Spain - Tempest is launching its latest rental and staging projector enclosure system - Fly - at ISE 2024. Fly’s innovative chassis folds flat into less than half its volume for ultra-compact shipping and storage. Fly enables rapid setup and teardown, with minimal tools, saving on time and labour. Weighting in at just over 20kg (44lbs), Fly is less than ¼ of the weight of a standard Tempest Typhoon rental enclosure. Fly is available in four models and is compatible with a wide variety of projectors up to 50k lumens, including all the most popular models in the equipment rental space.
Fly comes with all the usual Tempest protection measures, against airborne pollutants, weather, heat, cold and condensation. Fly also features an AR-coated port glass door, that opens without tools, making last-minute lens changes quick and painless. For extra-long lenses, a deeper Lens Extender door is available.
“We are very excited to showcase our latest rental enclosure system in Tempest Fly,” says Tim Burnham, president, Tempest. “Its truly innovative design makes it perfect for event work requiring a lightweight and transportable enclosure solution, while maintaining the build quality and attention to detail that our professional partners expect from Tempest. The creative people we serve often change their minds, and to be able to switch landscape/portrait, or swap out lensing at the last minute, is truly priceless. Fly will save our partners time and money, while offering them the projector protection they need.”
For large outdoor events, the lightweig
Spain - Lightware Visual Engineering will showcase a range of solutions for the corporate, education and live event sectors at ISE 2024. Visitors to the Lightware stand (3N750) will be offered demonstrations of its Taurus product family, including the Taurus UCX Dual Screen, Taurus TPX and Taurus TPN, along with other innovative connectivity solutions. Lightware will also debut its recent corporate rebrand, which has been developed to better align the company's visual persona with its status as an innovator in the technology sector.
Lightware's Taurus TPN is a media-over-IP solution tailored for medium to large conference rooms, redefining the landscape with its reliability, technical sophistication and user-centric features. The Taurus UCX-TPN and HDMI-TPN devices, both leveraging SDVoE technology, form the core of the solution, allowing for the creation of adaptable media-over-IP matrices. Taurus TPN’s unique seamless management of HDMI 2.0 signals, supports up to 4K60 4:4:4 video resolution and its provision of full bandwidth USB 2.0 for high-quality data transmission across 10G Ethernet networks.
In addition, the Taurus UCX-4x3-HCM40 - Dual Screen UCX is an innovative dual display screen solution that redefines meeting room connectivity, seamlessly integrating cutting-edge features to enhance collaboration and deliver a first-class user experience. The UCX-4x3-HCM40's dual-screen USB-C input is a game-changer for the workspace, supporting 100W charging, a 1GbE USB3 network card compatible with diverse operating systems, and the ability to share exte
Europe - Audiofocus has unveiled its new ARRoCC constant curvature loudspeaker series. Conceived as a complete PA solution for medium throw sound reinforcement scenarios, the ARRoCC system comprises the wide coverage CC210W cabinet and its narrow coverage twin, the CC210N, plus the high-powered 118S compact subwoofer. ARRoCC makes its world debut at ISE 2024.
CC210W and CC210N each house a pair of V-mounted 10” LF transducers with Tetracoil double voice coils for additional power, precision control, improved impulse response and handling of transients. A large 4” titanium diaphragm HF compression driver allows Audiofocus to employ a lower crosspoint, resulting in better dispersion and control down to lower frequencies. Both cabinets achieve a peak SPL of 135dB and a frequency response of 55Hz - 19kHz.
CC210W and CC210N offer 25° x 90° and 12.5° x 90° coverage respectively and can be deployed either vertically or horizontally according to the needs of the event. ARRoCC is the first system to incorporate Audiofocus’ 3D printed SEVERIN precision waveguide for rigid definition of coverage patterns, ensuring the optimal listening experience for all audience members. Directivity can be adjusted further thanks to a forthcoming adjustable horn plug option.
“With ARRoCC we’re ready to challenge the market leading constant curvature arrays on power and performance,” reflects Audiofocus founder and CEO, Ann Leroy. “Opting for a twin 10” layout over a single, larger transducer has given us higher SPL and more control, especially with the po
USA - The recently launched music community platform We Are Giant has announced the addition of live music and entertainment executive David Rappaport to its board of directors. The chief operating officer of global touring at AEG Presents will serve as a strategic advisor to We Are Giant founding CEO Andy Apple and his executive leadership team.
