Denmark - Coinciding with Denmark’s ‘Freedom Day’ - the lifting of all the current coronavirus restrictions - in September, an innovative and popular production of Jesus Christ Superstar featuring the Danish Chamber Orchestra (Danmarks Underholdningsorkester) conducted by Andreas Vetö was staged at Copenhagen’s Royal Arena, complete with a spectacular lighting and stage design by Sune Verdier.
This version of Andrew Lloyd Webber’s ‘rock opera’ embraced the production genres of theatre and rock ‘n’ roll in staging and lighting.
The lighting included an all Robe moving light rig comprising nearly 150 luminaires - supplied together with audio equipment by Copenhagen-based European Tour Production (ETP).
Imposing three-tiered scaffolding decks accommodated the orchestra, while a 30m long 3m wide runway extended across the arena floor which was the principal playing area for all the action. This layout enabled the actors to get close up to the audience, which apart from the surprise element - as everyone gets used to face-to-face contact again - was particularly effective for the many intense and intimate JCS moments.
With no video the pressure was on the lighting as the main visual embellishment to enhance all the emotion, drama and thought provocation of the piece, plus highlighting a string of rousing musical numbers. “I wanted the lighting to be edgy, simple and impactful,” explained Sune.
During the planning stages, no-one was certain what venue capacities might be possible, so it was planned for a half-
USA - Tom Kenny wowed the crowd and cameras at the iHeart Radio Music Festival at the T-Mobile Arena in Las Vegas in mid-September with a big, but artfully balanced, lightshow that featured 124 Chauvet Professional Maverick MK3 Wash fixtures supplied by 4Wall Entertainment.
Produced by Diversified Production Services, C2W, Firehouse Productions, All Access Staging & Productions, Inc., and Atomic, The iHeart Radio Music Festival is “a real hybrid,” notes Kenny. “It’s really a big TV special,” he said of the show, which was broadcast on the CW Network. “All the experienced LDs and creatives understand that this is not a festival in the usual sense of the word. It’s a huge party being filmed and aired for the enjoyment of millions of fans.”
With this in mind, Kenny used copious amounts of lighting, along with video elements to create an ebullient, festive aura that made it easy for fans at the venue as well as those watching on TV to get swept up in the good-time excitement. The characteristics of the T-Mobile Arena provided him with a good foundation for generating this atmosphere.
“I’ve lit many big shows and TV specials here,” said Kenny “This is very much a 21st century arena with all the bells and whistles that can help a show of this kind. It has a very high trim and some great video elements including ribbons that helped me build a bigger palette. This setting contributed to the show coming off so well, as did my colleagues in this project Mike Appel ,Fuji, Jess Baker, Mark Butts. Jason Uchita, Bob from 4Wall, Joey Vi
Germany - On 9 September, Gentleman was the star guest at the Strandkorb Open Air series of concerts at Berlin’s Hoppegarten venue. The reggae artist from Cologne and his band delighted around 2,000 fans who watched from the comfort of 1,000 two-seat beach chairs at the historic racecourse.
Wired and wireless microphones and IEM solutions from the Sennheiser portfolio are ubiquitous at concerts by Gentleman and his band. And by forming the first links in the audio signal chain, they play a key role in ensuring the live sound quality.
For his performances, lead vocalist Gentleman, aka Tilmann Otto, uses a Sennheiser SKM 6000 handheld transmitter fitted with an MM 435 microphone head.
At the Gentleman concert at Berlin’s Hoppegarten, a 19” rack was located directly next to the monitoring console set up at the side of the stage. The rack contained two Sennheiser EM 6000 receivers, an L 6000 charging station and three LM 6060 modules, as well as a drawer with five SKM 6000 handheld transmitters and various capsules.
“We’ve been using the digital Sennheiser systems since the beginning of the 2021 summer season,” said Nepomuk “Muk” Tuschy, who has spent many years working as the monitor mixer for Gentleman. “It makes absolute sense for a touring band to take their own backline and all the mics along with them. And we intend to buy more Sennheiser microphones in the future so that we can completely mike the drum kit using suitable models from this manufacturer. At the moment, we are already using a Sennheiser e 901 boundary microp
UK - England’s Enlightened Lighting sparked up its stock of VL10 Beamwash and VL2600 Series luminaires from Vari-Lite for the Bath Festival Finale Weekend in August. One of the first major music festivals to take place in the UK after the pandemic lockdown, it saw favourites McFly, Scouting for Girls and Gabrielle perform alongside a host of big-name bands.
