World - Following on from the inaugural Virtual Showlight event, which took place on 25 May 2021, the Showlight Committee have announced that all papers and video shorts are now available to view online on the Showlight website.
Speakers Hamish Jenkinson, Mike Bauman, Ken Billington, Aaron Porter, Rob Halliday, Isabel Nielen, Floriaan Ganzevoort and Mike Evers, and David Bishop spoke on topics that included the illumination of a lighthouse on an island in the Bahamas, lighting a comic book movie, the remote lighting of a stage musical from half way around the globe, transforming a shipyard into an art gallery, and taking a spin on the Strictly Come Dancing dance floor.
Also viewable online is the panel discussion on the subject of diversity in the industry, chaired by Paule Constable, which gave voice to young people with inspiring insights into their journeys into lighting, their plans to raise awareness going forward and the importance of free communication between colleagues to aid mutual understanding.
The papers are augmented by a series of video shorts that tantalised the lighting tastebuds between papers on the day, with a few bonus presentations added for good measure. Contributors include Jules Fisher + Peggy Eisenhauer, Tony Simpson, Ryan Metcalfe and Elliot Smith, Marco Miglioli and Bill Klages.
All papers and video shorts are available to view free-of-charge, but Showlight would like to remind people that donations to industry charities Ba
Europe - The inaugural Conference on the Future of Europe (CoFoE) event - a European Union initiative to reform its policies and institutions - took place in May at the European Parliament in Strasbourg. The hemicycle debating chamber sits inside the striking Louise Weiss Building designed by Parisian-based Architecture-Studio and opened in 1999. It includes a 60m high tower which is left looking deliberately unfinished and was inspired by Roman amphitheatres and the mythical Tower of Babel.
The event included a welcome speech by French President Emmanuel Macron and contributions by other high-ranking politicians and EU officials. As CoFoE was aimed primarily at a younger audience of under 40s, production company Nimblerr asked lighting designer Dimi Theuwissen of Belgium-based creative practice ID2Q to energise the distinctive hemicycle ensuring it looked dynamic and different on camera for this special broadcast.
Dimi decided to change up the look and mood completely with a fresh approach, lighting the room architecture in the background, and in doing so, bringing its presence right into the foreground and camera shots. Helping him to achieve this aesthetic were over 200 Robe moving lights - Spiiders, Tetra2s and LEDBeam 150s.
CoFoE was livestreamed and joined by 300 gen-public via zoom together with various ministers, dignitaries, and VIPs, all of whom appeared on seven large LED screens strategically deployed in a circular around 300 degrees of the hemicycle. Erasmus students from all EU member states were present in a socially distanced live a
The Netherlands - The Grand Final of the 65th staging of the Eurovision Song Contest event took place at the Rotterdam Ahoy in May, where winners Italy triumphed over the other 25 finalists with their song Zitti E Buoni performed by Måneskin.
Utrecht-based Ampco Flashlight were the ESC’s official technical supplier for audio, lighting and rigging, working with Erwin Rintjema, ESC’s head of production, who was responsible for the whole technical production this year and Jeroen ten Brinke, ESC’s head of live sound.
Ampco Flashlight’s Remco Verhoek was their project manager, audio, for the event and he describes the role which Newton played in their system design: “Newton was used as matrix mixer to sum all the mixers to the PA feeds. There were two DiGiCo Quantum7's and two Yamaha CL1's, matrixed into a number of feeds outputting over Dante - on the other end we converted back to AES and analogue via LM44. All desks had AES and analogue outputs into the Newton with its failover feature enabled.”
“The PA consisted of a mixture of L-Acoustics K1, K2, KS28 and Kara in a total of 16 hangs spread across the Ahoy venue. Control of the Newton was done via a Mac Mini that resided in the control rack.”
Ampco Flashlight purchased their first Newton units shortly after its launch in 2018 and have built dedicated drive racks equipped with Newton for use at all their festivals and indoor shows, including North Sea Jazz, Lowlands and Down The Rabbit Hole Festivals, Vrienden van Amstel Live and many others.
Germany - LED lighting specialist Astera has added another dimension to its portfolio of lighting products with the PixelBrick.
This flexible luminaire is billed as ‘a multi-functional light source with the power and finesse of Astera’s Titan LED engine coupled with the practicality of its popular AX3 LightDrop product, all in a completely new and fully adaptable housing’.
