UK - The MJR Group has partnered with venues in Leeds and Southampton to develop and deliver their live events programmes and operations.
The Warehouse in Leeds will benefit from investment in its production infrastructure, with new staging, audio and lighting systems. The venue, which is marking its 40th anniversary this year, has been a regular venue on the touring circuit in the past, hosting the likes of U2, Oasis, Soft Cell, The Stone Roses and Pulp.
Over in Southampton, Switch, a 1,500-capacity former cinema theatre, has previously welcomed an international string of club and party bands and artists, hosting the likes of Stormzy, DJ EZ, Paul Woolford and Andy C. The MJR Group is planning to introduce live music events at the venue, which is already being refurbished, including new staging, lighting and screens throughout. An internal re-design will turn the club through 180°, adding a new VIP area, booths and a balcony.
Richard Buck, owner and founder of the MJR Group, comments: “We are delighted to add these three fantastic venues as part of the strategic expansion of our live music portfolio. The Warehouse will be a 600-capacity live music venue and attempt to fill the massive void left by The Cockpit’s closure a few years back. We are equally as excited about plans to introduce a live music programme to Switch, which will give bands a natural progression to grow audiences when they outgrow our other Southampton venue, The Engine Rooms.”
The Group is also set to reveal plans for a venue in central Birmingham.
USA - The Empire State Building has gifted the Audio Engineering Society with one of the 32 elements from its Alford antenna array, which overlooked Manhattan from high above for more than half a century. This piece of FM broadcast history will be on display at AES New York 2019, the 147th Audio Engineering Society International Pro Audio Convention at the Jacob K. Javits Centre in October.
“The Alford Antenna is an important part of what made broadcasting as we know it today possible, and the Empire State Building is excited to share this special piece of history with the Audio Engineering Society,” says Anthony E. Malkin, chairman and CEO of Empire State Realty Trust.
Since its opening in 1931, the Empire State Building has been on the cusp of innovation. When the Alford master FM antenna was installed around the 102nd-floor observation deck of the Empire State Building in 1965, it was a revolutionary development in broadcast technology. Instead of operating at lower power from various rooftops and hilltops around the city, for the first time multiple FM stations could operate at full power from a single shared antenna system atop what was then the tallest building in the US, carrying the signals of more than a dozen top New York radio stations to tens of millions of listeners in the tri-state area.
“The Alford Antenna played a critical role in the delivery of spoken word and music to millions for decades,” notes Nadja Wallaszkovits, AES president. “The AES is proud to present this slice of New York’s rich broadcasting legacy to the
UK - Theatre lighting specialist Howard Hudson has deployed GLP’s new RGBY version of its best-selling impression X4 on the West End production of The Secret Diary of Adrian Mole Aged 13 ¾ -The Musical. The adaptation of Sue Townsend’s best-selling book recently transferred to the Ambassadors Theatre.
Hudson had first worked on the production back in 2015 when it was at The Curve in Leicester. He had previously collaborated with the director, Luke Sheppard and designer, Tom Rogers on various projects prior to this and we were all put together for that first production. The show was then produced at the Menier Chocolate Factory before transferring to the Ambassadors Theatre.
In terms of how the show should be lit, much of the musical is written from Adrian’s point of view, with a lot of his sections of the piece as direct address to the audience. “Therefore, the lighting had to provide the middle ground between more practical location setting, but also to remind the audience that what we are watching is made from his imagination,” states Howard. “So one of the bolder visual ideas was to use the motif of the ‘inksplot’ to locate scenes and moments, to suggest the action is on a page from his diary with the stage as the page.”
He designed the inksplots as four different custom gobos in moving lights overhead. “These helped us lose the bedroom, which is the main set structure, and helped develop a more heightened visual language and structure.” The moving lights also took the role of follow spots.
Hudson has an impres
Well-being - Professional musicians will be able to access a face-to-face counselling service as part of a range of services designed to support their mental health. The ISM Members Fund, a sister charity of industry membership body the Incorporated Society of Musicians, will now offer counselling over telephone and in person, including cognitive behavioural therapy.
