presence in the region, expanding Provision AVL’s portfolio to include the SSL Live range is a natural progression to achieve our goals. Starting with the forthcoming PL&S show in Dubai, we look forward to growing our customer base in the region.”
UK - Industry electrical expert and LSi columnist James Eade has announced the October dates for his recently-launched accredited training programme, BS 7909 Temporary Power for the Events Industry.
The course has been fully updated to align it with current industry guidance and standards. It is the only course James Eade is associated with and not offered by any other provider.
BS 7909 is taking place across three days on 21-23 October at the Whatlington Village Hall, East Sussex TN33 0NE. There are still a couple of spaces left to book for this sesion, with further events scheduled by the end of the year - more details are available on www.eade.uk.com/training.
Pearce Hire is also hosting a series of standards update courses at its HQ in Peterborough. This course is an accredited one-day course that takes the candidate through the latest industry-relevant changes to BS 7671:2018 as well as the new IET generator guidance. Also covered are updates to event industry lightning guidance as well as the ABTT Technical Standards for Places of Entertainment. The next course is on 25 October with more in November.
Italy - Once again this year Visarno Arena, in Florence’s Parco delle Cascine, hosted Decibel Open Air, following the success of the 2018 event. The show, organised by Decibel Eventi, has become an important reference point among international music events. Over 30 performers from the international EDM scene performed on the two stages, with Holland’s Armin Van Buuren as the headliner.
To ensure the thousands of fans a memorable sonic experience, Tuscan rental company Emporio On Stage from Scandicci equipped the two large stages with Outline GTO sound systems.
The hurdles to be overcome to achieve the results requested included ensuring the highest possible sound pressure in the chosen area, while reducing sound spill outside that zone, and Giancarlo Paladini (the PA man and system engineer responsible for the rigs) explains: “This is done by means of a correct positioning and aiming of the enclosures. This sometimes jeopardizes perfect even coverage of the zone in question, but not in this case, thanks to the precise directivity control of the Outline systems installed.
“As far as headroom was concerned the sound pressure reproduced by both rigs was more than sufficient. At previous editions of this festival, a larger number of enclosures were deployed. In spite of that, this year the sound was ‘soft’ and without the slightest trace of distortion.”
Armin Van Buuren had two personal technicians, who arrived the day before the artiste’s show to check out the equipment and cables and exchange information with the team on site. <
Italy - The Rossini Opera Festival (ROF) is an international music festival held in August of each year in Pesaro, the birthplace of the opera composer Gioachino Rossini. The festival and its technical team have always paid close attention to technical innovation, often leading new trends in the field of operatic lighting.
“Here we’ve experienced the whole journey of theatrical lighting, starting 40 years ago with analogue systems, incandescent or discharge sources. Then there was the transition to digital, the advent of the scroller, the first scanners, the yoke, the moving head and now we have LEDs used to their full capabilities,” says Fabio Rossi, head of the festival’s lighting department.
For an event like the Rossini Festival, where almost all the shows are like intricate works of art, the technical equipment used is of utmost importance. “The products used must be silent, high quality, versatile and, above all, reliable,” continues Rossi. “The equipment is subjected to intensive use, it must remain operative for up to sixteen hours a day, for more than two consecutive months in rather high ambient temperatures. In this context, the console - the heart of the system - must be absolutely guaranteed to work reliably.”
Serendipity played a crucial role in the inclusion of ETC’s Gio @5 lighting console in the festival. "My personal encounter with Eos was rather fortuitous," says Rossi. "I was working in a theatre in Eastern Europe and a series of unexpected events meant I found myself working on an ETC Gio, without ever having s
Indonesia - The seventh Ubud Village Jazz Festival (UVJF) was staged at the Arma Art Museum in the Bali Uplands, welcoming a host of local and international artists.
They and an enthusiastic audience embraced the true spirit of jazz presenting a wide range of genres and styles, celebrating the art of improvisation in a peaceful and harmonious setting, tagged Certainly! Indonesia.