Suitable for concerts, events, filming, or broadcast scenarios, PixelBrick is compact, light (1.1kg) and handy as an up-lighter - like an AX3 - or it can be hung anywhere and become a universal light for accenting and texturing buildings or facades. For exterior use, it is IP65 rated and therefore resistant to rain and other elements.
The PixelBrick has 450 lumens and 1,200 lux at 2m - both at 3,200K and can also be used like a PAR as a general-purpose fixture complete with a bracket.
PixelBricks can be easily joined together and built into an impressive array of geometric shapes and clusters. With the help of adjustable connectors, shapes like circles, hearts, numbers, etc. plus other illuminated scenic pieces or signage can be created. These can be used in a plethora of contexts, like performance spaces, on live events, on location or in the studio for film projects and photo shoots.
PixelBricks are physically interconnected via a bespoke engineered track system on all four sides which gives maximum scope for creativity. These tracks can also be used to mount airline track accessories and brackets can be mounted to the PixelBrick using the same track system.<
Romania - Based in the Romanian port of Navodari, Alezzi Yacht – a 42m x 18m, 1,000-capacity catamaran - offers cruises along the Black Sea coast, complete with fine dining, cocktails and glamour along with breathtaking views of the lively beach resort of Mamaia and Constanta City.
The afternoon is dedicated to an experience aimed at the whole family, whilst the evening cruise is reserved for those looking for a full-on party atmosphere. Any good party requires great audio, and Alezzi Yacht is no exception - Constanta-based AV specialists, AudioVision, were asked to design, supply and install a comprehensive AV system throughout the catamaran. AudioVision selected KV2 Audio for the project.
“We were fortunate to have been involved from the early stages of construction, which made AV integration much more efficient,” observes AudioVision general manager, Vasile Mara. “We decided that KV2 would be the ideal audio solution due its low distortion, extremely high definition and the capacity to cover large areas with relatively little equipment, which is important when you’re restricted for space, as is inevitably the case on a boat. All loudspeaker elements were supplied in white to blend as seamlessly as possible into the surroundings.”
Alezzi Yacht features three decks, each offering a different experience. The lower deck is a restaurant space where guests can enjoy a relaxed brunch or a drink while admiring the sea views through the windows or the panoramic floor. The middle deck is the club where revellers can party without being at the m
The Netherlands - The 65th edition of the Eurovision Song Contest at Rotterdam’s Ahoy arena, marked the first major live event to take place in the Netherlands since the pandemic. The event was powered by disguise.
The official technical supplier for the contest, Faber Audiovisuals, relied on a complement of disguise vx 4, gx 2c and 4x4pro media servers to power a total of 55 scenes on a giant LED video wall and floors, used across all 39 competing performances, the opening ceremony, the flag parade and all interval acts, such as the impressive Power of Water. The six-week production period was led by ESC head of production Erwin Rintjema and head of video Hand Cromheecke.
Faber’s Eurovision team included disguise workflow specialist Jo Pauly (of Visual Solutions) as media server operators for the show. The two share a long history of successful live projects powered by disguise, including Marco Borsato’s show at De Kuip Stadium in 2019.
Ben Augenbroe and Steve Ackein, ESC project managers for Faber said: “We chose disguise for reliability and stability. Because we had to run in full redundancy, disguise gave us the right solution. We did not have any issue on this complex production and the disguise 24/7 stand-by team supported us real quick when needed.
“This Eurovision Song Contest 2021 went smoothly for Faber, as all went according to plan and all of our crew were outstanding. Our client, NPO/NOS/AVROTROS expressed they were delighted to have chosen Faber as their technical partner as we delivered as promised. All three live broa
UK - Jakarta-based Mola TV introduced Chill Fridays an interactive weekly livestream that features stars playing mellow music in an intimate setting and, every once in a while, taking questions from fans.
Many of the episodes are filmed at Mola’s London TV studio, where artists like Jacob Collier, Tom Misch and Bruno Major have performed in a set that evokes images of the kind of hotel bars where friends gathered for a pre-weekend happy hours back in the day.
Key to creating this ambience is a warm, inviting lighting design that works hand-in-hand with scenic elements like potted plants and table lamps to engender a homey feeling. Fold Sound owner Tristan Finn, who supplies lights, sound gear, recording equipment and cameras for the show called on Martin Dudley of Martin’s Lights to handle lighting duties, something he’s done skilfully with his ChamSys PC Wing and MagicQ software on a touch screen laptop.
