UK - The market value of the UK entertainment technology industry has grown by an estimated 5% in the past 12 months, according to PLASA research.
This puts the industry’s value at £1.36bn in 2018/19, up from £1.28bn in 2017/18. The sectors with the largest growth include architecture, broadcast and corporate events, which are valued at £250m, £220m and £160m respectively.
Only a third of the businesses surveyed expect the industry to grow in 2019/20 however, the main concern being how and when the UK will exit the European Union.
The full report, which follows on from PLASA’s comprehensive industry research released in 2018, details sector by sector performance, investment in marketing and R&D, and the future outlook for the industry.
“We are delighted to offer this important resource,” comments PLASA managing director, Peter Heath. “It provides vital insight for business planning, budgeting and benchmarking performance - I encourage all businesses to download the full report.”
He adds: “Whilst it’s great to see that the industry has performed so well over the last year, we are clearly looking towards a period of uncertainty as Brexit looms over the sector. PLASA will continue to support our members to the fullest extent that we can.”
The 2019 PLASA industry research report is available to download free of charge to PLASA members or £500+VAT for non-members. For more information, visit <
UAE - PSAV has announced the acquisition of eclipse, the AV and live event production and venue company operating in Dubai, Abu Dhabi and Riyadh. The terms of the transaction have not been disclosed.
Eclipse, founded in 2003 by Mark Brown, is now a wholly-owned subsidiary of PSAV and will continue to operate under the eclipse brand name. eclipse CEO Simon Ransom and his senior team will remain in place and continue to execute on their growth plans, now in partnership with PSAV. Ransom will assume leadership of PSAV UAE operations, and work with Nik Rudge, PSAV’s managing director, international, and his team.
“Eclipse is an exciting addition to the PSAV group of companies due to its extensive in-house venues and event production expertise, and strong alignment to our purpose and mission,” comments Rudge. “I am delighted about what this means for PSAV, and more importantly our customers, as we continue to focus on more ways to create amazing event experiences in locations throughout the GCC.”
“The entire eclipse family is eager to be joining forces with PSAV and establishing more impactful ways of serving our collective customer base,” said Ransom.
Europe - Sixty82 has opened a new office in Drachten, The Netherlands, to exclusively service the German market.
“The start of Sixty82 German Division is a reaction to the expanding needs of the live events industry for rapid delivery times of first-rate products and a service that is second to none,” comments Fokko Smeding, CEO of Sixty82. “With the German division, we believe that we can ensure our customers are provided with expert technical support from experienced people. Therefore we hired specialists Michael Kempe and Christian Schoof to provide extra service and attention to the German market.”
Sixty82 has also appointed Germany’s as its official competence centre and premium reseller. This partnership will “ensure high availability of Sixty82 products all over the country, while simultaneously providing strong support and after-sales service”.
“The name Sixty82 stands for innovation and vision like no other manufacturer of trussing,“ says CEO of Cast, Heinz Siller. “For decades, we have known the founders of this company. From the beginning, we have been in an amicable business, and together we have walked a great distance. Our collaboration led to the development of new products, unified in the passion for trussing and constructions. I truly believe that Sixty82 is a perfect fit for us.”
“This is the perfect time for Sixty82, and we are happy and excited to launch our activities in Germany together with Cast,” comments Michael Kempe, sales engineer of Sixty82 German division. “I am looking forward to get
UAE - ETC celebrated the opening of ETC Dubai - The Studio with a launch event at the new premises in Dubai Media City. The site, which features a black box space for product demonstrations and an area for console training sessions, welcomed industry professionals from across the globe to the inaugural event.
Attendees met with product specialists from ETC and High End Systems and received demonstrations of the newest innovations including High End Systems’ new automated fixtures SolaWash 1000 and TurboRay.
The latest member of the Sola Series, the SolaWash 1000 features a full framing system and is available with either an Ultra-Bright or High CRI engine. Alongside this was TurboRay, the distinctive fixture creates dynamic effects from its animation and gobo wheels and can be used as a powerful hard edge beam or narrow-angle washlight.
Visitors to the opening were also shown Augment3d in the space’s black box area. The award-winning 3D programming environment which is part of the Eos v3.0 software is designed to increase programming speed and dramatically improves workflow.