As the event has gained status in the jazz world, the production values have steadily increased. This year, event curator Yuri Mahatma, gave a clear brief about the ambience he wanted to see and achieve on all of the stages, which was interpreted by set designer and artistic director Klick Swantara who also co-ordinated the production lighting design for the main Giri Stage.
This involved several Robe lighting fixtures - with 24 LEDWash 300+s, six Pointes and six PicklePATTs - supplied as part of an equipment package from two local companies ETCetera Lighting and Lemmon.ID.
The general focus was on uniting the lighting and scenic elements in a seamless design that combines luminosity and colour with pixel mapping and projections onto the set which was inspired by Balinese temple architecture and constructed from traditional hand-crafted baskets flown from trusses and sculped into a special formation. The lights were positioned all over the stage roof rigged on a series of trusses.
The event’s goal was also to be eco-friendly and sustainable, so, where possible, local companies, services and products were sourced and utilised.
All the stages were
Germany - Over 250 guests were in attendance throughout the nine-day Ambion Digital Jungle open-house event. Attendees enjoyed an hour-long sensory journey of innovative installations focused on tracking, immersive interactivity, sensor technology, realtime control and reactive, generative content using BlackTrax, disguise and Notch.
Ambion is a full-service provider that plans and produces technology for concerts, sports events, trade shows and congresses around the globe.
The company recently held open house days where they invited selected clients, partners, innovation agencies and event planners to attend. The Digital Jungle demonstrations focused on technology and its application in a live event scenario.
OBJ.Studio the Ambion design department has been trying some interesting light and media tech projects in Berlin. The last one was a smart installation with curved LEDs. It was a collaboration with another design studio and 22 digital artists from all over the world.
“Ambion has a BlackTrax Lab. Here employees from different departments come together and experimenting with the system. So, we build knowledge together and find creative new ways and solutions for clients and upcoming projects,” says Jo Rychlik, creative director & head of OBJ.Studio Berlin.
Ambion received their training directly from CAST Software at their headquarters in Kaufungen. They purchased their own system as well, going along with their brand of owning their own equipment to have ownership over their projects.
The plans for Amb
Germany - Hooke Audio Verse is a binaural recording device comprising a microphone/headset combination and a dedicated app. 3D audio is recorded wirelessly, via Bluetooth at 16-bit 48 KHz, or wired, using the included adaptor. The system is compatible with Android, iPhone, Go Pro, Field Recorders, DSLRs and Computers and has a continuous-record battery-life of nine hours. A proprietary codec delivers almost zero latency - 4.3 microseconds - so any associated video is in perfect sync.
Hooke Verse has been available in the USA for two years and has established an extensive customer base of musicians, podcasters, vloggers, producers and sound engineers. Grammy-winning producer Tchad Blake and System of a Down’s Serj Tankian are among its advocates. Now Hooke Verse is available in Europe via distributor Mega Audio.
Burkhard Elsner, CEO at Mega Audio, comments: “I first experienced Hooke Audio Verse at Winter NAMM and was really impressed with the sound - both wired and wireless. It works with a wide variety of recording media and is very affordable. There is already a large and talented Hooke Verse community out there, sharing 3D audio experiences online. Please do check-out the links on the Hooke Audio website”.”
France - There are three Café Oz locations in Paris and one in Bordeaux. Each has décor suggestive of the Land Down Under with Australian flags, posters and artwork. Setting an engaging and friendly mood at the clubs is a collection of Chauvet Professional fixtures. Each venue has its own rig of lighting fixtures depending on its design and the general nature of its customer base according to Remy Zakine, artistic director of Café Oz.
Zakine, who began working at Café Oz 15 years ago as a DJ, believes that lighting is essential to creating an inviting atmosphere at Café Oz locations, which draw large crows of French locals as well as tourists from Australia and many other countries.
“I have always been passionate about the technical side of club design and what it can contribute to our guests,” says Zakine. “We place the projectors on the ceiling above the dancefloor to create a clubbing mood. I like to specify the Chauvet products, because their compact size allows us to get dramatic dancefloor effects even though we must place them on our low ceilings and other tight spots.”
