UK - During the PLASA Show, L-Acoustics founder and president Dr Christian Heil was announced as the winner of the 2019 Gottelier Award, as voted for by his peers. Named in memory of Tony Gottelier, the renowned industry innovator and commentator, this annual award recognises product developers who have made significant long-term contributions to the advancement of entertainment, presentation or installation technology.
Heil founded L-Acoustics in 1984, and the introduction of the V-DOSC line array system in the mid-1990s led to a fundamental shift in the live sound market, and line array systems proliferated for the next decade and a half. Still, Heil and L-Acoustics continue to refine the line array concept: the KIVA ultra-compact system came to market in 2008; the K1 system - seen as the long-awaited successor to the ground-breaking V-DOSC - debuted in 2009; the KARA modular line source system followed in 2010; and the K2 system in 2014. More recently, L-ISA’s comprehensive multichannel audio architecture has impressed with its ability to bring immersive audio to live performances in venues with capacities of 100 to 10,000 or more.
On receiving the award, Heil comments: “I am very proud to receive the Gottelier award, both as an individual but also on behalf of the whole L-Acoustics team who have accompanied me for 35 years now. I am especially happy that this award is given to someone that represents and contributes to the evolution of the sound industry. To my knowledge, the last time the Gottelier was awarded to a fellow sound luminary was in 20
UK - Inspired by the launch of its new PLASA Innovation Award-winning Esprite moving light with fully replaceable LED engine and a host of other features and the Back to The Future movie franchise, Robe presented the first in a new trilogy of expo live performance concepts at the PLASA 2019 expo in London.
The show #ReturnToTheFuture was created to highlight Robe’s newest technologies in the context for which they were designed.
With an original DeLorean MMC12 as the set centrepiece, six dancers – and around 200 Robe lights - including Esprites, Tetras, T1s, SilverScans, MegaPointes, Spiiders, Tarrantulas and LEDBeam 150s – rigged in the roof and all around the sides of the booth, plus stunning special effects and a pool of water containing Robe IP rated iPointes - the eight-minute 428-cue (that’s one every 1.12 seconds) show was performed to a special soundtrack and kept all the visual surprises flowing.
It drew massive crowds to the Robe booth which was packed throughout the three days of the show.
“We loved being back in London and were very proud to present the show in a city that’s renowned for world-class entertainment, and to touch base with so many industry friends and contacts,” stated Robe CEO Josef Valchar, adding that they generally received a great response to the new products.
Winning a PLASA innovation award for the Esprite was the “icing on the cake” of a fantastic show, he continued. The judges’ comments on this new product were that it “advances technical practice by increasing the p
UK - Elation Professional’s Artiste Monet LED Profile luminaire won a PLASA Award for Innovation at PLASA 2019. Recognised as exceptional innovation at a ceremony held 16 September in London, the judges singled out the Monet’s wireless continuous-rotation framing and SpectraColor colour mixing systems.
“We are both honoured and proud to have won our fifth PLASA Award for Innovation yesterday for the fabulous Artiste Monet,” enthused Elation sales & marketing director Eric Loader. “The Artiste series is breaking new ground with innovation that opens up for greater creative possibilities. Lighting professionals on both the production and installation side are discovering how exceptional the series is and the Monet is a great example. We are thrilled to again be recognised as an R&D leader and innovator in entertainment lighting.”
The 45,000-lumen Artiste Monet is a full-featured LED Profile offering “outstanding projection quality, a comprehensive FX package, dynamic framing and a wide array of colours via an innovative SpectraColor colour mixing system”. SpectraColor uses traditional CMY colours but adds variable RGB flags for rich and vibrant primary colours.
Unique to the Artiste Monet is a full blackout, four-blade framing system. Not only does the adjustable system allow for refinement of the beam shape and projection at any angle, newly designed unlimited indexing and continuous rotation control allow shapes to rotate while morphing and transforming, allowing for creative transitions, projections and aerial effects not pr
Poland - Elation Professional has announced that specialty stage technology company Przedsiebiorstwo Specjalistyczne TEATR has been named the new distributor for Elation products in Poland. Based near Warsaw in the town of Piaseczno, TEATR is one of Poland’s oldest and most respected entertainment technology companies.
“We’re excited to be partnering with such an experienced company in one of Europe’s fast developing and important growth markets,” states Marc Librecht, head of sales and marketing for Elation in Europe. “The Polish market is distinct and offers unique opportunities. Our cooperation with TEATR will be a key step in expanding the Elation brand there and we look forward to working closely with their team.”