ISM chief executive Deborah Annetts said: “Looking after your mental health is just as important as your physical health - and we know first-hand from our members the challenges out there for everyday musicians. The music sector has a high level of self-employed workers and in the largely unregulated gig economy, where short-term contracts or freelance work is prevalent, there are high levels of stress and anxiety.”
She said she hoped the new service would help musicians “take control” of their well-being, and contribute to the wider discussion about mental health in the arts.
Wonderful Life - Paul McCartney is writing his first musical, which is a stage adaptation of the 1946 film It’s a Wonderful Life. The former Beatle is co-writing the lyrics for the musical with Billy Elliot writer Lee Hall, who is also responsible for the book. Bill Kenwright, who attended the same secondary school as McCartney in Liverpool, is producing the show.
McCartney said: “Like many of these things this all started with an email; Bill had asked if it was something I might be up for. Writing a musical is not something that had ever really appealed to me but Bill and I
USA - Multi-platinum entertainer Chris Young kicked off his headlining, 45+ dates Raised On Country world tour on 16 May in Georgia before it was due to wrap in November. Ayrton Ghibli LED spot luminaires, with framing shutters, fill out the rig for the slate of arena and amphitheatre shows coast to coast.
The design of the show is based on a W-shaped videowall with four individually moving panels. Chevron-shaped lighting trusses increase in size moving upstage to downstage; six individually moving light pods are located between the downstage and midstage truss.
Lighting designer, Chris Lisle, has positioned 36 Ghibli fixtures throughout the three midstage and upstage trusses. He selected them after staging a fixture shootout before the tour. “We were super-happy with the output and parameters of the Ghiblis,” he reports. “They are the punchiest and brightest LED fixtures I have ever seen.”
Bandit Lites is supplying the Ghibli LED spots for the run of the tour. “The Bandit prep was top notch and their crew is amazing,” Lisle says. “We are extremely happy with the Ghiblis - their intensity, colour range, feature set and more. They are definitely the workhorse of this tour.”
The Ghibli units were sourced from ACT, Ayrton’s exclusive distributor in North America. “Chris Lisle has always trusted ACT products and has used many of our new fixtures on new tours,” comments Doug Mekanik, ACT’s southeast regional sales. “We couldn’t be happier that he has trusted us yet again with a new product in the ACT portfolio. Ay
UK - The sonic delivery for Stormzy’s Friday night headline slot on the Pyramid Stage at Glastonbury was handled effortlessly by FOH sound engineer Raphael Williams, a long-time user of Harman’s Soundcraft Vi Series of mixing consoles.
To mix the show, Williams used a pair of Soundcraft Vi2000 desks at FOH connected together in Mirror Mode, provided by his own company Bethel Productions. This mode allows the two consoles to constantly push control data to one another, effectively increasing the available number of faders and Vistonics touch screens. Not only did this provide Williams with a surface extension, but also redundancy in the unlikely event of a console failure. “It was not that I needed a back-up, though,” he affirms, “as these consoles have always been rock solid.”
In addition to the two consoles, he also carried two Soundcraft Realtime Racks, augmenting the consoles’ on-board processing with the full suite of UAD-2 plug-ins. Although he says he is “not a plug-in crazy person”, using the DSP engines sparingly, his lead vocal insert contains a UAD Precision Channel Strip for its EQ and compressor, running into an SSL 4000 E channel strip. “I use the modelled SSL preamp on that strip to produce a “glassy” sound on the lead vocal. I’m also using a Fairchild 670 Legacy on the drum bus and the dbx 160 plug-in on various guitars, brass and keys.”
Also travelling with him was a Soundcraft Ui24R digital remote-controlled mixer, which acted as a shout system, handling all the communications between FOH and backstage
China - Hangzhou is the capital of the Zhejiang province on China’s eastern seaboard, and considered one of the country’s most prosperous areas. Its diverse nightlife scene has just been further enriched with the opening of a new One Third club destination, another of the NOA’s Arc Group’s premium entertainment ventures.
At the heart of the lighting and visuals associated with the One Third identity is creative director Daan Oomen and his team from Netherlands-based Live Legends. They specified nearly 250 Robe moving lights to ensure One Third Hangzhou stands out in a competitive marketplace.
Live Legends delivered all creative elements from concept to execution, including show production, interior and technical design which included co-ordinating all the visual disciplines and optimising the guest experience.
