UK - Independent event production specialists Light Fantastic Production Services returned to The Old Truman Brewery, London to support innovation festival Unbound with a complete event solution.
Featuring presentations by a host of leading brands, the two-day symposium attracted over 5,000 visitors.
The LFPS team worked with Unbound to transform the capacious venue into a series of zones, including the Main Stage, Future Stage, Networking Zone, Partners Lounge plus individually-branded spaces for over 140 exhibitors.
The guest speaker presentations and panel style discussions were hosted within custom designed auditoria, built from the ground up by the LFPS team. Covering every aspect of the installation LFPS provided all lighting, audio, video and staging along with an extensive suite of stylish exhibition stands, digital event branding and signage.
Commenting on the project LFPS managing director Rob Myer says: “We’re delighted to have once again partnered with the Unbound team for this phenomenal event. With our 50 strong crew, we provided the organisers a single source solution for all equipment, technical support and full production management.”
Central to the event was the 500-seat Unbound Main Stage. The set design wove together LED video panels and 3D fragments of the Unbound logo to create an abstract, modern setting around a 10m upstage video wall. This LED wall was fed via a Barco S3 switcher with Panasonic laser projectors deployed on IMAG duties. In addition to the live audience, all sessions on the main stage were st
Canada - Corey Hart has sold more than 16m records worldwide and earlier this year was inducted into the Canadian Music Hall of Fame. The singer-songwriter recently undertook his first full arena tour of Canada since 1986, having twice taken long sabbaticals from the road during his 35-year career.
The hotly anticipated Never Surrender tour demonstrated that he has lost nothing of his ageless star quality and reviews of the shows praised his skill, showmanship and the quality of his powerful eight-piece band.
Supplying audio for the shows was production specialist Solotech and its choice of Coda Audio’s compact AiRAY system to deliver the Corey Hart message to his fans proved a great success. Front of House engineer Gary Stokes (k.d. lang, Adam Lambert) enjoyed his first experience with the system and was in no doubt about its qualities.
“Usually, the biggest challenge with an arena system is trying to make it sound consistent in every seat and that’s probably what we spend most of our time trying to do. Of all the different systems I’ve used - and I’ve probably used most of the ones on the market - I would say that this system has proven to be radically effective, in the sense that you can make it sound the same everywhere pretty easily.”
The System deployed on the Never Surrender tour comprised main hangs of 16 x AiRAY per side, side hangs of four AiRAY with eight ViRAY per side, a sub array of 16 x SCPF Subs and eight ViRAY as front-fill.
Stokes continues: “It was very obvious that this system is different from other sy
Switzerland - Around every 20 years, the ‘once in a generation’ Fête des Vignerons takes over the Swiss town of Vevey for a month in July and August. Featuring nearly 6,400 performers, musicians and singers, 2,000 lighting fixtures, 612 loudspeakers and over 300 channels of wireless microphones, 11 networked Yamaha digital mixing systems were needed for the centrepiece production of the 2019 event.
Fête des Vignerons is a spectacular event which pays homage to the centuries-old traditions of the Brotherhood of Winegrowers, which covers the area from Pully to Vevey, in the Lavaux region of Switzerland. The centrepiece production takes place in a temporary arena, built on the banks of Lac Léman (Lake Geneva) and depicts a year in the life of the vineyard over 20 scenes.
Taking place from 18 July to 11 August, this year’s production comprised 23 shows, plus the coronation of the Vigneron-Tâcheron (wine-grower’s hand), traditionally regarded as the ‘keeper of the immemorial know-how’. It saw a quantum leap in the staging and production since it last took place in 1999, with today’s technology meaning the audio production could surpass the highest audience expectations.
The show’s design was for five stages - one in the centre, plus one on each side of the arena - so sound coverage was a complex issue. For the 1999 event, the audio system was mounted on a single tower in the middle, meaning all of the sound came from one point. This year’s technical director François Mottier wanted to make sure that the mistakes from last time were
UK - A.C. Special Projects (AC-SP) has expanded its team with the appointment Muraly Kuhan in the role of business development manager.