“I have worked with Tristan for years and was very glad to hook up with him on this project,” says Dudley. “We have been supplying power distribution, cabling, DMX control, and technician services, to the shoots. Our goal is to make sure that the show has lighting for the shoot up and running as quickly as possible.”
Although the programme helps viewers chill at the start of their weekend, setting up the show is a somewhat pressured experience. Schedules are extremely tight, with set up starting at 9 am, and shooting at noon, whilst the show is expected to wrap up by 4pm.
Keeping his controls simple with the ChamSys
UK - Cleanfeed, a collaboration tool for high definition, live audio and recording, in your browser - has announced their latest product feature - Aux Outputs, designed specifically for the TV, film and broadcast industries.
The feature opens up new non-linear workflow possibilities for recording, live performances and more, says the company. It allows you to assign a unique audio output device for each remote guest connected to your studio. Now you can route your remote audio wherever you want to.
Marc Bakos, founding partner, Cleanfeed, comments: “We're excited about the new possibilities Aux Outputs opens up to creatives working with remote audio, especially broadcast producers. We have already seen production houses taking advantage of this new tooling, and the results have completely blown us away.”
During the lockdown, Cleanfeed Aux Outputs has helped many sound engineers to connect to remote actors to complete their productions.
With more flexible routing, broadcasters and producers have already taken advantage by speeding up their creative workflows.
Cécile Janet, sound editor, Fitzrovia Post, comments: “Cleanfeed has become our favourite browser-based audio streaming platform at Fitzrovia Post. Their new Aux Outputs feature has been a game changer for remote crowd ADR. The ability to route multiple actor feeds into individual record tracks in ProTools has removed the need for unpacking and editing takes at the end of the session, streamlining the whole process.”
Germany - At the Department of Music (Institut für Musik – IfM) of the German Kassel University, prospective music teachers are being trained to teach at all kinds of schools. The department also has its own concert hall, which is used for concerts of all musical genres as well as lectures and examinations. Plain concrete walls and a high proportion of glass elements characterize the room - and place special demands on the sound system.
After a PA workshop with Rolf Dressler - probably Kassel's "longest-serving sound engineer" in 2018 - instructors and technical assistants were enthusiastic about the sound of his Alcons system which he set up in the IfM concert hall in addition to the house system.
"Whenever we switched back from the Alcons to the house system during Rolf's workshop, I kept thinking that our speakers had just been broken," says Roman Beilharz, a lecturer in the popular music department and the main person in charge of sound engineering. "It was striking: the house system didn't just sound worse in a direct listening comparison, it sounded downright broken! When switching back, the clear, punchy sound of the Alcons systems collapsed into a nasal, muffled mush. After that, it was clear which loudspeaker systems we wanted to install in the long overdue renewal of the hall's technical equipment."
Once the funds had been approved, the replacement of the PA system was put out to tender throughout Europe in 2020. The bid from Dressler, an Alcons user from the very beginning, received the highest score in the evaluation process and was
Italy - RCF and Midland, a historic radio transceiver earphone systems company from Reggio Emilia, have developed a new intercom called BT Rush.
RCF has brought its know-how inside the motorcycle helmet to offer ‘a custom, carefully designed and technically sophisticated project’, which the user can appreciate through parameters that are easy to spot.
Features include: better defined bass, thanks to a new custom speaker, driven by power and processing; professional sound, achieved through a DPS (Digital Sound Processor); 40mm round speakers with Peek diaphragm, designed to support maximum sound clarity and definition.
Ear cushions enable improved sound performance and low frequency feeling, thanks to a memory foam heart and protein leather lining.
“The excellent work carried out together with the Midland team resulted in a precise fine-tuning of the professional DSP engine of the BT Rush, recreating a quality sound worthy of a concert, with optimal bass extension and great linearity,” says technical manager Manini.
Germany - Frankfurt Opera is one of the most renowned opera stages in Europe, having paved the way for many successful operatic careers. Recently, with an extensive d&b audio system already installed, the venue chose to enrich its audiences’ sound experience with d&b Soundscape technology.
A d&b DS100 Signal engine was duly purchased in time for the 2019/2020 season and the staging of a world premiere at the Bockenheimer Depot - Frankfurt Opera’s second venue.
"It was a spatially complex work, with moving actors and an orchestra spread across the stage” explains sound engineer, Margit Baruschka. Unfortunately, due to the pandemic the production was postponed to 2021.
