UK – Martin Audio has unveiled its first constant curvature array, Torus, alongside new 3D prediction and optimisation software, Display 3. Both were formally showcased for the first time online at a recent ‘virtual’ launch event.
For applications that typically require a throw between 15-30m (50-100ft), a full-blown line array is not always practical, optimal or affordable. Conversely, a point source solution may not be sufficient in coverage and SPL. “Torus is a constant curvature array designed to fill that gap,” says Martin Audio, “combining optimised coverage, SPL profile and cost efficiency.”
However, Dom Harter, managing director, adds: “It is much more than just another constant curvature array. Torus was in development for three years in an exhaustive bid to further the acoustic concept and performance achievable.
“Typically, constant curvature arrays have adjustable horizontal dispersion, but their performance can vary considerably in terms of tonality and effectiveness of coverage when different dispersions are selected. Equally, many lack sufficient sensitivity in the mid-band frequency, critically important for voice projection and clarity. They also can suffer from comb filtering. TORUS fundamentally addresses these areas and more.”
Each Torus cabinet is designed for a flexible horizontal dispersion pattern and this can be manually adjusted between 90°, 60° or 75° (asymmetrical) via the unique Dynamic Horn Flare. This not only moves and locks the waveguide but also adjusts the horn mouth, including the lo
UK - PLASA, the lead association for the entertainment technology industry, is running a free webinar on Wednesday 24 February to help attendees better understand the basics of the new UKCA marking which is now required for certain products being placed on the market in Great Britain.
Following on from a series of webinars covering business, trade and HR, this session will explore terms and definitions that relate to the new UKCA and CE UKNI markings. PLASA will be joined by expert host Rob Hine, head of commercial partnerships at BSI (an approved body for UKCA), who will break down what these terms mean in the context of UKCA and what this means for those placing products on the market. Rob will also take the time to answer any questions.
This webinar will prove essential for both UK and international businesses who sell products in the UK. Following the session, attendees will be given additional resources to help them navigate the new marking procedures.
‘Understanding the basics of UKCA’ will run from 11am-12:30pm (UK time) on Wednesday 24 February. Pre-registration is essential via: https://us02web.zoom.us/webinar/register/WN_FLEok3ZiQWikUpqNDa8AMg
USA - The Beacon Jams were a successful eight-week ‘virtual residency’ presented by guitarist and singer-songwriter Trey Anastasio (AKA lead singer of Phish) and MSG Entertainment in New York City’s Beacon Theatre.
The shows were live-streamed free on Twitch at 8pm every Friday through October and November 2020.
The artist played with varied arrangements of his Trey Anastasio Band (TAB), adding and changing line-ups and special guests each week, offering a dynamic mix of live music and interactive entertainment. With up to 12 musicians onstage and the challenge of playing live with no audience in such a famous venue, production and lighting designer Marc Janowitz from E26 Design thought out of the box.
His mission was to adapt and redirect the visual drama and ambience that usually accompany a 3,000 strong live audience as well as light all the performers slickly and efficiently for TV, a task achieved with style, panache and the help of almost 200 Robe moving lights and LED fixtures.
Once The Beacon Jams concept was established, Marc – who has designed Trey Anastasio’s live, solo, and acoustic projects for nine years – and camera director Trey Kerr landed on the idea of flipping the room with Trey standing in his usual front / lead position, but with his back to the auditorium and the band fanning out around him. The onstage area then became a backstage / studio workspace.
Various ground support structures were built, stands were adapted, and some custom solutions created.
“We crafted a bespoke space rather than p
UK - Audiologic and TP-Link have announced a UK technology collaboration that has delivered a turnkey network solution optimised to ‘support the deployment and performance of business-class AV systems, through a range of pre-configured PoE+ switches’. The network solution offers the community a way of making networking plug and play.
The two companies joined forces to optimise a selection of TP-Link UK’s business-class PoE+ switches to power and support the level of AV traffic from professional deployments. Typically, this includes microphones, loudspeakers, processors, computers and cameras. A custom pre-configuration written specifically for professional AV installs was developed by Audiologic and integrated into TP-Link UK’s TL-SG2210MP - JetStream 10-Port Gigabit Smart PoE Switch with 8-Port PoE+ and T2600G-28MPS - JetStream 24-Port Gigabit L2 Managed PoE+ Switch with 4 SFP Slots.