TEATR has been involved in the implementation of state-of-the-art stage technology solutions for many of Poland’s top theatres, concert halls and other cultural venues since its establishment in 1971. After nearly five decades of experience, the company continues to expand with a new headquarter building ready for occupancy in October.
“Our scale, years of experience and team of designers, consultants and technicians have allowed us to develop a broad client base that includes theatres, philharmonics, community centres and TV stations, as well as the biggest Polish rental companies,” states TEATR CEO Michal Frackowiak. “To us, the most important goal is our clients’ satisfaction. We look at each project individually, offering the highest quality products to match their needs. We find Elation to be a very forw
UK - The Den is a new pop-up theatre that forms a key part of the Royal Exchange theatre’s local exchange programme. Funded by a generous £1m gift from the Oglesby Charitable Trust, this inventive performance space was designed by the award-winning architectural studio, Haworth Tompkins as an informal space-within-a-space for residents to make and share theatre and to see work from the Royal Exchange.
Pro audio specialists, Autograph Sales & Installations, provided key elements of the sound reinforcement equipment for the new space including seven EX10 compact, full range active loudspeaker systems from KV2 Audio, and an Allen & Heath Qu-16 rack-mountable digital mixer.
Sorcha Steele, head of sound at the Royal Exchange, was responsible for designing the audio system for The Den, a task she found slightly daunting given the scope of requirements for the space and the range of possibilities before her. “I had to give a lot of thought to what we are using the space for, who is going to be operating it and how easy is it to rig and put together the system within the space quickly and easily,” she recalls.
“The first thing I had to consider was the type of venues it will be going to and how that impacts on practical things like power supplies and cable runs. The Den will only ever go into existing buildings – it’s not designed to be outdoors; for example, in Stalybridge it was in the old market hall, but it could easily be constructed in a school gym or warehouse. In all likelihood, power in those venues will come down to standard 1
Australia - After a first sold-out season at the Roslyn Packer Theatre, Muriel’s Wedding has returned with a Melbourne run finished and Sydney currently packing in the audiences. Next stop is Brisbane for the production that has grown and changed a little since the 2017 premiere.
JPJ Audio are supplying the audio equipment with Michael Waters once again in charge of the sound design. Michael won the 2018 Helpmann Best Sound Design for the original production of Muriel’s Wedding.
“Conceptually it’s similar but in terms of delivering the audio, it’s quite different,” Michael clarified. “We have a Clair PA and I believe it is the first time in the world that a Clair Cohesion CO-8 system has been used for theatre.”
The CO-8's diminutive size allows for a high degree of flexibility when integrating into virtually any application. Sydney’s Lyric Theatre saw 36 x CO-8 line array speakers utilized, along with four CP-218 subs, and Michael was thrilled by their performance.
“The CO-8 is such a punchy little box, slightly smaller than an L-Acoustics Kara or dV-DOSC, but they’ve got a really good bottom-end and low mid-section,” he added. “In fact it’s so good, I don’t need additional subs.”
This show has a wide dynamic range, ranging from ballads to pop/rock songs with a little rap here and there with severe bass drops, and Michael commented that the CO-8 system lends itself well to Kate Miller-Heidke’s and Keir Nuttall’s pop music. Having said that, Michael confirmed that he would be happy to use
Belgium - The word ‘individual’ comes up often when Martin Thomas talks about lighting his long-time client Alan Parsons. It isn’t necessarily Parsons himself that the Tucson, Arizona-based LD is referring to, but each of the musicians that make up the pioneering Grammy winner’s band.
“The music of The Alan Parsons Project has always been founded on a variety of musicians based on their individual strong suits - and the live show is no different,” said Thomas. “All members have specific harmony parts in the music; and lead vocals shift throughout the show. Because everyone sings, key light and backlight for all musicians is critical. So, layers and atmospheric architecture make up most of the production with several negative space moments in the performance.”
At the last stop of the band’s European tour at the iAncienne Belgique in downtown Brussels this August, Thomas was faced with a challenge when he had two electrics to work with instead of three. He nevertheless was able to achieve the layered looks his design called for, thanks to a collection of Chauvet Professional Maverick fixtures supplied by Coruna Sound & Light.