The ability Zakine’s fixtures to overcome the challenges of tight quarters is readily apparent at the Café Oz Châtelet club and Café Oz on the rooftop of the Cité de la Mode. Although it offers dramatic views of the Seine and features performances by prominent DJs, this popular nightspot’s low ceiling makes it difficult to get wide beam angles when lighting the club floor.
However, guests who crowd the club every evening would never be aware of thi
Australia - The discreet design of DPA’s Core 6066 Subminiature Headset Microphone, combined with the fact that it is quick and easy to fit, helped secure an order for 18 units from Australian sound design, equipment hire and production services company LSS Productions.
Based in Melbourne, LSS Productions initially wanted the headsets for a recent production of Stephen Sondheim’s 1984 musical, Sunday in the Park with George. However, now that the units are part of the company’s permanent stock it is already deploying them on other productions including the Australian premier of Andrew Lloyd Webber and Ben Elton’s musical The Beautiful Game.
Bringing high quality sound to musical theatre and events is a key reason why Marcello Lo Ricco established LSS Productions in 2001. With his background as a performer and musician, plus 20 years’ experience as a sound designer for Broadway style shows with orchestras and large casts using radio microphones, Lo Ricco immediately understood the advantages DPA’s new 6066 Subminiature Headset Microphones offered and placed an order with DPA’s Australian distributor, Amber Technology.
“The 6066 headset is a lot more discreet than earlier DPA headsets, which is why I felt it could work well for Sunday in the Park with George,” he explains. “We wouldn’t get away with the look of using a bulky headset, and on top of that the new gold colour of the 6066 mic boom blended really nicely into light or dark skin tones. Also, the new 6066 headset has a detachable cable, which is a gr
France - Amadeus has announced the installation of their Holophonix sound processor along with a variety of Amadeus speakers and subwoofers creating a new re-imagined immersive sound system at the Théâtre du Vieux-Colombier in Paris. Built in the heart of the Saint-Germain-des-Prés Parisian district, the theatre hosts at least four productions each season involving classical or contemporary texts, presented in a series from September to the beginning of July.
In 1993 the Théâtre du Vieux-Colombier became the second theatre for the Comédie Française. originally created in 1913 by Jacques Copeau. Threatened with closure, the theatre was bought by the French government in 1986, becoming the second Comédie Française hall in 1993.
In recent months, the Théâtre du Vieux-Colombier has undergone an in-depth renovation of its stage infrastructure. The electro-acoustical system was also completely redesigned too, in close collaboration with the theatre's technical manager Philippe Lagrue, along with Dominique Bataille, a sound engineer, and composer, who has worked over the few last years at the venue.
The electro-acoustical system designed by Amadeus and Dominique Bataille is now built around a Holophonix spatial sound processor, developed by Amadeus, in collaboration with the STMS (Sciences et Technologies de la Musique et du Son), a laboratory founded in 1995 and hosted in the IRCAM premises, association of CNRS, Sorbonne Université, Ministère de la Culture and Institut de Recherche et Coordination Acoustique/Musique.
The main sound syst
UK - More Accurate Audio Solutions, a studio in Offenbach am Main, Germany, is run by audio expert Robert Hauck. The studio offers a wide range of services from production to mixing and mastering, as well as delivering training seminars that cover all aspects of studio craft.
With two studio spaces - one for production and training in modular synth setups, and the other for mastering, Robert was looking for an integrated solution to provide deep routing and audio resource sharing. After careful research it was decided that a DiGiGrid system could achieve all routing possibilities he required to connect every part, analogue and digital, of his studio infrastructure.
With Robert providing a permanent DiGiGrid training and demonstration facility, an education partnership was formed and a full DiGiGrid setup was installed, including an IOS-XL as well as IOX, IOC, MGO, D Desktop and S switch units; everything needed to show the power of DiGiGrid and the SoundGrid network.
Robert Hauck comments: “The new numerous and intuitive routing options created an intuitive studio world. Sound-wise, especially regarding details and resolution, The DiGiGrid interfaces and their converters are top notch. Recordings, whether from our modular system or from the FX rack are in a sonically new dimension and we’re happy to have joined the DiGiGrid family and are proud to represent them.” The first scheduled event at More Accurate took place on 28 September.
