Mexico - Atlona, a Panduit company, has appointed Grupo ABSA as its commercial AV distribution partner across a broad swath of Mexico, covering 14 major metropolitan regions including Chihuahua, Guadalajara, Juarez, Mexico City, Monterrey and Tijuana.
Grupo ABSA will focus on growing Atlona’s brand recognition and market share with a large community of IT and networking consultants and integrators that increasingly require networked AV solutions for end user projects.
“There is a unification of many different platforms on IP networks that is taking shape, and Atlona will play a fundamental role in how our customers transition AV operations to the network,” says Carlos Garcia Ramirez, commercial director for Grupo ABSA. “With solutions like OmniStream for audio and video distribution and Velocity for networked control, Atlona brings in the systems intelligence and high quality that enterprise businesses require for AV and IT convergence. This is especially important when working with large institutions, such as corporations or hotels, where we are addressing a variety of different AV needs for varied spaces.”
“Atlona continues to raise its visibility through Latin America will key appointments to our partner network, and ABSA’s knowledge of the Mexican market and AV/IT trends makes them the ideal fit for our long-term regional strategy,” says Esteban Perez, director of business development - Latin America, Atlona. “We look forward to a strong collaborative relationship over many years.”
USA - As one of this year’s most anticipated Broadway musicals, Moulin Rouge! The Musical has captured the hearts of critics and audiences alike. Its performances and production design combine to create an extravagant experience thanks to the talent on and off the stage - and, in part, to the power of Eos.
“ETC’s products are why we can make this show happen,” says lighting designer Justin Townsend. “There is just so much data - nothing else could have driven the show.”
Most people are familiar with the 2001 motion picture, a stylistic spectacle from the mind of Baz Luhrmann, so it was important to the musical’s creative team to make something that both honoured the film and stood out for itself.
“We didn’t want to just recreate the movie,” Townsend says, “but try to create a live Moulin Rouge experience.” The over-the-top scenery by set designer Derek McLane was matched by Townsend’s lighting design. “It needed to be bold, nimble, striking, rococo,” he explained, “And I’m tickled we were able to have such huge resources put into set electrics to make it happen.
“All around - we put the pedal down on all fronts in order to create something that could really sparkle and be different.” With nearly 200 moving lights in the rig, LEDs, LED neon, actual neon, thousands of lightbulbs, and a huge amount of power in the footlights, the show required a control system that was up to the task.
“Any given show might have one really tricky element,” says lighting programmer Brad Gray. “Whether it’s
South Africa - A recent technical upgrade at Joburg Theatre includes four Robert Juliat Cyrano 2500W HMI followspots which have been installed for use in the 1000+ seat Mandela Theatre.
The complex’s largest auditorium, The Nelson Mandela Theatre, regularly sees over 75% of capacity audiences and remains open a minimum of 50 weeks in each year. In the past decade, it has hosted many hit shows, including William Kentridge’s acclaimed interpretation of Mozart’s The Magic Flute, the West End and Broadway musicals West Side Story, Chicago, The Color Purple and Spamalot and top-of-the-line global touring shows, such as Le Grand Cirque, Lord of the Dance and Brazouka.
Joburg Theatre is also the permanent home to Joburg Ballet, Jill Girard and Keith Smith’s Peoples Theatre Company, and one of the country’s most respected community development projects in the arts, the tiny ‘black-box’ theatre known as space.com. Its varied and loaded schedule also includes Joburg Theatre’s season of annual pantomime productions.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos Ramoroko and his team, who have always been amazing to work with. I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
The recommendation and installation came from DWR Distribution. The
Europe - James Thomas Engineering’s conical truss Multicubes has been designed to increase the strength of truss structure corners, while offering six different truss connection points with integrated location holes for expanding your structure’s versatility.
All multicubes are available in regular and heavy-duty versions, and are compatible with JT22 Quatro, JT30 Quatro, JT30H Quatro and JT40H Quatro truss. “The heavy-duty multicube provides enough strength to reach the maximum loading capacity of your truss,” says the company. “Male and female receiver accessories are available for convenient, trouble-free connections.”
