UK/Taiwan - Coretronic Corporation Taiwan has completed the acquisition of Calibre, a privately held British image processing technology manufacturer based in Bradford, Yorkshire.
Coretronic manufactures the largest number of DLP projectors in the world, and is the ODM supplier to the majority of the world’s Tier 1 DLP projector brands.
The acquisition of Calibre expands Coretronic’s technology capability by the addition of Calibre’s compelling range of HQUltra image processing technology and in-house R&D capabilities.
“It reflects Coretronic’s strategy to strengthen its leading position in display and image processing technology with a rich set of capabilities afforded by the Calibre team. This will help Coretronic Group with its plans to further advance in the pro-av markets as well as assisting with entry into the rapidly expanding direct-view LED display markets,” enthused SY Chen, president at Coretronic, Taiwan.
“The acquisition will accelerate the company into new markets as well as to help Coretronic continue to drive its move to being an all-round display systems provider. In particular Calibre will leverage Coretronic Group’s wide reaching sales coverage and growing pro-av channel sales, particularly in Asia, North America and Europe.”
Former Calibre CEO, Tim Brooksbank will lead as managing director of Calibre UK Ltd, now a wholly owned subsidiary of Coretronic.
“We’re delighted to become part of the Coretronic family. We share a common entrepreneurial ethos driven by market development, innova
Singapore - Cloud Electronics has appointed Loud Technologies Asia (LTA) as its new distributor in Singapore. LTA, a subsidiary of Trektech, is a principal distributor in the region, providing the Singaporean market with a portfolio of products from a number of reputable brands, such as K-array, One Systems and Chauvet.
Having confirmed the appointment following a productive meeting at ISE2017 earlier in the year, Cloud managing director Simon Curtis feels his decision to appoint LTA as their distribution partner has been fully justified.
With offices in Singapore, Indonesia and Cambodia, LTA is managed by Colin Quek. ‘I’ve been a fan of Cloud’s engineering quality, such as the perennial Z4 and Z8 zone mixers for many years, representing the brand is a great honour’, Quek comments.
“From an installer’s point of view, the reliability of their easy-to-install range and design features set them apart. Their new wall panel products allow easy extension over Cat-5e cabling and I’ve been particularly impressed with the new loudspeakers.
“Furthermore, Cloud products also fit well into Bose applications, which is another distinct benefit. With its ‘Made in Britain’ credentials the Cloud brand is well established in the hospitality and corporate market sectors, but LTA will enhance visibility further,” concludes Quek.
Simon Curtis adds: “It’s an absolute pleasure to be working with Colin, whose reputation for professionalism and outstanding brand representation precedes him. I’m very excited about the future possibi
UK - ChamSys has named Aziz Adilkhodjaev as the company’s international business development manager. In his new role, he will be responsible for expanding and strengthening the international distribution network of the brand, as well as improving international customer support and training to enhance the user experience.
Chris Kennedy, ChamSys managing director, comments: “With his detailed knowledge in the field of lighting control, Aziz will assist in taking the MagicQ MQ500 and MagicQ software to a new level, and his expertise in international distribution will also help ChamSys to expand into new markets.”
Aziz states, “I am really excited about the MQ500. It’s an extremely powerful product with up to 200 universes from a single console and many unique functions - it can really deliver a punch. I am looking forward to playing a major role in its evolution. With ChamSys’ quick turnaround on new software features, which is second to none, I’m sure we’ll see even more ChamSys consoles in the front of houses and venues around the world.”
Tony Cameron, sales director, adds: “We are very pleased to welcome Aziz to the growing ChamSys family. His appointment comes at the perfect time with our new and exciting MQ500 Stadium range and our continued expansion of our distribution network.”
Aziz will be overseeing distribution in the Middle East, Africa, Asia - Pacific regions and Russia.
South Africa - Not tip-toeing around what’s wrong and very wrong in the Rainbow Nation, South Africa, Mamba Republic is a rapidly-paced satirical sketch theatre comedy which reunites the talents of Ben Voss (Beauty Ramapelepele) and John van de Ruit (Spud). This brutally amusing production, from its opening at Durban's Elizabeth Sneddon Theatre through to its performances on the Main programme at the National Arts Festival in July, and its current run at The Theatre on the Square in Sandton ending 19th August, has continually had its audiences in stitches.
