Products

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14 March 2016

"We are absolutely delighted with the result" says Rick Wilson, sales director of Le Maitre. "The VS range is in line with our continuous strategy of introducing the best range of visually stunning pyrotechnics in the market. The drastically reduced smoke levels ensure that spectators get to see the effects at their very best"

"We have introduced three products to date - VS Flames, VS Flares and VS Starbursts, and there will be more to follow over the coming months".

The VS Flares produce an intensely coloured 1-2ft flare that burns for a maximum duration of 30 seconds and are available in red, g

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14 March 2016

"The Micro Wash RGBW is a scaled-down - but not scaled-back --version of a larger LED colour-mixing par can," said Sebastian Mobers, sales manager Europe for American DJ Europe. "It's got all the features and amenities that you'll find on a professional LED stage par, only it's mini sized -and mini-priced.

"With lighting being more widely used today in entertainment, decorative and display applications, we're finding that there's a growing demand for professional-style fixtures that are smaller in size than conventional units. The Micro Wash RGBW fits right into this trend. Its compact size makes it great for spaces and applications where standard par cans would be too large, yet you get a full-feat

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14 March 2016

The Robe Product ReferenceApp contains comprehensive information and statistics covering the full Robe product range, including an entire catalogue of 'key data' in the form of one sheet with all the essential technical information you need to know about Robe. The App also has user manuals, DMX charts, gobo layouts, etc. and allows users to download and hold as much reference information as they need.

Photometric charts, video demonstrations and assorted other information will be added in the coming weeks.

It is intended as "an invaluable tool for lighting designers, operators, programmers and technicians who are on the move, enabling them to have the crucial facts and figures at their fingertips wherever they are". These can then be used for a myriad of

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14 March 2016

Luxeon A provides consistent quality of light from LED to LED, something that both luminaire manufacturers and the lighting design community can count on today and into the future, says the company.

Hot tested and specified at a junction temperature of 85°C ensures the LED's real world operating conditions performance and simplifies the design process. Freedom From Binning eliminates colour bins, typically a burden on luminaire manufacturers. All Luxeon A emitters fall within a single three-step MacAdam Ellipse at 2700K and 3000K and deliver superior quality of light with colour consistency from unit to unit that has never before been possible.

Luxeon A joins past winners o

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14 March 2016

Coming in at 1.72m long by 33cm wide, the XXL display is billed as the largest automated timecode display system in the world.

Aimed at large post production houses or anywhere that needs to display timecode from a long distance, the Studio Display XXL is compatible with all existing Punchlight hardware allowing automated display of MIDI timecode from Pro Tools LE & HD, Cubase, Nuendo, Logic Pro, Digital Performer and Samplitude.

Combine the system with a MIDI to SMPTE timecode convertor and the display will also show timecode from other systems.

The Studio Display XXL will, like the smaller Studio Display XD, Studio Display XT and Studio Display USB, also show bars and beats, feet and frames and samp

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14 March 2016

"Our engineers challenged conventional wisdom for both loudspeaker and amplifier design," said Akira Mochimaru, general manager, Bose Professional Systems Division. "The result is a new approach for the industry, one that lets sound designers and integrators meet the acoustic challenges of any fixed-installation sound system with more flexibility and far less compromise to audio performance."

RoomMatch modules overcome the acoustic performance limitations of conventional line array and point-source loudspeakers, says the company. Av

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14 March 2016

The new WildSun 500 has a factory installed W-DMX receiver. It's the first compact 4:1 zoom LED wash moving-head luminaire which provides a 10,000 lumen beam, advanced 4 in 1 RGBW full colour mixing and efficient 11° narrow beam. WildSun 500 is designed for TV studios, concerts, convention halls, theme parks and any other entertainment applications.

In addition, Ayrton also makes two static waterproof LED projectors factory fitted with W-DMX receivers, the Icecolor500 and Icecolor 1000.

These new products from Ayrton were launched at the 2011 Prolight + Sound Exhibition in Germany last month.

Florent Francois, chief product engineer for Ayrton commented, "We

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14 March 2016

By means of a built-in compressor / limiter, the output level of the microphone signal is constantly maintained. The status of the reproduced signal is indicated on the front panel, to reassure the speaker that the message is clear and audible in all situations.