Bookcorners’ aluminium profile is constructed with bolted male or female receivers, compatible with the quatro and trio formats in the JT30 and JT40 truss series.
France - APG will preview its new iX range at the JTSE trade show in Paris this week. Comprising a full line of fixed installation speakers, and based on the successful coaxial concept, the new iX range is characterised by a combination of ‘uncompromising drivers and a non-diffraction acoustic baffling that allows pure point source directivity’. For some of the iX models, APG has created coaxial devices that strike a perfect physical alignment between low and hi transducers.
The iX line is made up of five coaxial speaker models: iX5, iX6, iX8, iX12 and iX15; all of which are two acoustic way speakers loaded in bass-reflex for low-frequency extension. APG will also announce at the show a future extension of the range with two unique models of pseudo-coaxial speakers – the iX2.5 and IX2.6 – which will be optimised for vocal applications.
From an acoustic point of view, the iX range offers ‘stunning musicality down to low mid and even low frequencies and is characterised by an impressive SPL to size ratio and exceptional sound clarity’.
The iX range’s non-diffraction baffling reduces feedback without the need for equalisation. This factor makes the iX range suitable for a variety of purposes, including immersive sound.
The speakers are also well-suited to a variety of applications, including main FOH or distributed sound reinforcement in all types of venues. It is also possible to combine iX speakers with the popular Uniline and Uniline Compact systems from the French manufacturer.
All iX models have been ergonomically optimis
USA - Robe rocked one of its busiest and most dynamic LDI expos to date in Las Vegas, winning two awards, one for Best Creative Use of Light and the other for the T1 product series.
The second instalment of its #ReturnToTheFuture live show created a serious buzz. This show is a performance trilogy highlighting Robe’s latest LED and moving light technologies including the just-launched PLASA award-winning Esprite and the new Tetra2 moving LED batten.
#ReturnToTheFuture part 2 highlighted Robe’s newest products in the context for which they were designed.
The energized 7.5-minute performance played five times a day and had an original DeLorean MMC12 as the set centrepiece, six dancers and around 200 Robe lights - including Esprites, Tetras, T1s, SilverScans, MegaPointes, Spiiders, Tarrantulas, SuperSpikies, LEDBeam150s and PixelPATTs. These were rigged in the roof and all around the sides of the double-decked booth. The spacey fun-filled show included fog and flame jet special effects and a water feature.
Drapes for all areas of the booth which included separate meeting and demo areas were all designed around the #ReturnToTheFuture garage / laboratory theme.
The booth was packed with people right from before the first live show on the first day and it stayed that way throughout the expo, keeping the Robe North America sales team extremely busy making new contacts and reconnecting with existing clients and industry friends.
They were joined on the booth by Robe’s CEO Josef Valchar and sales director Harry von de
USA - Event production company Genetic Productions is out with Morgan Wallen as the rising country music star opens as direct support on Luke Combs’ Beer Never Broke My Heart tour, a North American stretch that wraps in mid-December with shows at the 20,000-capacity Bridgestone Arena in Nashville.
Genetic has again supplied an Elation rig for the singer after having supplied Wallen’s inaugural headlining tour, Up Down, last year. Genetic serves as the lighting and video vendor for the outing, working closely with designer Zac Coren.
The lighting rig includes 3° beams from Elation DARTZ 360 LED moving heads energizing the atmosphere while immersing the stage and crowd in colour and effect.
Zac Coren, who serves as lead LD, says the DARTZ are the main focal point of his design. “They provide a lot of dynamic looks and have a great feature set to accomplish a variety of looks,” he says. “The DARTZ, being a beam fixture, play the role of creating energy on stage. They're bright enough to throw all the way across an arena and really pull the audience's eye to the stage. I also have been really happy with the looks I've gotten from the prisms, as well as the frost. The frost has the perfect balance of washing out the unit and giving it a completely different look while also keeping enough intensity to make a big impact.”