Kuhan will work closely with AC-SP’s project managers and architectural lighting brand partners - including Traxon/e:cue, CLS, Acclaim and Chroma-Q - to develop and implement new business.
He has extensive architectural lighting sales experience on both the product manufacturer and project specifier sides, encompassing supply through to specification, design and installation.
AC-SP’s managing director Lance Bromhead comments: "I'm delighted to welcome Muraly to our team. With his wealth of architectural lighting product, project management and commercial experience, he will be invaluable in helping A.C. Special Projects to achieve its future growth plans.”
USA - Jackson Browne is back on the road for the next leg of his tour with a lighting package supplied by Bandit Lites, and while the singer-songwriter’s last few tours featured big, saturated looks and backdrops, lighting designer Steve Comer designed this year’s run around beams rather than a set.
“I chose to do ladders behind the band and some side trusses at a downward angle to wrap around the band and provide beams of light that surrounds them,” Comer explaines.
“It was 12 years ago now that Jackson himself with designer David Davidian led the charge to go to a more earth friendly approach to lighting using a 90% LED based system,” says Bandit production director Dizzy Gosnell. “Back then it was 160 LED Par 64s. Jackson’s house had been off the grid a long while before, and he was intensely interested in pushing LED on his lighting systems. It was his vision and faith in us that enabled us to take the leap into the LED path we’re at now.”
Bandit Lites is providing more than 100 fixtures for the tour, including Martin MAC Auras for wash and band member key lights and Vipers for full stage gobo wash and band member solo highlights. GLP X4 fixtures bring tight beams of color and aerial beams. Additional beam effects are provided by Chauvet Rogue RH1 Hybrids and Chauvet Maverick Pyxis.
“I have really enjoyed having the Pyxis out,” Comer adds. “It is like having two fixtures in one where I can get a tight beam in one colour and a colour wash in a different color at the same time. The zoom on the outer ring really
Japan - Uplink’s Tokyo cinemas can be described as mini theatres, including the city’s smallest such venue, which is located in the city’s Shibuya district. The company has embarked on a quest to offer cinema goers the best indie and foreign films in a country where Japanese blockbusters are becoming increasingly popular at the expense of both Hollywood movies and foreign arthouse titles.
Over the last decade, the number of mini theatres has declined as multiplexes have flourished, but Uplink and its president, Takashi Asai, have remained true to their belief that the future is bright for arthouse mini theatres in Tokyo. The way to ensure this, in their opinion, is to offer a pristine AV experience to their customers.
As a result, Uplink has chosen Powersoft amplifier platforms to drive the bespoke audio systems in its venues in the Kichijo-ji area, one of the city’s most fashionable districts. The audio setup in each of the venue’s five screens is driven by Powersoft Ottocanali amplifier platforms, which power Taguchi Acoustic Lab speaker systems.
“The visual side of cinema is constantly evolving,” opens Asai, “But, quite surprisingly, the audio side seems to have stagnated a little in the last few decades. Obviously, SPL in cinemas has increased and dedicated subwoofers have become commonplace, but I have felt for a while that we, as cinema proprietors, could be doing more.”
Asai began conversations with an old friend - Kazunori Taguchi, director of Taguchi Acoustic Lab - to understand how to take Uplink’s audio system
USA - ESTA and USITT have announced the sponsors for the 2020 New World Rigging Symposium, taking place 31 March to 1 April in Houston in conjunction with the USITT Conference and Stage Expo.
Returning as the platinum sponsor for the third year is Stage Rigging, Inc. a diversified theatrical rigging company that provides a full range of specialised rigging services on a global basis for tours, corporate and special events, and expositions.
Chris Schmidt, vice president and general manager of Stage Rigging, comments, “When I started my career in rigging little did I know that by working for Stage Rigging, one of the first to focus only on arena rigging, I had access to the some of the industry's most respected and innovative professionals to bounce ideas and ask some of the most basic questions. The New World Rigging Symposium is the perfect place for both seasoned riggers and those interested in rigging to do the same. This is a great place to network and have access to the rigging industry’s top talent. And please don't be afraid to ask!”
Returning gold sponsors are ETC, offering a range of hoists and controls to accommodate the needs of any production space and budget, and J.R. Clancy, providing professional riggings solutions worldwide on thousands of venues since 1885.
