France - The Monumental Tour is an innovative visual and musical concept initiated by DJ and music producer Michael Canitrot and visual activists AV-Extended in conjunction with French cooperative bank Credit Mutuel, which encompasses streamed electronic music performances and collaborations with outstanding monumental sites all around France.
Lighting designer Cédric Davignon of Bordeaux-based creative practice Electron Libre Design designed lighting for the first digital gig of the tour, staged at the Phare des Baleines (Lighthouse of the Whales) on the Ile de Ré, which is off the west coast of France near La Rochelle.
Cédric chose to work with 10 x Robe Spiiders and 13 x MegaPointe moving lights to create his lighting design which complemented stunning large-format projections beamed onto the newer of the two Ile de Ré lighthouses, transforming its octagonal t

Australia - Striking a pose on the skyline of the city of Brisbane, the new Hotel X is located in the centre of the city’s Fortitude Valley, also known as the ‘Valley’.
The hotel’s custom façade lighting system has been created to reflect the Valley’s progressive and dynamic atmosphere.
To deliver this large-scale, high-profile façade lighting system, integrated solutions provider bluebottle was appointed to the project. Given its sheer size, LED fixtures were the only choice to fulfil the requirements, with Color Kinetics the chosen brand. The iColor Flex LMX gen2 RGB luminaires were used; mounted in a custom aluminium channel that forms part of the building façade.
To fulfil the control elements of the lighting scheme, bluebottle partnered with Pharos Architectural Controls. A Pharos VLC 500, directly controls the hotel’s façade fixtures creatin

UK - The new studio at London’s Metropolis features a fully certified Dolby Atmos system, based entirely around Neumann monitors.
Developed in conjunction with immersive audio and live streaming specialist Sonosphere, versatility was the key for the Munro Acoustics-designed room. Its centrally located mix position and immersive monitoring environment ensures it can cater for all current surround formats. The room fully meets Dolby Atmos specifications, is capable of delivering 11.8.1 Atmos and includes a Dolby Atmos Mastering Suite server.
Whilst Metropolis has not traditionally been a Neumann house, the Sonosphere team has a long history with the brand and were keen to demonstrate its benefits. A key mission was to ensure clean and extended low frequency, with the required isolation to accurately judge tone-shaping a full octave below the effective range of many mon

USA - On the outskirts of Cincinnati, the city of Blue Ash came to life this summer with the sounds of Carmen, Tosca, and The Barber of Seville reimagined for Cincinnati Opera’s Summer at Summit series, held outdoors from 11 July to 1 August at Summit Park. It featured singing and music from internationally renowned guest artists, the Cincinnati Symphony Orchestra and the Cincinnati Opera Chorus. The outdoor setting, a choice driven by the Covid pandemic, allowed for an under-the-stars experience, yet with all the grandeur of grand opera theatre sound, thanks to the use of L-ISA immersive technology provided by L-Acoustics.
A system co-designed by Jonathan Burke, who directs the sound design programme in the School of Theatre, Film and Television at UCLA, incorporated L-Acoustics’ broad range of technologies. Sixty Kara II enclosures were conf

USA - Stuffed animals aren’t something usually associated with a band like hardcore metal giants Killswitch Engage. Still, the fluffy playthings helped create a sense of intimacy this summer when the Grammy-nominated quintet recorded a video of their latest album Atonement.
The band, which normally plays at jam-packed venues, was performing at an empty 2,200-capacity venue, The Palladium in Worcester, MA, for the video. To encourage them to look out into the “audience” despite the vacant hall, their long-time lighting designer, Cody James hid stuffed unicorns in the seats.
That worked for the band. As for the fans watching the video, James fostered a powerful, you-are-there feeling by unleashing a torrent of genuine concert looks with help from a beefy collection of Chauvet Professional fixtures supplied by JDI Productions.
“After some long convers

USA - For years, fans flocked to the University of Tampa’s Bob Martinez Athletics Centre to witness excellence on the court. But no matter how many national titles Spartans supporters and athletes enjoyed - including three NCAA Division II women’s volleyball crowns (2006, 2014, and ‘18) - there was no getting around at least one major disappointment on perennial display at the Bob Martinez Athletics Centre: A failing sound system.
That is why, when the University of Tampa undertook renovations of the 36-year-old, 3,400-seat arena that the Spartans’ men’s and women’s basketball teams also call home, it opted for a complete overhaul of its audio capabilities.
And when Regional AV integration firm AvTek introduced Spartans athletic department members to Danley Sound Labs components, the University of Tampa had finally found a sound to match the quality of wha