Genetic Productions president Andrew Sparks says that besides its versatility the rig has another key benefit, namely easy handling. “The rig has also been designed for super quick deployment and breakdown,” he say
Switzerland - In the summer of 2019, the Béjart Ballet Lausanne gave new performances of Dixit, the ‘cinema-ballet-theatre’ show written and directed by Marc Hollogne, in tribute to its founder, Maurice Béjart. To embark the audience on the choreographer's story and work, the company relied on Modulo Kinetic and its real-time tracking module, KineMotion.
To pay tribute to its creator, the Béjart Ballet Lausanne worked with Marc Hollogne to write and direct Dixit, a show that combines dance, acting and video projection to tell the story of Maurice Béjart's life and work.
To bring this show to life, the Béjart Ballet Lausanne used Modulo Kinetic, Modulo Pi's media server solution, as well as KineMotion, its real-time tracking plug-in.
Lucas Borgeaud, technical director of Béjart Ballet Lausanne, explains: “We had already used video in some of our ballets, but never on this scale. For this show, the video is almost at the same level as the dance. That's a first.”
For one hour and 40 minutes, Dixit allows the past and the present of the company to interact with each other through a conversation between real and virtual life, choreographies of Maurice Béjart and Gil Roman (the BBL's artistic director), new original creations and archive
The show is performed on a 13m stage on which two screens are freely moved by the dancers and actors and tracked in real time. In addition, there are three screens suspended on DMX hoist in the theatre fly loft.
A 30,000-lumen PT-RQ32 video-projector from Panason
Switzerland - For nearly four weeks this past summer, the Swiss town of Vevey on Lake Geneva came alive when one million visitors participated in the 12th Winegrowers’ Festival. The Fête des Vignerons takes place once in a generation and pays homage to century old traditions of wine-growing. Recognised by UNESCO on its list of Intangible Cultural Heritage of Humanity, the celebration unites an entire region of winegrowers with the local community.
The highlight of the festival is Le Spectacle, a three-hour show performed in a temporary arena featuring 5,500 amateur actors in costume, 1,000 choral singers, and hundreds of musicians. To ensure a flawless performance, the audio team selected the Shure Axient Digital wireless system and PSM 1000 in-ear monitoring system to power the 20,000-seat venue.
A total of 324 channels of Axient Digital and 40 channels of PSM 1000 were used, making it one of the largest displays of wireless systems planned and realised at a single venue.
As productions of similar complexity and size are so rare, the audio crew developed a completely new approach to integrate the 324 wireless microphones and 40 in-ear units with 150 receivers to ensure that every signal transmission path could function anywhere in the venue, whether on the main stage with the large LED floor or on the side stages or stairways.
“Not many systems have been deployed at events of this magnitude,” says Audio Consulting AG’s Martin Reich, head of audio at Fête des Vignerons. “Due to the extremely challenging brief, we decided o
UK - Peerless-AV has announced that Karl Ingham has joined the UK professional sales team as area sales manager for the North of England and Scotland.
“Karl is a great character and valuable addition to our successful UK and EMEA sales team,” comments Keith Dutch, managing director, EMEA, Peerless-AV. “He’s already made a great impression on our Northern and Scottish customer base and his technical skills and product knowledge will be vital for broadening the business opportunities in alignment with our global strategy.”
Based in Burnley, Karl will be responsible for implementing the company’s business and growth strategy, driving new leads and supporting the reseller and distributor network in the region through sales promotions, marketing initiatives, training and events.
He joins from a global manufacturer of education technologies where he was channel partner manager for England and Ireland. Prior to that, he held operations and commercial management roles and technical account management positions at various network specialist and distribution firms.
UK - Success is serving the independently owned, 1,700 cap Electric Brixton well, a two-step refurbishment programme refining the venue’s image and functionality.
LED fixtures light the building’s front wall, which has been resealed and repainted, amplifying the Electric’s standing on Brixton Hill.
