Lighting

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14 March 2016

Also on the weekend bill were some of the leading names in techno, trance, electro and drum 'n' bass including Pete Tong, John Digweed, Simian Mobile Disco, while Friday night's Bass Culture was equally headlined by Chase & Status. Three other Halls at Ali Pali were in action for the two completely sold out all-nighters produced by the Lock 'n Load Events team.

Colour Sound is a regular supplier to their events, and Haydn Cruickshank comments, "It was great to be involved in this fresh new event which united a lot of familiar faces on the production team. The main challenge was the complete turnaround in the Great Hall acr

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14 March 2016

The grand event is a parade featuring the Russian State Honuor Guard, as well as leading Russian and foreign military music bands, an important intercultural event that attracts a huge TV and Internet audience. Among the musical military units participating in 2011 were bands from Great Britain, China, Jordan, Norway, Pakistan and Mexico among other countries.

Two leading Russian rental companies were engaged to light the festival, Lightmaster and Pro Light Service, each of whom supplied a cadre of Martin fixtures. Two lighting designers were employed as well - one from each company. Representing Lightmaster was William Hamadac

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14 March 2016

With Alan Graham leaving LSC, Trevor Sykes has been promoted to the position of general manager. Trevor's wealth of experience both within LSC and elsewhere made him a natural choice to lead the LSC team towards continued growth and process improvement.

Trevor has a long association with LSC starting out with the company as a technician in the late '80s. Leaving LSC in the late '90s to explore other areas, he rejoined 2007 as Product Development Manager and his many years in the motor car industry developed a burning desire to promote a Continuous Improvement culture. Trevor is keen to continue this passion in his new position and to implement t

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14 March 2016

PK told LSi that he'd enjoyed his time at A.C., however he felt it was time to move on and explore other avenues.

(Lee Baldock)

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14 March 2016

"Our company mantra is about ensuring that our customers benefit from total support from our team to complement the quality MA Lighting and Clay Paky products we exclusively represent in the UK', states Glyn O'Donoghue, managing director.

"The appointment of Caz and Doug reflects this by committing the right people to the right jobs, and utilising their superior industry experience. This begins at the point

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14 March 2016

The block-long display at the home of Fred Loya, has become a holiday tradition in the west Texas town, with over 4,000 people gathering each weekend during the month of December to enjoy the lights of the massive Christmas show as they flash, chase and change colours in synchronisation to popular songs of the season.

This year's display is bigger and better than ever, featuring 12 Platinum Beam 5Rs, an extreme ACL beam effect powered by the new Philips MSD Platinum 5R lamp that blasts out the tight, narrow focus and ultra-brightness of a clas

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14 March 2016

The Pepsi Max Halftime Show was performed by the Vancouver-based rock band Nickleback, playing songs off their albums All The Right Reasons, Dark Horse, and Here and Now. The halftime show was produced by Patrick Roberge of Patrick Roberge Productions, alongside production designer Robert Sondergaard and TV lighting director Jason McKinnon of Electric Aura. System engineer was Jason Bolger and production electricians were Charles Arrata, Corey Proulx, an

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14 March 2016

It's the fourth JB tour that Adlib has supplied. Having the resources and flexibility to offer all the technical elements in a single source operation enabled a very cost-efficient package to be tailored to the client for the successful six weeks of sold out shows around the UK.

FOH engineer Walter Jaquiss once again specified a Coda Audio LA12 system, following its performance on the last tour. Systems tech Kenny Perrin explains that their standard configuration was 12 x LA12 cabinets per-side with a variable amount of LA8 down-fills.

For subs, they used two sensor controlled Coda SCPs per side for the standard set up, boosted to four columns of two SCPs along the front of the stage for the arenas. The in-fills were normally four LA8 speakers.

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14 March 2016

Lighting designer and managing director of TSL, Sam Tamplin, chose to use the Philips Selecon range of conventional luminaires to deliver a festive atmosphere to this historic setting.

Viewed by many as the most romantic and beautiful backdrop for an ice rink in the country, Brighton Pavilion is evocatively lit with 'arctic' blues and deep 'ice' greens complemented by tinges of 'sunset' lilac and pink. In contrast, the 'après ice bar's comfortable leather Chesterfields and rustic seating arrangements are lit in 'candle- light' open white and 'fire ember' reds and ambers.