The Mamba Republic team generously donated R13 000 towards the SOS Charity Fund from ticket sales.
With their blend of sharp wit, hopeless optimism and clever characterization, the duo sank their fangs into the fiascos and foibles of South African life.
“As a theatre show, Mamba Republic is very pleased and proud to be pledging support to SOS,” commented Julia Clarence, from the Mamba Republic team. “We became aware of the charity through conversations with long term colleague and friend Michael Taylor-Broderick. He offered us his superb eye in an advisory capacity and in turn, we decided to pledge some money to the charity as a thank you. Michael's vision has been key to the look and aesthetic of our show, and we are grateful to have had his wisdom on our team. It is not often that theatre show can find such a direct avenue to give back to charity, so we are delighted that this venture was made possible by Michael and DWR Distribution.”
The SOS Charity
Australia - The Brolga Theatre in Queensland’s Maryborough is a typical regional venue – its 900-seat proscenium arch theatre hosts an international ballet troupe one night, Jimmy Barnes the next, and a local dance school the day after.
Though the venue is just 17-years-old, changes in technology mean replacement lamps are no longer available for their wash lights, leading the staff to assess how to upgrade for the future. The future, as they see it, is Elation’s Platinum Seven RGBWAC-UV LED wash light.
“We knew we had to move to LED and intelligent fixtures,” said Robert Haigh, operations technician at the Brolga. “We could afford to replace our wash, but not our profiles, so it was an easy decision to go to a moving fixture that could provide a wash, and in the case of Elation’s Platinum Seven, work as a profile in many senses.”
Twelve Elation Platinum Sevens have now replaced 48 Fresnels in the Brolga’s rig, leading to big changes in the crew’s workflow. “Since we’ve installed the Platinum Sevens, we haven’t had to focus a profile,” reported Robert. “We can focus the Platinum Sevens down to an 800mm circle on the floor from our wash position, so we can quite happily use them as a drum or lead singer profile. For a rock band, for example, we get all of the benefits of movers from the bling point of view, but when we turn off the wash, we can refocus as a profile.”
The Brolga Theatre was introduced to the Elation Platinum Seven by Graeme Hicks of Entertainment Production Supplies, whose regular visits to The
UK - Cameron Mackintosh’s acclaimed production of Boubil and Schonberg’s classic embarked on a record-breaking run in the West End and is now touring the UK. Having supplied the most recent revival, along with the original run thirty years ago, White Light has been called upon to provide the lighting equipment for this latest UK tour.
The lighting designer for the tour is Olivier Award-winning Bruno Poet who also lit the West End revival. He comments: “When Cameron asked me to light the 2014 production for the West End, it was daunting to start work on a production with so much history, yet thrilling to be asked to approach it with fresh ideas. I treated it as a completely new show. After the successful West End run, and revisiting the show for Broadway, the UK tour has been an opportunity to revisit my design and hone it for touring.
He adds: “It’s a challenging show to light – extremely fast-paced, with many changes of mood and location, from the smoky sleaze of Dreamland, to the bleakness of the refugee camp, to the military formality of The Morning of the Dragon, and the fantasy of the American Dream. At times, it needs to be as epic as an opera, and at others as intimate as a play. A lot of my job would be as much directing the darkness as directing the light. Many moments of the show rely on hiding things with darkness and smoke”.
In terms of feel, the touring production still remains very similar to the West End. Bruno comments: “The main difference with the rig is that the touring version uses far less c
Germany - The spectacular classical music production Schloss in Flammen (Castle In Flames) in the courtyard of the Mannheim Castle was recently mixed on an Allen&Heath dLive C Class C3500 provided by Auditiv from Kassel/Germany.
Schloss in Flammen – a classical music highlight in the festival season in Germany – is a stunning mixture of classical music and synchronised fireworks. The orchestra and solo singers from the National Theatre of Mannheim perform arias and other parts of various famous operas.
