UK - Mad Dogs Television is a facilities house supplying camera equipment and crew for TV productions. When it was asked by its client Round World Studios to build a new kitchen studio for their regular cookery shows, Martin Huntley,founder of Mad Dogs TV turned to Doughty Engineering to supply some of the key equipment.
Martin explained: “Round World Studios regularly hires kitchen studios in London but had the desire to have their own studio. Through a pre-existing relationship, the company linked up with the Carbis Bay Hotel and Estate near St Ives in Cornwall, which has just been announced as the location for this year’s G7 Summit, to create a permanent television production space available for hire by television producers and other content creators.”
The studio, which is located in a shop front on the beach promenade, has been built as a box within a box consisting of three solid walls and a front glass wall. “The box is essentially the set,” explains Martin. “We built a stage, fitted a kitchen and added blackout/ green screen, sound insulation etc. To the ceiling we fitted Doughty Studio Rail 60 for the lighting rig which covers a 5.5m x 5.5m area. We also used a selection of Doughty’s rails, dollies, clamps and cable safety chains. And on the perimeter, we used the same system to put up a curtain track and hung a sound dampening curtain.”
Doughty’s Studio Rail 60 proved to be the perfect piece of kit for the studio. “A LOLER pull test can hang up to 300kg of lights on the Studio Rail easily. With today’s modern tech, lig
USA - Preparing the Way Ministries, a small but thriving local church in Lake Charles, Louisiana, has invested in an ADJ Pixie Strip system to enhance the lighting in its worship space. The new configuration of pixel-mapped linear LED fixtures allows low-resolution video playback across the rear of the church’s stage area. This provides a versatile backdrop that can be easily adapted to the style or tempo of worship to help enhance the atmosphere without distracting congregants.
With a capacity of approximately 150, Preparing the Way Ministries’ auditorium is a relatively small but modern space. Worship for Sunday services is led by a multi-piece contemporary worship band and the facility is also used for midweek prayer and worship meetings which tend to feature a more stripped-back music group.
Prior to this recent upgrade, the church’s lighting setup simply involved stage washing provided by eight ADJ 5PX HEX LED par fixtures controlled via an iPad running ADJ’s Airstream DMX app connected wirelessly to the Airstream DMX Bridge interface.
Having made the decision to invest in developing the lighting technology in their facility, the church’s leadership brought in specialist AV integration company Stevens Audio Visual to advise on potential options for the upgrade.
“I met with the church and discussed various options,” explains Greg Stevens. “They wanted to do something more creative with their lighting and the worship leader had drawn up a rough schematic for using LED strip fixtures to fill in the dead space on the very plai
USA - A new immersive orchestral experience has brought back the spirit of live performance in a socially-distanced environment. With audio amplifier solutions from LEA Professional, residents in South Bend, Indiana, can once again enjoy the sounds of their local city orchestra in a more intimate and experimental setting.
The new listening installation, Octet, came about as the South Bend Symphony Orchestra needed to re-think its performances after the pandemic forced a number of cancellations.
“It was very important for us to not only give something back to our community - which was starved of live performance for the last few months - but also to invigorate our musicians,” said Halle McGuire, director of development programmes, South Bend Symphony Orchestra. “We knew that everyone was combating a level of Zoom fatigue and we needed to think outside of the box as to how we could safely produce performances.”
The result was Octet, an immersive installation that is sensitive to COVID-19 restrictions with no member of the orchestra in the room. Instead of performing live, the South Bend Symphony Orchestra pre-recorded all instruments individually and the recordings were then mixed and the music delivered through hi-quality speakers in a gallery, amplified by LEA Professional IoT enabled solutions.
While an individual standing in the centre of the installation will hear the instruments in a perfectly balanced surround-sound, there’s also the option to move closer to any individual speaker and virtually isolate the individual part played
USA - When the First Pentecostal Church in North Little Rock, Arkansas (FPCNLR), decided to upgrade its sound system three years ago it became the world’s first adopter of Martin Audio's then new Wavefront Precision Compact and Mini optimised arrays.
Fast forward to the present and the church has added a new mid-size chapel on its campus for multipurpose use and brought in a new sound contractor. However, it has kept faith in the British brand that has served the community so well in the main church.