For Dave Thorpe of Enlightened this was the first time their newly purchased VL2600 Profile and Wash fixtures and VL10s had graced the stage of a busy festival. Therefore, he was keen to see how they performed and gauge the response from both festival lighting designer Nic Ayres and McFly’s visiting lighting designer, Chris Yeomans.
“It was a delight to use the VL2600 Wash and Profile fixtures and the VL10 Beamwash luminaires on this production,” says Ayres. “The colours are great - and although the fixtures can be a bit channel hungry that does make them all the more flexible, which is crucial in a festival situation.”
The rig was designed as a traditional spot and wash set up with the versatile VL10 Beamwash luminaires taking care of backlight gobos from the rig.
“What is great about the VL10s is that they work as a beam, a wash and as a spot, which is brilliant on such a small stage and with such limited time to program,” Ayres continues. “None of the acts bring in any set, except maybe a backdrop. The atmosphere is all coming from the artist and from the lights augmenting the mood of the performance, with a bit of haze thrown in for good measure.
“The VL10s are
Germany - With a capacity of 2,500 seats, the Festspielhaus in Baden-Baden is considered Germany's largest opera and concert house. However, the huge concert hall is acoustically challenging. A recently installed Alcons QR24 pro-ribbon column speaker system is reliably mastering these challenges.
The project to replace the ageing sound reinforcement system of the Festspielhaus had been underway since 2017. The German-based theatre consultancy Walter Kottke Ingenieure GmbH were commissioned to do the job. The specialist in charge, Joachim Lindemann, reports: "The system was not only outdated, but also yielded rather sub-optimal results.
“Due to its size and wall surfaces, the hall creates a reverberation of more than two seconds. Great for concert performances but very problematic for sound reinforcement of any kind. The more sound energy you release into the room, the more response you receive in return. Unless the throw is super directional, one will eventually lose control of the sound at some point.“
Lindemann suggested an Alcons QR24 modular line-source array column system for a listening test. While listening to it, Stefan Ibach, team leader audio and video technology at the Festspielhaus, "almost fell off his chair," the planner is pleased to report. "In fact, I've never heard anything quite like this in this room“, Ibach agrees.
During the summer break, two QR24 4x 6,5” (left / right) systems were installed, supplemented by a center cluster of 4 LR14 pro-ribbon line array systems. Three additional QR24 systems each (left / righ
USA - To create exciting, immersive visuals that highlighted Red Rocks Amphitheatre’s unique layout during the String Cheese Incident’s multi-night run, PHNTM Labs deployed a lighting rig featuring Martin Professional lighting fixtures, provided by Brown Note Productions.
Colorado-based jam band The String Cheese Incident returned to the Red Rocks Amphitheatre for the 45th time this past July to kick off their 2021 tour, marking the first full-capacity events at the venue in over a year.
Red Rocks’ geological architecture and storied history make performing there a major career milestone for many artists, with performers from The Beatles to Vulfpeck gracing the stage over the past 80 years. Because the venue’s steep seating arrangement means a majority of the audience is seated above the stage roof, Red Rocks has historically posed a challenge to lighting designers. However, the venue received a new stage and roof area in 2020 for easier installation and greater production potential.
To give audiences an unforgettable experience, The String Cheese Incident requested a dynamic light show that kept up the excitement throughout their multi-hour improvisational sets and reached every audience member with impactful and immersive visuals. To deliver a truly memorable light show, PHNTM Labs deployed an advanced lighting rig featuring Martin VDO Atomic Dot and MAC Axiom Hybrid fixtures.
“The String Cheese Incident generally do multi-night runs at Red Rocks every year,” said Michael Smalley, creative director, production designer and lig
UK - The newly launched Strand Electric Pattern 23M lantern from Pacific Lighting (HK) is a 1/3 scale replica of the original Strand Patt 23 Mk1 designed by aircraft designer, Morgan McLeod.
The fully working model has a 3W 3000K LED source and is available with a choice of telescopic stand, swivel arm wall bracket or ceiling/floor plate. The lantern can be connected to a USB phone power supply or computer, and the beam angle can be altered by moving the lens back and forward.
Hugh Chinnick, director of Pacific Lighting has spent several years researching and developing the Patt 23M (‘M’ stands for Mini) to perfect every detail of appearance and performance.