“The big challenge of this production is that we have nearly no time for rehearsals and soundcheck,” explains FOH engineer Rolf Dressler. “This is where the easy handling and flexibility of the dLive shines and it got even better with firmware 1.4 and 1.5 and new features like DCA spill and the improved scene management. I also love the sound, the compact size and the low latency of the dLive – that’s why I mixed over 100 concerts and events last year on dLive.”
As an open-air event lacks the familiar acoustics of a concert hall, Dressler uses dLive’s internal FX library to simulate them. “The reverb programs of dLive sound really convincing and natural,“ says Dressler. “I’m using six different reverbs for high and low strings, woodwind and brass instruments, percussion and vocals.”
Even very dynamic signals like high forte voices with headsets can be handled easily by the dLive FX. “Normal compressors don’t help here anymore,“ explains Dressler. “But the frequency dependent multiband dynamic
UK - Evans Audio Visual Staging provided equipment and scenic elements across the whole site of the Bristol International Balloon Fiesta - the biggest event of its kind in Europe.
Thousands of people visited Ashton Court, on the edge of Bristol, during the four-day Fiesta, and Evans was involved in multiple locations across the large site, normally a country park.
For the Balloonists’ Marquee, where pilots gathered several times each day for all-important briefings, Evans supplied six Nexo PS8 speakers, hung from Utopium’s truss, for background music and announcements. These were relayed using Shure hand-held radio microphones and a Yamaha QL1 mixing desk. Evans provided a 42inch screen which was used for presentations in the media suite.
Multiple LED screens were placed around the Fiesta site to carry live close-ups from the displays, sponsor adverts, content for radio presenters who were broadcasting live from the site and public announcements. Evans operated the video content, which was sent to the screens using two Panasonic HE60 Hot Head cameras, an RP50 controller, two Macbook Pros which ran Playback Pro and a Datavideo HS2000 vision mixer.
A giant ‘Bristol’ sign stood over the main arena at the Fiesta, provided by Evans and lit up at night by Utopium. In the Members’ Enclosure, where sponsors of the Fiesta and VIP guests enjoyed close-up views of the balloon launches and aerial displays as well as corporate dining, Evans supplied several pieces of equipment.
This included two Samsung DM65e 65inch screens which were mount
Brazil - As one of the world’s most famous tenors, tickets for the final world tour by José Carreras have been in huge demand. The A Life In Music tour has seen sold out shows around the globe, but a particular highlight for Front of House (FoH) engineer Peter Schneekloth was the Brazil concerts, which he mixed on a Yamaha Rivage PM10 console.
Peter has been the live sound engineer for Carreras for 16 years, mixing hundreds of shows in concert halls, arenas and stadiums in more than 50 countries. The A Life In Music tour started in 2016 with a sold-out show at London’s Royal Albert Hall and has included concerts throughout Europe, the Middle East, the Far East, USA, Central and South America, Australia, Russia and other territories. Sell-outs and standing ovations have been a regular feature, with Carreras’ management hoping to book more for 2018.
Because of the size and complexity of the tour, it is impractical for Peter to tour with his own mixing console, so he has used desks supplied by local rental companies. The four sold-out Brazilian shows in May 2017 meant he was finally able to use the Yamaha Rivage PM10.
Peter attended an early Rivage PM10 presentation at Yamaha Commercial Audio’s European HQ at Rellingen, Germany, in June 2016. “Peter immediately understood the potential of the console, even at that early stage, and he promised to add it to the requested consoles list for Carreras shows,” says Yamaha’s Arthur Koll, who ran the sessions. “He’s always been a fan of Yamaha consoles and we enjoyed frank discu
South Africa - An energised and confident Malesela Josias Mashiane returned to South Africa after attending training at the Stagecraft Institute of Las Vegas (SILV). His journey abroad was made possible thanks to sponsorship from the SILV and the SOS Charity Fund, a DWR Distribution initiative.
To further expand his knowledge and for him to gain hands on experience, SILV extended an offer to Josias to participate in the Stagecraft Institute of Las Vegas 2017 programme. He had already achieved good results in the 2016 SILV, and this year was admitted to the Track 2 Advanced Level which covered Movers, Media and Rock ‘n’ Roll!
