USA - Baseball bat company Warstic Sports recently opened its new headquarters and retail space in Dallas, which features a comprehensive networked audio system from Harman Professional Solutions.
Founded by former baseball player and entrepreneur Ben Jenkins in 2011, Warstic specialises in metal bats and customisable wood bats, along with batting gloves, fielding gloves and other baseball and softball accessories.
In 2016, four-time All-Star second baseman Ian Kinsler and musician Jack White became co-owners alongside Jenkins, and in November 2021 the company officially opened its flagship store and headquarters in Dallas. In addition to a retail space and batting cage area, the facility also features a cafe, a conference space known as the War Room, and a live performance space in the basement.
To meet Warstic’s current needs and anticipate future plans for the space, Harman provided design assistance and installation guidance for the versatile audio system featuring JBL Professional, Crown, BSS and Soundcraft solutions.
“The building itself is not only our central office but also a retail store, batting cage, speaking and event centre, factory, coffee shop and a place for live music,” said Christine Edgington, president, Warstic Sports. “There are so many components packed into our 10kft space. We started the process with a detailed explanation of how we would be utilizing all of the different spaces, and Harman matched our needs with their extensive list of products.”
“Each space had its own individual needs as far as au

The Netherlands - HOF has appointed Podiumtechniek as a distribution partner in the Netherlands. Podiumtechniek specialises in custom-made stage technology solutions.
Bob Ages, co-founder of Podiumtechniek, comments: “We believe that with creativity there are no limits to what is possible on stage and at events and that there is a solution to everything - either with regular products or with tailor made solutions - and often a combination of both. HOF is one of the rare companies that offers both and we are glad to have the HOF products in our portfolio now and a manufacturer in our network that can design and deliver custom made solutions.”
Edwin Duivelaar, export & sales manager at HOF, adds: “With Podiumtechniek we share the same philosophy which is that no project is impossible and the crazier the idea the better. We are impressed by the creativity of Podiumtechniek and are delighted to enlarge our distribution network in the Netherlands with such a dynamic partner.”

Sweden - Green Wall Designs, a Sweden-based company that creates visuals, sets, and lighting designs for stage performances, TV, and events, were responsible for lighting the national song contest that decided who would be the winning group to participate in the Eurovision. The event was held on 22 April at the Avicii Arena in Stockholm.
“We used a total of 103 Prolights SunBlast 3000FC in the main rig, and an additional eight units during the finals,” said the team at Green Wall designs. “They were a big part of the show, we used them in almost every song and they were crucial to the Melodifestivalen 2022 look. Their brightness combined with the option to use all 48 cells pixel mapped individually enabled us to use them in different ways depending on the song's mood and feeling.
“All from brutal bursts controlled by the lighting console to detailed twinkles played from the media server. We also used them to extend the video content from the screens and led strips into the lighting rig.”
During the pre-production trials, the Green Wall Designs team contacted Calle Brattberg from Gobo A/S, the Swedish distributor of Prolights, who worked along with the manufacturer to create a new software mode tailored to this application.
“We requested a mode that would fit what we were doing, that was sort of good at everything. We wanted to use a basic colour strobe with the effects generator and background colour but also use all 48 zones in 16-bit. This made it possible to quickly programme strobes and bursts with relatively few fixtures, whil

Singapore - The Singapore community had every reason to celebrate in a big way at this year’s Chingay Parade. The annual event honouring the Chinese New Year was not only celebrating its 50th anniversary, it was also returning to a live extravaganza format after the pandemic minimised the festivities for the past two years.
CSP Productions, a Clear-Com global rental group partner in Singapore, provided intercom support for the 2022 Chingay show, deploying a Clear-Com Eclipse HX Digital Matrix solution with FreeSpeak II Digital Wireless systems. The equipment’s flexibility and performance were a match for the challenging production requirements, scope and timeline of this year’s festival.
The Chingay Parade started in 1973 as a street parade and has evolved into an event showcasing Singapore’s multi-ethnic and cosmopolitan cultures. This year, more than 500 performers from Singapore and around the world performed at the 90-minute event, held at the Jewel Changi Airport's HSBC Rain Vortex atrium.
CSP Productions configured the Clear-Com systems for compatibility with the walkie-talkies used by crews and in-ear monitors used by hosts and talent. An added challenge was the need to link panels for the video team over a distance of several hundred meters, accomplished by using a BroaMan MUX22, a fibre multiplexer for audio, video and data transport device that converts 4-wire signals to fibre and back to four-wire signals.
According to Jaymie Foo, project manager and crew chief at CSP Productions, the 2022 event was the largest combination