In addition to providing a base for product demonstrations The Studio will host regular training sessions in the region. ETC’s Eos and High End Systems’ Hog 4 console sessions are currently available for registration with more courses planned in the new year.
“We are thrilled to have ETC Dubai up and running with a space that specifically offers specialist product demonstrations, training sessions and a black box area. It is the only space in the region to
UK - Live event production educational facility Backstage Academy has signed a new partnership agreement with professional loudspeaker manufacturer KV2 Audio.
KV2 Audio, whose R&D and manufacturing base is in the Czech Republic, has worked informally with the academic institution, based at Production Park in Wakefield, for the past two years, providing equipment for student-led events on an ad hoc basis and presenting seminars.
“These seminars are always well received,” says Tom Weldon, who is in charge of UK sales. “We have an exclusively point source approach to loudspeaker design and are proud to be able to present this approach to the technicians of the future. We strongly believe this is the best way to reproduce the original source, and in a market that is dominated by alternative designs it’s important that students are exposed to all options. We try not to blind people with the technology side, but instead encourage them to really use their ears and from that starting point, it’s surprising how quickly they begin to understand our philosophy and approach.”
In their engagement with the Academy, KV2 has provided a ‘tool kit’ of products, enabling students to create a six-way monitor mix via the passive ESM26 and ESM12 alongside a portable plug and play FOH system with the active EX series, offering complete reconfigurability that can be set-up by individual students quickly and easily.
In sharing close geographical proximity to Wakefield - KV2’s UK headquarters are in Harrogate - the other benefit of partnering wit
UK - Funktion-One founder Tony Andrews has been recognised by Wrexham Glyndŵr University for his work in professional audio.
Andrews was presented with an Honorary Fellowship in a ceremony that also saw graduates being awarded their degrees in Art and Design, Media and Communications Technology, Humanities and Computing.
The university confers Honorary Fellowships upon people in recognition of their significant commitment to the university and the wider community and is the highest honour that the university can bestow.
In his acceptance speech, Andrews said: “I consider myself fortunate that I have been able to make a living pursuing what intrigues and stimulates me. This is a driving force that, much to my amazement, has persisted for over 50 years now.
“Amongst the qualities essential for progress and achievement are application and perseverance, which today’s graduating students have amply demonstrated by successfully completing their studies.
“Keep in mind that there is great soul expression in going after the things you are passionate about. Most of the interesting stuff in life happens at frontiers and boundaries, and the status quo is merely a temporary condition on the way to truth - thank you very much.”
Colin Heron, Faculty of Arts, Science and Technology associate dean for student engagement, said: “Our Honorary Fellowships are for people who have made a significant difference in a particular field, and Tony’s work in sound system design and development very much matches that description. Fellows are a
USA - Ayrton will be exhibiting at LDI with its US distributor ACT Lighting on stand 1237, with the first official US showing of Ayrton’s two latest products: Perseo and Huracán-X. Ayrton is also supporting the second KOI-USA Awards by sponsoring the Live Performance Special (Music) Award in the Live for Broadcast category.
Perseo is Ayrton’s first multi-function, compact, powerful, IP65-rated fixture developed for intensive outdoor use. Feature rich from the factory (including 100% framing shutters), Perseo produces 27,000lm from its 500W LED source, and sports a fully weather-proof housing with a new water-resistant menu navigation system to handle whatever the weather can throw at it!
Perseo-S has been designed to achieve an optimal resolution-to-performance-to-efficiency ratio with perfect image reproduction. Not only is its 27,000 lumen output calibrated at 8000K, but it also offers a zoom range of 7° to 56°, with no hotspot and significant improvement from distortion at wide angles. Perseo-S is shipping with immediate effect..
Huracán-X is a profile luminaire that delivers exceptional light output as standard, but is also a formidable new graphical tool possessing a wealth of features and an entirely new complex colour mixing system capable of generating 281trillion colours.