Rappaport is an industry professional who brings a deep tenure of experience across live entertainment and artist relations. Before joining AEG Presents, Rappaport also served as head of artist relations (Americas) at YouTube Music / Google, where he spearheaded new education and strategy initiatives geared towards artists, management companies, and agencies.
“David’s leadership and many years of experience executing deals - in addition to building deep relationships across genres - will contribute to our success as we continue to advance the music industry," said Andy Apple. “In addition to being widely respected as one of the industry’s top executives, his passion will be a catalyst for We Are Giant to create more value for artists and their communities. Gaining David’s support as our early stage board member and strategic advisor is invaluable as we embark on our next phase of growth.”
“I’m passionate about breaking down the traditional walls that have prevented artists from reaching fans and creating community. I strongly believe that We Are Giant is the solution the industry has been waiting for to turn music conversation into connection and I'm incredibly proud to be on the board at
UK - DPA Microphones has announced that its UK Division, Sound Network, has rebranded as DPA Microphones UK.
While the name has evolved, the DPA Microphones UK team continues its commitment to offering the highest level of service, expertise and support to all users and DPA partners, as well as embodying the personality and company culture that’s made the brand successful in this territory, says the company. “DPA Microphones UK’s mission is to continue to deliver exceptional audio solutions across the entire UK audio industry, as well as redirect more time and energy to open days, trade shows, educational training and product demos.”
Following DPA Microphones’ acquisition of Sound Network in 2017, this rebrand reflects a keen desire to focus all attention, activities and energy on the core brand, as well as align the UK team’s identity with the global DPA organisation.
“With the official launch of DPA Microphones UK, we look forward to streamlined operations and presence throughout the region,” says Kalle Hvidt Nielsen, CEO, DPA Microphones. “This enhanced operational collaboration between the UK and our headquarters in Denmark better positions the brand to manage new and existing customer requests in this part of the world.”
The rebrand will also streamline internal processes and bring the UK operation more in line with other DPA territories in Europe. This includes shipping all orders directly from the production facility in Denmark, where all capsules are carefully hand-crafted on-site with the highest levels of accurac
Europe - In a strategic move to ‘redefine its presence in the professional audio industry’, Cadac is dividing into two distinct, independent business units, reflecting the current evolution of its product development activities; namely Cadac Consoles and Cadac Immersive.
Cadac Consoles will retain its focus on the development of advanced digital audio mixing systems, with product development, sales and brand management remaining firmly in the UK. The business is rebranding under a new logo and corporate identity, with a renewed product offering scheduled to be unveiled at ISE; along with an all-new website that will go live shortly before the show.
Cadac Consoles effectively paused commercial activity at the outset of the COVID emergency, retiring its previous CDC series product lines, but continuing the development work on a new-generation product line. The near three-year intensive R&D programme has brought to fruition a new Cadac Consoles flagship product line, the CM-Series, being debuted at ISE in Barcelona, on its booth in Hall 7 (J700).
The new CM-J50 96 input, 56 bus live mixing console and range of compact ‘intelligent’ remote stage racks, together with an all-new iPad app and offline editor, comprise the initial release phase of the CM-Series mix platform.
Commenting on the new product development, James Godbehear, director of marketing and business operations, Cadac Consoles states: “While we have kept a very low profile throughout the tumult of recent years, behind the cloak of silence we have been solely focused on
USA - Following its recent partnership with PK Sound, ACT Entertainment has set out to enhance its professional live sound division with the appointment of several new industry experts.
Included among them is Ralph Mastrangelo, who takes on the role of director of sales: live sound; as well as Richard ‘Rick’ Coleman, who will serve as outside sales representative: live sound and Joe Langholt, as product specialist: live sound. The new team members will be in attendance at the 2024 NAMM Show.
“We are thrilled to welcome these three experienced industry professionals,” says Ben Saltzman, CEO, ACT Entertainment. “Their experience in the live sound industry makes them all great additions to our team. We are eager for them to use their expertise and skills to contribute to ACT’s mission of helping our customers realise their creative vision.”
A New York native currently residing in Nashville, Ralph Mastrangelo has spent his entire life working in the live event industry. In addition to having previously been a business owner and company executive, Mastrangelo is a touring and live sound engineer and production manager who spent over 20 years with Clair Global.