USA - Austrian Audio has announced the NAMM launch of the OC16, a large-diaphragm condenser microphone, designed to offer premium features at an affordable price. Just like the OC18 and the OC818 models, the new OC16 boasts a transparent and natural sound thanks to a combination of the hand-made in Vienna CKR capsule and Austrian Audio’s "Open Acoustics Technology" approach.
The OC16 is a robust microphone equipped with a patented CKR6 ceramic capsule. The design is inspired by the CK12 capsule which was made of brass. Austrian Audio opted for industrial ceramics instead as it is a highly insulating material that has the same mass and acoustic properties as brass, but is far less error-prone in production and can be manufactured much more consistently. Each capsule is made by hand in Vienna, tested and measured in-house before it leaves the factory.
Austrian Audio’s Open Acoustics technology reduces acoustic problems such as unwanted reflections and standing waves within the microphone. The result is the familiar, open and natural Austrian Audio OC (open condenser) sound. Thanks to the elastic capsule suspension, the mic can be positioned very close to even the loudest sound source, reducing unwanted noises, bass boosts and distortion.
The OC16 is an all-around microphone, says Austrian Audio. “Its price to performance ratio puts it within the reach of home studios, gigging musicians, school music programs, podcasters, live streamers, rental companies, and professional studios looking to fill out their mic locker with an affordable workhorse.

USA - First established in 1891, First Baptist Concord (FBC) is a Knoxville-area church that has witnessed considerable change over its 130 years. When FBC took on the renovation of its 25-year-old main Worship Centre last year, it chose to install L-ISA immersive technology using an L-Acoustics A Series-based loudspeaker system to further deepen and enrich the worship experience for its congregation.
Following several successful one-off projects with Solotech, the church approached the company’s Nashville team again to help it design and integrate new audio, video, and lighting systems for the space. Solotech integrated systems designer Luke Lasater reports: “We worked closely with L-Acoustics to design two PA options for the church - a standard left/right system and an L-ISA option. After reviewing the designs with the church, all agreed L-ISA was the way to go for many reasons.”
Solotech brought in Design Technik to create an acoustics solution that would both help resolve the room’s acoustical issues and complement a new loudspeaker setup. L-Acoustics then worked with both Solotech and Design Technik using Soundvision modelling software to design the optimum system for the space, which is based on an A Series loudspeaker design.
FBC’s new system comprises five Scene arrays of four A15i Focus and one A15i Wide flanked by left and right extension arrays of one A10i Focus and two A10i Wide. Two hangs of three A15i Focus and one A15i Wide horizontally flown deliver out-fill coverage, while four KS28 subs flown in a cardioid configuration b

France - The world’s largest cruise ship, Royal Caribbean International’s Wonder of the Seas will have four Robe RoboSpot systems installed in its 1,600-seat capacity Main Theatre, and two more in Studio B, which is the Royal Caribbean ice rink.
The four RoboSpot BaseStations in the Main Theatre will be controlling eight Forte moving lights from Robe, each running in conjunction with four motion cameras. Meanwhile, the two BaseStations in the ice rink will be used with four Esprite LED Profiles.
This installation builds on the success of RoboSpots installed as a remote follow spotting solution in the Two70 venue aboard Royal Caribbean’s Odyssey of the Seas, which commenced service in 2021.
The Wonder Main Theatre show will be an all-singing, all-dancing Broadway-style production, complete with aerialists, drones, and complex automated scenery, with lighting designed by Rui Rita.
Project managing the vessel’s show lighting installations for Royal Caribbean was Ben Couling, who worked closely on Wonder of the Seas with Gaëtan Mornet of cruise AV integration specialist, Videlio-HMS from St. Nazaire which completed the installation.
The relationship between Royal Caribbean and Robe started when Miami-based Christopher Vlassopulos, Royal Caribbean’s sound, light, and AV systems manager for new build projects, and Amir El Yordi from Control AV Miami visited the Robe booth at LDI 2019, whilst Odyssey was already under construction.
For the Wonder Main Theatre, the RoboSpot BaseStations and operators are concealed from view on

