MA has styled the catalogue into a complete new design. It contains a lot of background information about the MA system, offering a comprehensive overview of all its parts and showing solutions for setting it up.
(Jim Evans)
Modelled after a successful television series in Holland, The Voice is a vocal competition hosted by Carson Daly and featuring Christina Aguilera, Cee Lo Green, Adam Levine and Blake Shelton as celebrity judges and vocal coaches.
The Chauvet linear tri-colored LED lights were specified by lighting designer Oscar Dominguez, principal at Darkfire Lighting Design. They are strategically placed under the large centralized performance floor and at one end of a large expanse of stage floor where the judges sit. The Voice is created by John de Mol, who will executive produce along with Burnett and Audrey Morrissey.
"We are thrilled by this opportunity to showcase these great fixtures," Jamy Brock, director of sales
The Martin Splitters help to rectify disruptions in the DMX signal caused by bad cables or bad connections by splitting the DMX or DMX/RDM data link into five separate branches while boosting the weak DMX signal to its original output level before it becomes too low to be read by DMX devices.
Through fully individual isolated input and five outputs, the Martin Splitters will protect any DMX controller and DMX fixture against voltage surge on the data line. Ground loops are common in complex lighting setups and such problems c
Triangular in form, the ceiling consists of a mirrored surface below which hang just over 3100 assorted lightbulbs. Conceived by Boyle, set designer Mark Tildesley and lighting designer Bruno Poet it was intended to "represent the forces of electricity harnessed by Frankenstein, and to provide a dazzling light for the moment the creature is born and opens his eyes for the first time," the lighting designer explains.
LED arrays of this type are now commonplace, but Poet was very keen to use tungsten "for its warmth, and because it be
The newly redeveloped theatre, which can accommodate up to 8,000 in its largest format, was opened by The Queen in May 2010 and held its first season between June and August 2010 with capacity audiences to see shows such as a Gala Evening with Jose Carreras, Dame Kiri te Kanawa and '80s rewind.
For 2011, the arena seating has been extended from 6,500 to 8,000 using temporary decking to bridge the lake that sits in front of the stage and the season opens on 5th June with Sir Elton John in concert.
Pete Allison, MD of Event & Management Services said: "This is a great piece of work for us, we're well used to consulting on and managing the production and site issues around large
Clay Paky was also founded in 1976 and has provided the vast majority of the lighting effects this year too. The rig includes about 120 intelligent lights consisting of Alpha Spot HPE 1200s, Alpha Spot HPE 700s, Alpha Spot HPE 300s and CP Color MHs, as well as numerous Clay Paky CP Spots as general accent lighting. All the lighting equipment is supplied by PR Electronics.
Director of photography Fausto Carboni comments, "The set lighting was designed to adapt to three different programmes: Domenica In, L'Arena' (the arena), and A casa di Paola
Among a lengthy list of new products receiving their UK launch were the Chroma-Q Studio Force and Jands Vista V2, both launched by AC Entertainment Technologies; a new generation of moving heads from Robe; Avolites' Sapphire Touch and a preview of its Titan V5 software; the Wave 28 all-in-one modular PA from Adam Hall; Christie's new Nitro Solutions range of motorised moving yokes; the new Showtec luminaire
Söhne Mannheims is a popular German music band with massive energy and dynamics, featuring up to 17 members (with 13 on this tour) encompassing several musical genres including rap, R 'n' B, soul, hip hop and rock all fused into a distinctive style, achieving considerable commercial and critical acclaim.
Hecker's lighting design studio is based in Werne. He started his lighting career in the theatre 20 years ago, and now works on a host of live events, TV shows and bands - also including LD'ing the Die Fantastischen Vier and Tokio Hotel. He has worked with Söhne Mannheims since 1999
Hecker had been wanting to try o
Lighting designer John Lucksinger used Chameleon Touring Systems for lighting supply including 16 Vari*Lite VLX LED wash lights hung in the air randomly over the stage.
Lucksinger admits that in the US he uses a different type of LED fixture, however when Chameleon offered him the Vari*Lite VLX's he was excited to try them.
"I found them to be very clean, and their colours are just beautiful plus they're very quick and have a really nice zoom. I'm not a real gear person and see lights as lights. I remember seeing a demo of the VLX and thinking 'oh great another wash fixture'. But they are honestly one of the best fixtures I've ever used, they are amazing. I'll certainly be specifying them in the future."
(Jim Evans)
The popular talent show series is now in its eighth series and is the biggest studio based show in Germany, complete with a live broadcast every Saturday on RTL, also enjoyed by an audience of 1,300 in the studio.
The set and video concept is designed by Florian Wieder (Wieder Design) and based on a series of interrelated 3D spheres and screen surfaces. Video is a vital part of the look and dynamics of the show, with custom content for each competitor and their different songs designed by Falk Rosenthal from Gravity Hamburg. Together with the lighting, designed by Manuel
Neosun has been working with PR Lighting since 2009, initially placing small orders before developing a much larger slice of the market with the Chinese manufacturer's components. One of their major customers has been HANS Company, confirms Neosun sales executive, Salim Derradji,
"XL Beam 300 is new type of moving head, with special features not found with competitors' brands - so our client was pleased to be able to provide a different solution," said Mr. Derradji.
At the Motor Show, the fixtures were mostly suspended from square or triangular truss sections. For SOVAC,
"PALM Expo is an incredibly successful show for us," says Niclas Arvidsson, CEO of Wireless Solution, "We've had great success with both end users and OEM partners in this region of the world. The G4 technology will be fast embraced."
"Unlike any cable, the new G4 is able to repair corrupted data and vouches for maximum security by running on dual band and creating a backup duplicate of the signal," explains product specialist Ben Darrington, "This new standard is transparent and works with several protocols, creating extreme flexibility and reliability without the need for additional controllers or software."