When Josias was asked what was the greatest thing he learnt, he answered that he found all the courses so interesting. He conceded that he gained so much like the correct process of ordering items from hiring companies, learning the importance of Health & Safety, understanding the importance of preparation work from obtaining correct permits to accurate paperwork.
A special weekend class which focused on tech management covered all aspects of management, budgeting, taxes and the importance of working within a budget.
Josias thoroughly enjoyed the role of a lighting designer. “It is important to have a concise picture in your mind, to communicate your vision precisely to all technicians involved, ensuring that all check and balances are put in place so that the programmers are able to follow instructions handed to them and then implement exactly how the stage should be lit,” he said.
On the Rigging prog
Europe - illumination Physics has opened a European office in Bremen, Germany.
Martin Opolka will assume the role of European manager, effective immediately. Martin is a career lighting professional and his experience and specialisation are ideally suited to illumination Physics’ core business in architectural and architainment façade lighting, says the company. He has been involved in many international projects including The Chicago Bridges illumination, London Television Tower, London, and Aspire Sports Dome in Doha.
"My new role as European manager for illumination Physics represents an exciting challenge that I'm honoured to accept," says Martin. "I have known the company directors and have been familiar with their work for many years and am delighted now to be part of its success story.”
The office is located at Bruno-Bürgel-Strasse 11, 28759, Bremen, Germany (+49 421 17421689).
Europe - UK based creative design practice Okulus – James Scott and Louis Oliver – was asked to create a production design for rising Canadian singer songwriter Shawn Mendes’ tour.
This followed their work for the launch of his second studio album, Illuminate at Madison Square Garden in September 2016, and Okulus’ penchant for bringing fresh and interesting visual perspectives to a show.
39 Robe Spikies are incorporated into the lighting scheme, crafted with Okulus dexterity and imagination in close collaboration with the show’s creative director, Paul Caslin and 24/7 Productions. The overall stage look is clean and definitive with attention focused on the artist.
The set is built from a multi-layered fixed riser system with curved frontage and a high-gloss black floor, fabricated by TAIT. It keeps the band positions balanced across the upstage area, creating a geometric flow for the performance. Under-lit by strobes, the set also becomes like a lightbox at certain moments.
A 60ft wide LED screen at the back ran stunning content produced by Sam Pattinson from Treatment.
There are eight overhead trusses including a distinctive 20ft diameter circular truss flown directly above Mendes’ central marks – dubbed the ‘halo’ by the creative team. Two of the trusses are upstage of the screen for blow-through lighting effects and another two ‘wing’ trusses extend the stage sideways into the arena.
Sixteen Spikies are rigged around the halo truss, with the other 13 in the footlights position around a circular B-st
Germany - Forty years on the air and 1,000 episodes are really a reason for celebrating 1, 2 or 3, the legendary children’s quiz show from ZDF - with a 150-minute prime time show from the MMC Studios in Cologne. Moderated by Steven Gätjen and Elton, prominent guests included actress Stephanie Stumph, comedian Bülent Ceylan and singer Mark Foster. Günther Jauch, who presents Who Wants To Be A Millionaire, also made an appearance and superstar Helene Fischer appeared on stage.
For the lighting design of this special anniversary show, MBTV, the production company for ZDF, awarded the design work to mo2 design, run by lighting designer, Manfred "Ollie" Olma. Olma is one of the long-time users of GLP fixtures, and on this occasion he also made the most of it - specifying more than 100 impression X4 atom, as well as 92 GT-1 hybrids and 60 impression X4.
"We arranged the atoms in two rows, next to and underneath the Videowall. Together with the performing area in front, this Videowall is a central part of the show and it was accentuated by the atoms. The idea came up because we originally decided to use the compact atom only as an effect light - however, due to the rich output, the 30 Watt LED engine and the zoom, these lamps are actually great all-rounders,” says Olma, speaking of one aspect of his show design.
Matthias Allhoff, who is responsible for planning at mo2 design, also makes an important point about these LED spots: "The highlight of these fixtures is the connectors which make it possible to link large quantities very quick
USA - Graeme Flegenheimer, owner of El Club in Detroit, Michigan, fell in love with music at a young age. That may explain his diverse taste in music and the wide variety of acts that play at the popular live music venue, which has featured a customisable Elation Professional lighting rig since opening in 2016.