Certex USA joins returning silver sponsors Geiger Engineers and Kish Rigging. One silver sponsorship at $5,000 is still available.
To the Moon Rigging joins returning Bronze sponsors CM-ET, H&H Specialties, The Light Source, Motion Labs, Prolyte, Reed Riggin
China - Elation has been providing lighting solutions for Royal Caribbean International cruise ships since the first Oasis class ship launched in 2009. That trend continues with Royal Caribbean’s latest luxury cruise liner, Spectrum of the Seas.
Custom-built for the Chinese market and accommodating 4,246 guests, Spectrum of the Seas set sail from Shanghai in June as the largest cruise ship in Asia. Similar to Royal Caribbean’s previously launched Quantum class ships, Spectrum of the Seas features first-at-sea amenities including Sky Pad, a bungee trampoline experience, and two-level family suites with an in-room slide.
Built at Germany’s Meyer Werft shipyard, Amptown System Company (ASC) served as system integrator for sound, light, video, projection, media control and networking of media technology for the entertainment areas of the ship, working closely with the Royal Caribbean architects and technical team under the leadership of Royal Caribbean’s Superintendent SLVR & Architectural Lighting, Christopher Vlassopulos. Vlassopulos co-ordinated the design and specification for all the entertainment equipment in all three Quantum class ships’ public spaces, including the entertainment lighting systems, and served the same role on Spectrum of the Seas.
Spectrum of the Seas is an environmentally friendly smartship with energy-efficient entertainment lighting systems. She boasts a similar lighting package template as the Quantum class ships although with some updates and changes. “To keep up with the evolution of LED fixtures, the newe
Spain La Ciudad del Rock Arganda del Rey hosted electronic music festival A Summer Story on 21-22 June as 100,000 attendees enjoyed the latest music trends highlighted by Claypaky fixtures.
The festival has become one of the epicentres of electronic music in Spain Its fifth edition, produced by Disorder Events, featured performances by more than 70 artists, as well as large screens and spectacular lighting that combined tungsten and LED technologies.
A Summer Story featured four stages with lighting designs that mixed moving heads, LED bars and blinders, among others, all controlled from a grandMA2 full-size console supplied by Stonex.
Disorder Events and Enrique Jiménez of Fluge Audiovisuales worked together to light four stages. Fluge Audiovisuales was once again in charge of providing the AV equipment, including Claypaky Sharpy PLUS fixtures.
The main stage had a pyramidal structure 35m high. Its integral design was by Eduardo Valverde of Pixelmap Studio with programming and operation by Juan Manuel Lázaro Ordiales.
The Live and Techno Stage, designed by Jiménez, showcased several types of Claypaky fixtures. “The difficulty of the design was that this scenario hosted two very different types of performances on Friday and Saturday. The lighting design had to respond to these two different configurations, so we needed very versatile equipment,” he says.
Jiménez used eight A.LEDA B-EYE K10 devices to meet the challenge. "A.LEDA K10 could act as a street light in wash mode during the daytime and work with the LED surface a
USA - Chauvet Professional has released the Maverick MK3 Profile to the market. The fixture, which received its world premiere at the 2019 Prolight+Sound exhibition, can handle the demands of large concert venues and excels in a wide range of other applications, from high-profile events and festivals, to broadcast projects, says the company.
A fully featured 820W LED moving profile fixture, the Maverick MK3 Profile has an output of over 51,000 source lumens (23,000lm output), making it capable of creating aerial effects, specials and audience lighting at any touring show. In addition, it offers a plethora of features, including a four-blade fully wiping shutter system that can rotate up to 60° in each direction, for a total 120° rotation capability.
Adding to the fixture’s versatility are its precise CMY + CTO colour mixing and a fast 9:1 zoom ratio that maintains a flat field, and even focus from 6 degrees all the way out to 54°. Thanks to its two overlapping prisms, two gobo wheels, two frost options (super-light and medium) and an animation wheel, the fixture creates captivating static, and dynamic rotating and animation effects.