“On this tour, my design is based on having three overhead electrics, FOH truss and a floor package,” said Thomas. “At this particular venue we had only two overhead electrics, making layering the focus that much more critical, as there are eight active artists on stage at any given time.”
The 28 Maverick MK1 Hybrid fixtures in Thomas’ rig were instrumental in helping him maintain the focus
UK - Les Miserables: The Staged Concert is playing packed houses at London's Gielgud Theatre, with Unusual Rigging supplying the rigging and automation for the shows' four month stint.
The concert version of the world's longest running musical opened at the end of July, following the closure of the Queen's Theatre. It will re-open after extensive refurbishment of both its backstage and auditorium as the renamed Sondheim Theatre. Unusual Rigging is also a part of this project, lowering the stage and installing a complex engineering system.
With the production team of this limited run show briefed to make the Gielgud feel like a miniature version of the 02 Arena which hosted the 25th anniversary concert, production manager Chris Boone brought Unusual on board to make it happen.
Chris explained: "Unusual Rigging is my go-to company for rigging jobs and this particular one was no mean feat – I needed a team who knew what they were doing. With Jeremy Featherstone and Simon Stone at the helm, Unusual has worked with designer Matt Kingley to replicate the scenic elements for this fully staged concert while also providing the automation and lighting trusses too."
For the concert, Unusual has installed 36 Kinesys hoists for the lighting trusses. At Cameron Mackintosh's request, the concert still features some scenic elements including a bridge which makes its entrance from the fly floor with six performers stood on it.
Chris continued. "The other thing that Unusual did was to come up with a solution for a large LED screen positioned a
USA - ADJ has announced the immediate availability of its new POW-R Bar Rack USB, a power management solution designed to eliminate messy wires and extension cords. Designed for controlling the power supply to lighting and audio equipment, the compact unit is suitable for use in installations as well as at front of house and monitor mixing positions, lighting desks and in mobile entertainers’ setups.
Building on the heritage of ADJ’s popular PC-100A, a power switching unit that has been on the market for over 25 years, the new POW-R Bar Rack USB retains the original tried and tested design but with the addition of dedicated Always On sockets as well as USB charging ports. The new unit expands the ADJ POW-R Bar range which also includes the touring grade POW-R BAR65 utility power block and POW-R BAR LINK linkable power block.
The new addition features eight three-prong 120V Edison sockets on its rear panel which correspond to eight rocker switches on the front. In addition, there are two further 3-prong Edison sockets, one located on the front panel and one on the back, which are always on when the unit is receiving power. The front panel also features two USB ports – ideal for charging phones, tablets and other USB powered products like a gooseneck light – as well as a reset switch for the internal circuit breaker.
“The original PC-100A has been a consistent best seller for ADJ over the past quarter century and the new model builds on its winning design with the addition of two useful new features,” comments ADJ USA’s national sales ma
USA - A new training programme designed to teach stage technicians the safest way to operate telescopic and front-loading lifters has been introduced at WFX 2019 in Orlando by Spanish company Equipson, which manufactures WorkPro lifters.
Equipson has produced a series of 15 videos, voiced in English and Spanish, that demonstrate how safety issues can easily be avoided by following the correct procedures. These videos, which range in length from three to 10 minutes, cover topics such as setting up, elevating, mounting and descending telescopic and front loading lifters, how to safely move a telescopic lifter, how to mount a line array on a front loading lifer and how WireDrive works as well as how to rectify wire mistakes.
Juan Jose Vila, CSO of Equipson, says: "As manufacturers of these products we are committed to making them as safe and accessible as possible to all users. Dedicating resources to proper training is key to our approach and this is why we have devised a range of audio visual content that clearly shows the correct way to use lifters in order to avoid unnecessary and potentially fatal accidents."
Equipson's videos, which are free to view and hosted on the company's own WorkPro Lifters YouTube channel, are aimed at a wide range of staging operatives, from those working in theatres and Houses of Worship through to those operating in a live touring environment.
"It doesn't matter what kind of show or event you are putting on – the safety aspects of using lifters remain the same," Vila adds. "We have put these videos together beca
UK - The PLASA Awards for Innovation, organised in collaboration with LSi magazine, took place at the end of a vibrant Monday at the PLASA Show 2019. The Awards recognise and reward pioneering product designs and the people behind them and are widely respected as they are independently judged by a team of industry experts with a variety of specialist backgrounds.