Huracán-X produces an output of 50,000lm from its 1000W LED source, at a colour temperature of 6500K. A triple variable colour temperature corrector allows subtle adjustment from 2700 K to 15000 K and offers noticeable CRI improvement. Specifically develop
Italy - The 85th anniversary of the world seaplane speed record set in 1934 at Desenzano seaplane base by Marshal Agello was commemorated on Saturday 5 and Sunday 6 October in Desenzano del Garda, in the province of Brescia. His record stands at 709.202 km/h and has never been broken to this day.
A series of air show stunts were performed for this celebration, which attracted hundreds of thousands of spectators, culminating in a display put on by the Frecce Tricolori, the Italian air force stunt team.
Claypaky also took part in the event with a light installation set up on the terrace of the Hotel Estée in Desenzano, which could be seen on Friday, Saturday and Sunday evenings.
The installation consisted of 10 Xtylos units. Nine projected a very long Italian tricolour flag onto Lake Garda like the trails of coloured smoke from the MB-339 aircraft of the Italian air force stunt team, and the other solo light projected a beam for one minute every half hour of the same colour orange as the MC 72 seaplane used by Marshal Agello to set his record.
USA - Robert Juliat will be exhibiting at LDI 2019 with US distributor, ACT. Lighting, where it will demonstrate SpotMe, its award-winning, bespoke 3D position-tracking device for followspots. SpotMe, which earned Robert Juliat a PLASA Award for Innovation in 2018, will be shown with the new Maestro server which has been developed by Robert Juliat in collaboration with tracking specialists, zactrack.
Maestro extends the capabilities of SpotMe by enabling it to operate with any DMX lighting control console. With Maestro, even the simplest DMX console retains pan and tilt control and gets, in return, additional DMX channels to modulate the tracking parameters calculated and managed by the Maestro server. Maestro also brings a major new advantage in the form of a unique ‘Prediction’ feature - the ability to anticipate the direction of a performer’s movement on stage and adjust every ‘slave’ fixture to react quickly to the direction of travel.
SpotMe and Maestro will be shown both virtually and physically with an RJ Oz 600W LED followspot to show the full extent of their capabilities. SpotMe is shipping with immediate effect and Maestro will be available at the end of the year.
Robert Juliat’s Dalis family now includes Dalis 861 a 150W LED 8-colour wash light; Dalis 862 (150W) full size and Dalis 862S (75W) short, variable white footlights; Dalis Access 863 a 150W LED 4-colour cyclorama light with all the functionality and quality of the original at a price that makes Dalis technology accessible to those on a smaller budget; and finally, Da
USA - MDG will be exhibiting at LDI 2019 on Booth 1245, near its exclusive US distributor, ACT Lighting, where the team will be demonstrating the ATMe and ATMe WPE haze generators. The ATMe WPE is a weather-proof and dust-resistant version of the ATMe which has been designed specifically for outdoor use.
MDG’s Me Series of fog generators, will be represented by the compact Me1 and Me2 fog generators and the impressive Me4 fog generator - all of which release pure white, fine particled fog in volume with the finest of control.
Combining all fog and haze requirements will be MDG’s theONE, the award-winning dual mode fog and haze generator which will be shown in its touring cradle demonstrating a solution for easy, safe rigging.
New for LDI 2019 is MDG’s bespoke Vertical Flight Case. Designed to carry MDG’s ATMe haze generator, or either of Me1 or Me2 fog generators, plus everything needed to operate under production conditions, these cases not only provide rugged, safe transport for the generators, but allow the entire unit to be rolled onto stage and simply plugged in for instant use. Each flight case is fully equipped with direct plug-in connections for power and DMX In/Out.
Also included within each are snug compartment spaces for MDG’s theFAN, two 9kg (20lb) CO2 bottles, a four-litre bottle of MDG fluid, and space for a small DMX console.
MDG’s ICE FOG Q low fog generator will also be on show, producing low fog effects without recourse to dry ice. It will be shown with its D-Verter and Round Floor Pocket (RFP) accessories
Europe - Bose Professional’s DesignMax family of loudspeakers has started shipping in Europe and will be available in the US later in November. DesignMax delivers the critical performance needed while providing the flexibility and style to blend into any commercial space, says the company.
Consisting of 10 loudspeakers and two subwoofers - including ceiling- and surface-mounted options available in either black or white - system designers can tailor DesignMax to fit applications of any size.