(Jim Evans)
"It was one of the main ideas of the design to have the brightest source of light originating from the centre of the stage so we created a cluster of MAC III's in the centre of the space," Kunttu stated. "I wanted a very silent moving light with a lot of brightness, wide beam and good gobo projection and the MAC III delivered all these."
Kunttu made the decision to use the 1500 watt fixtures after studying scale models of the sets. "With the set's wh
Integral to this major production was wireless lighting control, realised with LumenRadio's CRMX Nova systems. On 11 generator-powered lighting towers as far away as 2,100ft from the control center, LumenRadio controlled four DMX universes of High End intellaspots, PRG Bad Boys, and Color Kinetics ColorBlazes.
Provided by Felix Lighting of La Mirada, CA, the LumenRadio units overcame daunting challenges, not only linking several universes of DMX to locations well over a quarter mile apart, but doing so while peacefully coexisting in an environment saturated by other wireless traffic, including life safety, performance, production, and
One of the artists invited, Italian director and lighting designer Simona Braga proposed a mini eight-minute son et lumière with music and recitation. Le souffle du monde is a sequence of projections and lighting effects that develop the basic themes of the festival (nature and light). The projections have been achieved using high resolution photo gobos for the graphic designs created by the author, and Clay Paky metal gobos to produce some of the effects, such as the woods and fog which appear to come from the lake and disperse with the sunrise.
The lighting effects are projected onto four fan-shaped screens between 16 and 20m from the ground. The Alpha Profile 1200s have been hung on a tree in front of the s
The 2011 road show includes a newly revamped truck and trailer full of the latest Martin Professional dynamic lighting and visual effects products for the entertainment, commercial and architectural lighting markets.
Over the next several months, the Engineered for the Eye road show will cover an impressive 15,000 miles while hosting some 110 events in 33 cities. As a first, the schedule also includes stops in Canada.
(Jim Evans)
Genuine ticket sellers claim the delay in sending out tickets is meant to limit the time counterfeiters have to copy the originals. But an unintended consequence of this has allowed tens of thousands of people over the past five years to buy tickets from fraudulent websites, without realising the tickets will not arrive at all until it is too late, according to BBC Radio 4's You and Y
Suitable for location filming, IaniLEDs 54 are designed for use where mains power supply is unavailable. In such locations, a fast and discrete technical set-up is often all-important. For this South American production, TF1 used two IaniLEDs 54, 54W 12V, powered simply by camera batteries, fitted on board by a gold mount bracket. The absence of leads and external packs made the lights highly manoeuvrable.
IaniLEDs are tested on the road and offer a reliable and powerful daylight source in extreme shooting conditions, making life for the lighting cameramen considerably easier. The specially designed housing, married to the low temperature of the lamp body
It's just a year since members of PLASA voted overwhelmingly to merge with leading North American trade association ESTA, and on the 1 January this year, the two formally came together under the PLASA name, creating one of the largest membership organizations in the industry with over 1100 members worldwide.
Though still in its early stages, the merger has already greatly strengthened PLASA and given it a new profile in the industry, reinforced by a new PLASA logo and brand identity. The first phase of a new PLASA website has gone live and the first meetings of the new Regional Boards and over-arching Governing Body have also taken place. New services and research projects have been introduced, and the teams are currently
The stage version of Shrek has been created by an experienced theatrical team, including directors Jason Moore and Rob Ashford, choreographer Josh Prince, designer Tim Hatley and lighting designer Hugh Vanstone. Shrek marks White Light's second 'green' collaboration with Vanstone this year, having also supplied the lighting equipment for his design for The Wizard of Oz!.
Vanstone is once again making full use of White Light's extensive lighting rental stock, his rig based around a core of Vari-Lite equipment: VL3000 Spots, VL3000 Washes, VL3500 framing spots and V
Barbizon Lighting NY was the integrator and supplier for the theatre, working with Milford, Ohio's Beck Studios, which was responsible for the venue's rigging. The Miller Theatre is the latest addition to the Miller Performing Arts Centre, which features the C.D. Smith III Flexible Theatre, a black-box space; The Rod Brown Acting Studio; dance and instrumental music rehearsal halls; a scene shop; and faculty offices.
The new proscenium theatre is a multifunctional venue designed to host larger theatre, dance and music performances. Both the Performing Arts Centre, which opened in 1995, and the new theatre are the gifts of Dr. Marlin Miller, class of 1954 and former chair and current member of the Board of Trustees. The 498-seat Miller Theatre has a stage
The New World Symphony is an elite training orchestra for musicians who go on to work at major symphony orchestras; it's known as one of the most innovative organisations in the country, and the new concert hall is a testament to its state-of-the-art outlook.
"I chose the grandMA2 because of the amount of control we need," says lighting designer Stefan DeWilde, a veteran of the famed Cirque du Soleil. "We have 300 conventional fixtures and hundreds of LEDs in the atrium which run off
The production involves a circular stage and uses 3D animated film in place of traditional scenery. The Alpha 1500 Beams were chosen by the designers for their ability to provide powerful but high-definition mid-air beams. They form the key component of the lighting rig, and are used as a complement to the cinematic scenery - in one instance the Alph
"Rarely do you get the colours that we get out of these. Across the board I've never seen such good saturated colours," he says about the LED wash light, adding, "And the speed - it is limitless with a fluid motion all the way through. It really changes how you think."
Travis, who has been with Enrique Iglesias for six years, is using an all Martin rig on the current Euphoria world tour, a rig that includes over 200 of the remarkably small and super light MAC 101 washes.
As the show's overall visioneer, Travis works closely with Iglesias as far as what the show will look like. He comments, "The tour design represents the emotional impact of the music and Enrique is involved in the production design more s
