Encore Performances build tension on Frankenstein
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To help maintain the suspense and ratchet up the tension, lighting designer Johanna Town, used four MAC Encore Performance WRM, provided by HSL, in her armoury of effects.
The whisper-silent performance of the warm white fixture was critical for the in-the-round space, as she acknowledged.
"Since the Royal Exchange Theatre is in the round, and the audience sits amongst the lighting fixtures, we needed a moving light that was super quiet - and I have to say we were extremely pleased with the Martin MAC Encore. The lantern has a beautiful tungsten feel to warm white but at the same time is also able to be used for cold attack effects. The beam has a really nice flat field with a good zoom range.
“The units come with some nice breakups and water effect gobos, and we found the animation wheel really useful. We used the on-board LED motion flicker (Animotion FX System) throughout the show to great effect. Overall we were very impressed with the Encore, it felt like a high quality moving light designed for the theatre market," she concluded.
Her assessment was echoed by Mark Distin Webster, head of lighting at the Royal Exchange Theatre. “We were very impressed with our first encounter with the MAC Encore; physically it is a very easy unit to manipulate and rig with handles in all the right places. Our intimate, in-the-round space means noise is a huge factor when specifying kit and the Encore is certainly one of the quietest we've used.”
Distributed in the UK by Sound Technology, the Martin by Harman portfolio has been boosted by the arrival of the MAC Encore Performance.
(Jim Evans)