"Partnering with TP-Link UK has enabled us to develop a bespoke, AV-based networking solution. We saw an opportunity to help our customers deploy more solutions, faster, creating an offering that saves AV engineers both time and money. These fully configured switches act as the centre to any AV solution, and continues to develop our portfolio of products,” says Ben Spurgeon, senior application engineer at Audiologic.
“Seamless audio-visual experiences are essential to the productivity and success of many businesses today,” says Will Liu, managing director at TP-Link UK. “By combining our business-class hardware with the AV expertise and knowledge of A
USA - LEA Professional has partnered with Lienau AV to serve the company’s growing market in the US Mid-Atlantic Region.
Lienau AV was established in 1948 by founder Charlie Lienau to help electronics manufacturers develop their brands and connect them with the right distribution partners.
“We look for manufacturing partners that have a strong sense of brand identity and unique technologies that provide real value,” commented Chris Hutnick, partner, Lienau AV Associates. “We also like partners with a clear long-term vision. As you might expect from a company that’s been around for three generations, we like to grow things deliberately from the ground up. Establishing strong roots early to provide a stable foundation for maximum growth over time is what we’re all about.”
While 2020 was a challenging year for the industry as a whole, LEA Professional continued its growth trajectory.
“Our solutions are a perfect fit for a world where remote work is the norm,” said Joey Palkowitch, North America sales manager, LEA Professional. “We have seen a surge in demand for LEA Professional solutions over the past year, with many integrators utilizing not only the remote functionality but realizing the potential of a recurring revenue model. We look forward to continuing on this growth path with Lienau AV.”
USA - Lightware Visual Engineering has announced the opening of its newest branch to expand its presence across the West Coast area. Co-incidentally, Steve Alexander joins as general manager of the US West Region.
“We are delighted to welcome Steve Alexander to our team,” says Jason Tirado president, Lightware Inc. “Steve and I have been personal friends and professional colleagues for decades. Steve is one of the brightest minds in AV and one of the smartest people I know. He will be charged with ramping up our presence in the thirteen states in the Western Region.”
“Lightware has been a growing presence in the market for the last several years,” says Alexander. “After meeting the team and completing my research, I am fully convinced that the Lightware brand is at a tipping point. I cannot imagine a more fulfilling development than using my experience to create even more success for Lightware.”
UAE - Procom Middle East has been recognised as a ‘power user’ of ON LX's Ctrl for iPad App.
Procom is a professional audio, lighting, video, rigging, and stage effects equipment supplier based in the UAE with a wide portfolio of entertainment technology brands hardware sales and distribution.
Ctrl for iPad first made its debut in 2018 and has been used in over 56 countries with over 21,000 downloads in the past six months alone. The idea behind the application is to give AV integrators and live events technicians a canvas to create a bespoke control interface using images, buttons, sliders and more, all capable of sending commands to different pieces of AV hardware.
Wiam Boutine of Procom comments, "Dynamic and complex lighting, audio and video installations are no longer exclusive to professional venues and sophisticated event stages. They are everywhere: from fitness studios to retail shops. With that, comes the need for an easy-to-use interface that operates across control platforms and communication protocols. Ctrl for iPad is just that. It creates the bridge between the most advanced controls systems, such as Avolites and Madrix, and a fully customized visual interface on an iPad. We are looking forward to supporting Ctrl for iPad users in the Middle East market."
ON LX’s operations director James Walton adds, “We’re incredibly proud to welcome Procom as a power user. With an expert team, a wealth of project knowledge, a strong integration background and an impressive project portfolio, we feel they'll be of great assistance to
USA - Last year, in the midst of the pandemic, Squeek Lights owner Victor Zeiser converted the Ruby Stage at his company’s Middlesex. NJ facility into a performance space for livestreams and video productions.
Rigged with Chauvet Professional Rogue BeamWash fixtures, the new studio was well-received, attracting name bands like Motionless in White and The Wonder Years, in addition to hosting the chart-topping trio AJR for their Biden Presidential Inauguration, as well as their appearance on The Late Late Show With James Corden.