“For more than 20 years it has been my dream to produce a scale model of the Patt 23, one of the most iconic lanterns in British theatre lighting history,” he says.
“It has taken over four years of development, failures and triumphs. I have been fortunate and very grateful to have had the contribution, encouragement, and expertise of people without whom my dream would not have been realised: Mike Wood who meticulously produced the very first 3D printed working model of the lantern and kept my feet firmly on the ground, and Scott Ingham, Susan Lo and their team at Ingham Design who took on the onerous task of preparing all the necessary detailed drawings in preparation for production.”
The Pattern 23M is cast in zinc which provides a superior quality of finish while retaining excellent thermal properties as a heatsink for the LED, together with a good weight. Over time,
Austria - Austrian Audio has announced the first of a new line of instrumental microphones for use in the studio and on stage: the CC8. Integral to this new small diaphragm microphone is Austrian Audio’s OCC7 condenser capsule. Inspired by the CK1, this newly developed capsule ‘delivers all the benefits of that classic design updated to meet the demands of today’.
The capsule’s three-micron-thick gold-coated polyethylene napthalate (PEN) diaphragm is much more robust than conventional mylar alternatives, says the company. The OCC7’s filter fabric guarantees a constant broadband cancellation, resulting in outstanding cardioid characteristics with exceptional attenuation of sound coming from the sides and rear.
The CC8 can handle high sound pressure levels of up to 156 dB SPL without distorting.
Thanks to the built-in switchable attenuation of 0 dB, -10 dB, and -20 dB, the microphone can be positioned very close to loud sound sources such as trumpets without fear of distortion. Rumble and impact noise are effectively eliminated with the switchable high-pass filter (60Hz 2nd order, 120Hz 2nd order).
The Austrian Audio CC8 is hand-built in Vienna. Before leaving the factory, each microphone is measured and tuned to a maximum tolerance of only +/- 0.5 dB sensitivity at 1kHz. This means that any CC8 can be match-paired with any other, regardless of their production dates.
UK - #WeMakeEvents, the campaign to amplify the voice of the live events supply chain, has now raised over half a million British pounds through fundraising efforts over the last 18 months, supporting charities which have helped industry professionals through the pandemic.
The milestone was reached during PLASA Show 2021, where #WeMakeEvents hosted a dedicated hub to promote wellbeing and mental health throughout the live sector which featured several industry charities and initiatives and welcomed a steady stream of visitors.
80% of the funds raised have gone directly to Backup, the campaign's chosen industry which supports professionals throughout the technical entertainment industry in times of ill health or financial need. In turn, Backup funnels vital funds to Acting For Others, Music Support, Stage Hand and Make It Blue UK, each one providing specially designed services to guide and support.
Matt Lloyd, charities and sponsorship co-ordinator for #WeMakeEvents, comments: “It is a fantastic achievement to have reached half a million - something that would have been impossible without the generosity of the people. The #WeMakeEvents team is truly humbled by the support we have received along this journey, showing that the live events supply chain is a valid and viable part of the cultural sector. It is with this financial support that our industry’s companies and workforce can get back to doing what they love best and show the world why live events and entertainment are not only important, but crucial to society.”
There have been severa
USA - When Germany-based Thomas Christmann saw Claypaky Xtylos at a Prolight + Sound expo in Frankfurt he knew he had to work with the fixture one day.
The lighting designer and director for metal band Korn since 2015, Christmann, who is known as ‘Church’, thought the 2020 tour planned for the band would be the perfect opportunity to use the first moving head light with a laser light source. “I’m not a big fan of beam lights and try not to use them for effects lighting,” he says. “But I love the Xtylos beam, their colour and speed and was eager to use them.”
Then the coronavirus pandemic intervened and 2020 touring for all bands was cancelled. But as soon as Korn was booked to play two 2021 summer festival dates, Church put 20 Xtylos from OSA International, Inc. in the rig for Rock Fest Wisconsin and the Upheaval Festival in Michigan.
Now Korn has begun a 28-date US tour with Staind. The run kicked off in early August in West Palm Beach, Florida and will wrap at the end of September in Dallas. Church upped the ante and specified 36 Xtylos for the tour, also obtained from OSA. He mounted four each on top of a straight line of five upstage pods, which roll onto the set, and eight on each side of angled upstage trusses, which split over the drum riser.