“We’re very excited to be releasing the Maverick MK3 Profile,” says Albert Chauvet, CEO of Chauvet. “This product is more than just a powerful light, it’s also an extremely versatile tool; one that will open a great number of creative possibilities for designers and rental houses.”
USA - With a career spanning 19 years, 12 songs that have made Billboard's country charts, and word of a new major label record deal in the oﬃng, country artist Craig Morgan is on the road this summer, touring with new gear in the form of an Allen & Heath dLive S5000 console/DM0 MixRack at front of house, an SQ-7 for monitors, and four DX168 I/O expanders on-deck.
“I had been looking for a new console since last year,” opens Morgan’s FOH engineer, Robert Harmon. “I narrowed down my search to three, but none of them worked out. Then I ran across a console I didn’t recognise online. It looked high-end. It turned out to be an Allen & Heath S5000. Having logged thousands of hours on a GL2400 and other Allen & Heath analogue products in the past, I have to admit my mind was having a hard time wrapping itself around this new digital oﬀering.”
Harmon agreed to try the desk following a conversation with Allen & Heath’s Eastern Regional Sales Manager, Kevin Madden. He wound up using it for two shows and never gave it back, choosing to send the company a cheque instead.
“They told me it could be customised any way I wanted,” he recalls. “I heard that before, but this time it was true. Using a show ﬁle I wrote at home, it loaded correctly the ﬁrst time and sound check went quickly for starting at zero. I conﬁgured the desk to mimic the layout of my old one exactly, that made the transition seamless. I also brought things to the top surface I never could before.
“I always wanted my matrix out with my
USA - The American Crane & Safety and Reliable Design Services were approved this month to become ETCP Recognised Training Programmes. The courses that participate in the programme present an opportunity for ETCP technicians to get a bulk of their education credits in one place, as these training opportunities count one point per hour of attendance.
“I am excited to say that ETCP now has almost 20 Recognised Rigging Training Programmes that provide relevant courses for those who need renewal credits. Perhaps the most important thing ETCP has brought about in our industry is a sincere interest in training. Adding these two training opportunities only furthers that mission,” says Tim Hansen, ETCP council chair.
American Crane & Safety’s Entertainment Rigging Courses is designed to provide participants with the ground-rigging basic knowledge of inspecting rigging gear, load control, as well as rigging procedures and techniques used in the entertainment industry through a problem-solving workshop. Scott Weldon, company owner, joined the ranks as ETCP recognised trainer this month as well. The Entertainment Rigging course is available online anytime. The courses are also taught onsite for those who would like to attend in person.
Reliable Design’s Advanced Structures Workshop is co-hosted in Dallas on 24 September 2019 with Clark Reder Engineering. Attendees will learn about a wide range of structures used for outdoor events, including, how to deal with forces on systems and a rare opportunity for hands-on time to experiment with loads a
Spain - ETC dealer Stonex has supplied 19 Source Four LED Mini fixtures to light the installations of acclaimed Indian artist and filmmaker Amar Kanwar at the Thyssen Bornemisza National Museum in Madrid.
The museum hosted the work of Amar Kanwar - Testimonios Relámpago and El Bosque Soberano. ETC lighting was used to enhance his exhibition which focuses on the concepts of nature, landscape, climate and human presence whilst criticizing the political state and lack of justice in his native country, India.
Kanwar’s artwork in La Sala de Las Semillas, is characterised by taking elements of nature from India and using them as an activist proposal. Different types of rice grains were collected and carefully categorized in small drawers. The room required a dim light that created a warm and intimate atmosphere. Kanwar selected ETC for the installation based on his previous experience with the company from exhibiting in different parts of the world.
Lighting designer Carlos Alzueta specialises in theatrical and museum lighting and worked on the project at the Thyssen Bornemisza. “Amar Kanwar has in-depth lighting knowledge and having used ETC before, was especially interested in using Source Four LED Mini fixtures for their reliability and superior optics,” comments Alzueta.
“For lighting in museums and exhibitions, it is useful to have the option of focusing, adjusting or cutting out light. We worked with a combination of neutral filters with different densities to adjust the light of the fixtures,” remarks Kanwar.