Tamplin is using a combination of Rama and Acclaim luminaires to create the intimate

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14 March 2016

It's the fifth year that dbn has supplied lighting, visuals equipment and design services to WHP, which operates every Friday and Saturday night from the start of the new university terms in late September to New Years Day, and this year, it is being managed for dbn by Chris Phillips.

Three trusses are installed over the stage in the main room to facilitate lighting positions, together with four more trusses over the audience/dancefloor. The space is arched with a decent nearly 7m height in the centre, dropping to around 5m at the edges, so the trusses are placed to maximise and accentuate the shape of the room.

The eve

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14 March 2016

Carson has worked for Chase & Status for the last two years. The band shares the same management team as Pendulum, another artist to whom HSL provides lighting.

However, this is the first time Carson has used HSL to supply both lighting and video - a process likely to happen increasing frequently following a recent major investment in Martin EC10 and EC20 LED screen product. "It makes things very straightforward dealing with one source for all these elements," says Carson.

The Chase & Status project was managed for HSL by Mike Oates, who says: "We always enjoy working with Neil. He has great imagination and flare and the Chase & S

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14 March 2016

Gray is known as one of the most innovative 'new generation' UK visual designers whose work is intelligent and original. On this he collaborated closely on the stage look with the band's creative director Aitor Throup, who also designs the stage clothes through to the merchandise on sale, ensuring a creative - but flexible - coherence.

The stage design is highly architectural. Upstage is a massive ellipsoidal shaped LED dome, which is made up of nearly 100sq.m of BT-12, a 12mm LED screen product which has been custom manufactured for suppliers Colour Sound Experiment.

In front of this is an impressi

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14 March 2016

The 'Open-House' will be on Tuesday 20 December from 2-8pm and Glyn, Philip, Chris, David, Caz and Doug would like to welcome you for a glass or two, a mince pie and some festive banter with industry colleagues. Come and meet the new team and see their fabulous new facilities. The Ambersphere team also hints there may be a few exciting new products to tell visitors about . . .

Ambersphere Solutions is located in Park Royal, the heart of West London's lighting industry hub, a stone's throw from the LH2 Production and Rehearsal facility, just off the A40, and close by the public transport links of Acton and Ealing Broadway. There is parking

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14 March 2016

Clay Paky's announcement of the news said: "It is with great sadness we announce the passing of Enrico Caironi, a man whose professionalism, integrity and humanity will be remembered by all Clay Paky work associates and friends in the industry. In the show-lighting industry, Enrico had for years been ambassador of Clay Paky and a model representative of Italian passion and quality.

"Born in Bergamo in 1947, Enrico Caironi joined the Clay Paky team in 1995. As commercial director, he immediately became a key figure in company business, always fighting at the forefront with relentless motivation

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14 March 2016

There are seven performance spaces at the centre, seating up to 1,704 people. The first Paradigm system controls the main concert hall; a second controls three of the rehearsal halls (Rehearsal Hall, Organo and Camerata); and a third controls the Sonore, Black Box and restaurant stage halls. All were supplied, installed and programmed by Studiotec Oy of Finland.

Project manager for Studiotec, Oskar Krogell explains: "Paradigm was chosen by the music centre for its integration with lighting control desks, dimmers and DMX. They also wanted non-technical personnel - including orchestra organisers, stage managers and even music students - to be able to use the show lighting in the halls for rehearsals and concerts. The Music Centre has seven stages

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14 March 2016

"With both a theatrical and corporate background Richard brings a wealth of experience to the role," says Stuart Crane, White Light's head of production.

"In addition to project managing the usual mix of events that White Light currently supplies he will also be available to support our existing corporate lighting designer clients, helping to ensure that we deliver the highest standards of pre-production on their larger or more complex projects."

(Jim Evans)

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14 March 2016

Specified and installed by Lights Incredible, based in Kansas City, Mo., the flicker-free fixtures are part of a special episode called Make a Wish Bride.