“My lighting designs are pretty theatrical with cues and strong looks - I don’t go crazy with a lot of positions,” Church explains. “The Xtylos’s beam light was very impressive when I saw it the first time, and I trust OSA’s (vice president, lighting) Mark Fetto, whom I
Turkey - ChamSys has appointed Modern Elektronik as its exclusive distributor in the Turkish market.
Modern Elektronik, which has overseen major installations, as well as theatre and touring projects throughout Turkey, will be responsible for selling and servicing ChamSys’ line of consoles in the country, including conducting hands-on training.
“Modern Elektronik is an excellent company with strong values that align with our own,” comments Aziz Adilkhodjaev, international sales and business development manager for ChamSys. “Modern Elektronik will be offering a variety of hands-on experiences with ChamSys products. I am looking forward to visiting their facility soon to work with them on master classes on the latest Stadium consoles like the MQ500M and MQ250M.”
Erkan Işıksel, Modern Elektronik’s managing director, adds: We are very excited. Chamsys was our first choice. We have a history with ChamSys, and have always been very impressed by the versatility and user-friendliness of the company’s products. We strongly believe that ChamSys products will be right for the needs of our customers. There is a great potential ahead for ChamSys products in a wide range of establishments in Turkey.”
India - The Centre for Materials for Electronics Technology (CMET) in Hyderabad enlisted KVIK Infotel to equip the facility with an end-to-end Harman Professional Solutions audio system.
An autonomous group under the Government of India’s Ministry of Electronics & Information Technology, CMET is a research institute dedicated to developing materials for electronics using local resources and supporting India’s technological industries.
Administrators at CMET wanted to utilise the facility’s auditorium for events including training sessions, conferences and seminars; however, the auditorium’s previous audio system lacked versatility for different types of events. To meet CMET’s goals, AV integration provider KVIK Infotel overhauled the auditorium with flexible and cost-effective JBL Professional, Crown Audio, Soundcraft, BSS and AKG audio solutions.
“The Centre For Material for Electronics Technology required an audio solution that could provide breathtaking sound output and clarity for a variety of events such as trainings, presentations and seminars,” said K. Venkata Krishna Rao, director, KVIK Infotel, Hyderabad. “We decided that the JBL PRX speakers would be the best solution, as they would deliver extensive coverage.”
The installation team designed the new audio system so that the auditorium could be used either at full capacity or as two separate seminar halls and still have pristine sound quality and coverage in either setting. The combined set of JBL PRX415M two-way monitors and PRX418S subwoofers create a system
USA - Car dealership Porsche Austin’s top floor window display features 10 Porsche cars highlighted using SEVEN Batten 72 linear lights from Elation Professional.
Eric Bernstein of Intelligent Lighting Services (ILS) of Austin has worked with the dealership’s ownership group for about 20 years. On this latest project, he worked with Kirk Franceschini, managing partner at Hi Tech Motorcars (Porsche Austin Group), who was tasked with implementing a lighting system that would attract attention to the new dealership. The idea was to line 10 Porsche cars along a sixth-floor display window and illuminate them in high-quality lighting so they couldn’t be missed by the myriads of people who drive by the dealership each day.
Bernstein designed the sixth-floor look and specified 20 Elation SEVEN Batten 72 fixtures, 6ft colour-changing LED battens with 7-color multi-chip LEDs, two units illuminating each car. “We brought several fixtures up there to demo in order to give the client a few choices,” said Bernstein, who was already familiar with the SEVEN Batten from several church installations he has used them on. “We decided that the SEVEN Batten was best for both colour choices and power. It also has an integrated gel slot so it’s easy to put filters in.”
At Porsche Austin, the SEVEN Battens work with light halos above each car, each halo comprising 496 4-color LEDs with the intention of having full control over them. Each halo runs four universes via a Netron EN4 from Obsidian Control Systems, a powerful Ethernet to DMX gateway with interna
Serbia - Since it arrived on the scene in 1994 with over 100 channels, TV Pink has been a media success story. The privately-owned broadcaster is well-known for its innovative programming aired on numerous channels in entertainment, music, talk shows and news.
The popular broadcaster recently upgraded its PFI studio complex in Šimanovci near Belgrade with an intelligent LED lighting system.
Designed and installed by Novi Sad-based AVL Projekt, the new system includes a collection of 64 Chauvet Professional Maverick and Rouge fixtures as well as four RDMX Splitter 8 units and two Net-X II nodes.
