Video and AV

Details

14 March 2016

The brief was to provide a window display system visible to pedestrians passing by Oxford Street. The screen incorporated content prior to the launch of abstract images of models on a catwalk with text announcing the countdown to the launch. After the launch, the screen was used to show edited footage of the product being displayed on the catwalk at London Fashion Week.

Using a traditional display system such as plasma or LCD screen in a street-facing shop window would dramatically affect the screen visibility due to the high ambient light conditions. The solution provided by SPS was to use a high brightness indoor/outdoor Barco Dlite 7 LED display with a screen size of 2688m

Details

14 March 2016

VRT Broadcast presented its programme, which included interviews with cyclists and other TV personalities from France and Belgium, every night, in a different location along the route.

Set locations included places such as the courts of old castles as well as vineyards, with facilities supplied by Videohouse and lighting rented by Lites. Seeking visual interest for its coverage, VRT approached Rosco looking for a "bright and easy to use" visual aid that they could set up.

(Jim Evans)

Details

14 March 2016

LM Productions supplied multiple laser systems for the performance these included their powerful 40W emerald green lasers, two high powered full colour whitelight lasers, stage left and right, and a green diode laser positioned behind Fatboy Slim's booth.

LM Productions also supplied lasers for Fatboy Slims headlining slot at the O2 Wireless Festival in Hyde Park this summer.

You can view video footage of the Brighton event at www.lm-productions.com.

There will be more on Fatboy Slim's Big Beach Boutique in November's Lighting&Sound magazine.

(Claire Beeson)

Details

14 March 2016

Attaining compliance with BS 8901 will give businesses a significant market advantage as the new standard is already being specified by major organisations such as London2012 and is a core commitment of the recently-issued DCMS Sustainable Development Action Plan.

The programme, which is open to both members and non-members, is based on a series of five one-day workshops held at 4-5 week intervals, and has been specifically designed to provide a low-cost route to achi

Details

14 March 2016

Following a brief from Barracuda, Kaleidovision's creative studio has designed a library of screen media aimed at the Varsity Bars' chain of 41 student bars; the new campaign kicked off this month to coincide with the start of the new 2008-9 academic year.

This year's promotion, titled Crazy Sexy Cool, encompasses a consumer competition to find the Face of Varsity 2009. All the channel content is focused on the VCard loyalty card, 650,000 of which were sold during the last academic year. To give it added currency, Kaleidovision has been tasked with animating the 25% discounts provided by the eight sponsor partners, which this yea

Details

14 March 2016

The stage set for the tour was created by Stufish, whose team has created stage designs for Pink Floyd, U2, The Rolling Stones and many others. The giant backdrop screen, which forms the key visual element to the show, measures 17m wide and 5m high and contains 2,500 Olite 612 LED modules.

"Barco's Olite 612 fitted our design perfectly", says Mark Fisher, managing director at Stufish. "We wanted to present the audience with a spectacular video and light experience befitting a band of this statue. Olite's modularity once again enabled us to create some

Details

14 March 2016

The show is directed by Jamie King, who lists Madonna's Confessions Tour, Christina Aguilera's Back to Basics Tour, as well as tours for Kanye West and the Spice Girls among his credits. Lighting Designer is Yves 'Lapin' Aucoin.

The tour setup is a 360-degree production, designed 'in the round' style, and includes t20 LED screens, including one that orbits the stage, plus conveyor belts and elevators. The touring system is provided by Montreal, Canada-based Solotech, which is also the provider for various Cirque du Soleil productions.

With such limits in place regarding 360-degree viewing angles and elaborate movement, W-DMX was chosen as for sending wireless DMX s

Details

14 March 2016

Foster explains: "I've been a great fan of PixelLines since I started using them back in 2003 on a Massive Attack tour. They are consistently a very reliable and robust fixture - and I don't think I have designed a show without them since then."

He continues: "Janet Jackson contacted me after seeing one of my Kylie shows on DVD. I worked with her creative director who had a story and a script for the show - and after several meetings

Details

14 March 2016

Robe presented a two-day opportunity for guests to enjoy hands-on product demos and comparisons in a relaxing, convivial atmosphere and a real working environment.

The event was attended by visual designers, operators, programmers, technicians and a wide assortment of interested industry professionals from across Germany and Austria.