USA - CP Communications has announced that it will add MultiDyne’s 22ft mobile van to its growing fleet of production vehicles.
MultiDyne introduced the van in 2018 as a ‘mobile marketing van’ that doubled as an exhibition showcase for MultiDyne products at North American tradeshows, and as a mobile showroom for MultiDyne road shows and training initiatives. CP Communications, a long-time MultiDyne customer, recognised an opportunity for both companies to collaborate on smaller live productions, including high school and college sports projects.
“Many high school and college sports venues have live production needs, but lack the workspace to accommodate a flypack or a large truck,” said Kurt Heitmann, CEO, CP Communications. “The MultiDyne van offers the perfect footprint for a four-to-six camera shoot, and solves our problem of carving out a workspace for live productions in tight spaces. It also provide a professional, low-cost acquisition model for our customers working on strict production budgets.”
“We have long considered how the professional design of this van can be leveraged for more than standard road shows and demonstrations,” said Frank Jachetta, CEO, MultiDyne. “Partnering with CP Communications, among the industry’s premier live production companies, offers a compelling way to provide real value to the broadcast and production community, while also ensuring that the CP Communications team has the best that fibre transport technology can offer for live services.”
MultiDyne will equip the van with its lat
Austria - For the fourth year in a row, Austrian multi-percussionist Martin Grubinger and his Percussive Planet Ensemble, supported by the St. Florianer Sängerknaben boys’ choir, performed outside Linz Cathedral during the annual classical concert series, Klassik am Dom.
Both outside and inside the cathedral, Grubinger, the professor of percussion at the Mozarteum University in Salzburg and his ensemble delivered a combination of pop and classical music spanning the history of music. In addition to the audience on site, thousands of listeners followed the performance on TV, courtesy of a live broadcast by Austria’s public station ORF2. Lawo mc² mixing consoles were used for both the FOH mix and the audio mix for the telecast.
The 20 musicians of the Percussive Planet Ensemble - nine horns, bass, guitar, drums, keyboard, piano, five percussionists and Grubinger himself - used 80 channels, which were connected via a Lawo stagebox to a 40-fader mc²36 as the FOH console and to an mc²66 in the TVN OB truck. For this purpose, the instruments, picked up mainly with Schoeps microphones, were connected to a DALLIS rack with 96 inputs as well as 16 analogue and 16 AES outputs using 150m of fibre cabling.
Inside the cathedral, 30 channels were used for the performance by the children's choir and a smaller version of the ensemble. The related microphones were connected to a Lawo Compact I/O stagebox. The mc²36 console was connected via Ravenna and two MADI lines in one-to-one signal patch-through fashion. The monitor split went via Rmio MADI/Dante conv
USA - Lighting director Tellson James is using a High End Systems Hog 4 lighting console to drive Mark Knopfler’s Down The Road Wherever Tour 2019. The 10 band members backing the former Dire Straits front man collectively play 49 instruments - from guitars and whistles, to saxophones and fiddles.
“I’m doing lots of pixel mapping of the eye candy in this show,” James notes, “and the Hog 4 is great for that. It is so easy to do on a Hog.”
This is James’ second time as lighting director for Knopfler. Lighting designer Mark Henderson drew the lighting plots for the 2015 and 2019 tours, while James programmed both. The 2019 tour kicked off in April, and is more scaled down for the North American leg, which started 16 August.
“The Change Type cloning feature (for swapping fixtures) is a lifesaver when working club/theatre tours, where you are faced with different fixtures every day, and it works very well,” says James.
“I also use Time Code a lot in other shows, especially when triggering video for lip sync,” he notes. “It's very easy to use with the ‘Learn Time’ feature, whereby you can run cues manually while recording the time code value when you execute the cue. Then it's possible to quickly modify values manually.
“I also love being able to create colour chases from the Effects Engine - a fast and easy way to accomplish colour chases.”
James says: “My friend Vince Foster introduced me on how to use Hog 2, and I had plenty of time to experiment with it (before taking it out on tour) during auto show
USA Rock back Halestorm are out on the road with a lighting system supplied by Bandit Lites, blasting audiences with both lead singer Lzzy Hale’s powerful vocals and a deluge of light that matches the ferocity and energy that the Grammy-award winning band is known for. The tour recently wrapped a co-headling tour with Alice Cooper and is now out with Godsmack on a fall run.
