Canada - Solotech has announced the appointment of Mitchell Sadofsky as sales director, effective 10 December.
Sadofsky holds a Bachelor of Science in Criminal Justice and Business Management (Double Major) from the University of Massachusetts. He has been working in business management for about 15 years. His areas of expertise include, among others, account management, and sales growth planning and analysis in large-scale companies such as Peerless Electric and Alico Lighting.
“Thanks to his solid experience in business development in Ontario, Mr Sadofsky was the natural choice for this position. We are looking forward to engaging his skills and leadership,” says Philip Giffard, president, sales and integration division.
USA - One thing that pretty much any experienced touring mix engineer can agree on is that you always pad your input/output number request to a certain degree because rare is the tour where those needs will not increase as the tour progresses. So it might seem odd that when the current Post Traumaticsolo tour by Linkin Park’s Mike Shinoda got started, mix engineers Mike Fanuele and Kevin ‘Tater’ McCarthy were sharing a single DiGiCo SD12 mix surface.
After that first show, the SD12 was shipped off for the tour’s Asian and European legs, and McCarthy, who has been associated with Shinoda for more than a decade, spec’d a pair of DiGiCo's ultra-portable SD11i desks for the promo tour that preceded the Asian dates. He says he’s fielded more than one question about why he made that choice.
“A lot of people have asked me why I choose the SD11i,” he reports. “Originally, it was just Mike Shinoda and no other band members. The band and additional crew where added after all of the gear had shipped to Hong Kong for the Asian and European tours. After a few shows, I was comfortable with the all the new inputs and with the 12-fader format, so I decided to keep it. It never came off that table rack. I just popped the lid every day and was ready to go.”
Fanuele is on his first outing with Shinoda after working with a wide variety of artists ranging from Meghan Trainor and Fifth Harmony to The Chainsmokers and Garbage. “Mike began this tour cycle on stage by himself playing keys, synth, drum pads, and triggering samples from a Maschine. For
UK - Ever since starting out back in 2012, production company Sussex Events (SEL) had been running exclusively point source loudspeaker systems in its rental inventory.
But by January 2017, popular demand was suggesting that it should switch its attention to a line array solution. “Our point source systems were starting to be pushed to their limits,” admits co-founder Robert Watson. “Therefore we needed something that would cover the upgrade and also fit within our budget, enabling us to tap into a bigger market by taking on work to that we couldn't have delivered without the new system.”
So after a long search, guided by dealers Leisuretec, the Hailsham-based company chose a new Martin Audio scalable resolution Wavefront Precision Compact (WPC), SEL had set some stringent criteria. “We wanted a system without compromise on either audio or build quality, expandable coverage for 2,500 people upwards, prediction software, local support - and ideally designed and manufactured in the UK,” Watson continued.
While Leisuretec advised on issues such as pricing of competitive systems, Sussex Events’ technical team attended different manufacturers’ demo days, including Martin Audio, while the SEL man himself started paying more attention when mixing for other companies on different systems.
Eventually he gave the nod to Martin Audio. “The brand has always been close to our hearts,” he said, qualifying the decision. “We had run with W2 boxes since starting the company and one of the main theatres that we work at is all Martin Audio
USA - New Albany High School in New Albany, Indiana, recently completed seven sold out performances of the timeless classic The Wizard of Oz and used their new rig of Elation Professional lighting fixtures to help bring the musical to life.
With three top-tier theatre programmes only miles from each other, Southern Indiana is a proven mecca for high school theatre. After sister school Floyd Central High School received a lighting upgrade of Elation fixtures a couple of years ago, New Albany High School was ecstatic when their opportunity came.
“When funds came around, we were next,” said New Albany High School’s resident lighting and sound designer Crit Fisher, who was employed by the school five years ago to help resurrect what he says was an increasingly neglected programme. “Although New Albany High School has roots in theatre the program was in dire need of an upgrade when I arrived. We had a hodge podge of instruments and no LED units or moving heads at all. I was renting $4k of lighting for our shows.”