A native of Columbus, Ohio, Rick Coleman joins the ACT team from Meyer Sound, where throughout his 24-year tenure, he consistently ranked among the company’s top sales managers in the U.S.
Finally, Denver-based Joe Langholt is a sound engineer who has spent the past 20 years working with top production companies while simultaneously filling his passport touring with m
The Netherlands - Full Frontal is a new dance piece by choreographer Juanjo Arqués billed as ‘a ballet about real people and actual feelings’ set to Weather One, a musical score by Michael Gordon. It was presented by the Dutch National Ballet and staged at the Dutch National Opera in Amsterdam. It explores the stresses and tensions of our fractured and often polarised society as it faces physical obstacles that swap - ironically - with psychological projections of challenging conditions.
Full Frontal was the final work in Four Temperaments, a performance featuring the work of four choreographers, and was lit by Yaron Abulafia who enlisted the help of 40 Robe Tetra2 moving LED battens and an automation system.
He blended the intense emotion and paradox of dance with the drama and structural discipline of installation art to produce a truly outstanding visual encounter that immersed and enthralled audiences and the artists.
The Tetra2s assisted Yaron in sculpting his daring and combative light show for the 21-minute Full Frontal performance, which was created in close collaboration with Juanjo, set and costume designer Tatyana van Walsum and dramaturg Fabienne Vegt.
Choreographer Juanjo underlined the relevance of lighting: “Yaron proposed a beautiful light sculpture made of moving beams that are floating in space. The idea of having such a monumental structure over the dancers’ heads allowed me to drill down deeper into emotions, build tension, and achieve infinite light options, empowering the ae
UK - It’s been a busy holiday period at Boisdale Canary Wharf. A popular venue for drinking, dining and entertainment, an all-Nexo sound system covers the main live music area and the downstairs bar.
Drawing from Nexo Geo M6, P+, ID and ePS speaker ranges and with networked power and processing from a rack of 11 NXAMP4X2Mk2 powered controllers, the system was installed by Oxford-based Event Production Services.
“The Nexo system delivers high-quality sound with even audio distribution throughout the room” comments Boisdale had of sound Ido Tavori. “Despite the challenging acoustics of the space, the system ensures clear and consistent sound projection.”
Returning to Boisdale in March, the Cuban Brothers said after their last show at Boisdale, “The Nexo sound system tonight has been ‘fantastico’. To come here and perform is always a pleasure.”
Also due back in 2024, Shakatak said: “The brilliant new sound system by Nexo at Boisdale is fantastic. It makes so much difference to any band’s performance when the sound is as good as this.”
“The incorporation of this state-of-the-art Nexo technology has significantly enhanced the sound quality of the venue” says Boisdale head of music Kavitha Rao. “As a result, the stage at Boisdale has become a top choice in London for attending live music performances. This upgrade is a testament to Boisdale’s commitment to providing exceptional entertainment experiences for its patrons.”
UK - Based on Audrey Niffenegger's bestselling 2003 novel that captivated millions worldwide, a new musical adaptation of The Time Traveller's Wife love story recently premiered at London's Apollo Theatre, showcasing an original score by Joss Stone and Dave Stewart.
Sound designer Richard Brooker and associate sound designer Nick Lodge collaborated closely with the production crew - including Callum Donaldson, Isabel McIntosh, Andrew Williams and sound effects designer, Pete Malkin - to bring forth this show, which has been running since October.
The production also marks Brooker’s first proper use of the KLANG:technologies immersive in-ear monitor mixing system, supplied by Stage Sound Services, for the show’s band.
Brooker shares, “KLANG was an innovation we wanted to introduce into our shows.” After initial discussions with Phil Kamp from KLANG:technologies, who offered full support in transitioning from the team’s previous system, Brooker also had the opportunity to visit DiGiCo’s offices to meet with Dave Bigg, product specialist at DiGiCo, who provided Brooker with a further opportunity to delve deep into the system.
“You just have to adjust your thought process to understand how KLANG works,” Brooker says. “It's much more aligned with how our ears and brains process information on a day-to-day basis, rather than simply putting on a pair of headphones and working with stereo limitations. It’s about trying to make it feel as natural as if you weren’t wearing headphones or in-ears. It just blew my mind!”
Italy - The 13th edition of Italia's Got Talent was lit by Prolights products. Broadcastfor the first time in Europe on the Disney+ streaming platform, the series relied on AMG International s.r.l. for stage lighting.