UK - At this year’s PLASA Focus Leeds, TechLED presented new products from Abstract Lighting, aimed at installers or rental companies who require affordable LED lighting solutions.
The showcase included Abstract’s IP20-rated, RBGW LED lighting system Candi Blox. Manufactured in the UK, the 200mm x 192mm unit features a five-by-five array of multi-chip LEDs configured as a central array of 25 LEDs, with an edge halo effect surround achieved through 20 additional LEDs. Lens options include 10°,15° and 40°, as well as an opal diffused option. The fixture can also be truss- or surface-mounted. Candi Blox is connected via four-pin XLR and operated via Duplicator 4, Duplicator 6, or even a proprietary smartphone or desktop app. The Blox draw just 5V for a 15W output.
Abstract’s Candi Bar packages up to six Candi Blox together as a standalone fixture taking the six-way unit to a height of 2m. Candi Bar is a versatile fixture, suitable for a live stage, television, bars and clubs and mobile DJs.
Complementing the Candi Bar, Abstract’s XLite Pro is a freestanding, two-metre-high, LED lighting system which exudes a beautifully blended peripheral light. High-performance mix-at-source multi-chip RGBW LEDs pitched at 14.2mm are housed within precision-engineered aluminium covered with a 160° frost lens to create a diffused 300-lumen glow. IP20-rated and connected via 4 pin XLR, the XLite Pro is operated via its own remote control or proprietary smartphone app and Amazon’s Alexa.

India - Mumbai’s luxury private members-only club, Jolie’s sprawls over an impressive 20,000sq.ft. To elevate the customer experience, the club features a premium Genelec loudspeaker solution, which was integrated by Genelec’s local AV distribution partner Pandam Professional Audio.
Abhishek Bindal, the senior vice president of Jolie’s, approached Pandam’s owner Prashant Damle for consultation. In response, Abhishek and his team were invited to Pandam’s Genelec Experience Centre located in Mahim, Mumbai, where they decided to go with Genelec.
Under the guidance of Prashant, the project was planned over a two-month period. However, the actual integration was carried out in a tight 20-day period, leaving no room for error. In total, over 40 loudspeakers were deployed, with the assistance of Pandam Audio’s installation engineer, Sunil Jambhale. This includes a relatively even split of Genelec S360A and 8010A models, complemented by four 7382A subwoofers to handle low frequency duties.
Any questions or further support that Club Jolie required would be directed towards Nikhil Pagedar, Pandam’s customer support engineer.
Prashant explains the key decisions: “In the event space area we installed the S360As paired with a 7382A subwoofer. This combination delivers a class-leading balance of extraordinary SPL output, wide dynamic range and an intensely detailed, transparent performance." It was important to equip this room with the capacity to satisfy a wide range of different functions, which is precisely what this Genelec pairing a

UK - Andrew Cushin, Beabadoobee, James Bay, Digga D and the Reytons are among the first acts confirmed for Electric Group’s NX Newcastle, which opens in September.
Formerly an O2 Academy venue, NX Newcastle’s substantial refurbishment will equip it to bring the best out of live music, DJ sets and club nights, emulating Electric Group’s multi-purpose model at Electric Brixton and SWX Bristol.
Enhancing the customer and the performer experience is a crucial element in Electric Group CEO Dominic Madden’s plans for NX Newcastle, where he’s working with creative architectural practice Design At Source to improve sightlines and deliver a sense of intimacy on stage and front of house.
Dominic Madden comments: “While our vision for NX Newcastle fully respects the history of the venue, it’s about putting the artist and fan experience front and centre, closing the distance between them. Our plans really pull the audience in.”
Mike Weller, Electric Group’s head of music, who holds the diary for NX, adds: “With a new PA, new lighting, new screens and a lift to the stage for touring parties, which is a much-needed addition, this room is going to be ground-breaking production complete.
“Planning our first run of shows I’ve been having great conversations with senior agents and national promoters are already announcing dates. I’m looking forward to working closely with local promoters 456 and F54 too, they have a big part to play in the live programming of NX.
“Electric Group has committed to making NX Newcastle an