Thailand - Mahajak Development Co recently outfitted the Toyota Buzz Co headquarters with a Harman Professional Solutions networked AV system to deliver audio and video in nine locations.
Toyota Buzz Vibhavadi is a Toyota dealership and headquarters of the Toyota Buzz dealership sales channel. In order to broadcast and distribute AV content throughout the facilities - and to eight additional branch locations - Toyota Buzz recruited the help of pro audio distributor Mahajak Development. Mahajak deployed a networked AV system in the boardroom, hall, fitness room, sky garden and mobile room to provide advanced audio and video control.
“After thorough consideration, our team designed and installed a Harman system that seamlessly delivers high-fidelity audio and video across multiple locations to meet the specific requirements of the client,” says Pongsakorn Kanchanachayphoom, project director at Mahajak Development.
Mahajak equipped the boardroom with JBL Control 14C/T full-range ceiling speakers. JBL 305P MkII powered studio monitors deliver precise imaging and impressive dynamic range for critical listening. The system is powered by Crown CT 475 amplifiers and routed through BSS BLU-101, BIB and BOB1 digital processors for maximum flexibility. The conferencing system also includes a video wall with 55” 3x3 seamless display screens, which are controlled effortlessly via computer.
The Toyota Buzz headquarters features a 1,000-seat hall for internal presentations, performances and activities. Mahajak outfitted the hall with compact JBL AE Se
Europe - Premium cable manufacturer PROCAB is introducing an extensive new range of CPR-compliant cables. This range is designed to be used in applications where CPR classification is required to offer the safest possible solution to installed cabling.
The Construction Products Regulation (CPR) is an EU regulation for installation cables, classifying cables based on their fire performance. The standardisation is introduced to improve the fire safety in buildings as in case of a fire, most casualties are a result of the toxic smokes.
This new cable range will consist of loudspeaker, microphone, Cat 6, Cat 6A and even Cat 7 types of cables, available in 100m and 300m variants, keeping possible surpluses to an absolute minimum.
PROCAB extensively tested their tailored made cable range in the harshest environments on three criteria: smoke concentration, burning droplets, acidity of the smoke. Because the outer jacket is flame retardant, it provides optimal resistance to spreading fire and therefore maximizes the overall safety of the construction. Available Euroclass types include B2CA, CCA and DCA.
Europe - The new Milos Armor Cart is the focus of a new video released by Area Four Industries.
Available on A4i.tv, the video shows how the Armor Cart helps reduce hoist storage and transport space, as well as making the movement of hoists to and from venues more convenient.
UK - The upcoming PLASA Show (15-17 September, London Olympia) will enjoy "huge support" from the pro audio industry, with more brands debuting at the tradeshow and an increased number of live demos also taking place, PLASA has announced.
Among the companies supporting the show are L-Acoustics, Coda Audio, d&b audiotechnik and Void Acoustics. The PLASA Show has also doubled the amount of audio demonstrations on offer with the inclusion of three Audio Lounges and a new live feature, Stage to Studio, held in association with Sound on Sound and Headliner magazines.
PLASA MD Peter Heath comments: “PLASA has worked hard over the past few years to make the show an essential destination for all things audio. As a result, we are confident that this year’s show will inspire professionals working across the audio industry.”
Among the brands making their debut at the tradeshow is Coda Audio, an independent loudspeaker manufacturer whose line arrays are making an impact around the world. Void Acoustics, known for loudspeakers that are equally visually and sonically striking, will take a stand as well as a space in the main audio demo room. They join L-Acoustics, Bose, Yamaha and Audio-Technica among others.
d&b audiotechnik has joined the show as a headline sponsor. Visitors will find their installation and touring systems on both the Sound Foundation Limited (SFL) and SSE stands, alongside products from Sennheiser, DiGiCo, DPA and AVID.
“Live audio demonstrations are always a popular part of the show experien
Saudi Arabia - The inaugural edition of Jeddah World Fest on July 18 took place in the grounds of King Abdullah Sports City, Jeddah, and attracted a sell-out crowd of almost 40,000. This was the largest music festival held in Saudi. Protec delivered an extensive audio, lighting and rigging package for their client The Manual on behalf of Roqu Media.