While most people at his improvised studio were watching the performers on stage, Zeiser was focusing his attention on LDs like Mike Null (Motionless in White) and Ezra Donellan (AJR) and their crews as they worked cameras and light to make these productions click. His observations led him to shake things up at his successful Ruby Stage this February, even though it was less than one year old.
“Everyone who used the space was really happy with their experience, but we've watched how people worked within the space and learned what we can do better,” said Zeiser. “We watched how LDs have cued with the rig and after taking months of notes decided to mix up the space with a more sleekly designed new rig, which will look great on camera.”
A top priority for Zeiser and his team was to add depth to their studio space. “On more than one occasion, we'd see a camera guy taking a shot from inside our office door to gain a better angle,” he said. “So, we decided to create a new design that would allow us to pu
Under Pressure - Chancellor Rishi Sunak is under renewed pressure to provide greater financial security to the arts sector’s self-employed workforce in the forthcoming Budget, as the findings of a new inquiry warn of a talent exodus without support.
The Inquiry into the Future of Self-Employment has been carried out by Prospect – the parent union of BECTU – and calls on the chancellor to end “the exclusions from the government’s income support packages”, which have seen millions of self-employed and freelance workers fall through the gaps of existing financial support schemes.
As part of the inquiry’s research, a survey of more than 2,200 self-employed workers was carried out, of which 39% were trade union members.
BECTU head Philippa Childs gave evidence to the inquiry and said: "Workers in the creative industries have been left with little to no support from government schemes in the last year, resulting in a financial crisis for freelancers across the UK. I urge the chancellor to take on board the recommendations in this report, end the exclusion of millions of freelancers from government income support packages, and set out a new deal for freelancers and the self-employed for the future."
A Treasury spokesman said: "We’ve invested more than £280 billion throughout the pandemic to protect millions of jobs and businesses, and extended our self-employed and furlough schemes through to April so that people have certainty that help is in place. At the upcoming Budget we’ll outline the next stages of our plan for
UK - In January, DiGiCo announced New Year New Hope, giving three lucky winners three great gifts - a DiGiGrid MGB MADI to SoundGrid Interface; the first of the newly launched KLANG:kontrollers - Serial Number 1; and a DiGiCo Quantum Range console.
What those entering did not know at the time was that this was an opportunity to own one of the first Quantum225 consoles, designed to ‘bring the Quantum Processing power and features in a compact and robust worksurface’.
Sensitive to the hiatus in the large-scale, live touring market, DiGiCo has designed the Quantum225 to be agile and flexible allowing the system to adapt to the demands of our changing world. Specified with the new DQ-Rack with integrated Dante and you have a system for AV installation and the demands of an AoIP networking environment. Alternatively specify with the MQ-Rack and get the familiar MADI connectivity for your touring infrastructure allowing Quantum225 to integrate with your existing infrastructure.
The Quantum225 includes 72 inputs channels with 36 busses + Master Buss and a 12x12 Matrix. There are four MADI ports and dual DMI ports for added connectivity, 8 x 8 analogue and four AES channels for local I/O, built-in UB MADI, optional optics and Waves SoundGrid, plus dual PSU.
The Quantum225 also incorporates now familiar features from the existing Quantum Range including Mustard Processing channel strips, Spice Rack plugin style native FPGA processing options, Nodal Processing and True Solo.
There is a 17-inch, full colour, daylight bright, TFT multitouch scre
USA - We are sad to report that Rupert Neve, an innovator and business owner whose analogue audio equipment designs have become an essential component in music recording, live sound production and home hi-fi systems, passed away on February 12, 2021 in Wimberley, Texas, due to non-Covid pneumonia and heart failure. He was 94.
A statement from Rupert Neve Designs reads: “Rupert Neve’s impact on the audio industry can hardly be overstated. It’s no exaggeration to say that millions of people worldwide listen to music every day that was produced using equipment incorporating Rupert’s designs somewhere in the process, from the vocal recording to the final mix, if not from beginning to end.