Having a ‘named’ European manufacturer associated with the main lighting fixtures is essential to the One Third brand architecture. The Robe count is 246 in total, made up of 210 Spikies, 130 VIVA CMYs and six T1 Profiles.
The 2,500 capacity club’s multi-layered main room design features a large balcony / with industrial style first-floor runways on the long sides. There is a mezzanine and 12 sizable VIP rooms. The main hall can host 2,000 people for a standard club night, and the full capacity should they decide on a concert setup.
The T1s are used for specials on the DJs and live acts appearing onstage, selected for their adaptability, good shuttering and excellent zoom.
The 210 Spikies make up one side of a h
UK - Suffolk-based technical event management company W1 Productions has invested in Harman’s JBL VTX A8 compact line array system.
Based on JBL Professional's flagship VTX A-Series loudspeaker technology, the system forms part of a turnkey package including Crown I-Tech HD tour-grade amplifiers, comprehensive accessories pack, and dedicated system configuration and control software. The order was placed by W1 Productions’ owner Stuart Turvill with Sound Technology, the Harman Professional distributors for the UK and Ireland.
W1 Productions is a full-service production house originally established in London’s Wardour Street (The Swiss Centre) in 2000 to service music TV and rock ‘n’ roll touring. Since those early days W1 has moved further east geographically and further into corporate in terms of workload, now servicing a mix of corporate, music and dry hire work from their purpose-built facility in Suffolk.
Explaining the investment, W1 Productions’ operations manager Alan Beck says: “There is a tendency these days to be more brand diverse - customers like it if you can present options. We had been approached by Sound Technology about the new JBL VTX A8 system - they said it would stand up to anything we were using, so we went up to [their Letchworth HQ] for a listen.
“We like the way the rigging system works and the Performance Manager software is very simple and intuitive - very accessible from the word go. The difference is that everything is geared from the point of view of getting it into a gig quickly. It’s also IP55-
Norway - Norway’s Design & Architecture (DOGA) foundation has recently undergone a total renovation of the audio system in its historic machine hall (built in 1898), with a compact Allen & Heath dLive set-up.
The foundation strives to strengthen the presence of design and architecture in Norway, promoting innovation and quality when developing products, buildings and services. Its facilities are regularly rented out for a variety of events, covering conferences, seminars, concerts and screenings. As such, Allen & Heath’s Norwegian distributors, Benum Norway, were tasked with the installation, which required a simple, flexible and transportable sound system for the 340sq.m hall.
The full set-up comprises a dLive C1500 surface paired with a DM0 MixRack (fitted with a Dante card), an IP8 and IP6 remote controller, and a DX168 expander for additional remote I/O. Providing an easily transportable and customisable system meant that DOGA could switch between set-ups in a matter of minutes, depending on the event requirements.
“Working in the event business, we have a lot of different clients with various backgrounds and technical competence. Our goal with this installation was to transform our main space (Hallen) into a flexible and straight forward room to rent and using the dLive C1500, made it even more so,” explains Torstein Strand (technical manager / event coordinator at DOGA). “dLive has such an intuitive interface, it makes every process easy and efficient – it’s the perfect fit for this installation.”
Egypt - The Al Masah Hotel and Spa in Cairo has installed 16 Claypaky Supersharpy moving heads provided by AV equipment retailer, Audio Technology. The fixtures were part of a new build phase at the luxury hotel, a favourite for hosting prestigious weddings and events in the capital.
The Supersharpys were installed in the lighting grid of the hotel’s Andalusite Hall, one of the largest ballrooms in Cairo. It seats up to 1,200 guests and features 15 balconies for private celebrity and VIP invitees.
“We know the outstanding performance of the Supersharpy with its powerful beam light and recommended it to the client,” says Emad Adly, Audio Technology’s president.
“The fixtures are used in many different set ups as required by the events staged in the ballroom,” adds Adly. “The Supersharpys offer diversity and flexibility for these events and have been performing just great. The client is very happy with them.”
USA - TMB’s ProPlex IQ network tester was recognised with a Cine Gear Expo Technical Achievement Award, coming first from 130 entries in the Lighting Technology Accessories category.