DesignMax loudspeakers are available in a wide range of sizes, from 2” low-profile models to 8” woofer models with a coaxially-mounted compression driver. Select models leverage the Bose Dispersion Alignment system to provide wide and consistent off-axis response - so everyone experiences premium sound throughout the space.
When DesignMax is paired with select Bose DSPs and smart amplifiers, even greater performance levels can be reached. Bose EQ voicings enable increased sound quality and clarity while SmartBass processing delivers enhanced sound at any listening level.
All models include Euroblock connectors, with ceiling-mounted models including plenum-rated backcans, tile-bridges, and front-access audio wiring making installation and troubleshooting easier.
UK - The latest season of Strictly Come Dancing, the celebrity dance show, kicked off in September with a new performer, the VL1100 LED from Vari-Lite. David Bishop, in his new role as the show’s lighting designer, sees the introduction of the VL1100 LED as a significant improvement for the Strictly lighting rig.
“I chose the VL1100 LED as an upgrade to a fixture we already knew worked well in our show environment,” said Bishop. “The original VL1000 had served the program well for many years, but the VL1100 LED’s extra output, combined with removing the vulnerability of the traditional bulb, made this new fixture an obvious choice.”
The reliability of the LED source, combined with the VL1100 LED’s framing capability, high output and consistent colour temperature, help Bishop to maintain the quality of image that viewers expect. “Whilst Strictly is a dance show, it’s also a celebrity show, and our viewers expect to see their favorite stars looking as they do on the pages of magazines. Well-controlled keylight, at the correct angle for each shot, is very important.”
Bishop is using 25 VL1100 LED fixtures in his design, providing a mixture of front-light and cross-light. As the season continues, they have more than justified his faith in the brand. “It’s everything I hoped for,” he said. “The output is much greater than the VL1000 ever delivered, and you’d never know the source wasn’t a tungsten bulb.”
The 17th season of Strictly Come Dancing runs until the grand final on 14 December.
USA - ACT Lighting is now the exclusive North America distributor of Luxibel.
Luxibel is the professional lighting brand by AED Group, which also offers the truss series Expo Tools, which are suitable for the exhibition market but may also be used by rental and staging companies.
"Luxibel's well-designed, high-quality, reliable, and high-value products are an ideal addition to the brands ACT distributes exclusively in North America," says ACT Lighting CEO Ben Saltzman. "We are excited to bring Luxibel's product line to the attention of our customers and will be introducing them to the wide array of tools that are available."
Damon Crisp, international sales manager for Luxibel, adds: "ACT Lighting is well known for its unmatched service and stellar market reputation and represents the world's top brands. Luxibel is honoured to join the ACT association and this select product roster. We look forward to our new North American customer partners discovering Luxibel solutions for their AV and exhibition needs."
Luxibel will join the extensive ACT Lighting village at LDI ion stand 1251 at the Las Vegas Convention Center, 22-24 November. ACT Lighting also represents Ayrton, MA Lighting, Robert Juliat, MDG, AC Power, ChainMaster, Reel EFX, and Tour-Plex Data-Sure.
Benelux - Chauvet has named lighting specialist Gerrit Schottert as its senior business development manager for the Netherlands. Operating out of the company’s office in Belgium, Schottert will be responsible for the Chauvet Professional line.
Schottert will report to Steven Batslé, sales manager Benelux for Chauvet, who said, “Gerrit is a tremendous addition to our team. He has a well-deserved reputation as a professional who knows products and is determined to get the job done right for his customers. We are looking forward to working with him.”
In fulfilling his responsibilities at Chauvet, Schottert will be drawing on over 25 years experience in the entertainment lighting industry. He comes to his new position from Livingprojects, VAP for Signify, Vari-Lite and Strand Lighting, where he served as sales manager of the entertainment distribution division.
“Gerrit has compiled an impressive track record, not just for his keen knowledge of lighting, but also as a result of his dedication to customer service,” comments Stéphane Gressier, Chauvet’s international sales director. “Rental houses, designers and others in the Netherlands market are very familiar with Gerrit’s commitment to making his customers happy. We are excited to have him on our team and are confident he will make valuable contributions to our continued growth.”