The Chauvet Professional fixtures (16 Maverick MK3 Wash, 12 Maverick MK2 Wash, 12 Maverick Silens 2, and 24 Rogue R3 Beam units) were selected for the upgrade project after an extensive review by professionals in image quality and management of lighting resources, including PFI rental director Dragan Gravara, deputy director of PFI Rental Miloš Jeremić and directors of photography at TV Pink Nenad Serafijanović and Nenad Stojković Piksi.
As part of their evaluations, these experts checked the fixtures using two colour meters: Sekonic C800 and Sekonic C700. The analysis and testing proved that the technical characteristics from the specification matched the measurement results in actual environment.
Given the diverse range of programs on RTV Pink, the broadcaster’s team paid careful attention to evaluating the flexibility and multi-functionality of the lighting fixtures. They came away very impressed by the Maverick Silens 2 Profile LED movi
USA - Christie and the University of Waterloo’s Vision and Image Processing Lab are celebrating a new milestone – the development and productisation of the patented algorithm that drives the resolution enhancement of the new Christie M 4K25 RGB pure laser projector. This is the latest success between the institution and Christie, which together recently wrapped up a third, two-year research project.
The collaboration between the Vision and Image Processing Lab at the University of Waterloo and Christie began in 2013.
“Years ago, we wrote out a set of problems we’d like help with,” says Mark Lamm, senior product developer, advanced research and collaboration, Christie. “The group at the University of Waterloo works on vision and camera research, and more recently, machine learning. It was a match – we had problems and they had interest.”
Waterloo and Christie have collaborated on papers, presentations, and patents over the three projects. Each project involved eight to 10 graduate students and included an internship which allows students to dedicate two days a week to Christie research.
“Christie has interesting problems. The people at Christie appreciate the research aspect – we’re providing ideas and insight,” says Paul Fieguth, professor in systems design engineering at the University of Waterloo. “We’re committed to working jointly and talking about where our research is going and next directions, as well as contributing ideas to Christie’s research goals.”
The research that led to the algorithm for the
Austria - To give the reimagined Starmania 21 a fresh look, lighting designer Roland Greil designed a dynamic and versatile lighting rig using Martin Professional LED lighting fixtures and creative video solutions.
Starmania is an Austrian televised musical competition that was originally broadcast from 2002 to 2009 on channel ORF 1. This year, ORF decided to bring the show back as Starmania 21, with a fresh cast of contestants and a new panel of judges. Taking the opportunity to give the revived show a fresh look, the producers hired lighting designer Roland Greil, who designed a lighting rig using a variety of Martin LED fixtures and creative video elements.
“The young talents on Starmania performed all kinds of music, from early 20th-century Austrian folk music to the newest chart hits and everything in between,” said Greil. “You want to give every song the right look and feel. Your fixtures need to be versatile enough to do this, because you’re still dealing with budget constraints. You can’t have 300 lights for rock and roll and 300 lights for modern hits.”
Greil’s lighting design included 48 Martin MAC Aura PXL wash lights, To supplement these, Greil added 35 MAC Viper Wash DX fixtures for additional wash illumination. To highlight the performers, Greil selected 68 MAC Viper Performance fixtures, taking advantage of an innovative ‘Follow Me’ system, which automatically follows the performers’ movements like a traditional follow spot.
To produce synchronised effects, Florian Wieder, the prod
USA - St. Mary’s Cathedral of the Immaculate Conception in Portland, Oregon has served as the centre of the Archdiocese of Portland since the site’s dedication in 1926. For nearly a century, the intricately designed and stately cathedral has been the host of important ceremonies for the 400,000 Catholics living in the greater Portland metropolitan area.
The cathedral has many ornate elements designed in the Romanesque style with a few Byzantine elements mixed in. These include remarkable stained-glass windows. an apse dome, and an expansive ceiling rising three stories high. Many original and historic components of the church remain intact – and the artistry in the design work is critical to preserve during any renovation.
These architectural flourishes, coupled with the expansive size of the main worship hall, resulted in a cacophonous space where achieving intelligibility of the spoken word had long proved challenging. So, while the cathedral knew it needed an upgrade to its audio system, it was also paramount to keep cable runs to a minimum to preserve the historic architecture of the space. To achieve this, the cathedral relied on Audinate’s Dante.