The decision was then made to move the entire Soundscape system to the Frankfurt Opera. Here it could be used to adapt some of the regular programme to allow for social distancing rules.
Head of sound, Christian Wilde reports, “For a production of Mozart’s The Abduction from the Seraglio, we moved the orchestra behind the stage. Despite these unusual circumstances, we wanted to achieve a credible orchestral representation for the audience - and in this context Soundscape became our primary tool.”
The explicit aim was to let the orchestra sound as realistic as possible - something Baruschka values highly. But with large amounts of scenery onstage, very little direct sound could be heard from the musicians playing backstage, presenting something of a challenge for the sound engineers. "The premise is that you shouldn't hear our work,” said B
France - Powersoft has appointed Sidev as its new distributor for France, working alongside Powersoft’s other French distributor, DV2.
Founded in 1991 and based near Lyon, Sidev has been a key player in providing audio-visual solutions in France for over 30 years. In that time, the company has grown to offer the largest sales and pre-sales team in the French market, as well as two showrooms in Paris and Lyon, and a yearly turnover of over €60 million in 2020.
Sidev is, since 2010, part of the Midwich Group. More recently, the company developed its market footprint and audio-visual offer on the French market with the purchase in 2019 of Perfect Sound, an audio specialist distributor.
“Powersoft is a recognised and renowned brand on the AV Market, with a strong line-up to address both the staging and corporate markets,” explains Lionel Roudil, general manager of Sidev. “When we looked for a new amplifier brand to develop and expand our audio portfolio, Powersoft was the obvious choice.”
According to Lionel Roudil, Powersoft’s product line-up complements Sidev’s audio product catalogue, offering innovative, high quality solutions for all the different verticals they address.
“The Powersoft amplifiers ranges, and the Mezzo series in particular, perfectly answer the current demand for meeting & conference room solutions, which has seen a real increase with the need for hybrid working spaces,” confirms Roudil. “In light of our unified communications strategy on the market, along with our historical AV positioning, P
USA - Entertainment industry insurance solutions provider Take1 Insurance has announced the immediate availability of a new educational white paper entitled Reopening Live Events Safely: An Industry View.
The publication of the new white paper follows last week’s announcement that Take1, in partnership with Intact Insurance Specialty Solutions and the Event Safety Alliance, will provide free Event Safety Access Training to professionals returning to work after more than a year of being side-lined because of the Covid pandemic.
According to Take1 Insurance vice president and programme director Scott Carroll, “The entertainment and live events industry have been through a nightmare scenario as the COVID-19 pandemic brought everything to a halt. Virtual events have helped fill gaps, but, ultimately, the desire of people to experience live events in person cannot be denied. Now with vaccines rolling out, the prospect of getting back to some semblance or normality is becoming a reality. Together with our partners, we are doing everything possible to help shake off the rust and get our industry back to work safely.”
Carroll said that everyone must recognise that the workforce of the entertainment and live events industry has changed radically in both quantity and quality over the last year and a half. According to IBISWorld there were more than 270,000 concert and event promotion employees in the US as of February 2019. A year later, that workforce had shrunk to around 148,000, a drop of 55%.
“Even as we start to recover, the workfo
USA - William Mooney, lighting designer for BYB Extreme Fighting, a bare-knuckles form of boxing, is using an IP-rated Elation Professional lighting rig to highlight the action inside the ring while supporting the atmosphere outside the ring.
With BYB’s three-sided triangle cage, known as the Trigon and the smallest ring in combat sports, there is plenty of that. “It’s the most exciting franchise I have ever been involved with,” states Mooney, a man who has worked on boxing and mixed martial arts projects such as ESPN’s Friday Night Fights (2008-2015) and Combat America MMA Fights. “I’ve worked on all the major networks but I feel more excited about this show than anything I’ve ever worked with in my life.”
Although the fights take place indoors, Mooney uses a multi-environmental IP65-rated rig as a peace-of-mind layer of protection. “To have most of the rig LED and then have the IP rating on top of it, it gives me a greater level of confidence and comfortability,” he says. “If it’s not going to fail outdoors in the rain, it’s not going to fail indoors.”