This time the PA needed to reinforce events that were “too large for our rotunda space, too small for our sanctuary, and not quite casual enough to be held in our Great Hall,” according to the church’s director of communications, Zachary Ward.
With aesthetics a prime consideration, the solution was found in the House of Worship favourite, the discreet O-Line column micro array, specified and installed by Nashville-based Spectrum Sound. This provides balanced coverage for the 232 main floor seats and further 48 seats in the balcony.
Ward confirms that brand continuity was based on the “exemplary” Wavefront Precision performance in the main space. However, the decision was not taken before carefully scanning the market to compare options. “We considered multiple brands and models but ultimately it was Spectrum Sound who, after seeing the space, recommended we take a look at O-Line, a product which none of us had even heard about at that point.”
He adds: “The new room presents an auditory challenge as the floors are of tile a
USA - The ever-evolving Las Vegas strip is renowned for its approach to building bigger, bolder, and brighter structures. One of its latest additions, the Caesars Forum conference centre is no exception, spanning a mammoth 550,000sq.ft and boasting the two largest pillarless ballrooms in the world.
Located in the centre of the Las Vegas strip, Caesars Forum features 300,000sq.ft of flexible meeting space. This consists of the two large ballrooms of 110,000sq.ft each, a further two ballrooms, and six boardrooms and a dedicated outdoor event plaza connected to three hotels with 8,500 guest rooms
As part of the technology integrated into the new event space, Caesars Forum is home to one of the largest single installations of DMX controlled tuneable white lights. The Creston building control system installed and commissioned by NTA and Pulse features over 4,500 DMX lighting fixtures from Spectrum Lighting Inc., Moda Light and Signify, with every single one of these fixtures capable of being individually controlled.
This has been made possible by dividing the facility’s lighting needs into seven core Pharos DMX systems commanded by the main Crestron control system. With systems for each of the four ballrooms, pre-function spaces, boardrooms and exteriors, this offers a high resolution of individual fixture control or zoned group control. The ballroom’s flexible configurations adapt to the client’s needs, as does the lighting system.
This flexibility is absolutely key to the event space at Caesars Forum as the amount of space used can be scale
Festival Blues - This year's Glastonbury music festival has been cancelled due to coronavirus, organisers have confirmed. Michael and Emily Eavis announced the news on the festival's official Twitter page writing: “With great regret, we must announce that this year's Glastonbury Festival will not take place.”
It's the second year running that Glastonbury will not go ahead, after last year's 50th anniversary celebration was cancelled due to COVID-19. In a full statement on their website, the father and daughter team explained that in spite of “efforts to move Heaven & Earth”, the event would not be happening in 2021, adding that “this will be another enforced fallow year for us”.
“It has become clear that we simply will not be able to make the Festival happen this year. We are so sorry to let you all down. As with last year, we would like to offer all those who secured a ticket in October 2019 the opportunity to roll their £50 deposit over to next year and guarantee the chance to buy a ticket for Glastonbury 2022.
“"We are very appreciative of the faith and trust placed in us by those of you with deposits, and we are very confident we can deliver something really special for us all in 2022! "We thank you for your incredible continued support and let's look forward to better times ahead.”
Training Challenge - Challenges facing the performing arts training sector and wider creative education issues are set to be examined in a dedicated parliamentary group, launched this month. The new all-party parliamentary group me
France - Robe’s new flagship, high powered, TE (Transferable Engine) LED luminaire – the Forte – has made landfall in France where the new units have been delivered from the Czech Republic via Robe France to rental and technical production specialist Concept Audiovisuel.
The 40,000 lumen fixture features Robe’s new 1000W white LED light engine, complete with independent zone control for even higher output when zoomed in. The engine is fully and easily replaceable – extending the lifespan of the fixture.
Concept Audiovisuel is based in Niort, western France, and was founded in 1998 by Pierig Burgin and Hughes Mongrand as a design rental and installation company.
The usually busy schedule sees the delivery of lighting, audio, staging and rigging solutions for a wide range of rental and installation projects covering concert touring, live events, and festival sectors. Concept Audiovisuel is a technical partner for some of France’s most popular festivals including Francofolies, Hellfest, Cognac Blues Passions, Au Fil du Son, Les Vieilles Charrues and many more.