“I pride myself on El Club having an eclectic calendar,” says Flegenheimer, who has a background as a music publicist. “There’s not a typical night here. It’s always changing and Elation is able to meet every requirement of the artist coming in here and capture the vibe of the evening.”
Since opening in May of 2016, El Club has arguably become Detroit’s hottest night-time venue with a mixture of acts that is attracting a wide audience. “It's really an amazing room that's giving a massive high-end light show experience to underground artists in a 300-capacity venue,” stated Adam LaBay of Future Weapons Laser & Lighting Design, who chose the Elation lights for the venue. “There's nothing quite like it and it has a very unique aesthetic.”
Built in 1950 as a banquet hall with an adjacent bar that dates from 1921, Flegenheimer renovated the space by restoring much of the interior and exterior of the building then completed the project by installing a state-of-the-art lighting and sound system.
El Club’s Elation lighting rig is as diverse as the acts that play beneath it: 12 ACL 360 Bar LED moving bar effects, 12 compact ACL 360i beam effects, eight Elar Ex Quad Par HP LED lights, six Sniper 2R effect lights, six
UK - Jubilee Library is the main public library in Brighton and forms the centrepiece of the Jubilee square development in the city centre. Opened in 2005 by the Princess Royal, Jubilee Library stands at the heart of a multi-million pound scheme for redevelopment of a 40-year-old brownfield site and was recognised at the time of opening as one of the most energy efficient structures in England with a carbon footprint half that of a traditional public building of comparable size.
In addition to an extensive literature collection, Jubilee Library offers local communities state of the art IT facilities within its IT Connect room, a full business suite with five conference rooms and a one-to-one meeting room.
Kier Group Facilities Management, responsible for the management of Jubilee Library for Brighton & Hove City Council, called in unified business solutions provider TwistedPair to provide a sound masking solution for the library’s conference and meeting rooms earlier this year.
“Our aim is to guarantee privacy and confidentiality for users of our meeting and conference rooms”, commented Louise Millard, commercial and conference coordinator for Jubilee Library. “Users of our spaces are often discussing sensitive matters and we do not want this information overheard in public areas or corridors.”
Hanieh Motamedian, business development manager for Sound Directions, UK distributor for Cambridge Sound Management Sound Masking systems subsequently met with TwistedPair at Jubilee Library and successfully demonstrated a viable and affor
Belgium - With many music stages and event spaces throughout the city’s UNESCO protected medieval centre, the annual 10-day Gentse Feesten is a go-to event for Northern European music lovers.
Shining brightly against the city’s beautiful gothic architecture was the festival’s Sint-Baafsplein square stage. Vince de Schinckel brought the stage (one of the festival’s largest) to glittering life with help from eight STRIKE 1, 20 Maverick MK2 Wash, and 16 Maverick MK2 Spot fixtures from Chauvet Professional, supplied by Belgian rental specialists Euro PA.
The 230-watt single source STRIKE 1 fixtures provided de Schinckel with an impactful tungsten emulating blinder and wash tool for creating classic main stage looks.
“After having a great experience with the STRIKE 4 on last year’s festival, I was excited to try out the single source STRIKE 1,” he said. “The visual impression created by the STRIKE 1 was incredible. Not only was I able to illuminate the whole square and surrounding buildings in blinder mode, I was able to create subtle eye candy wash effects thanks to the warm tungsten emulating dimming curve.”
To provide the main visual support to the bands on stage, de Schinckel relied upon a combination of Maverick MK2 Wash and MK2 Spot fixtures.
“The combination of the Maverick MK2 Spot and Wash is an extremely powerful one,” commented de Schinckel. “The output of both fixtures is very strong.
Schinckel’s lighting arsenal also included 24 Intimidator Hybrid 140SR fixtures from Chauvet DJ. These fixtures wer
Italy - Singer/songwriter and producer Tiziano Ferro is known as the modern face of Italian pop music and his phenomenally successful career has seen one chart-busting album and single after another earning him a dedicated fan following.