All that changed over the summer of 2018 with a lighting upgrade made up of seven of Elation’s award-winning Artiste DaVinci LED moving head spots along with six Platinum Seven LED moving heads, 18 Arena Zoom Q7IP and 15 Arena Par Zoom LED Par lights, 7 SixBar 500 LED battens and four Cuepix Blinder WW2 units, all supplied by Phoenix Lighting of Louisville, Kentucky.
“All students learn the basics of lighting and I come in and teach the specialized instruments,” Fisher explains, noting that all shows are student r
USA - With its intersecting patterns of light wrapping around a diamond-shaped configuration of risers, and cool colour schemes, the stage on Jacob Sartorius’ current tour evokes images of cyberspace. It is a fitting impression, since this Top 40 teenage artist found fame on the internet in 2016, when he was the ninth most frequently searched musical artist.
Lenny Sasso, who lit Sartorius’ first headlining shows two years ago, came up with the futuristic concept for the singer’s 2018 tour. Helping him in this endeavour was a collection of Chauvet Professional Épix Strip Tour and Rogue R1 FX-B fixtures, supplied by Squeek Lights.
Sasso arranged the linear fixtures in a matrix-like formation, filling the upstage area with light while creating a high-tech look. “I knew that I wanted to wrap the band in Épix Strips,” says Sasso. “It was just something that I kind of dreamt up. After several different designs, this was the one I landed on. It all revolved around the placement of the risers in that diamond style, which was something that we had done on Jacob’s original tours. Wrapping the fixtures around the upstage side of the risers pulled it all together.”
A total of 32 Épix Strip Tour fixtures was used in the wrap-around design. Hung on eight 10’ vertical pipes and 12 8’ horizontal pipes, the Épix units displayed light as well as video content run from a laptop with Resolume software.
Also arranged on the pipe structure were eight Rogue R1 FX-B fixtures, each with five individually controlled moving heads. Drawing on th
Denmark - Eleven trucks of production equipment is a lot for one stand-up comedian, but delivering the nuances of live comedy in an arena format is a fine art which needs a delicate balance of style and production values and for Denmark’s leading comedian, Anders ‘Anden’ (the Duck) Matthesen, this happened to be a 25th anniversary tour, so he wanted to make a big impact.
Peter Fisker has been Matthesen’s lighting designer since 2006 and in that time, the funny-man known for his multiple crazy, off-beat and appealing characters - has toured regularly as well as producing movies, DVDs and books. This particular tour was shorter than usual - the seven shows were played in Denmark’s two largest arenas - five at the Royal Arena in Copenhagen and two in the Jyske Bank Boxen Arena in Herning - reaching around 86,000 fans.
Peter took up some of that truck-space with Robe moving lights, specifying 26 x MegaPointes, 33 x BMFL Spots and another three BMFL Spots utilised as a RoboSpot follow spotting system complete with one MotionCamera and one BaseStation.
These were delivered, together with rest of the lighting equipment, by Copenhagen based rental specialist, Comtech.
Arena comedy has some very specific lighting requirements. The artist must be well and clearly lit for both camera and stage, for audiences at the back watching on the IMAG screens as well as those closer to the action.
The facial expressions as he delivers his punch lines are mission-critical to the whole audience experience and their full appreciation of the humour.
USA - Bandit Lites long time team member Chas Albea has been promoted to equipment co-ordinator for the Nashville shop. He will be responsible for planning, directing and coordinating Bandit’s massive collection of gear for preparation and distribution among productions.
Albea’s journey into the lighting world was one of happenstance as he studied audio engineering in school before a friend recommended Bandit Lites.
“After working here for a month or so, I slowly started picking up knowledge in lighting as my quest for an audio job became a thing of the past,” comments Albea. “The rest, as they say, is history.”
Albea’s 10-year tenure at Bandit Lites has taken him on the road with tours such as Montgomery Gentry, Avenged Sevenfold, Paulina Rubio, Santana, Shinedown, WWE, Lee Brice, Rascal Flatts and Alice Cooper.
“Chas was ready to make the transition from road to shop life,” comments Bandit Lites general manager Mark Steinwachs. “His time in the industry and at Bandit give him a great understanding not only of what it takes to prep and do shows, but also the equipment that Bandit has in its arsenal. Chas has done shows with most of the road crew and worked with the office staff throughout his time at Bandit; simply put: Bandit knows Chas and Chas knows Bandit.”