Through the doors to the main space the second room wall has gone, improving sightlines and bringing more flexibility in terms of operating the area. It also makes for a much larger bar stage left and quicker service.
An LX console front of house, with additional motors above stage and across the room, and new fixtures, gives LDs easier access to the venue’s lighting equipment and more capacity to shape the image of a performance/club.
Production manager, Tom Cull, comments: “This is all brand new, state-of-the-art equipment. It was about improving the quality, the reach, of the system but at the same time making it easier for touring parties, so we have more scope in the main room for designers.
“The buildings around us have been subject to multi-million refurbs and we thought the time was right to update the Electric outside too. Our LED treatment means it really glows at night now.”
Club nights at Electric Brixton are typically capacity events and the number of live shows is up 25 per cent in the last six months.
Electric Brixton works with Live Nation, SJM, AEG, Metropolis, Kilimanjaro, DHP, Eat Your Own Ears, Rockfeedback, Bird On The Wire and Crosstown Concerts. Upcoming shows include Bakar, Ari Lennox and P
Australia - Two ARX MSX-32 Mic/Line Splitters were specified by Melbourne based audio contractor Intavent to provide reliable and agile broadcast mic splits for the broadcast box at the Flemington Racecourse.
The ARX MSX-32’s were required to be installed in time for the annual Spring Racing Carnival - of which the Melbourne Cup is the jewel in the crown - and where the eyes and ears of the horse racing world would be focussed.
Australians refer to the Melbourne Cup as the race that stops a nation. In fact, its reach extends well beyond Australian shores to Europe, USA, South Africa, Asia Pacific, the Middle East and beyond.
The first link of the audio signal chain is a vital one and the Victoria Racing Club (owners and operators of Flemington racecourse) chose the two ARX MSX-32 to provide the primary feeds to send Hills race call around the racetrack, around the country and around the world.
Gary Ashmore, owner of Intavent comments: “The ARX MSX32’s performed flawlessly, and we look forward to many more Melbourne Cup race calls using ARX technology.”
The MSX-32s were supplied to Intavent by The Resource Corp, ARX’s distributor in Australia.
Cambodia - ABA Bank head office recently acquired Martin lighting equipment from Harman Professional Solutions, in collaboration with Bright & Eternity Co, to achieve maximum visibility and enhance the architectural features of the building.
Located in the centre of the capital city, Phnom Penh, along one of the busiest roads - Preah Sihanouk Boulevard, ABA Bank’s head office witnesses thousands of people pass through every day. The bank and the head office building has overseen a major phase of growth and development, comprising of several rented buildings, a mix of back and front-line offices, and exclusive executive spaces for the top-management. Also, contributing to the landscape of the city is the bank’s contemporary façade made of a mixture of vertical louvers and corrugated box panels.
“The challenge at the ABA Bank’s head office was to highlight and maintain the visibility associated with the main facade, which was perfectly visible during the daytime but was less visible at night,” said Kep Kem, director at Bright & Eternity Co. “To understand the requirements, we conducted a site walkthrough together with Martin’s team to determine any possible cable route, access, controller and installation points. One of the concerns that we faced was to minimise disturbance to their day-to-day operations and complete the installation within a given timeframe. After due consideration of the requirements, we decided that the Martin Linear Quad Graze series would be the perfect solution,”
Both Martin Exterior Linear Quad Graze 3
Record Breaker - At the American Music Awards, Taylor Swift was presented with the Artist of the Decade award by singer-songwriter Carole King who commended Swift for the strength of her lyrics, and the relatability of her music, predicting: "The best is yet to come." In turn, Swift acknowledged the impact King's music had had on her parents and her family, saying it was every musician's goal "to create something that will last".
The career-spanning honour wasn't Swift's only award at the ceremony - she picked up another five competitive awards, including artist of the year. That brings her total tally of AMA trophies to 29 - breaking a record held by Michael Jackson, who received 24 American Music Awards.