Apart from enjoying being ‘first’ and keeping ahead of the technology trends, Pierig explains that they wanted the Fortes – part of the first full production batch to leave the Robe factory – to replace older workhorse moving light fixtures. These Fortes are the first of a larger order.
“This fixture with its immense power and transferable LED module plus other features like the 5 - 50 degree zoom, framing shutters and multiple effects plus other parameters lik
UK - Independent Venue Week 2021 (25 - 31 January) has announced the full schedule for its eighth edition, which will take place digitally this year due to the on-going pandemic. Over 141 virtual events are set to take place across more than 110 venues around the UK that have all signed up to take part by playing host to performances, ‘In Conversation’ interviews, panel discussions with industry professionals, and the official IVW Quiz hosted by Duglas Stewart of BMX Bandits.
The week will also see the online premiere screening of On The Road with Independent Venue Week, with a live Q&A hosted by BBC 6 Music. The feature-length documentary, which counts Funktion One and Universal Pixels amongst its supporters, was filmed over two years with Philip Selway (Radiohead) and goes to the heart of independent music venues across the country, meeting those who work and play in them. It includes interviews with Nick Mason (Pink Floyd), Adrian Utley (Portishead), Fatboy Slim, Nadine Shah, IDLES, Novelist, Richard Hawley, Pip Blom, Big Jeff and more, plus venue owners and operators.
Music Feeds festival is the latest official partnership for the week bringing an impressive line-up of performances from the likes of Sam Smith, Liam Gallagher, Fontaines D.C + many more. Ticket prices vary and can be purchased here.
Independent Venue Week's full schedule can be found here, with industr
USA - Harman Professional Solutions reports that JBL Professional and AKG products earned honours at the 36th NAMM Technical Excellence & Creativity (TEC) Awards.
The annual TEC Awards honoured best-in-class products in the professional audio community, and were presented at The NAMM Show 2021’s Believe in Music Week.
AKG Lyra USB microphone received the 2021 NAMM TEC Award in the category of Microphones, Recording.
JBL EON ONE Compact personal PA received the 2021 NAMM TEC Award in sound reinforcement loudspeaker category. AKG K300 Series headphones and JBL DSi 2.0 amplifiers were also winners.
“On behalf of the entire Harman team, I would like to say it’s an honour to have been recognised by the industry across these four very important audio categories,” said Karam Kaul, vice president, audio, Harman Professional Solutions. “We would like to thank the voters and the TEC Awards nominating panel for our nomination. These wins are a reflection of our commitment to producing innovative audio solutions, and of the immensely talented teams at Harman Professional. We look forward to continuing to foster our culture of excellence in 2021 and beyond.”
USA - MXL focussed on the complete Revelation line during Believe in Music Week, including its original Revelation, the Revelation II, which was announced earlier this year, as well as the most recent Revelation Mini FET.
Borrowing concepts from the renowned Revelation tube microphone, the REV II offers musicians the clarity and versatility of the classic Revelation but is more accessible to musicians on a budget, says the company.
Offering the itube mic sound, the REV II is designed for capturing ‘crystal-clear vocals and instrumentals for a variety of genres’. Although geared towards studio use, the Revelation II is a versatile and flexible solution that is suitable for both home and studio recordings, and its simple set up makes it an appropriate solution for recording while on the road. Adding to the mic’s versatility, the mic’s polar pattern selection is virtually limitless, controllable by a variable pattern control knob.
“With the REV II, our customers are falling in love with its classic sound all over again,” says Trevor Fedele, director at MXL Microphones. “Today, with most artists working remotely, the last thing we would want is the musical element to be lost. By making high-quality solutions more accessible, we aim to contribute to a seamless experience for both in-person and virtual productions. The MXL Revelation II is sure to take your next performance up a few notches - whether it’s in-person, live-streamed or pre-recorded.”
When Hunter Wolfe, guitarist and vocalist of Born Crooked, was forced to switch gea
Estonia - On the final day of Bocuse d'Or Europe 2020, leading chefs from 24 nations gathered with their teams in different rooms at the Saku Arena in Talin early in the morning to review their secret plans for the dishes they would be offering judges later that afternoon.
All of them would be working with Estonian quail and eel catfish. The culinary wizard who blended these basic ingredients into ‘the most sumptuous and alluring gastronomical creation’ would be crowned European Champion by Estonian president Kersti Kaljulaid.