The tool is applicable to networks of all kinds - lighting, video, audio, special effects, rigging, etc. - this hand-held product is billed as the world’s first portable network tester for entertainment staging and production use.
This is the third official accolade that the IQ tester has been granted by industry professionals, having already claimed the LDI Debuting Product award and a PLASA Award for Innovation.
USA - Swedish melodic death metal band Amon Amarth was one of three bands that opened up for Slayer this past spring on the metal rockers’ extended farewell tour. Martin Müller has been designing lighting and serving as lighting operator on Amon Amarth shows since 2016 and for the 16-date trek across the southern US and east coast chose to reinforce the band’s melodic guitars and growling vocals using Elation Smarty Hybrid moving heads as contre-jour lighting effects.
With lyrical themes that deal with Norse mythology and history, the opportunity for interesting supporting visuals on Amon Amarth shows, such as a centre stage Viking ship, is great. “On an Amon Amarth tour, we have a lot of stage props, fabrics and other shushu that needs to be lit up in a tasty way so that the audience will always be able to discover something new when they look on stage,” Müller says.
“Therefore I always use a reasonable amount of LED battens, hidden all over the stage. Moving light wise, I keep it to three types of fixtures (wash, beam, spot) even though lately I am going more and more the hybrid way, so actually going down to two types of fixtures. For the Slayer run, I used Smarty Hybrids as my main, floor-based, contre-jour hard edge.”
The designer mounted the Smarty Hybrids on upstage pipe to produce the backlighting technique, an aggressive look that reinforces the power behind a band like Amon Amarth. “I really liked the backlit, straight in the face, look with the prism and beam reducer,” he said, adding that the design approach looked esp
USA - Irma Suarez-Ruiz had one request for Dustin L. Derry when she asked him to light her dance composition Pasión Oculta, which premiered at Chicago’s North Shore Centre For The Performing Arts this summer. She told him to ‘think big’. The artistic director of Ensemble Español, Suarez-Ruiz wasn’t thinking in terms of a giant rig replete with special effects when she proffered this advice. Her words had more to do with the visual impact and emotional force of his design than its size.
Derry, who has been working with Ensemble Español since 2015, did not let his friend and colleague down. His lighting for the sensual six-minute Flamenco-style dance piece glows with raw passion and the aching yearning that boils at the heart of this dance narrative as it swirls around hidden desires. Yet, at the same time, his design also flows gracefully with the dance’s five couples as they move on stage.
Helping Derry achieve this balance is his ChamSys MagicQ MQ500 Stadium console. “For me as a dance designer, it is all about timing,” he says. “Timing is a massive part of what I do. Following dancers that all move at slightly different speeds, but land at the same time, would have been next to impossible for me if ChamSys didn’t make precise timing so easy.”
Designing for Pasión Oculta involved a two-step process before tech week for Derry. “I started with Vector Works for designing the plot, projection, rigging, etc.,” he says. “Then I exported the lighting data to my ChamSys via CSV, and also to Capture 2019. After that, S
USA - Fuelled by breaking stories and celebrity news, TMZ has been a major media success story over the past decade. The media outlet expanded beyond its online roots into broadcast, producing daily syndicated programs including TMZ on TV, TMZ Live and TMZ Sports. All are produced in TMZ’s production facility in the Playa Vista technology corridor of Los Angeles.
Intercoms at TMZ studios have always been an RTS affair, based on an ADAM-M digital matrix system, KP-12 and KP-32 keypanels, and BTR partyline wireless beltpacks. With the need to vacate the UHF frequencies used by their BTR system due to FCC rule changes, the TMZ team recently upgraded the wireless portion of their RTS system.
In consultation with Bexel, their broadcast integrator, they installed an RTS Roameo wireless system with 12 TR-1800 beltpacks. Four AP-1800 wireless access points spread throughout the facility enable users to move seamlessly between the studios, control rooms and post-production.
Brett Kotheimer, TMZ director of broadcast operations, first saw Roameo at the NAB show and saw how advanced the new system was. “We needed a good, solid wireless system for our floor crew, and Roameo certainly is that,” he says. “But this system really takes things to another level. It puts a virtual keypanel on your hip. It can access basically any crosspoint on the matrix, so each pack can be personalized for the user. That customisation was a huge feature for us.”