UK - For the recent Genesis tour The Last Domino?, Roland Greil, co-lighting designer with show designer Patrick Woodroffe of Woodroffe Bassett Designs, chose five MDG theONE dual haze and fog generators, citing the need for an excellent canvas of haze on which to paint their lighting design for this iconic band’s potentially last tour (see LSi May 2022 for an in-depth report on the production).
Thoughout its history, Genesis has built a reputation for pushing boundaries with its show designs. The visual impact is a crucial, signature part of the band’s shows and a feature that Greil and Woodroffe were keen to maintain. Their show and lighting design incorporated homages to the band’s history, reflecting looks from past tours, whilst simultaneously bringing the visuals into the 21st century to create an unforgettable experience for the audiences.
“It’s very important to have even haze for a show because we rely on it so much to show the beams and the lighting,” says Greil. “theONE has been one of my favourite haze/fog products for years. We’ve used it for Adele, Phil Collins, Rammstein, etc. It is especially good for its haze. There is not really a comparable product out there at all that can create an even haze - or even a real haze - that’s not just a version of smoke or fog.
“theONE is also good from a touri

USA - Fulcrum Acoustic and Belgian amplifier manufacturer Apex have announced an exclusive distribution partnership that will see Apex CloudPower installation amplifiers introduced to the US.
CloudPower is a family of four-channel Class-D amplifiers with integral DSP. Available in four models ranging from 350W to 3000W per channel, CloudPower amplifiers can be monitored and controlled remotely from any device without the need for a site visit.
Stephen Siegel, Fulcrum Acoustic president, welcomed the new relationship. “I've known [Apex MD] Paul van Hees for many years,” he says. “When Paul sent us a CloudPower amplifier for evaluation, we immediately saw the potential for these amplifiers in the USA. The combination of pristine audio performance with the ability to control amplifiers remotely makes CloudPower a compelling solution for many applications.”
“The Fulcrum Acoustic team shares our insistence on audio excellence and has an unrivaled reputation for red carpet service and support,” adds Van Hees. "I cannot imagine a better partner to introduce our brand and our CloudPower amplifier range to integrators and end users in the United States. I look forward to a long and fruitful partnership.”
CloudPower will make its USA debut at the Fulcrum Acoustic stand #W3017 at InfoComm 2022, taking place in Las Vegas across 8-10 June.

UK - Boutique hotel The Londoner located in the heart of London’s Leicester Square, with six of its 16 storeys extending over 30m underground. The Londoner combines aspects of a luxury boutique hotel with a range of bespoke meetings and events spaces.
Its award-winning AV installation was designed, supplied and installed by Visual Systems (part of the Myriad Audio Visual Group and CP Partnership), with Arup acting as consultants for the client.
To equip the hotel’s ballroom - the largest pillarless ballroom in London's West End - Visual Systems turned to the Martin by Harman lighting catalogue for a lighting system, featuring Martin ERA Series, MAC Aura Series and ELP Series. All Martin products were supplied by Martin’s UK distributor Sound Technology.
“We’ve operated in the hospitality sector for over 35 years, but this is by far and away the most impressive of projects.” comments Ray Sappal, project director, Visual Systems. “The client wanted a state-of-the-art facility. They wanted the AV to be discrete with the latest Audio-Visual hardware available. They also wanted the ballroom to be the best in the country.”
The 6,092sq.ft ballroom, with a maximum capacity of 850, is a multifunctional space for all types of events including launch parties, conferences, award ceremonies and weddings.
The installed event lighting system features an all-LED line-up of 30 Martin ERA 400 Performance moving heads, 20 MAC Aura XB washes and four Martin ELP CL Ellipsoidal profiles.
“We looked at various manufacturers on bot