As the top chefs and their assistants met in secret that morning, Olev Luhaäär was also busy meeting with his team as they reviewed plans for lighting the televised event under unusual circumstances. (Unlike in previous years there was no live audience in the 10,000-seat arena because of the pandemic.) Luhaäär had begun preparing for this project six months earlier, working with project manager Gamal Elhuveig. Now it was time for a final review with his crew: LD Rene Jõhve, and tech support specialist Kristo Sooalu.
Like the chefs, preparing their entries, Luhaäär and his associates had to balance varying elements together into a smoothly integrated final creation. Helping them in this endeavour was the ChamSys MagicQ MQ500M Stadium console.
“People and sets changed all the time during the programme, so we constantly made small adjustments for the lighting, all the while ensuring that we remained camera friendly,” said Luhaäär who used eight universes and 120 different lighting fixtures for the broadcast
Slovakia - Ŭsmev ako dar (Smile As A Gift) is a high-profile gala evening and charity concert broadcast on Christmas Eve on Slovakia’s national RTVS Channel 1.
The show features the participation of children from orphanages and foster care facilities across Slovakia, together with some of the country’s best known popular singers, bands, and dancers.
Slovakian technical production and rental company Q-99, headed by Martin Kubanka, has been involved with the Smile As A Gift foundation since 1994, and this year’s festival special was recorded – without audience due to Covid restrictions – in a pop-up streaming studio created at their warehouse facility in Bratislava-Čunovo.
The studio was built earlier in the year to provide some revenue during the pandemic. In keeping with Q-99’s commitment to excellence in lighting, video, and audio, it soon became known for its premium technical facilities.
The company has invested in Robe products right from when the brand launched, and the studio is full of Robe moving lights – including BMFL WashBeams, Pointes, LEDWash 600s and 600+s, Spiiders, Spikies and LEDBeam 100s – 136 of which in total which were used for this show in a lighting design by Štefan Čulen.
The Ŭsmev ako dar studio comprised five different stages, each with columns of LED screen at the back and the various performers and presenters all working together.
Each stage was built so they could benefit from the general studio lighting rig and also have their own ‘specials’ and floor packages.
UK - Over the past 25 years Music Bank has established itself as one of the leading rehearsal and backline hire facilities in Europe. In recent months, Music Bank’s director Jimmy Mac has been busy modifying the studios to create a live streaming space, allocating its DiGiCo SD12 to mix duties to ensure familiarity and total flexibility for visiting engineers.
“We knew people would want to use Music Bank as a streaming location for the same reasons they use it for a rehearsal space,” says Charlie Bryson, monitor engineer for Rod Stewart’s band and long-time DiGiCo user who started his career at Music Bank and has returned during the pandemic to look after all things audio for the live streams. “The new studios offer huge, great sounding, well-serviced rehearsal rooms with a plethora of backline and instruments available to hire right across the hallway.”
This, combined with a recently upgraded 1GB symmetrical internet connection and its collaboration with neighbour, Colour Sound Experiment, to bring in modular/scalable LED walls and a lighting package for each room, makes Music Bank an appropriate choice for a streaming performance space.
“After that, all that was left was to get a great camera and broadcast setup together and we had an awesome streaming operation that artists could come in and design however they liked!” Bryson continues. “Initially, I think a lot of artists saw an opportunity to do something different or something they hadn’t done before with these live streamed / lockdown performances. Something new and exciti
World - DPA Microphones and Rycote have announced the winners of the Pay-It-Forward Film Contest Giveaway. The brands joined forces to support the film industry during these unprecedented times by offering first-time and indie filmmakers the opportunity to win a customised DPA/Rycote filming kit.
The winners of the contest are Jacob Deming of the United States, Lijie Cheng of Singapore and Sergey Martynyuk of Austria. The winners will receive three DPA mics - the 4097 Micro Shotgun, 4017 Shotgun and 6060 CORE Subminiature - along with an array of Rycote accessories.
Aspiring and indie filmmakers around the world were encouraged to participate in the DPA/Rycote Pay-it-Forward giveaway campaign, which concluded late last year. The applications were reviewed and judged by representatives from both brands, as well as a group of film experts, comprised of Tim White, Bryan “Sol” Aponte, Antoin Cox and Stéphane Bucher. In addition to the prize package, the winners will also have access to free loans of any additional mics and accessories needed to complete their projects. Further, they will receive a mentoring session from one of the film sound experts.