Serbia - On its website, Kaleidoskop Kulture describes its mission as one of promoting “a unique image of diversity”. A look at this ambitious project’s itinerary is enough to convince anyone that this is no idle claim. Just about every form of human creativity is displayed, studied, and discussed at the event, which began on 2 September in the city centre of Novi Sad on the banks of the Danube.
The creative scope of this ambitious cultural project was on full display at its opening ceremony, which was attended by an impressive assemblage of dignitaries, including Serbia’s Deputy Prime Minister Maja Gojković. Adding to the celebratory atmosphere of the occasion was a vibrant Nemanja Pavelić lighting design anchored by over 40 Chauvet Professional Maverick fixtures supplied by Chameleon Rental.
Chameleon Rental’s Dragan Rajčin, production manager for the op

USA - The church building of Christ King Parish in the western Milwaukee suburb of Wauwatosa has been through over half a century of construction, reconstruction, renovation and updates. But the one that likely may have made the most difference was the recent replacement of its old sound system with a new L-Acoustics A10i array and Syva loudspeaker enclosures installed over the summer by the local office of Clearwing Systems Integration.
The building, which opened in January of 1957, was designed to seat 1,200 parishioners. However, like many older Catholic house of worship designs, the preponderance of marble, glass and hardwood made for a highly reflective sonic environment that was highly challenging for music, and especially for speech. As is often the case in these types of spaces, speech is sourced at the altar in the front while music emanates from the rear choir and

UK - With the new month-long South Facing Festival, music has returned to the Crystal Palace Bowl, scene of legendary rock shows in the 1970s. The site’s revival has been led by The Crystal Palace Trust after securing substantial funding.
The stage this time may have been built on a floating pontoon - in front of the original stage - and the venue capped at 5,000, but in the hands of festival director Marcus Weedon, and with the equally experienced Loudsound providing site and production logistics, the event was in safe hands.
Capital Sound extended this duty of care by deploying Martin Audio’s MLA technology, which ensured that sound would be contained within the bowl, avoiding any bleed to the nearby residential area.
Over the month, acts as diverse as The Streets, Supergrass, Corinne Bailey Rae, Dizzee Rascal and English National Opera graced the stage, a

Japan - The Tokyo 2020 Summer Olympics opening and closing ceremonies almost certainly represented the largest deployment of Optocore audio network devices ever seen.
This was according to Norwest head of special projects, Andrew Marsh, whose company has a long pedigree of fashioning vast digital broadcast networks for spectacular Games Opening and Closing ceremonies, built around Optocore devices.
To give an idea of scale, he says, “The system we provided for our client, Hibino Corporation, comprised just under 1000 audio signals transported on each main and backup network.”
As usual, Norwest duplicated the 21-node system to provide full redundancy. “And we used every one of them,” said Marsh, “along with our usual set of HP switches in RSTP, using our spare pairs of fibre.” These switches controlled the entire audio system at multiple field locatio

USA - CityHope Church in Mobile, Alabama’s metro area has just made another leap forward with its summer installation of a new DiGiCo Quantum338 console at its flagship Malbis campus, just north of Daphne.
It’s the centrepiece of a larger audio upgrade that also includes two integrated DMI-Dante cards, an Orange Box interface for MADI, integrated DMI-KLANG card for in-ear monitor mixing, SD-Rack fitted with 32-bit “Ultimate Stadius” mic preamps, SD-MiNi Rack used for broadcast audio-for-video I/O (including video switcher, computers, and lobby audio-processor feeds), and DiGiGrid rackmount Quad MADI interface that allows recording of up to 128 channels at 96 kHz. The Q338 console, SD-Racks and KLANG audio are all on a newly-installed Optocore loop network.
The entire package was specified, designed and installed by Springville, Alabama-based AVL firm ESB Group,

USA - The Dave Matthews Band is back on the road for their annual North American Summer Tour with stops at sheds and amphitheatres across the country from late July through November. Longtime rental partner UltraSound of Petaluma, CA has once again supplied a Meyer Sound system based on Lyon linear line array loudspeakers.
This year marks Dave Matthews Band’s 30th anniversary as well as 25 years of UltraSound and Meyer Sound’s collaboration with the band. After more than a year and a half without performances, the UltraSound and Dave Matthews Band production teams were eager to bring music back to fans.
“Getting back on tour has been a crazy experience. After a year and a half off, all of us had gotten a bit rusty,” Tom Lyon, UltraSound senior systems engineer and FOH engineer for Dave Matthews Band, said. “Luckily, we scheduled a few days with just the band