USA - The DALI Alliance is strengthening its focus on the DALI-2 product certification programme, including D4i, after ending registration of DALI version-1 control gear.
DALI-2 certification builds confidence in the interoperability of DALI-based devices from different manufacturers. As a standardised platform, DALI-2 mitigates concerns around proprietary technologies and vendor lock-in, and enables futureproof luminaire and system designs for sustainable lighting.
Driven by the DALI Alliance and building on the requirements of the international IEC 62386 standard, DALI-2 certification requires rigorous product testing. The test results are independently verified by the DALI Alliance. In contrast, DALI version-1 testing was less detailed and relied on self-declaration, without requiring third-party verification of test results.
DALI-2 certification is now available for all control gear types in common use, including those for colour control and self-contained emergency lighting. DALI-2 also includes a broad range of additional features such as storage and reporting of luminaire, energy and diagnostics data.
“DALI-2 certification has matured sufficiently that we no longer see the need to offer a registration scheme for DALI version-1 control gear,” says Paul Drosihn, DALI Alliance general manager. “We encourage all users to look for the DALI-2 or D4i logos, which confirm that the product is certified by the DALI Alliance and is fully compliant with the relevant specifications.”
DALI version-1 registration was only available fo

South Korea - To provide intelligible sound throughout Busan’s Eun-pa Church, TechDataPS Co outfitted the worship space with advanced JBL Professional loudspeakers and Crown amplifiers.
Established in 1971, Eun-pa Church has been providing worship services for more than 50 years. The church’s current facility was built in 2004 and required renovation after almost 20 years of use, including structural reinforcements to increase safety as well as a new sound reinforcement system for improved sound quality and flexibility.
TechDataPS reports that their client wanted the highest quality-audio system within their budget and was not satisfied after receiving quotes from multiple brands. They added that after visiting TechDataPS' showroom, the church’s pastor personally selected the JBL VTX A8 loudspeakers because he was satisfied with their performance.
For primary sound reinforcement, TechDataPS decided an 8-inch loudspeaker was the right choice for the size of the space, deploying a total of 12 JBL VTX A8 line array loudspeakers (six per side). While the church had previously used a number of delay speakers to cover the area under its balcony, the VTX A8s provided more than enough coverage on their own, eliminating the need for additional speakers.
To meet the church’s request for powerful bass output, TechDataPS supplemented the main line arrays with two JBL VTX B18 subwoofers per side
To power the system, TechDataPS equipped the church with Crown I-Tech 4x3500HD amplifiers.
Eun-pa Church described the new audio system as simp

USA - Monitor engineer Pasi Hara came from Helsinki’s Finnish metal community of the 1990s and 2000s, working with Helsinki goth-rockers H.I.M., starting as their FOH and “everything” engineer, later becoming the band’s monitor mixer. And that’s the role he’s settled into since, for artists like Slash/Guns N’ Roses, The Cult and Tower of Power. He is best known for manning System of a Down’s monitors over the past decade.
What being around the serious sonic horsepower that heavy-metal music engenders has taught Hara is that anything he can do to make the monitoring environment for his musicians safer, more comfortable, and more accurate - but without sacrificing impact - he’ll gladly do. And the KLANG immersive in-ear monitor mixing system has become his primary tool of choice to accomplish just that.
“I first heard about the KLANG platform when it popped up on my Facebook feed,” he recalls, speaking from his home in the Los Angeles area, where he moved his family about seven years ago. “I thought, ‘I need to take a look at this.’ So I went to their website, watched the videos, then emailed them, saying, ‘You have my full attention.’”
What he could accomplish using KLANG:fabrik was made clear the first time he tried it out in 2014 with Guns ‘N' Roses guitarist Slash on one of his solo shows in Germany. The band was loud and there was a lot of bleed into lead singer Miles Kennedy’s microphone, and thus into his IEMs.
“By just applying the KLANG to that situation, moving the guitar to the side in Miles’

USA - Following a successful installation at La Grande Boucherie in Midtown Manhattan last year, Bond Applied Technology has again installed Martin Audio’s CDD speaker series in another top New York restaurant.
This time, the action moved to the TriBeCa district of Lower Manhattan, and a new boutique Mexican restaurant called Casa Carmen, which has been equipped with 10 ultra-compact CDD6 enclosures and four concealed SX110 subwoofers.
Collaborating once again with interior designer Julien Legeard (of Legeard Studio) -as at La Grande Boucherie - Bond director, Christopher Mayes-Wright, once again adopted the coaxial differential dispersion technology of Martin Audio’s tried and trusted CDD.
“My experience with CDD speakers has been nothing but amazing every time,” says Mayes-Wright. “I’ve been able to compare them in situ with other similar speakers and the clarity and accuracy of imaging and voicing is noticeably miles better.
“Some folks think this is irrelevant in an installation environment where there are so many factors affecting acoustic performance - asymmetrical rooms, a mixture of often highly reflective materials such as tiles and glass. But I believe that in these circumstances it’s even more important to have a perfectly tight and controlled sound coming from your loudspeakers, to avoid what I call the ‘shopping mall effect’, which you find in lots of spaces where the sound comes from above.
“What tends to happen is that the sound energy just floats around untamed in a vast layer above the heads of the