The lighting setup, consisting of 113 Prolights fixtures, included SmartBat Plus, HaluPix, and VersaPar. This combination ensured an engaging visual effect, both for the studio audience and for viewers watching the show via streaming.
The production team expressed great satisfaction with the use of Prolights devices, particularly highlighting their versatility, speed, and ease of use as decisive factors for the success of the show's lighting. "For a dynamic and creative programme like Italia's Got Talent, these features of Prolights products played a fundamental role in ensuring flawless execution," the team stated.
Spain - Shure has announced the launch of Microflex Wireless neXt 2 (MXW neXt 2), the latest addition to its Microflex ecosystem, expanding the original Microflex Wireless platform. Designed with a combination of advanced features, the new Microflex Wireless neXt 2 is a versatile, two-channel wireless system designed to offer ‘a cost-effective, intuitive, and all-in-one audio solution for diverse spaces and hybrid environments’.
“MXW neXt 2 is an ideal new solution for those seeking enhanced meeting equity and clear sound reinforcement in videoconferencing and hybrid presentations, both in classrooms and business spaces,” said Doug Daube, director of conferencing, global product management, at Shure. “AV/IT professionals in corporate and higher education environments now require more flexible solutions for teaching, conferencing spaces, and other hybrid scenarios. MXW neXt 2 will help address their current challenges by simplifying workflows and affordably delivering exceptional Microflex audio performance, all in a user-friendly and convenient form factor.”
Microflex Wireless neXt 2 features a combination of advanced DSP capabilities and comprehensive audio I/O connections, including USB, Dante networked audio, and analogue audio. It pairs mics at touch-of-button, taking just a matter of minutes to set up easily.
MXW neXt 2 offers a choice of three different redesigned wireless microphone form factors, each with an added LCD high-resolution matrix display for monitoring remaining battery life and connection quality. The MXW1X Bodypac
Spain - Part of the K-array brand ecosystem, KGEAR has released two new product launches in the run up to ISE 2024. The pro-audio manufacturer introduces the GU210 subwoofer and GMX4L mixer to its product family, two releases that once again showcase the ingenuity of K-array’s engineering.
The GU210 subwoofer is suitable for fixed installations, especially in environments where a discreet audio solution is required.
Enclosed within a stainless-steel cabinet and grille, the subwoofer boasts an IP rating of IP64, making it appropriate for indoor and outdoor installations. The GU210 also comes in both a black and white finish, allowing it to slot seamlessly into any project design.
“The launch of the GU210 is significant because it fills a gap in our portfolio by providing a performance subwoofer with a versatile 10” form factor,” explains Lorenzo De Poi, brand manager at K-array and KGEAR. “This expands the pairing possibilities and opens up more opportunities for fixed installations.”
Launching alongside the premium subwoofer, the GMX4L mixer is an expansion of KGEAR’s GM44L matrix and provides a complete solution for commercial, corporate and hospitality applications. User-friendly controls and accessible advanced options also make the mixer ideal for a range of abilities.
The compact four-channel analogue mixer comes with four mic/line inputs, one auxiliary line input, two balanced/unbalanced outputs and an adjustable output limiter. Sound can be customised using individual input assignment and +48V Phantom power. The GMX4
Spain - LED Studio is expanding its EDGE series with the launch of the 54” EDGE Pro and 65” EDGE at ISE. The single die-cast cabinets are designed as a direct replacement for popular videowall LCD panels, offering increased sustainability with up to 40% energy saving vs LCD, as well as simplified installation and operation to make large scale LED applications more accessible.
LED Studio is on a mission to eradicate throwaway culture with its proprietary V1 Architecture within its EDGE series. This cabinet infrastructure allows for the pixel technologies to evolve as technology progresses, with options for Flip Chip High Bright Common Cathode and traditional SMD and the latest addition to the pixel offerings Chip on Board (COB), says the company. During the upgrade, only 30% of the display undergoes replacement, preserving the remaining 70% in its original state. This approach reduces waste, enables accurate forecasts for future technology developments and maximises ROI.
The addition of a Common Cathode driven pixels further enhances the EDGE Series sustainability credentials, making the 54” EDGE Pro a smarter and more eco-friendly choice for top tier fine pitch LED display applications. LED Studio has ambitions to bring the benefits of COB to the 65” model later in 2024.