“As the co-headliner, we had access to the whole air package, however Alice Cooper had a large set piece that needed to be covered,” said lighting designer Craig Richter. “We had to trim the blackout truss low enough so that I could shoot over it with the US lighting truss, but high enough to not give away the Cooper set.”
To that end, Richter crafted a design with an old-school, massive wall of light behind the band. Using custom-built set carts made by Gallagher Staging on a mast in a grid pattern that cranked up to 14′ high, Rogue R1 FX-B fixtures were hung on the base of the carts while Chauvet Maverick Pyxis units were mounted on the upper sections.
“I am really impressed with the Pyxis,” says Richter, adding, “their output is great and can cut through some of the other bigger fixtures. The outer ring of the Pyxis works really well with the Robe Halos I have next to them, as well as with the Claypaky B-EYE K20 fixtures. They mimic what I'm doing with both of those other fixtures, while at the same time provide a different over all look for the stage. I am really happy that Bandit was able to purchase these for us and I plan to use them again on future de
Italy - RTS is well established as a go-to intercom choice for sports broadcasters all over the world. RTS equipment continues to be standard issue in OB trucks covering international competitions at every level.
A recent example is Global Production’s OB coverage of the European Under-21 football championships in Italy. The Turin-based company deployed its OB-8 truck to cover the tournament - the largest and most recently-equipped member of its fleet. In addition to this, OB-8 is also Global Production’s first truck to feature RTS intercoms.
“We have two other vehicles that use different systems,” recalls Luca Manfredi, OB manager at Global Production. “But when we came to making the technical choices for OB-8, we could see that the RTS system was superior.”
As a result of this decision, the large and modern production environment of OB-8 features an Adam intercom matrix with 50 KP-series keypanels optimized for use with powerful Omneo IP-networking technology - 35 KP-5032 and 15 KP-4016.
The full-sized Adam matrix supports up to 272 ports. It can be configured to form multi-frame systems of up to 880 ports and supports the widest variety of audio interface cards in the industry. “We opted for the Adam matrix due to the power of the available ports and the compatibility with Dante and AES 67,” explains Manfredi.
The next generation of European football talents was on show for the world to see, as Spain claimed a fifth title by beating Germany 2-1 in the final in Udine. Thanks to the work of Global Production and the capa
France - Modulo Pi has released KineMotion, an optical tracking module designed for creative and interactive visual experiences. Available now as an option for the Modulo Kinetic series of media servers, KineMotion has been fully developed by Modulo Pi to provide “unparalleled performance and reliability”.
KineMotion consists in an add-on software designed by Modulo Pi, beacons, as well as a calibration kit made of a wand and a square. Based on KineMotion and OptiTrack tracking cameras, Modulo Kinetic masters the whole calibration process.
Combined with the extensive capabilities of Modulo Kinetic - 3D particles engine, nodal editor, timeline sequencer, KineMotion “unlocks new opportunities for creative and interactive visual experiences such as projection on moving objects, particles drawing and tracking, automatic follow spot, light painting, and more”. Possibilities for tracking and interactivity are increased thanks to Modulo Kinetic’s extensive protocols support for Art-Net, OSC and PosiStage.
KineMotion comes with a user-friendly integrated interface to quickly set up the tracking system. It offers ultra-low latency, as well as high accuracy and precision for realtime video mapping on moving objects. Thanks to embedded fully automatic video-projectors 3D calibration and real-time 3D soft edge, Modulo Kinetic allows seamless projection on an object moving in front of multiple overlapping video-projectors.
Yannick Kohn, founder and CEO of Modulo Pi, explains: “Modulo Kinetic has been thought and designed to be the cornerston
UK - The University of Northampton has deployed a network of interconnected Harman Professional AV solutions to facilitate a cutting-edge collaborative learning environment at their new Waterside campus.