UK - Signify reports that its Philips Vari-Lite VLZ Profile LED luminaires were chosen to meet some specific stage lighting demands on the recent Savage tour by British electronic music pioneer Gary Numan.
For special tour dates, including a showcase performance at London’s Royal Albert Hall, Numan and his band were joined on stage by an orchestra and choir. In response to this, the visual design, by Luke Edwards of Cue Design, successfully referenced the post-apocalyptic theme of the Savage album, while combining softer theatrical touches to complement the orchestra’s presence, both on the stage and in the music.
“To light the orchestra, we needed fixtures with a really nice light quality,” said Edwards, “but with so many tuneable instruments on the stage we also needed lights that wouldn’t throw out lots of heat. The VLZ Profile was a great option: the optics are beautiful, the colours and the colour temperature are beautiful, and it keeps the orchestra members and their instruments cool.”
Placed on high side-trusses at each side of stage, the VLZ Profiles gave side-light, colour and texture for the orchestra and choir in the upstage area, as well as for Numan and the band downstage. “Mostly, we’re using the gobos and prisms to put textured light on the orchestra, to light them in an interesting way,” said Edwards. “But I’m also using the VLZs a lot in open colour, just frosting it slightly to soften the light and get everyone lit really beautifully.”
In covering such a broad stage area, Edwards was aided by the pow
UK - The Human League’s 2018 Red tour saw the band use projection mapping for the first time, with creative content and equipment supplied by Really Creative Media.
The 27-date Red tour began in Brussels on 31 October, landing on UK shores at the Brighton Centre on 23 November, playing various size venues, from theatres and arenas, wrapping up at London’s Eventim Apollo on 8 December.
Really Creative Media (RCM) has worked with The Human League on previous tours, supplying projection equipment and creative content and the band returned to their trusted supplier to push their visual creative offering for the Red tour.
RCM supplied an MA Lighting grandMA3 Light console and OnPC Command Wing as a backup console, along with two Catalyst V6 Media Servers, six Panasonic RZ21K 20,000L laser projectors and two Panasonic RZ31K 30,000L laser projectors. These Panasonic projectors run with a laser light source rather than lamps, which means they are more reliable and the brightness is consistent throughout the projectors lifespan. The set consists of stacked 3D giant cubes, some with the band inside, which meant projection mapping onto front and rear surfaces.
RCM director Nick Dew reports: “There was quite a variation in the size of the venues, so we had the option to swap between the RZ21K and the more powerful RZ31K, depending on what levels we needed to consistently achieve the wow factor for all of the audiences. We also invested in grandMA3 consoles, which give new features to expand our creative options.”
Really Creative Media’s
Singapore - Lighting solutions expert Showtec has made a major investment in Claypaky Scenius Unico and Mythos 2 fixtures to serve its extensive South East Asia markets.
The company, which provides lighting to entertainment, corporate and exhibition events, now has 100 Scenius Unico and 50 Mythos 2 in stock. It is based in its Singapore HQ and has regional offices in Malaysia, China, Myanmar, Indonesia, Cambodia and Thailand.
Showtec’s director of sales, Vincent Tan, says: “We are always looking to invest in the most innovative products on the market and Claypaky is ahead of the curve, producing world-class quality fixtures with distinctive features that are exciting for our market.
“The South East Asia live entertainment and events scene is growing rapidly and there is a hunger for the latest technology to achieve stunning and dynamic effects. That’s why we invested in so many Scenius Unico and Mythos 2 fixtures.
“The Scenius Unico is a fantastic multifunctional light - the fact that it can be used as both an excellent wash and a powerful spotlight makes it perfect for so many applications and therefore a wide range of clients.”
“We work closely with many lighting designers and we listen to what they want in terms of new kit,” Tan continues. “We are confident that our Claypaky investment will fulfil their requirements. In fact, a large number of both the Scenius Unico and the Mythos 2 went out almost immediately on [Cantopop superstars] Alan Tam & Sam Hui’s Happy Together Classic Express world tour, whic
Europe - Swedish artist Kristian Matsson is better known under his stage name, The Tallest Man On Earth.