Czech Republic - Robe was a sponsor of the Nové Město na Moravě stage of the 2022 Mercedes-Benz UCI Mountain Bike World Cup, where one of the toughest parts of the XCO (cross country) course was designated Rock ‘n’ Robe, and Robe’s new Show Truck concept - providing a fully mobile studio space / meeting hub / demo area / roof deck - was also a major success, attracting considerable excitement.
“It was great to be back with a full audience this year,” comments Robe’s international marketing manager, Pavel Nemec. “It gave us an opportunity to show our support for a fantastic sporting event, to have our branding visible everywhere and appreciate the performances of some of the best cycling athletes in the world, simultaneously demonstrating how our Show Truck can be provide a vibrant and practical event space, a public gallery and a VIP deck.”
Being involved in the event gave Robe the chance for prominent branding across national and international television and globally via the Red Bull livestream plus multiple social media channels, including those of the top riders from the 800 competitors who represented 37 countries.
It was the tenth time that Nové Město has hosted a stage of the UCI MTB World Cup, and the Czech course is well known for being one of the fastest, most ‘technical’ and difficult around the world. It is also a rider’s favourite and has been voted the ‘best XCO event’ nine times.
The 400m Rock ‘n’ Robe downhill section was filled with large boulders, rocks and other obstacles mak

UK - Evo by Audient has announced the launch of the latest product in its range, Evo 16. A 24 in/24 out audio interface, the release features eight Evo preamps, advanced converter technology as well as the Smartgain feature which can be used on all eight channels simultaneously, and continues to ‘make recording easy’.
“Building on the success of Evo 4 and Evo 8, we wanted to super-size the Evo concept,” says marketing director, Andy Allen, describing the new audio interface which is designed to fit either on the desktop or in a rack. “Evo 16 offers the intuitive user experience, professional sound and technical quality you’d expect from parent company Audient, with plenty more I/O than its smaller counterparts. And yet it still fits firmly into the ‘affordable’ audio interface category.”
Evo 16 features a high resolution, full colour screen built into the unit. “With our all-new Motion UI (user interface) control system, we’ve found a new way of doing things,” says Allen. “Motion UI uses the wide-angle screen to intelligently display information on your session as and when you need it, making any interaction with Evo 16 a fully immersive, easy-to-use experience - more comparable to what you might expect when using a Smart device, with no menu deep diving required to activate features.
“Working alongside Evo 16’s hardware controls, Motion UI provides a centralised, one-knob control system for adjusting all EVO 16’s hardware parameters,” continues Allen. “Simply put, every adjustment is displayed on the screen in

USA - RCF will exhibit many new products at NAMM 2022 at the Anaheim Convention Centre in southern California.
Arturo Vicari, CEO of RCF states: “After so much time with limited personal contact and conversation, we are delighted to collaborate in the reopening of the industry with our presence at NAMM.”
Products on display will range from the new XPS 16K power amplifier with DSP to the versatile ART 9 AX Series, TRK PRO audio interfaces, new TT and NXL speakers, subwoofers, new products for installed sound and more. Live demos will take place in Demo Room 201 D.
Tarik Solangi, VP of RCF USA says: “It’s been a rough time for all in our industry, and we’re grateful to be here and to have the opportunity to meet with friends and customers. We have many new products and some disruptive technologies to show and we look forward to receiving feedback. We’re ready to be back in the swing of things.”