The university leadership decided to build a new, centralised campus in Northampton’s Waterside district. The project allowed the school to completely rethink how to best serve their students, resulting in a radically different approach that eschewed traditional lecture halls in favour of flexible, collaborative learning spaces.
In order to achieve these goals, AV distributer Midwich supplied the university with a range of AMX, JBL, Crown, BSS and AKG solutions to accommodate the complex technical demands of the ultra-modern campus. The comprehensive Harman solution was designed and deployed by Kinly, a service-led integrator specializing in the design, implementation & support of best in class collaboration solutions globally.
“It became obvious to us that we needed to teach in a more 21st century way, so we've adopted a new approach called Active Blended Learning,” said Andrew Taylor, digital services manager, University of Northampton. “I like to refer to it as almost the democratisation of learning, because it's not one person standing above everyone else and talking down to them anymore.”
The backbone of Waterside’s new digital infrastructure is a campus-wide matrix of networked AV equipment. Thirty-three AMX SVSI N-series encoder and decoder units stream 4k video to 116 flexible teaching spaces, 24 collaborative spaces,
Canada - Punjabi music star Gurdas Maan is guided by a simple theory when pursuing his art. People, he says, listen to songs “from their hearts, not just their ears”. Appreciating this, he makes it his mission to touch the emotional core of his audience, leaving them feeling better about their lives and the world around them.
This spirit was evident as soon as Maan took the stage at The Northern Alberta Jubilee Auditorium on 22 September with his trademark tambourine in hand, and dressed in traditional Indian costume. His audience erupted with an outpouring of affection, and he proceeded to treat them to stirring performances of his classic songs like Sajna Ve Sajna and Heer while also weaving in inspirational stories and sharing heartfelt emotions.
Underscoring the deeply moving tone of the evening was an immersive Roosevelt Dsouza lightshow that featured 40 Rogue R2 Wash fixtures from Chauvet Professional.
“There are many different moods that run through this show,” says Dsouza. “Gurdas Maan is a performer par excellence, as well as a legend. His music is different from the other artists I have worked with. It’s more Punjabi folk music. Through his music he talks about the qualities of being a good human being, and also a lot about the upliftment of the girl child. Colour washing is very important to reflecting the deep emotional quality of this show.”
Arranged on six overhead electrics, the Rogue R2 Wash fixtures provided a broad colour palette that Dsouza used to convey different moods on stage. “I have a few
USA - Powersoft has appointed industry veteran Tom Knesel to the position of general manager, North America. Knesel, who will be located at the company’s US headquarters in Kearny, NJ and who will start on 7 October, will report directly to Luca Giorgi, sales & business development director, Powersoft. The announcement follows the successful relocation of Powersoft’s North American headquarters two years ago, and coincides with the company’s increased focus on the systems integration market and launch of the Mezzo amplifier platform earlier this year.
“We are very pleased to welcome Tom into the Powersoft family,” commented Luca Giorgi. “Two years ago, we began a significant restructuring of our U.S. operations, which included relocating our headquarters to the east coast, hiring new operational and sales staff, and realigning our entire North American sales rep network. Having successfully completed these tasks, we are perfectly positioned in this region for sustained growth and net new revenue opportunities.”
Before joining Powersoft, Knesel was regional business development manager, Americas, for MUSIC Tribe and responsible for driving revenue and managing the Americas for the company’s commercial audio brands - including Midas, Klark Teknik, Lake, Lab Gruppen, TC Electronics, Tannoy and Turbosound. Prior to that, Knesel spent several years in the manufacturer, design and systems integration markets
Luca Giorgi, who has served in a dual role for Powersoft as GM, North America and sales & business development director for
Europe - German-based rigging company Litecom, which has its roots in Denmark, has invested in the new Dynamic Stack Track System (DST) from Italian chain hoist manufacturer EXE Technology. DST is a traverse system with integrated rails to move, lift and rotate any object.
"Scenic movement will certainly be the future of upcoming tour productions. With the DST (Dynamic Stack Track) system, we invested in a scalable system solution that gives us the opportunity to best meet the growing demands of everyday touring. The comprehensive DST product portfolio offers many possibilities for scenic movement. I have been on the lookout for a finished system solution for some time and have now found one that convinced me immediately," says Litecom CEO Mathias Sonntag.