His recent European tour, in support of his album When The Bird Sees The Solid Ground, has seen LD Anders Heberling using GLP’s impression X4 Bar 20 in his stage design. He deployed 13 fixtures as a floor package with the remaining batten in the roof, directly above the head of an artist who is known for his dynamic stage performances.
The fixtures were mounted in almost completely sealed custom made boxes, allowing just small cracks for the light to shine through. According to Heberling, the inspiration for this was old barns where the sun shines through the walls.
Of his choice of lighting the LD said: “I needed a pixel batten that could move but most importantly be rigged vertically to fit inside the boxes. The wide zoom was very helpful in terms of changing the look of the stage and decreasing the risk of blinding the audience too much. The fantastic output and wonderful colours were also a big factor in choosing the fixture.”
Inventory for the European leg was provided by Bright Group but Christie Lites will be responsible for supplying the kit as the tour transfers to the US. More dates will then follow in Europe as the tour runs for over a year.
Joining Anders Heberling’s team were Wilhelm Egnell, who assisted with programming and operated several shows, and Andreas Berthling who made the custom boxes.
In summary, the LD opined: “The X4 Bar 20s are of high quality and deliver great colours. That just ab
Rising Stars - Flamenco singer Rosalía, R&B star Ella Mai and pop artist King Princess are among the rising stars who have made it onto the BBC's Sound of 2019 longlist. Now in its 17th year, the list showcases 2019's hottest new artists. Past winners include Adele, Sam Smith, Years & Years and Sigrid. This year's selection focuses on solo acts, with only one band in the top 10. It was voted for by 136 critics, broadcasters and DJs, including former nominees Ellie Goulding and Stormzy.
Grammy Awards - Kendrick Lamar and Drake lead the nominations for next year's Grammy Awards, with seven nods each. Cardi B, Lady Gaga, HER, Maren Morris, Childish Gambino, producer Sounwave and engineer Mike Bozzi all have five nominations each.
While male acts dominated the nominations in the main categories last year, five of this year's best album nominees are women, with Cardi B, Brandi Carlile, HER, Janelle Monae and Kacey Musgraves competing against Drake, Post Malone and the Black Panther soundtrack.
In the best new artist category, six of the eight nominees are also women, with British stars Dua Lipa and Jorja Smith nominated alongside HER, Chloe x Halle, Margo Price and Bebe Rexha, as well as Luke Combs and rock band Greta Van Fleet.
Test Site - Controversial plans to redevelop the derelict Dudley Hippodrome into a test site for driverless cars have been approved by the local council. The news comes despite the Theatres Trust and campaigners calling for the theatre to be restored and reopened for an arts use. The trust call
Germany - Prior to 1944, Frankfurt had one of the most beautiful and largest medieval half-timbered old towns in Germany. Recently restored, the architectural treasure was opened in September with a cultural programme that included a unique night drone show supported by lighting effects from Elation Proteus Hybrid moving head fixtures.
The highlight of the three-day celebration was a spectacular production in which drones drew constellations of light in the Frankfurt sky accompanied by a visually stunning light show over the river Main.
bright! GmbH was responsible for the concept and technical implementation of the production, as well as the programming of the drone show. Michael Giegerich, one of the managing directors of bright! GmbH and project manager for the constellations, developed the show concept along with lighting director Daniel Gündner. Both worked under the artistic direction of Atelier Markgraph.
It quickly became clear to those involved that the project required weather-proof lighting fixtures. "We were looking for an IP floodlight that combines the best possible beam characteristics with the simplest, most robust design," explains Thomas Giegerich, managing director of bright! "Having worked with A&O Technology and Jerry Appelt on the 2017/18 New Year's Eve show in Dubai, where hundreds of Elation Proteus Hybrids were used, we were very familiar with these moving lights and knew we could use them.”
The Proteus light show was designed to support the drone show over the Main as an additional visual effect yet not steal
The Netherlands - One of the bonuses of working with innovative and influential artists like dance music producer DJ Hardwell is that you get to work on some interesting shows.
Symphony: The Global Revolution of Dance was one of those moments for lighting and visuals designer Andre Beekmans of The Art of Light and operator Jaap Kamps.