Deming plans to utilise the equipment to film the Northwest Association for Performing Arts’ 2021 Winter Percussion Championships on behalf of his company, Corpsound Audio.
“It’s an incredible feeling to have industry professionals and established businesses believe in the vision, which we spent so much time and energy developing,” says Deming. “It reaffirms that our pas
USA - Like all minor league baseball teams, The New Hampshire Fisher Cats had no 2020 baseball season, because of the COVID-19 lockdown. Although the crack of the bat and thump of a fastball hitting the catcher’s glove could not be heard at C this summer, the connection that the club, an affiliate of the Toronto Blue Jays, has to fans remains as strong as ever.
This was very evident at the team’s annual Granite State Baseball Dinner. Held virtually this year, with Events United producing the event at Studio Lab, the fundraiser ran over its scheduled time because of the high level of interest from fans throughout New Hampshire. “The Fisher Cats are an institution in this area,” said Tim Messina, owner of Events United. “Since they could not hold their dinner live, we helped them create a new atmosphere of their traditional event in a livestream.”
The key to creating a welcoming mood in the broadcast was a massive 53ft wide by 14ft tall curved video wall backdrop that was used to display engaging backgrounds, images, and live video conferencing feeds featuring baseball stars like Danny Jansen, starting catcher for the Blue Jays, as well as legends like Boston Red Sox Hall of Famers, Bernie Carbo and Luis Tiant.
“The live video conferencing calls were big part of the show,” said producer Chase Clark. “During the calls, the centre third of our video wall displayed the baseball stars interacting live with each other and Tyler Murray, the host for the event. Tyler did a great job balancing all the different feeds and calling audibles wh
USA - ADJ has introduced the latest edition to its range of lighting control solutions, The Link. This hardware/ software system combines the processing power, wireless connectivity and multitouch screen of an iPad with lighting-specific tactile controls and a four universe DMX interface to deliver a control solution.
The Link fills the void between small single universe DMX controllers and large format lighting consoles, says the company. It is designed to simplify control for aspiring lighting designers, small production companies, churches, community theatres and performances spaces, providing a new connection between lights and creativity.
The ADJ Link control system is powered by the dedicated Airstream LINK iOS App for iPad, which is available as a free download from the Apple App Store. This lighting control platform includes an extensive fixture library, making it easy to setup for different shows and equipment configurations. It incorporates powerful tools to allow the easy creation of complex movements and colour chase effects, and allows the iPad’s memory to be utilized for storing custom scenes and shows that can be quickly re-loaded when required.
The software also makes use of the iPad’s precise touchscreen interface to facilitate actions such as colour mixing and drawing custom movement shapes.
To augment the iPad’s screen interface, the Link hardware offers a selection of ergonomic controls designed to give lighting designers the hands-on experience of a traditional lighting console. Four large rotary encoder wheels, with
Denmark - Live Company is a full technical production and rental specialist based in Skovlunde, a suburb of Copenhagen, owned by Peter Clausen, Mikkel Bedsted and two other business partners, all of whom are dedicated to providing quality service and high production values to clients across multiple performance genres.
Since 2018, the company has invested steadily in Astera products, the first ones being AX1 PixelTubes which were purchased to illuminate the domed roof of Cirkusrevyen’s big top venue in Dyrehavsbakken (the north of Copenhagen).
Started in 1935, Cirkusrevyen is the biggest revue show in Denmark and has been performed every year except 2020, when the season was cancelled due to the Coronavirus pandemic!
The AX1s were modified with special magnetic fastenings for this specific project. They were utilised during a spectacular dance number, where the dancers plucked them from the stage floor and mounted them vertically and horizontally on the set thanks to the magnets. They also charged off power from the set, and ran flawlessly for over 150 performances, for which the lighting was designed by Malthe Haugaard who has been working in this role since 2015.
Since then, Live Company has increased its stock of the RGBW AX1s, and now has over 70 fixtures in the house, as well as investing in 24 Astera AX3 LightDrops.
“These Astera products are great for so many things,” commented Peter, adding that they have been used on multiple types of project from music videos to set dressing and illumination.