The Future is Digital gave visitors an opportunity to experience the new technology behind this concept. Digital moving lights and the new Robe DigitalSpot 3000 DT and the DigitalSpot 7000 DT moving light projectors were creatively positioned around the studio's large, curved cyclorama, shooting onto the screen and around the room.

Details

14 March 2016

"Despite the weakening economy, Rosco's British business remains ambitious. We continue to see increased opportunities to enter new markets and expand our existing market share," says Kees Frijters, Rosco vice-president European business. "Growth continues to be one of our main objectives. The timing for Paul de Ville joining Rosco couldn't be better.

De Ville trained as a stage manager and lighting designer before working for Theatre Projects London. From there he spent 16 years with Action Lighting and the Lighting Technology Group.

(Jim Evans)

Details

14 March 2016

Feature-rich, the Jem K1 is a professional machine that provides the combination of continuous operation, long hang time, and low fluid consumption for greater economy. Says the company.

Easy to set up (turn it on and press a button), the Jem K1 is quick to heat up. It features "exceptional output" from an innovative and powerful 600 W heat exchanger yet overall power consumption is less than 750 watts.

A high quality air pump system gives a smooth and uniform output while a special mixing channel allows the haze to optimise before being expelled. An automatic shut-down cycle has been implemented to prevent clogging.

DMX controllable, the Jem K1 Hazer is continuously ope

Details

14 March 2016

It is the third time that E/T/C London has been involved in the biannual three-day mixed-media extravaganza and Firework Prom which attracted audiences of up to 10,000 per night with proceeds going to the Army Benevolent Fund.

The PIGI scrollers contained 19m of film and produced over 100 looks on the building, with all artwork created by media designer Paul Chatfield.

Chatfield took approximately a month to research and compile the finished artwork, working closely with show producer, Major Sir Michael Parker who also storyboarded the production.

The seven projectors were positioned 46m from the building, covered by S

Details

14 March 2016

Sture Berg, director of operations and finance at projectiondesign comments: "Winning this prestigious award for the second time running is a real achievement. It shows that the AV industry recognises and understands projectiondesign's value offering and dedication, both to the channel itself, but more importantly to the users and owners of our products. Without satisfied partners and users, we would have not existed the way that we do."

Barco won three awards. The DML-1200 digital moving luminaire was awarded Best Display Product of the year, while The Comcast Experience with Barco's NX-4 LED product won the award for Digital Media Project o

Details

14 March 2016

"Often our industry is creating "a vacation look" for everyone else, so we are very excited to offer this great opportunity to get away on your own vacation," said Rick Rudolph, chair of the Behind the Scenes committee.

Tickets are $25 each or 5 for $100 and will be available throughout the LDI show at the Behind the Scenes booth #2810. A maximum of 2000 tickets will be available. Tickets will also be available at the ESTA Annual Dinner on Thursday evening and the Rose Brand party on Friday evening. LDI 2008 takes place from

Details

14 March 2016

CT - one of the world's leading suppliers of audio-visual and event management services - says seeing the G-LEC Phantom system in operation at Hockenheim, which hosted the Formula 1 Santander Grand Prix in July, was a major factor in the decision making process.

Dave Crump, managing director of CT London, said: "Quality and reliability are vital to our business, and we were extremely impressed with what we saw at Hockenheim. As well as being really bright, the Phantom system is both light and easy to rig, all-important factors when the pressure is on."

The agreement was signed by David Crump and Lars Wolf, managing director of G-LEC, during an exceptionally successful PLASA show in London. CT will initially take 100 Phantom30 and

Details

14 March 2016

B10 has been specifically developed for the sports market to address the ever-increasing demand for pitch side, or perimeter, advertising screens, which provide important additional revenue for clubs and venues.

Each B10 panel measures 1280mm (w) x 960mm (h) and uses Lighthouse's Enhanced Resolution (ER) technology to give an effective 10mm pixel pitch. 5,000 nits of brightness enables B10 to cope with any level of ambient light, even direct sunlight, and accurate colour reproduction means that advertisers logos can be perfectly replicated, says the company.

An important design modification of the B10 is its rubber louvres, incorporated to protect players on the field should they accidentally run into it during the course of play. Additio

Details

14 March 2016

New to the DN-V110 is the 108MHz/12-bit video DAC with full 1080p video upscaling, providing for full HD specification output of standard definition DVD signals, with a resultant significant increase in picture quality when connected to HD Ready and Full HD displays. Upscaling is performed to 1080p, 1080i or 720p, as determined by the specification of the connected display.