The event was a live performance and collaboration between the globally popular and world leading electro DJ and multiple Grammy winning Metropole Orkest at the Ziggo Dome in Amsterdam, celebrating 30 years of dance music. It was staged to coincide with the renowned Amsterdam Dance Event (ADE) conference.
Andre and his Eindhoven based creative visual practice The Art of Light - who have designed and co-ordinated Hardwell’s lighting for some years - were approached by organisers Fourmation Events and MOJO and asked to create a memorable and appropriate ligating environment, for which he specified over 200 Robe moving lights - Pointes, Spiiders, BMFL WashBeams and BMFL Blades.
The show presented many challenges to Andre and his team which included Art of Light colleague Jaap Kamps, who is Hardwell’s regular lighting director on the road.
A key starting point were the main set elements, designed by Freek Cornelissen of 250K, including a large pyramid shape upstage comprising four equilateral triangles each filled with LED screen. Flown just in front of this was a skeletal trapezoidal lighting sculpture made up from multiple triangles outlined with pixel-mapped LED battens which were under the contro
Australia - inoage GmbH has appointed Xenian as the exclusive distributor for Madrix LED lighting control products in Australia and New Zealand.
Xenian specialises in architectural, hospitality, corporate, retail, infrastructure and civic space lighting and has worked with key players in the industry for over 10 years. The company provides technical support and sales services to clients throughout Australia, New Zealand, South-East Asia, the Pacific Islands and the Middle East.
Taylor Chadwick of Xenian comments: "We are excited to begin our partnership with Madrix as exclusive distributor for Australia and New Zealand. I believe that this new partnership provides a fantastic opportunity to further highlight the unmatched power and versatility of the Madrix control platform to our local lighting market."
Madrix sales manager Christian Hertel, says: "We are delighted to have Xenian as our exclusive partner for the distribution of Madrix products in this region. Xenian not only has the complete Madrix product family available from stock but will also support customers perfectly with expert Taylor Chadwick. Taylor is a very experienced Madrix user and is able to provide technical assistance to Madrix projects from small to large scale.
He adds: “We believe that our experience in LED lighting control and continuous releases of innovative products together with Xenian's strength and reputation will open the doors to a strong relationship and the right market share. We look forward to the opportunities this partnership will bring, and to Xenian's
UK - Design and technical theatre consultancy Theatreplan has been chosen to work alongside architects Bennetts Associates on the major redevelopment of the King’s Theatre in Edinburgh.
The designs from Bennetts Associates for the redeveloped theatre have been recently unveiled and show a design that respects the original building but reimagines it for the 21st century. The scheme will see an overhaul of the theatre’s interior and exterior and will cost in the region of £20m.
Mathew Smethurst-Evans, executive director UK for Theatreplan, comments: “Theatreplan is thrilled to be part of the team rejuvenating this historic theatre and modernising its facilities to meet the needs of the 21st century.”
Duncan Hendry, chief executive of Capital Theatres, adds: “The King’s Theatre holds a special place in the hearts of many people from Edinburgh and further afield. The King’s really is ‘Everyone’s Theatre’ and throughout this exciting redevelopment project we hope people will help us secure the future of their theatre.”
Mexico - October saw Papa Roach and Good Charlotte making a triumphant return to Mexico as headliners of a rock spectacular, powered by Loto Audio and Funktion-One, in the nation’s capital.
Promoted by Zepeda Bros, the team responsible for a string of successful rock events, including Knot Fest Mexico - the show delivered over four hours of live rock music at the open-air gardens of the Arena Ciudad de Mexico.
To ensure the audience received the full power and impact of the performances, Loto Audo supplied a complete Funktion-One Vero sound system.
The system garnered praise from all the acts’ FOH engineers - providing proof positive of Vero’s abilities across all genres of music. For the opening act, Lack of Remorse, FOH duties fell to Hugo Garzon - one of the most sought-after sound engineers for metal rock bands in Mexico.
Garzon comments: “I was impressed when they gave me the audio and we started the soundcheck. It was crazy to hear the power and clarity with which it was counted at that moment, I left very satisfied to work with such powerful audio.” A sentiment echoed by both Papa Roach’s FOH engineer Bobbo and Good Charlotte’s mix-man Chris McMillan.