Germany - Robe’s waterproof iSpiiders wash beam LED moving lights provided the solution for the recent production of Stuttgart. Ein Traum (Stuttgart. A Dream) a new work that is a collage of street, puppet, physical and ensemble theatre performance referencing the city’s history and culture, created in a collaboration between Stuttgart Staatsgalerie, the Schauspielbühnen Theatre.
The show was presented in the open air over 10 days in the Stuttgart Staatsgalerie’s Rotunda, an outdoor amphitheatre and one of the most striking architectural features of this postmodern masterpiece building designed by James Stirling in the 1970s.
Lighting and audio rental company Mad Music supplied the lighting and sound for the production with company owner Mathias Bremgärtner and project manager Peter Wormstädt working in close conjunction with the Schauspiel’s

Europe - Venice, once the epicentre of culture and commerce - and a work of art in itself - has perhaps enjoyed a more relaxed, touristic reputation over recent decades. However, this medieval city’s influential and entrepreneurial spirit is still very much alive, with new and innovative ventures re-establishing it as a hub for forward-thinking organisations in the creative industries.
Spearheading the city’s creative reawakening is PASE Platform, a cultural organisation melding together art and technology. Located far from the madding crowds, in the city’s tightly-knit Cannaregio district, PASE is rooted in the local contemporary arts scene, as well as Europe’s wider creative community. Harnessing the collaborative power of artists, designers, technicians and researchers the PASE team have set out to uncover and create experiences from new creative languages and te

UK - Lighting designer Tim Lutkin employed two Robert Juliat SpotMe systems in their first double use at the National Theatre on this summer’s production of Dylan Thomas’ Under Milk Wood.
Lutkin, who has extensive experience of automated tracking systems - but none with a real person behind the light - was curious to explore the features of SpotMe. The result was a lighting design full of sculptural subtlety and creativity that went far beyond traditional tracking.
Jack Champion, National Theatre’s lighting supervisor for Under Milk Wood, explains: “Tim used SpotMe in a different style, hardly using the actual light output from the front followspots, but using instead the positional data generated by SpotMe to control the moving lights to follow the actors. He assigned one SpotMe system to lead actor Michael Sheen and the other SpotMe to cover the

Dominican Republic - The Voice Dominican is being aired for the first time ever in the Dominican Republic and is being run from the largest studio in the country by Procapital Films and RAM Productions.
Paulinho Lebrão, a Brazilian designer, has recently had the opportunity to work on this project. Working for BM Eventos, the lighting, video and sound supplier of the Voice Dominican, Paulinho is the owner of FOH Lighting Control, established in 2009, specialising as a light programmer and operator. He has been using wysiwyg since 2016.
As with everyone in the industry, struggling through the pandemic, Paulinho has been no different, taking this time to focus on his family and expand his skills and repertoire of abilities. Rather than think of it as a negative, Paulinho used the time to evolve into a more forward-ready person, for when our industry kicks

Italy - The 17th Century Teatro Municipale in Italy’s Piacenza reopened its doors with a endition of Verdi’s Requiem. Directed by Placido Domingo and performed by the Arturo Toscanini Philharmonic orchestra and the City Theatre Choir, the concert was held in front of a socially distanced in-person audience and live streamed, utilising a KLANG:fabrik unit to deliver those at unable to attend with a 3D audio mix.
Traditionally used for in-ear monitoring, with the emergence of live streaming, KLANG systems have more recently found favour with productions for spacial audio mixes for online viewers, making their listening experience engaging and immersive.
Federico Bianchi, audio engineer and KLANG specialist for Italian distributor AudioLink, was approached by Acid Studio, the theatre’s technical partner, to work on the mix for the live stream of this special

USA - The Brooklyn Mirage is an aptly named open-air live music venue located in the heart of New York City’s most populous borough. The sanctuary in the East Williamsburg area of Brooklyn recently reopened after a 15-month hiatus and now greets crowds of eager live music fans with a an IP-rated lighting package from Elation Professional.
The Brooklyn Mirage lies in the Avant Gardner complex, an 80,000sq.ft site that occupies an entire city block. The vast complex includes an indoor space, The Great Hall, and an intimate club space called The King’s Hall, as well as the outdoor The Brooklyn Mirage.
The large courtyard is surrounded by towering walls and is lined with palms and other foliage. Multi-tiered, it includes a balcony that encircles the courtyard, as well as a fourth level overlook called The Crown. The venue hosts all types of events - corporate or privat