This year saw 36 entries for the Awards, with the judges selecting seven winners and one Gold Award winner.
The winners, along with the judges comments, are:
Nexo for the P12 Point-source loudspeaker
“This is the ‘loudspeaker version of a source 4’ having interchangeable horns with tool-less interchangeability.”
Robe for Esprite
“This advances technical practice by increasing the potential lifespan of LED fixtures, hopefully setting the model for other manufacturers to follow.”
Theatrixx for its 8-bay Reversible Rackmount Converter
“A simple solution to the wired mess that media conversion can entail which is robust and effective.”
SSE for The Azimuth
“This will really help audio companies bring accurate panning to the angle of the dangle in immersive audio applications – it’s simple, effective and well-engineered.”
ETC for Augment3d
“This will change the way lighting design and operation works by increasing speed in the lighting workflow and making the process of design to conception easier to manage.”
UK - More than 500 entertainment industry professionals celebrated the best in lighting and video design on Sunday night as The Knight of Illumination (KOI) Awards announced this year's winners at a glittering ceremony at the Eventim Apollo, Hammersmith.
The annual industry awards honour the achievements of lighting and video designers working across the sectors of Theatre, Television, and Concert Touring & Events, and are chosen by a panel of independent judges.
The 2019 KOI Award winners are:
The PRG Award for Projection Design: Jack Phelan for The Second Violinist, Landmark Productions & Irish National Opera
The ADB Award for Plays: Jessica Hung Han Yun for Equus, English Touring Theatre, Theatre Royal Stratford
The Robert Juliat Award for Opera: Mark Jonathan for Vanessa, Glyndebourne
The ETC Award for Dance: Clifton Taylor for Four Quartets, Barbican
The Hawthorn Award for Musicals: Neil Austin for Company, Gielgud Theatre
The DTS Award for Events: Tim Routledge for Stormzy at Glastonbury
The Altman Lighting Award for Small Production: Martin Kempton for Inside No. 9 - Dead Line
The Green Hippo Award for Video Design & Graphic Display: 59 Productions for Five Telegrams, BBC Proms 2019, Royal Albert Hall & Edinburgh Festival
The JLLighting Award for Light Entertainment: Nigel Catmur for Young Dancer of the Year
The Ayrton Award for Drama: Anna Valdez-Hanks for
UK - Spotrack is at this year’s PLASA Show at London’s Olympia. Spotrack enables an operator to remotely control from any location, up to 50 moving lights as follow spots. It works with any moving light and any lighting console, in any performance space and can be used in all entertainment sectors for live production from anywhere in the venue.
The Spotrack team will be on hand to explain and discuss all aspects of the hardware and software that comprise a system which is revolutionising the lighting industry’s approach to spotlight control. Spotrack systems are to be found in action all around the globe at high profile events, as more and more lighting designers and production managers acquaint themselves with the clear advantages the system delivers.
Spotrack CEO Liam Feeney comments, “We’re excited to be bringing TracMe to PLASA. We’ve witnessed an amazing response from the industry to the impact of Spotrack across a variety of big international productions and it soon became apparent that there was an obvious demand for an entry-level equivalent which could meet the needs of smaller applications. We look forward to showing visitors to PLASA how Spotrack and TracMe can enhance their work and make life easier and safer.” Spotrack is exhibiting on Stand N21 at PLASA.
Lebanon - JoeCo has expanded its reach in the Middle East by signing a new distribution agreement with Boujikian Bros. The Beirut-based company will now represent the manufacturer in Lebanon, targeting TV production houses and live event clients.
“We have been searching for JoeCo partners in the Middle East for some time and Boujikian Bros’ name came up a number of times,” explained Graham Murray, business development at JoeCo. “Their experience and technical expertise make them a complimentary fit with JoeCo’s philosophy of providing high quality solutions for audio professionals.”
“We already distribute a number of top pro audio brands in Lebanon, but we had a gap in our range for reliable multitrack players/recorders and audio interfaces,” added Gary Boujikian, general manager at Boujikian Bros. “We knew how JoeCo systems were being used in TV, concert and installed sound applications around the world and believed that it could bring added value to our existing offerings.”
With the agreement in place, Boujikian Bros will specifically target the local broadcast and live markets. “Boujikian Bros are well known in the pro audio markets in the region, across a number of applications including studios for TV broadcast, live events and concerts. All of which are appropriate for JoeCo products,” noted Murray. “Working with Gary and his team gives us an opportunity to address these core market sectors and provides a wider and more direct exposure of JoeCo’s products in the region.”