USA - Marking the popular event’s 15th anniversary, this year’s Riot Fest was successfully reinforced by Technotrix with Martin Audio MLA, WPL and WPC line arrays on four stages in Chicago’s Douglas Park.
With a variety of high-powered artists ranging from Slayer, Anthrax, The Flaming Lips, Violent Femmes and Bikini Kill to The Raconteurs, Patti Smith, Wu Tang Clan and the Village People, Riot Fest offered some particular challenges in terms of controlled coverage on site and noise mitigation off site.
As Technotrix Audio lead, Brent Bernhardt, points out, “As always, there’s a commitment to keeping off site noise to an absolute minimum. We’re still avoiding the same two hospitals behind and alongside Stages 1 and 2, along with neighbourhoods around the festival.”
Asked about using Martin Audio’s Wavefront Precision Longbow (WPL) system for the first time, Brent responds, “It was very impressive to have virtually the same amount of control we get from an MLA rig with only slightly less resolution. WPL was very good and the tonality wasn’t lacking either, while the onsite coverage was uniform and consistent as well.
“On site coverage for Stages 1 and 2 is always a challenge as they fire into the rear of 4 and 5,” Brent continues, “especially this year because of gusty wind conditions on the first day of the festival. We’ve never used delays with MLA because it throws further than any other PA, even under adverse weather conditions.
“WPL was able to provide exceptional sound quality and tonal characteristics
UK - A lot has happened in Maggie Rogers’ world since 2016, when a video of her demoing a then-newly-recorded song, Alaska for Pharrell Williams at NYU went viral. Following opening slots on major tours with both HAIM and Mumford & Sons last year, Rogers dropped her own major label debut, Heard It in a Past Life, this past January, which charted in the second highest slot of the Billboard 200. Consequently, the artist has spent much of 2019 on the road in support of the album.
The “look and feel” of Rogers’ tour this year has been a collaborative effort between the artist and lighting designer Ben Everett, who first started working with her when he lit Rogers’ first-ever show in London two years ago. Having toured with an impressive roster of bands over the past five years, Everett is now part of the UK-based MIRRAD team, which has been supplying a pair of Avolites Sapphire Touch lighting control consoles for Rogers’ 2019 worldwide trek.
While on tour with Rogers, Everett sits behind Avolites’ flagship Sapphire Touch, with a twin second console used by Bodie Tureson or Chas O'Bradovich, his techs, for the show’s opening acts (Empress of, Jacob Banks, Melanie Faye, or Now, Now), and as an immediately-available backup desk, should the need ever arise.
“I have used these consoles with many different types of artists and shows, and I can set them up in a way each time that works exactly as I need them to for that show,” he says of his Sapphire Touch. “Essentially, I just really enjoy working on this console.”
Poland - The Polish state folk group of song and dance, Mazowsze, is named after the country’s Mazowsze region.
In 2018 it became even better known after featuring in Paweł Pawlikowski’s movie Cold War - and just before that, it invested in some of Robe’s large Tarrantula LED wash beams, which met a tender specification that was initiated by technical manager and lighting designer, Lukas Rúzewilz.
Their impressive rehearsal and performance facility on the outskirts of Warsaw has been open since 2009, and Lukas has worked there for a year, before which he was the technical manager of the Dramatic Theatre in Warsaw, another cultural landmark.
Mazowsze’s 600-capacity venue is funded by the government and, in addition to being home to the company, it stages several other dance, music, theatre, comedy and ballet shows, amounting to around 250 a year. All Mazowsze’s own touring shows are produced there before going on the road.
When Lukas joined the production and technical team a year ago, the venue’s existing moving light rig was 10 years old and in need of an upgrade, so he started the ball rolling on this process.
A tender for new moving lights was offered to selected companies, and the section to provide LED wash lights was won by Robe’s Polish distributor Prolight with the Tarrantulas, which met the spec nicely.
Prolight supplied 24 Tarrantulas as part of the new package, on which Lukas commented: “They have everything you want in a lamp and are extremely powerful and strong.”
He lights all the pro
On The Campaign Trail - Actors and theatre staff are being urged to make sure they have made arrangements to vote in next month’s election amid warnings that those working away from home on Christmas shows could be disenfranchised.