“One of the main things that Dante does for us is it allows us to simplify the wiring,” said Devin Sheets, lead design and installation technician at Alpha Sound – the firm that designed and integrated the new audio system in the cathedral. “Dante allows the installation to go smoother because this is a space where the cabling is not standard. It’s not like a new build where you have
USA - When the COVID-19 pandemic first swept across the nation last year, Flagstaff’s Orpheum Theatre had no choice but to close its doors to the public. For audio production manager Scotty J., this meant not being able to showcase the venue’s new KF810P PA system from Eastern Acoustic Works (EAW).
While the Orpheum was closed, the theatre still produced some virtual events including about 25 webcasts during 2020 from its indoor stage with the new EAW system. The venue also created an outdoor space in the parking lot, which was first used for a two-day Halloween/Grateful Dead event last October.
Today, with some restrictions easing, Scotty J. is able to show off the new PA system as the Orpheum re-opens. Scotty J. chose the KF810P Line Array and SB818P Single 18-inch flyable subwoofers from EAW with the help of Sound Image, a full-service audio, video, theatrical lighting, control system, acoustic design and integration firm.
“Since we are a multipurpose music venue, we really needed a versatile PA that could handle all different genres of music that encompass various different decibel levels,” says Scotty. “Ben Davis from Sound Image was instrumental in helping us find the best system for our venue. We heard the EAW rig in a few different environments and it always sounded amazing. The acts/engineers that come through the venue know EAW, which added to my confidence in the brand.”
The new EAW PA system consists of 12 KF810P line arrays with six boxes on the left and right respectively, 12 SB818P Single 18-inch flyable subwoofer
Spain - Thirty-five years ago Amate Audio introduced its original TriPhonic 2.1 power amplifier design, an integrated L/R and sub solution for small sound installations. More recently the company revived the concept with a Class-D based design - the TPD - incorporating onboard loudspeaker management DSP and proving popular with installers and commercial audio contractors.
Now the Barcelona loudspeaker company has extended the application potential of the platform with the launch of a higher power rated iteration of the rack-space, cable saving format. As the name suggests, the TPD3K provides in excess of 3000 W of combined power, with up to 750W continuous program power each for the left and right channels, and 2000W for the sub channel (at 4 Ω).
Onboard control DSP offers much of the operational performance advantage of Amate Audio’s fully active loudspeaker systems, including remote PC based configuration via the company’s intuitive DSPLink software. Adjustable system parameters include highly accurate filters, parametric EQs, Peak / RMS limiters, and delays enabling time-alignment of amplifier channels.
R&D’d system presets enable instant optimum configuration of a range of Amate Audio loudspeaker models in the most common applications. In the TPD3K these extend to control of some of the larger models in the Nítid series, including the largest N18WP and N218WP subs.
Comprehensive I/Os comprise balanced XLR stereo inputs, L/R and sub speaker connectors on binding posts and Speakon connectors, and three discretely configurable DSP
USA - When San Francisco’s Tempo debuted in 2020, it had the connected fitness industry buzzing. The interactive personal training solution brings a team of expert trainers into the home virtually, with adaptive technology that delivers real-time guidance and creates custom workout plans around a user’s fitness goals.
Instructors are filmed in a dedicated recording space in San Francisco, and audio is a key consideration in simulating the energy of an in-person workout class. To provide users ‘the ultimate sound experience’, the brand selected DPA Microphones.
According to Cemil Revan, Tempo’s head of studio, the company first selected DPA 4288 and 4088 headset microphones to support its audio needs. Following a preference from instructors, the studio later incorporated a pair of 4017B shotgun mics in an XY pair overhead and 4098 gooseneck mics on the floor.
“Our trainers move all over the place and get really sweaty, so I went to DPA to help problem-solve our unique situation,” explains Revan. “From the start, Gabriel [Antonini, DPA business development and global support manager] was so helpful. I had been experimenting with the idea of having external microphones to capture the trainers and he helped me so much in this process. I couldn’t have done it without him.”
Ultimately, Revan and Antonini settled on the 4017B and 4098 as the primary mics for the live workouts, which are now used in both the original location and the newly opened second Tempo recording space. “We’re running all DPA equipment at our two recordin
USA - North Montgomery High School auditorium in Crawfordsville, IN, is benefiting from a new technical upgrade, including advanced C21 dimming technology and Vision.net touchscreen control interfaces from Strand.