His designs, ranging from large-format mixing consoles to compact 500 series modules, are ubiquitous, and may be found anywhere from the largest production facilities to the most basic home studios. His audio hardware designs have also been reproduced as software plug-ins, making them available to anyone with access to a computer.
Rupert and his wife, Evelyn, moved to Wimberley in late 1994 and became US citizens in 2002. In 2005, they acquired premises near where they had settled in the Texas Hill Country and established Rupert Neve Designs (RND).
Born in Newton Abbott, England, in 1926, Rupert showed an enthusiasm for electronics from an early age, repairing and building radios as a boy while growing up in Argentina. At the age of 17 he volunteered to serve during World War II, joining the Royal Signals, which provides communications support to the Br
South Africa - In Pretoria, the State Theatre’s 640-seat Drama Stage hosted the rounds and finale of the 2020 Idols SA, complete with a lighting design by Joshua Cutts of Visual Frontier and technical production delivered by Dream Sets for SIC Entertainment. This sixteenth series was directed by Gavin Wratten.
While the show would normally decamp to the 3000-capacity Carnival City Big Top Arena in Johannesburg for the finale, this year everything remained at the State Theatre, and while accommodating a strictly limited audience of 250, the visual elements of the production were also expanded to add some serious WOW factors!
Like any LD asked to add more lights, Josh jumped at the chance to seriously pimp up the rig with an additional 120 Robe moving lights for the finale which was broadcast live on the Mzansi Magic CH 161 on DSTV as usual.
Josh has lit the finals – where the last 10 contestants are whittled down to two – for the last 10 seasons, so part of his 11th edition challenge was to make it dramatically different from before. Then, without the move to the larger venue, his key task was to create a signature visuality for the finale and help ensure that fans watching would still enjoy a great value experience.
In addition to the house band which had been present through the series under the musical direction of Kurt Herman, Tima Reece and Llewellyn George, an array of aerial performers were also added for the finale, giving Josh some extra interesting elements to light.
The Idols Live Show rig – which fea
Australia - Lighting designer Hugh Taranto lit a vibrant array of artists performing on the Sydney Stage for the 2020-21 Australian Broadcasting Corporation (ABC)’s New Year’s Eve broadcast. The high-profile event culminated in a pyro spectacular fired off the Sydney Harbour Bridge, stretching right across the harbour and watched by millions across Australia and worldwide.
This year, the event was named We Are One following 12 gruelling months that started with raging bushfires and ended with the ongoing pandemic. As the date neared, the tough decision was taken to go ahead without a live audience, due to general Coronavirus concerns, then a fast-spreading local cluster developing in the days immediately prior meant that even plans for a limited capacity ‘local hero’ audience – nominated by communities – had to be dropped.
Wanting to fill the gap immediately in front of the stage with some sort of atmospheric element that would look good on camera, Hugh and the team from lighting vendor Chameleon Touring Systems proposed 56 x vertical Astera Titan Tubes, set up to create an interesting and dynamic “immersive light display” later dubbed ‘The Field of Dreams’ by the producers.
This inventive visual solution had to compliment and work harmoniously with both the stage lighting rig designed by Hugh, and the Sydney Harbour Bridge illuminations designed by Ziggy Ziegler.
Underlining the symbolic importance of this year’s roll over, for the first time ever the broadcast was split between ‘live’ stages in Sydney and Mel
Italy - The industry has been paying tribute to Marco Bartolini, a popular and well-known industry face in Italy and internationally, who passed away on 10 February 2021 following a short battle with cancer.
Marco started working with Robe in 2004 when at SR Consulting, and since 2007 he has headed the team at Robe’s Italian distributor, RM Multimedia. Earlier in his career, he had worked with other notable industry brands and companies including SGM, always living and breathing the entertainment technology world that was his passion and in which he became a key figure.
His kindness, generosity, affable personality, and laid-back humour touched everyone he met, while his natural charisma and direct, honest approach to business impressed and earned respect, even from competitors! He possessed the wonderful ability and had a big enough heart to see positive attributes everywhere and in so many people.
Everyone wanted to hang out with Marco at shows, gigs, events, and exhibitions.
In his wide circle of loyal industry and personal friends, he was a person of integrity, vision, tolerance, and was an open and non-judgemental spirit. His trademark infectious smile – which cemented so many friendships and business deals – was widely loved.
