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Happy new year and welcome to LSi’s first issue of 2018. I’m delighted to welcome a new columnist to LSi’s pages this month as James Simpson forecasts the shape of tech to come in Future Tech. Welcome aboard James!

From new technology, to a brand new London theatre, this issue we also chart the design and build process of The Bridge. In Building The Bridge, Rob Halliday meets the team behind the multimillion-pound venue as it opens its doors.

This month’s On Tour focuses on Marilyn Manson’s recent visit to Wembley Arena, as I meet the crew tasked with keeping the show on the road despite the artist breaking first his ankle, then his leg in a series of on-stage mishaps. Despite adversity, the production rolled with the punches by making Manson’s injuries part of his fittingly macabre act.

Also inside, we bring you a Technical Focus double-whammy as Mike Wood examines the Philips Vari-Lite VLZ Profile and Mel Lambert deconstructs L-Acoustics’ L-ISA immersive audio technology. Meanwhile, Kate Lyon charts Doughty Engineering’s journey into the industry; Mike Clark reports from Milan on the multimedia inauguration of an avant garde new skyscraper; the temporary Embankment Gardens Cinema proves its mettle at the BFI London Film Festival, and we take a look at the audio overhaul of Hammersmith’s Irish Cultural Centre. Plus, our ISE preview.

With that, I wish you all a very happy and successful 2018 - it certainly looks set to be a busy one . . .


Claire Beeson
Editor
claire.beeson@plasa.org

On Tour : Marilyn Manson

Claire Beeson reports from London’s SSE Wembley Arena as Marilyn Manson’s latest transatlantic tour Heaven Upside Down rolls in to town . . .

Preview : ISE

Expected highlights from the forthcoming ISE exhibition, taking place 6-9 February at the RAI, Amsterdam . . .

 

Venue : The Bridge

Rob Halliday reports on the complex creation of London’s newest theatre, the brainchild of two former National Theatre heavyweights . . .

 

Regulars

LSi talks to rising star Adam Davies

Keep Taking the Edison, Phil Ward speaks volumes

The Shend Interrogates Vincent Casamatta

Lifting Equipment - or Not?

DaVinci Resolve 14, by Richard Cadena

Networked Lighting

Phil Ward talks to Sam Tamplin, owner and MD of lighting and rigging rental firm TSL . . .

NEW James Simpson predicts the shape of tech to come : AI Music

TF : Vari-Lite VLZ

Mike Wood examines Vari-Lite’s latest moving profile luminaire . . .

TF : L-Acoustics’ L-ISA

Mel Lambert provides an in-depth technical review of L-Acoustics’ new immersive sound art technology . . .

New Twist on Architectural Lighting

Mike Clark reports on the multimedia spectacle unfurled for the inauguration of Generali’s Milan HQ . . .

The Pop-Up Picture House

LSi reports from the BFI London Film Festival’s Embankment Gardens Cinema - a pop-up cinema that could give any permanent picture house a run for its money . . .

Doughty: Engineering Success

Kate Lyon charts Doughty’s evolution from a trailer maker to a leading rigging, suspension and lifting equipment manufacturer . . .

ICC’s Sound Choice

LSi discovers how LCG Productions gave Hammersmith’s Irish Cultural Centre a new sound system to improve its acoustics . . .

 

NEXT ISSUE: • Theatre: Sydney Opera House upgrades • Venue: Shaanxi Performing Arts Center • Profiles: Polar / Bryte Design / Nexo • Tech: Ancient Projection Mapping • Review: PLASA Focus Glasgow • Exhibition: Opera: Passion, Power & Politics

Contacts

Claire Beeson
Editor
claire.beeson@plasa.org

Teodora Lyubomirova
Assistant Editor
teodora@plasa.org

Daisy Bennett
Circulation and administration
daisy.bennett@plasa.org
Greg Morley
Sales Manager
greg.morley@plasa.org

Kelly Williams
Media Sales Executive
kelly.williams@plasa.org

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