Looking for new power-saving LED house lights and stage lighting control infrastructure to replace their increasingly unreliable systems, North Montgomery High School turned to Associated Controls & Design (ACD) for help. “The existing wall controls had started to fail, while the dimmer racks were also failing and had started randomly flickering various circuits when the system was in use,” said Sean Cole of ACD.
Cole opted for Strand’s versatile C21 dimming system because it offered “the best level of flexibility and control for the needs of the auditorium”. He specified a combination of non-dim modules for the stage circuits, and IGBT modules to take care of the new, dimmable-LED house lighting system.
A new Strand Vision.net system, installed on the existing wiring infrastructure, allows touchscreen control of the house lighting system for the operators in the control booth. Further Vision.net touch panels are positioned near the entrances and on the stage.
“The ability to seamlessly go from using Vision.net, to the lighting console and back, was instrumental to meeting the customer’s needs,” said Cole. “And the generous 10-inch touchscreen allowed me to put most of the controls on one screen for easy access,” he added.
“Overall, the new system offers a greater level of flexibility and a system that
UK - Polar has announced the promotion of current national sales manager for integrated solutions, Will Turney, to the post of head of integrated solutions. Will joined the Polar team in 2017 as a business development manager after five years with HARMAN-owned AMX.
Will Turney comments: “My role managing the integrated solutions division will include supporting and developing the sales and technical support teams at Polar in continuing to meet the challenges of a fast-moving technology sector. I will also be responsible for liaising with our brands to develop strategies for new product launches, as well as ongoing product updates. My task is based on taking a holistic view of the industry to help us develop in new areas and respond quickly, as a value-added distributor, to the needs of the market.”
Polar managing director John Midgley adds: "In his time at Polar, Will has demonstrated a comprehensive understanding of AV technologies and their application in the widest range of market sectors. He’s very well respected by our team members and customers, displays great energy, and possesses a highly developed set of skills that make him the ideal fit to take charge of the division.”
UK - The recruitment network for creatives and freelancers Curtain Call has re-launched an improved membership platform to help link up freelancers with employers - and PLASA members benefit from reduced subscription fees.
The network, which is free to join by freelancers, has a search and match algorithm that makes it easy for employers to find skilled available freelance technicians and creatives for project-based or long-term positions.
Businesses looking to recruit need to subscribe to search the database, with PLASA members able to get 15% off for 12 months by signing up through the Pioneers programme. For every PLASA member company that signs up, Curtain Call will donate £15 to #WeMakeEvents, and for every month of membership, the network will plant a tree. Early adopters include the Ambassador Theatre Group, Donmar Warehouse, Sonia Friedman Productions and White Light.
Peter Heath, managing director of PLASA, comments: “Curtain Call is a fantastic platform which brings employers together with skilled workers while also creating accessible pathways for newcomers into our industry. We couldn’t be more pleased to bring this service to our members, particularly after the prolonged period of industry closure and loss of personnel to other sectors. This partnership will certainly help to connect up and regenerate our sector’s workforce.”
Matt Humphrey, founder of Curtain Call, adds: “We are thrilled to partner with PLASA and lau
UK - Yesterday morning, Chauvet’s Sam Bowden departed from Stratford Upon Avon to embark on day one of his 101-mile walk to the National Theatre on London’s Southbank. Staged over five days, the fundraising event will raise money for the ALPD’s 2021 Lumière scheme and industry charity Backup.
Members of the ALPD’s executive committee and other members of the Lumière scheme working group, including Lucy Carter, Charlotte Burton and Tamykha Patterson are completing the walk remotely, racking up the mileage around existing work commitments to raise funds for two great causes.
Charlotte Burton explains: “We have taken on this almighty test of endurance because we believe that the work achieved through the Lumière Scheme and by Backup is vital and worth the sore feet!”
Looking forward to a pint to refresh his legs at the end of day one, Sam Bowden added, “The first day definitely brought home how big the challenge is. The good news is that’s the longest day done!”
The funding will assist the evolution of the Lumière scheme which for the past five years has seen continued success. The scheme creates pathways into the lighting production industry by offering real work opportunities alongside established practitioners. The ALPD are committed to expanding the current Design scheme and establishing the new Production scheme. All Lumières are paid for their work on the full six-month scheme, whilst those on the virtual scheme receive a micro-bursary.
Backup provides financial support to industry technical professionals, crew/