TMZ installed four AP-1800 access points across their production areas, including postproduction. “Now w
Italy - AMG International has recently purchased 150 Sharpy Plus units, Claypaky's new hybrid lights.
Alex Vinciguerra, general manager of AMG International, reports: “Our initial requirements were to add a high performance light to our range, one which was suitably versatile for our events. In order to choose the equipment which suited our needs best, we carried out a series of comparative tests and asked lighting designers and operators for their opinions. Claypaky's Sharpy Plus was the only one that really had all the features we were looking for, including power, versatility and low weight.”
The Claypaky Sharpy Plus is a fully-fledged hybrid light, with two independent operating modes, weighing only 23kg (50.71lb). In beam mode, its aerial effects stand out thanks to the unit’s extraordinary light output. In spot mode, its light is diffused more evenly allowing you to project wonderfully uniform visual effects.
Alex Vinciguerra adds: “We have always seen Claypaky as the benchmark in our industry. We have a lot of Claypaky models in our stock, including the Scenius Profile, Mythos, Sharpy, Sharpy Wash, and Alpha Wash, Spot and Profile units. We have always appreciated their excellent reliability and versatility of use. When we saw the Sharpy Plus units at work, they immediately struck us as the natural continuation of the top quality choice we have always made. We therefore opted for a notable investment, also because of their very competitive price when considering their excellent top leader performance.”
AMG International has b
UK - Funktion-One teamed up with long-term partner Audio Plus to give Vero its first Glastonbury outing at The Glade. The stage, which enjoyed a mixed programme of DJ and live performances, received plaudits from artists, festivalgoers and sound engineers, who praised the system’s precise stereo imaging and generous headroom.
Luke Piper, area coordinator of Avalon, Glade and The Wood, said: "I was overjoyed with the new system - it surpassed all expectations. We quadrupled the normal capacity of the venue up to 20,000, with people dancing right at the back of the crowd to Carl Cox, Fatboy Slim and Squarepusher. Here it sounded just as good as at the front with a full range, solid, clear and real bottom end, and great mid-range separation. Vero is a very real 'non-synthetic' alive sounding system that's perfect for live and electronic acts alike. It's the best system I've ever worked with."
The Glade Stage system comprised left and right hangs of seven Vero enclosures per side - three V315s, two V90s and two V60s. These flown arrays were paired with an asymmetric bass setup consisting of a two wide/six high block of F124s stage left and a stack of four F221s stage right. The system was powered by Lab.gruppen PLM20K44 amps.
A fill system was deployed around the video relay screen which serviced the overspill area. It featured Evo 7Ts with Evo 7THs (for enhanced mid/highs) and F221 bass enclosures and could be turned on or off, depending on the size of the crowd.
Funktion-One implemented new crossover filter discoveries made during the develo
USA - City Theatrical’s Multiverse wireless DMX/RDM technology is currently being used to provide DMX data at eight-time Tony Award winning Broadway show Hadestown.
Selected for its ability to communicate DMX data wirelessly in the 900MHz band at a distance of up to 300ft indoors, Multiverse Transmitters, in combination with Multiverse Nodes operating on a SHoW DMX Neo SHoW ID, broadcast DMX data to QolorFLEX Dimmers that provide dimming control for battery powered headlamps used for the show’s daily performances, as well as in the company’s 2019 Tony Awards performance at Radio City Music Hall.
“Getting set up with Multiverse wireless DMX was unbelievably good,” says Justin Freeman, production electrician for Hadestown. “Communication with City Theatrical never stopped. If things changed, Multiverse changed with us. It has been very successful for our show.”
Recently recognised as the winner of the Live Design Award for Best Debuting Product in the Lighting Accessories and Integration category at LDI 2018, the Multiverse Transmitter 900MHz/2.4GHz (P/N 5910) model can broadcast as many as nine universes of DMX data (licensed for use in North America) from a single transmitter, while producing less radio energy than present-day single universe systems.
The Multiverse Transmitter 2.4GHz (P/N 5911) model can be used to broadcast up to 10 universes of DMX data from a single transmitter anywhere in the world.
UK - Harlequin Floors' Liberty panels were used for the set of the eagerly-awaited film adaptation of Andrew Lloyd Webber's Cats, the manufacturer has revealed.