The black powder-coated DST52 system, which rides on dollies with master, slave and cable trolleys, is stocked in large quantities at the Erfurt warehouse and ready for use on upcoming tours. The system will have its first outing at the TALENT Show in Denmark.
The EXE designed DST system comes in two sizes - DST52 and DST66. Both systems are available with powder coating, a circular segment and dollies. The large range of accessories for motorised and rotating trolleys allow for absolute freedom of movement when combined with chain hoists.
South Africa - Unlimited Events Group has purchased 16 Astera Titan Tubes through DWR Distribution with plans to double up in the future. They also invested in two ART7 AsteraBox CRMX, the interface between lights and controller.
“I had been looking for a product like this for several years,” says Marius van Rooyen from Unlimited Events, head of technical for one of the largest décor providers in South Africa. “The cabling and processing of some of the other systems I had seen made them complex, high risk for technical failure and time consuming to install.”
The Titan Tubes have already been incorporated into a range of events, from exhibition spaces where they were used at AutoMechanika Johannesburg held at Nasrec, to the Midstream Spring Fest, an outdoors event. The units were utilised at the TrendVision Awards hosted at Emperors Palace and the Afri Group Awards held at Sun City.
“The Titans are amazing,” Marius concludes. “Reliable and quick to install with massive creative potential, they tick all of our boxes at Unlimited Events.”
USA - Altman Lighting has announced the Siren Sferies AFS-500 and AFS-700 followspots. Designed to be a powerful yet economical solution for any theatrical design, the followspots provide the full functionality of a traditional followspot but are packed with powerful new feature sets and operator enhancements.
“Understanding the need for high-performance LED luminaires in today’s theatrical environments, we are very excited about the introduction of our new AFS-500 and AFS-700 LED followspots,” explains Nicolas Champion, Altman Lighting vice president of sales and marketing. “Along with the recently released AP-150 LED Par luminaire, our SIREN Series of cost-effective theatrical solutions were engineered to meet and exceed the expectations of lighting professionals worldwide.”
The most compact of the Siren Series LED followspots, the AFS-500 is a lightweight, 490-watt, colour-changing followspot with a rich feature set. Using the on-board controller, the luminaire’s dimming, colour wheel, iris and CTO features can all be controlled manually or via DMX. Combined with an available colour boomerang and a manual zoom range from 7-13 degrees, the AFS-500 produces over 10,000 lumens of output for industry-leading power and flexibility in an affordable lighting solution.
Delivering almost 14,000 lumens with range up to 200ft, the AFS-700 offers a precision zoom system that delivers a 7-13 degree motorized or manual beam spread, the luminaire’s 18-facet iris, dimming, CTO, and colour wheel can all be controlled via DMX, or on an adjustable c
USA - With its 400 lighting fixtures and video panels, the 103-universe main stage rig at this year’s Made in America festival packed an intense punch. That was very fitting, given that it was located at the foot of the “Rocky Steps” outside the Philadelphia Museum of Art. But like the famous underdog pugilist, the “Rocky Stage” rig drew its power from something other than size.
“This was our boldest rig yet, but ironically we used a little less gear overall this year than in the past,” says Patrick Dierson of The Activity, who oversaw production on this, and two of the festival’s other stages. “It’s never about the amount of gear you have, but what you do with it.”
What Dierson and his team “did” with their gear package, which included 68 Chauvet Professional COLORado Solo Batten fixtures supplied by 4Wall Entertainment, was create a rig that immersed fans in the performances of stars like Travis Scott and Cardi B.
Dominating the rig was something The Activity team dubbed the 'Oculus', a dimensionally angled, three ringed overhead video/light truss structure that looked as if it were descending from another world. Also commanding attention were the massive vertically oriented video walls on either side of the stage. Dierson relied on the COLORado Solo Batten fixtures to tie these two powerful visual elements together, and endow the rig with much needed flexibility.
“The COLORado Solo Battens were the main source of eye-candy for the rig,” he says. “We mounted them 90 degrees out toward the crowd.