To match the picture quality, a 192kHz/24-bit Burr Brown audio DAC provides high resolution audio decodin

Details

14 March 2016

The completed upgrade has involved eMerging in the design, construction and installation of six new audio dubbing suites at Lime, each with Merging Pyramix audio Post-production DAWs, VCube HD high-definition video playback systems, and Merging Ramses control surfaces.

Alongside the equipment from eMerging, Lime also purchased new HD Sony HDC-1500 cameras, built a new Central Apparatus Room (CAR) with a 102-Terabyte Data Direct video production SAN, and adde

Details

14 March 2016

Located in both Bromsgrove and Hemel Hempstead, the operation will be headed up by Rich Rowley, assisted by an experienced and professional team of 23. XL Events has been established to offer the latest sound, lighting and AV technology drawing on the experience, resources and project management of the XL Video group of companies in the UK and Europe.

Rowley comments: "We have a vast pool of knowledge and creativity, plus access to a wide variety of equipment. As part of the XL Group of companies we have the resources to offer the most comprehensive and cost-effective packages and support involving everything from providing the technical infrastructure to the logistics of making an event happen effici

Details

14 March 2016

Philips first application, Lumalive Event Gear, is appropriate to the promotion and event industry for experiential marketing, says the company. It is a revolutionary communications medium delivering visual impact, emotional appeal and compelling messages. Integrating colourful dynamic LED lighting into clothing, Philips Lumalive adds a completely new dimension to the way brands communicate.

"We are very happy to partner with XL Video in the distribution of the Philips Lumalive product line; they are open to innovation and new technologies," says Bas Zeper, general manager Philips Lumalive. "XL is creative and always works on the cutting-edge, making them the right partner to implement Lumalive in a creativ

Details

14 March 2016

The Cobra range of LED video display panels is the result of an extensive research and development effort by Element Labs to create a next-generation display technology. Cobra technology claims a number of industry firsts, including a revolutionary panel design less than 70mm deep and weighing as little as 29 kg/m2 (fixed install panels), extremely low power consumption, full IP66 rating front and back, no cooling fans, an extended RGBC colour gamut, FCC Class B emissions and true 100,000 hour lifetime.

Barbara Nelson, CEO of Element Labs, says: "The introduction of our new Cobra platform forms part of our strategy to lead through innovation with our products and our people. Cobra 16 and 11 wil

Details

14 March 2016

Marcus Kromer was seconded to PRG for Madonna's Sweet and Stickytour, responsible for grandMA support for the M-box Extreme video programming.

Tim Routledge spent his summer in Beijing as programmer to LD Durham Marenghi for the London 2012 Handover Ceremony at the closing ceremony of the Beijing 2008 Olympics and Paralympics whilst business partner Pryderi Baskeville had a busy summer between setting up the Bill Bailey tour in Australia, the Charlotte Church Show and Ronan Keating dates.

(Jim Evans)

Details

14 March 2016

This device produces large flame effects without on stage propane bottles. It produces safe, effective and impressive bright tongues of flame and fireballs up to 4m and is practically smokeless, says the company. Unlike the majority of fire-effect devices the Safex-Flamejett works with an aerosol containing the propellant / fuel mixture.

The 380g aerosol contains enough propellant to produce large numbers of flames and fireballs, ensuring that only a small amount of flammable substance is on stage. For professional use the device is equipped with DMX 512 connections. To operate, three channels are necessary: an arming channel, a firing channel and a flame duration channel. It is equipped with pre-selectable effect programmes and can produce rhythmic tongues of flames

Details

14 March 2016

Based in Guatemala and serving the Central American region, CVS Hightech, develops video and audio projects using state-of-the-art technology to create new opportunities in underserved markets.

CVS Hightech has significant experience in the Central American market and covers the surrounding states of El Salvador, Panama, Belize, Honduras, Nicaragua, Costa Rica, as well as Guatemala itself.

Juan Ramón Echeverría, of CVS Hightech comments: "The Aethra products were selected over other brands for distribution in Central America because of the built-in-streaming capabilities that allow remote areas to participate in distance learning projects, broad compatibility with any other endpoints devices and th