“Most of our clients are TV product
Poland - AV Stumpfl, the Austrian AV technology manufacturer, has announced LTT as its new distributor for both projection screens and PIXERA media server systems in Poland.
LTT is a Warsaw-based company, distributing and servicing high-end lighting and stage equipment, in addition to offering stage technology design and implementation services. The company also regularly hosts popular training sessions and workshops aimed at industry professionals.
AV Stumpfl global business development manager Harry Gladow comments: "LTT has a great reputation when it comes to distributing world-class technology and are known for their ability to offer customer support as well as equipment servicing and maintenance services at the highest level. What makes this partnership really exciting for us as a manufacturer is the fact that, while LTT initially focused on theatrical lighting, they gradually expanded to include other markets that include TV studios, clubs and live events."
LTT sales director Pawel Mroziński comments: “Since we and our customers have been using AV Stumpfl screens for a very long time, we have a very positive opinion about the general product quality and are very excited to be the official distributor for Poland. We were also very impressed with the new GUI concept and usability approach of the PIXERA media-server systems, which is why we strongly believe that our cooperation will be very fruitful for both sides.”
Europe - Wärtsilä Entertainment Systems has solved the challenge of delivering a premium nightclub experience at sea with the first ever installation of Martin Audio’s recently launched WPS optimised line array. The latest member of the Wavefront Precision family was specified long before its official launch to cater to the entertainment needs of Scarlet Lady, the very first ship in the Virgin Voyages fleet.
“We started audio specification for the ship back in 2016 but thanks to the strength of relationship with Martin Audio we were able to glimpse into the future product roadmap and as a consequence believed that the product that would become WPS was a perfect fit for the nightclub,” explained Rob Shuard, vice president, design & engineering of Wärtsilä Entertainment Systems. “We felt WPS would offer the perfect marriage of high performance, control, consistency and coverage in an ultra-compact format, befitting of the Virgin Voyages vision.”
The Manor nightclub is named after Virgin’s first music studio in England. The space was designed utilising two ship decks of height to maximize how the room feels and mimic the structure of land-based clubs. Wärtsilä Entertainment Systems has equipped The Manor with a state-of-the-art acoustic design as well as industry-leading equipment to support DJ sets, and Martin Audio’s WPS will take pride of place.
The set up in the nightclub consists of four WPS left and right of the stage, flown over two SX218 subwoofers. Supplementing this are a further four arrays, each of three WPS, flown o
USA - Fulcrum Acoustic has appointed Chaz Goodman as marketing manager. Goodman will focus on expanding the online presence for Fulcrum Acoustic and will serve as the media contact.
He joins Fulcrum from the non-profit world, most recently as the Communications Manager for Volunteers of America Upstate New York, where he designed and implemented a comprehensive communications plan to increase brand visibility and help the organization adapt to fit a changing digital landscape. Prior to that, Goodman worked in development at the Museum of Contemporary Art in Chicago where he learned the value of targeted marketing to achieve fundraising goals.
"We are excited to bring Chaz on board," says Stephen Siegel, president and co-founder of Fulcrum Acoustic. "It's important that we focus resources into content creation for electronic media. Chaz's experience as a musician and content developer makes him a great fit."
"It can be difficult to capture attention when your audience is constantly over-stimulated with the sheer amount of information online," says Goodman. "Fortunately I'm in a good position because Fulcrum Acoustic has such a novel product line. I am thrilled to have the opportunity to work for such an innovative company."
USA - Evergreen Ministries had put its faith in acoustical orthodoxy when the Hudsonville, Michigan church had its previous sound system installed. However, with the worship space residing in a mid-sized square building with largely metal construction that created reverberation problems, speech intelligibility and musical articulation were a frequent challenge.
“They had a pretty typical flown PA, but it wasn’t really the kind of system they needed for a space like this,” recalls Todd Billin, design/sales engineer at Parkway Electric & Communications, a Holland, Michigan-based AV systems integrator with a long history of working on sound and video designs with houses of worship.
The solution came in the form of the slim L-Acoustics Syva colinear system that is suited to medium-throw applications like Evergreen Ministries’ 550-seat sanctuary. The Syva system designed and installed by Parkway comprises a pair of Syva and Syva Low enclosures on each side of the half-moon stage, plus four Syva Subs that are installed underneath the stage, two per side.