Robe s.r.o. CEO Josef Valchar stated, “Marco was a beautiful person and one of a kind. I and all the international team at Robe who were lucky enough to work and spend time with him over these last 17 years will miss him greatly. His understated and cheeky wit, his attention to detail, his love of
UK - To mark the centenary of Stephen Joseph’s birth and the 60th anniversary of the founding of ABTT, the ABTT Stephen Joseph Committee has announced an award to commemorate the life and work of the influential theatre practitioner and pioneer of theatre in-the-round.
A statement from the ABTT says: “Stephen Joseph was one of the most influential theatre practitioners of the last century. He was one of the founders of the ABTT and the Society of Theatre Consultants, now the Institute of Theatre Consultants. He promoted new writing, architectural standards and technical excellence, and was an inspiring university teacher. His pioneering work has given rise to the use of myriad forms of theatre and open staging in current practice. At the heart of his philosophy was the close and fundamental relationship between performer and audience. Above all, he established theatre-in-the-round as a legitimate theatrical form in the UK.
This award honours Stephen’s wide-ranging legacy which continues to influence many aspects of theatre practice. The first ABTT Stephen Joseph Award will be presented in June 2021.”
ABTT Stephen Joseph Award specifications:
There are three categories from which one recipient of the award will be chosen. For the sake of clarity, there will be just one award in 2021 presented to the most deserving nomination drawn from any one of the following categories:
1. A living individual whose work or body of work has created an exemplary and adventurous relationship between performance and audience.
Germany - Built in 1908, the Laeiszhalle concert hall in Hamburg enchants visitors with architectural features, such as the towering organ integrated into the back wall of its stage. This made the historic venue an appropriate setting for Hype, an on-demand Netflix production by and about the award-winning comedian and author Felix Lobrecht.
No stranger to German fans, Lobrecht has rapidly risen to become one of the country’s most sought-after stand-up comedians as a result of his television shows and books. Following his first live tour, the highly successful kenn ick, he launched Hype in early 2020.
The appearance at Laeiszhalle was a stop on the Hype tour. As things turned out, it also wound up being the site of his stand-up special on Netflix, which was published on the streaming service in November 2020. Supporting this recorded performance was setting created by the Protones team from Lüneburg, and a lighting design by Alex Schmidt that featured over 75 Chauvet Professional fixtures.
Led by project manager Niklas Martin, the Protones team took care to accentuate the extraordinary setting of this location, not only for the limited socially distant live audience, but also for those who would watch the on-demand production audience at home. Working with Schmidt, the Protones team created a look that supported the artist on stage, while also emphasized the remarkable ambience of the hall, an aspect of the production that was important to Felix Lobrecht himself.
"Our instruction from the client was indeed very specific
USA - The Entertainment Services and Technology Association's (ESTA's) Technical Standards Programme (TSP) has announced the 2020 recipients of the annual Above & Beyond Awards.
The TSP exists because hundreds of individuals from across the industry volunteer their expertise and significant amounts of time to write and improve standards that increase safety, provide interoperability between different manufacturers, solve problems, and make life easier. The awards are a chance for volunteers to celebrate those of their peers whom they feel have made a significant contribution to the advancement of the programme.
The 2020 Above & Beyond Awards were presented to:
Ethan Gilson, Entertainment Rigging Services, LLC (Rigging Working Group). Ethan was praised for his expert knowledge of rigging and his unique approach to both analysing rigging challenges and coming up with their answers. His method of evaluating the relevance of a subject and converting it into an ANSI accredited rigging standard is extraordinary. Ethan's enthusiasm about the TSP has also inspired many people to volunteer, which has helped the program flourish.
Wayne Howell, Artistic Licence (Control Protocols Working Group). A long-time consistent contributor to the CPWG, Wayne was lauded for being a task group leader on the E1.20 Remote Device Management (RDM) revision project. Working late hours across international time zones, Wayne has demonstrated exceptional leadership in guiding the task group and has exhibited an admirable determination to make certain that every voi
Europe - With musicians in mind, KLANG has announced the release of its new KLANG:kontroller, a hardware controller that is compatible with all KLANG immersive in-ear mixing processors.