Andrew Richardson, managing director of Adam Hall UK states, "The APM Series offers amazing clarity with almost true to voice quality that will suit many applications such as public building, fire departments, warehouses, business offices and sports sites."

Each console has three standard buttons (except the APM01 which has only PTT) with pre-assigned functions: PTT (Push To Talk), Select all and Clear. All other buttons can be freely programmed, using

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14 March 2016

Commenting on the new series, PR Lighting chief R&D engineer, Steve Tulk, stated: "The PR-5000 Spot, Beam, and later the Wash [which is yet to be released] comprise the beginning of PR Lighting's third generation series of moving heads.

"We analysed the strengths and weaknesses of our mature product lines and designed the PR-5000 series with those in mind. Among the list of achievements in this new series are: a carefully chosen set of functions, very high light output, amazing zoom range, faster and quieter movement, improved cooling system and improved reliability. We feel this series fits the bill perfectly for lighting designers needing higher power units."

Other features of the PR 5000 Beam include a 6° beam angle,

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14 March 2016

All R.5 models, including the short throw, two-way R.5Z, the medium throw, three-way R.5HP, the full range, two-way R.5COAX and the R.5SUB 12-inch subwoofer, can now be ordered in black, white or the original neutral light grey finish.

(Jim Evans)

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14 March 2016

The new MultiWall Gll - HP5 light batten is designed for indoor or outdoor use with an IP20 / 65 rating. It incorporates 62 x 1W - R,G,B,A & W LEDs to provide the widest range of colours. Fitted with XLR and PowerCon connectors , a conversion kit is supplied to replace these with PG9 fittings for outdoor use.

The 62W - 3150lm MultiWall GII - HP5 provides 3 - 7 Ch. DMX control using RGBAW or advanced HSL colour mixing, plus 19 preset colours, 23 crossfades and Sound to Light.

The large, user friendly LCD display also allows control of White Balance, Dimmer Curve and Modulation Frequency. The DISSIMAX cooling system provides for the first time, extended life-t

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14 March 2016

The Galaxia Softlight is a flat panel style softlight fixture that generates white light using an LED light source; the fixture has a colour temperature that is variable from 2700K to 6500K with a high colour rendering index of 90-95. The Galaxia is just 40mm thick (94mm including rigging yoke), and is available in two versions - the standard 60x60cmversion and a 'half panel' 60x30cm version. In both cases softlight output is emitted from the fixture's entire front face; beam control accessories such as barn doors are available if required.

The Galaxia can be controlled via DMX512 or using a compact hand-held controller which can be used to set up colour temperature and output lev

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14 March 2016

GrandVJ is a real-time video mixer software allowing VJs to compose up to eight layers of video on the fly.

The new GrandVJ 1.5 brings video mixing to the next level with the addition of two major new features: Transitions and ArKaos Connect VST plus several other great enhancements, says the company.

With the addition of 37 transitions, it's "even more fun to mix with GrandVJ 1.5". The transitions are distributed across the following groups: eight Fades - three Blinds - six Masks - four Distortions - three 3Ds - two Pixelisations - seven Rectangles - one Slide - one Swipe - two Waves.

Each transition can have up to four parameters plus a fade time, all of which can be controlled through MIDI. In Synth Mode, the new transitions add fade in/fade out betwe

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14 March 2016

Covering USB Audio use generally, as well as ARX's USB Series specifically, informative topics include: Rules for audio via USB on computers ; My USB Interface works fine during the soundcheck, but 'goes to sleep' before the show; The output of my USB Interface is not loud enough or is noisy; The USB Input to my Computer is too hot and is overloading my recording software.

(Jim Evans)

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14 March 2016

"As there are a lot of great other technologies in the audio industry, it is quite an honour to be recognised for the advancements of our digital media networking solution", comments Audinate's CEO Lee Ellison. "We believe that our recognition is a result of the many OEM partners who have embraced Dante for their products as the networking solution of choice for today's networks and as they move to AVB."

(Jim Evans)

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14 March 2016

Sennheiser's 2000 series has become popular for theatre applications, with its range of wireless transmitters and receivers offering a comprehensive selection of components for vocals, instruments and in-ear monitoring.