Specified for their on-camera suitability as well as their compact size and low profile, SlimPAR Pro Tri fixtures added flexibility and precise colour temperature to the setting.

"They're sturdy, take up no room and look fantastic," Carol Rosenstein of Lights Incredible said. "We placed [the fixtures] around the perimeter of the room uplighting each of the fabric panels as well as around the back. They gave the ceiling a colorful glow throughout the reception and their output got more intense as the sun went down. The view from outside was beautiful."

(Jim Evans)

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14 March 2016

McRobb - who has worked for superstar rocker Adams for the last five years - has used some Robe fixtures on rigs in the past, but has not actually integrated any into his designs until now. He was shown the MMXs when initially discussing the tour with Siyan's Nick Valdez, who had just taken delivery of some of Robe's newest technology. McRobb liked what he saw and decided to spec twelve MMXs onto the tour.

As a photographer of some repute, Adams takes a keen interest in lighting and therefore also his stage lighting. "He has multiple ideas and knows exactly what he wants," explains McRobb, adding that Adams also

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14 March 2016

"One of Christie's advantages is its wide selection of 3LCD models in the 4000 lumens range and above," notes Frank Anzures, senior product manager, business products. "Customers needing mid- to high-brightness options know that they can come to Christie and find what they need to meet their application and budget requirements. And, with innovations like Christie's 4DColor technology, their displays can be created with vivid, dynamic colours that go beyond standard 3LCD projectors."

When bold, detailed images are required for presentations, the Christie LX400 (XGA) an

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14 March 2016

Stocking the full range of GDS products Hawthorn is now able to fulfil most orders for next day delivery and also has large stocks of regular and high powered up lighters as well as the new Satellites available for hire.

With a notable increase in the hire of the LiteWare battery up lighters, Hawthorn's hire manager, Dave Slater commented, "Being one of the key GDS dealers gives us a fantastic opportunity to build on our commitment to the GDS product range, which has proved to be very popular with our customers.

"From the LiteWare products which we've had in rental stock since their initial release, through to the Blues System, used extensively by our installs teams with the Arch system, and their new LED houselights, the whole range gives us an important a

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14 March 2016

The lighting needed to be sufficiently versatile to cater for an entertainment programme ranging from comedy to burlesque, contortionists and acrobats to high-octane dance within a multi-role venue targeted at a slightly older age demographic. At the same time guests needed to feel they were interacting within a TV reality-type set.

"I think this was one of the reasons Steve [Thomas]contacted us," noted Kirby. "We have worked extensively in TV studio lighting, and it's programmes like X-Factor that audiences these days are used to seeing. SGM heads are perfect because they are quiet running, fully featured and produce beams of saturated colour."

Leading the charge are 10 new SGM X-5 white LED strobes - a revolutionary break from the traditional

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14 March 2016

The 879-seat venue's stock of aging profiles needed to be replaced so, knowing the Robert Juliat reputation for optical excellence, Joost van den Hil, lighting specialist for the Main Auditorium, organised a shootout and approached LightCo's Bas van Schelven who took along the RJ 614SX 1kW fixtures.

In addition to meeting the all-important optical criteria, the Robert Juliat profiles also excelled with their build quality and mechanical superiority: "The mechanics are solid, the shutters stay straight, even after long term use, and the shutter lock work

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14 March 2016

The high point of the evening's festivities was the Flash & Flow laser show put on by tarm Showlaser, in collaboration with the Extra Energy dance ensemble, under the artistic direction of Wolfram Lenssen.

The team presented an audio-visual interpretation of the evening's theme, illustrating the motivation and history of the Wolkenschieber initiative in a series of scenes involving varied moods and dark clouds that finally disappeared and were replaced by the sun.

The Wolkenschieber initiative was founded by Joke Event AG in 2007 and supports local charitable organizations and as

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14 March 2016

Nearly 250 existing and prospective clients attended the two-day open house, which took place in a section of the warehouse set up to replicate a theatre.

"Back by popular demand, we set up a 'black box theatre' demo area to achieve an actual production space within our working warehouse," said Cassidi Cain of Gemini. This allowed customers to see some of the company's newer lighting and video products in action as they would app