Recently, 54 AX1s w
Italy - Ever since its release in 2013, Powersoft’s M-Force linear transducer has redefined what was possible in the realm of infra-bass, reaching well below the conventional frequency range.
The Italian manufacturer has sought to push its boundaries even further with the introduction of the new and improved M-Force 301P02 and its associated reference designs, which have been created to ensure that everyone from AV professionals to amateur speaker builders will be able to benefit from the company’s powerful technology.
“Although the original M-Force has had a great life cycle, we knew that the time was right for our patented infra-bass technology to take another leap forward,” said Powersoft’s sales manager for OEM solutions Giacomo Previ. “This new iteration of the M-Force linear motor transducer comes equipped with high voltage and high current connectors and a whole range of internal electromechanical improvements. We’re so excited to share the new M-Force with the world, and we can’t wait to see what our fellow audio innovators will be able to create using this new technology.”
The patented M-Force moving magnet linear motor structure allows “extraordinary levels of efficiency and reliability, making it the perfect choice for high efficiency, high SPL low-frequency sound reinforcement applications”.
The implementation of the M-Force technology is now easier than ever, thanks to the 301P02 - a complete solution that enables all levels of speaker builders to incorporate the M-Force into any design with absolute confi
Grammy Award-winning mixer Chris Lord-Alge (Green Day, Muse, Bruce Springsteen) has kept a busy schedule during the COVID-19 lockdown, taking on projects from a wide range of artists. In addition to applying his mixing skills to these recordings, in many cases he has been tracking artists’ vocals himself.
“In March 2020, I devised a makeshift vocal booth at my facility that we were able to disinfect after every use,” he explains, “and everything could stay properly distanced to adhere to the health guidelines of the situation. Originally I set this up just as a temporary solution for a project or two. But nine months later, this setup is still in use, right where we assembled it.”
Key to the success of this vocal recording setup is the Audio-Technica AT5047 cardioid condenser studio microphone.
“The AT5047 is a game-changing microphone in a lot of ways,” Chris notes. “For instance, I did some recent recording with Kiefer Sutherland. I’d mixed his records in the past but not recorded the vocals myself. But getting him on this AT5047 microphone - obviously I’d heard his voice before on recorded tracks, but he and I had never heard it sound this good just raw like that. It was so clear and in-your-face, and when I brought up the track on the desk to mix it, I barely had to do anything to it. I’m known for my processing techniques when I mix vocals, but I feel like the AT5047 gives me a head start.”
Equally successful were sessions with rock acts Tempt and Dorothy - both of whom appreciated the big, rich, clear tone that the AT504
UK - Lighting rental house MBSE has made a significant investment in over 500 Luminex network and lighting distribution devices. This substantial acquisition was supplied by sister companies A.C. Entertainment Technologies (AC-ET) and A.C. Lighting to the MBSE technical teams on both sides of the Atlantic.
Created specifically for the entertainment industry, Luminex products are becoming increasingly responsible for managing the data behind many of today’s fixture heavy productions.
AC-ET’s brand development manager, Neil Vann comments: “In my opinion, Luminex has established itself as arguably one of the industry’s leading standards for data distribution. The attention to detail and ability to make sure that everything on set reacts as it is supposed to, exactly when it is supposed to, makes these products an incredibly important part of an installation. When it comes to reliability and simplicity, in the studio or on location, Luminex really are a leader in this field. We are delighted to be supporting MBSE, both in the UK and the US with this industry leading hardware.”
Speaking about the recent investment, MBSE UK technical director, Steve Howard says: “MBSE has been consistently supporting crews the world over, on some of the most important productions of the last few years. With the advent of ever more creative technology being used on set, the need for robust data management has become an essential ingredient. Through A.C. sister companies, these Luminex units provide us with exactly what’s needed to handle even the most comple
USA - Calrec’s Artemis Beam audio console is proving to be a success for Sean Prickett, owner of broadcast audio engineering company and rental service Drop Ship Audio in Los Angeles. With 340 channel processing paths and powerful Bluefin2 and Hydra2 technologies, the new Artemis console is being used on a popular reality show in its fourth season, installed in a studio with a major US network.