The latest BYB event - BYB Extreme 5 - took place at the Miami-Dade County Fair Expo Centre on 15 May with an in-person audience in attendance and bouts broadcast worldwide via pay-per-view. Mooney’s rig consisted of six Proteus Hybrid and six Proteus Rayzor 760 moving heads, 54 SixPar 200 IP and 10 SixPar 100 IP Par lights, four DTW Blinder 350 IP and two DTW Blinder 700 IP white light effects, and two TVL 2000 LED panel lights. He also incorporated 18 12PX HEX and
USA - Christie has announced the launch of Core Series II LED video wall tiles, available in a range of pixel pitches, including a new 0.9 mm pixel pitch. Designed for easy installation of near-seamless video walls of any scale, Core Series II is suitable for corporate spaces, like lobbies, meeting and conference rooms, and various digital signage applications to engage, entertain or collaborate with your audience.
Core Series II takes the original Core Series LED video wall tiles and improves them, making them lighter, and easier to install. Tiles in the new Core Series II are 23% lighter than the original, weighing 14.3lbs (6.5kg). Featuring a slimmer form factor, with a scant 38mm depth, and along with a new ADA-compliant direct-mounting structure and concealed cabling, Core Series II video walls are easy to install, and completely front serviceable.
Available in five pixel pitches: a new 0.9mm and 1.2mm, 1.5mm, 1.8 and 2.5mm, Core Series II produces vivid, clear and detailed images that are 33% brighter than its predecessor, at 800 nits calibrated brightness. When paired with Christie’s optional E600 HDR10-compatible controller with advanced image processing, Core Series II delivers content in 4K @60Hz and low-brightness enhancements for great visual performance. For added peace of mind, Core Series II features redundant on-board power.
“With Core Series II, we’ve improved on an affordable choice for LED video walls that doesn’t sacrifice on features,” says John Dixon, director of product management, Christie. “Choose from our range
UK - This April, Volkswagen UK took over Stage A at Millennium Studios in Thurleigh, one of UK’s premier music, film and TV production facilities, to deliver its annual conference.
Traditionally hosted as an in-person event, Volkswagen opted for a virtual setting built around a live, complex agenda that included keynotes, videos, presentation slides, and more. Volkswagen’s team delivered an immersive presentation in front of an LED screen backdrop supplied by technical production and LED screen hire company, iMAG displays, with iMAG’s sister company Graymatter delivering the control infrastructure for a headache-free Virtual Production event.
IMAG’s involvement stems from an initial conversation between its technical sales and relationship manager, Jonathan Dyson, and Simon Garrett, who was working with event producer Second Sight to source a reliable company to supply the screens for Volkswagen’s virtual event.
“Having developed our own mobile LED virtual production facility, which is currently being used by companies such as Netflix and Amazon, we have first-hand experience of delivering a full ecosystem for all types of immersive events,” says Dyson. “When Simon got in touch to ask if iMAG wanted to be involved with the tender Volkswagen, I was very excited.”
IMAG supplied ROE Diamond 2.6mm LED panels for the centre wall with ROE CB5 LED panels for the side screens, creating a large, U-shaped LED backdrop for the set.
iMAG’s creative production manager, Daniel Acland notes that a key challenge for the project overa
USA - The Cathedral Basilica of the Immaculate Conception in Mobile, Alabama had long struggled with inadequate sound system performance due to the cathedral’s high curved ceilings, large stained-glass windows, wooden pews and other acoustically challenging design features.
An upgrade to the sound system became a necessity, but to preserve the beauty and historical nature of the cathedral’s large sanctuary, the ministry leadership decided against acoustic treatment. Instead, they trusted a high-performance sound system backed by Renkus-Heinz loudspeakers.
The cathedral’s sanctuary was plagued by a great deal of acoustic shadowing due to the building’s columns, with sound sources out of the sightline of the congregation, which significantly diminished levels and effective coverage. The previous attempt to redesign the sound system over-compensated with pairs of relatively short column arrays on each of the pillars – 18 in total. The large number of loudspeakers resolved the acoustic shadowing issue behind each column. However, each array was too short to effectively control the lower & mid frequency range. As such, they delivered a significant amount of unwanted energy into the highly reverberant space resulting in harsh and unintelligible sound for many of the congregants.
When Reverend Monsignor William Skoneki was named Rector of the Cathedral Basilica of the Immaculate Conception, he reached out to Joe Fulton, owner of Modern Sound and Communication, to improve the sanctuary’s audio performance. Richard Hembree, from Griffith Sal
UK – TSL Lighting has joined the events sustainability organisation isla, as it focuses on re-emerging from the challenges of the COVID pandemic with a positive, forward-thinking outlook.