UK - When Dean Graves and the team at Bigabox Productions added the new Chauvet Professional Color STRIKE M to their inventory earlier this year, they had some definite ideas on how they were going to use the motorised strobe/wash to enhance their clients’ shows.
“We took on this fixture, because we were super impressed with its output, functionality, and IP rating,” said Graves, adding that the later feature was especially important given the number of outdoor festivals that rely on Bigabox supplied stages. “Aside from the fixture’s ROI potential, we were quite impressed with the kinds of looks designers could create with it. In our minds we could see it being sensational at big outdoor shows.”
Graves’ vision came to fruition in April when lighting designer Michael Seeverens of TwofiftyK used 12 of the high output fixtures to create dazzling visuals for Armin van Buuren in the Dutch trance master’s show at Wembley Stadium.
Joining 30 STRIKE 1 fixtures and a collection of 24 Rogue R3 units, the Color STRIKE M luminaires gave Seeverens a versatile and powerful creative tool chest, which he took full advantage of to transform the stage into a glowing, multi-faceted light box that captivated the sold-out crowd.
Built around a large illuminated geometric structure that was accentuated with voluminous overhead light, the design pulled the crowd ever deeper into a matrix of colour and brightness. All the while, it never strayed from making the renowned artist on stage the centre of attention during the show, which was produced by Two

UK - Bristol-based event supplier Enlightened has recently invested in a stock of Ayrton Perseo Profile IP65-rated fixtures to service its busy schedule.
Enlightened specialises in full production services, supported dry hire, design, and delivery of permanent installations, as well as sales, skilled repairs and maintenance to a diverse range of clients and venues.
“Corporate and private parties and events, large outdoor events in winter, festivals in the summer, installation, sales - basically, we do everything for everyone!” says head of hire and production, Dave Thorpe. “Bristol is a good hub for small to medium companies to which, along with many small companies and theatres all over the country, we cross hire equipment. We therefore make a point of only investing in the very latest in top quality entertainment technology.”
Enlightened’s diverse fields of operation demanded a fixture that could also do ‘everything for everyone’. “When we make new investments, we look for a product that will fit into at least two markets,” explains Thorpe, “and that is exactly what happened with Perseo. On the one hand, it is a waterproof fixture but equally capable of working in a theatre environment; I also know that it will fit into any rock and roll or festival stage that we will do in the summer, and will happily sit outside at one of the large scale events we supply for the winter.
“We have a regular client in Scotland who will have a consignment of Perseo in operation from mid-October to January and I know the fixture will be fi

UK - IPS has added over 30km of power cabling and 300 distribution units to its hire stock. This significant stock increase has already been hard at work supporting both IPS productions onsite, as well as meeting the needs of IPS’ range of trade hire customers.
Over the last few months, IPS have been working hard to increase hire stocks all the hardware needed for the distribution of temporary power at events. Close working relationships with suppliers have been essential whilst battling supply restrictions and varying lead times along with all the other pressures associated with coronavirus, along with tireless work from Joe Martin who leads the IPS service department.
“It really has been a non-stop few months for me and the team, but despite all the obstacles, we are pleased to now have an expanded and upgraded range of fully tested cabling and power distribution equipment ready to hire,” says Joe.
In total, around £750,000 has been spent on hardware that will provide many years of reliable service. All the new cabling has been made with tough black H07 cable and fitted with either CEE Form or PowerLock connectors. IPS now has an available hire inventory of more than 80km of mains cabling consisting of both single and three phase options, in 16A, 32A, 63A, 125A, 200A, 400A and 600A variants.
The 200A Power Lock range is new for 2022, with sets stocked in 5m, 10m, 25m and 50m lengths. All cabling is colour coded and labelled with length and ID details and has been electrically tested and logged on the IPS barcode-based inventory syste

USA - 64 Audio has announced the launch of its new hi-res headphone extension cable. Now shipping, the cable will be featured during the 2022 NAMM Show in Anaheim next month.
“Designed as an ultra-efficient solution to the cable length problem, our new extension cable is made to effectively extend the IEM signal by an additional 10 feet without any audio degradation,” says Vitaliy Belonozhko, 64 Audio founder and chief sound designer. “It is built to match the quality and low-resistance nature of all 64 Audio cables for complete sonic transparency.”
The extension cable is suitable for use with personal monitor mixers, rather than using low-quality extension cables that severely degrade the quality of sound compared to a direct connection. It can also be used in a live audio setting as well as by studio professionals, gamers, and audiophiles.