The 54” EDGE Pro represents a significant advancement in the EDGE Series, featuring the innovative COB MicroLED pixel technology. This new addition offers substantial energy-saving benefits compared to the conventional SMD pixel. Users will experience an impressive reducti
UK - Audient has introduced ORIA, an all-in-one audio interface and monitor controller designed specifically for multi-speaker arrays ranging from stereo to 9.1.6 setups - and everything in between.
“As immersive audio continues to become more prevalent across music, film, TV, game and VR production, our goal was to design a purpose-driven and affordable solution for those wanting to work in the immersive space,” says Audient’s Andrew Allen.
“ORIA is designed to prioritise immersive audio workflows, giving you onboard room and speaker calibration DSP, true immersive monitoring control and professional audio performance, alongside intelligent integrations with Sonarworks and Dolby Atmos.”
ORIA provides 16 outputs via TRS or AES, two dedicated relayed switched stereo outputs, two independent headphone outputs, BNC Word Clock in and out, as well as two Audient Console Mic Preamps, 16 ADAT inputs and an optional 16 input AoIP Dante card, which is ideal for large studio complexes and education facilities.
Designed with a dual purpose, ORIA is not only a powerful USB-C audio interface with 16 outputs, but it can also integrate into your existing studio setup as a standalone monitor controller via its ADAT Inputs or the Optional Dante Card.
Working with multi-channel speaker arrays requires a perfectly calibrated room and ORIA’s Advanced Speaker Processing lets users create up to 32 custom onboard calibration Profiles (presets) for any monitoring format, by utilising per channel 8-band EQ, Speaker Delay, Trim and Bass Management t
Spain - To commemorate the 20th anniversary of ISE and the 200th anniversary of Passeig de Gràcia, one of the major avenues in Barcelona and home to Casa Batlló, Integrated Systems Europe (ISE) is sponsoring a projection mapping on the façade of the Gaudí building.
Following Refik Anadol's mappings in 2022 and 2023, Casa Batlló has once again invited a renowned digital artist to transform the building into a canvas for technology-driven art. The chosen artist, Sofia Crespo, is a pioneer in exploring organic life and its evolution through Artificial Intelligence. Co-founder of Entangled Others Studio, Sofia is best known for her work with neural networks and machine learning, along with her huge interest in biology-inspired technologies. Her work, including Neural Zoo and Artificial Remnants, explores the potential of AI in artistic practice and its ability to reshape our understandings of creativity.
Sofia explains: "The great challenge has been to convey Gaudí's inspirations in a façade with a lot of personality and intricate details. I wanted to capture how he worked and thought, including the materials, the symbology, and his more spiritual dimension. It has been a fascinating project because it combines art and technology, the cultural legacy of Barcelona, and a creator whose work remains alive and is constantly reinterpreted by artists."
Mike Blackman, managing director of Integrated Systems Events, said: “We are excited to be working with Sofia Crespo and Casa Batlló to create what will not only be an incredible spectacle for ISE at
Australia - A $140m redevelopment programme by the state of Victoria’s government has transformed the Geelong Arts Centre into Australia’s largest dedicated regional arts centre, boasting two new theatres alongside new bars and event spaces.
The upgrade includes the installation of 28 Claypaky Sinfonya Profile 600s, low-noise LED-based fixtures conceived and developed exclusively for the theatre market.
Ben Van Dillen, technical operations manager for the venue, comments: “we needed a fixture that had shutters and an excellent colour profile. I also wanted a moving light that was going to match our LED profiles, something that we could use not just as a theatre light but also as a rock’n’roll-style light. It was important to have automated fixtures for shows that come in for only a day, which you need to turn around really quickly.”
Show Technology’s Keith Bradshaw visited the crew at Geelong Arts Centre to conduct a shootout of various fixtures after receiving Van Dillen’s specs. Van Dillen opted for the Sinfonyas, which were installed in the Play House, a 764-seat proscenium theatre for live shows, major concerts, dance performances and corporate launches. He calls the fixtures “amazing” and says they have quickly become favourites among the touring lighting designers who have used them.
Ian Scott was delighted to get his hands on the Sinfonyas while doing the lighting design for Jersey Boys for the Geelong Lyric Theatre Company.