His live shows are also known for their visual flamboyance and style and the recent Italian stadium tour was no exception. Belgian engineering and automation specialist WIcreations was commissioned to find solutions for two primary motion-control ‘brain-teasers’.
The show was creatively directed by Claudio Santucci working in close collaboration with video designer Romain Sabella from Clonwerk and lighting designer Giovanni Pinna.
The two automation challenges were to provide a fluid and smooth movement system for a large video ceiling weighing 11 tonnes, which moved in all directions and to track two massive upstage LED screens into different configurations throughout a very dynamic set.
In addition to these, also required to move were two lighting trusses either side of the video ceiling, a water screen in front of the video ceiling rigged on two moving hoists and a pyro effect circle upstage of the video ceiling that also shifted position.
WIcreations’ Hans Willems project managed from their end, after the company’s extensive skills and knowledge in the field of automation technology was sought by main lighting and video contractors, PRG Belgium.
The video ceiling was a show-stopping moment in the production. At one stage, it tilted downwards with water content pouring off the ‘end’
UK - Now in its third year, the three-day Ramblin Man Fair is an annual music festival celebrating classic and contemporary rock, progressive rock, blues and country music.
Promoted by Spirit Of Rock it is billed as “a rock festival designed for rock fans by rock fans”.
Set in Maidstone’s familiar Mote Park, sound production company Capital Sound were contracted to provide the audio infrastructure for the first time this year, and they were eager to show off the power of Martin Audio’s MLA PA to Kent’s rock community.
Project manager Robin Conway was himself responsible for winning the contract after meeting with the event’s technical production manager, Kev Sutherland. “I think he was impressed that we were able to come up with a total production package built around MLA,” he said.
Capital provided sound reinforcement for all four stages but it was the Main Stage (Planet Rock) hosting acts such as ZZ Top, Saxon, Extreme and Glenn Hughes, that benefitted from MLA.
Capital rigged 10 x MLA elements each side, supplemented by an MLD Downfill at the base of each hang. Underpinning this were 13 MLX subwoofers, designed in a ‘castled’ broadside cardioid array. Eight W8LM Mini Line Arrays provided front-fills, while onstage 14 x LE1500 monitors - classic wedges for a classic rock event - provided the bands’ reference sound alongside WS218X sub and other side-fills. With a 70m throw distance, no delay points were necessary.
Capital also provided their consolidated Digital Dante system drive, with Lake LM44 processors
UK - To best support and grow its rapidly expanding user-base, global design and BIM software developer Vectorworks has announced the formation of a new office in the UK.
To facilitate this new corporate office, Vectorworks has acquired Design Software Solutions Limited, a long-time reseller of Vectorworks software. The Vectorworks UK office will build on the support, training and sales infrastructure developed by Design Software Solutions as a launch pad for further development in the region. The new office will be led by Tamsin Slatter and Adrian Slatter, former directors of Design Software Solutions.
“With more than 10 years of experience helping users make the most of their investment in Vectorworks software, Design Software Solutions has provided significant input to the growth of the UK market while also providing valuable support and training materials,” said Vectorworks CEO Dr. Biplab Sarkar. “Tamsin and Adrian Slatter and their dedicated team have the right mix of experience and passion for our products to help us to provide top-quality support for our existing community of designers and resellers in the UK, while expanding our user base even faster than we have to date.”
In addition to its headquarters in the United States and its new office in the UK, Vectorworks has a network of 35 distributors around the world. Its software solutions are available in 11 languages, providing powerful tools to help designers capture ideas, nurture innovation, communicate effectively and realize their visions.
“We’re thrilled to be
UK - To celebrate the 25th anniversary of the Wholehog lighting control desk, the Flying Pig Systems team, along with an original Wholehog console, will reunite at the PLASA Show in September.
In 1992, three young, twenty-something men - Nick Archdale, Tom Thorne and Nils Thorjussen - exhibited a new control system for live entertainment lighting at the PLASA Show in London. Called Wholehog, it had been conceived, developed, road-tested and launched in less than a year. Its disruptive power and features drew huge interest from the market, while its impact was recognised by the PLASA Show's Awards judges who unanimously named it Lighting Product of the Year.