Filmed at Warner Bros Studios in Leavesden, Hertfordshire, the upcoming musical drama features a star-studded cast, including actors Jennifer Hudson, Judi Dench, Idris Elba, Taylor Swift and James Corden, as well as Royal Ballet principal dancers Francesca Hayward and Steve McRae.
Over 550sq.m of Harlequin Liberty panels were hired for the film set, to provide the cast a safe sprung floor on which to practice their lifts and jumps. The sprung dance floor panels were then covered in Harlequin Reversible Pro performance vinyl, which helps to prevent slips and falls. Ballet barres and 15 mirrors were also bought from the Tunbridge Wells-based manufacturer to complete the professional dance environment in which the cast could train.
Jamie Stirling, technical development manager at Harlequin, visited the set and oversaw the installation. "Working on projects of this scale and prestige, which are often technically challenging, is a real privilege, especially one such as this that combines film and performing arts,” he comments.
Cats is released on 20 December by Universal Pictures. The film is the second musical adaptation directed by Les Misérables director, Tom Hooper and is choreographed by Andy Blankenbuehler, with Steven Spielberg as executive producer.
UK - Technical production specialist equip event services co-ordinated all the technical elements - lighting, audio and staging - for The House & Garage Orchestra’s (THGO) recent sold-out gig at Shepherd’s Bush Empire.
The ensemble, founded in 2015, has ignited an appetite for their energetic reimagining of some of the UK’s biggest house and garage hits.
When production manager Kevin Jianoran joined in November 2018, they were an eight-piece with guest vocalists and just him on the crew as the touring sound engineer. Since then it’s quickly upscaled to become a 20-piece orchestra, complete with brass and string sections, 14 guest vocalists and a technical crew of eight.
equip, based in Brixton, London, were approached by Kevin, who is also the band’s monitor engineer, to work on their tour last November, which was a big success. He then returned to James Cooper and the equip team and asked if they could work on the high-profile Shepherd’s Bush gig, plus their upcoming tour.
“Everyone at equip has always been very accommodating and friendly. Nothing is ever a problem, they come up with smart and imaginative solutions and work sensibly within designated budgets and other parameters” he commented.
He also specifically wanted a single production supplier able to deal efficiently with all the technical elements and co-ordination, and being local to the London venue was considered a bonus.
Dan Barley, equip MD, states: “We were all super-excited to be working with Kevin and THGO band again. Shepherd’s Bush was a
Europe - Last autumn, production designer Owen Pritchard-Smith (of Spirit Design) joined up with fast-emerging Irish singer-songwriter Dermot Kennedy for a European tour, having previously worked with the artist’s management on other projects.
Though he was largely playing through house rigs on that initial tour, a UK stint quickly followed, enabling him to carry a basic floor package comprising four GLP X4 Bar 20 battens and four JDC1 hybrid strobes. “I had never used either before, but was interested in trying them, and the flexibility of the JDC1 - essentially two fixtures in one - was perfect for a small package,” he says.
So far this year Kennedy has undertaken tours of the US and Canada as well as further dates in Europe and the UK - and the floor package has expanded accordingly, although it is still based around Owen’s favoured X4 Bar 20 and JDC1. “I’m loving working with them,” says the lighting designer.
Christie Lites has supplied all inventory to date, on both sides of the Atlantic. “I had worked with Andy [Strachan] and so it was natural for me to go to him. He introduced me to the JDC1, whereas I've always been a big X4 (and X4 S) wash user anyway and generally leant towards GLP fixtures, as I am a big fan.
“If I needed an LED wash I’d gravitate to an X4, and when I wanted a tilting, pixel mappable LED batten I immediately went for an X4 Bar 20 - it was a no brainer especially as Christie had them in stock.” It was when he was looking for a combined wash/strobe that Andy Strachan proposed the JDC1. “Christ
Portugal - Lisbon’s Colombo Centre, one of the largest shopping centres in the Iberian Peninsula is playing host the ninth edition of the Art Comes to Colombo project, an immersive installation designed to honour the works of famed Portuguese artist Maria Helena Vieira da Silva.