“The multi-colour emitter light engine is great: The ability to get saturate
USA/Europe - The OCA Alliance has announced that the AES has formally published the latest update to the AES70 suite of standards for control and monitoring of devices in professional media networks. Making up the core standards, AES70-1, AES70-2, and AES70-3 form the foundation of the AES70 standard. AES70-2023 represents a significant advancement, bringing in a wave of new features and improvements. Fully backward compatible with all existing AES70 devices, a major focus has been on improving the understandability of the specification with revised, expanded documentation, more precise language and ten informative annexes to assist developers.
The update also extends its connection management architecture with better support for redundant network connections and a clearer organisation of functions. There’s flexible support for connection negotiation and media transport sessions and this update sets the stage for the upcoming adaptations for media networks including AES67, ST 2110-30 and MILAN.
AES70-2023 also defines various types of datasets such as media files, logs, parameter files, and executables, allowing manufacturers to define custom dataset types as needed. This extends to command sets and stored parameters. Devices can store predefined executables and operating parameter values for immediate or later use.
AES70-2023 is a thoughtful update that both enhances the standard’s usability and flexibility while expanding its capabilities to meet the dynamic needs of professional applications. This encompasses networks of all sizes including m
South Korea - After the successful launch of an innovative LED stage last year, the National IT Industry Promotion Agency (NIPA) has once more enlisted the expertise of South Korean XR specialists, ARK Ventures, to elevate the NIPA KoVAC XR Stage into a hybrid facility. This transformation introduces LED ceiling enhancements and effects side walls, all powered by Brompton Technology LED processing. The upgrade enables the seamless, simultaneous execution of XR and ICVFX, setting a new benchmark amongst government-affiliated studios.
Situated within the South Korean VR AR Complex (KoVAC) in Mapo-gu, Seoul, the studio now boasts a vast 16m by 6m ROE Visual BP2V2 LED wall, a 16.6m by 6.7m ROE Visual BM4V2 LED floor, two sets of 3.6m by 3.6m LED ceilings, and a 2.4m by 3.6m side effects wall, the latter two composed of ROE Visual CB5L MKII panels. The setup is powered by four 4K Tessera SX40 LED processors and nine Tessera 10G data distribution units. Additionally, the system incorporates disguise vx 4+ media server and nDisplay by Unreal Engine.
The NIPA team maximises the studio capabilities by leveraging long-standing Tessera software features such as Frame Remapping, ShutterSync and Studio Mode, alongside the latest Extended Bit Depth, Stacking, and PureTone in their groundbreaking projects.
“I firmly believe that integrating globally recognised products into our expanded NIPA studio will significantly advance South Korea's virtual production industry,” shares Lee Jin Seo, deputy director of NIPA.
David Oh, exclusive director at Ark Ventur
USA - ACT Entertainment has a lot to celebrate as 2024 begins. In addition to launching a new corporate logo and forthcoming website, the company heads into the year with new brands and divisions. Included among its latest acquisitions and partnerships are Visual Productions, PK Sound and, most recently, tvONE - the combination of which will see ACT dive more fully into the fixed installation, professional sound and video production markets.
“At ACT Entertainment, we are passionate about helping our clients realise their creative vision and are continually on the lookout for cutting edge products,” says Ben Saltzman, CEO, ACT Entertainment. “These three brands not only help us deliver on this promise, but also expand our reach into new markets and industries. We look forward to supplying new and existing customers with a fuller array of audiovisual solutions that will enhance their productions and viewer experiences.”
Announced in mid-2023, ACT’s partnership with Visual Productions has already led to an increased brand awareness for the Dutch lighting control company, specifically in the United States. With Visual Productions in its roster, ACT Entertainment increases its position in the systems integration market and now offers high-end lighting control solutions across the board, both for entertainment and fixed applications.
This past fall, ACT Entertainment announced its partnership with PK Sound, a robotic line array company from Canada. In addition to being the catalyst for the creation of ACT’s forthcoming Live Sound Division, the
USA - DPA Microphones, together with Yamaha, will showcase a selection of its mics at the new Mobile Listening Studio as part of a Grand Plaza Tour at the 2024 NAMM Show. Located behind the Yamaha Grand Plaza Stage, the mobile studio will act as a mixing space for all performances at this stage for the duration of the convention.
The brand welcomes attendees to tour both the stage and studio to see and hear first-hand the clarity provided by DPA mics. Attendees can also visit DPA Microphones at the brand’s booth on the show floor (Booth 17911).