Secondary Ticketing - Andrew Lloyd Webber is joining forces with ticket resellers Twickets in a bid to beat touts. The theatrical grandee, whose LW playhouses include The London Palladium and the Theatre Royal Drury Lane, hopes the move will bring consumer-friendly ticket resale to the West End.
The new system means unwanted tickets bought at the box office can be resold for no more than the original price. Twickets will also add a fee of 10% to 13% of the face value. Rebecca Kane Burton, CEO at LW Theatres said: "We continue to strive to not only offer our customers an incredible experience, but also help them when things don't go to plan. Providing a safe, secure and easy way to resell tickets is best practice and yet another step LW Theatres is taking to innovate and improve theatre-going."
Twickets launched in 2015 as a more ethi
USA - The winners of the second annual Knight of Illumination Awards USA (KOI-USA) ceremony have been announced.
The event, which took place at The Joint in The Hard Rock Hotel on Friday, 22 November, saw almost 400 industry professionals celebrate the creative talents of lighting and video designers.
Following an indoor drone display courtesy of Verity Studios, 26 designers were "knighted" for their work on productions in the Theatre, Live for Broadcast and Concert Touring & Events categories. These awards were followed by the presentation of the Paky Lifetime Recognition Award created by co-headline sponsor Claypaky.
The 2019 KOI-USA winners are as follows:
The Notch Award for Projection Design: Roma Flowers for A Bon Coeur
The ETC Award for Dance: Brandon Stirling Baker for Reflections
The Altman Lighting Award for Plays (Small Venue): Reza Behjat for Nina Simone: Four Women
The Altman Lighting Award for Plays (Large Venue): Natasha Katz for Frankie and Johnny in the Clair de Lune
The ACT Lighting Award for Opera: Josh Epstein for Ellen West
The Rosco Award for Musicals (Small Venue): Christina Watanabe for The Wild Party
The PRG Award for Musicals (Large Venue): Bradley King for Hadestown
Live for Broadcast
The Vari-Lite Award for Award Shows: Jon Kusner for Billboard Music Awards 2019
The Green Hippo Award for Digital Content: Drew Findley for Breakthrough Prize Awards 2018<
UK - It is with great sadness that we report the passing of Alistair Grant, the much-loved UK lighting designer and production electrician, who died peacefully at home on 4 November 2019 after a battle with motor neurone disease.
Born in Dublin and raised in Belfast, Alistair came to London to join the National Youth Theatre, then trained at LAMDA and took his first professional role with Theatre Projects. This marked the start of a remarkable career which involved him in over 200 UK and international productions.
Known to all as Ali Barrel, his inate skill and professionalism was matched by his warmth and generosity. Don Holder remembers him as “a great and immensely loyal friend, a brilliant colleague and sensitive collaborator,” and Jeanne Koenig as “an inspired person, an inspiring person, an artist, a person of brilliance, a humourist, a kind and good man.”
His long-term colleague, Andrew Bridge, describes him as “a colleague who was calm, dedicated, knowledgeable, optimistic and persistent, who had a talent for getting the best out of designers and crews.” Meanwhile, Ken Posner remembers him “as one of the most caring, generous, and thoughtful human beings and theatre professionals I have ever known.”
As production electrician, Alistair Grant was at the heart of many iconic musical productions and tours of the ‘80s, ‘90s and naughties, including Time, Phantom of the Opera, Les Miserables and Miss Saigon, test
USA - ETC continued its commitment to caring for entertainment technology professionals in need by presenting a cheque to Behind the Scenes during LDI for $23,628.98. This represented the most recent proceeds from the company’s iRFR and aRFR (Radio Focus Remote) applications. Since the launch of the iRFR in 2009, ETC’s mobile app sales have now generated over $390,000 in donations.
The iRFR and aRFR mobile apps enable convenient, touchscreen-based remote control for Eos family consoles and controllers. You can learn more about the apps from the ETC website and download them from the iTunes or Google Play stores.