“This is the first hardware product designed specifically for the musicians,” says KLANG founder and CMO, Pascal Dietrich. “While many of our users love the KLANG:app, we had received many requests for a standalone hardware controller that offers the same mixing functionality, combined with a powerful, studio-grade Dante headphone amp.”
KLANG:kontroller does just that. It delivers fast tactile user control of channels, groups and immersive mixing via an intuitive interface. “KLANG:kontroller is really simple to use, even for absolutely non-technical musicians,” adds Dietrich. “The displays provide clear colour coding and channel names which makes handwritten and mostly outdated name tags, as well as dialling though all the channels to find the one you are looking for, obsolete.”
Relative DCA group mixing and full single channel control via eight push rotary encoders provides important, fast access. “The ability to customise the groups is particularly useful for musicians,” Dietrich continues. “With eight rotaries, musicians can quickly balance their in-ear mix. This is fast, safe for the ears and it massively speeds up the mixing workflow during a gig without requiring any profound mixing know-how.”
While KLANG:kontroller is designed to integrate with all existing devices, KLANG is also releasing a new immersive mixing processor. This c
USA - 12Stone Church, a thriving multi-site congregation serving the Atlanta metro area, is radically rethinking worship for not only the COVID-19 crisis but also into the post-pandemic era. The church’s innovative ‘12Stone Home’ initiative is a creative fusion of remote streaming and in-person worship, with the dynamic power and flexibility of a new Meyer Sound Leopard reinforcement system playing a key role in the success of the concept.
The new system is flown inside the main worship auditorium at 12Stone’s Sugarloaf campus, where a rapid renovation last summer reconfigured the 900-capacity room to serve as a hybrid combination of live worship space and video production studio. With the old point-source system already slated for replacement, a new Leopard-based solution was the odds-on favourite as Leopard arrays already had been installed at four other 12Stone campuses.
“We went with Leopard because we’re so accustomed to it,” says Taylor Davis, production director for the church. “It’s part of our audio DNA at this point. But for this new ministry, it also gives us extraordinary flexibility. We have enough Leopard elements and subwoofers to change the room to in-the-round with four arrays. It makes us very nimble, so we can work in any room configuration. In fact, all the production in here is touring-style, with portable decking so we can turn the room or put the stage at centre.”
In its current iteration, the room has three distinct areas, with a cafe teaching environment on one side, a performance area centre, and a livin
World - Following the recent announcement of Virtual Showlight 2021 which will take place online on 25 May, 2021, Showlight is renewing its Call for Papers from speakers keen to be a part of this inaugural event.
Showlight has always centred on its fascinating programme of papers, delivered by lighting practitioners from around the world. Determined to uphold the spirit of the popular quadrennial event despite the global restrictions caused by the COVID-19 pandemic, Showlight will treat its delegates to a day of talks and networking opportunities online that give a flavour of the full event.
Submit your ideas
The organisers are therefore issuing a fresh call for papers to anyone involved in lighting - be they lighting designers, lighting directors, directors of photography, architectural lighting designers or associated crafts like programmers and manufacturers - to submit papers ideas suitable for presentation in the virtual conference on 25 May. Papers are to be 20 - 30 minutes in length, followed by a Q&A session. “Full technical support will be given in advance, so don’t be daunted by the virtual platform,” says Showlight.
“We aim for variety, across topics relevant to all aspects of the lighting industry today, and we envisage this will be especially appealing to speakers whose commitments usually prevent them from speaking at a full Showlight event. We want to hear about your experiences, your ambitions, your inspirations, your concerns, your successes and your failures. We are not looking for simple product promotio
USA/Europe - While the live music scene has been on pause for the past year, two live sound innovators, Dr. Christian Heil, president and founder of L-Acoustics, and Jerry Harvey, president and founder of JH Audio, came up with the idea to combine their technologies into Contour XO in-ear headphones.
Following an initial meeting in which Jerry Harvey travelled to Paris to meet Christian Heil, the two companies’ teams collaborated remotely to build Contour XO, which incorporates the massive L-Acoustics line array sound into JH Audio's multi-driver portable in-ear monitors (IEMs).