This event ties in with Vision 2030, a progressive plan which sees the country open up as an entertainment destination and relax some of its stricter laws around events. With the country’s General Entertainment Authority set to inject upwards of an estimated $60bn into the sector over the next decade, Jeddah World Fest is the first of many events which will fuel the AV and events sector in the Middle East.
Featured artists included Janet Jackson, 50 Cent, Chris Brown, Liam Payne, Steve Aoki, Tyga, Future, R3wire and Varski.
Project manager for Protec, Luke Doyle reports, “The show looked and sounded incredible. The stage structure was the largest ever seen in the Middle East. This type of event had never been done to this scale in KSA and it was a great show to be a part of for sure. Definitely one to remember. The crowd were fantastic and it was almost emotional to witness.
“As the line-up wasn’t 100% confirmed until last minute we were under immense pressure to fulfil the technical rider for each artiste. We had catered well technically for the event using stock from our Riyadh and Dubai warehouses, however, we had to move quickly to discuss the requirements with the relevant artiste’s
UK - Stage Electrics has been appointed as the UK distributor of Ultratec Special Effects, a large-format pyrotechnic effects manufacturer.
Stage Electrics has already invested £10,000 worth of initial stock and will be stocking a range of large venue pyrotechnics from the company. “We believe having a comprehensive range of Ultratec on the shelf in the UK is what our customers need to support their shows. We’ve chosen a range of stock, including a variety of professional mines, comets and gerbs from 20ft to 200ft,” comments Paul Roughton, national sales manager at Stage Electrics.
“We are looking forward to working alongside Ultratec and building a strong partnership,” continued Anna Western, sales director of Stage Electrics.
UK - The 2019 UK edition of the art and music festival WOMAD once again featured the d&b Soundscape, delivering an enhanced live sound experience that equally served the dynamic range of programme, the touring front of house engineers, the artists, and the musically inquisitive audiences.
The WOMAD d&b Soundscape stage line up featured some of the most inspiring artists and performances of this year’s festival, including the acoustic mastery of Saving Grace featuring Robert Plant, drum and bass DJ LTJ Bukem, Kenya’s Muthoni Drummer Queen, and Roosevelt Collier, whose blues, rock and gospel sound was described as ‘dirty funk swampy grime’.
The d&b Soundscape stage is the result of a relationship between Real World Records - the music label owned by the founder of WOMAD, Peter Gabriel - and the d&b team. Born from a mutual ambition to enhance the sound experience at WOMAD for both artist and audience, using a d&b Soundscape system.
Prominently positioned within the main arena site in Charlton Park, Wiltshire, the Soundscape stage held capacity audiences of over 4,000 people and was created to galvanize WOMAD’s mission to be the “best sounding festival’ featuring ‘the best music you’ve never heard”, and curated to give acts from around the world a space to showcase their landscape of genre-diverse sounds.
“This stage was special, because of the incredible sound experience that was created,” says Chris Smith, festival director. “WOMAD is a festival for music lovers, but it is also about innovation in m
UK - Westlife are back after a seven-and-a-half-year hiatus, with a new production for the 20 Tour ahead of their much-anticipated new album, Spectrum.
One hundred and forty-eight Robe MegaPointes were prominent on the touring lighting rig - specified by lighting designer Tom Sutherland.
The first leg of the tour culminated in two sold out nights at Dublin’s Croke Park stadium playing to 170,000 fans. The gig was streamed live to cinemas worldwide.
Tom Sutherland of DX7 Design is part of a new creative team. He was asked onboard by show producer / director Brian Burke, and the two combined forces to create the production design that is supporting Nicky Byrne, Kian Egan, Mark Feehily and Shane Filan on the 20 Tour.
The performance space is defined by a large 70ft wide video screen upstage - which splits in two horizontally - and a full video floor, with columns of side and top lighting making up a large and dynamic box. Upstage at the back was a flying platform running the whole stage width, and several of the lighting trusses that also moved.
With musicians stationed just in front of the left and right stage wings, there was a totally clean space for the group to use, and the emphasis was all on the four of them, supported by slick video treatments and classy matched lighting looks.