In addition, an L-Acoustics X12 short-throw loudspeaker is flown above the centre of the stage to reinforce speech intelligibility, while four ultra-compact 5XT are arrayed across the lip of the stage as front-fills. Three L-Acoustics LA4X amplified controllers power the entire loudspeaker system.
Billin says the Syva system not only solved the problems caused by the reverberant space, with its attendant speech-intelligibility issues, but also provided a much more musical sound system f
UAE - The new Coca-Cola Arena in Dubai was packed out last month as thousands of Westlife fans relived their youth at the band's Twenty Tour. Taking a walk down memory lane, the boy band performed hits from the past 20 years to the 17,000-capacity venue, with Unusual Rigging and Engineering LLC providing the house rigging points for the production.
Unusual Rigging are sole house rigging service supplier for the installation of all rigging points at the Coca-Cola Arena. One of the main talking points of the venue is its rigging system and unique roof structure. All rigging is done from a raised catwalk – it has shallow braids and is easy to access. With a distance of 24m from the catwalk to the floor and 26m to the I-beam, this covers most height requirements of touring shows. The arena also boasts 90 tonnes over the stage, 60 tonnes for the middle and 40 at the far end – all of which can be hung individually, giving the roof a total weight load of 190 tonnes.
Unusual Rigging’s Alex Taylor worked closely with the production manager on the Westlife gig and explained: "The brief from the client was to install a total of 68 rigging points with the rigging plot broken down into 12 x points for PA, 12 x points for Video, 34 x points for LX and 10 x points for drape truss. There was a large video screen up stage centre with two smaller screens down stage left and right, as well as two LX towers stage left and stage right of the main screen. We also needed to install six runs of LX truss to light up the stage and the audience."
Alex and the Unusual R
USA - Bandit Lites once again provided the lighting package for the fourth annual 2019 Black Music Honorus, where Xscape, Freddie Jackson, Arrested Development, Tamia and Yolanda Adams were honoured for their contributions to African American culture and American music.
Held on 5 September at the Cobb Energy Performing Arts Centre and produced by Central City Productions, the television special was hosted by Rickey Smiley and LeToya Luckett and featured performances by Jagged Edge, Jekalyn Carr, Tevin Campbell, Kelly Price, Naughty By Nature, Le'Andria Johnson, Tony Terry, Travis Greene, 702, Smokie Norful, Jade Novah, Dee1, June's Diary, Mali Music, Mumu Fresh, Major, Keke Wyatt, Jessie Woo, Leon Timbo and Avery Wilson.
Veteran lighting designer Mark Carver illuminated the two-hour affair and utilised the gear to provide a stylised, contemporary look.
Bandit Lites supplied nearly 200 fixtures for the event including High End Systems SolaFrame 3000s for stage texture and primary back lighting, Chauvet Rogue Hybrids for beam graphics, Claypaky B-EYE K20s for colour toning and eye candy and Elation ACL 360i fixtures for eye candy looks around the LED screens. Two grand MA 2 Full consoles provided control.
Due to the scale of the event and the large number of varying musical performances, preparation was key in making the most of the limited amount of time in the actual performance hall.
“Having a pre-prepped lighting system is key so we can get the system in place and begin programming as soon as possible,” explained Carver. “I
USA - The St Malachy church outside Detroit recently installed a modern colour-rendering LED lighting system that features Chauvet Professional fixtures.
“Colour and lighting have always been critical elements to the Catholic mass even before lighting fixtures were invented,” said St. Malachy LD Dave Corbat. “This parish takes a proactive role in reaching out to worshippers. This led to the idea of introducing colourful lighting to create an immersive environment in the sanctuary.”
St. Malachy engaged system designer Nathan Cole of Sound Planning Communications to create and install a new lighting system that augmented the 800-seat church’s existing rig with LED fixtures. His design adds four Rogue R2 Wash fixtures to the main lighting pipe, and called for two more units to be arranged on the ground near the altar. A collection of COLORdash Batten-Quad 12 linear wash fixtures was also positioned on the ground for uplighting.
“The combination of the Rogue R2 Washes and COLORdash Batten-Quad 12s gives us unparalleled flexibility in what we can do with the lighting in our space,” said Corbat. “We are able to get creative with our lighting design, and use it in a way that enhances the liturgical experience for our congregation.”