The summer-long installation which runs through until the end of August has been organised by event planners Europalco as an immersive digital museum designed to showcase works from the artist. The concept was to create an immersive digital and multimedia experience that uses perspective and colour to celebrate 35 of Vieira da Silva’s works. The use of digital and multimedia allowed Europalco to add life to them digitally and offers visitors a chance to immerse themselves in the art.
Five hundred and sixty Prolights Omega X26B panels have been temporarily installed as canvas for the paintings throughout the exhibit.
Using modern technology to bring a traditional art form to life, Europalco chose the Prolights Omega X26B due to their sharp 2.6mm pixel pitch, superior video image quality, creative flexibility but above the all, reliability of the screen.
Rodrigo Leão, composer of the music element of the installation, comments: “Created from scratch, this exhibition reconciles art, in the most classic and conventional sense of the work, with boldness and digital disruption. A show that unites architecture, multimedia, music and painting in a unique experience around the work of Maria Helena Vieira da Silva, one of the most renowned Portuguese painters.”
Germany - TSL Production, a full-service event agency has purchased Elation Professional’s new Smarty MAX high-output hybrid moving head, the first to do so worldwide. The company, from Pulheim near Cologne, has ample experience with Elation products with the new Smarty MAX joining TSL Elation inventory of Artiste DaVinci, SixPar 100 IP and DARTZ 360 fixtures.
Frank Schmitz, owner of TSL Production, spoke of the decision to add the Smarty MAX to their inventory. “We sought an all-round moving light for multiple purposes and after numerous tests and shootouts the decision fell on the Smarty MAX. The compact design and application as a spot, beam or wash impressed us. We were convinced of the unit’s CMY colour mixing as well as the fact that you can superimpose different prisms and still have enough output.
“With its numerous features and enormous light output, real unique effects can be generated that are unparalleled in this class of fixture. The lifetime of the lamp and the manufacturer's warranty was the icing on the cake.”
With the Smarty MAX, Elation has introduced a new member of the Smarty family that combines high light output, long lamp life and a comprehensive package of features in one compact and lightweight hybrid unit. The combination of a Platinum Flex 400 lamp (particularly cost-efficient with a long life of 4,000 hours), a perfectly matched optical system and a 160mm front lens results in a bright 20,000 lumens of light output. Fully equipped with a complete design package, the powerful hybrid luminaire has flexible use a
Australia - Tokyo Sing Song is located in the basement of the Marlborough Hotel in Newtown, Sydney and although the 200-capacity venue is compact, since it opened in 2014 it’s earned a reputation for its loud late-night parties and electric atmosphere.
In late 2018, Harold Dumke, Tokyo Sing Song’s marketing and entertainment coordinator, was made an offer he couldn’t refuse. In partnership with DJW Projects, Pioneer Pro Audio gave him the opportunity to install the brand’s first sound system in Australasia, replacing the club’s old PA. “I was completely blown away,” remembers Dumke. “I thought we were very lucky to be able to have a top-tier product from Pioneer Pro Audio that no one had seen or heard before in Australia.”
The musical offering at Tokyo Sing Song is so diverse - with DJs and live acts playing everything from hip-hop, disco, and soul, to house, jazz, and techno on different nights of the week so the club needed a versatile system.
Ryan Gay, product manager at Pioneer Electronics Australia, worked with DJW Projects’ managing director, Dave Coxon, to specify a setup of four XY-3B three-way bi-amp loudspeakers and two XY-218HS dual 18-inch horn-loaded subwoofers. The natural audio produced by these units allows the accurate reproduction of the myriad genres of music played at the club and their high output fills the basement space with the huge sound pressure the crowd was used to but with increased clarity.
“DJW Projects did a great job working with the venue and us to make sure the sound was designed perfect
USA - Gary Simon is City Theatrical’s new sales specialist focusing on the tristate area. He has 25 years of experience working as a theatre electrician, stagehand, and supervisor with demonstrated success in leading crews and meeting production schedules.
Simon will play a pivotal role in supplying lighting professionals with the electrical and electronic, beam control, hardware, and software solutions that best meet and exceed their needs. He has installed, operated, and maintained lighting, video and audio systems for Jazz at Lincoln Centre and Lincoln Centre Theatre as well as many Broadway productions, concerts, and corporate events.