“We never imagined that this app would provide such continuous support to Behind the Scenes. ETC is grateful to all the people who have supported the Eos platform and purchased this app over the years,” comments Wendy Orfan, marketing communications manager at ETC. “ETC is proud to continue supporting the efforts of Behind the Scenes.”
Behind the Scenes will soon be hitting the major milestone of having provided $1,000,000 in grants,” commented Rick Rudolph, chair of BTS. “Fred’s early support was quickly taken up by the entire ETC organisation which has played such a major role in our ability to help so many of our colleagues in need. The heartfelt thanks and tears of gratitude we receive every day belong to ETC and all our contributors who make these moments possible.”
The Behind the Scenes charity provides entertainment technology professionals who are seriously ill or injured with grants that may be used for b
The Netherlandds - For over 25 years, Story Event Engineering has been a reliable reference point for event and location organisers in the Netherlands, with a portfolio ranging from large outdoor festivals through corporate events, to theatre tours and intimate classical concerts.
The company recently invested in Outline’s Newton multi-source audio processor which combines ‘WFIR’ filtering technology, multi-format audio signal routing, simultaneous multiple standard conversion and digital signal synchronisation in a single 1RU chassis.
Martin van Kouwen, sales specialist at Ampco Flashlight Sales, Outline Newton distributor for Benelux, comments: "Outline’s recently-developed Newton is a ground-breaking product for advanced audio processing, which, due to its characteristics and quality, is ideally suited to audio professionals who place great importance in quality."
"With the WFIR filters, the control can be optimally and perfectly personalized," says Michael Story. "I can therefore now create any sound, and that makes Newton a perfect professional tool."
South Africa - AV and Beyond, a full-service technical events supplier, has recently invested in an L-Acoustics Kara professional sound system, purchased from DWR Distribution.
Over the past six years, the AV and Beyond team has successfully serviced a wide range of corporate and entertainment events for an impressive list of high-profile clients, establishing a reputation for excellence, customer service and creative brilliance in the process.
Company founder and MD, Warren Freidin, explains that AV and Beyond aims to provide clients with comprehensive turn-key technical solutions for their events. The company has built its service offering around the client’s needs and has all of the skills and resources at hand so that clientele can use a single service provider for a seamless eventing experience.
“AV and Beyond is a rapidly growing company and, having come from a smaller ecosystem, we have found in the past that we could leverage our service offering by bringing in additional gear as needed for our events. However, we have reached a point in the company’s growth path where it is increasingly clear that it would be in our interests to invest in more of our own gear to ensure that we are in the best position possible to deliver on projects moving forward,” Warren reports.
Duncan Riley, director of DWR Distribution, adds: “Coming from a production background, Warren and his team bring a refreshing level of creativity to the table and are uniquely positioned to deliver on both the technical and creative side of events for their clie
USA - Brompton Technology’s Dynamic Calibration is a new technology that enables LED panels to achieve a higher brightness and wider colour gamut than is possible with legacy calibration techniques, while maintaining uniformity. Dynamic Calibration is the enabling technology for Brompton HDR, as well as new, performance-enhancing features such as PureTone and ThermaCal.
“Commonly used calibration methods achieve uniformity by sacrificing both brightness and colour gamut, forcing every LED to match the dimmest and palest LEDs in the entire screen. Once calibrated, this is used for all content over the entire life of the panel,” explains Brompton’s CTO Chris Deighton. “However, with ever-increasing demand for better image quality without increased cost, such sacrifices in performance can no longer be justified.”
Brompton’s Dynamic Calibration takes ‘a revolutionary approach to maintaining uniformity, while unlocking the full potential of the LEDs to achieve previously unthinkable levels of brightness and colour saturation’.
To benefit from Dynamic Calibration an LED panel must be fitted with a Brompton Tessera R2 receiver card and needs to be measured using Hydra - an advanced measurement system custom-designed for LED panels and exclusive to Brompton Technology.