The heart of the 2000 series is its true diversity receiver, available as a 19-inch rack mount unit with single channel (EM 2000) or twin channel (EM 2050) design. With multiple UHF frequency ranges, each with a switching bandwidth of up to 75 MHz, the range offers great flexibility, aided by professional frequency management which takes place directly through W

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14 March 2016

For the first time, Light Emitting Diodes can be used in 'real' lighting applications, providing "vast improvements in reliability, long-life and low maintenance". The Wing LED is available in two modules. The first is a Warm White (50,000hrs, 69lm/watt), dimmable via local touch switch (cycle up/down) control or via Dali control, which delivers a high quality white light.

The second is a RGB/Tuneable White (35,000hrs, 29lm/watt) controlled via DMX (RDM address) - 'tune' the colour temperature and intensity to meet the requirements of your space or dynamically mat

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14 March 2016

"We were delighted with the reception the 4000 Series received at ISE 2011," says Terho Savolainen, marketing manager, Genelec Oy. "The excellent response confirms our belief that many in the AV sector are looking to achieve audio excellence in their installations. This new model builds on the strengths of the existing products in the range and adds features that extend the reach of the product to meet the demands of larger and more complex installations.

"Integrators working on demanding

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14 March 2016

Chauvet says the low profile and low heat emission of COLORado Batten 144 TOUR make it a versatile unit which can be placed in tight spaces. It also has an integrated shield which can be implemented when the fixture is placed in a direct line of sight to prevent unnecessary glare. Plus, the fixture's feet double as hanging brackets which can slide to the left or right for increased mounting flexibility. COLORado Batten 144 TOUR can easily be used for foot lights, t

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14 March 2016

Exhibiting at the recent PALME Show in Dubai, Optocore product specialist, Alok Ghurde says his company has helped to create an awareness in the region - at both this expo (for the live, rental and installation markets), and CABSAT (for broadcast).

"We have been showcasing and promoting Optocore at each of these two shows ever since we started distributing the brand," he said. "Our initial successes have been in the live/rental market, where Optocore is especially suited - but we've recently been working on several exciting projects in the broadcast, as well as the install market, where Optocore has been prominent with high profile success worldwide. We hope to have breakthroughs in this region v

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14 March 2016

The LEDView510 is a flexible routing switcher and interface for connecting LED screens to almost any HD and SD video source; it takes the feature set of that product and adds a number of key enhancements, most notably a multiple-unit mode with auto-zoom functionality. This allows several LEDView510s to be connected together, each powering its own LED screen. A wall of up to four screens high by four screens wide can be created, with a maximum screen resolution of 7680 x 4800. "With low latency and genlo

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14 March 2016

The Christie Mirage WU-L delivers "high resolution and rich pixel density, as well as continuous system calibration, in a small footprint unit capable of advanced 2D-3D visualisations". Targeted to the professional market, the Christie Mirage WU-L is suitable for all applications from entertainment, to museums and education, scientific research, manufacturing, and oil and gas exploration facilities, says the company.

The 1-chip DLP with RGB LED is the first Mirage Series projector to use solid-state LED illumination, providing precise, lifelike, vibrant colours and consistent performance over an estimated 60,000-hours (approximately 6.5 years) life cycle.

"The Christie Mirage WU-L is an ideal solution for visualisation professionals whose prime concern is t

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14 March 2016

Alcons offers a complete portfolio from point-source, through line-source to line-array solutions, all based around proprietary and multiple-patented pro-ribbon transducer technology.

Point source systems on show - the traditional way of reinforcing theatre sound - include the VR8 compact monitor on display, as well as the SR9 front-fill, both two-way passive systems, featuring a 4" pro-ribbon HF driver.

Line source solutions are represented by the QR36 pro-ribbon column array system, a modular array concept comprising loudspeaker modules, one metre in length that can form long arrays for ultimate controlled projection.

Line-array comes in the f

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14 March 2016

QPar features 12 high-intensity, QUAD colour, RGBW CREE LED's. The unit offers "outstanding longevity (Lumen maintenance: 50,000 hours L70 at 50°C (full output)) with very low consumption (8W at standby, 112W at full intensity)".

QPar features a 10° beam angle as standard via a toughened glass front lens though further light-shaping diffusing lenses are available to provide variation. A choice of dimming curves include tungsten, television and fine - all controlled via DMX. External control requires DMX512 digital signal via 5-pin XLR.

IP20-rated, QPar can be floor or truss mounted using dual yokes - making it suitable for lighting stages, backdrops, sets, cycloramas, struc