Matt Hood, Equity’s assistant general secretary, described the election date as “inconvenient for many”, adding: “For our members, many of whom will be working away from home on tour, in panto or filming, it runs the real risk of them losing their right to vote.”
Thomas Hescott, chief executive of Stage Directors UK, comments: “November and December is an extremely busy time of the year for our members, many of whom are working away from home on Christmas shows. The short notice means many of our members are already away working and so have little opportunity to organise postal ballots. We are concerned that our members will struggle to be able to vote in such an important election.”
Safety First - Theatre staff working at the Piccadilly Theatre on the night its ceiling collapsed have been praised for their “quick and professional actions”. Industry body the Society of London Theatre said front-of-house staff and emergency services handled the situation quickly and safely. “We were immensely impressed with the quick and professional actions of staff and emergency services at the Piccadilly Theatre. More than 1,000 theatregoers were safely and calmly evacuated from the theatre by well-trained staff, who have been commended by many people attending the performance,” it said in a statement.
Columbia - Pop-rock singer songwriter Andres Cepeda is one of Colombia’s most popular artists, loved for his multi-genre repertoire, humour and dynamic style. He recently played a month of sold-out shows at the 1,300-capacity Teatro Major Julio Mario Santo Domingo in the north of Bogota.
His long-term lighting designer Nestor Gaitan - universally known as Cariňosito (‘care bear’) - lit the show, and used the theatre’s 12 Robe MiniPointe moving lights which are part of the house lighting rig.
These were rigged on four vertical stands on tank trap bases, positioned two (stands) either side of a prominent central LED screen. The miniPointes were used extensively throughout the show.
Andres’ large band for this series of shows was enriched with the sounds of a full brass section. The musicians and backing vocalists were split between a raised deck above the LED screen and on the stage floor with Andres.
Nestor programmed and controlled the miniPointes plus all the other lights in the ‘top’ house rig, using the venue’s grandMA2 console.
He has worked for the artist for the last five years, touring frequently around Colombia and other Latam countries including Mexico, Panama, Ecuador and Peru.
“I like many things about Robe and their products,” he states, “the optics are great, the light weight is a big plus and the zoom is always good and it’s also a feature that’s been consistent over the years. It was a great decision to get the miniPointes here in this theatre, and as small ‘hybrids’ they are perfect f
Ukraine - Realtime visualisation specialist L8 has launched L8 CE, an affordable, entry-level version of its flagship pre-viz software.
L8 CE (Community Edition) uses the same code and libraries as the full version, but there are restrictions on the number of DMX inputs and the number of fixtures. Support is also limited to one year from activation.
"L8 CE may be a good solution for simultaneously using the software on a pre-programming workstation and for everyone else involved in the process of creating the show," says the company. "For those who want to know the full power of L8 visualisation technology, this is the first step to study it with."
L8 CE supports up to 64 fixtures and two DMX universes. Other features include animated 3D textures (cyclic animation of any texture), volume transparency (ie. (effects such as hard smoke, rain, snow, fire) and mirror reflection surfaces.
USA - Master Sound Productions of Miami has taken delivery of a full complement of Elation Professional’s IP65-rated weatherproof lighting fixtures. In operation since 1996 in one of the country’s most competitive markets for entertainment technology providers, Master Sound Productions is known as one of the most versatile event rental and full production companies in South Florida.
“South Florida is very competitive; you’ve got to diversify in this market to stay ahead,” comments Lazaro Soto, owner of Master Sound Productions. “Our goal is not to be the biggest event production source in South Florida but to be the very best one. That’s why I’ve chosen to offer my clients a 100% outdoor-rated all Elation lighting rig.”
Over the past couple of years, Elation Professional’s Proteus line of IP65-rated lighting fixtures has established itself as the market’s leading line of weatherproof moving heads for outdoor events. Meanwhile, the company has been expanding its line of multi-environmental IP-rated products across the board.
Master Sound’s new lighting package consists of 12 Proteus Hybrid moving heads, 12 Proteus Rayzor 760 LED moving heads, 24 SixPar 100 IP and 24 SixPar 200 IP LED PAR lights, and 12 DTW Blinder 350 IP variable white LED blinders.