Drop Ship Audio is no stranger to Calrec. The company owns two Brio digital audio consoles, the most powerful and compact console in its class, and previously a Summa console. With regard to its new Artemis Beam, Prickett said, “We’d been looking for a larger, full size fly-pack console to replicate more of the experience you would have in a traditional TV truck. I mixed the previous three seasons of this reality show for a major network on an Apollo and the ability to have the same workflow and familiarity as the previous seasons made the Artemis an obvious and easy choice for our work on this fourth season.”
Prickett also uses Calrec’s Hydra2 networking capabilities, which provide scalable audio networking with other consoles and routers so that a large number of inputs and outputs can be shared and controlled regardless of the console’s location. In the console’s current configuration, they are using five Hydra2 boxes for I/O.
He continued, “As a company, owner reliability and support were at the forefront of the decision and we know that Calrec delivers on both fronts. Another big selling point is whether I am mixing a show or one of my co
Canada - Vancouver-based Promosa has enhanced its 20 year-old legacy in film and television production by investing in disguise’s vx4 and rx machines and undergoing specialist xR training to become the first official disguise partner in Canada to deliver full end-to-end xR stage production.
With offices across Western Canada and in Washington state, Promosa is a full-service production management company specialising in large-format LED video screens – the largest inventory in Western Canada and the Pacific Northwest. They have been used in countless productions, including TV series DC Legends of Tomorrow, A Million Little Things, The Twilight Zone and the upcoming Disney+ series Turner & Hooch.
In partnership with Animatrik Film Design their Vancouver headquarters features the largest independent motion capture sound stage in North America and the first disguise-supported xR stage in Canada.
“At Promosa, we strive to be more than just a production company - we are a company that seeks new ways to be better every day,” says CEO, Baxter Wilson. “We continue to invest in the latest hardware, software and systems that provide clients with access to world-class innovative solutions. xR and the partnership with disguise was the piece we were missing.”
With that in mind, Promosa found disguise to be “the only reliable end-to-end virtual production solution on the market that can complement our expertise with film/TV and live events. Introducing disguise to our workflow has brought everything together, an
UK - The 2020 celebrations marked the 17th year that DeltaLive has provided communications and audio services for London's New Year's Eve festivities (get the full story of the NYE spectacular in the upcoming LSi issue).
Jack Morton, the global brand experience agency, helped to develop the original concept for this annual event and worked in partnership with the Mayor of London's office and a dedicated team of experts to create the experience. The 10-minute show, designed for home viewing and created in collaboration with the BBC, was broadcast live on BBC1 and watched by a global viewing audience of millions.
Due to COVID-19, audiences were not able to attend the event this year, which would normally see some 100,000 spectators. But with no audience, this gave the Jack Morton led production team the opportunity to expand on previous years and utilise multiple locations across London, each with its own different display. With new elements added and additional areas, it was imperative that communication between all areas was robust and reliable.
Microwave links were installed between each location which included The Shard, Tower Bridge, London Bridge, Docklands and Wembley Stadium. At all locations Matrix Comms IP panels were installed so each location and various departments could have one to one and group calls, ensuring constant communication. Also a wide area Motorola system was installed spanning and linking all areas and departments.
Delta distributed playback at each location as the entire show was triggered live on the night,
Russia - The Palace of Culture “October” is an 850-seat theatre with two levels. Opened in 1966 in Podolsk, Moscow, the venue hosts many types of events from dance to concerts and local shows.
RCF Russian distributor ARIS provided a new HDL 28-A line array with SUB 9004-AS for a new and improved sound. The upgrade has allowed the 240- seat balcony to be opened to the public; it previously remained closed due to acoustical issues.
Installed more than 10 years ago, the previous sound system was unable to cover the rather spacious balcony properly. This meant that tickets to the balcony during box office concerts were not sold, to avoid complaints from disappointed patrons.
When the budget was approved for a new sound reinforcement system, a mandatory requirement from management of the House of Culture was to provide a high-quality sound experience to all sections of the venue including the balcony. ARIS suggested hanging two RCF active line array clusters of six elements each. The two upper elements in the cluster exclusively target the balcony, and the four lower elements cover the remainder of the theatre. Three SUB 9004-A active 18-inch subwoofers were configured in L-R stacks providing sound at lower frequencies. All control and monitoring of the system is carried out from the sound engineer's booth using RDNet protocol.
The new HDL 28-A provided a higher sound pressure level, higher index of intelligibility, perfect coverage, and ease of remote control in realtime through RDNet software.