Wholehog was a landmark in the history of entertainment lighting control. For the three founders whose blood, sweat, tears and (no doubt) more tears had led them to this point, it was an extraordinary achievement against the odds. That they had known it wouldn't be easy was acknowledged by the very name they had chosen for the company they had founded in October 1991: Flying Pig Systems.
The three founders were destined to be high-flyers long before they became Flying Pigs. Archdale was a British lighting operator and engineering whizz-kid, an Imperial College drop-out whose experience of controlling the new breed of automated lights on the rave scene had led him to the concept for Wholehog. Thorne, a software engineer and Cambridge graduate, had collaborated with Archdale on a previous lighting control desk, the DLD6502, and was redrafted for the Wholehog project. Thorjussen, a graduate of the U
UK – The 2017 Knight of Illumination (KOI) Awards has announced this year’s shortlist of lighting and video designers, recognised for their creative work in the Concert Touring & Events sector. The winners will be announced at the 10th anniversary KOI Awards ceremony, to be held at London’s Eventim Apollo, Hammersmith, on 17 September. The KOI Awards was established to publicly celebrate the achievements of lighting and video designers in the sectors of Television, Theatre and Concert Touring & Events. The annual Awards are open to designers whose work has been showcased in the UK in the previous twelve months. The Awards is now one of the most celebrated nights in the live entertainment design industry calendar, with more than 500 leading creatives and professionals in attendance at last year’s celebrations. The Concert Touring & Events shortlist is the third and final shortlist to be announced, following the Theatre and Television categories announced in recent weeks.
The shortlist is as follows:
The GLP Award for Arena: Rob Sinclair for Bastille’s Wild Wild World tour at London’s O2 Arena, Tim Routledge for Take That’s Wonderland Live tour 2017, Jeremy Lechterman and Jackson Gallagher (FragmentNine) for alt-J at London’s O2 Arena.
The Avolites Award for Stage: Paul Normandale (Lite Alt Design) for The Chemical Brothers at the Eventim Apollo London, Michael Straun for The xx on the I See You tour 2017 at Manchester’s O2 Apollo, and Steven Bewley for Stormzy’s Gang Signs and Prayer tour at Brix
Australia - KV2 Audio has announced the appointment of Australian sound engineer, Angus Davidson as technical support director for Asia Pacific and North America. Angus who has mixed for major international acts including Supertramp
and Crowded House has had a long and diverse career within the audio industry.
KV2 Audio CEO, George Krampera Jr. comments: “We are excited that Angus is joining our international technical support team. His years of hands-on experience in large scale sound reinforcement plus background in audio education will be invaluable in his role of developing a training and certification process for KV2 Audio users. We want to ensure that engineers and technicians understand how to correctly use our systems for the best possible results. This is especially important with the release of our new flagship large format concert system VHD5.0, this system enters a market Angus is very familiar with.”
Angus adds: “KV2 Audio's technologies bring a whole new paradigm to sound reinforcement and represent some of the most intelligent and innovative audio design I have seen. When used properly the results these systems produce are simply outstanding, I look forward to developing a training program that empowers KV2 users worldwide. Also, being part of the team that brings VHD5.0 to the world is certainly exciting. I am sure this system is going to turn a lot of heads.”
USA - Altman Lighting has announced the appointment of Miles Dudgeon as their new Northeast regional sales manager for North America. Based in upstate New York, Dudgeon will manage the Altman Lighting sales efforts in Virginia, Maryland, Delaware, New Jersey, Eastern Pennsylvania, New York, Connecticut, Rhode Island, Massachusetts, New Hampshire, Vermont, Maine, Quebec, New Brunswick, Nova Scotia, Prince Edward Island and Newfoundland.
“I am thrilled to add Miles to our sales team,” said Nick Champion, Altman Lighting vice president of North American sales. “His background working with industry manufacturers is extensive, and his work as an end user adds a perspective that will help him be able to quickly understand and address the needs of our customers and partners.”
As an ETCP-certified entertainment electrician, Dudgeon most recently worked as the master electrician for Fingerlakes Musical Theatre Festival, as well as the assistant master electrician at Syracuse Stage and the Syracuse University Drama Department.