The design of Contour XO incorporates 10 drivers and covers the full frequency spectrum down to 10Hz. They also feature bass adjustment of up to 15 dB so you can control how much low end you need.
Contour XO was given a crucial role at the inauguration of the 46th President of the United States, Joe Biden and Vice President, Kamala Harris.
With over 30m people watching in the US alone on 20January 2021, Lady Gaga delivered a moving performance of the US National Anthem.
Chris Rabold, live engineer for Lady Gaga, Bruno Mars, and Beyoncé, represented Gaga at the mixing console as she serenaded millions of viewers. While mixing and monitoring the broadcast feed, Chris Rabold relied upon Contour XO to deliver detailed, clear sound. Rabold comments, "I’m glad my Contour XO in-ear monitors came along for the momentous occasion and served as my mix reference."
The performers themselves sparkled in customized JH Audio IEMs. Lady Gaga wore an opulent gold set
UK - Zero 88 has announced a new array of online product training sessions running through February and March 2021, presented in-person by product specialist Edward Smith.
Running via Zoom, participants can also request a link to the recording for re-watching ‘and use these assets as a tool for refreshing and reinvigorating their lighting console programming skills’.
Most of the training is focussed on Zero 88’s popular and powerful FLX range of lighting control consoles. These first sessions of the year will cover the FLX, FLX S24 and FLX S48, plus the ZerOS Server, and will also be applicable to other Zero 88 consoles running the ZerOS operating system.
This follows on from a considerable number of regular training seminars initiated by Zero 88 throughout 2020, taking advantage of the unexpected free time that so many lighting professionals found themselves facing as lockdowns and COVID restrictions kicked in.
So successful was the programme that Zero 88 also started live streaming several sessions that can be re-watched at any time on their YouTube channel.
“We wanted to continue the trend and keep assisting with learning and refreshing in the areas people are demanding,” stated Edward.
The sessions are crafted for anyone who wants to know more about Zero 88’s powerful and easy to use FLX range and are aimed at three key groups – those interested in the brand and the architecture; those looking for a console that’s right for them and their application; and experienced power-users wanting to maximise and get
UK - The team behind Lightware Visual Engineering UK & Ireland has announced the appointment of Craig McQueen as head of business development.
“I’m very excited to be joining the Lightware family,” says McQueen who has 26 years’ industry experience. “As a brand that is very well known for its quality and reliability, I look forward to sharing a number of exciting developments with our customers and partners.”
McQueen will be responsible for furthering the growth of the brand in the UK and Ireland and will partner with the sales team.
“Craig McQueen joins us at an exciting time as we continue to grow the Corporate business,” says Craig Storey, sales director UK & Ireland. “Craig will play an integral role in further strengthening our presence in the UK market. His wealth of industry and product knowledge will serve him well in his position and I look forward to his success in the role.”
UK - Shure is the sound system of choice for a multi-million pound restoration project at St John at Hackney Church. The project was supported by the National Lottery Heritage Fund in collaboration with designer John Pawson (Abbey of our Lady of Nový Dvůr/Design Museum), visual artist Es Devlin and architects Thomas Ford & Partners.
A noted landmark, St John at Hackney Church was established in 1275 and has been part of the East London community ever since. A church in the traditional sense, since 2010 has welcomed major artists such as Robbie Williams, Florence Welch, Jamie XX, Benjamin Clementine, Bloc Party, Ed Sheeran and Emeli Sandé. As a Music Venue’s Trust and Independent Venue Week affiliated venue, Hackney Church looks forward to hosting some of the world’s finest creators and innovators whilst supporting local artistic endeavour in its Grade II* listed building.
The aim of this project was to create one of London’s premium live event spaces: a ‘Cathedral of Creativity’. The demands of this ambition, combined with working in a historic listed building, created an environment for a challenging installation.
Ben Musson, production manager, comments: “The Shure brand has been synonymous with pro audio for the last 50 years. I had used the Shure ULXD previous and had found it really reliable, and easy to work with. When we had the first tender doc come through from our consultants, Shure was right there on it, and no one felt the slightest need to change it.”
Ben continues: “Having previously used ULXD, the Axient