The system comprised hangs of three V60, two V315 and two V90 per side, plus an asymmetric configuration of eight V221 bass enclosures and four V132 sub-bass enclosures. Two F1201 speakers were used as front-fill. The stage front monitor setup featured eight PSM12 wedges, with another two combining with a BR221 bass reflex speaker for drum-fill and three Resolution 5
Europe - ETC Ltd and ETC GmbH have appointed three new employees to work on the High End Systems brand. Tania Lesage has joined as High End Systems brand manager; Markus Farncombe-Fischer - as regional sales manager, and Konstantinos Vonofakidis as field project coordinator.
In his new position, Konstantinos will be responsible for High End Systems projects in the Southern European, African, Middle Eastern and Indian territories. He will manage sales arrangements for key accounts in these regions and work in cooperation with distributors and dealers.
Konstantinos joins ETC following a role as international sales manager for the High End Systems brand at AED group. He worked there for three and a half years and during this time managed sales and concentrated on developing the dealer network in Southern Europe, Russia, Turkey and Africa.
Tania previously worked for AED Group on the High End Systems account and brings years of experience working with High End to the newly created position at ETC. Tania will cover several key regions including Russia, Middle East, Europe and Africa.
As regional sales manager for High End Systems, Markus’s role looks after the sales territories of Germany, Austria, Switzerland, Eastern Europe, Russia and CIS countries.
Markus joined ETC GmbH in 2008 after having worked as a freelance console expert for the company. He has a background in lighting design and programming and technical production management.
Portugal - A traditional Portuguese Fado concert held in the cloisters of 17th Century São Bento da Vitoria Monastery provided Francisco Leal, head of sound at Oporto’s Teatro Nacional São Joao, the opportunity to get up close with Out Board’s TiMax SoundHub immersive dynamic delay-matrix – and further cemented his intent to incorporate TiMax immersive spatialisation into the Teatro Nacional’s in-house productions.
Leal explains: “Having followed the developments of the TiMax system for some time and wishing for the system when I met some challenging shows requiring different sound perspectives simultaneously, I finally found the opportunity this year to apply the system in a real context, in a Fado concert where movement throughout the performance is tradition.”
The concert played in the covered, wooden-floored courtyard of the Monastery to a three section, fan-shaped audience position, during an International Music Week event that also doubled as album launch for the band.
The multi-channel speaker system for the event, designed by Francisco Leal in discussion with Out Board’s Dave Haydon, who visited the venue to help fast-track the TiMax set up and programming, featured a rented TiMax SoundHub-S16 processor feeding all speakers separately via analogue outputs, and receiving mic and effects signals via analogue inputs fed from a Midas H2000 console.
The main PA comprised four Meyer UPA1’s as front and rear left and right pairs, with six Roland SRS120 speakers in pairs as left and right side surrounds for each seating secti
USA - The historic Rialto Theatre in Loveland, Colorado recently received an Alcons LR7 micro line array system as part of an upgrade.
The Rialto opened in the 1920s to screen silent films and vaudeville but shut in 1976, briefly reopening as a retail complex before closing again. The venue was restored in the mid-90s as a multi-purpose arts facility combining cinema, live arts venue and a community centre.
The Rialto’s sound reinforcement system needed updating and technical coordinator Dave Brull was tasked with matching a small grant with sound that would match 21st century audience expectations.
“Rialto’s design was fairly standard for the era, with many hard and reflective surfaces like plaster and maple,” he says. “The building is protected so there were a number of constraints to deal with, like preserving original features, and we had to try and provide high quality sound reinforcement for a much broader range of events than it was ever designed for.”
“Being a municipal facility, budgets are always tight and I had a difficult time in matching the available funding with bringing the venue up to the standard we wanted,” says Dave. “I spent some time making contacts, getting site surveys done and demos arranged. I had several of the ‘marquee brand’ manufacturers in - the quote from one was three times our budget.”
When Dave visited the USITT show, the breakthrough was made. “I spoke to David Rahn of Alcons Audio USA and heard a demonstration of the LR7 system. It was obvious it had characteristics which we
UK - HSL has added 100 units of Chauvet Professional’s Maverick MK3 Wash RGBW LED lights to its inventory at the LDI Show in October. By the start of the holiday season, the UK company already had the fixture out on three of its 2018-19 pantomimes, at the 2018 Liverpool Horse Show, and on the Arena Cross Tour.