Austria - For the first time, Linz State Theatre (Landestheater Linz) moved outside in order to beat COVID restrictions for its summer series of opera/operettas, dance, plays and galas. The Schlosspark at Linz Castle provided an impressive alternative setting for the month-long programme in the Austrian city.
With trees and the Castle itself providing the backdrop, the experiment proved to be a success, as rental company (and Martin Audio partner) Z-VT fielded a large proportion of its Wavefront Precision scalable line array inventory.
The entire staging infrastructure needed to be built from the ground up and recognising that the audience area was much wider than it was deep, Z-VT populated the stage with three hangs of 12 WPM Mini array elements, supported with subs and in-fills, all driven in one-box resolution from a total of six Martin Audio iKON iK81 amplifiers.

USA - The Landon Arena at Stormont Vail Events Centre has been the place to see basketball and hockey games in Topeka since it was constructed in the 1980s. The 7,000-seat multi-purpose arena also hosts large events and live music. Avant Acoustics chose Fulcrum Acoustic loudspeakers to upgrade the sound system during the latest renovation.
Avant Acoustics specified Fulcrum’s FH15 Full-Range Coaxial Horn for its broadband pattern control to avoid interferences caused by the room reflections. “We considered a system of distributed line arrays, but that would have been cost prohibitive, as would adding acoustical treatment,” says designer John Hodgson. “We knew that Fulcrum’s FH series would provide the level of audio quality and clarity that was required even in the absence of additional acoustical treatment for the room. We listened to a demo of the new FH loudspeak

Poland - Streamed performances have become a routine way of taking the performing arts to audiences on a scale that nobody could have anticipated just 18 months ago. After difficulties with the technical sound production of Opera Wrocławska’s first streamed production, a Yamaha Rivage PM7 digital mixing system has changed everything for its audio department.
Streaming has offered a vital lifeline for the arts during the pandemic, but there has been the question of whether larger scale productions like orchestral concerts and major theatrical shows can stream their performances with the necessary artistic effect? An essential part of achieving this is, of course, how the production sounds.
In 2020, Poland’s Opera Wrocławska embraced live streaming, but it was presented with two key problems: Firstly, of 300 staff, the venue’s sound department comprised just thre

Sweden - Improving the sound for the congregation in an ancient church can be a difficult task. But Yamaha’s VXL series slim line array speakers make it much easier, as demonstrated in the medieval church at Säve, near Gothenburg.
“The church’s audio system was at least 20 years old. It was outdated, with a non-standard mixer and speakers/amplifier designed for home use. So it could not possibly deliver sound of acceptable quality,” says Sten E. Ranwald of Gothenburg-based Ljud & Säkerhet.
Sten was asked to improve the 13th century church’s sound but, because of its historic structure and decor, it needed to be done very sensitively. “We could not interfere with the structure of the church or place any equipment that would have a visual impact,” he says.
“After the old system was removed and while the church’s electrical system was being

China - The Peacekeeper Elite League is the highest level of eSports competition for the videogame Peacekeeper Elite - the localised title of PUBG Mobile in the Chinese market. And while esports is a burgeoning market in the live production world, the production costs across these performances have traditionally been high due to the need for dedicated, on-site staff and expansive cable runs connecting many different video and audio feeds.
To mitigate this challenge, VSPN - a co-organiser of the Peacekeeper Elite League - recently experimented with a new way to host its events by relying on Audinate’s Dante for broadcast audio over a vast geographic distance.
On 3 May, the first weekly final of the Peacekeeper Elite League 2021 S2 season was held in Chongqing Banan Huaxi Sports Centre. Twenty professional teams from across the country gathered in the mountain city of

USA - Dierks Bentley’s current Beers On Me tour is providing an emotional and welcoming reunion for the singer/songwriter’s production crew, who are savouring the experience of being together on the road again connecting to fans and entertaining them after a long lockdown.
Contributing to the positive atmosphere at the shows is a deep and immersive Bruce Rodgers production design, engagingly lit by Chris Reade with help from Chauvet Professional fixtures supplied by Christie Lites.
“My job is to piggyback on Bruce's vision, and really push a perspective that pulls fans into the performance and personalities on stage,” said Reade, who with his partner Jay Ballinger, is the owner of Las Vegas-based KYVA Design, LLC. “This design is very much about angles that engage you visually.”
A key component of the set design is a V-shaped video wall. Roughly 50ft

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