“This new Mobile Listening Studio will not only highlight the versatility and clarity of DPA mics but will also be an exciting place for show attendees to see a variety of top-of-the-line gear,” says Jarrod Renaud, marketing and communications manager, DPA Microphones. “Attendees can now enjoy a live show at the Yamaha Stage, outfitted with DPA mics, and visit the mobile studio to learn more about the live recording processes. DPA Microphones designs solutions intended to take users from studio to stage and we look forward to showcasing that flexibility in person at the Mobile Listening Studio at the 2024 NAMM Show.”
This Mobile Listening Studio includes all the equipment found in a standard studio, but in a mobile setup that will emphasise the recording and broadcasting capabilities of DPA microphones. With DPA mics also in-use by all performing acts on the Yamaha Stage, the brand will showcase how its mics can be taken from studio to stage, and back. Included among the mics being presented are t
UK - Rycote has announced the immediate availability of two microphones that expand and enhance its professional microphone portfolio. Tailored for film production, sports broadcasts, and field recording applications, these new additions solidify Rycote's commitment to delivering top-tier audio solutions.
"I've always found Rycote's products to meet my expectations in terms of clear sound and adaptability to the environment,” comments Keith Alexander, professional sound recordist. “Often, I have to select gear for expansive outdoor shots, ambient sounds, dialogues, and studio recording. Their versatility is unmatched; they're lightweight and capable of handling various tasks. Moreover, the protective cases have proven essential during expeditions, especially when I have to travel under rough conditions, such as being in the middle of the ocean with a constant 100km wind.000
“Rycote's BD10 and HC 35 Mics are my top choice for their quiet signal-to-noise ratio and bright vocal response. It's a great victory to have such adaptable mics,".
Expanding the Pencil Format, Rycote introduces the BD-10 Figure-of-8 microphone, crafted for MS recordings in field recording applications, with a primary focus on ambient sounds and dialogues. Simultaneously, the HC-35 Long Shotgun microphone joins the shotgun design line-up, specifically engineered for sports broadcasts, expansive outdoor shots, and scripted TV dialogues.
Maintaining the hallmark sound signature and low-self noise performance synonymous with Rycote microphones, the BD-10 and HC-35 stand
UK - ETC has announced the promotion of Matt Cowles to associate regional manager for the UK and Ireland. In his new role, Cowles will continue to manage sales activities for key accounts in the region whilst assisting regional sales manager, Jeremy Roberts in developing stronger relationships with ETC’s dealers and specifiers.
Matt joined ETC in 2019 as a field project coordinator, managing projects across the UK and providing technical sales for ETC’s customers. Prior to this, he had over 17 years of experience working in the industry.
Jeremy Roberts comments: “Matt has made an exceptionally positive contribution to the work of the ETC London office with his customer focus, technical ability and care for colleagues. This new role will allow him to become more proactive in the increasingly busy UK market; assisting in managing key accounts and continuing to grow relationships with the rental market and lighting community, building upon the success of recent years.”
Spain - The Obsidian Control Systems team from Europe and the U.S. head to the ISE tradeshow with additions to its popular and award-winning Netron data distribution range, including a comprehensive line tailored for system integrators and fixed installations, plus the world's first IP65-rated devices for entertainment signal distribution. Lighting professionals are invited to explore these latest innovations on Stand 5C150.
Obsidian is showing a comprehensive line of Netron products in smart form factors optimised for system integrators and fixed installations. Two new compact devices with interchangeable connection plates offer performance and flexibility. Available as RDM6D (6-port RDM Splitter) and EN6D (6-port EtherDMX Node), these rugged chassis can be DIN-Rail or wall mounted and provide data ports that can be repositioned to the top, bottom or front of the devices.
Other new devices include the EN12i, a powerful hardwired rackmount node; EP1, the new single-gang size EtherDMX node in the Netron line; NS8, Netron’s half-rack-sized managed switch solution; and RP2, an intelligent 2-way DMX power relay that serves as a protective device for lighting fixtures.
Despite the immense amount of IP-rated entertainment technology on the market, until now, there has been no IP-rated data distribution devices to provide the required infrastructure. On display will be the world’s first line of IP65-rated data distribution products for entertainment, winner of a 2023 PLASA Award for Innovation.
The Netron IP65 range blends the proven chassis an