With the majority of his business in outdoor events, Soto says he has seen his lighting stock deteriorate quickly while the expense and hassle of using domes and bags has only increased. “You can do a dome or cover fixtures with a bag or tarp, but they still get wet and
Ukraine - Loudspeaker manufacturer MAG Audio introduced its new line array technology, MAG Must. The company unveiled the product during an event at Kiev’s 70,000-seat NSC Olimpiyskiy Stadium on 6 September.
Standing for Multiple Uniform Sound Technology, MAG Must allows installers to use a single line array format, therefore eliminating the need for bothersome stock and complex logistics, says the company. The technology is based on the scalable 8” MAG Wasp line array, which allows creation of uniform sound coverage across a venue of any size.
“We intended to create the technology that can change approach to using small format line arrays,” explains Igor Sydorenko, systems engineer at MAG Audio. “Today, manufacturers offer lines of products depending on the target event size - starting from compact arrays and up to the large-format ones. But we consider this approach outdated. So we decided to design the technology that can serve the needs of any client, regardless of the event’s demands.”
The technicians built an impressive stage, 65m in length, which incorporated two LED screens on each side. Such a large venue called for a nuanced approach to the project design, so MAG Audio engineers conducted extensive researches, studies, and tests to get the best out of MAG Must.
The set-up consisted of two line arrays (24 MAG Wasp tops and 12 Wasp S-12 subs per each side of the stage) as PA; two line arrays made up of 16 MAG Wasp tops each as out-fills; 48 x H28 subs lined in the end-fire configuration; and eight MAG Wasp tops deployed
USA - LED processor manufacturer Brompton Technology is officially launching its High Dynamic Range (HDR) solution at LDI 2019. The company will also unveil a new technology that it believes will “make a real difference to the industry” in a dedicated showcase area in room N254 of the Las Vegas Convention Centre.
“We are delighted to be able to bring some very exciting new technologies to LDI and let our customers judge for themselves what a difference Brompton processing can make. In our new technology showcase, we will demonstrate our latest innovation, alongside Brompton HDR that we have previously previewed at ISE and Infocomm, in addition to a wealth of other new features that these technologies enable,” says Brompton’s managing director Richard Mead.
HDR video offers a new approach to delivering better image quality, without requiring finer and finer pixel pitches, and LED is well placed to benefit from its trio of image quality improvements. For every pixel, HDR offers a larger brightness range, a wider colour gamut, and a higher bit depth, thus delivering greater detail within the shadows and highlights and increased contrast. Brompton’s new technology adds to this with more headroom for exceptionally bright content and saturated colours that might otherwise be 'clipped'.
"Brompton’s implementation of HDR is very different from anything else already on the market and has required us to re-imagine the fundamentals of how LED video processing should work,” says Brompton’s CTO, Chris Deighton. “We’re looking forward to l
Belgium - Although the Fantasia festival succeeds in attracting some of the hottest EDM and trance DJs year after year, it’s built a loyal fan base with much more than music alone. Drawing on the power of its wildly imaginative and elaborate stage scenery, Fantasia succeeds in cocooning festival-goers in a multi-sensory experience that intensifies the power of its electronic music.
Forming the central visual backdrop to this year’s stage was a representation of an exotic burlesque palace measuring 15m tall by 45m wide. Providing dramatic visuals to accentuate the mystique of the stage was a lighting design by Creative Rental Solutions (CRS) that included a collection of Chauvet Professional Rogue R2 Wash, RH1 Hybrid, COLORdash Par H12IP, STRIKE P38, and COLORado Panel Q40 fixtures.
“Given the ambition of Fantasia’s organisers to create ever more impressive stages, we went back to the drawing board to come up with something especially different this year,” says Thomas Vandekerkhove of Creative Rental Solutions. “Our solution was to develop a lighting rig that awarded a certain mystique to this year’s stage theme by creating powerful looks and vivid colours.”
To douse the palatial stage designed by CRS’s Lieven Tacq (complete with three large burlesque masks) with a variety of pulsating atmospherics, Vandekerkhove and his team incorporated a carefully curated combination of 18 Rogue R2 Wash, 18 RH1 Hybrid and 28 COLORdash Par H12IP fixtures into their design. The resultant blend of saturated colours and powerful wash effects gave a