TSL’s management team has for many years championed more sustainable practices, including sourcing renewable energy for its sites, working alongside youth groups and volunteer associations to donate ex-rental equipment and of course re-using its stock as a rental business. Director Loz Wilcox says that the downtime over the past twelve months has allowed them to reflect and further implement environmentally friendly initiatives. Becoming a member of isla marks the significant next sustainability step for the company.
TSL is the first technical equipment provider to join the isla collective, which has members from a range of events sectors including Jack Morton Worldwide, George P. Johnson, and Amplify.
“Joining isla really aligns with our core company values, so we’re thrilled,” says Wilcox. “isla offers resources, training and tools from across the events sector which will help fuel TSL’s goals to reduce waste and carbon emissions and support our industry to transition to more sustainable events.
“We’re also excited to be in a better position to share our knowledge and findings with our clients, freelancers and teams.”
isla, which was set up by 12 founding agencies in September 2020 as an action-focused peer-to-peer network, says it hopes to accelerate meaningful change through focus in three core areas: zero waste, 100% renewable,
USA - The Make-A-Wish Foundation is a non-profit organisation founded in the United States that helps to fulfill the wishes of children with a critical illness between the ages of two and a half and 18 years. Towards the end of last year, when Becci Smith of the Make-A-Wish Greater Bay Area Chapter in Northern California received five-year-old Valeria’s wish to sing on a big stage, she decided to contact the team at the Concord Pavilion. Operated by Live Nation and owned by the City of Concord, the venue has a capacity of 12,500.
What followed was a display of cooperation between entertainment technology professionals that not only made Valeria’s wish come true, but reminded everyone involved just how much they’d missed the shows that are the lifeblood of the industry. Against the backdrop of the Coronavirus pandemic where access to venues was naturally difficult, the team at Concord made iconic venue available without hesitation.
When regular Make-A-Wish volunteer co-ordinator, Ian Williamson, reached out to a selection of suppliers for advice, they all immediately chose to offer their services and join in. The resulting performance saw Valeria, who suffers with a congenital heart disease, take to the Pavilion’s stage with a full professional production, and deliver an exceptional performance.
One such contributor was audio provider Some More Sound of Walnut Creek whose owner Yuri Sumnicht answered the call in the affirmative. Yuri chose to install a Coda Audio APS system to take care of the front of house, with stage monitors and front-fil
China - Following the success of the 1 June online event, LED manufacturer Absen has extended the availability of its virtual booth showcasing its product portfolio and its online event, accessible to anyone who wishes to attend.
The online experience stages Absen’s products, all within a fully interactive and free-to-navigate virtual booth. The online event covered the advantages of LED in immersive experiences and featured a live Q&A for audiences across the globe.
The booth, split into sections such as corporate, virtual studios, retail and MicroLED, enables visitors to see Absen’s products up close and personal from the comfort of their homes. Each section of the booth features a voiceover explaining the section for visitors, and features Absen’s latest products, such as the AbseniCon3.0, Aurora Series and Jade Dragon series, for each market. The products are fully interactable for visitors and feature detailed information such as product specifications, case study videos of real-life applications and product brochures.
“The virtual booth is designed to be an immersive experience, presenting all the creative applications for LED in a variety of markets,” said Jessica Golding, Absen’s European brand manager. “The booth allows visitors to explore just how powerful LED can be in all areas, by expands on Absen’s years of experience in applications of all shapes and sizes and presenting them for anyone to see.”
The segments of the booth consider the most common applications for LED within each space.
For retail, visi
USA - A mad scientist locks his daughter in a garden full of beautiful but deadly flowers. An earnest medical student spies her and falls in love, but her surroundings have made her poisonous to the touch. Will their romance bloom or wilt? This is the question posed by La Hija de Rappaccini, a contemporary opera based on a Nathaniel Hawthorne story composed by Daniel Catán and live-streamed by the Chicago Opera Theatre this past April.
Drawing on Mexican musical influences, the performance streamed from the Field Museum of Natural History in keeping with the botanical theme. Chicago Opera Theatre’s audio and video production partner Valhalla Media teamed with location audio experts Second City Sound on A/V support, choosing Lectrosonics’ D Squared line of digital wireless. DBSMD transmitter-recorders fitted to the cast members were picked up by a pair of DSQD four-channel receivers. DCHT portable digital stereo transmitters joined an M2T for monitoring by the conductor and mission-critical crew via M2R receivers.
