Located in a former Bryant and May match factory, the state-of-the-art 80 sq.m studio was designed to give each programme a distinctive look and feel. Stage One started by laying a laminated floor, which was inlaid with stainless steel strips, helping to separate the space into several disti
The Randy Parton Theatre is a 1,500-seat show palace with state-of-the-art sound, lighting and video. Bandit sales and design associate, Chris Barbee was hired to be the lighting and rigging system designer and project manager for the permanent installation.
Barbee chose to use six Hi
A 200- seat auditorium, the theatre has long been a popular and much-used facility within the school but found itself in need of some updating to meet modern health-and-safety requirements - and the demands of new productions.
White Light's technical sales manager Roger Hennigan worked with staff at the school to figure out the best way of approac
32 Degrees co-owner Barry Gutin wanted to stay a jump ahead of the city's fierce competition, so he commissioned Scott Kemly of Powerhouse Sound (Cherry Hill, New
Under the terms of the Agreement, for the Kuching facility, Klotz delivered a 256 x 256 route
FBP Group, owned by Frank Heinrich and Bob Athey, were contracted to produce a first-class A/V design and turned to lighting designer Matthew Paupst to design the lighting scheme. "TAO Las Vegas came to FBP Group to produce a world-class outdoor nightclub that was stylish and able to be used for its dual purpose," comments Matthew Paupst. "T
Showsec has enjoyed a strong working relationship with AMG management for the past ten years at its other venues including Shepherds Bush Empire, London, and Carling Academy venues in Birmingham, Liverpool and Newcastle.
Showsec's area manag
The launch was produced by Flux Events for London & Continental Railways (LCR) under the technical direction of John Farquhar-
The design team also includes design architect Barton Myers Associates and acoustical consultant Artec Consultants. Most recently Theatre Projects collaborated with Barton Myers Associates on the Tempe Center for the Arts in Arizona which opened in September 2007.
(Jim Evans)
The Student Union is state-of-the-art and includes a larg
Project manager Hans Willems of W.I. Creation presented Litestructures with the challenge to design and construct the large and complex structures required, working from an original design concept by set designer, Bart Clement.
The final structure comprises three section
Located in the heart of the city of Larnaca and owned by the Varoshiotis Group of restaurants, this stylish fusion canteen is for 'anyone with a taste for exciting, contemporary and ethnic cuisine.' It combines cutting-edge culinary inspiration with in vogue interior design - leather sofas, exotic flowers, modern oriental art, dark wood and natural bambo
The Braid, a modern light feature soaring 32ft into the air, forms the centrepiece of the Sudell Cross and was unveiled in April of 2007. The feature was designed by renowned UK artist Simon Watkinson and built by the specialist bespoke metal fabricatio
On the back of the success of PLASA07, many companies have increased their stand size and several have doubled their space, setting PLASA08 on course to be the major industry event of next year. The success of the 2007 show has also been a catalyst for drawing back former exhibitors and generating strong levels of interest from new exhibitors, impressed with
Last year the theatre celebrated its troupe's 250th anniversary. Formed in 1756 by decree of Empress Elizabeth at Moscow State University, and named Moscow Russia Theater, in 1780 the troupe moved to the Petrovskii Theater, next to the Bolshoi Theater, on what is now Theater Square. In 1824 the theatre became o
Lighting technician and operator Keith Clark has been with the centre for four years and was instrumental in the refurbishment and comments: "Originally we had fluorescent down lights and the atmosphere was cold and stark. We wa
Australian freelance sound engineer, Rob Hornbuckle, was appointed by the event's AV organisers, World Sport Group, to engineer the broadcast audio for the tournament, which was broadcast live on ESPNStar Sport.
"Rob was already comfortably configuring and mixing with iLive before the arrival of our engineers wh
Plus 4 used a total of 32 Kiva split into two arrays of 16 cabinets each, while 24 dV-Dosc in two arrays of 12 took care of the left and right out-fills. A further 4 SB118 subs were utilised for low end reinforcement All the amplification was derived from a mixture of the new L-Aaco
The original audio systems had been installed by Spektra Electronics when the hotel was built and the company was again appointed to handle t
Wolstad and sound design colleague Jonas Vest worked closely with Out Board's Robin Whittaker to create an SOR-based sound syste
With its grand reopening last month, the venue now boasts a new layout, expanded capacity (to 750), and a state-of-the-art infrastructure, which includes a Digidesign VENUE D-Show Profile console supplied by local distributors Big Bear Sound.
Although the four-storey Curved Street facility was purpose-built as a live music venue around 12 years ago, the building was traditionally s
As with most ice arenas, acoustics are not among the venue's strongerfeatures, and wit
The first containers arrived at the loading doors of the Esplanade on Sunday 21 October. With two full days of hard graft, all the equipment was unloaded and put into
Opening seven nights a week, Lo-Profile aims to inject new life into the current gay London nightclub environment and represents part of a total £1.6 million total investment.
The SSE Group were contracted to provide the new audio infrastructure for this 450-capacity basement venue. Emma Barwell, who runs SSE's London operation, says that the company