In addition to serving as stage lights and reaching areas that are not covered by the church’s ellipsoidal units, the Rogue fixtures are bringing a new visual dimension to services. Drawing on the wide 12° to 49° zoom range of the RGBW fixtures, Corbat is able to focus richly coloured light on variou
The doors have opened for day two of PLASA Show 2019 at London Olympia, with Platinum Sponsor Robe, Silver Sponsor d&b audiotechnik and Technical Sponsor Hawthorn. The show floor is already brimming with business as visitors explore the latest products and solutions from 220+ brands from across audio, AV, lighting, rigging and staging.
The show’s platinum sponsor Robe have unveiled an expansive theatrical stand based on the classic 80s movie, Back To The Future. Live performances run every 90 minutes, with a viewing area on the show’s gallery level for visitors to watch from above. The creative duo behind the stand, Nathan Wan and Andy Webb, comment:
“Robe’s stand this year features a fully time coded show called ‘Return to the Future’ which is centred around a time travelling DeLorean car. During the show we smash through over 550 cues in eight minutes. It’s all about showcasing the new Esprite which is future-proofing LED moving heads as you can take the source out and simply replace it. This has absolutely been the most ambitious production that we’ve done to date, and it’s great to see on social media that many visitors come to PLASA Show just to see what we’ve come up with. We’ve been working on ‘Return to the Future’ for three months and it has been an absolute delight to see it all come together.”
Other lighting highlights include, Claypaky demonstrating their new Xtylos fixtures in an immersive enclosure, Ambersphere presenting the SpotM
UK - The team behind the six-minute immersive mental health installation Blackout will be running a pioneering industry evaluation alongside their exhibition experience at this year’s PLASA Show at London Olympia from 15-17 September 2019.
Bringing academic analysis to the exhibition, research director in clinical psychology at the University of Surrey Dr Paul Hanna has devised a questionnaire to undertake the first evaluation on mental health awareness specifically within the UK technical backstage entertainment industry. Dr Hanna has worked closely with the Blackout creative team since the project launched at Guildford School of Acting (GSA) in May.
Mig Burgess, GSA tutor and creator of Blackout, said: “This is an extremely important first step to address mental health awareness in the UK technical backstage entertainment industry and we are delighted that Paul’s expertise will provide valuable insight into mental health issues in the sector. By evaluating visitors’ experiences of Blackout at the PLASA Show we will be able to quantify our industry’s overall awareness of mental health, and to gain an insight into how many people suffer with mental health related issues.
“I am thrilled that Blackout has brought about this exciting research into mental health within our backstage industry and I am excited to collaborate with key trade associations to work together to evoke positive change.”
The evaluation has been funded by leading industry associations PLASA, ALD, ASD ABTT, PSA, all of whom recognise the importance of su
UK - City Theatrical is expanding its line of QolorFLEX LED tape, dimmers, and accessories with five new LED tapes: QolorFLEX HiQ High CRI LED Tape (available in three colour temperatures), QolorFLEX UV LED Tape, and QolorFLEX 5-in-1 LED Tape, RGBACW.
QolorFLEX HiQ High CRI LED Tape has a Color Rendering Index (CRI) of 95, making it a suitable high CRI LED tape for the needs of the film industry. Available in three types (3200K, 6000K, and 2700K to 6500K in a single chip), QolorFLEX HiQ High CRI LED Tape offers “exceptional on-camera colour rendition and the ability to match the light sources already being used on set”.
QolorFLEX UV LED Tape was designed to accentuate the fluorescence of surrounding objects or paint, providing a “glow in the dark” effect. With a wavelength of 395nm just outside the visible spectrum, QolorFLEX UV LED Tape works similarly to a black light fixture, but in a professional QolorFLEX LED strip. It is designed for installations such as theme park rides, as well as nighttime mood lighting, and can even be used for Halloween-themed events.
QolorFLEX 5-in-1 LED Tape, RGBACW is an interior grade 5-in-1 24V LED Tape with high output brightness and the ability to create a wide spectrum of colors using red, blue, green, amber, and cool white, when used with a DMX colour control system. Like City Theatrical’s best-selling QolorFLEX 5-in-1 LED Tape, RGBWWCW, all LEDs used in QolorFLEX 5-in-1 LED Tape, RGBACW are identical to create an even illumination. This tape is aimed at the television and film industries.