“Dynamic Calibration is a flexible approach that uses the immense parallel computing power of the R2’s Dynamic Engine to process incoming video in an entirely new and innovative way,” says Deighton. “Before making any decisions, the Dynamic Engine gathers a v
USA - Elation Professional launched Magmatic, a new brand of atmospheric effects, at LDI 2019. Designed, engineered and exclusively distributed by Elation, Magmatic products encompass a range of haze and fog machines with the Magma and Thermatic series, atmospheric snow machines with the Polar series, and CO2 cryogenic simulation effects with the Rocket series.
To complement all of the special effects machines, Elation has developed a complete line of specially formulated effect fluids called Atmosity. Also available is an IP65-rated series of UV LED lighting products in the Prisma series.
“We have long had a vision that stems from a strong demand from our customers around the world to create more advanced atmospheric products designed for professional users, products that are easy to use and hard to break, and that is exactly what we are doing with Magmatic,” states Elation sales & marketing director, Eric Loader.
“Atmospheric effects are key to any stage performance so it’s essential they be reliable and perform on demand. With Magmatic, we are empowering users to create unparalleled experiences with machines that last a lifetime. We’re committed to designing products that are built to last, user intuitive and dependable. In short, Magmatic is world class atmospherics and we’re excited to be showing them for the first time at LDI.”
USA - At LDI 2019, High End Systems introduced the SolaHyBeam 3000 automated fixture. With a feature set designed for beam control, aerial effects and raw power, the flagship luminaire has all the elements to cut through the haze and shine brilliantly in the world’s largest venues, says the company. Powered by an efficient White Light LED engine, SolaHyBeam 3000 features a large front aperture and optimised long throw optics for ‘superior light output throughout the fixture’s wide zoom range’.
Automated lighting product manager, Matt Stoner, comments: “We are so excited to have the SolaHyBeam 3000 added to our family of ultra-powerful premium quality fixtures. The SolaHyBeam 3000 specialises in a fantastic narrow 3.1° beam, turning its massive output and dazzling front lens into a powerful narrow beam. Whether used as a long throw front light (yes it has framing shutters) or for shining dazzling aerials across your rig, SolaHyBeam 3000 is a beam light unlike any other, a wash light with punch and versatility, and so much more. We can’t wait to see this fixture burning the skies on festivals and tours around the world.”
HES general manager, Becky Koester, adds: “Our development and product management teams did an exceptional job on defining and pioneering the narrow beam capability and unique lens effect that offer a unique tool set for designers and end-users. The SolaHybeam 3000 addresses a universal segment of the market that has been dormant the past several years. The early product previews have been remarkable.”
USA - At last week’s LDI 2019 tradeshow in Las Vegas, Prolights unveiled a new logo, brand design, and website.
The rebrand marks the beginning of a new era for the Italian lighting manufacturer, which exhibited on a dedicated booth at LDI for the first time.
Prolights’ logo features a prism design and ‘has been reduced to its essential elements, adding the yellow touch which represents the colour of the light’. A dedicated website (prolights.it) was also launched, offering a modern look and intuitive browsing on any platform.
“The new brand design marks the start of the new era for Prolights,” comments Fabio Sorabella, managing director. “By formulating new content and with new products, the brand is undergoing an essential transformation towards a future with higher technological contents and the internalization of our company. Now is the right time to make the new attitude of our brand visible to the outside world.”
USA - Claypaky has introduced Reflectxion, a new moving mirror that promises up to 99% reflectance without chromatic aberrations.
Featuring a 390 by 280mm surface, Reflectxion can redirect beams of light from any stage light with the same intensity as it receives them. The unit offers 540° pan and continuous tilt movement at adjustable speeds.
Using the same omega clamp hanging system utilised in all Claypaky luminaires, this compact moving mirror can be used virtually anywhere on or off stage in any working position, says the company. For control, the unit uses only six DMX channels and pan and tilt resolution are both 16-bit for precise movements. The unit’s onboard LCD menu system is very user friendly and makes addressing and setup simple.