Tom specified MegaPointes to be the principal hard-edged and effects fixtures, chosen for their brightness and versatility which enabled him to create a series of perfect ‘fun factors’ for the colourful, upbeat extravaganza of movement and
Russia - A&T Trade and Music Trade have deployed Martin Audio’s WPL PA on the main stage of the Zolotoy Gorod eco park, one of the largest country parks in Russia, located near the city of Tula.
The park operates year round and welcomes guests from all over the world. Music Trade, A&T Trade’s Tula-based partner, were requested to design a sound system that would serve artists all summer long.
The main stage of the Zolotoy Gorod presents a multi-genre line-up featuring artists for pop, folk, orchestra, rock, electronic and theatrical performances. "We needed a universal speaker system that would sound great for any challenge,” says Sergey Bobrov, owner of Music Trade.
The scalable resolution of WPL offers greatly improved coverage consistency and control compared to a standard line array and provides a flexible pathway to advanced array control.
The main PA comprises 10 Martin Audio WPL elements flown on each PA wing, with eight further WPC each side as out-fills. A cardioid array of 12 SXH218 subwoofers stretched across the entire width of the stage, provide low frequency support.
"With WPL we made the perfect choice and are delighted with the result," Bobrov confirms. "We are also grateful to the engineers from A&T Trade for their comprehensive support in system design."
The season opened on 1 June with a series of retro music artists headlining: these included Natascha Wright (ex La Bouche), Sheyla Bonnick of Boney M and Pupo.
The stage has been operating every Saturday since, and will run until September.
World - Dreams and nightmares are the main themes of the Billie Eilish When We Fall Asleep world tour - the first major tour for this young internet sensation whose career is experiencing a meteoric rise. Helping this seventeen-year-old, Indie pop phenomenon to dizzying heights is the tour’s wonderfully creative set design, the central motif of which is a flown bed, inlaid with 24 Ayrton MagicDot-R lighting fixtures supplied by PRG.
Erik Anderson of Cour Design is the creative director behind this incredibly dynamic show. Anderson and his partner, Gordon Droitcour, have been working with Eilish since late 2017 and on this occasion, collaborated closely with production and lighting consultant, Nick Whitehouse at Fireplay, alongside lighting director and programmer, Tony Corporale and lead programmer, Dominic Smith.
The stage design is an intricate structure revealing a forced perspective with a diamond-shaped raked video floor and an overhead truss to match. Midstage there is the main feature of the flown bed which is iconic to much of what the singer has to say, and dramatically brought into focus by the novel lighting beneath. Anderson explains: “The MagicDots are rigged to the underside of the custom scenic bed piece (built by Gallagher Staging Nashville), and are utilized during three specific automation moments during the show. We needed a compact, fast-moving light that could be rigged in a grid formation, to act as a sort of custom chandelier when the bed underside was raked out toward the audience. At one moment we use this look to s
UK - The latest production from Space Productions, the in-house company at off West End performance venue The Space, tells a story never really told, against a dynamic and eye-opening immersive sound design by the company’s Keri Chesser, who added impressive realism and intense drama using TiMax.
Spitfire Sisters is the tale of the British and American women in the British Air Transport Auxiliary who, at the height of World War Two, were trained to use just a map and a compass to fly planes from the manufacturers to where they were needed in the action.
Using TiMax object-based spatial rendering Keri was able to depict action such as the intimate internal voices of the women’s thoughts whilst flying, by both isolating them for clarity while slightly diffusing them for dramatic impact.
Chesser explains: “We were able to make the sound of the aeroplane fill the room from a position overhead, but voices still came through clearly and separately. I had a few speakers rigged above the hearing level of the audience so, using TiMax I added some EQ to a voice while directing the aircraft sounds overhead.”
TiMax PanSpace was also invaluable for creating multiple panning effects to replicate the sounds of a dogfight taking place above the cast sitting out an air-raid in a shelter.
Two speakers secreted on the stage’s balcony level anchored the aircraft sounds above the heads of the audience, whilst the main house PA provided left and right wide imaging, plus a sub for low end. All speakers were connected to TiMax via its onboar