“Midway through the pre-production process, we found out that the opera would be live at the Field Museum,” says Nikolas Wenzel of Valhalla Media. “This presented all sorts of logistical challenges for coverage. My first thought was that for reinforcement of the vocalists, we were going to need something stable, reliable, and easy to use between different levels of the museum. One of the performance levels was on the floor of the great hall and another was tucked off up to the side.”
“One thing viewers of the stream d
Austria - 4youreye and Rezac employed Pixera media servers for this year’s most anticipated charity fund raising event in Austria, Austria for Life, which involved complex media playout and advanced projection mapping setups.
The Stephansdom Cathedral in Vienna, was beaming not just with the enthusiasm of the countless helpers on the 28 May, but also due to the impressive usage of modern media playout display technologies.
The 90-minute-long live TV charity fundraising show was broadcast on ORF 2 and Krone.tv. The project, which had been initiated by the LIFE+ chairman Gery Keszler, supports the aid organisations Caritas, Diakonie, Hilfswerk, Red Cross, Samariterbund and Volkshilfe.
LIFE+ itself supports socially relevant projects that fight epidemic diseases and helps people impacted by them.
A variety of well-known Austrian artists invited the Austria for Life audience to follow them on a trip through Austria’s past, that highlighted the different ways in which the country had successfully dealt with great challenges throughout the centuries.
The Stephansdom’s complete south view was bathed in spectacular video content and light, courtesy of a large number of acclaimed visual artists, using Christie projectors. A large 200m2 LED display acted as a frame for the stage and visually connected the cathedral and the cathedral square below.
Rezac HPP from lower Austria used AV Stumpfl‘s multi-award-winning Pixera media server system for realising the projection mapping.
The Viennese company 4youreye also employed Pixera
Gibraltar - Pixel Artworks has created an immersive light and sound installation within St Michael’s Cave on the Rock of Gibraltar. The Gibraltar Government awarded the project to WrightTech Media, a local digital marketing solutions company with extensive knowledge of the site. Pixel Artworks collaborated with WrightTech Media on the pitch as well as the design and delivery of the complex show, which is scheduled to open to the public on 20 June 2021.
While the project sought to enhance the current Gibraltar Upper Rock Nature Reserve visitor experience, there was no specific site in mind. WrightTech Media and Pixel Artworks showed how St Michael’s Cave could be used in a unique way to take the audience on an unforgettable journey through Gibraltar’s natural history, using projection mapping technology, lighting design and immersive audio.
Christian Wright, director, WrightTech Media, said, “The aim of the project was to reinvigorate Gibraltar’s tourist industry, and I felt we needed something very visual and technology-based to engage audiences to a new level. I had seen some of Pixel Artworks’ immersive and experiential projects and immediately called them to see how they could flex their creative muscles at this unique site. My team knows the site very well, but it was great to get the fresh eyes of Pixel Artworks’ creative team who spotted opportunities we hadn’t thought about, and also helped us to home in on the story we wanted to tell.”
The show, entitled The Awakening, sympathetically showcases the beauty of the cav
Finland - Intersonic Oy is now providing import and distribution of Renkus-Heinz products through its resellers and integrators.
Intersonic Oy specialises in the import and sales of AV equipment for the Finnish market. The company offers a comprehensive range of products for the experience and event industry, as well as lighting, sound, video, and AV communication solutions for retailers, contractors, and companies. Intersonic Oy is owned by Audico Holding Oy since March 2020.
“It is an honour for us to be appointed to represent Renkus-Heinz here in Finland,” comments Antti Rintamäki at Intersonic Oy. “Renkus-Heinz was one of the first brands I originally worked with when I started my career as an audio sales manager about 15 years ago. I still have the Distributor of the Year trophy in my drawer, and now I can take it out again, put it on my desk, and work for the next one. My personal attention in the market areas where Renkus-Heinz is a leader is a perfect match for all of us. With Renkus-Heinz products we are now able to offer the range of high-quality loudspeakers to all contractors and AV installers for even the most demanding premises.”
“We are pleased with this new setup in Finland and look forward to working with Intersonic and its highly professional team that is focused on value-added solutions,” adds Michal Poplawski of Renkus-Heinz. “Our offerings and plans for the future have been growing at a rapid speed. Working together allows us to tailor systems better to specific markets. The result of which is a better outcome for