“The immediate response has been very positive,” says Simon Stuart, managing director of HSL. “We’ve even had a certain renowned theatre LD comment that he didn’t want any other fixture except this in the future.”
He adds: “We spent a great deal of time chatting with some of our strategic partners in the USA, and with various LDs. Everyone was extremely positive about Chauvet and this fixture. We needed more large LED washes, and it became clear that the MK3 has all the bells and whistles. It’s extremely bright, is pixel mappable, has a great zoom, and its colour mixing is excellent.”
Albert Chauvet, CEO of Chauvet, says: “HSL has built a successful business and established a sterling reputation by following the same core beliefs that have always guided Chauvet. Having an industry leader like HSL show this level of confidence in the Maverick MK3 Wash means a great deal to me and our team members who have worked to develop this product. We’re looking forward to moving ahead with HSL in the future.”
USA - Continuing their 30th anniversary tour with a summer run of shows across the USA, The Australian Pink Floyd (with Trevor Gilligan at FOH) took Outline’s new Superfly system with them when they crossed the pond.
Paul Timmins, head of operations & sales at their long-standing audio supplier Capital Sound Hire, comments: "Outline’s Superfly cabinet is the gem of the family - it’s so compact and light (just 38kg per cabinet) that it’s a system you can offer to those tours that really do mix it up from clubs to arenas.
"The Australian Pink Floyd are a regular client of ours who do exactly that and when we needed to look at new system options for their European spring tour, knowing what was coming from Outline, we talked with Trevor who had previously used the Butterfly system some 10 years earlier and he was happy to go for it. It wasn’t long before the engineer, production manager and band were commenting on everything from its audio quality to packaging and weight advantages.
"This led to another win for all when it was established that the full flown arena system comprising main hangs of Superfly, side hangs of Mantas 28, complete with all the Powersoft X8 amplification would save a whole truck for the summer tour in North America. At short notice it was decided to airfreight the flown rig and amplification to California to combine with the existing supplier’s control and sub package for the tour that followed. It’s a new one for us to airfreight the speaker system and pick up control locally but that says a lot about the gem th
Philippines - K-array is making waves on Philippine shores with local partner Westco which is led by president engr. Roddy Peñalosa.
To officially launch the brand, an exclusive unveiling was held on 8 November at the Vu’s Bar of the Marco Polo Hotel in Ortigas. Mark Vincent, sales director – APAC, and Daniele Mochi, project support specialist & K-academy manager from K-array Global joined the city’s top influencers and Manila’s renowned engineers, architects and interior experts to enjoy the customary K-array experience of a night filled with beats and bass, high quality sound and a touch of Italian refinement.
“When the audiences realised the power and capacity of the offerings, it became clear how K-array can figure in the Philippines’ booming spaces,” says Vincent Jason V. Peñalosa, Westco VP sales & marketing. “The needle of the K-array compass is innovation and they have the ability to understand clients’ needs by realizing products once considered unimaginable. They are quick to install and light to handle, providing an abundance of time and cost savings. We are excited to work with them and see much success in the upcoming year.”
USA - Volt Lites, Inc. of Burbank, California has taken delivery of a complement of Ayrton Ghibli and Mistral TC fixtures, expanding its lighting roster with its first-ever Ayrton purchases.
Helmed by co-founders Harrison Lippman and Matthew Shimamoto, Volt Lites is a lighting production shop for the greater LA rental community and a wider national clientele.
“Both the Ghibli and Mistral-TC are exquisite LED profiles that hit all the marks and complement each other,” says Lippman. “The Ayrton line has really impressed us, and we’re excited to get the new fixtures into our clients’ hands: Volt Lites is one of the first companies to offer Mistral-TC in the US. The fact that ACT Lighting added Ayrton to their line card means we’ve been able to add Ayrton fixtures to our inventory.”
Both fixtures have already been in demand by Volt Lite customers. “The Ghiblis are very popular for film, commercials and live television while the Mistral-TCs are starting to go out on all types of live events and corporate projects,” Lippman reports.