USA - California-based Mastermind Production Group Inc has added JBL Vertec subcompact line array loudspeakers to its roster of live sound equipment.

Recently, Mastermind purchased 18 JBL Vertec VT4886 subcompact line array elements and nine VT4883 subcompact arrayable subwoofers to add to its rental inventory. Other JBL speakers in use by Mastermind include VRX932LA-1 Constant Curvature powered loudspeakers, eight 18" VRX918S subwoofers, SRX712M stage monitors, and AC25 speakers for use as area-fill speakers. The company will be adding more VT4886 and VT4883 speakers by the end of December.

"We are a regional sound company in Orange County, California. We pride ourselves on having great gear and doing great work," says Chad Griswold, president of Mastermind Produ

UK - Liverpool- based Adlib is supplying its new Pixled F30 LED screen, a Catalyst media server, full production lighting, FOH and monitor sound consoles and a stage monitor system, plus crew for the BRIT Award winner Ellie Goulding's UK tour. For selected shows, including the London showcase at Hammersmith Apollo, they also supplied the full PA, as required by Jamie Butterworth - Goulding's production manager.

Adlib's Ian Tomlinson designed the lightshow for Goulding, which was developed in close collaboration with Goulding's drummer and musical director Joe Clegg, who produced all of the show's video content through his design agency Artclub.

Taking these visuals as an overall creative starting point, he and Tomlinson looked at the options on screens, which resulted in Adlib's purchase of the Pixled F30, which is configured for the tour as an 8m wide by 4m deep back wall ups

USA - The historic showroom in the Hilton Hotel in Las Vegas boasts a 12-unit Martin MaxModules lighting control system, the largest MaxModules console ever assembled in the world and the latest in a string of Martin controller installations in the city.

The system consists of two MaxModule Cerebrums, two MaxModule Playbacks, two MaxModule Buttons, one MaxModule Programmer, and five MaxModule Submasters, all mounted in a completely customised frame.

The man responsible for integration of the extensive setup is Matthew Paupst, system design engineer at FBP Systems of Las Vegas. Paupst brought in Hilton lighting director Mark Broedling to programme the system.

"The showroom underwent a facelift and needed a new lighting control solution," Paupst stated. "I've used the Maxxyz system for a long time and am familiar with its many benefits, but the modular concept o

UK - Rotherham Civic Theatre and Arts Centre has addressed a number of ongoing issues: Health and Safety, turnaround times, carbon footprint as well as energy and labour costs, in one fell swoop with the purchase of 16 PixelRange RGBA PixelPars, featuring high intensity CREE LEDs.

Working at height to change the lamps and gels for static lights is common practice in UK theatres, but the PixelPars have brought a dramatic change of circumstance to the theatre. For the first time, operators have instant control over the lighting colour via DMX control. The PixelPars are fitted with 40 degree diffusers to give good coverage and are zoned to spread colour evenly across the stage.

Technical manager Steve Smith comments: "We looked closely at the marketplace to see what was available and the PixelPar won the vote of th

USA - Platinum-selling rock band Flyleaf have been touring constantly in 2010, building upon the success of their Memento Mori and Flyleaf albums. Now on the second leg of the band's Unite and Fight tour, Rich Caldwell (front of house engineer) and Sean Patrick (monitor engineer) rely on Soundcraft Vi6 and Si3 digital mixing consoles, respectively.

"Earlier this year we were able to secure a production budget to carry consoles, so we started shopping for a desk to rent," says Rich Caldwell, Flyleaf's front of house engineer. "We wanted to go analogue at the time, but it's just not practical for a multi-band bill and limited trailer space. After several lengthy conversations with Vince Kapchinski, the owner of Backstage Sound and Lighting [of Bryan, Texas], we decided to take out the Vi6. He kept raving about how 'analog' the Vi6 digital sounde

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